India Books

In Pointers From Nisargadatta Maharaj, devotee Ramesh Balsekar provides further insight into the teachings of what many consider a master of Advaita Vedanta. The teachings are both simple and profound -- and often full of paradox. To "understand" them requires the relinquishment of thought. To "explain" the teachings reduces them to concepts which are inherently false. That is probably why the book it aptly titled "Pointers..." The real truth, according to what Balsekar shares of Nisargadatta's teachings, is "apperceived" directly. And it's based on the deep understanding that there is no individual entity at work...

"The main point in Maharaj's teaching is that in this living-dream of life we are not the dreamed characters, which we think we are, but that we are the dreamer, and it is our mistaken identification with the dreamed character, as a separate independent entity as the 'doer', that causes the illusion of 'bondage'". Pages 202-203

If you have read the classic "I Am That", this is an excellent aid in providing further clarification into our true nature. Enjoy it for all the gifts it brings you.

This book has an amazing feature, which is that it conveys the spirit and presence of Nisargadatta in such a powerful way not even I AM THAT does. The pointers are absolutely clear and straighforward, and they deal with a wide range of cases. No doubt can remain as to the nature of our true self after the reading of this teaching. In a misterious way, Ramesh was able to be the interpreter of the teaching without interfeering with it in this occasion. This teaching (and the way it is presented in this book) is certainly far superior to anything the same Ramesh could have written of its own.

This extraordinary book written by Ramesh S. Balsekar focuses the seekers mind even more pointendly, no pun is intended, than the spiritual classic, I Am That. Aptly titled, Pointers reduces the whole of the seekers spiritual quest into a finite, simple and yet expansive conclusion of unification. If the reader is ready and intuitive, by this I mean to imply his/her spirit is ripened to be plucked from its vine, then no other words beyond Ramesh's Pointers will ever be needed. I highly recommend that all seekers read I Am That as a prelude to Pointers if they wish for the fullest experience possible, they will be rewarded for their patience.

After reading POINTERS From NISARGADATTA MAHARAJ and JEAN DUNN three books on NISARGADATTA MAHARAJ Talks ( PRIOR TO CONSCIOUSNESS , SEEDS OF CONSCIOUSNESS , CONSCIOUSNESS AND THE ABSOLUTE ) It answered why the body was born or should it be said " What were you before you were born " .

Three good POINTS in the book - Consciousness is the illusion . Second - You were before Consciousness and third- the problem with concepts. Understanding these three POINTS made Knowledge and Ignorance seem the same. Perhaps the pupose of life is to understand that what is creating the illusion is consciousness itself.

In one of the NISARGADATTA MAHARAJ books there was a simple sentence that was so powerful and went something like this " THE SEARCH FOR REALITY IS THE MOST DANGEROUS OF ALL UNDERTAKINGS FOR IT DESTROYS THE WORLD IN WHICH YOU LIVE"

Thank you.

If you are ready this book is all you'll ever need, if not it will certainly plant the seeds of awakening. Not only does Ramesh Balsekar translate the words of Maharaj, but goes on to expand and clarify the wisdom of his Guru as only an enlightened disciple can. This is the perfect follow up for Maharaj's classic, I Am That. But Please don't let your mind be put off by Nisargadatta's gritty approach. Because of the Guru's declining health, this book's tone does sound a bit harsh by ignoring common civilities and going straight to the core of truth. Yet that is exactly what we need to realize.

If you loved The Far Pavilions, you will love Shadow of the Moon as well. This beautifully written book withstands the test of time. I was able to get the original version from my library as opposed to the abridged version which evidently came out some years later.
M.M. Kaye writes of a time in India surrounding 1857 and places you there with exquisite descriptions of the land, its people and that time of unrest. My favorite aspect of her writing is her female heroines; they live up to that role and are not reduced to inane conduct for the story's sake. She writes about them in a consistent and believable way. The secondary characters fill out the depth of the tale for a complete array of personalities. She does not hold back conveying the idiotic manner some Brits behaved during this event, adding the perfect touch of realism to this story. Very highly recommended.

M. M. Kaye's extraordinary novel "Shadow of the Moon" combines historical fact with a wonderful love story set against the beauty and complexity of India during the British Raj. One of Ms. Kaye's gifts as a writer is her ability to create three-dimensional characters and plausibly insert them into historic events. Here she intertwines her cast of characters with history and through the microcosm of their lives we view the dramatic events of the past.

The action in M. M. Kaye's novel pivots around the Mutiny of 1857," also called the "Sepoy Rebellion." Indian soldiers in the Bengal army of the British East India Company rose against their British rulers in May 1857 and the violent uprising quickly spread throughout British ruled India. "Shadow of the Moon" is the love story of an Anglo-Spanish heiress with vast land holdings in India and a political officer of the East India Company. The author intertwines the lives of these two central characters, and a large supporting cast, with historical events to create a wonderful epic novel.

Ms. Kaye has written more than a historical novel here, although the book is full of romance, intrigue and the extraordinary colors of India. The author is the daughter of Anglo-Indians and writes with an obvious love of the country and all its varied cultures. She portrays many of the colonialist characters with the arrogant and superior attitudes so prevalent at the time and juxtaposes them and their narrowly focused lives against the realities of the world which surrounds them. These Victorian colonial attitudes, beliefs and zeal to spread their culture and religion appear to have made the uprising an inevitability.

I couldn't put this novel down and can't recommend it highly enough!
Jana

This is a superlative work of beautifully written, well-researched historical fiction by the author of the best selling, sweeping epic, "The Far Pavilions". The author was born in India, where she lived most of her life. Her love of that country is evident in her loving, descriptive passages of the land of her birth. Her assessment of Anglo-Indian relations during the time of the British Raj is infused in the characters of her spellbinding novel. With exotic, mid-eighteenth century India as a backdrop for most of this engrossing story, the reader is swept away by its beautifully descriptive narrative. It is in India that the fate of a beautiful, young, Anglo-Spaniard heiress with the improbable name of Winter Ballasteros and that of Captain Alex Randall, a commissioned officer with the East India Company, are irrevocably intertwined.

Born in India and orphaned at an early age, Winter is brought up in England but is always longing for the land of her birth. The opportunity to return home to India presents itself when she is betrothed at a tender age to the debauched Conway Barton, the grasping Commissioner of Lunjore, who is many years her senior. Captain Randall, who is sent by the Commissioner to escort his betrothed to India, is loathe to do so, knowing the Commissioner to be no fit husband for a seventeen year old girl, Moreover, Captain Randall is keenly sensitive to the potentially dangerous feelings of unrest that seem to be sweeping India, as its native population begins to chafe under the insensitive rule of its colonial masters.

Once in India and against a backdrop of native unrest, Winter and Captain Randall slowly begin to develop a relationship. When the Sepoy Rebellion of 1957 occurs, Winter and Captain Randall are thrown together. They discover that they must struggle to survive the madness and bloodlust that is all around them, as they witness atrocities beyond comprehension. The author gives a vivid re-creation of the Siege of Delhi, as well as a plaintive telling of the massacre of women and children at Cawnpore, a horrific bloodbath from which even the natives themselves shrank. It is against this tumultuous, historical backdrop that the personal drama of Winter and Captain Randall is juxtaposed.

With a wonderful cast of Indian and Anglo characters, the author gives the reader a sense of the vastness of India with its many different religions and castes. She successfully depicts the colonialist attitudes that would serve to unite Indians whose paths might not ordinarily cross and galvanize them to take violent action in an attempt to break the oppressive, colonial yoke. The Sepoy Rebellion of 1857 would be a lesson that England would long remember.

This is a riveting novel that those who love well-written historical fiction will enjoy, as will those who simply love a well told tale. Bravo!

This was just an amazing book. Once the author set up her characters and story line things just cooked along -- be prepared for the last 200 pages, because you will not surface for air until it's done! We have Winter, a wealthy heiress born and orphaned in India and sent to England to be raised by mostly uncaring relatives(except for the great-grandfather). When her great-grandfather dies, she is sent at the age of 17 to join her fiancee under the care of Alex Randall, who unbeknownst to her is now a debauched, obese drunk. Alex does try to tell her, but she maintains her childhood image of her "hero" and will not listen, to her great regret.

Lots of trials and tribulations as our hero and heroine travel back to India, the meeting and marriage to Conway and the Sepoy rebellion, and vividly portrayed by an author who has a great knowledge and love of the country and it's history. This is not only a story of two lovers, but one of stubborn, bigoted officials hiding their heads in the sand, treachery, intrigue and the brutal way in which the rebellion played out against the British, even shocking some of their own people. As with The Far Pavilions, it is shocking to see after 150 years not much of life and politics has changed in the Middle East, nor should the Europeans (or Americans now for that matter) be interfering in their life, culture and religion.

Highly recommended for any lover of historical fiction, India, or just a darn good book. This would make an awesome mini series, the sequences from the attack on the British and Alex and Winter's escape are just breathtaking. As a side note for those loooking for well written books for younger readers, this should be a good choice. Originally written in the 50's, the love scenes are quite chaste. Just be prepared for some gory, though accurate, portrayal of the violence aginst the British (including women and children) during the rebellion.

If you enjoy this book, I would also recommend Zemindar. The same topic, the Sepoy rebellion, and beautifully written. The author's prose was gorgeous, very reminiscent of Charlotte Bronte.

"Shadow of the Moon" is the story of the time before and after the Sephoy rebellion. It is the story of two people who are passionate about India, Winter and Alex. As an officer in the Indian army, Alex is asked to escort seventeen year old English/Spanish/Indian heiress Winter back to the land of her birth, to the man she has been engaged too since age eleven. Alex expects an older woman-a spinster with no other option than to marry his corpulent, drug and alcohol addled chief. But Winter's true age, and her childish attachment to the handsome man she was affianced too brings out a resented sense of responsibility in Alex and he continues to watch over her in India.

I read in the back of my copy of "Shadow of the Moon" that the original version, published in the 1950's, contained less than half of the original manuscript, which was re-printed in its entirety in the 80's. It's easy when reading this book to see what would have been cut out-M.M. Kaye is great at describing social interactions, clothing and landscapes but she isn't so good when describing the politics that went on before the Sephoy rebellion. So the original book would have been (I imagine) a romance with very little insight to the political ramifications of the British occupation of India. It's a pity that the real manuscript took too long to come out because while it has its slow parts it is a very complete picture of two very different societies occupying the same space and expecting to co-exist.

Winter and Alex, our main characters, represent two very different aspects of India. Though both were born and to some extent, raised there, neither is actually of the land (though they both posses physical traits which allow them to fake it.) Winter, because of her sex and marriage is incorporated in British India, and Alex, even though he works for the British army, has an understanding of the Indian feelings toward the British that most people can hardly grasp. So he spends the majority of the novel sneaking around, finding information about the rebellion he believes will happen soon. Naturally, no one believes him because with the conceit of the conquerors, the British believe they are enhancing and improving Indian society and culture.

Naturally our hero and heroine develop feelings for each other-which come to a head at the worst possible moment when they are hiding from Indians who are outraged enough to commit atrocities beyond belief.

Like The Far Pavilions this an amazing novel full of romance, vivid descriptions of culture, places, clothing and attitudes of the time. While not quite as engaging as "Pavilions" (mostly because of the political discussions, which Kaye never really manages to make all that interesting though they should be fascinating) it is head and tails above Trade Wind.(Though of course everything Kaye writes is wonderful, it only varies by slight degrees.)

Five stars. But make sure you get the complete version!

This was my first time preparing Indian food. I found the recipes easy to understand, follow and to prepare. I have since used this cook book several times and now have made a goal to make all the wonderful food in this cook book. Just writing this review gives me the urge to cook Indian food tonight! Enjoy

We've tried a number of Indian cookbooks over the years, and the recipes have always seemed easy but produced very mediocre, often bland, results. This cookbook has the authentic recipes clearly explained. We've made a number of the dishes and they have turned out exactly as the dishes found at the restaurant (i.e., delicious!). I don't have trouble finding all the ingredients at nearby Indian/Middle Eastern grocery stores. But one issue is that there are some classic vegetarian dishes that I wish they would have added: Palak Paneer (spinach with homemade cheese), Chole (curried chickpeas), and Dum Aloo (dry-cooked potatoes with lots of spices). Also, the Aloo Gobhi recipe is quite flavorful, but should be a little less oily in my opinion. Otherwise, this is a really great resource for some classic Indian main dishes, appetizers, and desserts. It's been especially useful since the restaurant is a bit pricey, and we've gone out to eat less frequently now that we have kids. Thanks, Mr. Moorjani!

My first experience with Indian food was back in 94 at Ajanta located on Solano Avenue in Berkeley, and I've fallen in love with Indian food ever since. The problem was, however, everywhere I went-- NOTHING compared to the dishes Mr. Moorjani created at his restaurant and I always craved to return to the area just to try what delightful creations he's created for his ever changing menu. SO I was extremely pleased when he published this cookbook, AND even more impressed when a novice like me tried to make 4 of the dishes and it came out just like the flavors at the restaurant. The recipes seem complicated, but if you enjoy cooking and love Indian food, the directions are detailed, easy to follow and worth the time and effort. The dishes are perfect to feed 4-6 people and I think the appetizer dishes ( i.e. portobella mushroom/asparagus) are ideal for an impressive potluck dish. Not only do you get GREAT recipes, but I appreciate the variety of flavors that reflect the different regions of India.

I have made five of the recipes so far and each has been a complete success. The only challenge, as another reviewer has mentioned, is compiling the necessary spices. Ajanta restaurant sells a spice box called "Shanti's Spice Box" for about $30 which is available on their web site. I've purchased two - one for myself and one for a friend. The ingredients in the box are in quantities proportional to their use in the cookbook, so pretty much everything you'll need is there. The spice box makes following these recipes really easy. The cooking techniques may seem a bit different, but they are well-explained and straight forward. Just read through your recipe completely and have everything ready before you start and it will be a success! Two favorites: the green bean and potato recipe shown on the cover and the prawns bhuna masala.

I bought this book after stumbling into the Ajanta restaurant in Berkeley. My friend and I were incredibly hungry and were craving Indian food- and Ajanta was the only restaurant left open on the top part of Solano Avenue.

I am soooo glad I accidently stumbled into that restaurant! That night they were having a party for Lachu Moorjani, who had just put out his cook book. I remembered really enjoying the cuisine (especially all of the dipping sauces used for the samosas), so I thought I should get the book and try recipes.

Me and my family have tried numerous Indian recipes from online as well as in other cookbooks, but the results are always substandard....sauces are drippy, no taste, spices aren't just right, etc. And when it is so easy to get good Indian food in Berkeley, I would just give up trying to cook my own Indian food...until I found Ajanta!

And now I live in a smaller Midwestern city with limited Indian restaurants (I think there are maybe one or two here)---I am soo appreciative of the book!

The Ajanta recipes are fabulous! Between my sister and I, we have made about 8 recipes- all of which turned out well, if not extraordinary. None were disappointing! And all were so tasty! I am so excited!! If anyone loves Indian food, this is the book for you.

This is the first book I read about Amy Carmichael's life. It is very interesting and since reading this, I have purchased many many books that Amy wrote herself. My top 3 recommendations are IF, Kohila, and Lotus Buds. However, any of her books are wonderful.

This book by Elizabeth Elliott gives an overview of Amy's life and pictures. If you want to know about her, this is the book to read.

I have read this book twice over the last decade and each time it has given me life principles applicable to the time of life in which I read it. I would highly recommend this book to anyone who needs an example to live by. I couldn't help but think that if God could do such things in Amy Carmichael, He could certainly do the same in me. What a challenge!

Amy Carmichael has been a great model to follow. Her love for the Lord spilled out to those whom she saw as His children worth saving ... even though they were considered worthless in their culture. God uses Amy's ferver to encourage me to continue on in difficult places. Thank you Elisabeth Elliot for using your God-given writing talent to so articulate the life of this precious woman of God. Your labors go hand in hand with Amy's in bringing in more souls for the Kingdom of God. To God be all the glory!

Amy Carmichael is a hero of mine. I first read this book many, many years ago after God broke my heart for the nations. I admire this single woman's faith and "heart like flint" as she left family, comfort and friends to serve the Lord in India. She went out not knowing exactly where she was going (like Abraham) yet trusted in her Father to guide and direct her. Indeed, she lived out Isaiah 54 as she became a spiritual mother to many poor children who were sadly abandoned and/or neglected in India.

With a simple, resolute and steadfast faith, Amy built orphanages to defend the orphan and preach the good news to the poor. Her life was soul satisfying, multiplied and poured out as a sacrifice that others could live and find Christ. Beautiful.

Amy's like will inspire and encourage you to PURSUE the call on your heart and to trust in the Lord for provision, security and guidance.

Regarding Elisabeth Elliot, the author, I had the gracious opportunity to meet her in person.. and she is a sweet aroma of Christ as well. She trusted and followed in her Savior, despite the pain of losing her first love, Jim Elliot, as a martyr in the jungle of Ecuador. Through the death of her husband and four other Christian missionaries, many, many were saved - and many Christians called to the mission field. You can read more about their journey by reading:

Shadow of the Almighty: The Life and Testament of Jim Elliot

Amy Carmichael is a woman who dedicated her life to serving "the least of these" with a heart focused solely on Christ. A story full of incredible truth and sacrifice in the name of the love of God.

This book is a moving account, part biographical, part medical that gives incredible insight into the experience of pain. Pain is protective and a subjective experience. Dr. Brand makes things imminently clear and understandable. Great read.

I have not quite finished reading this book (though I've skimmed the last chapters and know some of their content), but I am so excited about it that I could not wait to post this review! Be forewarned: those reviewers who used the phrases "can't put it down" and "the dishes will stack up" and "a page-turner" are not exaggerating. Every day I look forward to the time when I can open this book again and read, and I have lost not a few hours of sleep staying up late to read just a little more.

Paul Brand's account, expressed in Yancey's superb writing, of his investigation of the causes of leprosy and its devastating effects reads like a detective story, with pieces of the puzzle falling into place one by one. The stories of successes and failures are always placed in the context of the lives of real people. Brand's reflections on pain are never heavy-handed, always instructive, sometimes challenging, often humbling and awe-provoking.

If you work in the medical field, as I do, I cannot urge you strongly enough to read this book!! It should be required reading in every medical school, nursing school and PT/OT school. I have already started to re-tune my approach to patients with pain a little, and I have begun rethinking my own pain of various kinds.

Paul Brand was a compassionate genius of the highest order. I've never heard that he won a Nobel Prize for medicine or the Nobel Peace prize, but he should have. He applied his genius with sacrificial energy, enthusiasm, humility and humanity to helping "the least of these".

I wish I had read this book sooner. I recommend it more highly than I can express.

This was the first book that introduced me to the writing of Philip Yancey. He is a truly great writer and this story of Dr. Brand's life is exceptional. I suffer with chronic pain and have for many years. I was profoundly impacted by the wisdom of this book and found that reading it has made a healing difference in how I view my pain. Not only that, the tale of Dr. Brand's life is fascinating. I never knew much at all about leprosy and thought it was a disease of the past.

I think the title can deter some people from reading it. I remember hearing about it when I wasn't in chronic pain and it definitely did not sound like a subject I wanted to dwell on. For some reason, though, I purchased it and put it up on a shelf for years. One day I happened on it--when I was ready to read it.

Do miss this. The human body and the God who designed it is truly amazing.

I am a hand therapist, an occupational therapist who specializes in hand and upper extremity conditions and injuries. Paul Brand was an amazing man, an inspiring teacher and writer. Of course Philip Yancey coauthored this book, but this is Brand's own voice. It reads much like his professional writing, with clear and vivid analogies to explain difficult concepts. I never had the privilege of working with him, but I was lucky enough to spend time with him at various conferences and courses. He was a deeply spiritual man who spoke with both authority and humility, and possessed a sparkling sense of humor.

The book does not by any means cover Dr. Brand's entire career, but sheds a very bright light on the groundbreaking work he did with Hansen's disease (leprosy) patients. In the US, he moved to the Carville, Louisiana Hansen's disease center and continued to publish his writing, and to teach and guide hand surgeons and hand therapists. He was made an honorary member of the American Society of Hand Therapists, one of many honors showered on him throughout his distinguished career.

Please read this book. It will inspire you and give you fascinating food for thought.

Dr. Paul Brand's "The Gift of Pain" (with Philip Yancey co-authoring) is probably my favorite-ever book. It reads like a mystery, a biography and a story-teller's yarn all at the same time. Be careful - once you pick this book up you won't want to put it down; the dishes will pile up in the sink and you'll stay up later than you should, reading by flashlight if necessary. Apart from the Bible, I can't recall any other book that has been so uplifting to my soul. It is the only book that, after reading a library copy, I bought not one but two copies: one to keep and one to loan out to anyone I can encourage to read it. The Brand/Yancey team also wrote two other excellent works ("In His Image" and "Fearfully and Wonderfully Made"), and there is a biography of Dr. Brand entitled "Ten Fingers for God." All well worth reading, but "Pain" is by far the best. My only regret is not having met Dr. Brand personally. If I had to choose one man (apart from Jesus himself) to point out to my son and tell him, "Grow up to be like that man," it would be Dr. Paul Brand. Do your soul a favor; read this book!

My friend gave this book to me because the book was "thicker" than what she used to reading, and till this day I still thank her for giving me this book for it is a GEM!!!! I tried reading it on a whim and was hooked by midway through the 2nd chapter. The story was soooo addictive that I neglected my school works to read it; I read it in class while my teachers (I was in high school) lectured. I think what made this story different and why it has made a lasting impression on me was the way Holt expland the time the plot takes place. Other stories have their main characters married or fell in love by 6-8 months (some sooner and some later) but Holt takes you through a journey that took years to happen, and she gave all her secondary characters dimension and depth. I may or may not be making sense in my fascination w/ Ms. Holt's work, but other Holt fans would understand me (i hope :D). I also loved how Ms. Holt created the air of romance without (too much of, if at all) pre-marital sex. Call me crazy but i was sooo into her characters that long after finishing the book, i sometimes wondered how "Fabian and Drusilla are doing now, or how many children did they end up having...etc"

I rank The India Fan as one of Victoria Holt's best. Drusilla is an excellent narrator and as in Holt's best, the romance doesn't blindside you out of nowhere, nor does the "hea" seem incongruous because we're shown Fabian's growth and love for her through their interactions. And as is apparent in most of Holt's novels, The India Fan doesn't stint on the lush, vivid descriptions of Indian life and the massacre at Lucknow.

This is my second Victoria Holt book and it is so beautiful. Although I don't get why saves Lavinia so many times , although she does get rewarded. It's a good thing that Lavinia dies anyway.She defineitly deservered that.But this is a pretty story but not as 'The Silk Vendetta', which is a 10 times better than this . But still it is addicting. I recommend this to anybody who likes romance and mystery . But this one has more mystery and doesn't really tell about the Indian culture that well.

This book is AMAZING! Ms. Holt did a wonderful job decribing Drusilla's feelings and the setting in which the book takes place. It's about a vicar's daughter who gets forced into becoming friends with selfish Lavinia Framling and helps her out in many ways ( like helping Lavinia through her pregnency of an ilegimate daughter ). Drusilla is faced with many problems throughout the book. One problem, deciding if she loves Fabian Framlimg ( Lavina's older brother ) who has admitted his feelings for her! This is a book that you will only find once in a life time. If you like Victoria Holt and romantic suspense and mystery than this book is for you! I will read this book probably 100 times and NEVER get sick of it! Yes, that's how good it is! READ THIS BOOK!!!!!!!!!!!!!!!!

The central character of the book is Drusilla Delany. From her childhood Drusilla's life had been dominated by the Framling's - Lady Harriet, her son Fabian and her daughter Lavinia.

As a child Drusilla had played with Lavinia, and later they are sent away together to a finishing school in France. There Lavinia's wild and wayward behaviour leads them both into trouble.

After marrying, Lavinia leaves England for India, and later Drusilla accepts an opportunity to join her there as governess to Lavinia's children.

Arriving in Bombay Drusilla finds that Lavinia has not learned from her previous disasters.

The story moves between England, France and India and covers the period of the Indian Mutiny against the British in the mid 19th century. It is written mainly in the 1st person.

I didn't think this story would interest me, but I was enjoyably surprised; I think because the story is so well written.

Victoria Holt was one of the pseudonyms of Eleanor Alice Burford. After marrying she became Eleanor Alice Hibbert. Others she wrote under included Jean Plaidy, Ellalice Tate, Kathleen Kellow, Elbur Ford, Philippa Carr. She wrote almost 200 books under these names!

Her books are VERY addictive!

Sadly, most of her books are out of print at the date of this review. Some can be purchased on the Internet or from second-hand bookshops.

I love Jim Corbett, I don't know if any author is better at transporting you back in time & making you feel like you were there. A warning though, once you start reading a Jim Corbett book you will need to find more of his books they are addicting. Also you will be hard pressed to find stories as exciting. This book wasn't as good as Maneater's of Kumaon. If you haven't read any of his books start with that one.

Corbett is a natural writer and combines his knowledge of the jungle with uncanny hunting skills to give us one of the best Indian adventures ever written.

Reading his books is not just following a maneater with a gun - it is a journey into the days of the British Raj where you will be transported into the remote jungles of Northern India, read about the simple people and their unsophisticated lifestyle. There are no villians, no suspicious characters lurking around and nobody to provide humour. You just have village folk trying to eke out a living which is sometimes interrupted by a feline with a taste for humans.

This particular book is about one leopard which terrorised a large region for many years and claimed about 420 lives. To understand what these people must have felt, it must be noted that in those days there were no high security fences, no guns or any kind of technology to track the leopard. Yet the people had to enter the forest to earn their daily bread. There is an unforgettable chapter in the book titled 'Terror' which starts something like this:

'During the day, people went about their lives as usual. Trade and commerce, transport and all other transactions went about their normal way. But as evening approached, there was a marked change in their behaviour. Pilgrims rushed towards their night shelters, businessmen closed shops abruptly and people scurried towards their homes for relative safety. No curfew was more strictly imposed. No orders to remain indoors were observed as faithfully.'

This is one of the books which shows that for writing adventure you don't need weapons or FBI investigations. All you need is a writer with a big heart who loves what he is doing and knows what he is talking about.

If you like adventure literature, you should find this piece really wonderful. I read it while I was alone at home for a week and I started to "feel" leopards all aronud the house at night. Very well writen, hard to stop reading.

This book is available from the Oxford University Press website: http://www.oup.com/

I just purchased a new copy for 12.49 British pounds including shipping to the USA which is just over $21 USD (December, 2003) I don't know why the new/used books advertised on Amazon by private sellers are so expensive.

If it's anything like Corbett's "Man-eaters of Kumaon" it is a masterpiece.

Another excellent book from the corbett library. Its true that fact can be stranger than fiction. And no where is it more evident than in the story of the maneater of rudraprayag.

Corbett is out to kill this very clever and wily old leopard in the second half of the 1920's. The leopard is believed to have made its debut as a man-killer following the influenze outbreak of 1918. Corbett hunts this killer over two years. In an intense battle of nerves between the best shikari that ever was and the wily leopardus, corbett's life hangs by a thread many times. On one dark stormy night, robbed of his defenses, he makes his way back to the village after a failed attempt in an experience that he terms his scariest. Another time the leopard snatches a goat right under his nose and gives him a run for his money! All and many illustrations of man's utter helplessness when a clever maneater turns against him.

In the end, corbett suceeds in putting a bullet where it truly belongs - in the maneater - to end its career. In true corbett fashion he has a soft spot for the old dead leopard, which gave him such a sporty fight. I am sure they both met again in the happy hunting grounds!

A wonderful book by a wonderful man.

This book is a great source for aspiring fashion illustrators. I would highly recommend it. Teaches you how every aspect from shading, to creating fabric folds, to drawing lace, and plaids. In addition to this book I would also recommendDraw Fashion Models! (Discover Drawing Series), which briefly goes into how to draw flats.

This book is great. It's excellent help for anyone interested in sketching fashion figures or going into fashion.
Bina Abling has published lots of books, but each edition of this Fashion Sketchbook keeps getting better and more refined.

This sketchbook is very comprehensive and great for all levels of fashion sketching. It is a wonderful book if you are trying to conquer the croquis. I was an absolute beginner and this book has developed my skills greatly and the step by step lessons in the book are extremely helpful. This book is spiral-bound which makes a big difference when practicing, especially if you like to using tracing paper prior to your sketching attempts. Not all fashion drawing books are spiral-bound so make sure you take note, it makes a big difference when working on your art.

This book was exactly what I needed for my fashion illustration class. I received it in perfect condition. I really like it!

This is The authority on illustrating for fashion. Abling's attention to detail and artistic ability make her a perfect tutor on the topic, and every explanation is clear--it's the sort of thing where you look at the example, and it clicks in your head, "Oh, Now I see!".

The book goes over Everything you need, but in case you want to know exactly what is inside, here is a quick summary:

Ch 1: Fashion Figure Proportions
Figures on grids broken down in several ways, extensive work on proportion. Abling divides figures into geometric shapes: foot, head, hips, chest, upper arm, thigh; she then puts them together, showing how they fit and relate to one anther. It then goes further and shows how different poses and types of movement affect the torso (upper and lower), as well as different types/shapes of figures, from the elongated fashion figure to petite and full. The chapter also features a figure map, interpretations of anatomy, different poses and artistic approaches, balance, and movement.

Ch 2: Basic Figure Forms
Drawing legs, arms, feet, shoes, hands, fingers, and foreshortening. There are so many helpful diagrams from multiple perspectives, numerous poses.

Ch 3: Model Drawing
Gesture drawing, exercises on isolated sections of the body, angles, and more; balance line, supporting leg (where the weight is distributed so the figure looks planted to the ground, not floating around or unevenly/awkwardly perched), arms.

Ch 4: Fashion Heads
Faces, different ethnicities, facial features, dissection of the head with a map on the placement of eyes, nose, lips, etc. The head in different positions, from different angles; techniques to maintain proportion and balance: diamond technique, working with angles and planes of the face, shading/highlights/shadows. Hair: styles, hairlines, period styles.

Ch 5: Drawing Men
Comparison to female figure, legs, arms, hands, hair, gesture, dressing the figure, suits, and details on how the fabric falls, where to put certain features like the cuff, armhole, etc. Proportions, classic menswear techniques, fashion croquis technique, vintage styles.

Ch 6: Drawing Children
Proportions by age, with many dissections and comparisons, tons of helpful illustrations and examples. Infants, toddlers, children, tweens; heads, facial expressions, hairstyles, arms, hands, legs, feet, vintage styles.

Ch 7: Garment and Garment Details
Necklines, collars, sleeves (different types, lengths, etc), skirts (folds, fall of fabric, gathering, flaring, volume, pleats), pants (folds, gathering, lengths, fit), blouses, blazers, jackets, coats, ruffles, smocking, shirring, cowls, fur, quilting, formal gowns, applying the concepts to garments.

Ch 8: Accessories
Jewelry and how they sit on the body, eyewear, hats (male, female), belts (types, fit), trims, notions, closures, handbags, shoes (different angles, heel heights, types).

Ch 9: Basic Rendering Techniques
Working with stripes and other fabric types/prints. Shading, highlighting, rendering with marker, fall fabrics, more fabric types: shiny fabrics, flat/matte, sheers, layers, velvet, satins, chiffon, etc. Working with all black fabrics.

Ch 10: Color Rendering
Chapter features color renderings to show skin tones, menswear with marker, children; using gouache, using watercolors, rendering hair in color.

Ch 11: Drawing Knits
Necklines, knit patterns, treatments/embellishments.

Ch 12: Designer Sketching and Fashion Illustration
Poses: I-pose, S-pose, X-pose, T-pose. Attitude, "look" and feel, style, emphasis.

Ch 13: Drawing Flats and Specs
Layout styles, freehand sketching, proportion, chart on measurements by size: Women, Men, Unisex, Belts, Hats, Socks. Gathering, buttons, closures, top stitching. Mixing croquis and flat drawings.

Ch 14: Layout
Combining multiple drawings, elements, or figures; groupings,

Appendix
More necklines, collars, sleeves, armholes, tops, dresses, skirts, pants, jackets, coats, sleepwear, underwear, design details, ties, hats, waistlines, pockets, handbags, shoes, collars, cuffs.
One of the neatest sections in the book is titled "problem spots" and features examples of the right and wrong way to do various details. Showing examples of how amateurs or beginners make mistakes and then showing the correct way works So well! Better than explanation, this simple and clear approach is crucial.

This book is filled with immensely helpful diagrams, exercises, and demonstrations. Every part of it is useful to students and designers, and because it is so comprehensive, this could be the single most important book in fashion illustration. If you could only have one book on the subject, get Fashion Sketchbook by Bina Abling.

The book reveals a surprising fact that the British had secretly redrawn the Indo-China boundary without Chinese agreement. Moreover,

When the British relinquished the Indian Empire in 1947, they started to translate the McMahon Line from the maps as the effective northwest boundary of India, despite that the Line appeared on its maps only ten years before. As the British departed, the new Indian government assured that they would complete their work: "If anything, they intended to pursue an even more forward policy than had the British."

I can't believe that we were all fooled by the media. India, not China was the aggressor!

Recently, India and China, the two most populous nations on the planet, have taken significant steps to improve a bilateral relationship deeply scarred by a 1962 war centering over a territoral dispute in an area bordering Chinese-annexed Tibet. This thaw in relations may reflect a generational shift in both countries since this dispute. It is not entirely surprisingly that press commentary on these events, notably in India, has also revived attention to this book published in 1970 by British journalist Neville Maxwell which focuses on the 1962 war which had since scarred relations between the two Asian giant.

Anyone who has not read this book, but has an interest in the future relationship of these two Asian powers, should read it, if only because it remains one of the most important, albeit somewhat controversial, reference on the Sino-Indian conflict.

Maxwell's account of this dispute is held by some observers, including many Indians I have talked to, to be biased against India, particularly as Maxwell (described in at least one Indian paper as a notroious Indophobe and Sinophile) has written QUOTE Indians will be shocked to discover that, when China crushed India in 1962, the fault lay at India, or more specifically, at Jawaharlal Nehru and his clique's doorsteps. It was a hopelessly ill-prepared Indian army that provoked China on orders emanating from Delhi, and paid the price for its misadventure in men, money and national humiliation UNQUOTE

It is timely to reintroduce this book and the controversy surrounding it, since any improvement in this relationship is likely to be mediated by a new generation in both countries, and to involve a generation outside both countries, which did not live through the 1962 conflict.

I don't think the book is biased against India, expecially after reading much materials about this war from Chinese side.
This book is exclusively based on documents from Indian side, so inevitably adopt many Indian assertations. for example, It claims that Indian army in this war was outmanned and outgunned by Chinese. In fact, the two army of both sides are of roughly the same size. Since China got many more strong neighbours and enemies than India, She has to maintain large forces on the border of Soviet Rassia, on the border of Korean in preparation for the possible invasion of US force, and on the southeast coast to watch Taiwan, who always threat to recover the mainland.How can Chinese outmanned Indian on the desolate Tibetan plateau?

another wrong Indian assertation in this book is that they believe Chinese army are better supplied in the war. If we simply have a look of a map we would easily know the Indian side of the border is mostly plain, while Chinese side is the vast mountainous Tibetan plateau.It's much more difficult to build roads on Chinese side (in fact there is no railway cuts into Tibet even nowadays, 2004). Indian army could be supplied by air, the Chinese actually were supplied by men and mules.The author could have easily know this point if he got chance to read some Chinese documents about the war.

Since the book tells the truth of Nehru's government's foolishness, arogance, adventurism and opportunist mentality, this otherwise excellent book however was not very popular in India, even to this date.

The disputed McMahon Line was a unilateral imaginary line drawn by the British colony authorities without the awareness of the Chinese and without consulting to the Chinese government. Therefore it was not challenged by the Chinese government before British withdraw from India in 1947. During Nehru's rein, he foolishly pursue the so called "Forward Policy" to take effective control the territory and border that the British imagined and wished to establish. But China in 1962 is no longer the China 1897 under Ching Imerial dynasty who was unable to exercise a strong protection of her own territory. Now Nehru faced with was a formidable Chinese Red Army (PLA) who was battle hardened and had just defeated Chiang Kai-Sheik in 1949 and have fought a war at par with the US army in Korea (1950-1953). Nehru foolishly believed China has no will to defend her territory by force. Therefore Nehru advanced to McMahon Line and tresspassed it. The "Forward Policy" inevitably provoked the Chinese garrison force and the war was erupted inevitably. Although the Chinese has tried to settle this by negotiations, but it was flatly refused bny Nehru's government. The result is the illprepared Indian force suffered humiliating defeat on both west and east fronts. The war however was stopped by a surprising Chinese unilateral withdraw back to the north of McMahon Line. The rest, is history.

Neville Maxwell's book was the result of his extensive research of the Indian Defense Department's archive. It sould be noted that Maxwell was unable to access the records from the Chinese side. So how could it be biased against India? For the reason along, how could it be said he was a Indophobe and a Sinophile? For a loser who does not learn from his mistakes and admit his own failure and shortcomings, a bigger disaster is waiting to happen.

This book is definitely one of the best book I've ever read about a limited war between two countries. While I don't think the author has any bias against India, as one of my fellow reviewers suggests, I believe other reviewers have already discussed the merits of this book. I would only like to add three points in this discussion:
1. It is really sad that the UK's imperalism/colonailism haunts these two countires even after withdrawing from India. The MaMahon line is not a written agreement between UK & Chinese (Ching dynasty) governments but a product of some irresponsible officials in India & Tibet. The UK government should have the ultimate blame for the whole debacle.
2. It reminds us that how media can affect our point of view so easily. We must beware of our inherent assumption about the righteousness of a democratic government.
3. In view of Nehru's statement about "driving out the enemy", recent Indian leaders' decalration that China is still the biggest threat for India, I think these Indian leaders should concentrate on improving the life their people instead of fabricating an emeny from these agressive statements.

This book is a major and accurate indictment of American Academia in the department of religion. That indictment is based on sound research, careful argumentation and theory, and is irrefutable. What shocks one is that some of the "research" by so-called "scholars" that is refuted is funded by American tax payer funds and originates in universities of high repute in other areas of research. More than how Hinduism is distorted by these Academics, Americans need to be concerned about the fact that such research originates from universities otherwise well reputed and a considerable amount of it is funded directly or indirectly by American tax payer money that could be well spent on legitimate, honest and valid research. The abuse of the First Amendment freedoms and the tenure system and cliques in academia that fosters the environment exposed by this carefully conducted research is one that should concern one and all if America is to improve its educational system. A must read for any one concerned about the quality of American liberal education and not just for those interested in religious studies.

Invading the Sacred arrives at a very important time. India remains in the grips of an upswing in economic and political fortunes, and this has breeded a certain triumphalism amongst our Hindu community, especially the diaspora. It is easy to believe all the headlines, and forget in this context the numerous issues that remain for Indians to confront, both internally--the threat from poverty, a widening income gap, corruption, and political incompetence--and externally--the threat from various other nations, corporations, and nonbusiness organizations determined to use or exploit India to their own ends. This book has done a wonderful job of exploring and highlighting one of these issues.

Invading the Sacred tells the story of how American scholars of Hinduism have long been free to write whatever they wish about the religion, with minimal input or feedback from practitioners, until very recently, when the Hindu community began to take notice of what was being written. This book details the sexualizing, trivializing, and even dehumanizing extremes to which Hinduism studies has occasionally gone in describing its "object", and it also details the multivarious Hindu response to these extreme mischaracterizations. It spends most of its time discussing the works of religion professors like Paul Courtright, Jeffrey Kripal, Sarah Caldwell, and above all, Wendy Donniger, who in the 80s and 90s became very influential in their fields while (and perhaps by?) hawking theoroes of Hinduism that emphasized to ridiculous extents (and with fleeting evidence) sexual and fringe practices within the tradition, based largely on discredited Freudian motifs. It also discusses how these motifs were discovered and publicized to the Hindu community worldwide by a variety of diaspora Indians, most notably Rajiv Malhotra, through the medium of the internet, and how this mobilized Hindus to more closely scrutinize the ways in which they were being depicted and respond with interventions ranging from scholarly reviews to diatribes to petitions and townhall meetings.

To a practitioner of Hinduism, seeing our practices described in such stark, sordid, and distorted language as used by religion professors is sure to evoke a powerful emotional reaction, but the book wisely does its best to avoid this and focuses its critique on fact and method. Indeed, it succeeds best where it sticks purely to cataloguing deficiencies. One hopes that our community takes heed and learns how to argue its positions more objectively the next time its interests are threatened.

The book's greatest simultaneous weaknesses and strength lie in its ability to put this story in the historical context of "othering" the Native Americans before taking their land and killing them. The end comparison is both histrionic and thought-provoking. The thesis that Hindus are being targeted for dispossession, eviction, recolonization and even extermination through an initial "softening" by academic distortion, in much the same manner as the Native Americans before them, is certainly interesting. Indeed, the book draws attention to the similarities in the ways that Native Americans were depicted by those who ultimately colonized them, and the ways in which Hindus are being depicted now. The case is, unfortunately, overstated; the scholars who misrepresent Hinduism hardly seem, even in all the episodes described in this book, to be deliberately trying to hurt Hinduism or Hindu sentiments. The damage they do comes across as the consequence of callousness and contempt rather than an active expansionist or missionary agenda, despite the book's strongest efforts to paint it otherwise. And though this is in fairness not its purpose, the book does not do justice to the criticism elaborated within it that some fault for the current state of affairs certainly lies with Hindus ourselves. We have not treated our religion with importance, and hence our story has been written by others. These others, not connected to our tradition, are free to deduce whatever they wish, and ultimately invent it, because of the lack of voices from within the tradition to critique and counterbalance them, and demand--assertively--the proof for their varied and banal interpretations.

In spite of this, the similarities in language and tone between how the Native Americans were described before and during their uprootment and genocide and how we are being described today are striking and, in places, more than a little frightening. It is painful, vexing, and eye opening to realize that scholars of religion and anthropologists actually believe--and are trying to get others to not just believe, but accept as fact--that our cultural respect for the mother is due to an underlying desire (on the part of every man, apparently) to have sex with her, or that our women do not bond with their children, or that we look at everything in life through phallus colored (or shaped!) glasses. This may not all be part of a calculated plot against Hinduism, but it is not hard to see (and the book provides a few warning examples) how this could be used by those who wish Hinduism ill, however the original authors may have intended their statements. The book is an exhortation to us to act, at a minimum by speaking up, and in this it is an extremely valuable resource. It is a must for Hindus who, like I used to be, ask, "who cares what others think?", for it shows how important such opinions--and opinion-making--can be in an open society and climate.

This book also documents yet another example of how the internet can decentralize a debate or at least level a playing field. It has been used very effectively by Rajiv Malhotra, Sankrant Sanu, and others to get exposure for their ideas when a more traditional article in an academic journal or book may have been impossible to produce. One lesson from this ongoing debate is thus certainly that alternative media channels can allow for very fertile discussions when the official channels are closed to thoughtful outsiders. The importance of this, demonstrated previously to the Indian community by George Allen's campaign going down in flames post-"macaca", is demonstrated here again.

Overall, a very thought-provoking and exciting read. A must for every Hindu who heard about or was involved in the various Hinduism-studies controversies and seeks to understand them better at a temporal and emotional remove. We should look forward to many more books on this controversy and others, and more books besides by these excellent authors. Bravo!

This is a difficult book for several reasons: 1. a large part of the discussion is fairly technical. 2. The subject matter is quite revolting for most practicing Hindus. 3. The book is quite large, over 450 big size pages, with a lot of text.

However, if you can manage to go through it, the effort would be worth the reward. The prose is crisp, fairly non-emotional, and intellectually engaging. The book is a compilation of essays by different persons, so you get a decent variety in terms of writing styles as well.

The book is divided into four main sections. Section 1 deals with the bias in one wing of American Academy of Religions (AAR). Section 2 sets out the Hindu American response to the bias, once the bias was exposed. Section 3 details out the vicious fight that followed. Section 4 provides a snapshot of how the media dealt with the issue. Each section has several chapters, a total of 29 chapters in all. Four appendices are given, followed by copious notes containing references and interesting sidelights.

The book has been typeset and bound in India. There are some proofing errors, and other editing goof-ups. For instance, often you can't figure out who has contributed a particular essay (Chapter 11, 12, for instance). Similarly, it is not clear as to what do the notes on pages 469-472 relate to. This is to be expected as Indian publishing is in its infancy, and newer publishing houses do not have access to high quality editorial or proofing services.

However, the quality of the discussion is of a very high standard, quite unlike what we found in Eminent Historians by Sh. Arun Shourie, which was also full of repetitions. The arguments are cogent, and mostly have been presented very well. There is some repetition here also, but not too much. Both books, incidentally, deal with essentially the same issue: systematic destruction of a community's cultural or spiritual heritage by a section of intellectuals, and the community's agonized response to it. The book appears to be doing fairly well, considering its relatively difficult subject, and may very well mark a turning of the tide.

An interesting feature of the book is the use of comic sheets, which serve to wrap up the broad arguments, and dramatize their implications for one's everyday life. On the one hand, this distracts from the seriousness of the book. On the other hand, it also adds interest and life to a relatively dry book.

The book is difficult to put down (though it is fairly difficult to hold it up as well!). It also has the potential to ruin your sleep, and your morning puja, with the kind of images that are discussed in the book. Be warned: if you are young or have newly discovered or rediscovered Hindu heritage, you may get emotionally scarred by some of the vivid and vicious portrayal of Hindu icons by AAR scholars.

It would be clear to anyone that in today's world cultural confidence matters as much as economic and military power. Destruction of one's cultural heritage could allow a country to remain theoretically independent, but intellectually dependent and emotionally crippled. Therefore, mutual respect for other's cultures, and an overall committment to intellectual integrity should be an essential feature of the academicians.

Unfortunately, some devitants among the modern intelligentsia band together like intellectual cartels. Their professional life depends on digging up (or rigging up) ever more interesting tidbits in order to stay in business. For decades, such academicians have fed off dead cultures such as the Maya, Aztec and the Egyptians, with no one to shoo them away. However, when they attack a living culture such as India or China, a robust response is natural.

This response has been late, but going by this book, it seems to be adequate and highly sophisticated, as well as effective. The book also shows that such mercenaries have no staying power - they like to hunt in secrecy and prey on the weak and the undefended. Once challenged, they run away quickly, though they may come back to attack again as a pack. However, all you need to do is to hold your ground and shout, and they will melt away again. One does wish, though that such academicians will apply their considerable talents to something constructive and productive, instead of whiling away their lives pursuing intellectual frivolities.

Buy this book if you want some very interesting insights into the ongoing cultural wars. Keep your blood-pressure pills handy, though.

Indians who criticize Western scholars in regard to their dubious interpretations of Hinduism and Indian history are generally denounced as Hindu fundamentalists, fascists and right wingers in order to detract from issue of Western racism. I am in fact a left-leaning Indian and no Hindu fundamentalist, see my 1999 book on the synthesis of Science and Mysticism, in which I attack the BJP. On seeing this book I was amazed that long-discredited Freudian superstitions (see below) are allowed to pass as scholarship in academia - this book does not challenge the basis of Psychoanalysis, rather an Appendix essay by an American psychoanalyst is given which questions the validity of such Eurocentric Freudian reductionism to the Indian context and mysticism. I will give scientific arguments undermining Freud below. See the website www.invading the sacred.com for more info. Note also that Jeff Kripal who mistranslated Bengali words like 'lap, head and touching softly' as 'genitals, phallus and sodomy' in his attempt to portray Ramakrishna as a homosexual pedophile is now linked to the New Age Esalen Institute!
Adam Curtis showed in his BBC Series Century of the Self that Freud's dubious ideas caught on in the USA through the influence of his nephew Edward Bernays due to Freud's titillating emphasis on SEX. Similarly we find that Wendy Doniger's works sell because she focuses on sex, sex and nothing but the sex, writing racy books with the sex element hyped up in spite of their inauthenticity and her struggling with first year Sanskrit! I was amused by de Nicolas' example of how she used a Hebrew translation for a Vedic word making 'the world of possibilities' into 'the one-footed goat'!
I had noticed in 1991 that the 6th East-West Philosophy Congress book "Culture and Modernity" edited by Advaita scholar Eliot Deutsch gave pride of first place to Eliminative Materialist Richard Rorty who believes that Consciousness does not really exist! Rorty asserted that "ascetic priests" like Heidegger and brahmins sublimate their sex drives and pretend to 'penetrate the veil of appearances' so as to claim to be more manly than the warriors! Thus first position in a East-West philosophy book was given to an American who not only denies the reality of Consciousness (the (primary reality of Advaita Vedanta and much Buddhism) but uses the thoroughly discredited Freudian sex-mythology to supposedly undermine the claims of mystics to transcend mundane reality! Were Hildegard, Mechthilde and Teresa trying to be more manly! I also noticed in 2002 that Thomas Blom Hansen in his "The Saffron Wave" chastised Hindu Nationalists for reworking German Romanticist ideas (with no mention of the heavy Indian philosophical influence behind Romaticism founded by the Sanskritist Schlegels) whilst himself referring to the likes of Freud and Lacan (whose pretensions to Einstein-like genius were exposed in "Fashionable Nonsense") as if these European thinkers were 'scientific'.
Coming from a Science background and having identified the physical correlate of the Divine Light (cit, Atman, Buddha Nature, Godhead)with overwhelming empirical evidence for this and showing how Science and the core Indian transcendental mystical picture are integrated, I basically treated such ludicrous Freudian myths with the contempt they deserve. Indeed, I am currently writing a comprehensive section entitled "The Failings of Western Philosophies, Psychologies and Science in regard to Mysticism and Consciousness" including a subsection "Sigmund Freud's Sexual Superstitions and the Regression to the Womb Myth". In fact my overall analyses show by undermining every possible form of western ontology that the only viable ontology is one based on distinctionless Pure Consciousness as the Ground from which physical phenomena manifest as in Tantric Kashmir Saivism - i.e. a logical argument by elimination of alternatives rather than "experience it in mystical union".
I was just reading this week Thompson and Madigan (2005) Memory (a survey of recent research)which asserted that there is no scientific evidence supporting Freud's key notion of unconscious Repression of memories. David Bakan's 1958 "Freud and the Jewish Mystical Tradition" showed that Freud secularised Kabbala omitting supernatural elements in his "psychoanalysis". In 1973 Morton Schatzman in his 'Soul Murder' showed that Schreber's father had disciplinary devices and real child abuse had been misinterpreted by Freud as unconscious fantasy based on the nonsensical Oedipus Complex idea! In the 1980s Masson's "Assault on the Truth" and Peck's "The People of the Lie" continued to undermine the Freud Cult.
Freud urged Jung never to abandon the sexual theory and even "we must make a dogma" of it. Jung stated that F's obsession with the primal incest archetype led to dogmatic rigidity. Medical doctor and psychiatrist Anthony Stevens rubbishes Freudian interpretations of dreams of predatory animals as 'fear of castration' when REM dream research shows that such instinctual dreams of being chased prepare all young mammals for life's dangers. F was also wrong to locate all mental problem origins in infancy as Stevens shows adolescence and attaining 'manhood' etc. are more critical than early childhood. Schwarz and Begley point out that Foot Fetishism is explained by the brain maps of feet being adjacent to maps of genitals with some overlap, contrary to F's ideas about sexual deviations. Griffin and Tyrrell whose work is followed by the UK NHS rubbish Freudian talk therapy as it usurps normal healing processes based on sleep etc.
Finally, in regard to F's primary notion of the Libido, such a notion of a "sexual energy" is just nonsense scientifically as opposed to Jung's notion of Libido as a generalized psychical energy. Indeed, Jordens essay on Libido and the Prana/Atman identity in Harold Coward's "Jung and Eastern Thought" provides one of the many pieces of evidence supporting my identification of the Atman/Prana with the underlying activating energy of the brainwaves of the brainstem Reticular Activating System. This ties in with Jung's ideas of generalised energy as the RAS is simply that, the energy underlying all gross brain activity and the brainstem Reticular Formation is the only structure essential for consciousness. Thus whilst undermining more serious philosophical ideas, my RAS brainwave/Light of Pure Consciousness correlation also undermines the nonsensical Freudian myth of an underlying Sexual libido!
Sutapas Bhattacharya

This book is really an eye opening for many Hindus. Most of the Hindus like myself think that American Academic Scholars loves Hinduism and have a great opinion about the great Hindu Religion and Culture. But after reading this, it was shocking to see how American Academic is so biased and professors who are either anti hindus or non-practicing hindus write and teach about Hinduism.

Hindus should read this, wake up and make sure that correct Hinduism is taught in American Schools.