India Books
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amazing authorReview Date: 2003-02-17
faboulous, scrumptious recipiesReview Date: 2003-11-22
If you plan on preparing a dish or an entire 3 course meal, write down all the ingredients and make sure you have all of them before preceding. You will most likely need to go to a specialty store to get some of the spices or other ingredients for your spice rack. One of the reasons Indian food is so incredibly unique in flavor is due to the use of non-Western spices and combinations of ingredients that are truly foreign (pardon the pun) to most westerners.
My less than perfect rating is due to the fact there are several crucial recipies that are absent. No instruction on how to make mint or tamarind chutney - the mainstays of any and every table at an Indian restaurant. Also no information on papads (lentil wafers) or my favorite dish, Aloo Bengan (a potato and eggplant dish).
Despite these missing items, there will be no boring meals when you follow the recipies in this book. I have prepared Indian dishes in lieu of traditional turkey and ham during Thanksgiving and Christmas for my family and have received nothing but praise and awe. I am not domestic and don't care for cooking, but when I am preparing a lot of dishes, I want to reap a lot of benefit for my efforts and this book doesn't let you down.
This is an amazingReview Date: 2005-02-27
Indian Recipe BookReview Date: 2001-11-25

Photographic MasterpieceReview Date: 2002-05-12
Robert Mantovani does a superb job on the magnificent photographs, all in color, beautifully sharp and clear. The vistas and detail take your breath away. A special commendation goes to Patricia Lovicetti, the Graphic Designer. At [item price], it is a bargain at twice the price. It is a BIG book (10" x 14"), so it will need a place of honor on the coffee table.
Most of the text is from Kurt Diemberger's previously published "Endless Knot" (though this fact is not mentioned in the book). However, the pictures are well captioned and informative. Mr. Diemberger is a legend, the only man living with two first ascents of 8,000-meter mountains to his credit. He is also is among the elite few who have successfully ascended and descended K2, though at terrible personal cost. (See "Endless Knot")
This book would be a terrific gift to a climbing enthusiast or just as a wonderful indulgence to yourself!
Excellent photos, Rich in HistoryReview Date: 2000-08-25
Marvellous pictures. You instantly dream to be there.Review Date: 1999-09-11
Gorgeous pictures, somewhat dry textReview Date: 2000-01-14

Used price: $160.46

very beautiful!Review Date: 2007-12-02
lots of text to so you can easily grasp the concepts.
impressive!
A big, fat, lovely bookReview Date: 2003-02-22
This is absolutely the finest version of the Kama Sutra available. With 224 pages and a huge page size--14-1/2" by 10-1/2", over an inch thick, printed on high quality glossy paper, and absolutely full of full color photos of erotic Indian art, including statuary and several twice-size foldouts, it would be a bargain at twice the offered price here on Amazon.
For years the Kama Sutra has been the object of admiration because of its explicit sexual content, as well as its Tantric religious application for those interested in the practices of Eastern religions. Of course many in the West have sought it out as a source of ancient pornography, but the artwork represented in this book is not as anatomically correct as that which can be found in Playboy or Hustler, and therefore is less useful for voyeuristic titillation. However, for the student of Eastern religions, especially the Tantric tradition, it will be found to be unsurpassed.
The Hindi text, both in their calligraphy and the alphabet, and fully translated into English, is beautifully done. The absolutely gorgeous large sized full-color reproductions of ancient Indian art is exquisite.
Highly recommended!
Joseph Pierre
author of The Road to Damascus: Our Journey Through Eternity
and other books
amazing! ... exotic and erotic......just beautiful!Review Date: 2002-10-18
Fold-out pages also provide large scale formats and it seems no expense was spared to create the high quality images that abound in this awe-inspiring collection of wonderful erotic masterpieces. Truly the most captivating book I now proudly own.
As a traveler and lover of all things "India", I have been waiting for a book like this for a long time to give as a gift to my husband. This is the real heart of the matter...no need to actually read the Kama Sutra when what you really want is all right here. Even without the erotic theme, this book presents some of the most wonderful art of India I have ever seen in one breathtaking book. This book is an absolute "must" for any follower of Indian art, or just anyone who appreciates the delicious and delicate sex-play and sensualities of Indian art and history. Very inspiring :), very beautiful, exotic, erotic and just plain fabulous! What more could you want? I am thrilled with this purchase..... on all levels! A+++++
GorgeousReview Date: 2005-01-16
Some depictions are stone carvings from the temples at Konarak, other are more recent carvings in wood or ivory. Drawings and paintings seem to cover every historical style the sub-continent has seen since the 18th century, from stylized cartoons to realism. Color, where appropriate is vivid and well-printed. The illustrations capture many times, people, fashions, practices, and styles of dress. Where necessary, foldouts show larger views so you can appreciate the original's detail. With just a bit more organization and care with the attributions, the illustrations alone could form a serious historical document.
The only drawback to this beautiful book is the Kama Sutra - it's just not there, at least not in complete and coherent form. There are extracts, in Sanskrit, a Romanized form of the Sanskrit phonetics, in a modern translation, and in Burton's Victorian rendering. Maybe the whole Vatsyayana text is there, but it's pretty well chopped up and mixed with extensive commentary. This is about the Kama Sutra, but not a straight translation of the book.
Still, the pictures are worth it. This is a gorgeous book.
//wiredweird

Used price: $6.00

Like the Kyber Pass? Don't pass this one upReview Date: 1999-07-28
Mundy is one of the best!!!!!!!Review Date: 2005-04-05
A classic novel of adventure with a tinge of fantasy, as a princess skilled in the mystical arts seeks to conquer India Review Date: 2006-08-27
The unusual name of Mundy's hero, Athelstan King, is an inversion of the name and title of the tenth century ruler who became the first Saxon to govern all of England. Creating the English civil service, King Athelstan established legal codes and led a victory over an alliance of Norse, Scots, and Strathclyde Britons invading England. Like his namesake, Mundy's hero saves India from a foreign invasion brewing in the Khinjan Caves beyond the Khyber, which Yasmini hopes to lead.
Mathematics is the key to King's character; he relies on its logic and immutability to both govern his actions and resist Yasmini. He also studies medicine for relaxation, allowing him to adopt the disguise of the Indian physician ("hakim"), Kurram Khan. The country is as much his own as if he belonged to her indigenous races. Like Yasmini, with her background of both Russian and Indian ancestry, but reared in India, King is also a child of the country, despite being of English blood.
King is ready to lay down his life to preserve the peace of India, to prevent India from becoming a new front in World War I. Yet, from the outset of King--of the Khyber Rifles, Mundy demonstrated his increasing habit of reversing the imperialist presuppositions of colonial adventure. Unlike most previous chroniclers of British India, Mundy takes his hero well beyond the territorial and spiritual realms of English control. King provides a surrogate for the white, Western reader into a land far beyond their knowledge or domain, where all characters and power are in the hands of Moslem Indians. King's adventure in the Khyber Pass and Khinjan Caves is at once both a patriotic mission and a journey of metaphysical discovery, an initiation.
Within the Khinjan Caves, Yasmini has discovered the sleepers, a legend known to the hillmen as "the Heart of the Hills," the remarkably well-preserved corpses of a forgotten Roman warrior and the woman who inspired his brief conquest of the East. Their physical resemblance to Yasmini and King is uncanny. Yasmini hopes to use the legend of the "Heart of the Hills" to convince the hillmen that she and King are reincarnations of the dead pair, ready to resume their conquest. In this way Mundy also begins the theme of reincarnation in his writing, while not yet suggesting his actual belief in the phenomenon. Through a magical crystal, King and Yasmini are able to see events in the lives of the "sleepers." Previously, Yasmini has read King's thoughts, yet Mundy handles both these fantastic elements in a restrained, spare, and realistic manner.
In the test of wills between Yasmini and King, he maintains the greater self-mastery. Both are reluctant to admit their increasing love for one another, which would compromise their respective missions. Just as Yasmini has been unable to kill King, despite his interference in her plans, King is barely able to resist her spell. He is unable to harm her and indeed hopes for a conclusion that will allow him to serve her. There can be no surrender into the arms of the other for either King or Yasmini. King cannot be said to have triumphed over her, because to preserve the status quo is a far different task from Yasmini's dream of reviving an empire. Hence, even in defeat Yasmini retains her imperiousness, while in victory King retains his dignity and humility.
Throughout King--of the Khyber Rifles, Mundy turns conventional assumptions and metaphors on their head to reveal new perspectives, spanning the political to the sexual realm. All of the unexpected reversals and multiple roles of the hero and heroine add depth to both the plot and the leads. This reaches its apex with a major character, Rewa Gunga, who early in the novel King had anxiously suspected of being one of Yasmini's past or present lovers. Instead, Rewa Gunga is revealed as Yasmini herself in disguise. Just as Yasmini had been hired by the British to defuse a rebellion she was leading, and King went into Khinjan as an Indian, now Yasmini is disclosed as one of her own supporting characters.
Although some of the experiences of King and Yasmini resemble those of Ayesha, "She-who-must-be-obeyed," in Haggard's She, and its prequel Ayesha, the style and interpretation are different. Both Haggard and Mundy use a white man's journey to a remote area, where both Ayesha and Yasmini reside in underground caves. Unlike Ayesha's other-worldliness, and ties to ancient times, Yasmini is no superwoman who has overcome mortality to live on through the centuries. Instead she is a 20th century woman, whose dreams would only be possible in the present and whose interest in the past is the power it can give her today.
Mundy's style is elliptical and oblique, in a natural rather than affected manner, with numerous arresting juxtapositions, such as his summation of the Khyber as "haunted after dark by the men whose blood-feuds are too reeking raw to let them dare go home and for whom the British hangman very likely waits a mile or two farther south." The book is also full of telling details that add a sense of authenticity, despite the likelihood that they came largely from Mundy's imagination.
Wow!Review Date: 1999-05-03


Donýt leave home without itReview Date: 2003-08-27
Before traveling to Bangladesh, do take the time to read the Dos & Don'ts article in the Facts about the Country chapter. People in Bangladesh are generally friendly and polite, but they tend to be more friendly if you follow their rules for politeness. Men should give local women some distance, and even women should let other women approach them first. People who wear shorts in Bangladesh are risking at least their reputations, if not more. Going about in shorts in public would be akin to wearing a bikini bathing suit on Wall Street- -sure to gain a lot of unwanted attention. Western women will find themselves much more comfortable in local clothing, salwar kamis or saris as absolutely no woman wears Western clothing in Bangladesh. Women packing for a trip in Bangladesh might be better off packing no clothing at all, and just shopping for local clothing upon arrival because what they find in the local markets will be appropriate for both the climate and the culture. (That will also leave more room in your suitcase for gifts on the way in and souvenirs on the way out.)
Many educated people in Bangladesh speak English quite well. But the average person on the street doesn't, so take the time to study the useful expressions from Facts about the Country chapter when you get a chance. While you're at the airport waiting for departure, look around- -surely there's someone there who can help you with your pronunciation.
As for any travel in the developing world, make sure your immunizations are up to date before you go to Bangladesh. Hepatitis A vaccinations are highly recommended and get your travel doctor to write you a prescription for a full run of Cipro (strong antibiotic) to carry with you, and take plenty of rehydration packets. If you get seriously ill while in Bangladesh, it's better to try to get to Dr. Wahab's office (listed in the Dhaka section of this book), rather than the Cholera Hospital, as recommended elsewhere in the book.
As the book mentions, there's a lot to see in Dhaka. There's even more to see outside of Dhaka, where the air is better and the people are friendlier. A great way to get out of town is to book a tour with Prajatan or The Guide (info in the Dhaka chapter). We had a spectacular all-inclusive boat cruise through the Sunderbans with The Guide (Prajatan's boat had recently sunk). Don't miss shopping in the NGO handicraft stores, particularly Aarong (info in the Dhaka chapter).
As with any guidebook, the info for specific hotels and eateries tends to change between the time the authors visited and publication, but the historic sites and regional highlights will always be there. Read this book over several times before you go, and you will be ready as ever to start your adventure.
Nice work!Review Date: 2002-01-17
Firstly, it's not too big (unlike, say, the Indian one) and is not afraid to leave some good stuff OUT. Secondly, it's very well researched, which is impressive in Bangladesh because information isn't all that readily available. Nor is it patronising in tone!
Best of all, though, is that reference to women travellers isn't restricted to a nauseating passage on what women "shouldn't" do because of the dangers, and then special women's diseases. Instead, it actually suggests that there are advantages to being a woman and special places to visit (such as women's development programs) that might interest women in particular. Yay! Welcome to the 21st century LP! I don't know what this sudden change in tone is due to, but I hope it spreads throughout the LP philosophy.
Otherwise, the information is helpful and up-to-date. The maps are a bit dodgy and could do with some work. For example, Thanchi does NOT lie between Ruma and Keokradung, and nor is Keokradung the highest peak in Bangladesh. The Chittagong map, in particular, is fairly useless.
Still, a very nice job. Very impressive. Very interesting and well written.
very informativeReview Date: 1999-05-21
Excellent GuideReview Date: 2000-06-06

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strongly recommendedReview Date: 2008-06-24
Easy to use!Review Date: 2008-06-24
Simple, Clear, and ComprehensiveReview Date: 2008-06-24
This dictionary and phrasebook passes that test, and then some. It's organized intuitively, with an extensive table of contents, and pretty much everything I looked up was exactly where you'd think it would be (a surprisingly rare virtue in a phrasebook). It's extensive without going overboard like the Lonely Planet phrasebooks (which, okay, can be amusing, but do I really need a list of pick-up lines?), and the dictionary's pretty good. There's no side-by-side phonetic pronunciation with each listing (though the listings are romanized), but if you look over the pronunciation guide in the front a little before you depart (which you really ought to do anyway), it's not a problem.
Great bookReview Date: 2008-06-24

Excellent BookReview Date: 2000-04-02
Christian Missionaries in IndiaReview Date: 2002-08-15
Arun Shourie is India's leading writer on politics and history. He has been an economist with the World Bank, a consultant in the planning commision and the editor of Indian Express. Among the many honors and awards for his writings, noted for rigorous analysis and meticulous research, he has received the International Editor of the Year Award, the Dadabhai Naoroji Award, the Magsaysay Award, and the Astor Award.
In Missionaries in India: Continuities, Changes, Dilemmas, Arun Shourie focuses on the intentional misinterpretations of Hinduism by Christian missionaries. The book is based on an invited lecture, he gave at the 50th anniversary meeting of the Catholic Bishops Conference of India in January 1994. The bishops got quite an earful! Nonetheless, to their great credit, Shourie notes, "the bishops, the senior clergy, and scholars gathered at Pune heard him politely with unwavering attention." He adds, "Had I urged the themes of this lecture to our 'secularists', they would have denounced them as 'communal', 'chauvinist-fascist' and, having labeled them, they would have exempted themselves from considering what was being said."
Shourie quotes from a recent issue of the Texas-based magazine Gospel for Asia: "The Indian sub-continent with one billion people, is a living example of what happens when Satan rules the entire culture... India is one vast purgatory in which millions of people .... are literally living a cosmic lie! Could Satan have devised a more perfect system for causing misery?"
Swami Vivekananda during his historic visit to the U.S., a hundred years earlier, wrote: "Part of the Sunday School education for children here consists in teaching them to hate everybody who is not a Christian, and the Hindus especially, so that, from their very childhood they may subscribe their pennies to the missions .... What is meant by those pictures in the school-books for children where the Hindu mother is painted as throwing her children to the crocodiles in the Ganga? The mother is black, but the baby is painted white, to arouse more sympathy and get more money. What is meant by those pictures which paint a man burning hisown wife at a stake with his own hands, so that she may become a ghost and torment the husband's enemy? .... If all India stands up, and takes all the mud that is at the bottom of the Indian Ocean and throws it up against the Western countries, it will not be doing an infinitesmal part of that which you are doing to us."
Is this fair to the missionaries? one asks. What about the numerous schools, colleges, and hospitals the missionaries established in India? Did they have a hidden agenda? Yes, says Shourie quoting from Gandhiji's Collected Works. In Gandhiji's discussions with missionaries, they acknowledged that "the institutions and services are indeed incidental, that the aim is to gather a fuller harvest of converts for the Church."
Many of the missionaries who came to see Gandhiji had in his words "designs to convert" him to Christianity. "But what is your attitude to Jesus? the missionaries would always come around to asking Gandhiji. He was a great world teacher among others, Gandhiji would say But that he was the greatest, I cannot accept. He had not the compassion for instance of the Buddha, Gandhiji would recount.... The reverend gentlemen would retire with the imprecation, 'Mr. Gandhi... soon there will come a day when you will be judged, not in your righteousness, but in the righteousness of Jesus."'
In the central section of the book, "The Division of Labour"-- among the British administrators, missionaries, and European Indologists-- Shouire cites extensively from historical documents to establish that these three groups colluded in essential agreement that "India is a den of ignorance, inequity and falsehood; the principal cause of this state of affairs is Hinduism; Hinduism is kept going by the Brahmins; as the people are in such suffering, and also because Jesus in his parting words has bound us to do so, it is a duty to deliver them to Christianity; for this, it is Hinduism which has to be vanquished."
Macaulay's notorious minute instituting English as the medium of instruction in India, says Shourie, "was laced with utter contempt for India, in particular for Hinduism, for our languages and literature: of course, Macaulay did n6t know any of those languages... his ideas about Hinduism had been formed from the calumny of missionaries .... But the breezy, sweeping damnation-- even a century and a half later, the imperialist swagger takes one's breath away."
Shourie quotes, at considerable length, from the writings of two high-ranking nineteenth century British administrators, Richard Temple and Charles Treveylan. Richard Temple: "...the missions in India are doing a work which strengthens the imperial foundations of British power.. the results are fully commensurate with the expenditure." Trevelyan: "A generation is growing up which repudiates idols. A young Hindu, who had received a liberal English education, was forced by his family to attend the shrine of Kali, upon which he took off his cap to'Madam Kali,'made her a low bow, and hoped her ladyship was well."
Most of the European Indologists were far from being the objective scholars they pretended to be. The two most prominent Indologists were Max Muller and Monier-Williams, both committed to uprooting and destroying Hinduism.
Here's what Max Muller, the best-known European Indologist, wrote in a letter to his wife. "...I still have a lot of work to do... my translation of the Veda will hereafter tell to a great extent on the fate of India and on the growth of millions of souls in that country. It is the root of that religion and to show them what the root is, I feel sure, is the only way of uprooting all that has sprung from it during the last 3,000 years."
Monier-Williams, the second holder of the Boden chair of Sanskrit at Oxford University and whose Sanskrit-English dictionary is still used, wrote in its preface that "the Boden chair of Sanskrit was set up by Colonel Boden to promote the translation of Christian Scriptures into Sanskrit, so as to enable his countrymen to proceed in the conversion of the natives of India to the Christian religion." He told the Missionary Congress held at Oxford on 2 May 1877, "The chief obstacle to the spread of Christianity in India is that these people are proud of their tradition and religion." His dictionary, he hoped, would enable the translation of the Bible into Sanskrit and "when the walls, of the mighty fortress of Brahminism are encircled, undermined, and finally stormed by the soldiers of the Cross, the victory of Christianity must be signal and complete."
Looking at the cauldron of calumnies cooked up Christian missionaries, the imperialists, and the so-called objective scholars, makes the outrage expressed by Swami Vivekananda and Gandhiji entirely understandable. Gandhiji wrote: "If I had the power and could legislate, I should stop all proselytising.... it is the deadliest poison that ever sapped the fountain of truth."
To present the point of view of the Church, Shourie has included a 50-page report distributed by the Catholic Bishops at the Conference. This report describes the four churches which make up the Church in India--the Syrian Christian communities in Kerala; the Padroado Church originating in Goa, the Tribal Churches in Central India and in the North East; and the Dalit Churches.
I highly recommend this book to anyone interested in the intellectual history and cultural make-up of contemporary India.
MissionariesReview Date: 2001-11-08
Impeccable Research, Irrefutable ConclusionsReview Date: 2000-05-19

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I was surprised by the real story!Review Date: 1999-08-17
Hearts and Minds through StoriesReview Date: 2001-07-03
Awesome Book!!Review Date: 2001-03-07
Wonderfully told folk tales from the Himalayas.Review Date: 1996-12-09

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Evocative illustrations and textReview Date: 2007-03-12
Two thumbs up from the most important critic!Review Date: 2006-04-05
I don't think anything else needs to be said!
Authentically local, touchingly universalReview Date: 2005-04-08
Here Comes the Rain Again . . . Review Date: 2005-07-26
The theme of this story--a child impatiently waiting for a change in the weather-is a fairly common one in literature, especially picture books. But the heart and soul of this story is India, and properly so. It's no surprise to anyone that reads this picture book that the author grew up in India. In the story India is not a far away or exotic place, it is home-and Ms. Krishnaswami's poetic prose paints that love of her home on every page, with every word. The text on each page is brief, but it is text to be savored, full of rich imagery as everyone prepares for the monsoon rains. This is clear from the very first line: "All summer we have worn the scent of dust . . ." The author does not fall back on old clichés, but finds new metaphors to describe the town and the coming rains. The result is description that is refreshingly vibrant and just different enough to tantalize--but not to alienate-readers. It allows me to step into another country as if I were a native, experiencing the anticipation through the young narrator as she waits, worries and hopes for the rains to come. At the very back of the book the author has included a page of information about the monsoons and India for those who want to understand the 'what' and 'where' of the story better. The addition of the information at the back allows the author to accomplish the goal of sharing the knowledge without allowing it to bog down the text of the story itself.
All that, and I haven't even mentioned the pictures yet. This is Jamel Akib's first picture book. I, for one, hope it is only the first of many. The artist has perfectly matched pictures to Ms. Krishnaswami's marvelous text. Vivid colors with the soft edges give the images a slightly dreamy and comforting sense of familiarity. Golds and warm reds and misty blues dominate the palette, making the book feel rich and sensuous. The scenes themselves are delightfully clear portrayals of life in an Indian city, with cows wandering down the streets next to the cars, spice merchants selling their wares, a modern house with patterned rug and wall hangings. The effect is contemporary and yet culture specific. Like the author's text, the pictures never become so foreign as to lose the reader, evoking comfort, but including elements and details that never let the audience forget the setting.
If you want to introduce your child to India for any reason, this is an excellent first step. The images and text provide fertile ground for sparking a child's interest and curiosity and giving parents a starting point for discussing the Indian culture in greater detail. It is one of my favorite new discoveries in the world of multicultural books and deserves a look by any picture book reader who loves the delicious feel of diving into rich art and image-rich language. Best for children of four years and up, and for adults of all ages.
If you enjoy this, you might want to look for THE DAY OF AHMED'S SECRET by Florence H. Parry and COME ON RAIN! by Karen Hesse.
Happy Reading! ^_^ Shanshad

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Insightful, authentic, and native view of Mother TeresaReview Date: 1998-04-13
Authors too close to the subject give unnecessary details that distract from the main points. Such is the case in "Mother Teresa, Her Life, Her Work Her Message". But that book, written by a Missionary of Charity Co-Worker, redeems itself with valuable anecdotes and useful explanations.
Authors too distant from the subject see Mother Teresa mainly in her administrative actions and miss the powerful personal charisma, the driving force. Kathryn Spink's complete authorized biography, "Mother Teresa", falls on that end of the scale. It includes a complete appendix listing the place and date of opening of every Missionary of Charity Foundation outside of India, plus Mother's unabridged acceptance speech for the Nobel Prize. The exhaustive research makes Spink's work an essential resource for the serious investigator of Mother Teresa's work, but not necessarily the book to introduce you to Mother Teresa, the person.
The source that is just right is the author who has a native understanding of India, coupled with a professional knowledge of the many factors required to work with lepers. Add the objectivity of someone not Catholic, but with an inquiring mind and a university education and you have Navin Chawla. Chawla spent five years preparing this work, making sure he understood the inner person, and then delivering his insights. For example, from the Prologue "As a Hindu, it took me longer than most to understand that Mother Teresa is with Christ each concious hour, whether at Mass or with each of those to whom she tends. It is not a different Christ on her crucifix and a different one which lies dying at Kalighat....For Mother Teresa, to love one's ! neighbor is to love God....This is what is essential to her..."
Chawla's book is powerful because his understanding is powerful. He takes nothing for granted. He focuses on the heart of the matter before him: how to explain this unique individual. The complexity of roles that Mother Teresa mastered are all in Chawla's book. He presents the Teresa that stands up to angry mobs, cajoles resources out of ministers of state, bandages lepers, rules an order numbering thousands of young women, croons a song to an orphan, and much more. How does she do this and maintain integrity with her mission, fidelity to her doctrine and obedience to her religious advisors? What is different about this particular nun? These are some of the questions anyone hoping to write about Mother Teresa must answer. Chawla, the "just right" biographer, gives answers that are neither analytical and dry, nor sentimental and trivial. He carefully balances interviews, research, and his personal experiences with Mother Teresa. The result is a picture of Mother Teresa that is both informative and compelling.
A biography must make me smile, and feel along with the writer. It must make me involved enough in the subject to be there, or it's only a reference book.
Mother Teresa never took time to read anything written about her. I have a feeling that, if she had, Mother Teresa may have preferred this book, written by one from her adopted country. Written by one who, like herself, had an interest in helping lepers.
But that is just my personal guess. Read it and see if you think so too.
If you want to become a better person read this bookReview Date: 2005-01-29
I was home sick with the flu. Getting out of bed was a task seeminly unaccomplishable. I had this book in my pile to be donated to the library. I was struck to read it, although it had been too long in the donation pile I had never been struck to read it before.
"The superior man is modest in his speech, but exceeds in his actions". Confucious (551-479). This quote, no, is not in the book but makes me think of Mother Teresa. This book, Written by a dear friend of hers in such an easily readable style, we are not bombarded by profound literary thought, or brilliant quotes, but the true to life story of a living saint. I had always known Mother Teresa was a wonderful person, but I did not know what a miracle worker this woman was! This Godly woman set foot with three saris a few pennies into the slums of India, hoping to give love and hope where none existed. With no money, little education and having left the security of the confines of the Convent where she did her missionary work for years in India as teacher and Principle of a school for both Young Nuns and the poor children of India. I believe the year was 1942 that Mother Teresa had a vision that she was to go amongst the poor and serve them in the streets where it is needed most. With much meditation and consultation with her spiritual advisor father van exem it took much time for her dream to come to realization. She wanted to remain faithful to her catholic faith and not be seen as a "secular" that had abandoned her role as Mother. Years later with nothing more than three Saris and pennies she was on her way into the streets. She was offered money by the Catholic Church, but refused all, saying that God would be her provider. And God was.
This is a European woman that stepped out into the poorest of the poor streets of India with no money, no home and no guarantees. She has been ridiculed, starved had stones thrown at her been threatened and persecuted. Rejected and lacking in support from the Catholic Church. This is a woman who started her first school in India with a twig that she drew out the Bengali alphabet in under a tree. She didn't believe in saving, as she always believed that God would provide. She never asked for donations, but sometimes would resort to begging as the poor did. Never for herself always for others. The amazement of this woman was that she did it all on faith. today there are homes created by mother Theresa in over 130 countries including the U.S. Her Missionary Services called Missionaries of Charity continues to grow even after her death. There are Sisters and Brothers that serve and have all taken the poverty vow.They live exactly like the poor. No possesions, sometimes starving and always depending on God. I cried the whole time I read the book, because it became so evident to me how one humble little heart could change the world. She always refered to herself as a mere instrument of God and all the work was done by God. This amazing woman has services that take care of almost every need. no one is left out. From the dying, the homeless, leprosy victims, to drug and alcohol rehab services. Everything created without a bank account. This amazing book changed me. I hope it will change all.
A Moving Account of her Life and Work.Review Date: 2002-02-16
He narrates the story of this Catholic nun and Nobel Prize winner with great sensitivity and intuitiveness, never idealizing his subject nor belittling her magnificence. He manifests a clear grasp of the details of the government of the Church and the faith of Mother Teresa though as a Hindu these were foreign to him. He focuses very much on the work of the Mother in order to describe her personality and convictions thereby heeding to her repeated calls "write about the work". The distressing recollections of the children in the Shishu Bhawan, like those of Bapi and Dadda, the tales of woe heard from Balu, Jehangir and many others at the Leprosy Centre and the poignant glimpses of the dying men and women at Kalighat are indeed moving. Mr. Chawla writes with ease and elegance, required for the biography of a person of her stature, intending it for an international audience. This is the best biography of hers written by an Indian who knew her well personally.
Portrait of a Remarkable LifeReview Date: 2000-08-05
Like any accurate biography of Mother Teresa, the book discusses her tremendous respect for non-Christian religions. One of her lifelong goals was to make people better at their religion-better Buddhists, better Muslims, better Jews, or better Christians. The author subtly portrays that as just one of the many ironies to Mother Teresa. With the possible exception of the Pope, nobody stood as a more widely know avatar of the Catholic Church; yet, millions of the people she aided were not Christians. An unflinching defender of Catholic dogma, she unquestionably reached out to those whose problems were the direct result of what she considered sinful behavior. From the many hospices she established to care for AIDS victims to the Missionaries of Charity's loving worldwide support for unwed mothers, Mother Teresa's devotion knew no bounds.
With its publication about five years before her death, Navin has produced a felicitous tribute to a woman whose eleemosynary life will serve as an inspiring example for the remainder of humanity's existence.
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