India Books

I agree entirely with the other reviewers. This is one of the most complete, easy to understand, information rich "guides" on Ayurvedic Medicine I have read. Having taken many courses in this field, and using the practice, I have read much. I could have started with this one and kept it as a reference for the others! I highly recommend this one for anyone interested in Ayurvedic Medicine, from the practitioner to the remotely curious.

Ayurvedic Healing is an excellent book whether you know anything about the Vedic medical science of Ayurveda, or not. The book deals with:
a) Finding out what body type you have, (vata-air, pitta-fire, kapha- earth/water) based on a questionnaire of health related questions
b) It helps you determine what kind of diet you can follow to balance your system.
c) It deals with common ailments as well as major diseases, covering everything from arthritis to AIDS
d) You can learn how to use chants, colors etc to relieve stress.

And that s just section I. In section II, it deals with the technical preparations with the use of various herbs, oils etc, which ayurvedic doctors use.

Thus this book is a comprehensive study of Ayurveda, which can be used to good effect by both the layman and the ayurvedic practitioner.

This is nice book to have at home. It has good explanation about deseases and their cures with ayurvedic ways. It gives reciepes to make famous ayurvedic medicines also which are hard to find. Gives information ayurvedic wines also and how those can help in keeping good health.

~I have read dozens of books on Ayurveda published in English; this stands out as simply the best of what I have read.

It is sensitive, sympathetic to the conditions discussed, and lucid.

A great work. So many others have been based on (and written with) excellent information and the best of intentions, but somehow have ended up being more confusing than helpful... even in something as basic as classifying doshas, I never really grasped them clearly until I read this book, which is laid out~~ calmly, clearly, and with massive knowledge and experience underlying its clarity.

Again, an excellent book by someone who also seems to be a great human being-- it flows through all his words.~

read this book to gain a better understanding of Ayurveda. Frawley is a qualified practitioner equally skilled at explaining these concepts to the layman

I think reading this book is an experience in itself. Its remarkable how similar we all are in basic high level thinking even though we might be centuries apart. Of course a emperror's biography going through smallest of details is very interesting. The preface by Salman Rushdie is an insult to such a great book. I believe he shouldnt have been chosen for it. But other than that I found the information in this book vital to undertstand the present culture, thinking and lifestyle in India. I am myself a proud Mughal and having this book in my possession is a pride in itself.

Babur was a king in the true sense of the word. His autobiography outlines his feirceness as a warrior as well as his compassion toward the people in his court. Although he lived in a time where one would think there would be little time for introspection, this is exactely what his narrative is: and introspective look at his own life, his shortcomings, his downfalls, his triumphs and tragedies. One is touched by Babur's humbleness, his sensitivity towards some of the most simple of things, and at his sense of awe and appreciation of beauty in the world around him. Although in some ways I prefered the AS Beveridge translation, this is also a wonderful translation with beautiful pictures and notes in the margins to help explain things. Even if you are not normally interested in this type of book, Babur leads you into his world and you are compelled to read on!

Babur, a descendant of both Timur and Genghis Khan, was a truly remarkable man: a soldier and a poet, an inspirational leader with a deep appreciation for the beauties of nature - and a sensitivity that seems striking to us in a warrior of his undoubted stature.

His memoirs are a detailed, entertaining, and highly personal view of a changing world. In leading his followers into northern India, he laid the groundwork for the Mughal Empire, one of the great Islamic powers of the early modern period - and it is this achievement that history primarily remembers him for. Yet the _Baburnama_ shows that there is considerably more to the story than its conclusion.

With unstinting and engaging honesty, Babur talks of his early struggles, his constant setbacks, and his lifelong desire to hold Samarkand, glorious seat of his ancestor Timur (Tamerlane). For Babur, India is only the consolation prize after his failure to reconquer the lands of his birthright; India is rich, yes, astoundingly so, but it is far removed from his fond reminiscences of home. Along the way, reports of skirmishes with his enemies, and the constant betrayals of his allies, share the page with descriptions of local flora and fauna, and fascinating observations on everyday life in the cities and towns that he spends time at - and it is here that the work's true enjoyment lies.

Bear with the initially confusing internecine squabbles of the Central Asian nomads, and you'll be richly rewarded. A comprehensive and compelling insight into both Central Asia at the turn of the sixteenth century, and the day-to-day pressures inherent in the leadership of an empire based on conquest.

The book itself is excellent.

I had problems with Salman Rushdie's preface, however. It is not a bad introduction, but some of his comments seem to be flawed. The writer explains the contradictory aspect of Babur's psychology (both ruthless/aggressive and soft/cultured) as the outcome of two conflicting "aspects" within Islam. Mr Rushdie does not explain how he arrives at this conclusion, however, and he fails to mention the possibility that Babur's aggression might have naturally stemmed from his Mongol background & warrior instincts. In addition, in the 2nd last paragraph, Rushdie seems to contradict himself when he compares Babur to Machiavelli: "In both men, a cold appreciation of the necessities of power, of what today would be called realpolitik, is combined with deeply cultured and literary nature, not to mention the love, of excess, of wine and women."

I would compare this extraordinary memoir by an extraordinary man to The Tale of Genji - both of them are "firsts" in their culture. The descendants of Tamerlane were both ruthlessly crafty Central Asian kings and warriors, and ultra refined conoisseurs of art and architecture, poetry, food, gardens, and (alas for them) wine. The Baburnama has it all. To encounter the private thoughts of a great conquerer is a unique experience. The Baburnama is well-written and well translated. It is one of the great treasures of literature, and will give the reader a much better idea why Afghanistan and Central Asia are the way they are.

Good (print) encyclopedias are hard to find these days. The Britannica is one of the best. Excellent articles, no wasted words, a fine buy at the price. I sent one to my daughter after she admired mine. I rate it a 10 out of 10

Let me give you an example of the great comprehensiveness of this volume...

Yesterday, I happened to watch a re-run of STAR TREK: THE NEXT GENERATION, the episode in which Picard talks about Fermat's Last Theorem, how it might never be proved. Remembering that it was proved some years ago, I looked up "Fermat's Last Theorem" in my BCE and saw that it had been finally been proved in 1994. Finding an episode guide for ST:TNG online, I saw that that particular episode had been first broadcast in '89. It was really cute to see that the theorem, first referred to in Fermat's notebook in 1637 (!!), was finally proved only 5 years after Picard was made to say that it might never be done.

(Moral of the story: "Never say never"!!)

This is a condensed version of the great 32-volume work. You can't have too many reference works that you never actually use anymore in your life (now that most of it is on the web), so I thought I'd check this out. What's one more weighty tome that I never read that sits on the shelf?

Well, that was my first reaction. Actually, this is a very nicely done book. It has 28,000 articles and many beautiful, color illustrations, and it's actually a pretty good book to just browse through and look at. It's comparable to the well-known Columbia Encyclopedia, which I have often used in libraries, and now in its 6th ed. It has many more entries, at 51,000, but it's not as concise either, but the Columbia work has suggestions for further reading. Both books are fine reference works, however, and should serve you well whichever one you decide to buy.

I think both books are outstanding, and more complementary than rivals. In fact, I use both. Nevertheless, there are some differences.
Columbia's big dimensions and weight (8.9 pounds/4 kg) make almost necessary to read it on a desk. Britannica Concise (BCE) is 6.7 pounds/3 kg and smaller.
Both utilize an extremely small font size. Columbia contains 6.5 million words. BCE "only" 2.6.
Britannica C has over 2000 photographs, maps, tables, drawings, color illustrations; nations flags ... In Columbia, illustrations are sparse, limited to about 500 black-and-white line drawings.
Columbia's 6th edition stopped in 1999. BCE is of April 2003 and is edited every year in spring, but I don't know if they are going to update it or not.
Britannica Concise has articles like Super Bowl, Viagra, Coca-Cola, Big Stick Policy, Mother's Day and Father's Day ... that don't exist in Columbia.
Quantity does not always mean Quality. B Concise seems to be more shrewd, witty and, by the way, less subjective. For instance, Columbia's article Homosexuality concludes in this way: "But AIDS (.....) also sparked moralistic reactions; some felt, for example, that it represented a form of judgment on homosexuality". BCE's same article is shorter, but neutral, and does not say such a thing.
As I said before, both books are outstanding and complementary.

This is must for any home. This one book will answer almost any trivia contest you and your friends have.

This book is excellent - well written and beautfully illustrated.
A great story - told in rhyme with a good moral to be learned by all who take the journey of discovery.
Written by EJ Stapleton - he seems to have a great understanding of what will make a childs (or adults) eyes light up.
I highly recommend that everyone has this book in their collection.
Magnificent!

The Calico Buffalo by EJ Stapleton is a MUST HAVE for your home book collection. For young and old alike, it is a book of diversity, tolerance, forgiveness, and love. Beautifully written, and illustrated! I can't wait for another great book by this talented author!

I love this book! It's a beautiful fable which tells such a meaningful tale. So often we can and have become a "Thorn" and this is a great reminder of consequences and lessons. The Calico Buffalo has many important messages about being different, understanding and kindness. The rhyme, illustrations and story are terrific. I highly recommend this book to young and old alike.

The Calico Buffalo is a celebration of cultural diversity, a timely lesson in these troubling times. Beautiful illustrations complement the text...I wish there were more!

This gem is for anyone who appreciates substance and beauty. It is worth picking up for the language and illustrations alone, but the best part is what it conveys. At first I thought The Calico Buffalo was about being different. It is. But as importantly it is about the power of simple, uncalculating forgiveness. And as if those two important messages weren't enough, a 10-year-old adopted friend of mine to whom I recently gave The Calico Buffalo, revealed another to me. She thanked me for the book that "talks about how someone can look different than their parents." Phew. The Calico Buffalo is rich in every way.

David Barsamian asks good questions (he's had years of practice) but it's Arundhati Roy's answers that make this book so rewarding. She combines an impressive knowledge of facts with real commitment and passion.

She doesn't let the interview format get the best of her, turning her responses into lectures. Instead, she is a smart-alec sometimes and just plain smart at other times. Her dedication to making the world a better place is personal, with roots in her childhood in India. As she describes US imperialism, corporate power, and corruption in the Indian government, she ties it all to her own political development. This is an important book, easy to read but very informative and inspiring.

This book is wonderful for those who are already familiar with Roy's work, providing an opportunity for her to reflect on prior work and speak her mind openly. Along with discussion of contemporary issues, such as 9-11, US imperial hegemony, and the Narmada Dam project in India, The Checkbook and the Cruise Missle fleshes out the context of Roy's upbringing in Kerala, India, as well as the deeper motivations behind The God of Small Things, Power Politics and War Talk. David Barsamian, veteran underground media guru, asks fresh, penetrating questions that will keep you interested throughout. A wonderful addition to Roy literature.

Here is everything you've come to know and love of Arundhati Roy - and David Barsamian. Roy's political observations are of an exceptionally acute and pithy intelligence. Her wisdom has a way of turning a phrase completely unique to Roy, yet without losing the common touch. It lashes out in fury at injustice everywhere, yet with compassion as vital and common as sodden sand squishing through barefoot toes on a riverbank.

Despite her success, Roy is quite content to live away from celebrity, in India, which she says maintains a measure of the wildness that has long been put under the bulldozer of Western "progress":

"In India we are fighting to retain a wilderness that we have. Whereas in the West, it's gone. Every person that's walking down the street is a walking bar code. You can tell where their clothes are from, how much they cost, which designer made which shoe, which shop you bought each item from. Everything is civilized and tagged and valued and numbered and put in its place. Whereas in India, the wilderness still exists - the unindocrinated wilderness of the mind, full of untold secrets and wild imaginings. It's threatened, but we're fighting to retain it. We don't have to reconjure it. It's there. It's with us. It's not got signposts all the way. There is that space that hasn't been completely mapped and taken over and tagged and trademarked. I think that's important. And it's important that in India, we understand that it's there and we value it.

Roy expresses a remarkably matter-of-fact courage and an unbiased reason in the face of the rabid nationalism and religious fundamentalism and fanaticism that engenders, among other dark clouds, the nuclear brinkmanship between India and Pakistan.

There is something almost otherwordly about the honesty and modesty of Roy's political discourse, something in her expression so humane and plain-spoken you had despaired ever hearing it again. It is othwordly precisely because it's so obvious, so expected, and yet almost always lacking.

After the smash success of her first novel The God of Small Things, Roy says rather than any of the large publishing houses from which she could have had her pick she chose South End Press to publish her next two books of essays:

"People really imagine that most people are in search of fame or fortune or success. But I don't think that's true. I think there are lots of people who are more imaginative than that. When people describe me as famous and rich and successful, it makes me feel queasy. Each of those words falls on my soul like an insult. They seem tinny and boring and shiny and uninteresting to me. It makes me feel unsuccessful because I never set out to be those things. And they make me uneasy. To be famous, rich, and successful in this world is not an admirable thing. I'm suspicious of it all."

Quintessential Roy, and such a beautiful thought. In its own right, but especially in contrast to the seething, insatiable appetites of capitalist greed. Whatever happened to beautiful thoughts in beautiful minds?

Who else but Roy will say piercing truths we all feel, but cannot quite enunciate such as the fact that all the attention to terrorism today "completely ignores the economic terrorism unleashed by neoliberalism, which devastates the lives of millions of people, depriving them of water, food, electricity. Denying them medicine. Denying them education. Terrorism is the logical extension of this business of the free market. Terrorism is the privatization of war. Terrorists are the free marketeers of war - people who believe that it isn't only the state that can wage war, but private parties as well."

Elsewhere, Roy gives a psychology of terror in which U.S. and U.K. resorts to war in reaction to terrorist strikes actually empower terrorists, because before the terrorist were only weak, wretched and anonymous. Now they can start wars. Now they have their finger on the nuclear button.

This too, vintage Roy:

"In a country like the United States where books like Chomsky's 9-11 are starting to reach wider audiences, aren't people going to feel a bit pissed off that they had no idea about what was going on, and what was being done in their name? If the corporate media continues to be as outrageous in its suppression of facts as it is, it might just lift off like a scab. It might become something that's totally irrelevant, that people just don't believe. Because ultimately, people are interested in their own safety.

"The policies the U.S. government is following are dangerous for its citizens. It's true that you can bomb or buy out anybody that you want to, but you can't control the rage that's building in the world. You just can't. And that rage will express itself in some way or the other. Condemning violence is not going to be enough. How can you condemn violence when a section of your economy is based on selling weapons and making bombs and piling up chemical and biological weapons? When the soul of your culture worships violence? On what grounds are you going to condemn terrorism, unless you change your attitude toward violence?"

I read and very much enjoyed Ms. Roy's book, The God of Small Things. A short time ago I was driving home after having participated in a candle light vigil in support of Cindy Sheehan and our troops in Iraq when I heard a broadcast of a speech she made in Australia. I was so impressed that I immediately ordered the book which contains that speech and other NPR interviews. While I've not had time yet to read the book, the teaser I got from listening to her, tells me that this will be a "5" experience!

Originally titled "The Globalization of Dissent", "The Checkbook and the Cruise Missile" is a series of four interviews with author Arundhati Roy. The interviews, guided conversations, really, are conducted by radio producer David Barsaman. Roy is perhaps best known as the author of the Booker Prize winning novel "The God of Small Things", but she has also written three collections of essays dealing with such various subjects as the corruption of the Indian government, American Imperialism, and nuclear arms proliferation. This book touches on many of these same themes, but also deals with Roy's personal life in a level her essays have not.

The first interview "Knowledge and Power" was conducted in February 2001. As the title suggests, the focus of this interview is on knowledge and power and what both mean to Arundhati Roy. Roy discusses, as she does in her essays, the abuse of power by the Indian government and the arrogance of controlling knowledge. Roy mentions how knowledge can (and has) caused arrogance and corruption in the intellectual elites. Specific instances mentioned include the government letting Enron control and own so much of India's power structure, and the irresponsible destruction caused by the Big Dam projects. This interview paints, in broad strokes, a picture of the overall worldview of Arundhati Roy. This is fantastic stuff. In Roy we discover an intelligent, accomplished, passionate woman who has taken the very human responsibility of trying to make a difference in the world.

The second interview, taken in September 2002, is a much shorter essay. Titled "Terror and the Maddened King", the essay begins with David Barsaman questioning Roy about the charges brought against her because of the novel "The God of Small Things". This interview deals more with Roy's reaction to, and experience with, government bullying. This interview feels as if it is setting up a future discussion, that there is a reason why Roy and others must speak up to the injustices caused by governments and Empires of the world.

In the longest interview, "Privitization and Polarization", Arundhati Roy makes some bold, inflammatory statements. She writes "terrorism is the privitization of war. Terrorists are the free marketers of war - people who believe that it isn't only the state that can wage war, but private parties as well." (92) She then goes on to say that "Osama Bin Laden and George Bush are both terrorists". To the American reader this is a shocking and even inconceivable. Taken from a different perspective and reading how Roy explains her viewpoint, it is not as unbelievable as it seems. From the viewpoint of one who is against globalization and the bullying of the government of the American Empire, the connections in Roy's logic are understandable. She does make a point, however, to distinguish the American people with the political power machine. This interview was conducted in November 2002.

The final interview was conducted on May 26, 2003. The title here, "Globalizing Dissent", is particularly apt. While it is never stated directly, the primary theme running through this interview is the idea that the globalization of a "world economy", which Roy feels is the globalization of the American economy, is necessarily also globalizing a dissent against that same globalization. This, Roy contends, is why the world is seeing a higher amount of and more intense form of terrorism against the forms of globalization. It is seen against America in Iraq and Roy sees it firsthand in India. In this interview Roy talks about how the terrorism of George Bush in Iraq is doing nothing more than causing more and more of this dissent.

There is very much a strong tone of anti-globalization running through "The Checkbook and the Cruise Missile". Arundhati Roy is against the broad application of power which is wielded by the world's most powerful nation. She feels strongly about looking after all of humanity, not just those with power. Ultimately, that is what Roy is trying to accomplish.

The voice of Arundhati Roy is vitally important, no matter what one's opinion of her message. At the very least it is a point of view which should be seriously considered as an alternative. She makes very good points and argues them passionately and with intelligence. She suffers no fools and has no patience with an argument made from simple nationalism. This is an important voice, but perhaps one that many in the world will find uncomfortable as she argues against many of the foundations of Western Society.

The bottom line is that this book expands and explains Roy's essays and gives a deeper personal look inside the life and mind of an important writer.

-Joe Sherry

A family tragedy gives Climbing the Stairs its running start. Vidya is a thoughtful and intelligent fifteen-year-old girl growing up in colonial India who dreams of a college education until her father is so badly beaten by British soldiers during a peaceful demonstration that he is brain damaged. She and her mother and brother must then go live in her grandfather's home, where she has to play the Cinderella to her nasty, domineering aunt. Only by "climbing the stairs" from the first floor, the women's quarters, to the library in the second floor, the men's quarters, can Vidya find sanctuary and the books she craves.

Venkatraman writes vividly and with great authenticity about the mood of the times. Indian life, with this Brahmin family's practice of Hinduism, its holidays, prescribed customs and rigid class structure, is portrayed particularly well and she highlights the spiritual struggles of her characters in a way not usually featured in young adult novels. The account of young Vidya's time spent in isolation from the rest of the family in the "outhouse" set aside for menstruating women is worth the price of the book.

The author has based this serious novel on the life of her mother, who grew up in India during that period. Her writing is clear and elegant, and perhaps her story might have been a little more illuminating if she had been able to tell it outside the box of her mother's voice. Nonetheless, there is enough household drama in the lives of Brahmins living on the brink of an India about to change forever to rush the plot forward to Vidya's double happy ending.

Padma Venkatraman artfully weaves the large issues of freedom (and the vigilence it requires), monotheism, gender, self-possession, pacifism, and the deep well of literacy into a charged narrative of a young woman's coming to terms with her changing world and her distinct inner laws. The novel takes place in the early years of WWII when Japan was pressing India. A terrific book for anyone interested in the domestic Indian landscape; for anyone interested in a young woman's rise to self-possession. Hopefully this is the first of others!

In this multi-layered novel, Padma Venkatraman weaves together the themes of colonialism, feminism and pacifism without sacrificing story or character. Young adults will read it and understand it; adults will find the story line entertaining as well as thought-provoking. This would be a great book club selection and is sure to inspire spirited discussion.

Climbing the Stairs by Padma Venkatraman is a YA historical fiction about a fifteen-year-old girl named Vidya that takes place in India during the struggle for Indian independence and WWII. Outspoken and willful Vidya is excited about her future, but when her father is injured in a freedom rally, Vidya's hopes of entering college are shattered when her family is forced to move in with her grandfather and his straight-laced, traditional household. Her only way to escape is to climb the stairs to her grandfather's library where she is forbidden to go.

Vidya is a delightful protagonist, but at first she seems a little naïve and immature for her age. For example, in a strange scene in the first chapter, she is unable to identify a stain on her father's shirt as blood, despite the fact that she is fifteen years old and the daughter of a physician. However, after witnessing a British officer brutally beat her father, she becomes a much more believable character as she struggles with guilt about her role in her father's injury and shame about her father's resulting brain damage. I also thought that a few of the interactions Vidya has with her love interest, Raman, are sometimes very awkward and her uncle's family comes across as a little too mean to be realistic.

Despite these shortcomings, I would highly recommend this novel to anyone who is interested in in Indian history. The setting and time-period covered by this book are not often covered in American literature and especially not in such a truthful, open way. Sometimes I find that Indian-American authors tend to romanticize India and their novels read as odes to a perfect country where problems such as caste-based discrimination and sexism don't seem to exist. However, through Vidya's eyes, the author unflinchingly shows us her view of what it was like to live in a male-dominated society and where oppression was a fact of life. We see shocking events and difficult social problems portrayed honestly, and this important time in India's history comes to life in a believable and interesting way.

This book is targeted at young adults, but I really enjoyed it as an adult reader. It took me back to a time when my parents would have been teens, pre-teens and really captured their daily life, as well as the larger arena of events. I was a teen nearly a half century after the protagonist Vidya was, but her situation, the choices she has to make and how differently the same events shape different members of her family and lead them down different paths was captured brilliantly. I enjoyed that Vidya was feisty, independent and even a bit feminist. Like most Indian novels, this one is wrapped around a family tragedy -- Usually, that would mean I'd pass on the book, but the very real, empathetic characterization pulls you in through to the end.

If you like mysteries that combine good historical and geographical information along with a good tale, you'll like this author and this title in particular.

The story takes place near Afghanistan during the Raj period. I don't know how accurate it is, but there's plenty of satisfying background and detail to provide flavor. I like the way the author is able to handle both male and female characters without flattening either. Not much character development, but nice pacing.

A pleasant book for a rainy afternoon.

Another excellent offering from Barbara Cleverly in herserries about British India. Always interesting and keeps your attention, without any great underlying meaning.

Set at the beginning of the last generation of British rule in the subcontinent, this mystery takes us to the North West Province, in what is now northern Pakistan, with wonderful contrasts of British and tribal cultures straining to avoid another war. Great characters, setting, and plot twists all the way to the end. I hope Ms. Cleverly has a lot more of these coming.

AS always, Barbara Cleverly keeps my interest and surprises me throughout.
I thoroughly enjoyed this one.

Although it helps to have read the first two books in the series to understand Joe, the other characters are interesting and well developed. She conveys a very tangible sense of place and there are twists and turns that keep you going to the very end. Set against a backdrop of English-occupied India in 1992, this is an excellent mystery, and one certain to be on my 2004 Top Ten list.

This provocative book brings forth historical, spiritual, and cultural concepts that have been at the heart of the India since 2000 B.C. By looking to the Vedas, Gupta deconstructs difficult concepts and gracefully explains them in a manner which helps the reader understand the Indian worldview. By exploring the concepts of dharma, karma, and moksha, Gupta brings forth the core values inherent in Indian societies. The need for educating their children, respecting elders, and consistently putting the "other" before the "self". Dr. Gupta provides a window into the world of Indian-ness. This book is not only for teachers...but for anyone looking to explore the unknown terrain of Indian-ness.

Gupta's comparative work offers an important critique of the assumptions of American (and Western) educational psychologies. She gracefully points out that American educational orthodoxies unwittingly overlook the human aspect in the classroom. That is, particularly as they encounter other cultures, Western educational psychologies at times bundle children into developmental boxes which may contradict the children's cultural background, and disregard the power of the familial, social, religious or economic background of the teacher in the pursuit of the West's classroom standards.
Gupta does not speak contra Western educational psychology. Rather, she argues graciously that it recognize itself as a cultural product, and that it not be quick to impose its ontological and practical assumptions on others. I found her insights extremely helpful and inspiring!

Gupta's point that teacher education systems need to take into consideration teachers' own value systems is a suggestion many countries could benefit from hearing. As an American teacher who is interested in educational systems throughout the world, I found this book to be extremely informative and interesting. This book is a fascinating combination of educational theory, postcolonial theory and an examination of both Indian and American teaching methods. Gupta provides well-written background on Indian philosophy, religion and educational practices as well as on educational theorists. I recently took a trip to India and studied the educational systems there - I found her book to be very helpful. Chapter 3 "The Sociocultural Context of Education: Core Concepts of the Philosophy Underlying the Worldview of Indians" clearly outlined the texts and ideas that form the basis of Indian philosophy. Anyone interested in studying Indian philosophy and/or educational systems would do well to read this book. In a world where we are in dire need of intercultural and interreligious understanding, Gupta raises thoughtful questions and proposes timely next steps.

An excellent book!
Presents an in-depth exploration of classroom practice and teachers voices in urban Indian schools, as well as the connections between cultural values and educational values in India. It is about time that such perspectives and aspects are made a part of the wider body of educational research. Very informative. I would strongly urge teachers, school administrators and policy makers to read this book.

A very well written and insightful book that helped me to better understand the intersection and relationship between a society's cultural philosophy and educational practices. The author provided an unusual perspective on urban Indian early education that is laden with implications for all levels of teaching. I found this to be an excellent book!

Future Prospect provides immense insights on the shape of the future of e-business that will be of great value to technologists and business leaders seeking to understand and take advantage of the mega strategies taking place in the market space. Books like Future Prospect come along too infrequently, but when they do, the power of human creation is unleashed, transforming our business landscape. Future Prospect is the most talked about book in the current era.

Future Prospect raises the bar for any professional involved in business performance and development. This book clearly explains the core concepts and strategies underlying in any business and advances the business activities and processes to world-class level. And it provides how-here-and-now you can make enormous impact on your business results.

The first book to explore the impact of ebusiness in any business for any one aspiring to reach world-class status by guiding the readers to the changes that are taking place now, and an intriguing look into the future of business.

Future Prospect has served us as an irreplaceable map to chart our ebusiness visions and strategies and to drive our company to be number one.

Penetrating through the swirling mist of high-tech business scenarios with vision and simplicity, Future Prospect offers the vital tools to configure your business for tomorrow's prospects. It offers executives and analysts with a roadmap and agenda they need to advance their carriers.

I loved this book. So wonderfully written. Albeit the author took some liberties with the stories, I think the idea of the book is very well executed. I loved reading about Shiva and Ganesha and Vishnu and Parvati as if they were people who lived just down the street. So much of Hindu lore is very difficult to digest, but the author does a great job of delivering the myths and the moral point of each story very very well. Well done.

Fairy tales from the East lent us insight into a new range of contemporary issues and new responces to these temptations, character flaws and daily errs. Through these mythological stories and the choices these characters make, we are invited to be in both the situation and each character in tne story. Their choices then become our story. It is a unique tool for checking in with our values and coming to greater clarity about "what if" I were placed in such a situation myself. Good reading for all ages and an ideal gift for conscience raising without being rude.

Beautifully written! The timeless quality of these ancient myths shines brightly through Ms. Kapur's lucid prose.

Ganesha Goes to Lunch is a grand mix-up of Gods and mortals... all doing the best they can considering the limitations (and non-limitations) of their realities. The treat is that we are afforded a front row seat and, while enjoying ourselves all the while, suddenly discover that teachings of profound wisdom have somehow been assimilated.

A wonderful and imaginative journey with the power to inform, inspire and - ultimately transform the reader. Thank you, Kamla Kapur for the (wild elephant) ride!

Ganesha Goes to Lunch by Kamla K. Kapur is a collection of twenty four stories drawn from the oral tradition of mythical tales in India. The stories are retold in contemporary language, and maintain the essential structure and characteristics of the folklores. Kamla's choice of stories ranges from tales about why Ganesha has elephant's trunk, to the marriage of Shiv-Parvati to the creation of Brahma and universe. The story of the friendship of Sudama and Krishna is retold as is the tale of Vishwamitra-Vashisht rivalry.

The Bharatiya (Indian) tradition thrives on stories passed on from generation to generation. Each generation adds its own experience to knowledge and reinterprets the understanding passed to them. The Hindu myths by their very nature don't have absolutes. They represent Gods or men trapped in their vices, roused or limited by their virtues, acting in response to the demands that existence as humans on earth demands from us. The attempt is to create examples as prototypes to deal with contradictions and complexities that daily strife, be it in war, peace, family matters, need, greed, valor, and amorous desires lead us to. This had lead to several epics about avataars or incarnations, and as humans Gods lead exemplary lives, faulting at times, and suffering for them. In Kamla's collection, the gems from the boundless sea of folklore are picked, polished and repackaged to lure Western audiences as well as those Indian readers who have learned most from English education and English Literature.

The book has a number of pictures and illustrations, which allow a non-Indian reader to visualize the God or character in question. We Indians grow up with these tales, and somehow we imbibe their lessons into our being without realizing when or how. The modern age has brought a slew of stories and media into our household, and in these times, it is easy to be overwhelmed by the shallow characterizations and sensationalist serials. The demands of materialistic modern life, makes it even more important for us to connect to the spiritual wisdom of centuries, the philosophy both rich and humbling is present in highly entertaining form in these stories. Kamla Kapur's effort is commendable in both the spirit and the style of execution.

While most of these stories can be read out to children, a few characterizations are little more sensual than I would have hoped for. The discussion about Shiva and Shakti, the male and female powers, is done quite boldly, whereas my encounters with these stories as a child were in an understatement, and in euphemisms. Perhaps the retelling must respond to the contemporary world, where the Victorian writing, the euphemisms are considered trite and cliched. The tale from Ramayana, incorrectly mentions that Hanuman brought Sanjivini (or the hill with that herb on it) for reviving Ram (I am certain that it was needed for Laxman). Aside from these quips, most of the stories are brief and well written, and will form a good reading for people of all ages.

Myths by their very nature appeal to the heroic, and the virtuous elements of our being. Kamla's rendition ensures that the heroic and mystic elements are distilled into a reader's consciousness. The simplicity of language, the delightful imagery, the translation as if of whole oral tradition of myths into this eclectic collection speaks volumes about Kamla's craftsmanship and reverence for these tales. While the tales are derived from Hindu myths, the structure, the impact, the ideals, the virtues they inspire transcend time, space and religion. I enjoyed these, and so I hope you will too.