England Books

Like his poems, this book is short, to the point, and well worth reading. Highly recommended

There's no question that Siegfried Sassoons's is the finest of the World War I poetry. How the poems are presented to the reader is A PROBLEM. Publishers employ "lick and a polish" guys who excell at slight touch-ups to a graphic design that enables the corporation to double the book price. THIS BOOK."THE WAR POEMS OF SIEGFRIED SASSOON",COSTS TOO MUCH. If Sassoons poems were the value for the money, hooray. But we're not paying the money to Sassoon. Sassoon has been dead for half a century. Sassoon does not, therefore, benefit from the high cost of the publication. Poems: GREAT. book: OVER-PRICED.

I admit I am not one much for poetry, but ever since I read Martin Gilbert's THE FIRST WORLD WAR, which was replete with poetry written in the heat of battle, I've learned that verse is one of the most effective ways for a combat veteran to communicate the experiences of war. Siegfried Sassoon's aptly-titled WAR POEMS, compiled by Rupert Hart-Davis, is less a book of poetry than a guided tour through the muck, duckboards and barbed wire of No Man's Land.

Sassoon was a paradox as a human being. A sensitive and cultivated man and a world-famous poet when still in his twenties, he was also a ferocious fighter on the battlefield, dubbed "Mad Jack" by his men and a holder of the prestigious Military Cross. Disenchanted by the wastage and slaughter he had experienced, in 1917 he wrote a denunciation of the war and was promptly shut up in an asylum in Craiglockhart, Britain, where he composed many of the poems that appear in this book. Later he returned to the front and was shot in the head, but survived and enjoyed a prolific and diverse writing career, somewhat annoyed (as Hart-Davis tells us) that he had gone down in history as a "war poet." Reading this book, however, it is easy to see why.

Hart-Davis has arranged the 111 poems in chronological order, so that the reader can follow Sassoon's emotional journey from a naive young subaltern filled with a quasi-religious sense of mission (in 1915) to an embittered, half-delirious veteran driven to the edge of his sanity by relentless horror. And truly his poems run the range of emotions, from the mundanities of trench life ("A Working Party"; "In An Underground Dressing Station") to the moments before the ball went up ("Before the Batlle") to fury of combat itself ("Counter Attack") and its aftermath ("Died of Wounds"). Every aspect of the war is discussed, from war-fever to cowardice, from the bungling and incompetence of generals to the bluster of civilians back in England. Sometimes he's filled with rage and grief; other times with admiration and pathos (as with "Remorse", his paen to German prisoners run through with bayonets after an attack). But always there's the keen intelligence, the gift for words, the startling ability to convey image in just a few syllables, that mark the true genius-writer. See "The General:"

"Good morning, good morning" the general said
When we met him last week on our way to the line
Now the soldiers he smiled at are most of 'em dead
And we're cursing his staff for incompetent swine
"He's a cheery old card," grunted Harry to Jack
As they slogged up to Arras with rifle and pack.

But he did for them both with his plan of attack.

Of course quoting from the best of the WAR POEMS would fill 30 pages, so I'll leave you with the words of "Base Details."

If I were fierce, and bald, and short of breath,
I'd live with scarlet Majors at the Base,
and speed young heroes up the line to death.

You'd see my puffy petulant face,
Guzzling and gulping in the best hotel,
Reading the Roll of Honor, "Poor young chap."
I'd say -- "I used to know his father well;
Yes, we lost heavily in this last scrap."
And when the war is done and youth stone dead,
I'd toddle safely home and die -- in bed.

Poetry is one of my literary loves: but in this slim volume it is put to the task of exposing the soul of a young man who fights his nation's war because his honor demands that he do so while he simultaneously deplores and decries both the necessity of doing so and the method forced on him of carrying out his honorable charge.

A good friend once asked me what to read to properly understand the history of World War I and while I recommended several critical histories (Churchill's, Keegan's and B.H. Liddell-Hart) I also emphasized the necessity of reading All Quiet on the Western Front, Goodbye to All That, and the combined war poetry of Graves, Owen and, of necessity, Sassoon.

The poetry of WWI brings to life the soul of the experience in a way no history, no matter how talented the historian, can do. It translates you into Sassoon's body and mind as he experiences the horror and shock of absolute and directionless (to his view-point, not necessarily in reality) war. These poems bring the sounds and smells of violent death and horrendous suffering - massive destruction and heroic effort - into your ears and nostrils. Indispensible.

Kelly Whiting

I do not read much poetry, but for various reasons I wanted to read some of the British WWI poets because I knew they didn't mince words about the horror of infantry combat. Sassoon does not disappoint. His poems drip with bite, sarcasm, and some bitterness, but at the same time they are elegantly rhymed and the images are powerful. War is nasty business, not glorious, and it is also stupid. WWI was the end of innocence and the poets who wrote of their war experiences brought home the irony of that innocence in the face of the devastation that was wrought. A sample will help.

Stand-to: Good Friday Morning

I'd been on duty from two till four. I went and stared at the dug-out door. Down in the frowst I heard them snore. "Stand to!" Somebody grunted and swore. Dawn was misty; the skies were still' Larks were singing, discordant, shrill; They seemed happy; but I felt ill. Deep in water I splashed my way Up the trench to our bogged front line. Rain had fallen the whole damned night. O Jesus, send me a wound to-day, And I'll believe in Your bread and wine, And get my bloody old sins washed white!

This collection includes the notes that Sassoon added as commentary on some of his poems. On the above poem Sassoon notes: "I haven't shown this to any clergyman. But soldiers say they feel like that sometimes."

This is poetry that grabs you and moves you, but it is a particular genre, not for everyone's taste. If one purpose of poetry is to allow us to see through some of life's darker experiences, then this collection is well worth your reading and reflection.

Once you have visited the Allhambra in Grenada, Washington Irvines book comes to life. The tales come to life. The experience is so magical that you believe the fables may have actually happened. Who knows? I had to purchase the book immediately after my visit and it is the best book purchase I have ever made

"Tales of the Alhambra" is must-reading for the traveler in Spain. Irving is best remembered in this country for his collections of American folklore, like the stories of Rip Van Winkle and the Headless Horseman, but in Spain they remember him for the Alhambra stories -- in fact, there's a hotel named in his honor in Granada. Irving lived in that beautiful old Moorish palace at a time when it was a neglected ruin, and his wonderful descriptions, interspersed with the folk-tales that he collected from the people of Granada, helped to spark interest in repairing and restoring the monument. The folk tales, told in Irving's inimitable, witty style, usually deal with romantic elopements, or buried treasure, or both. My personal favorite is the story of the young prince living in the Generalife (the beautiful summer palace) who learned the language of the birds. That one is fantasy, but it's true that there was hidden treasure in the Alhambra: the palace itself, its architecture and decoration, and we have Irving to thank for rediscovering it.

A great book to read while traveling in spain. If you are going to Alhambra, read this book! It will bring the palace alive for you. The writing is very accessable, and easy to follow for having been written so long ago.

I think this book is much more enjoyable if you read it after you have visited the Alhambra; two Moorish palaces that sit on top of a mountain in the beautiful Sierra Nevada mountain range of Spain, palaces of incredible architecture and setting, the last outpost of the Moors in Spain. Christopher Columbus waited for 6 years before Queen Isabell would give him ships, she made him wait until the Moors were driven out of Spain. When the Alhambra finally falls, Coloumbus is given permission and ships for his quest a few days later, and the next year the Spanish Inquisition starts.
All of this comes to you if you visit the very romantic/historic city of Granada and the Alhambra, and after seeing the Alhambra restored, having walked its rooms and grounds, having listened to the fountains, letting your immagination run, then read this book, after you return home. Washington Irving's stunt of taking up residence in the rundown, forgotten Alhambra of his time seems even more fantastic. In fact, if you are going to Spain, buy a copy of this book in Granada; they are sold everywhere in different languages, and have pictures of paintings done in the period around Irving's stay. If you haven't been to the Alhambra, you should go.

When we were kids, we had a card game called Authors. I think the object was to be able to name the works of famous authors. At any rate, there were three titles that always seemed especially enticing: Idylls of the King, The Heart of Midlothian and Tales of the Alhambra.

Thirty years later, I picked this one up with some trepidation; we've all struggled through classics of two hundred years ago, baffled by arcane language & outdated usages. However, to my very pleasant surprise, the book is terrific, combining an Iberian travelogue with delightful tales and legends of Moorish Spain. Irving's travels are interesting enough in themselves, but it is the tales, which have everything from flying carpets to hidden treasure, that really make the book.

GRADE: A

When I first came to the end of reading Watch My Back, I felt compelled to go right back to the start and read again. It isn't just a book about martial arts or bouncing - it is a book about life and the sort of fears and worries that we all have lurking within. And as with all of Geoff's other titles, there is something that we can all gain by reading them. Watch My Back really affected me and my life in many ways. Firstly, it made me realise that no matter who you are, we all have obsticals in life that can be overcome if we really want it. And secondly, it forced me to eventually meet and befriend Geoff, who is a great man. His advice has led me to try my hand at writing and I am now a published author myself. Watch My Back - simply superb!

Geoff T. takes you on a ride through the torid storm that was his life 'on the door.' He opens up his heart and allows you to share in his dreams and his fears in one of the most honest accounts that I have ever read. He unfolds entire situations for you to read that help you to better understand just what a cruel, sadistic, egotistical world it is that we live in but also leaves room for humour. GT battles his own demons, describes the various opponents he has faced and shows not only one of the toughest and dedicated minds but also one that came to learn discipline and philosophy to get him out of the rut that he found himself in. A must for any doorman (bouncer) or wannabe but a compeling read for any member of the general public.

This is one of the most insightful books that I have ever read. If you want to learn fighting, learn it from this guy, he knows what he is talking about. This book is great for the soul and body.

Geoff is a great author who has undergone a few changes since this book was released in the early part of the 90's. His books give you the truth about physical confrontation and how to react in certain situations. He has no qualms about stating weaknesses in the Martial Arts of today that have not moved with the times and can be downright unsafe for those who think that combat in the dojo/training hall is the same when hit with the scary reality of an assault which is never announced in the same way as taught in the gym. This books pulls no punches and is as real as you can get without immersing yourself in the same dangerous role of doorman. He has released an updated book which encompasses his other books "Bouncer" & "On the Door" as well as this in the one volume of "Watch my back". He has risen was above his many counterparts in the Martial Arts and is now a major influence to a great many people with his views and positive outlook on life . His books now show the futility of violence and show how the bigger man can walk away and hold his head high without letting the ego get in the way My advice is to get reading from this great man, his knowledge and advice could help you in many aspects of life from physical training to being a better person. The world needs more like him.......

This is Fantastic. It is a hard pill for the martial artist to swallow, to find out that what they practise is rarley practical. The empirical techniques Geoff uses may seem like savagery but when you need to survive fights where £3000 worth of glass is broken, and when you have a gang of over a 100 people after you, your techniques and stratigies must be very economical and effective. This is also very funny, and is a brilliant insight into societies culture dish: The Nite Club.

I was very pleased with the book all the info in it was excellent!!!!

I enjoyed everything about this book. Not only are the trail maps well drawn but the descriptions of the waterfalls almost makes you feel like you are standing next to the falls as you are reading about it. One thing that makes this book unique to hiking books is the Historical Detour section at the end of each chapter. I enjoyed learning about the history of the White Mountain National Forest and the many stories about how these waterfalls got their names. I might add that the photography in this book is excellent. There are some beautiful shots of almost every waterfall mentioned in the book. Not only is this book goood for finding good waterfall hikes but it also makes for some relaxing reading.

I am an avid hiker of the Appalachian Mountains from the Carolinas to Maine. As such, I have purchased my share of guidebooks. Without a doubt in my mind, this is the best guidebook ever published. It reads more like a novel. I live in both Florida and New Hamphire and I find myself picking up this book to read for pleasure when I'm in Florida, 1000's of miles from the White Mountains. This book is efficient. As the title suggests, one can cover 100 waterfalls in 30 hikes, most of which are not very grueling. The book describes the waterfalls in detail but reads like a novel. It uses descriptions from early guidebooks as well, some over 100 years old! The directions to the waterfalls are clear and well written and include vital statistics like distance to each, vertical elevation gained, difficulty and altitude. A sketch map is shown for each hike (although one would use a separate topographic map for the actual hike). In addition, and I think this really separates this from other guides, a history is included for each hike of the area. These histories include Indian stories predating European settlement, stories of the early European settlements, the first grand hotels and even ski resorts. It truly gives the reader/hiker a sense of time and place. If you hike the White Mountains get this book!

This book inspired one of the best vacations I've taken (while closest to home!)exploring the waterfalls of NH. The directions and descriptions are accurate and easy to follow, and the falls themselves are exquisite--even in dry August weather, when we saw them. This will be a gift to friends, to be sure. Experienced hikers will appreciate it, but it's suitable for beginners. Not many geriatric hikes, however.

To my thinking there is not much more thrilling than turning a corner to find a spectacular and beautiful rush of water cascading over cliffs or through a rocky terrain. Who doesn't like waterfalls?!

This terrific guide to the waterfalls of New Hampshire's White Mountains details 30 hikes to 100 waterfalls, so many of the walks take you to several falls. A regional map pinpoints the thirty treks and a lengthy introduction relates waterfall nomenclature and origins, tells you how to use the book and offers tips to make your trip enjoyable. Detailed within four subregions (the Connecticut , Pemigewasset/Merrimack, Saco and Androscoggin watersheds), entries are 6-10 pages long and include location, distance, altitude gain, difficulty, access information, a map, trail and hike details, and a photograph of the falls.

An indispensable guide for waterfall lovers, particularly those travelling with kids.

The book concludes with appendices on regional geology and camping facilities, a bibliography and an index.

Originally intended for those taking a trip to Israel, Tom Wright dramatically and skillfully points out that the true Holy Land is wherever believers are. He points out that a trip to the Holy Land may be of some value but not as a matter of 'earning points' with the Lord. An example of how he relates his "tour" to personal life is when he is talking of visiting Jerusalem. Located at 3000 feet above sea level, It doesn't take much of a journey on either side of Jerusalem to find oneself in a wilderness. Just as one may feel 'on top of the world'
one moment and the next find oneself in a physical or emotional wilderness. We have all been there.
I can't recommend this book highly enough. Once again Tom Wright proves he is one of the top theologians in the world, regardless of denomination or location.

As N.T. Wright notes, "It can happen to anyone. It can happen to you."

Wright's "It" is an unexpected encounter with Jesus Christ. Rarely do we see it coming. Wright makes this clear in the very first chapter of his wonderful book, "The Way of the Lord." He cites Saul of Tarsus' journey from Jerusalem to Damascus. It was no intentional pilgrimage. Yet by the time Paul reached the gates of Damascus, he was already embarked on a journey that would see him travel the world in service of his God.

And so it is for all who follow Christ. As Wright says: "One sort of pilgrimage ends, therefore, and a new sort of pilgrimage begins, with the empty tomb of Jesus." Though we may never travel further than ten miles from home, life in Christ is a pilgrimage. Wright's book illustrates this by comparing different facets of the spiritual journey with different areas Jesus traveled through in his sojourn here.

Each chapter Focuses on an individual area/spiritual facet of life. They are meant to be read sequentially, but I have gone back to several chapters since first reading them and each has its own lesson and can validly stand on its own. This makes this book an invaluable companion for anyone seeking to follow Jesus.

Life in Christ is a wonderful journey--it is truly life "to the full." "The Way of the Lord" is like a tour book of sorts. I give it my highest recommendation

This book starts out good and then just gets better and better with each new Pilgrimage. Wright takes the reader on a journey with such descriptive writing that one wonders if his degree is in literature, instead of theology and history. Wright deals with the idea of Pilgimage on the road to Damascus, at the Jordan, in the Wilderness, in Galilee where most of Jesus minsitry took place, in Jerusalem, on the mountain where God is experienced in transfigurative ways, Gethsemene, where the agony of purpose takes place, the Cross (the best chapter), the empty tomb and then reflections on current day Israel. This book will take you away and cause you to feel like you were on the mountain, at the Jordan and was a witness of the cross. Wright's reflections are insightful, powerful and moving. Get this book.

The Way of the Lord. Christian Pilgrimage Today. Tom Wright. Grand Rapids: William B. Eerdmans Publishing Company, 1999.

On the face of it, pilgrimage would seem to be a venerable, natural practice. It is, in fact, highly controversial. To be sure, it has its advocates in the Judeo-Christian tradition. Torah required three pilgrimages a year, one on Passover, one during the Feast of Weeks, and one during the Feast of Tabernacles (De 16.16). And St. Jerome even interpreted some of the Psalms to be a command to make a pilgrimage. By contrast, however, Gregory of Nyssa went out of his way to criticize the practice, arguing that it is important to be close to God and one's neighbors and that pilgrimage made no contribution to accomplishing either imperative. And in more recent times, C. S. Lewis asserted, "The significance of the incarnation is not that God is a god of one place to the exclusion of others; it is that he is a god of all places, active in his world . . . God is to be found especially in people; namely those in need and in the gathered community of the Church . . . It follows that to set off on a journey to grow nearer to Christ is at best a complex matter. It might be that the true search is among those in need . . ." For the ardent pilgrim, Lewis commends the words of Matthew 28.6: "He is not here; he is risen." There is a certain logic to Lewis's position, but at the same time, it misses an important point. Pilgrimage is not about going to a particular place to find God. It is about putting ourselves in a particular place so that God can find us. For people who struggle with the concept of pilgrimage and who are inclined to side with Gregory or Lewis, Tom Wright's brief, readable work on pilgrimage will be a welcome guide. Former Dean of Lichfield Cathedral in Staffordshire, England, and the new Canon Theologian at Westminster Abbey, Wright grew up in the evangelical tradition. He heard little or nothing about pilgrimage early in his life and his first exposure to the practice left him with doubts not unlike those expressed by Lewis. But much to his surprise, he discovered that "one can learn to discover the presence of God not only in the world, but through the world." This growing realization prompted him to write this sage little work that not only serves as an introduction to the practice of pilgrimage but is also, by design, "a refresher course, from an unusual angle, on what might be called `Christian basics'." Using locations in the Holy Land where Jesus walked, talked, and healed, Wright takes the reader on a virtual pilgrimage, combining biblical scholarship with catechesis and inspirational challenge. But Wright is never facile or dogmatic. His closing paragraph provides a taste of the rest: "We do not go on pilgrimage, then, because we have the answers and want to impose them. That would make us crusaders, not pilgrims; the world has had enough of that, and I dare say God has had enough of that. We go on the pilgrim way, we follow the way of the Lord, because he himself is the way - and, as he said himself, the truth and the life as well. We go to meet him afresh, to share his agony, and to pray and work for the victory he won on the cross to be implemented, and for his way to be followed, in Israel and Palestine, in our own countries and in the whole world."

This will be brief. It is simply a statement about my "hero" in a sphere for which he is often not known, especially in the States. This book is the heart of Tom Wright, the pastor. Written as a pastor to part of his flock going on pilgrimage to the Holy Land, it breathes the spirit of pastoral concern. At the same time it reveals a real knowledge of the Land - its history, geography, culture, and current struggles. For those who think that they know NT Wright, whether as friend or foe, it reveals what I like about him most - an academic who left the daily world of academia for pastoral ministry. And what a pastor he must be to his flock - now in the diocese of Durham. I have been to the "Holy Land" forty times and have read dozens of books on Israel, past and present. I will treasure this one more than any of them. I am in the process of buying up all of the copies I can, since it appears to be out of print.
Read it as preparation for your physical and spiritual pilgrimages. It is a wonderful guide to both.

Jason Brown writes wonderful short stories. In this collection, he is able to capture perfectly and insightfully the nuances of adolescent experience. BUY THIS BOOK!

Full Disclosure: I attended Bowdoin College with Jason Brown, and we had an acquaintance or two in common. I read a profile in the Bowdoin Magazine and then bought his first book, which I loved.

This collection of short stories was dynamite. Dark and powerful, all its stories revolve around the fictional town of Vaughn on the Kennebec River. I would almost call it a novel about Vaughn told from all sorts of angles, from the aging widow to the neglected children. I was particularly impressed with a story about a logger on the last pulp run down the Kennebec.

These are stories that stay with you. I read the entire collection on the train between Boston and Lawrence -- after each story, I would stare out the window looking at the double-deckers in Malden or the stark outlines of abandoned mills.

I look forward to his novel.

Just for kicks, compare the map of Vaugn in the collection to Jason Brown's hometown of Hallowell, Maine.

Why the Devil Chose New England for His Work: Stories

This is a fantastic collection. Read Brown's "Trees," in which the woods stand as a watchful, powerful central character. All of Brown's stories are like those woods: deep, dark, and full of secrets, a place you're drawn to again and again.

Why the Devil Chose New England for His Work: Stories

Although all of the stories in Jason Brown's second collection are set in and around the fictional town of Vaughn, Maine, the emotional territory of the stories is far-reaching. Many of his characters are moving through life in quiet turmoil--enduring, defiant, proud, foolish. Brown's deep compassion for these flawed characters makes each of their struggles palpable and affecting. We feel the stories viscerally, which is how Brown seems to write them. This is writing from the gut. The best book of stories I've read in years.

It would be tough to write a better collection of short stories than Brown's first, Driving The Heart, but, damn, he did it. I swear on my best dog's grave that Why the Devil Chose New England for His Work is one of the best books of fiction I've read in a couple of years. If you love short stories as much as I do, you'd be nuts not to buy this book. Forget that bestseller trash, and buy something worth the money.

This book is a wonderful journey into the life of a man who can best be described as "ordinary."

It is eloquently and amusingly written, full of splendid observations on life, family, morality and friendship.

It has a great purpose and each character is blessed with a wonderful individuality ... thoroughly enjoyable reading!

This book is engaging and unpredictable. The humor is dark and dry. In some unsettling way you want him to succeed.

Who would have thought? This book was such a vacation from everyday life. I thouroughly enjoyed Henry's soiciopathic ways (although he's not a sociopath because he does feel guilt. Sort of)and loser personality. This is the story of a man who has been emasculated by his wife, his job, and has little to look forward to until he decides to poison his wife. His thought process is so deliciously evil! He actually acts out on his thoughts though, whereas most of us would stop ourselves from even thinking that way for longer than a micro-second. This book is like what would occur if we took away all consequences and morality from a person. It's a fantasy, and that's why it's so enjoyable. It is also hilarious, because Henry is such an impulsive poisoner, he can't seem to get it right and leaves a path of bodies strewn around his neighborhood as he tries to get his wife. he digs himself deeper and deeper in only a way a total loser can (funeral speech) and doesn't know when to stop. Very funny. I wanted this book to keep going and it has actually sparked a desire to write again. I will definitely check out Mr. Williams other books.

I just love this book. From Henry's habit of naming people for their irritating habits (such as Mr and Mrs 'Is-the-Mitsubishi-Scratched-Yet? at Number 42)his contempt for his Pasat and his hilarious and inept attempts to poison his wife, the entire street, and random members of the public, I just couldn't put it down. Then I had to come to terms with how macarbre that made me! But never fear, Henry is saner than he sounds, and that is the beauty of this book, it uncovers all of the mad thoughts everyday people have about their lives but would never admit to, and I think every one of us will recognise ourselves, or people we know, in the very real and flawed people that populate Henry's Wimbledon world. If you love Tom Sharp, Roald Dahl or any other writer whose humour is as black as it is funny, this is well worth a read.

Henry Farr is, to everyone else, a VERY boring man. But really, deep down he has a desire to murder his wife. It's not that he's a sadist or anything, he just can't think of any other way to prolong her absence indefinately.

This is a brilliant and hilarious book. I loved it, and would suggest it to anyone who is looking for a light comedy. Nigel Williams has written a great story about middle aged man going through one of lifes crisis' - the book is easy to read, and really is impossible to put down.

I loved this story about the Wise Woman. In a fairytale format, it depicted the consequences of bad behavior while at the same time, showed the positive side of doing the right thing. Great story for kids and parents.

The Wise Woman, while being a wonderful story also shows amazing insights that the child care specilists seem to just be getting, and it helps parents and the child themselves see cause and effects of different parenting! If you don't have the money to buy it, borrow it from someone!

Next to the Bible, this book has impacted my life more than any other. If one would truly enjoy taking a good, honest look at one's character, this is the book! It is a frightening mirror of our own humanity, yet one that will inspire change!

The 'Wise Woman' is my favorite fairy tale of all time. George MacDonald is wonderfully creative, pulls in just enough 'magic' to be interesting but not confusing, and builds strong characters. The tale has a very strong moral content which goes almost unnoticed by the strength of the story and its characters. I certainly recommend this for young people but I am a 'Senior Citizen' and still find it delightful and a bit thought provoking.

Richard Pendleton

The standout of this collection is the title story, "The Wise Woman, or, The Obstinate Princess." The princess in question is Rosamund, whose royal parents have spoiled her absolutely rotten. In fact, they are sick of her, she's so disgustingly violent and selfish (thanks largely to their 'care'). Enter the Wise Woman, who steals Rosamund away underneath her voluminous cloak and takes Rosamund to her cottage, which is miles away from nowhere--and bigger on the inside than the outside. Here, for the first time, Rosamund begins to learn that her wishes are not what the world revolves around. Very slowly. Before that happens, however, she enters another world through a picture and takes the place of another spoiled brat, Agnes, daughter of a shepherd and shepherdess. Agnes takes Rosamund's place. The Wise Woman does her best to save both girls, whose (to paraphrase Burke) intemperate minds mean that they cannot be free; their passions have forged their fetters. I can't tell you how the story ends, however. You'll have to find out for yourself.

MacDonald writes in an elegant, leisurely style (he takes three pages to describe a rainstorm at the beginning), and the story is rather long for a story--a 100 pages, give or take a few. But these are not really drawbacks. To adult readers, the story is a rather obvious, but effective, allegory of God's offer of redemption to humanity. To child readers, it is simply a good story; they will probably miss the parallel, but get the message. The story is filled with memorable scenes and images: the little cottage, the Wise Woman's eerie song, Agnes in her bubble (in more ways than one), Rosamund losing her temper with the little child in the boat. These make as much of an impression as the ideas, especially the recurring one that it is not enough to good; that's easily done when one's in a good mood. The goodness that counts is that done against one's inclinations--a hard doctrine that negates most of my good deeds, if nobody else's.

In short, this is a haunting book. It is well-written, it is thoughtful, it stands up both as a strong story and as a sermon, it entertains, it rebukes; it rewards repeated reading with additional meaning.

I bought this book years ago because I love stories set in the Medieval and Renaissance periods. What I loved about this book, is that it helped me to get a wide variety of information in short period of time. It provides information about clothing, food, money, the law, and royalty. I used it to create a 30 page story in college.

Because of the amount of information, as well as bibliographical listings for you to expand upon your research, it makes a great reference when you are writing a story set in this period. If you are writing a novel or a feature-length screenplay, you'll need more information than is covered in this book, but for a short story or to supplement information that you have, it is fabulous. You can also use it when you have no idea where to begin your research. The bibliographies are designed so that you can find out information on a specific subject quickly rather than researching the whole period in general.

If your interest in the Renaissance centers on 16th century England, then this book's for you. With chapters arranged by broad subjects, such as Everyday Life, Government and War, and Society, it's easy to locate topics. If you are looking for a quick reference tool specific to the English Renaissance, this book belongs in your collection

Most Americans who would be interested in such things, after all, have probably visited a Colonial reconstruction (like Williamsburg) at some point, and seen the artifacts of the period up close and personal, so it doesn't matter too much that the volume this series offers about Colonial America isn't too well supplied with pictures. But visual recreations of Elizabethiana are thinner on the ground, and it would have helped to have been able to see something of the objects described (I had to haul out one of my costume references to comprehend the description of Anne Boleyn's trademark headdress, for example). That much said, the book is packed with useful information ranging from plots against the Virgin Queen to how much things cost to education, language (including the Scots dialect), and witchcraft. And it offers sizeable bibliographies of other books to seek out in connection with various specialized subjects. On balance, I have to say that I got a lot out of it, and would recommend it as a good jumping-off place for students as well as writers.

Not just for writers, but historians, hobbyists, and anyone interested in the small details of life in other times. This volume, like the others in the series, includes chapters (with figures and illustrations) on food, clothing, family life, work, education, religion, leisure activities, social and political history, etc. Great for browsing, great for research. Recommended.

The Writer's Guide to Renaissance England is a fantastic resource for everything to Elizabethan clothing, to what they ate, what they believed in and anything you need to research an aspect of English Renaissance culture. It's descriptive, thoural, and extreemely helpful.

Mr Hedges wrote a very detailed account of the band here, so much so, that one can feel that he was really connected with the bandmembers. There are many upon many quotes from the band in here that really give more depth than I have seen in recent documentaries. I can't believe I spent the amount of money I did for it, but I just couldn't find a copy and other Yes fans have praised it. I agree with the reviews. It's funny where the book finally ends up at and that is the departing of Rick and Jon from the band. The Drama album was actually very good in my opinion and fresh at the time. I still would like to see an updated version of this book, or a bandmember account of being in Yes.

I've read several books about Yes. But I've wanted to read this one (the first ever written about the band) since the early 80s. It took me until 2004 to find a copy I could afford.

The book was worth waiting for. I finally see why so many long-time Yes fans have always liked it.

The writing is excellent -- funny, opinionated, and packed with information. The photo selection is superb, and includes many pictures I hadn't seen before. The book is over 20 years old, so it only takes you up to the 'Drama' era. Unfortunately, it's officially out of print, so it's expensive.

But it's a magnificent read, indispensable for any Yes fan. Easily five stars. Maybe six.

Forget about the new books, this is the ONLY Yes bio that matters. Get it if you can!!!

Not only have I read this book over and over again, I have had the good fortune to have it signed by ALL the band members over the years. It is a complete history. I love it!

Dan Hedges was the publicist for YES during the 1970's. This book contains a detailed biography of the band from their start in 1968 through their 1980 release "Drama". The book is filled with hundreds of photographs and quotes from the band and would be a compelling addition for any serious fan.