England Books

I had not done much research on the Elizabethan time period when I read this book, nor did I have any desire to, but it really has opened up my world! I've gotten a lot more interested in Shakespeare and his works for one thing, and, for another, it has given me a window into the world of acting and plays during the late 1500s. Can you believe that, since women weren't allowed to act on stage, young boys actually had to play the female roles? Not many boys I know would go for that at all!

This truly is a wonderful book about an orphan who finds a life on the stage. I won't say any more, so as to spoil the story, but, I must say, it's a good read for the creative mind.

This book is about a 14 year old boy, named Richard Malory, whos mom has died and his dad left the family.Richard travels to Londonand meets some interesting characters along the way.He gets robbed, beaten, and threatened at knifepoint. he joins the Lord Chamberland's men to act on stage. He meets his long lost father and helps him escape from England. He lives his life the way it was set out for him. I gave this story five stars because it is really suspenseful. I recommend this book for anyone. this book is really good because you never want to put it down.It fills you with peril and leaves you hanging until you read it more.

Richard's mother has just died out in the country. The man his sister and he worked for only has room for his sister to stay and work for him, so Richard sets off for the bustling city of London. Awhile before, his family once received money from a lawyer in London who forwarded it from the father Richard hasn't seen since he was a small child. Before her death, Richard's mother instructs him to go and see this man who she thinks might be able to find him a reputable job in the city.

Once in London, though, Richard has a hard time finding the man who is supposed to find him work. He instead meets up with a man who says the lawyer is no one he would want to talk with. This man directs him instead to the docks, where he works for a time for a company that imports wine. Soon, though, Richard comes to realize that there are men following him who may want to harm him.

Around the same time he realizes he may be in danger, Richard is recruited by the local theater to be an actor. He is fourteen, which is a good age to play the women's parts in the plays. Richard plunges into the theater life, making both friends and enemies with the others in the cast. William Shakespeare is the primary playwright for the theater company, and Richard enjoys many of the plays he writes for them. But there is a mystery out there waiting to be solved, and Richard becomes more and more convinced that he has a right to be interested in it.

I liked the history of this story; it was interesting to read what London was like when Shakespeare was writing. It was also fascinating for me to read about life in the theater in these days. It was a little hard, though, for me to follow the parts of the history concerned with the nobility in this story. I couldn't keep track of the monarchs and their allies and enemies.

This book is great for all ages, as the other reviews have said. I, being a 13 year old, loved the mystery plotline, and I enjoy reading books like Shakespeare! I recommend the author's second book, The True Prince, and The Shakespeare Stealer and Shakespeare's Scribe, both by Gary Blackman! All of these books have a young boy who acts in Shakespeare's troupe, so if you enjoy that aspect of The Playmaker, then you'll love the others!!!

The Playmaker is a work which literally transports the reader to Elizabethan England in a very convincing manner. Cheaney has a beautiful use of language which does not talk "down" to her young readers at all, but instead presents them a fast-paced, exciting story which is as enriching as it is entertaining. I really fell for all the major characters, and I am hoping for a sequel...or several of them! Richard, Starling, and Kit are so well developed they seem like real historical characters rather than fiction. The Playmaker is a great example of how fiction can present a historical period to young readers so that the reader develops a feel for the period-encouraging an interest in history, too. That's a very enriching asset for a novel to have. This book is on my Christmas list for my young friends AND friends my age and older! My 27 year old daughter is going to love it!

You have to read these books! It doesn't matter if you start with the latest or the first; the Sam Jones series is so fun you wish you could move to London and have party with these folks!

Lauren Henderson takes an old trick, a switcheroo, and gives it new life and contemporary meaning. This book is a very enjoyable look at the choices women make about careers, marriage, children, and friendship.

This (so far) final book in the series really shows her growth as a sleuth, but also as an adult. Should she kiss the pretty boy (and he is) or should she move to the next level in a real relationship? Now, I'm panting for the next book!

This (so far) final book in the series really shows her growth as a sleuth, but also as an adult. Should she kiss the pretty boy (and he is) or should she move to the next level in a real relationship? Now, I'm panting for the next book!

Laura has written a book that goes back to Black Rubber Dress with its style and mystery. It took me till the last 4 pages, where she tells you who did it, to figure it out. Once I knew who did it, the whole story feel into place. But, the story kept me on my toes the whole time.

Sam has yet again stumbled into a murder. This time her best friend Tom has been accused. She spends her time in a small town outside of London debating her relationship with Hugo and trying to figure out who done it. This story is a fast mind-tickling read. I would recommend it to any mystery reader.

Wow this book was just amazing! The first book was good but this is so great. If you like Anthony Horowitz you have to read this! Unfortunately it is on the short side(190 pages). It's got action and witty humor. If you haven't read "The Falcons Malteser" (the prequel) you don't have to read it first. You can just go right to "Public Enemy Number Two." But please read this book. AMAZING!!!
P.S. I'm not "Cathron" thats my mom I'm a guy.

My book's name is Public Enemy #2 by Anthony Horowitz.
This book starts out telling you about some of the things that happened in the last book. Then it goes on to tell you that Nick (the main character) is on a school field trip then out of the blue a robbery happens. Then Nick is framed for the robbery and sent to prison. After being in prison for a while Nick breaks out and now he is on the run.

This book is Realistic fiction. I really like this book a lot. This book is a good read and very exciting. This book is a good book for everyone if you like action and suspense.

Being framed, shoved in jail, and paired up in a stall with "public enemy number one" is not the greatest luck a kid could ever get. But for thirteen-year-old Nick Diamond, that was the luck given to him. Nick Diamond lives in London with his brother, Tim, one of the worst detectives around. After being framed, Nick is thrown in jail with Johnny Powers - one of the deadliest criminals. Nick, challenged by two chief inspectors Snape and Boyle, tries to befriend Johnny and nail the Fence, the country's master criminal. The Fence is Nick's ticket out of jail because Snape and Boyle are the only people who know Nick is innocent. To go after the Fence, Nick and Johnny break out of jail and get away to Wapping, East London, with the help of Tim, Johnny's mother Ma powers, and a stolen suspension bus. Ma Powers had another reason for helping her son break out: Big Ed has taken over Johnny's territory. Over the course of the journey with Nick and Tim, Johnny and Ma Powers grow suspicious as the secret search for the Fence continues. On the way, Nick is put in great danger, evil places are revealed, and the rest is up to you to find out. Read Public Enemy Number Two and discover what happens to the Diamond brothers. It's an awesome book!

Put it in the grown up section and parents will think you have gone crazy. Put it in the kids section and suddenly you have parents complaining that it made their kids grow up too quickly. THIS IS THE PERFECT NOVEL FOR TEENS LOOKING FOR SEMI-ADULT CRIME FICTION BOOKS AND THUS THE PERFECT NOVEL FOR ADULTS LOOKING TO REMEMBER THE GOOD OLD DAYS! Essentially it is about a boy who manages to get in on his older brother's detective job and takes on a case for himself. It is really a book for 12 year olds and over because there is a little bit of crime violence in the book like the bad guy death ending, but it has all the pace of a movie like The Mummy. It is shame they do not make more kid's crime movies as Horowitz demonstates it is an incredably popular genre (he is read cover to cover in the UK) and with that said and done, this is a great book to try in The Diamond Brothers Trilogy). Do try it!

Public Enemy Number Two by Anthony Horwitz is one of the best books that you should read. It's about Nick Diamond, a teenager who is asked by Chief Inspector Snape & Assistant Boyle to go to jail and be cell mates with Johnny Powers, Public Enemy Number One, to find out who the fence is so they can catch him. Nick refuses to help Snape & Boyle, so later he is framed by them so he would be put to jail. His only hope of getting out is finding out who the fence is. Then there's a surprise twist about Snape and Boyle. Nick Diamond is a boy who is a nice kid at heart but has to go through terrible events such as escaping prison, stealing a diamond, and fighting a lion. Johnny Powers, Public Enemy Number One is one of those people that you think would never do anything wrong. He's has perfect teeth, chubby face, and best yet, he has the face of a baby. Well you all are wrong if you think he's one of those nice and loving people because he's one of the meanest and hating person you will ever meet. This story takes place mostly in Jail and at Johnny Power's safe house. The theme of the story is to help police officers by doing whatever you have to do even if that means spending time with one of the most wanted men. I really enjoyed this book because of its great story line and how the story played out so well.

This is one of the best books ever written on the subject of Elizabethan Costuming. It mainly contains all of the details of Queen Elizabeth I wardrobe but it has unique points in the society that surrounded the dresses. This book helps to explain the Gloriana image that became so popular and it helps us to understand all the little details that went into the dress of the period. Detailing costumes using portraits and explaining how the fashion progressed makes this book a must for anyone interested in Renaissance Faires and the nobility. The only drawback is that very very few of the portraits and pictures are in color. I think a total of about 7 are in color the rest is in black and white. The only way to make this book more appealing and usable would be to put all of the portraits and pictures in color, but that would make the book even more expensive. After this must have book the 2nd on the shelf should be a J. Hunniset book (the lady who did all the costuming for Elizabeth R and The Six Wives of Henry the VIII produced by BBC). Next, any Janet Arnold book. Last, would be the Norris book: Tudor Costuming and Fashion (although most of this book is very outdated it is nice to look at). All of these are must haves and will make a well rounded library. Dispite the high price of the book it is worth posessing. Enjoy.

This book is amazing. Huge, and packed full of information. An essential refernce work if you are seriously considering doing anything with elizabethan fashion. The author has poured years of scholarship into this work and it shows. It's not really a coffee table picture book. Instead it is full of carefully culled facts for the serious student or anybody curious about 'real' English Tudor costume.

For the historical costumer focused on 16th century clothing, this is the "bible" hands down. Big, expensive, and filled with the usual detail that is the hallmark of Janet Arnold, this is one very worthwhile investment for the serious costumer. This book has one tiny drawback, in that it focuses entirely on women's fashion in the 16th century as viewed through the wardrobe accounts of Queen Elizabeth I and some of her contemporaries. Therefore, it has nothing to say on the topic of men's clothing, which is an unfortunately neglected aspect of 16th century research.

Much of Janet Arnold's most important contributions to the costuming community are addressed in this book, making it extremely valuable. She presents each section with satisfying detail, raising very few questions that remain unanswered. The photographs accompanying the text are also invaluable, as many of them are not available in other books or to the general public for viewing. If only there were more color images...

If you can afford the book, you won't regret buying it.

For years I heard how this was _the_ book to buy if you were into Elizabethan costuming and wanted authentic items that could be documented. The book is good for that, and I enjoyed the style that Ms.Arnold wrote it in.

But I have two major gripes with the book-both regarding the quality of graphics and images in it.

First off-in the whole book there are only about 5 pages in color. The rest of it-including hundreds of portraits, examples of extant clothing pieces and pieces of embroidery were all in black and white. I complain about that because, with so many of the portraits quoted as examples it would help if they could be seen clearly. (Many of them are too dark to have reproduced well, and a few are quite horrible.) And the photographs....

If they could reprint this book and possibly include more color plates it would be a much much more valuable resource. As it stands now, it is a good source, but not all that I could have hoped for. Instead I have begun a search for color reproductions of the portraits cited in the book. A long tedious job but one that I think over all will make it a much more solid resource for my needs.

I bought this as a gift for a friend who helped a great deal with my wedding, advising me of dress styles, hair styles, fashion from this era, dances, music, food, and everything in between, as well as arranging all the flowers for the wedding! She was a godsend! When I gave her the book, her jaw dropped and she was so excited to get it... she said she had been wanting it forever. As I consider her quite knowledgeable about the subject matter of this book, and as it came highly recommended by her, I would say that it's a great book to have if this is something you are interested in as a serious hobby or more.

Andrew paints a picture in every story - reminds the reader what NLP is all about - and practices in a creative and useful way. A delight and a surprise in every story.

'With hindsight, maybe dressing up as Satan was a step too far, but sometimes I just cannot resist. When a consultant psychiatrist called me to book an appointment to "confront her Catholic guilt", then something inside my head just started shouting "Go on!! She's a psychiatrist! Do it!! Do the session dressed as Satan!!"'

If you like that extract, then you'll love this book. It's a series of bite-sized articles, case studies and "Tales from a neurolinguist's journal" drawn from Austin's practice as a hypnotherapist and former career as a psychiatric nurse.

The book comes with heavyweight endorsement from the likes of Steve Andreas and Bill O'Hanlon, who describes Austin as 'the British Milton Erickson' - although given the degree of irreverence for the psychiatric establishment and the willingness to satirise some elements of the NLP community, "the British Richard Bandler" might be a little bit closer to conveying the flavour of the book.

Published by Real People Press, the Mark Andreas hippy-art cover makes it look like classic NLP works such as 'Frogs Into Princes' and 'Trance-Formations', and it's good enough to stand in that company. There really is an insight on nearly every page. The psych nursing background gives Austin an unusual depth of knowledge of the oft-neglected 'neuro' part of NLP, which provides useful perspectives on disorders like OCD.

Many people will be familiar with the "That's so obvious - why didn't I notice that before?" moments that come thick and fast when you first encounter NLP. I'm pleased to say that after 10 years as an NLP trainer, this book could still give me plenty of those. Of course a decision-making process that uses movies is going to get better results than one restricted to stills! Damn!

Did I mention that the book is often laugh-out-loud funny? He got away with that "Satan" thing too - in fact the client was so pleased with the results that she paid about six times what he asked. One thing I'm taking away from it is to be braver in my changework sessions.

For my money this is the most significant NLP book of the last five years. Luckily it's also one of the most readable. More please!

NLP has taken a lot of heat over the years for not being "scientific". It's not! And, with that being said, Andrew shows us once again, that if you are willing to access the right states, NLP can be a tool to work seeming miracles. More than anything, Andrew demonstrates the willingness to adjust as wildly with his behavior as Bandler, Farrley, Erickson, etc. My hunch is that the "magic" is found in the state of the therapist, and NOT in the technique being utilized. That has been my own experience.

This is a most surprising lesson in the unexpected. Andrew comes up with unique and innovative responses that get the person to think, interpret and change. A forward moving book that readjusts your thinking as you read it.Flexibility and freedom from frozen maps of reality breathes life into this work.Thank you for your courage and inspiration.
Tobias S. Schreiber, LPC,CTS

I got this book in the mail on a busy day and didn't surface until I finished it some five hours later, smiling. Full of outrageous stories showing therapeutic NLP in action, this book is loads of fun. Although intended for people already familiar with NLP and/or therapy, it's accessible to anyone. I've read it twice so far and learned lots both times. Prepare to be shocked, to laugh, to change, and to look at the world differently after you're done.

Wilma Keppel, NLP developer

Gillingham does it again. John Gillingham, again,provides us with another superb account of a remarkable ruler of England.

I was sceptical getting started on this biography. Certainly, the early parts were fact-laden, slightly uninteresting and slow going.

I am very glad I did not give up.

This is one of the few strictly historical books that restores one's faith in objective research and non-agenda, non-ego driven truth finding.

One might wish for a bit more of a picture of Richard's persona, but from the remove of nearly a millenium, this would be fudging anyway. The facts that there are are clearly and neatly laid out regarding all of Richard's attributes, and some of the modern fadist mythologies (so many of which have their underpinnings in a given academic's desire or need for attention) are dealt with fairly and thoroughly.

Example: Richard was not a homosexual, as "The Lion in Winter" would have a viewer believe. The evidence against it is clear and plenary. It isn't that one doesn't wish him to be, it's just that this notion has its roots in a modern attempt to overlay ancient male and political bonding customs with a template of modern behaviours and modern conclusions which would stem from modern interpretations of those behaviors.

All in all, Richard emerges from the historical record as a great warrior King, who was grossly treated following his exertions during the Crusades, and was forced to try to reclaim the lands that Phillip of France stole while Richard was away. He was therefore forced to stay away from Britain, because the Angevin and Acquitainian and Norman parts of his empire were on the continent. He did not stay away from Britain by choice or by neglect (another myth debunked), but because he was forced to by the duties of his Kingship. Also, Britain WAS part of continental Europe as well in those days. (Or vice versa, if you happen to be English.)

A great introduction to those curious about this legendary monarch. Gillingham pulls off a bit of a hat trick here. While he does have strong opinions of surrounding figures, particularly Philip and John, he lets the facts speak for themselves about Richard and does not argue one particular point of view. With one exception, his sexuality. This also one of the few times where I found the primary historians, both Arab and Norman, becoming "characters" and their presence is missed when they die or no longer are around the King. The very difficult task of giving all of the counts of Normandy, the Vexin, and the Aquitaine distinctiveness is handled incredibly well. In the hands of a less skilled author this would have been very dry reading and frustratingly convoluted. Also, bit of a heads up to the future reader: This is Gillingham's second book on Richard the Lionheart and he has written numerous articles and essays on the monarch. He has no problem using himself as a reference and he flat out lifts an entire chapter from his previous work and places it in this one. I found this shrewdly entertaining. It does benefit this volume and since the older version is no longer in print, no harm done. After reading this you come away better informed, entertained and with a desire to pick up another book on this era and this king. I can't think of much better praise than that. An essential work for a medieval library.

Richard the Lionheart's life and personality may be the stuff of legend, but they are hidden by the mists of time -- or rather the paucity of relevant documents. Gillingham does a brilliant job of breathing as much life as possible into rather arid fragments without stepping beyond what is warranted by the evidence. For his understanding of the king, he draws as much on contempory Arab sources as European ones, arguing convincingly that the Arab writers may have had fewer axes to grind in talking of Richard. Gillingham goes so far as to place his evaluation of Richard's character at the point where the evidence ends -- following his captivity in Germany -- rather than at the end of the book. Instead the book ends with a well reasoned argument that it was John (and John alone) who lost Normandy whereas Richard was winning the war against Philip Agustus of France. Gillingham also points out that, had Richard lived to complete that struggle, the empire of Henry II might still have disappeared with his death.

Inevitably, some of the work is frustratingly dry -- especially for the process of Richard's development into a strong ruler and military genius against the background of one of history's most disfunctional families. But that dryness arises from the lack of evidence, not from immersion in trivia at the expense of substance.

The book itself is a delight, with strong narrative supported by a myriad of footnotes which are where they should be -- at the bottom of the pages. All in all, a good story well told with insightful analysis based on the record.

This is the most balanced royal biography I've read to date. Gillingham begins by tracing Richard's reputation through the ages, beginning at it's peak in the 12th and 13th centuries, when he was considered one of the great leaders of his time to it's nadir in the 1950's when academics began to consider him a "Bad son and a bad king..." who spent far more time on the continent than he ever did in England, leaving it in terrible financial straits when he went off to fight in the crusades, and began to conjecture about his sexual preference. Gillingham explores and discounts these and other myths about Richard and his reign simply by letting the historical record speak for itself and allowing the reader to draw their own conclusions, rather than stating his own opinions as facts and then selectively using the historical record to back them up. He also isn't afraid to admit that he can't be sure of something when the historical evidence is either too thin or simply obscured by the mists of time, which is refreshing. The author is among the first to rely heavily on contemporary Muslim sources in constructing his portrait of Richard, because he believes they are less biased in their evaluation of Richard's character than a European chronicler might be. These sources are, for the most part, complimentary, and add great perspective and depth to the reader's understanding of Richard as a warrior. Gillingham strikes the perfect balance between academic research and popular history, making the book very readable. Whether you're interested in Richard himself, or merely seeking an introduction into reading further about his fascinating family dynamics, or the crusades, this is the book to read!

Professor Holt has done an outstanding job with this book. I've had this book long before Amazon.com came into existence and was thrilled to see it listed here. Holt's meticulous research into Robin Hood has been referenced by numerous other authors and researchers into Robin Hood, yeoman archers, and life in Medieval and Tudor England. Holt has persuaded a fair number of very intelligent researchers in their assessments of who Robin Hood was and his status as a yeoman. I've had this book since 1991, with worn pages and all, yet I still can't put it down. Highly recommended. Like one of the other persons who gave it 5 stars, I give it a 10 stars. * * * * * * * * * *

Holt has written an enthralling study of Robin Hood, of both the man (what little remains of him in the ballads) and the legend. He discusses the five earliest surviving ballads - "A Gest of Robyn Hode," "Robin Hoode his Death," "Robin Hood and the Monk," "Robin Hood and Guy of Gisborne," and "Robin Hood and the Potter" - and from them details all that can be inferred of the original Hood and of the transmission of the legend in the 200 years before the songs of Robin Hood were first written down. Even after they began to be written down new elements in the legend emerged - Maid Marian and Friar Tuck only joined Robin's merry men in the 15th century. Although today we commonly think of Robin Hood as hanging around in Nottingham and Sherwood Forest, the early ballads most strongly connect him with Barnesdale ("My name is Robin Hood of Barnesdale," the outlaw once remarks in a ballad). Holt details the physical setting in which Robin Hood and his legend traversed, and also the type of people who were his original audience.

So who was Robin Hood? Holt answers, "There were more than one." Many outlaws later called themselves Hood, and some elements of the legends were possibly added on because a storyteller confused one Hood with our Robin Hood - this may explain why a actual march of Edward II's in 1322 is incorporated into the life of a bandit who probably lived a hundred years earlier. Holt does think there was an original Robin Hood, who inspired the legend, and believes that he lived in the first half of the 13th century. He is possibly identical with a certain outlaw named Robert Hod, aka Hobbehod, who is mentioned in records from 1225-26. Although there are many uncertainties, of all the suggested candidates for the "real" Robin Hood, Robert Hod is the most plausible, based on the existing evidence. If you get only one book about Robin Hood, make it this one.

I really enjoyed this book and I highly recommend it.
It's a great book for anyone inteested in Robin Hood.
I'd give it 10 stars if I could.

Professor Holt wrote what came to be acknowledged as the definitive work on Robin Hood in 1981, and it was published the following year. A second edition appeared in 1988, incorporating significant new research. So that's the first point to make; make sure you get the later edition. The second point is that this new evidence, which pushed the first reference to Robin Hood a century further back in time, merited a re-write. Instead, Holt leaves the main text almost unaltered and discusses the new information in a postscript, and gives it a brief mention in a preface. The result is that the reader is presented with much speculation about the origin of the legend which is invalidated in the postscript. It's rather like having the rug pulled from under your feet.

Nonetheless, the work remains a fact-packed, authoritative guide to England's unlikely national hero. (Well, a thief who may or may not have existed seems an unlikely hero to me). Holt points the reader toward the earliest ballads, and I strongly recommend that you read these in parallel with the earliest chapters of this book. The ballads are all readily available, in the original and translated, on the Net, and they are great fun.

Robin is as elusive as he is intriguing, but he is well worth tracking, and Holt is probably still the best guide.

This book has the ring of authenticity about it. One British reviewer called it "Probably unsurpassable," and I agree. In this way it is like an Arthurian book by Ashe or Alcock. (I am thinking of "In Search of Arthur's Britain," which described the 1967 South Cadbury dig.)

You will learn the truth about the earliest Robin Hood stories - he was a yeoman, not a nobleman or a peasant, his earliest haunt was Barnsdale, not Sherwood. There was no Maid Marian at first, etc.

An excellent book for British history buffs and English lit types.

This book about a girl 12 years old in a puritan community and how she lives with her dad and her best friend Elizabeth. I loved this book.

This is an excellent book! As soon as I picked it up I couldn't put it down. It was very exciting to read. I reccomend this book to anyone who likes exciting books.

This is a lovely book! I bought it for my daughter and we both enjoyed it

This book was about 12 year old Sarah who lives in Puritan New England. Her mother is no longer living and her Father is thinking about marrying a woman Sarah doesn't care for. On the Sabbath, a very strict day in Puritan Society, Sarah walks home with her best friend Elizabeth. But before she walks with her she gets a coat from Elizabeth's brother, because she is cold. So they walk, and Elizabeth slips. But after she realized how fun it was she did it some more and Sarah just had to try. But they were doing something awful. Laughing and playing on Sabbath. The woman Sarah's dad wants to marry hears them and walks over to get a closer look. She reconizes Elizabeth but she mistakens Sarah for Elizabeth's brother (you know, she's wearing his coat). So she runs off and tells everyone. But Sarah feels guilty. She should be the one to blame, not him. Sarah faces moral dilema and tries to do what she knows is right in her heart.

Sarah is a twelve-year-old Puritan girl living in Massachusetts in 1651. She is dreadfully unhappy because she fears her widowed father plans to marry a strict woman who dislikes Sarah and considers her to be poorly behaved. Playing on Sundays is strictly forbidden by the Puritan church. But one Sunday after a snow storm, Sarah and her best friend, Elizabeth (whose parents are considered to be somewhat freethinking for Puritans) can't help themselves, and they start to play in the snow, when they notice someone watching them and flee. Later, Mistress Goddard (Sarah's potential future stepmother) comes forward and announces that she saw Elizabeth and her brother Roger (she thought Sarah was Roger because she had borrowed his coat) broke the rules of the Sabbath. Now Roger will be punished when Sarah is the one who broke the rules. Can Sarah find the courage to come forward with the truth? I highly reccomend this excellant, detailed historical novel.

The Scarlet Letter by Nathaniel Hawthorne
The Scarlet Letter by Nathaniel Hawthorne is a great American novel!

The Scarlet Letter shows Nathaniel Hawthorne at his finest. The imagery is quite wonderful, but there's only so many times you can say the same thing. The images in this novel stretch out far longer than needed.

I nearly couldn't make it through. I do like to see every detail given it's fullest attention but even this is too much.

This book is one that is very vivid and quite pleasing to understand, but hard to read and not as easy to follow. Sometimes there's only one resourceful fact in a half a page paragraph.

Recommended.

In this powerful and moving piece by Hawthorne, he reveals the presence of societal pressures which affect character judgment. Set in the late 1840s and published around that time, Hawthorne's story takes place in Salem and Concord, Massachusetts. He writes in an omniscient point of view, revealing the thoughts and prejudices of each character while interjecting his opinion along with the side.

After the rather boring and tedious introduction which made me almost not want to read the book, the story opens with Hester Prynne holding an infant begat by immoral means emerging from the prison door and onto a scaffold for all to bear witness to the letter "A" for adulteress on her chest. Throughout the story, the focus will be on this symbol, and how it evolves over time with different perspectives.

I won't get into much detail as that may ruin the book for your readers, so I'll move on to Hawthorne's awesome and abundant use of imagery used as symbols for the hypocrisy of the times and so forth. With his use of imagery, he criticizes the mankind for their ignorance In addition he adds transcendentalist views into the story the show the ability of nature being able to outlast and survive over some of the whimsical presumptions of man, such as what the symbol represents.

Much of the book rely on symbols and what the characters represent. Reading and deciphering their meaning is not hard, but is not entirely obvious. What makes Hawthorne so clever is the way he shows the attributes of each character that define their symbol.

Initially, I almost gave up on the book due to the rather long and tedious introduction about the narrator of the story, but I stuck through since it was part of a reading assignment for my reading class. When I finished, I can honestly say that I thoroughly enjoyed it, as I provides an insightful view of mankind's ways and our faults. Hawthorne created a timeless masterpiece and I suggest you guys to read it.

I was always skeptical when teachers used the term "classic" when referring to a book. It always seemed to me to be a term to describe books I had to read that were going to suck. The Scarlet Letter was a happy exception; one that actually has meaning today as it did when written.

I really enjoy historical fiction. Hawthorne easily puts a reader into the time period by laying out the facts of puritan life and laws, the dress of the time, as well as with the old-fashioned dialog. Hestor's husband is "away" at sea and she has become pregnant. Normally, adultery would carry a very severe punishment, but the town can't prove her husband is alive. So, she is forced to wear a scarlet "A" (for adultery) on her chest whenever she's in public. This stigma will pass on to her daughter, despite her innocence in the matter. Hestor's stoic perseverence in the face of this humiliation is even more poignant when you learn who the father of her baby really is. This tale of a town forcing its morality on a person is still valid today. Women aren't forced to wear a scarlet A (at least in the US), but we still label people who are different or don't conform to our values.

Unfortunately, at the time this was written, authors were paid by the number of pages in their books. Readers can easily guess this caused uncessary bloating in stories and this book suffers the same. There is a lot of description and fluff that I found myself skimming over, but the heart of the story is still excellent. This tale is powerful and meaningful. Highly recommended!

Just look at a portrait of him as a young man, note the noble brow, the handsome features, the sensitivity, how romantic......... Curl up with this book and let Nathaniel tell you his tale in his beautiful poetic language . This is a book to be read quietly, alone, not in an airport lounge or on the subway, but preferably in a beautiful garden or sunroom with the windows open. Let the beauty of his language flow over you and transport you back in time.

It is over 200 years since Nathaniel Hawthorne was born in Salem Massachusetts, his great great grandfather officiated at the Salem Witch Trials. He was both disturbed and intrigued by his ancestry. One day when working at The Custom House in Salem to make ends meet as a struggling young author, he discovered in one of the upstairs rooms some dusty old boxes, on opening them he found them to contain relics from the past, long since forgotten. Yellowing documents and an intriguing piece of embroidery, a scrap of faded and torn material with the letter A embroidered on it. He picked it up, and while wondering what it was, he held it up to his chest, and at that moment he claims to have felt a burning sensation which caused him to drop the piece of cloth. It gave him inspiration for this story along with documents he found about a woman called Hester Prynne.

The scene he sets so vividly is somewhere around 350 years ago 150 years before he was born. In a time when behavior to which we can hardly be bothered to raise an eyebrow was in that day considered a punishable sin. A disgrace for life. Branded by having to wear a scarlet letter on the chest for all to see.

It is a feminist novel, (Nathaniel Hawthorne supported women's rights). Briefly, the protagonist Hester Prynne has a child from an adulterous relationship and refuses to name the father. Her husband a physician much older than she has never been a "proper" husband to her so she had looked elsewhere for love. The husband vows to find the father of the child, and in exchange for her freedom makes Hester swear she will never disclose who her husband is. Her husband being a physician quickly deduces who the father is from the way he is wasting away under his burden of guilt. He sets about a long period of torment of the young man of which Hester is aware but can say nothing because of her promise. Finally she has had enough and decides to come clean, shaming the devil, (her husband) and redeeming the young man. I do not want to spoil anything by divulging the name of the father of the child in case you do not know.

This is such a simple and brief account it would make Nathaniel wince to read it. There is so much more to the story. It states in the blurb that it is a psychological novel before there was a science called psychology. The way the characters in the story interact with each other, the symbolism, the different values of the day from Nathaniel's day, and then again to this day. The religious aspect in Puritan times, the emotional ups and downs as you empathize with first one and then another of the characters. It is a wonderful story and well deserving of its position as one of America's great classics.

In this world of Knowledge and the propensity to believe in things are reasoned by Sciences, this book prods us, that the ultimate is still GOD. I for one, has fallen out a number of times, with an ardent attempt at things secular, despite my inner cravings for a deeper faith in God. This book sets out reminding me of my corporal life and all that surrounds me is nothing, but temporal. It is a rare find, given my recent yearning to return as a prodigal son and my inner inclination to detach all materialism and let it take a back seat. Despite the classic prose as expected of an author who lived more than 100 years ago, I understood his writing thoroughly, although I am not an European nor an American. This, indeed is an oasis of a find for answers from the Word Made Flesh, and is dwelling amongst us. In short, "go get it, all you who wants rest, for His Yoke is light and easy."

John Henry Newman spent most of his long life making the principles of his Christian faith, first as an Anglican and later as a Roman Catholic Cardinal, clear and easily understandable to his audiences. A gifted writer and speaker, his lectures and sermons still resonate today. Although I am neither Catholic nor Anglican, his assurances of God's love and of sustaining faith have always attracted me. Recently, as I have suffered through the final illness and death of my mother, I have found in this volume a new source of comfort.

It is increasingly difficult these days to find true intellectual support within established religion. How good it is to be able to pick up this volume and to read Newman's cerebral discussions and assurances!

Not many words from me. This volume of Newman is simply a "must read." Read and meditate. You'll send some as gifts. It IS that good.

Buy it.

Reverent of, obedient to, and profoundly in love with God-this is what Cardinal Newman is all about, and this is how he encourages us to live. His sermons may be instructive, admonishing, or inspirational, but are always enlightening, challenging, and reasoned. He has a remarkable ability to interpret God's Word in ways that hit home to everyday people. He conveys the sense of urgency with which we must turn from sin, yet understands our nature enough to know it takes time and enormous patience. Well worth reading!!

In this world of Knowledge and the propensity to believe in things are reasoned by Sciences, this book prods us, that the ultimate is still GOD. I for one, has fallen out a number of times, with an ardent attempt at things secular, despite my inner cravings for a deeper faith in God. This book sets out reminding me of my corporal life and all that surrounds me is nothing, but temporal. It is a rare find, given my recent yearning to return as a prodigal son and my inner inclination to detach all materialism and let it take a back seat. Despite the classic prose as expected of an author who lived more than 100 years ago, I understood his writing thoroughly, although I am not an European nor an American. This, indeed is an oasis of a find for answers from the Word Made Flesh, and is dwelling amongst us. In short, "go get it, all you who wants rest, for His Yoke is light and easy."