England Books

I didn't find this book all that special. The style seemed stilted and awkward. Characters seemed emotionally flat and I didn't buy the romance in the story. Not a bad read, but half way through I was ready for the book to end.

One of the things I like about this book is that it manages to retain an archaic feeling without sounding fake (you know, the type of dialogue that sounds like a bunch of college students roleplaying). Pope's choice of using modern language for the dialogue doesn't spoil the setting at all, whereas trying to force readers to jump back and forth between Elizabethan dialogue and modern narration could be annoying, e.g. Patricia Wrede's version of "Snow White and Rose Red".

Overall, Pope's characters are really well fleshed out, and she's also a master at describing atmosphere. The supernatural terror that Kate is subjected to in the underground halls kept me up at night for a while after both times I read this.

I didn't know the plot of "The Perilous Gard" was related to an actual legend till I stumbled across the name "Tam Lin" elsewhere on the Internet. Now I'm fascinated...

This book is beautiful. The proud elves! The historical drama! Probably the best theory for where elves/fairies came from, oh, and the answer will suprise you!
This books haunts you in that though there are mystical, magical elements in this story when you done reading you have to admit that it really COULD have happened. This book made me cry, I love it when books have the power to make you feel that much emotion. Do yourself a favour and read the book!

The Perilous Gard

The Sherwood Ring

The Perilous Gard is a book I still reread as an adult. The Sherwood Ring is good also. I just wish that Ms. Pope had written MORE.

The Perilous Gard is a wonderful rainy afternoon book. The characters seem real and the Elizabethan England that is described seems real and charming but none too easy to live in.

The best part of the story is the characterizations of the fairies themselves. Not the fluttery, glittery creatures beloved of Walt Disney, but a real, proud alien race at one with nature. The queen particularly is both admirable and cruel, pitiless and pitiable.

I enjoyed this book immensely once I got into it. The first chapter didn't impress me, but after that the book held my attention. The main character, Kate, was a great heroine that I enjoyed reading about and she had her own flaws, which I thought was great. Because most books in this sort of genre have the perfect, beautiful, strong, intelligent, courageous heroine, which I always found somewhat unbelievable. This book is adventursome, fantastical, and has some romance thrown in too. Its my kind of book! I plan on looking for more books by this author.

Orwell's 1984 is a novel that is truly frightening for those who cherish free expression and the power of individual thought. Dystopia literature owes it all to this classic of the genre. I managed to get through all my formal education without having read this text. However, picking it up now I am glad that I waited until I was a little older to read it.
The first thing one must marvel at is the brilliant construction of the novel. Orwell as an artist is at the top of his form and the structure of the novel is wound so tightly that readers would be wise to annotate the text as there is an almost cyclical nature to many of the themes and ideas presented. Orwell weaves the same ideas throughout the text, and each time he revisits them he shows them through the lenses of a different ideology or character and thus emphasizes for the reader how precarious (and precious) are the mores and ideals of the individual mind.
The idea of governments who yearn for power for power's sake is not so foreign to our early 21st century world, and although the text ends on a nihilistic note, the reader walks away from 1984 with the renewed impetus to revere and respect our individual thoughts, as these, and these alone, give us unique value. Read this text, not so you can fear "big brother", but rather so you can be reminded to respect yourself enough to think and form intellectual thoughts. It is Winston's loss of the self that should frighten the readers of 1984, not the dreary world that Orwell creates. We don't need totalitarian governments to become Winston Smiths. We can do it to ourselves if we are not careful!

Today's American is mentally incomplete if he/she has not read this book. If you haven't read it, please do so. If you have read it, please read it again. And keep in mind that reading it is not the goal. Knowing it is the goal.

The distinction is important because Orwell so masterfully describes the loss of truth, the loss of individuality, the loss of freedom so subtely and so effortlessly, that the crucial points are missed if the reader has a lack of focus.

with uncanny brilliance, Orwell describes the tactics used by a totalitarian state against its own people to gain submission and cooperation. The submission is so complete that the proles (the masses) no longer have ownership over their own thought! It is a subtle and painless process and only Alexis De Tocqueville, in his monumental work, "Democracy in America" has come close in the past 175 years of describing it, but even Tocqueville admits that he can't give it a name.

"In fact there will be no thought...Orthodoxy means not thinking-not needing to think. Orthodoxy is unconsciousness" writes Owell. Orwell later writes that "orthodoxy is stupidity". What the reader needs to understand with this point is that "orthodoxy" is the "news" we get from our mainstream media, our establishment press. Because our mainstream media is government controlled, as explained in the book: U.S. Television News and Cold War Propaganda, 1947-1960 (Cambridge Studies in the History of Mass Communication), naturally only government orthodoxy will be espoused.

In the novel, Orwell writes, "There is no possibility that any perceptible change will happen within our own lifetime".

There are so many unbelievably essential tactics described in this book that I can't do much justice to them in this review, but the reader needs to connect with Orwell's cleverness and understand how important it is to Big Brother to control the language and rewrite the history, in fact, write the history before it even happens. This, the torture to get confessions, attacking an ally and blaming an enemy (false flag terrorism) is all here and Orwell wrote this masterpiece 60 years ago!

This book, Nineteen Eighty-Four, is drawn from heavily in the book, Don't Weep for Me, America: How Democracy in America Became the Prince (While We Slept). Here, the relevancy of "Nineteen Eighty-Four" will blow a lot of minds...

I think this is my favorite novel about a dystopia. So far, I have read "We", "A Handmaid's Tale", "Brave New World", "Anthem", and "A Clockwork Orange", and though I have thoroughly enjoyed quite a few of the novels that I've listed, 1984 is my absolute favorite. How is it different? The main character, Winston, if not entirely likable, is very relatable. What I like most about him is that he doesn't assume to be anything or know anything, but rather, he feels instinctively that something is wrong with how the world is set up. He is not especially intelligent (although he's not exactly stupid either) or strong-willed or moral or handsome. And as if to emphasize Winston's relatable mediocrity, Orwell gave him an exceedingly boring office job! In some novels about dystopias, the protagonist can be overly heroic (as in Anthem) or tragic (as in a Handmaid's Tale), and thus more admirable but also a lot less relatable.

Another thing that is different . . . this book gives you different perspectives. Orwell's theme of government control over language is pretty common in this genre, but because he took his thesis a little farther than merely saying that government control is bad, the book is an interesting read. He even gets a little into metaphysics. As a reader, you also get the perspectives of different characters in the book, and thus, the perspectives of both the government and of rebels. Often, books in this genre can be very straight-foward, but 1984, with its many twists, is a very worthwhile read.

When I read this book I saw a snapshot of what is actually happening today. How ironic someone would have know this was going to happen so many years ahead of time.Excellent reading and I don't normally read fiction.

Imagine, for a second, that tomorrow a large Atomic War starts, and the world is divided into three states. You are under the command of a leader called "Big Brother". Constantly on government surveillance, you try to escape Big Brother's listening and viewing devices, but, of course, you can't. Nobody can really escape.

In the year 1984, bombs invade the city of London. On the Malabar Front a war starts, in another state of the world, called Eastasia. The Ministry of Truth, a government organization, broadcasts to the population via a network of telescreens. These devices, which intrude on all aspects of people's lives, are also capable of monitoring their every word and action. They form part of an immense surveillance system used by the Ministry of Love -another government organization- and its dreaded agents called Thought Police, to serve their singular goal: the elimination of "thought crime". Winston Smith is a Party worker; Part of the social party known as the Outer Party, the pity of the intrusive government. Winston works in the Records Department of the Ministry of Truth - the government organization in charge of modifying historical news for consistency. When Winston finds proof that the Party is lying, he starts off on a journey of self-questioning. In doing so, he becomes a thought-criminal. Winston begins to notice that a young Party member, Julia, is watching him. She wears the special sash of the ultra-zealous Anti Sex League and Winston fears that she is an informant. However, to his surprise, she reveals herself as a subversive, and they begin a dangerous relationship. This inspires Winston to explore deeper the difference between propaganda and reality. Ultimately, it leads him to O'Brien - a member of the Inner Party who sets Winston on the beginning of an amazing discovery.

The book 1984 is a perfect read for anyone that is willing to see the world in a whole new aspect. Not written to a specific group of people, this book can be perceived from any point of view, and from any part of a modern-day- society. One reason people should read this book is because it sees the government from a whole new perspective. The book, 1984 was published in 1949. It predicts the way that a slightly communist government, would function in the future. What I find completely surprising, is that many of the futuristic devices in the book 1948 have become true to this day. When you put a good amount of thought into it, it all becomes reality. Today the government watches our every move through computer, phone, and ever video surveillance. It's scary to think that even now, as you read this, someone could be watching you. Also, the government still hides secrets through propaganda press. Another reason why this book should be read, is because it has a large array of quotes, such as: "War is peace, Freedom is Slavery, Ignorance is Strength" (Orwell, 1949, p.27). It provides the reader with a complete set of wisdom and knowledge through its quotation and lessons. The last reason that I will share, why someone should read this book, is because it keeps your interest. Even though the book isn't exactly a fast read, it's completely addicting the entire way through. Keeping your hands off of it is an almost impossible task to accomplish. It contains the ability to keep the attention of a monkey, and yet can relate to someone with the intelligence of Einstein.

In conclusion everyone, and I mean everyone, should read this book. With its perspective of government conspiracy, relation to modern day life, knowledgeable quotes, ability to contain attention, and its intelligent relation; I am positive it will keep you, and anyone else, on the edge of their seat.

-Jonathan Lightcap

First let me state the categories of people who should (please note the emphasis) study (not 'read') this book: -
1. Anybody who is interested in the any or all of the following: the Whitechappel killings, the subsequent frenzy, investigation into the murders, armchair investigations by "Mycroft" wannabes, and the literally literary withchhunt being carried out over the past century & more to "unmask" the killer;
2. Anybody who is interested in understanding the socio-economic dynamics of the world's largest, richest, proudest and yet ruthlessly exploitative (of its own citizens, esp. the young and the women) city at that point of time when the nails were finally being hammered into the coffin of the 19th Century that had experienced the pinnacle of British glory;
3. Anybody who, after being overfed on the serial killers (Hannibal et.al) produced by the "hot" American novelists, actually wishes to know how it is like to be chasing a black cat in an enormous dark cavern while blindfolded;
4. Anybody who actually thinks that "the truth" might have been out there at some stage, but even with a centuries old "cold" case something can be done (unlike some trashy attempt sub-titled: "CASE CLOSED").

This book is not only accurate and free from all the popular & obscure misconceptions, it is also a living proof that history can be made more attactive than fiction while staying rigorously free from falsehoods. Recommended to everybody belonging to the afore-mentioned 4 categories as well as to all who, after reading some new adventure pitting Sherlock Holmes against Jack the Ripper, start pondering over "what if.."-s.

Like many others, I have been interested in the story of Jack the Ripper. When I finally decided to read about the crimes, I wanted to read only the best, most definitive account. I believe that Sugden's book fits the bill. He sticks only to the facts; when he theorizes, he presents an opposing view as well. He does not claim to know who Jack the Ripper was, but he does put forth a theory. After having finished this book, I cannot imagine that there is much of anything else to know about the case. I would highly, highly recommend this book to anyone interested in reading an emotionless, fact-filled book about Jack the Ripper to pick this one up.

I found this book to be a bit boring and quite wordy for my personal taste. There were alot of facts that seemed to lead nowhere. I wasn't impressed!

Unlike most "Ripperologists," Philip Sugden does not have any pet theories to prove. Therefore, like a good historian, Sugden concentrates only on all the facts of the case as they can be cooberated by the primary sources. Very well written and thoroughly researched, The Complete History of Jack the Ripper not only covers each of the known murders in detail, the book also looks at several other unsolved murders that may have been part of the series of "Jack's" crimes. Furthermore, Sugden follows the police investigation and examines the suspects developed by the police at the time. While Sugden does evaluate the likelihood of these suspects' guilt, he makes no attempt to positively identify the killer. If you read only one book on the 1888 murders in Whitechaple, read this one.

Jack the Ripper is perhaps the best-known figure in history whose real identity is obscured. He killed (as far as we know) something between 4 and 9 women in London between 1887 and 1891. He was never caught, and there's no convincing proof anyone ever saw him clearly, let alone came upon him in the act of killing and tried to stop him. He became the subject of rumor and speculation while the killings were going on, and has since been a subject of much speculation and theorizing. "Solutions" to the crimes he committed range from various suspects to a conspiracy of the British Royal Family in some fashion all the way around to anti-Semitic conspiracies.

Author Philip Sugden decided to write this book, and work from as many original sources as he could, recounting only that information he was able to confirm from contemporary records. He generally dismisses newspapers of the era, and tries to rely on police files as much as possible. What emerges is a different picture of the killer and the murders than has been presented in the past, because many previous books have repeated the errors of others while recounting what they believe happened. Sugden does his best to avoid this.

The result is a well-written, detailed, exhaustive study of the killings themselves. Sugden recounts each of the killings in detail, and then spends considerable time telling of the police response to the crimes, their attempts to counter the killings, and especially their interrogations of witnesses. One point he makes clear is how primitive their forensic thinking was at the time: fingerprints were about a decade off yet, and it wasn't even possible to analyze bloodstains to tell if they were human or animal in origin. The police, as a result, depended to a great deal on witnesses and confessions. In crimes of passion or crimes of greed, those things worked reasonably well, but with a "stranger crime" where the killer and the witnesses probably didn't know the criminal, and he probably also didn't associate with other criminals, the chances of catching him were frankly minimal. That's what happened...they didn't catch him.

I really enjoyed Sugden's book. It contains a great deal of information. The author, in the latter part of the book, leans towards one of the suspects (George Chapman) but doesn't insist that he must have done it. He does think it unlikely that Druitt, Kosminski, or Ostrog were the killer, but in each case his evidence is, like everything else at this remove, pretty much speculation. At least his speculation makes sense, however. Regardless, anyone who's interested in Jack the Ripper needs this book, definitely.

I first read this book when I was in elementary school. That was many, many years ago. The thought of this book somehow crossed my mind a few days ago. So I procured one and read it through in a couple of hours. The re-read reminded me of how great of a book this is.

This book speaks of hope, trust, perseverance, and especially of undying love. Yes, it's a children's book but adults will benefit greatly from reading it as well. It's one of those books which will forever remain a classic in the hearts and minds of those who have read it.

This is one of my favorite horse stories of all time. It is about a young boy who makes a bond with an increadible horse. A must read for any horse lover!!!!

This is my favorite horse story ever! This book stands above all others for me and I will always remember it. My mom read this to me when I was 9 years old and still to this day, I have never read it's equal. Henry's writing is so beautiful, the story so touching and the characters so real. A plot unfolds about a young stable boy in Morocco and his golden-bay stallion who would one day be known as the Godolphin Arabian, who's bloodline still runs in race horses of today. It's quite possible a lot of this book is based on fact. A simply amazing story in all respects! I must warn sensitive readers however, there are some very intense parts of this book, some sad parts which are sure to make most people cry and a few parts where there is fairly harsh abuse and neglect of animals. Maybe not the best choice to read to very young kids, especially if they are the type to get scared easily. Overall, I would say the book has an excellent balance of tragedy and triumph. The ending is a beautiful one, both happy and a little sad but satisfying and well worth reading the story.

King of the Wind is a great book by Marguerite Henry. It is about a mute boy named Agba and his horse Sham. Agba goes with Sham on many adventures together. Agba goes with Sham from the royal stables in Morocco to Gog Magog. Sham also sires many winning foals and when he is gone, Agba goes back to Morocco.
I enjoyed this book very much. I liked it because it is about horses. I also liked it because it was full of adventure. It was sad and exciting and there were many parts where Sham and Agba were seperated. Agba was very brave for a young, mute boy and Sham kept him company with his firy spirit that only Agba could control.
My favorite part was when the cook tried to drive Sham. He wanted to show that he did not need Agba to drive Sham. He left Agba at the royal kitchens then set out. Sham bidded his time till the cart was groaning with goods and a young pig. Then "BAM!" He went wild and ran like the wind, sending the goods, the pig, and the cook into the air. The cook runs after first the pig, then Sham, then the pig, until he is so confused that he catched nither. In the end the apple woman cathes Sham and the cook is so fustrated that he sells Sham to a cruel man. I like this part best because it is so funny and shows Shams firy nature.

The Christmas I was nine, I got a boxed set of Marguerite Henry novels and while I loved all of them and read them day and night during the break from school, I think this one goes down as my favorite. A few years after I first read this novel, my family moved and I discovered it was also, by a nice coincidence, one of the favorite books of a girl I met in our new neighborhood, who went on to be my best friend to this very day. That connection, too, makes this a special read. However you might come to possess this wonderful book, I think you'll agree, it's one to be cherished.

King of the Wind is the story of a mute boy named Agba, who lives works in the royal stables in Morocco during the eighteenth century, where the Sultan has perhaps the finest collection of horses on earth: maybe the greatest ever in history. Among the animals Agba cares for is a colt who has long been Agba's favorite. This horse was born with a mark called the wheat ear, that is regarded among Moroccans as so unlucky, custom mandates that any foal possessing it be destroyed at once. However, this colt also is marked by a sign of extraordinary good fortune, which reprieves the death sentence and is there to battle the wheat ear in the animal's life: the good in constant yin/yang conflict with the bad.

As a gesture of goodwill, the all-powerful Sultan elects to send a shipment of his finest horses to his friend and ally, King George of England. As the horses chosen for the journey are prepared, Agba is given the chance to accompany these prized animals by ship to the far-off Christian kingdom. One of the colts hand-picked by his Excellency is none other than the omen-marked horse Agba has grown to love. The journey northward upon the ocean is undertaken, but an unscrupulous sea captain has shortchanged the Sultan's agents and not provided food for the equine passengers. Therefore, the cargo of fine desert steeds who are unloaded in England appear little better than half-starved nags, and never find their way to the royal court.

Cast out among beggars and in a strange, cold nation where he knows no one and does not understand the language, Agba refuses to leave his beloved horse's side and the happenings that come to pass in the life of the desert stable boy and the fine, though seemingly run-down stallion, form the basis of a delightful novel that is simultaneously a tale of a boy and his extraordinary horse, and a history lesson in eighteenth-century equine lore. In Miss Henry's story, fact and fiction meet as Agba's horse becomes the celebrated Godolphin Arabian, from whom roughly one-third of all modern thoroughbreds can trace descent.

I guess you can tell I really like this book, and I think almost anyone would as well!

This book is absolutely amazing. My mother got this book for me when I was about 17 and just really starting to bud out and become an artist. Dan's work was absolutely mesmerizing and inspiring. His colorful life and tragic death spark something in you to go out and change the world.

This is a dense, rich book of images and words left by Dan Eldon, one of those brilliant, outsized people who burn through life like a flare and are gone. He surrounded himself with beauty and horror and tried to both record and to make some sense of his experiences and the constant, jarring disparity between the extremes of life.
If you love photography and art or are just drawn to precocious brilliance and the intense energy of people who are present in every moment of their lives, you should own this book.

After seeing this book in a Borders store, I decided to buy it. I couldn't put it down, page after page offers so much of the author, yet offered so much to the reader. It makes your own imagination soar again, and as a fellow photographer, it gave me a kick in the butt I needed to start shooting again. The vision of Dan Eldon was not only through a lens, but through his heart as well. He accomplished a great deal in a short life, and definitely contributed to the bettering of our world. His photographs of Africa, combined with the scrapbook like additions of text and objects could be considered a new form of documentary photography. I strongly urge anyone who is interested in travel or photojournalism to get this book and have it transform your outlook on life.

Eldon's story of the war-torn Somolia is as much an artwork as it is an engaging story. This "book" is a reproduction of photojournalist Dan Eldon's journal from his travels in the most impoverished regions of Africa. Part insightful reading, part artistic work, this book should be on anyone's reading list who wants to know more about the world we don't see everyday, and it truly makes one think about all we have, and all Eldon lost...5 out of 5 starts easily!

I bought this book upon it's release in 1997. I can remember allowing the contents of this memoir to captivate me for hours on end. I lent my copy to a friend shortly thereafter and subsequently forgot about it. I recently ordered a replacement and I must say, this book is even more compelling than I ever remembered. Dan Eldon was a profound visionary, an articulate statesman and a devoted caretaker. As a Reuters photo-journalist, he traveled the world and served as a dipomatic embassador to many, yet his life was taken prematurely in a stoning riot in Somalia. He experienced more in his brief 21 years than most of us will over an entire lifetime. A MUST HAVE.

This is one of the best books I have read in a long time. I would recommend it to anyone who likes to ready true stories from someone's life.

I am was in shock throughout this entire book. I could not believe that this actually happen in the 21st century. Mende told her story so descriptively. I could not stop reading it. Excellent memoir.

Parts of this book were too graphic for me. I can't believe what women in some parts of the world have to endure. I couldn't finish it.

I just finished reading this book and wow. One of the things that really helped me was the references to modern things like cell phones and VCRs. It really helped reminding the reader that this happens today. The book will have a profound effect on whoever reads it. We live in what we consider a civilized society but who knows what goes on in the house next door. I wish the remaining years for Mende to be filled with health, love, and happiness.

The story of Mende begins as a young girl growing up in a harsh environment in the mountain region of the Sudan. She is playful, witty, too smart for her own good, somewhat at odds with her mother, and completely enamored by her father. She is loved by her family and culture, and loved back in spite of some harsh rituals (female circumcision) and a harsh environment (dangerous wildlife and at the mercy of the land).

When raiders attack her peaceful village it all changes. She is raped on the way to the slave traders who then shove her off to an absolutely evil woman in Khartoum where she is unknowingly sold as a slave. No choices, no friends, no comforts, no real safety. She is a body of labor. Flesh that can work as a substitute for others who practice the art of leisure. Beaten and dehumanized to the point of absolute affliction.

She is then traded off from Khartoum to London where she manages to escape the home of a diplomat. She is now free. But she has still not seen her family in over a decade. She is in complete fear of her own country and those in power. And she is a devout Muslim all the while.

This tale shows us that violence towards darker skinned people is alive and well in the world. The violence in Sudan is not religious as much as it is racist and classist. Mende was an unclean barbarian who did not deserve to be treated as a human by her Arab captors.

Slavery is alive in the world and while much of the world decides to look away at such atrocities, there are undoubtedly thousands like Mende when she was just a little girl who are being beaten and abused in every way possible as I write this. Beaten for not washing dishes the correct way, for talking to others, for laughing, for smiling, for an unnoticed wrinkle left in a shirt, a counter left undusted, for not calling their owner "master". It is a reminder to those in the West that there are parts of the world where basic survival and the freedoms that we have are not taken for granted. A healthy reminder.

The book itself is wonderfully crafted, hard to put down even though you want to avert your gaze often.

Although I think it may be a bit advanced for my 9 yr. old, I'm still glad I purchased this book for my most recent book club choice. A gentle book that flows easily, and the characters change for the better in wonderful ways. The one thing that bugged me was Mrs. Shaw and her smelling salts. It almost seemed to me that Polly Milton was the better 'mother' to the Shaw family. All in all, this is truly a memorable classic.

This book started off a bit slow, but if you read more than a page or two at a time, I think you will like it. This story is about a girl from the country who goes to visit her cousins in New York. Polly's cousin, Fanny, and her friends find Polly "coutrified" and "old fashioned". Everyone falls in love with her because of her quiet manner along with the fact that she dresses and acts her age. Although their are multiple hardships along the way, you couldn't have wanted the book to end any other way. I recomend that you don't read the book until you are at least 11 or 12 because some of the wording is odd because it was writtedn so long ago. Happy Reading!

Alas. In my opinion, both "An Old-Fashioned Girl" and "Eight Cousins" audio versions would benefit by having a much younger narrator. Despite her long and illustrious career in audio, Flo Gibson is now too old to bring these novels to life. They are books about young girls, and they are obviously being read by a grandmother. Rather than illustrating the timeless quality of these fine books, an elderly reader makes the books simply sound old and out-of-date. What were the publishers thinking?---CaroJ11

An Old Fashioned Girl begins with a teenage girl, Polly who visits her cousins in the city. There, she realises that they are exactly the opposite of the old fashioned girl that she is, and this causes some distress on both sides. Being a modern woman, I expected that this book would be a wonderful read but the initial chapters where Polly was a teenager were hard to take in. Alcott created what she felt to be the "perfect" teenage model in Polly, but I found myself wishing that this "perfect teenage model" would loosen up a bit and do something for herself instead of serving everybody else, which was the "proper thing to do." Ironically, Alcott herself wrote in the book "excessive virtue doesn't last long ...except with little prigs in the goody storybooks." She should have taken herself more seriously because her main character came very close to becoming exactly that! Compared to other classics like Tom Sawyer, The Secret Garden and The Railway Children, the teenagers in the book were very unrealistic, I dare say even for that time. Alcott wrote too much of what she wanted children or teenagers to be, opposed what they actually were, which can get exasperating. However, that is less than half the book, which follows into young adulthood. In here the characters become more realistic, and Polly begins to be truly affected by her poverty and to long to be different. To avoid spoilers, it morphed from an exasperating read into a very good read. Overall, the valuable lessons in the book make it good addition to any collection, especially for children.

Do you ever feel like you are tied up in our times? Worrying too much about cell phones, fashions, and the latest whatevers? This book can set you straight. It gives you a peace of mind and fills you with simple pleasures.

The stories main character, Polly, we meet at the age of 14. She has come to stay with rich friends for a while. THey do everything so differently from she. The family has two daughters. One that is two years older than Polly called Fan, who cares for fashion, balls, and beaus. The author daughter is six and she is fixed onoo having her own way about everything. THe young man in the family Tom is a trouble maker, who no matter how hard he tries can't seem to stay out of trouble very long.

Polly is a gentle, kind, loving, caring, selfless, practical, and sensible girl. SHe becomes a great service to this family, touching each of them in a special way. She moves in the same town six years later and gives piano lessons. The family needs her more than ever and she helps them all in the end. This book has heart, romance, and realness to it that we can all relate to, rich or poor, young or old. It will make you feel warm fuzzies. Read on a rainy day underneath a flanel blanket!

read this when I was preteen, it's great and it bears re-reading as an adult. Scary, psychological drama. Lots of stuff for adults to chew on as well as kids, because of the dual (even triple) heroine structure: a child, a young woman, and a mature woman. Each character is fascinating, and so is the situation, the setting, the writing... what a great book. Now I want to read everything by Patricia Clapp.

I read this book as a child back in the 70's, and it's still one of my all-time favorites. The writing is mature enough to appeal to adults, but still on a level that an older child can easily follow.

Creepy without the gore, the slow build up of tension until the climactic ending is deftly handled and leaves you wishing you could read faster to reach the resolution.

My old copy of this book has been taped together numerous times, so I'm pleased that it has now been reissued. I plan to pass it along to my own daughter in a few years' time.

I first remember reading this book when I was eleven or twelve. I was so excited to see that it was reissued. I devoured this slim little book in an hour and it was an hour well spent, reliving the chills and thrills of this book. Patricia Clapp has a great ability to create a fabulous atmosphere that makes it easy for the visualize the story. What a wonderful book!

This book was a good as I remember! Plus, Witches Children was gripping. Also, there is a nice trubute written by Ms. Clapp's children about her. AND insight from Ms. Clapp herself of her inspirations for both of these stories and others.

I have loved this book ever since I first read it as a child. I am so happy to see it available again after so many years! I wanted it several years ago, and had to buy a used copy on eBay to get it. But now I want to buy this re-issue so I can also read Witches' Children! Since Jane-Emily is so good, anything else she wrote must also be great! I've been waiting since my childhood to see a studio make a movie-version of this story, and I can't believe that no one's ever thought of it! I'd love to see it done!

Rumer Godden is one of those female writers who from the very early age was exposed to life overseas (India). From then on, she sets on a path of being one of the writers like Isak Dinesen and Doris Lessing. Woman highly sensitive to people and cultures around her, who really has no land of her own but is curious about anything and eevrything around her. Her personal life was equally difficult, so it is interesting to read the book about the Catholic nuns living in monastery in England, traditionally protestant country. In this book we come across main character, Phillipa Talbot, 42 year old professional woman who decides to leave her worldly life and high position in order to pursue contemplative life a monastery. This is a big step for her as she decides to leave her job, relinquish all of her personal possesions and submit all her property to the church, not to mention her conversion to catholicism. Surely, most of the nuns are skeptical about her actions as she is considered "too old" for vow of poverty and obedience and this huge personal transformation. But Philippa has her mind set and she is sure that this is due to her personal convictions not due to her sorrow, guilt, regrets or any other emotions that may be distractions from a true vocation of leading meditative life for the rest of her natural life. Over a course of a decade we observe Phillipa's transformation. It is an interesting novel. For non-catholics, like myself, I recommend reading notes first that explains monastery life, monastic orders, greetings, vows, dowries, etc. before reading the actual book.

I'd heard about this book from various sources, and finally found it on Amazon. I am completely thrilled with it's ability to tell a great story, it's attraction as a spiritual journey, and it's honesty about living with others in cloister is no different that with our famiies. A wonderful read! But, be forwarned...you may be 'encouraged' to vocation!

First off, there is no question of Rumer Godden being a master story teller, a woman skilled at the crafting of words, of putting pen to paper and creating a world so detailed you would step into. A world, in this case, centered on the religious life of a Benedictine community and all who live in it. The abbey, the House of Brede, is a place where cloistered nuns turn out to be very, very human. With a history of pain and sin these women have to find themselves, to find love, joy, and balance in serving God. It is not easy and a few will fail. To try to review this book, this work of art, is beyond me. It really touched me in many ways yet also made me ponder about what kind of lives the women would have had outside the walls of the Brede. Would they have had families? Would they have run simple shops or would they have gained great wealth? Would they have made the world a better place? Or would they have just added to the pain and waste?
Philippa Talbot, a woman who was successful, intelligent and respected, enters the abbey at an age much later than most. She journey from one stage of development to another is amazing but also slightly sad. Change can be both and sometimes is. Birthdays, weddings, and graduations are happy and sad, full of laughter and crying. So by the time we reach the end of the book we find ourselves wondering about life, ourselves and the What Ifs of our own choices in life.

This book does a good job of showing the struggles and triumphs of cloistered life. The day to day life of these women, although seemingly boring from an outsider's view, is anything but. I really began to care for the characters and the recognized the importance of the lives they led. I love reading books on cloistered nuns because you feel like you've been let into this secret, magical existence and this book did just that.

My first copy of this book was a used paperback that was given to me when I was about 10. I read it and read it until it was falling apart. (I was excited when I found a hardback copy in a used bookstore a few years ago.) To this day, (30 years later) I still love this book. I can pick it up and read it cover to cover, or just open it and read from that chapter. I am not a very spiritual person, but there is just something about it that keeps me reading.

And Quiche was a great kick-off to start this series. Great characters, good mysteries, fun protag. Just a good read all the way 'round.

As a devoted fan of M. C. Beaton's Hamish Macbeth series, I was intrigued to keep reading reviews of Hamish Macbeth books by people who claimed they liked the Agatha Raisin series better. But every time I contemplated the title, Agatha Raisin and the Quiche of Death, it just seemed too tongue in cheek to be possibly any good. Well, I was wrong. Although the book couldn't be any more satirical and much punnier than it is, the book works very well both as a straight story and as a satire. It's like getting two books for the price of one.

Since the Hamish Macbeth series started first, let me address Hamish Macbeth fans first: Think of Agatha Raisin as being one of the optimistic incomers to Lochdubh who hope for peace and tranquility without realizing what village life in Sutherland is really like. But Agatha has mostly good intentions (except towards the women in the area who drive her batty) instead of being an incipient homicidal maniac like the incomers in Sutherland. Agatha is also her own woman, and not about to take any prisoners she doesn't have to. Like Hamish, she has a crime-solving partner, Bill Wong (of the local detectives), who helps her in ways she doesn't always appreciate (like Priscilla Halburton-Smythe does for Hamish). Agatha is based, however, in the gentle Cotswolds so there won't be too many stories about brutal winter blizzards in this series. You won't miss hearing about Strathbane.

In this inaugural book, Agatha has just sold her PR firm in London (where she succeeded by being a blunt instrument in plying journalists with meals and drink and then shaking them down for stories) and decided to retire to a cottage in the Cotswolds, an area she had once visited as a child. Naturally, she has a romanticized view of what life there will be like. Having been a busy businesswoman, she now finds herself not quite sure how to fill her time. Although she had made no friends in London, she expects to make many in rural Carsely. People nod and are friendly, but it goes no further. Agatha soon makes an enemy of her next door neighbor by stealing her housekeeper. While catching up on her reading of Agatha Christie mysteries, Agatha decides she needs to get everyone's attention. Why not win a prize for baking?

Plotting her strategy, Agatha invites the quiche competition judge, Reginald Cummings-Browne, and his wife, Vera, to an expensive dinner (expecting to curry favor as it were in the quiche wars). Agatha instead ends up with a very large bill and a not very high opinion of the Cummings-Brownes. Agatha makes a quick foray to London to buy a wonderful spinach quiche that she enters as her own.

But her plot is soon foiled when the woman who always wins the quiche competition once again triumphs. Agatha leaves her quiche behind in disgust, and Vera Cummings-Browne takes it home as a snack for her husband. That night, he eats the quiche and dies of poison! Naturally, there's a police investigation and Agatha has to confess that she cheated.

Feeling like she will never make it in Carsely after such a large faux pas, Agatha begins to think she should move out and go back to London. Soon, she's between two islands of discord and not sure what to do.

The police decide that the poisoning was an accidental death, but Agatha's not so sure. Before long, she starts acting on her urge to detect . . . with consequences that definitely heat up the story.

Where most detective stories are mostly about a crime and the process of uncovering the criminal, that element retreats into the background in this book. Instead, Agatha's search for happiness is the main focus of the story. The crime and its solution are merely incidents along the way. I liked that element. In fact, this would have been a very entertaining story even if it hadn't contained a mystery.

Any time your attention threatens to flag, you can just sit there and chuckle over the outrageous satirical elements. Although you know they are overdone, you can't help but laugh . . . as you might at good burlesque sketches with imaginative pie throwing.

Although I haven't read past this book in the Agatha Raisin series, I would have to say that Agatha could displace Hamish as number one in my affections for M. C. Beaton characters.

Enjoy!

This is the very first Agatha Raisin book. In it we meet Agatha, retired early from the London PR firm she owned, and ran with an iron hand. Agatha grew up in the Birmingham slums, and dreamed that one day she would live in a Cotswold village and no one would ever know she had been poor. In order to escape the slums, she learned to be tough and hard-headed, and never had a friend in her life. Now she wants to be someone important in her new hometown. She has never cooked or baked, or planted a garden, but has learned through hard experience how to get by: with ingenuity and a little cheating. When the judge of a local baking contest dies after eating the quiche she submitted, the truth comes out: she bought the quiche in London. Now she must deal with utter humiliation and try to clear her name, and in the process she begins to thaw out and make friends for the first time in her life. What a great book!

As a devoted fan of M. C. Beaton's Hamish Macbeth series, I was intrigued to keep reading reviews of Hamish Macbeth books by people who claimed they liked the Agatha Raisin series better. But every time I contemplated the title, Agatha Raisin and the Quiche of Death, it just seemed too tongue in cheek to be possibly any good. Well, I was wrong. Although the book couldn't be any more satirical and much punnier than it is, the book works very well both as a straight story and as a satire. It's like getting two books for the price of one.

Since the Hamish Macbeth series started first, let me address Hamish Macbeth fans first: Think of Agatha Raisin as being one of the optimistic incomers to Lochdubh who hope for peace and tranquility without realizing what village life in Sutherland is really like. But Agatha has mostly good intentions (except towards the women in the area who drive her batty) instead of being an incipient homicidal maniac like the incomers in Sutherland. Agatha is also her own woman, and not about to take any prisoners she doesn't have to. Like Hamish, she has a crime-solving partner, Bill Wong (of the local detectives), who helps her in ways she doesn't always appreciate (like Priscilla Halburton-Smythe does for Hamish). Agatha is based, however, in the gentle Cotswolds so there won't be too many stories about brutal winter blizzards in this series. You won't miss hearing about Strathbane.

In this inaugural book, Agatha has just sold her PR firm in London (where she succeeded by being a blunt instrument in plying journalists with meals and drink and then shaking them down for stories) and decided to retire to a cottage in the Cotswolds, an area she had once visited as a child. Naturally, she has a romanticized view of what life there will be like. Having been a busy businesswoman, she now finds herself not quite sure how to fill her time. Although she had made no friends in London, she expects to make many in rural Carsely. People nod and are friendly, but it goes no further. Agatha soon makes an enemy of her next door neighbor by stealing her housekeeper. While catching up on her reading of Agatha Christie mysteries, Agatha decides she needs to get everyone's attention. Why not win a prize for baking?

Plotting her strategy, Agatha invites the quiche competition judge, Reginald Cummings-Browne, and his wife, Vera, to an expensive dinner (expecting to curry favor as it were in the quiche wars). Agatha instead ends up with a very large bill and a not very high opinion of the Cummings-Brownes. Agatha makes a quick foray to London to buy a wonderful spinach quiche that she enters as her own.

But her plot is soon foiled when the woman who always wins the quiche competition once again triumphs. Agatha leaves her quiche behind in disgust, and Vera Cummings-Browne takes it home as a snack for her husband. That night, he eats the quiche and dies of poison! Naturally, there's a police investigation and Agatha has to confess that she cheated.

Feeling like she will never make it in Carsely after such a large faux pas, Agatha begins to think she should move out and go back to London. Soon, she's between two islands of discord and not sure what to do.

The police decide that the poisoning was an accidental death, but Agatha's not so sure. Before long, she starts acting on her urge to detect . . . with consequences that definitely heat up the story.

Where most detective stories are mostly about a crime and the process of uncovering the criminal, that element retreats into the background in this book. Instead, Agatha's search for happiness is the main focus of the story. The crime and its solution are merely incidents along the way. I liked that element. In fact, this would have been a very entertaining story even if it hadn't contained a mystery.

Any time your attention threatens to flag, you can just sit there and chuckle over the outrageous satirical elements. Although you know they are overdone, you can't help but laugh . . . as you might at good burlesque sketches with imaginative pie throwing.

Although I haven't read past this book in the Agatha Raisin series, I would have to say that Agatha could displace Hamish as number one in my affections for M. C. Beaton characters.

Enjoy!

...And great fun to read! Agatha first comes across as hard to take, but pretty soon we begin to appreciate her vulnerability. Set in the Cotswold villages of Britain, Agatha's adventures are closely tied in with her inability to safely navigate normal social life amongst the village. The supporting cast is wonderfully diverse, and the humor that is liberally sprinkled throughout Agatha's observations and experiences kept me thoroughly entertained chapter to chapter. I don't much care for series, but look forward to reading more in this one. I appreciated that it was PG rated, and that the main emphasis was on characterization and solving the mystery. No blood and guts.