England Books

I love the Harry Potter series, but I was unsure of the audiobooks. Jim Dale really brings J.K. Rowling's books to life. He doesn't read--he performs. I would recommend them to anyone!

The first time I picked up this book, the first in the Harry Potter series, it was with great hesitation. Firstly, it had been a few years since I had done much reading for pleasure, so I was out of practice. Secondly, and more importantly, I had heard a great deal of hype about the series in the media, which automatically made me feel that the books were probably overrated--and I didn't want to be disappointed. In the end, around the same time the film version of this book was released, two of my close friends convinced me to give the series a try, and lent me the first book, which I read shortly thereafter.

Within a week, I had purchased and read the rest of the series (at the time, books 1-4), and was itching with anticipation for book 5. I have since purchased and read the entire series, and just recently decided to reread them all in one go.

So what makes Harry Potter so magical? For me, it was the bare simplicity of the central premise of the series that drew me in instantly. Who hasn't dreamed of having some magical powers to spice up life a bit? Not that magical powers are unique to Harry Potter; far from it, in fact. But it's much harder to really relate to grand tales of epic battles in faraway, long ago kingdoms like Tolkein's Middle Earth or so many others that have followed. What Harry Potter touches is that little daydreaming part inside of us that believes that maybe magic could be real... that it might exist right alongside us in our own "real" world.

Book 1 (The Sorcerer's Stone) will always have a special place in my heart, as it really was the book that brought me back to reading (as stated above). It is imaginative, fun, and has splashes of humor throughout. It introduces many lovable characters who will be with us throughout the series, and does a brilliant job of setting up our journey. It has a comparatively light feel (the later books get progressively darker, without question), but still keeps the reader engaged with elements of mystery and rivalry to generate conflict. And, unlike some of the later books, it is a quick read.

There are, I admit, a few times when one must employ the willing suspension of disbelief (lest the grown witches and wizards of the story seem horribly inept), but otherwise, it is a charming story and a great introduction to the journey ahead. I give it 5 stars, even though it is not my favorite in the series, mostly because this one drew me in so effectively and made me want to read the rest.

What is there to say about this book. All of the books in the series were very good. Unfortunately, I loaned this one to a "friend". Had to replace it as I have them all in hardback.

Writing a review on the first Harry Potter book seems superfluous, as it must surely be one of the most reviewed books in the history of literature.

I will therefore refrain (more or less) from summarizing the story, and instead compare my first reading to my recent re-reading of the book.

In my first reading, I met a boy called Harry, who was the quintessential "uncool kid." He grew up at his aunt and uncle's because his parents were supposedly killed in a car crash when he was a baby. That was at least what Aunt and Uncle Dursley told him. Harry was the uncool kid both at home and at school, hence constantly jumping from the frying pan into the fire. At home, "the Dursleys often spoke about Harry (...) as though he wasn't there--or rather, as though he was something very nasty that couldn't understand them, like a slug." Their spoiled son, Dudley, also did his best to bully Harry around. And at school, "Harry had no one. Everybody knew that Dudley's gang hated that odd Harry Potter in his baggy old clothes and broken glasses, and nobody liked to disagree with Dudley's gang."

Hence, when Hogwarts' half-giant gamekeeper told Harry that he was a wizard, he could hardly believe it. And when Harry stepped through the Leaky Cauldron onto Diagon Alley, everything was new and exciting. He had not had the slightest clue that such a world existed; accordingly he saw everything through the eyes of an amazed and hungry learner.

And since I as the reader always walked by Harry's side, I, too, had this "sense of awe." Together with Harry, I marveled at Gringotts Bank and its goblins, the power of the magic wands, the magic broomsticks, Platform 9 ¾ and the steaming Hogwarts Express, the gigantic school castle, the meeting hall with its enchanted ceiling, the moving staircases, the "living" paintings, the ghosts, the owl post, and numerous other things.

Harry became like a two-year old toddler again who is excited about discovering the world, and as the reader I was a toddler with him. This is Fantasy at its best. The fact that J.K. Rowling made Harry an "outsider" to the world of magic is of great importance to the experience of the reader. Otherwise I would not have been nearly as astonished about the details of Mrs Rowling's world as I was. It also prevented the technological aspects of the Harry-Potter magic from totally disenchanting her world.

Now to my re-reading of the "Philosopher's Stone" (I still like the original British title better than the "Sorcerer's Stone").

I read the story again shortly after I finished the seventh book. Knowing where the story and characters are headed, many scenes now took on new significance. It was fascinating to read a particular passage and think: "Ah! Now I know why she put that in there." I have to complement J.K. Rowling on having planned the seven books so well.

Furthermore, reading the first book from the retrospective view of the whole series also makes a difference for the moral custodians among us. If you only read the first book, you might come away thinking that Harry Potter tries to justify the means by the end a little too much. Harry's magic is at first set into motion when he is "upset and angry", the toffee-nosed know-it-all Hermione turns likable by lying on Harry's behalf, and one of Harry's chief character traits is that of a rule breaker.

Aside from the point that novels--including juvenile ones--don't have to portray their main characters as saints, the series has, in fact, turned out to be of great moral depth. Given Harry's final moral choices at the end of Book VII, Book I can now be seen as the beginning of a "Bildungsroman." That is, a Coming Of Age Story in which Harry goes through all the stages of childhood and adolescence, to finally arrive at moral, social, and psychological maturity.

If that is not an ideal way of making teenagers aware of their own journey to maturity, I don't know what is.

- Jacob Schriftman, Author of The Crack Beneath the Worlds and Other Books

Well, This book and the whole Harry Potter Series is excelent, I love them. I'm currently thinking if I want to get the last Audio Books before the movies. I love the movies but books will always be better (although the first three movies I think are almost as good as the books). I did not give this 5 stars because I've heard the Audio Books by Stephen Fry (not sure if the spelling is right ;-P ). I have to say, in my humble opinion, Fry's voice is more grown up as a narrator and his character voices are excellent. His voice sounds over all more respectfull and apropiate. Jim Dale has done his version for the american audience which doesn't mean it's bad, but I like things in their original state. If a movie is made in the US, England, Mexico, or Spain, I usualy prefer it as it came out first. But that is my opinion. Listen to a sample of the Audio Book by each of the readers before you buy.

It's encouraging that this is the #1 book on the topic of 9/11 in Amazon. It deserves to be. Not content with depicting the terrible events of 9/11, Wright brilliantly and logically draws out the origins of the nihilist religious movement that formed the ideological motor of 9/11. The roots of 9/11 are twofold: in the writings of Egyptian expatriate Sayyid Qutb, who ironically wrote his most inflammatory works while an academic guest in Colorado (some of Qutb's works form the Mein Kampf of Islamic extremism); and the toxic Wahhabi Muslim sect in Saudi Arabia. When you finish the chapters on these topics, you will thoroughly understand the repellent underpinnings of Saudi-specific culture, which in fact have very little to do with the humane face of Islam.

Obviously, the central figure in this book is Osama Bin Laden, and you will also find yourself knowing more than perhaps you really wanted to know about this unusually prolific mass-murderer. In Qutb's and Bin Laden's world, the deaths of innocent Muslims are of no more value than blowing your nose in a Kleenex.

The ultimate issue exposed beyond debate in this book is the calamitous incompetence of the CIA, coupled with the hidebound bureaucratic stupidity pervading all levels of the FBI, with its institutional rigidity and lack of acceptance of technology. The lion's share of the blame for the failure of the United States to forestall the attacks really has to be laid at the doors of President Bill Clinton and his CIA directors, who were responsible for the policies disallowing the CIA from sharing any intelligence information whatever with law enforcement authorities inside the US. Secondary blame has to be laid at the door of the Bush Administration, who had ample warning of impending attacks and had absolutely no interest in proceeding even with the lamentably weak anti-terrorism policies of the Clinton administration.

But, ultimately, as I've noted, the CIA is really to blame as an institution for allowing the 9/11 attacks to succeed. It leaves an indelible impression of decadence and decline in America, and that particular institution should be disbanded and those CIA functionaries who did not share vital information with the FBI really should be thrown in prison for the rest of their lives, starting with ex-Director Tenet. There is no excuse for such meretricious incompetence. Absolutely none. My fondest hope is that one or two of the people mentioned in the book as having committed these acts of arrogant stupidity will read these words or those of others on this page. These CIA people have as much blood on their hands as Bin Laden, as far as I'm concerned.

Can you tell I'm really, really angry with these people? You will be too, by the time you finish reading this book. The final chapter, "The Big Wedding," painstakingly describes the attack on the USS Cole and its aftermath, and clearly draws a direct line between that attack and the one that single-handedly (and ironically) ensured George Bush a second term. The book climaxes with a strikingly brief but utterly visual and devastating real-time narrative of the attacks as the ex-FBI man John O'Neill (another central figure in the book, who reminds me strongly of Tony Soprano if Soprano was a big-time FBI man) experienced them. This book will be read and discussed a century and more from now. It is an essential work of our time.

Looming Tower should be required reading for all Americans. It is by far the best book about Al Qaeda and its antecedents. While it is extremely comprehensive, it is never boring. I find it extraordinary how Wright was able to develop such a book so soon after 9/11. It reads more like a book written 20 years after the fact rather than just 5 years.

Wright is particularly good at "developing the characters of his story." In this it reads more like a great novel, rather than a typical non-fiction book. Wright creates fascinating portraits of Sayyid Qtub (the intellectual founder of modern Jihadism), Abdullah Azzam (the cleric who gave a fatwa calling on all Muslims to fight the Soviets in Afghanistan, Ayman Al Zawahiri (the intellectual and organizational founder of Al Qaeda) and finally Osama Bin Laden (the financier and symbolic leader of Jihad), Jamal Al-Fadl (the defector who first told the incredulous FBI of the existence of the Al Qaeda), Ali Mohammed (who infiltrated the US Special Forces, copied their manuals and started the How to wage jihad encyclopedia).

Particularly interesting is how all of these radical leaders came from the upper-crust of Arab societies. One might expect that their anger and violent rhetoric came from very poor people, but that is not the case.

Also interesting is how Al Qaeda's strategy and organization gradually evolved out of a serious of historical accidents - the visit of Qtub to the USA; the imprisonment of Zawahiri after Sadat's assassination; the Soviet invasion of Afghanistan; Zawahiri's work in a Kuwaiti hospital with radical Jihadi doctors; the near destruction of infant Al Qaeda in one small skirmish with the Soviet army; squabbles within Al Qaeda after the Soviets withdrew resulting in the assassination of Assam; the inability of the Arabs to return to their country after the war due to government hostility against the very people they recruited; the coup in Sudan which gave Al Qaeada a base just when they were losing their old one in Afghanistan; the USA passing up Sudan's offer to extradite bin Laden due to lack of evidence to prosecute him.

Wright also dismantles the myth that Al Qaeda brought down the Soviet Union by destroying their army in Afghanistan. This is a foundational myth for Al Qaeda and key to understand their seemingly irrational desire to attack the USA. Wright shows that only a few hundred Arab troops were actually in combat, and they did so mostly after the Soviets started withdrawing. Arab troops did not come in large numbers until after the Soviets completely withdrew, and they spent most of their time fighting against Afghan Muslims and each other. Even by the end of the war, the organization was just one of dozens of almost irrelevant radical organizations.

Wright somehow manages to maintain an objective perspective despite the murderous rhetoric, thoughts and action of his subjects.

wright prepared an excellent book. it's written as engagingly as a novel, but it is choke full of detail which has been corroborated. this was a fantastic page-turner. it did not provide the kind of detail that i sought regarding the actual attacks of 9/11, how individuals were trained and supported, etc. - it provided a comprehensive background on what was going on and who was involved. looking at the pages of interviews, pages of references, i am convinced of the thoroughness of the author and i appreciate why this book was the winner of the pulitzer prize. outstanding work!!!

A must read for any informed U.S. citizen. We all need to recommend it to our legislators for their reading..

I have read extensively about Islamic terrorism and Al Qaeda and The Looming Tower is by far the most compelling and comprehensive book on this subject. It clearly lays out the social, philosophical and theological progression and foundations that led to 9/11. Though you may not agree, by the end of the book you clearly understand the radical extemist's rationale and the historic time line of the people and events that led to 9/11. Though it provides history, The Looming Tower reads like a novel which I could not put down. It is the seminal book on this subject.

It is by far the best read, I loved it, it goes to show you that a woman such as Katherine could play a vital role in the history of england, and her love afair with a Prince! Her and John of Gaunt's love affair has been immortalised as one of the greatest love affairs of all time!

I just completed this novel last night and I must say that I thoroughly enjoyed it. It is well written and does a more than adequate job of holding the reader's attention despite the fact that it is a lengthy novel. I was touched by the love story Ms. Seton creates for Katherine and John of Gaunt and was impressed that the novel still felt fresh to me, even though it was written in the 1950s.

The one complaint I have is in regard to the ending. I don't want to deny anyone the pleasure of discovering the entire novel for themselves, so I won't give anything away. However, I think I can at least say that I was disappointed in the final scenes that took place between Katherine and John. I was eagerly awaiting the denouement but was left feeling like it fell a little flat.

Regardless, if you are a fan of historical fiction, you will enjoy this book!

One of the reason historical romantic novels were so popular in their day. Lots of story, and history to enjoy, plus being well written.

This is one of my very favorite books! If you like historical fiction you will really enjoy this book.

Found it to be very lengthy and therefore dull in many sections. Lost some interest throughout.

I read this book about 25 years ago and am pleased that I am enjoying it very much again! She writes very well. In the meantime, I have becomes convinced by reading new studies of the subject, that she has the wrong guy killing the "Princes in the Tower", but she's such a good writer and builds her story and "case" very well, so I am going to enjoy it anyway!

Rather than a novel of Richard III, this book was the tragedy of Richard III. I thought the writing was incredible and engrossing. Part one was a little slow, but necessary to paint the whole picture of Richard. Overall it was a book that was well worth the time and attention. I absolutely loved it. The mystery of the princes in the tower combined with the circumstances surrounding Richard's death and his short reign as King, made this book one that will haunt me for a long time.

What a wonderful book! I know a book is great when I am sorry it has to end.

It is always a relief to find historical fiction that is not only historically accurate but also tells a great story. Very well written and entertaining.

Of course, Penman creates personalities and motives and conversations; that is the definition of fiction. But she does it well within the bounds of the facts. You may disagree with her, and that's okay, because she will make you think about why you disagree with her. I love fiction that makes me think and makes me want to learn more about the characters and their lives.

A notable point about Penman is that she does have historical "sense." Her characters exist in their time, not ours. That is so often not the case in historical fiction (the dreaded Philippa Gregory comes to mind!).

I highly recommend this book.

The Sunne in Splendour tells the complicated story of Richard III, the last of the Plantagenet Kings. Younger brother of Edward IV, Richard would never have become king if not for a series of political maneuverings on his part. History (and Shakespeare) have made Richard out to be an evil, greedy hunchback; Sharon Kay Penman tells the story of a man who was fiercely loyal to the people he loved and who was reluctant to take the throne. Richard had his faults, to be sure; but in this novel, he comes off as extremely sympathetic.

Penman has a writing style that literally had me hooked from the first sentence. A trite cliché, I know, but I was definitely drawn in from the first page. I knew in advance of reading the story what the outcome would be, but still I kept on reading to see what would happen. The novel is fiction based on fact that sometimes seems like fiction.

The characters are well drawn; and while the book is ostensibly about Richard, we get to see the story as seen through the eyes of others, which I thought was well done. Penman has a knack of really getting into her characters, no matter what the time period or where they come from, which is nothing short of genius. The author even gives a thoroughly believable explanation for Richard's behavior with regard to his nephews, the Princes in the Tower, which was quite satisfying. And although the book is over 900 pages long, it only took me about a week to read; I was disappointed when I reached the last page. I can't believe that, with my interest in historical fiction, it's taken me this long to discover Sharon Kay Penman's works; I can't wait to read more by her.

Autumn 1459. A seven year-old boy gets lost in the forest. His easy-going eldest brother has had better things to do than watch over him, that is to say seducing a pretty servant girl. After a prolonged search the lad is found, having bravely fought his fear, and despite being afraid of punishment he doesn't even think of informing against his sibling. A fiercely loyal and earnest boy, he is the youngest of his family, small, dark and intense and very different from his three tall and fair brothers. He is Richard Plantagenet, who, as King Richard III, will go down in history as the epitome of evil.

The reader wonders what happened to turn this earnest child into a murderous usurper. Murderer he wasn't, claims Sharon Penman. Believable and compelling, the story of the four sons of Richard, Duke of York unfolds with all the relentlessness and inescapability of a Greek tragedy.

"The Sunne in Splendour" is a magnificent book. Intimate family scenes alternate with bloody battles, scenarios of betrayal and murder are followed by tender love scenes. A host of unforgettable characters populates it. There is the lovable Edmund, the first of the four Plantagenet princes to die; proud foolish Warwick and his tragic brother John Neville; the icily beautiful Elizabeth Woodville, Edward's queen; Bishop Morton, the snake in the grass; sweet-natured Elizabeth of York and Richard's dignified mother Cecily. All of them are complex, and stay with the reader for a long time.

Ms. Penman does not make the mistake to present Richard. Although far from being the monster More and Shakespeare described, her Richard is shown partly responsible for his nephews' fate. In her version he does not order their killing, of course, but he does not realise that by his taking the throne the children become pawns in other people's power games and pay for his thoughtlessness with their lives. Ms. Penman's explanation of the princes' disappearance and Richard's strange silence is as good and plausible as others. Her Richard is brave and loyal, but he can also be aloof and stubborn to the point of inflexibility. He can display subtle irony, but also biting wit, and is capable of considerable aggression, yet lacks the ultimate ruthlessness to secure his power. Reflecting upon his decision makes him admit his guilt - that he yielded to the temptation the Crown of England represented - and for the last months of his life he fells bitter remorse. Ms. Penman describes his depressed state of mind with such chilling accuracy, that his mother's fear for his immortal soul is almost tangible and very painful, and the ending leaves the reader bereaved as though he had lost a loved one.

The drama that was Richard's life and the way it is elucidated here makes one wonder why it hasn't been filmed yet. There is a cinematographic quality to many of Ms. Penman's scenarios; look for instance at the council meeting leading to Lord Hasting's execution, or at solitary young Richard riding in blazing sunshine towards Warwick's army camp to win Clarence back - these just beg to be filmed! Certainly, the ending is tragic and would leave the audience aching, but a skilled screenwriter may find a solution. A similar problem has been handled very well in "Braveheart".

Wherein now lies Richard's attraction? The Tudors, commonly associated with the beginning of the Modern Age, superficially appear more interesting as opposed to the Plantagenets who seem to symbolise the superstitions-ridden, unenlightened Middle Ages. Richard was born on the brink of the Modern Age and grew up in a world that witnessed the death throes of the medieval system of values, and yet, at a time when all conventional notions of loyalty and feudal allegiance had become a sham, there survived in him a core of chivalrous conduct that is very appealing, apparent for example in his just administration of the North and his legislation as King - supporting the weak as demanded by the knightly code of conduct. He seems a man born too late, and trying to adhere to such a strict code of behaviour needs must clash with the attitudes of more opportunistic characters who felt more at ease in this era of change.

Richard's physical courage, praised even by his detractors, originates in his chivalrous ideals, and his last ferocious charge down Ambion Hill to challenge Henry Tudor to single combat evokes heroic tales of earlier centuries, and indeed his decision to die a King rather than to flee was mentioned in a contemporary ballad.

Close to the end Richard's niece and nephews mourn their uncle's death and discuss their future, still hoping for fair treatment; future judicial murders and the destruction of Richard's reputation are only mentioned in the epilogue. However, learning about their fate is chilling. On the road to glorious Elizabeth I the Plantagenet blood seeped away as Henry VII and Henry VIII got rid of all potential heirs of the old dynasty.

To a modern observer this policy of merciless extermination appears depressingly modern. For all the beauty, progress and enlightenment the Renaissance brought, the Modern Age was setting out on a road that would lead to the atrocities of the 20th century. Gradually, dynastic wars were replaced by ideological ones, with ever more terror wrought on the common, civilian people who were included in the ideological and/or religious struggles. Already the atrocities of the Thirty Years' War and Cromwell's campaigns in Ireland, not unlike today's ethnical cleansing, loom in the future, premonitory of the final triumphs of secular humanism in the 20th century.

Richard Plantagenet died at thirty-two, his promising reign cut short by rebellion and treason. Ms. Penman brings him gloriously back to life for us, to be seen in a benevolent light at last. It is painful for the reader to lose him again, but the great achievement of this book is to show that there was nobility in Richard's cause as well as in his failure.

I think this book was read to me in school many many years ago. I remembered it as an adult and purchased it for sentimental reasons. I think it reminded me of The Secret Garden in a way. The seashell cottage was the perfect hideaway that every little girl could dream of making her own. I loved the story of Mandy and found myself wistfully wishing that I had a place like that as a child. What a wonderful story that Julie Andrews has created. I will cherish it always and keep it to pass down to the young girls in my family.

I read and reread this book about 5 or so times as a child. I simply loved the adventure of it all about the protagonist discovering a home away from home that she could call her very own. This is a fascinating tale for children who love to live in their adventurous daydreams and who love secret hiding places of their own where they can just "be". Although this is a book I would reccomend to children, I wouldn't reccomend it to adults as the plot and drama is very minimal. Adults would be bored of this whereas most children, especially little girls, would be fascinated by the simplicity and beauty described within its pages.

Mandy is obviously the protagonist of this story. She is an orphaned child living in an orphanage with other children of the state. She has a friend that she bonds with over time and gets along farily well with eveyone else, as well as the staff, until the day that mandy climbs over the wall of the orpganage and discovers an abandon cottage! She decides from that moment thatthe cottage is hers and her secret hideaway. She begins to do things that are uncharacteristic of her such as lying about where she has been, stealing from the orphanage supplies to take and supply her new home with, and is suddenly secretive with everyone, even her best friend. Read on to find out about Mandy and what she goes through as a child trying to make a cottage into a home and keep her secret place just that... secret.

Although this book is aimed to appeal to girls approximately between the ages of 7-13, I was in college when it was first released. Being a hugh fan of Julie Andrews, I of course bought the book and was amazed that I could not put it down! To me, a great book has the ability to transport the reader from their day-to-day life into another time and place. I was mesmerized by this charming story from beginning to end as I am sure every child who reads it will be. Mandy is not only a sweet, likeable orphan, but she is very positive role model for children, showing that if you try hard enough, you can make your dreams come true. I admire her spirit and courage to go after her dream of someday having a real family.
I had read that Julie Andrews lost a bet to her teenage step-daughter Jenny and her promise was to write her a story, which turned into this wonderful book! Lucky for us readers, the result of that bet gave us our first glimpse at yet another one of Julie Andrews' many talents. It's been 30 years now since I first read Mandy and I still have my original version of this book in a prominant place on my bookshelf, along with a hardback copy of Mandy and each updated version that has been printed. All the young girls in my family have read this classic book and loved it as much as I do. I only hope someday a movie version of this beautiful story is produced.

I purchased this book with my own money when it first came out thirty-six years ago. I was eight years old. I still have it on my bookshelf and shared it with my own children. This is truly a classic and I hope that someday it will be adapted for the screen!

This book reminds me a lot of "The Secret Garden" without being quite as preachy and overly descriptive. My two daughters absolutely love this book and consider it one of their favorites.

I recieved this book in perfect condition and it came a day before the estimated time of arrival. Thank you.

The book is great so far. I ordered it because its my ex girlfriends favorite book and i trust her taste in books.

The Six Wives of Henry VIII
Wonderful book. Very well written. It has increased my desire to know more about Henry the VIII and his times.

Very informative book! Weir manages to give us a detailed description of the personalities of each of these six queens. What makes this book such a success is that its very easy to read making it impossible to get bored!

What I liked most about this book is also what since distresses me most about films circulating on this topic. Weir so thoroughly researches the profusion of biographic material available (besides Britain, courts throughout Europe had documention on the wives of Henry and him) that it is clear there is no need to fictionalise this fascinating story (you wouldn't even try to imagine it). And although it lends itself so well to a series (or a film) once you have read this book the inaccuracies in (Gregory's, for example) fictionalisions on the screen tend to get annoying. Wonderful book -the story is historic and timeless at the same time. (If you can recommend a good, unembellished biographic DVD, please do.)

Timid, scrawny, Willie Beech is the abused child of a single mother. She sends him to Mr. Tom, who lives in the English countryside, because London is being bombed by the Nazis.

The two main adults in this story, the mother and Mr. Tom, seem very similar in the beginning. Yet, by the end, we see that they are completely different. What really hit home was this: hard times can make hard people, but one's true colors shine through when faced with others in need.

Mr. Tom's gruff exterior is only his exterior. He's really got a warm heart, which he opens up to Willie and shows him the love that's supposed to be in a family.

The mother's quiet, strict exterior masks her bitter, mean nature. She has no love for her children, and abuses them in subtle, neglectful ways.

We don't actually see the abuse, we see the end result...which, in my opinion, is far more powerful. I cried for Willie at the end of this book, and cheered Mr. Tom for doing everything he could to save this poor boy. When children are old enough to understand the results of abuse, every family should read this book.

This book is very intense but a good read. It is about evacuees from the London area because WWII was beginning. This particular town is painted different than most during this era. The people are nice and giving. If anyone does misuse the children they are put out for it! The major characters meet each other and both are not too sure of the other. It tells the story of a lost soul bringing healing to another lost soul. There are some intense and disgusting scenes but when you come out on the other side it is worth it! I don't recommend this book for anyone under the age of 12 or 13.

I decided to read this book for seventh grade accellerated reader. This great piece of literature has quickly become one of my all time favorite books. I'm very hard to please when it comes to books. When you read this, you become so attached to every last character. It is truly amazing.

I thought that this book was a very good book to read. I thought that it gave a lot of details and it was very interesting and exciting. This book was sort of hard to understand because Mr. Tom said different words funny. I really liked the part where Mr. Tom went over to London to try to find Will at his house. I also liked the part where Will was taken from his hospital bed and brought back to Mr. Tom's home. The ending left me hanging because at the end he said Dad I'm growing. I would give this book about five stars.

"Good Night, Mr. Tom" puzzles me. When I read it objectively, looking only at the writing, it's not so impressive. The flow isn't particularly good and at times the book clunks along. The dialogue is engaging, though, and thoroughly real.

And the story itself is incredible. "Good Night, Mr. Tom" tells of a young London boy who is sent out to live in the country during World War II for his safety. There, away from an abusive home, Willie is able to grow and learn what it means to be loved.

With a series of remarkably realistic and fun characters, Willie (renamed Will in his new home with "Mr. Tom") moves and grows. Aspects of the book will make the reader cry (quite a few), aspects will chill you, but on the whole you will smile through your tears, because this book is just... special. It's got a very special feel to it, through tears and sad moments.

So while at times the story gets dull, it's an excellent book. I would recommend this to young teens, mostly because it deals with serious issues and might be a bit much for younger kids.

Definitely recommended.

It's rare that I like a second book in a series more than the first but that's the case this time around. Rebel Angels is a fantastic follow up to A Great and Terrible Beauty (which I also loved). The plot is more complex, we see much more of the realms, and the characters come to life with even greater clarity.

As a fan of traditional gothic terror/suspense along the lines of Frankenstein and The Mysteries of Udolpho, I wasn't disappointed by what other reviewers may feel are cliched or overused plot devices. I love the gothic-style, Victorian setting (gargoyles on the school building, burned out sections of the school, foggy/misty woods); old, musty books that reveal dark, ancient secrets; asylums; heroines walking around in the dead of night. That's my kind of story.

I've become a huge fan of Libba Bray's writing style as well. I love her prose and narration, the flow of dialog and descriptions of settings. I can't say enough good things! I loved this book and can't wait to get started on the next. My only gripe is that there's only one more book in the series to read. I can't imagine anyone who enjoyed A Great and Terrible Beauty not also loving this. Highly recommended.

I believe I liked this one better than A Great and Terrible Beauty. The writing was better with longer sentences and more variety in length and language. There was more story; with a thicker and deeper plot that was somehow very alluring like the Harry Potter but written with a superior skill to J.K. Rowling. Simply put, it was spellbinding.

I think this book was extremely good as well as the rest of the series. I would definately recommend this book to teens, young adults, pre-teens and even adults. Especially if you like fantasy and young adult books!

Was an awesome end to the Gemma Doyle Trilogy. I couldn't put it down. Would recomend for anyone who loves a little make believe.

Rich with imagery, plots, dread, hunger, passion, secrets and magic. I loved it. I don't think there are many series in this genre with the same level of depth, detail, characters or plot. A MUST READ.

Mr. James Herriot is an uncommon writer, possessed of extraordinary skill and a mastery of the English language. When speaking of works of fiction, he is my favorite writer. His ability to choose perfectly appropriate and descriptive words, phrases, and metaphors to verbally illustrate unique characteristics, landscapes, feelings, and situations still has me mesmerized.

"All Creatures Great and Small" is autobiographical in that Mr. Herriot is the central character of the book, though James Herriot is the pen name of the real author, Jim Wight. However, since the work is defined as a novel, then one may assume that Mr. Herriot took certain liberties in relating many of the tales he unfolds. Mr. Herriot is a veterinary surgeon, and much of his novel specifically involves dealing with particular cases of sick livestock and ailing house pets. One should not quickly conclude, however, that this story is merely about the ramblings of a country animal doctor who at times finds himself in interesting situations, as some reviewers would suggest.

Instead, my feeling is that Mr. Herriot utilized his visits to multiple and varied farms and residences in the British countryside to highlight the individual conditions, attitudes, and distinctive persons he discovered at each location. The book becomes absolutely delightful and poignant, for instance, when Mr. Herriot kindly sits at an aging woman's bedside and tenderly comforts her with his voiced belief that her devoted, loving dogs and cats are indeed possessed of souls and that she need not fear that they will again be her companions in the afterlife.

And I do not believe I have laughed out loud so frequently while reading one book. Some of my personal favorites are when his brakes go out on his car and he must navigate a steep and winding descent to the bottom of a low valley, where his next veterinary visit is scheduled, and when he finds himself on his first date with the woman he is destined to marry and the only respectable dress suit he owns is several years out of fashion and far too tight-fitting, which is partly why he becomes far too nervous and a bout of awkward conversation and actions follow. Additionally, much might be said here about the quirky relationship Mr. Herriot has with his unpredictable and explosive yet perfectly harmless and generous employer, a Mr. Siegfried Farnon, and Siegfried's younger brother, Tristan. Farnon's demanding attitude regarding his veterinary business affairs, especially in the face of Tristan's irresponsibility in mishandling assignments and responsibilities, is often the basis for much of the hilarity in the book.

In speaking of his relationships with those to whom he is closest on a personal level and the frequently visited owners of his animal patients, Mr. Herriot has an especially profound gift when it comes to praising the best characteristics that are found in the human race. He speaks with eloquent fondness when describing the beautiful traits he sees in his lovely Helen, his soon-to-be wife. And when he stumbles upon a man or woman who he feels is in ownership of certain admirable exceptionality, such as industry or thrift or honesty or discipline or gentleness, his written accolades of such persons is heartwarming and deeply inspiring.

Thus I would say that this book has everything. It touches upon the topics of death, faith, humor, love, devotion, stewardship, human strengths and frailties, prosperity and poverty, work and idleness, occupation, and the list goes on. Given that these interesting topics are handled so capably by Mr. Herriot's writing talent, I doubt that any sensitive reader would find this book to be anything but delightful and praiseworthy.

One of the best books I've read in my life. A must read. Very well written. Makes you want to write like him.

I remember seeing my high school biology teacher reading this book at her desk while she had some time to herself, while we did our thing with dissections, etc. It seemed that she couldn't get her hands off this book. And I'd wonder what the book was about. Something about creatures. Maybe it was about GOD and church and religion.

Now that I've had a chance to read this book, twenty years later, I can say that it is a wonderful book! You don't want this book to end. And now I understand why my biology teacher was so hooked on it.

This is a nonfictional book about an English veterinarian writing about his funny and sometimes dramatic profession. From how he started, to his everyday events in a small town (away from the big city such as London) to how he meets his future wife, and his gradual establishment of his veterinary life. This book is filled with funny moments that makes you pause with a smile on your face. And has its poignant moments that makes you realize its wonderful writing.

This book gives you a glimpse of what the veterinary world is like on his side, on the countryside of life, with real people and real stories, and of course, with real animals. Animals and people and veterinary work that you will come to love.

I bought this edition as a gift for a graduating vet student (every vet needs a copy in his or her office). The book is a classic, and the hardcover is suitable for gifting.

I can't add much more than the previous reviews. How many books on Amazon have a 5 star rating with 100+ reviews? Missed this one during school and read all three of Herriot's books in my 40's. Truly lovely, wise, and transporting. I will make sure my children don't wait as long as I did to discover these classics.

Wonderful and inspiring stories of a country vet are humorously written but also deliver a good amount of practical veterinary insight. It's nice to read from the point of view of a kind-hearted yet practical country animal lover.

I discovered this book on a dusty HS library shelf and as in Ms. Hanff's words, devoured it "all at once" not coming up for air or cigarettes. I also bought the VHS many years ago as soon as it came available. Since then, I've gone on to go out of head for Donne, Quiller-Couch, Austen, and Blake (though not anywhere near Donne!).

What a great movie this story made. I have watched the movie many, many times and have loved it every time. Now, I just had to read the book. The strange thing is that since I know what is going to occur at the end, my eyes become teared which makes the book difficult to read. Of course, that happens at certain moments in the movie as well. What a powerful story!

Interesting book that proves friendship can be created and sustained by people that haven't met.

In less than one hundred pages, Helene Hanff has given her readers a rare and special gift. Here in this delightful little book are the notes she exchanged with the employees of Marks & Co., a used-book store in England. Being fond of the old-fashioned yet still highly personal act of letter writing, and being equally fond of old books and used-book stores, Hanff seemed to have compiled these letters just for me. I doubt there is anyone who can read this book without experiencing a wide range of emotions complete with laughter and tears.

A lifelong letter writer, Helene Hanff studied playwriting at the Theatre Guild. She has written scripts for "The Hallmark Hall of Fame" and for "Ellery Queen." Her other writings include several children's books as well as articles for Harpers and New Yorker magazines.

Living and writing in New York City, Hanff finds herself unsuccessful in finding certain rare or out-of-print editions of books.

"Gentlemen:
Your ad in the Saturday Review of Literature says that you specialize in out-of-print books. The phrase 'antiquarian booksellers' scares me somewhat, as I equate 'antique' with expensive. I am a poor writer with an antiquarian taste in books and all the things I want are impossible to get over here except in very expensive rare editions, or in Barnes & Noble's grimy, marked-up schoolboy copies."

So begins the opening letter dated October 5, 1949, and addressed to Marks & Co. at 84, Charing Cross Road in London. What follows on the pages of this book are the letters Hanff wrote to Marks & Co., and specifically to Frank P. Dole. Also included are the responses to her requests, mostly from Frank P. Dole. Through their twenty-year relationship, the two strangers become in some ways like family. Frank introduces his family to Helene in letters. She corresponds with the family as if they are her own. Knowing that in a time of rationing, certain items are not readily available to the residents of London, she takes great care to ship Christmas and Easter gifts to the store with plenty of eggs and meat for everyone there.

The final entry, dated 1969, brings the relationship between the bookstore, Frank Dole and Hanff full circle. The twenty years between the first and last notes are fondly recalled on the pages of this book.

These short notes, her requests for specific books, the monetary transactions that took place, and the solid relationships that developed allow the present day reader to glimpse a bit of the nostalgic... a gentler time when costs were lower, trust was higher, and people were more willing to be compassionate to complete strangers.

This is a truly delightful little book that has captured my heart. And, by the way, the fact that I discovered it while browsing through my own favorite little used-book store lends a special sort of appeal to it. I treasure the gifts within these pages--the gifts of self, of the written word, and the appreciation for the simpler things in life.

by Lee Ambrose
for Story Circle Book Reviews
reviewing books by, for, and about women

I just read this amazing collection of correspondence between the author and the employees of a small bookshop in London in one sitting. It was entertaining, culturally enlightening and it had a quaintness about it due to the letters being written in the years immediately following WWII.

The friendship that develops between Helene Hanff as a result of her generosity toward the staff of the bookshop is really endearing and the reader feels like he or she really knows these people after enjoying this short read.
A very unusual and highly enjoyable glimpse into the lives of others through their correspondence. Highly recommended for booklovers , anglophiles and others.