Independents Books

The book has some good ideas, but much of it explains really basic things like how to upload audio and video files. There's simply too much filler. All of the really good marketing ideas could have been written in ten pages or less.

There has never been anything available before that offers such clarity and knowledge of this industry. A must have for someone starting out either as an artist or anyone wanting to get into the field. The author really knows his stuff.

In today's world where music is the number one download on the Internet and connected with the top gift lines of today, making money with it has not been the on the "top of the online businesses to make money" for the average person. Until now.

From basic HTML codes to social networking, this book clearly and simply explains every single step of the way to the bank, with success whistling all the way. Its contents and index provide an easy way to browse through the book to find exactly what you need to know or do, with professional advice and teaching from cover to cover.

The book is written from heartfelt experience, tough roads, and successful insight. I enjoyed reading it, and with the information in this book opening up a new field on line--it would be best to jump in now ahead of everyone else.

I must say I was very surprised at how good this book was! Yes there were basic things included as well, as mentioned in another review but there was also tons of new ideas and more advanced strategies. I understand how many people dont know the basics such as my bass player..lol Myself I know alot more than basic and this book gave me lots of ideas.. we already have booked more shows and following is growing for sure as more people are coming to shows..and got a review in the paper! never would of done that without this book! great read, Great strategies, and useful ideas here! Thank-You, Thank-You, Thank-You!

I'm extremely suspicious of this book getting 17 5-star ratings. It was alright! Seriously though, any more than 3 stars is generous.

THE BAD:
It's quite basic, explaining how to set up a myspace page, etc. Now, maybe I'm biased because I was not new to MySpace when I purchased the book. I already knew about bulletins and blogs and messages and how things work on MySpace. I was more interested in getting more traffic to my band's page.

Certain things about the book were frustrating. For instance, there is a subheading in one of the chapters titled "Getting on the Front Page." Well, in that section it talks about what a great opportunity it is to get on MySpace's homepage. (Duh.) However, it does NOT tell you how to accomplish this. Instead, it states how unlikely it is, but that it's a "wild dream for everybody." Useless. Basically, the book tended to tell you which things would be good things for you to do but then left you clueless as to how to go about it.

There was a type-o probably every 5th or 6th page, and that REALLY irritated me. It was hard to take the book seriously when it clearly had not been edited.


THE GOOD:
It is a quick read. You could go through the whole book in a day.

It talked a good deal about promotions for your band. Although, most of it involved writing or hiring a writer rather than flyers or other traditional techniques I assumed would be the most proficient.

Nicky Kalliongis obviously has a lot of contacts and has done some great stuff in his musical career. ... but I would not by any means consider him a good author.

Anyway, yeah, 3 stars, no more.

In this book the author blames the initial assault on David Koresh's Mount Cramel property on the ATF. He neglects to mention that David Koresh had enough guns, hand grenades and illegal automatic weapons to outfit the Kosovo Army for it's next Revolution.The BLAME lies with David Koresh and his followers. When you amass such as stockpile of ILLEGAL weaapons then you should expect a visit from the authorities which is exactly what happend . And due to Koresh's arsenal he managed to "outgun" the ATF and four good Peace Officers were murdered. All of this occurred because that madman and psychopath Koresh thought he had a "Direct Hotline" to God. Those 86 people chose not to surrender. Perhaps they thought the seige would end with flowers and free bottles of French Champagne? It seems like nearly everybody wants to blame somebody else for the Waco Incident instead of laying the blame at Koresh and his followers.I give this book 5 stars because no doubt it will apeal to the Paranoid Conspiracy Theorists out there and the Survivalist who now think their Government is "The Enemy "ever since Russians turned out to be nice people after all.

Kopel and Blackman did more than just their homework on this book. It is perhaps the most factual yet interesting critique on the way in which federal law enforcement operates today. The attack on Mt. Carmel is a very important even in the history of this nation and only from our mistakes can we change the future. This review I believe is especially credible since I read but certainly don't always like David Kopel's writings. Highest recommendation and a great source for research papers.

A very impressive accomplishment. There is a tremendous amount of detail here -- right down to how the ATF's name evolved from BATF -- but presented in a compelling and readable way.

This book is unusual in that it does not slant everything in one direction; it refuses to classify those involved as unambiguous good guys or bad guys.

The scope of the book goes beyond what's implied by the title. There is plenty of fascinating history here, many references to other law enforcement debacles. A compelling case is made that law enforcement has become too militarized and too federalized. The discussion of how "groupthink" on both sides (the government and the Davidians) leads to this kind of tragedy is especially excellent.

I've long wondered why liberals and conservatives seem inverted on Waco. Liberals are thought to be strong on civil rights, including religious freedom, and anti-military. Conservatives are thought to favor strong law-and-order. The authors explain this puzzle: the Congressional hearings quickly degenerated into an attempt to embarrass political opponents rather than a dispassionate search for the truth. The American public and the media took their orientation from Congress to a large extent. If a Republican had been president at the time of Waco, it's very possible the sides would have been reversed.

The authors show very clearly that the real problems with law enforcement have been building regardless of which party controls the White House or the Congress. I hope some legislators read this book and take the excellent reform suggestions to heart.

Once again David Kopel (and Paul Blackman) gets to the bottom of things and shows what the Waco disaster was all about. If you only read one section of this book, read the part detailing the search warrant. It appears that all the death and destruction (on the part of both the Branch Davidians and the BATF agents who were killed) was brought on because of a failure to pay a several hundred dollar tax on a firearm.

This book focuses on Waco but also delves into the expansion of federal law enforcement and the effect it has on civil liberties in this country.

As per the United States Constitution, the federal government should have law enforcement jurisdiction over the following acts: piracies and felonies committed on the high seas, offences against the law of nations, and counterfeiting the securities and current coin of the United States.

Something has gone terribly wrong.

Read this book. Then read anything else that David Kopel has written. It will be well worth your time, and you will be well educated about the erosion of our rights as citizens.

This work is not only an outstanding explanation of the Waco and Ruby Ridge incidents, but a critical review of modern federal law enforcement. The book goes beyond sorting out -- in meticulous detail -- what really happened in these debacles. Even more valuable is the objective analysis of the abuses and excesses of federal law enforcement, along with suggested remedies.

This book is a "must read" for anyone concerned with civil liberties or law enforcement.

The book is a 'must have' for those beer lovers visiting Munich.

I would like the author to include in the next edition, a map of Munich with suggestions on where to drink in the city center. The map could be used as a travel guide to Munich, and listing the beer gardens on the map would make them easier to find (especially if it starts to rain and one must seek shelter).

The guide is accurate and fun to read, but the walking distances are slightly optimistic, especially if you have short legs!

I know Larry Hawthorne as a comptetitive ballplayer who hits a lot better than your average pitcher. Knowing him this way, and being a writer myself, I recommend his book because I know he is honest, a clean player, and would not steer you wrong. Not a good enough reason to buy the book?
I could say, as the old joke goes about politicians, that he has never done a mean, rotten thing that he hasn't been sorry for, but I haven't known Larry long enough to know if he has ever done a mean, rotten thing. I know he is generous with baseball tips and has the best cooler on the sidelines. If you met him on the street he would greet you with a smile. In fact, if I asked him, he would autograph your book for you. That's how nice a guy he is. What more do you want from a book about beer in Munich? Check the excerpt and other reviews and see for yourself. If he is reading this right now, he is slapping his head with his hand and saying, "The next time Steve comes up to bat I'm pitching him a slow fat one right across the plate so he can hit it out of the park for the first time in his life!" That's how nice a guy he is.
I met him in the high deserts of south california, out where Jesus lost his boots, where right field is littered with gopher holes, where the 'Swingin' Steves' try to give him fits by getting line drives, and I'm glad I got the chance to get to know him. He made my first year as a softball player a lot more enjoyable, which was real special to me because I hadn't played since high school and needed all the help I could get. If you are still reading this then you are a serious beer drinker and if you are planning on going anywhere near Munich you need Larry by your side. From the other reviews you can see he is a great guide and knows his stuff (and his hops, he's always talking about the hops) so I will tell you the one flaw I found in Larry. He swings at everything. But he has a respectable batting average so I'm not going to knock what works for him. I'm a little shorter than him so maybe that makes me want to wait for the best pitch because I dont have the strength he does to drive the ball into the gaps. Well, I was kidding about Larry giving me a big fat pitch for this rambling review, in fact he might just hunker down and feed me low inside pitches because he can and he wants his team to win as much as I do. Like I said, a great competitor and if I still drank beer (diabetes) and had an urge to visit my great-great-grandparents homeland (apparently one of us was a king in Denmark around 1000 ad) I would still buy the cheapest version of this book I could find (that's just me, I'm cheap) but I would read it cover to cover because I trust this guy to give me the real deal. Hoist one for Larry, beer and book fans, and just for your information I wrote this cold sober. Honest. Why would I lie? And if any reporters for the National Enquirer or da Globe, etc. want the real inside dope on Larry I would be willing to supply even more colorful anecdotes to prove it.

This book is suprisingly good and gives extended information about various interesting locales in Munich. The beer locales are a kick. One could spend the whole trip visiting these occasionally quite interesting and cozy dispensers of comustibles and brews.

This book more than pays for itself with the coupons for free beer in the back! Great book too. Has directions to a lot of amazing beirgartens!

I went to Munich for Oktoberfest this year -- got there on a Thursday night and left the following Wednesday. Monday was spent at Oktoberfest. That meant Friday, Saturday, Sunday and Tuesday we needed to find beer gardens! This book was the perfect guide -- you can find them by S or U-Bahn stop, even! The 2-for-one certificates were a special bonus. I logged all the beers I drank on the inside cover -- 35 beers in 5 days. Nine of those were the masse size. Burp. Highly recommended.

I purchased this expecting some advice on legal issues, but this book is so much more. It talks you through the whole process of producing a film from start to finish, including valuable information on finding investors, attaching stars, behind the scene terminology, production advice, sample legal forms and what do with your film once you've made a cut. All of the advice is indispensable. This is a must have for any independent film producer, especially those new to the industry. It should be taught as a textbook in film schools. The most helpful book on producing I've stumbled upon yet.

I highly recommend this book. As a first time amateur independent film producer, with about 30 film books resting on my shelf, I believe I was constantly thumbing through this one the most during preproduction. This book contains so much useful information and helpful insights, it's almost like having an industry consultant right there with you. Unlike other books, there weren't a lot of sections where they seemed to rush on to the next chapter without exploring the present topic in some depth.

If it's not already, this book will soon become the industry standard for substantive knowledge of the film business for independent filmmakers. Deal points, standard contract provisions, the often technical and confusing jargon, and the historical context for many industry practices are all covered here in comprehensive yet concise fashion. Topics of interest that are covered in depth include standard talent and producer agreements, developing a screen play, financing, and digital distribution. The book was a tremendous asset to me when I had to help an independent filmmaker comply with complicated federal securities laws in order to raise $200,000. Highly recommended.

jeffbrownlegal@gmail.com

It was a book with that gave you a good background on how film production works from a legal perspective. So you should read it if that is your concern. The authors are lawyers, not producers.

This book is a serious but very readable approach to educating filmmakers on the maze of legal hoops that must be jumped through in order to create a film. Indispensable resource to have.

Anybody can put their video up on YouTube, but how do you get your feature or doc out there where it counts in dollars and reviews? In my career as a director and producer I've usually been hired on by others and did not have to worry about distribution, but now our own company is producing a feature-length documentary, so I picked up Phil Hall's book to become familiar with the labyrinthine world of film distribution.

I suggest you do as I did and read the Table of Contents then go directly to each chapter's section on "LISTEN TO WHAT THE MAN SAYS". That will give you a quick dive into the concepts so you can be more tuned in to the information as you go back and read through the book's chapters.

The information is hard-nosed and clear-eyed with lots of flashing neon signs saying, "Watch out for this!" and "Don't you dare do that!". The insights are encouraging in that Hall obviously respects those with talent, vision, and persistence.

I know we'll be wearing out the pages of this book during production and post-production in hopes of following Hall's advice to be prepared for the challenges of distribution - and hopefully reap those rewards.

Pamela Jaye Smith, Producer
RGO MEDIA ASSOCIATES
[...]

This has got to be one of the best books regarding the business side of movie/film production that I've read in a long time. It is very candid, no punches being pulled. It is just straight up! This book really opened my eyes to the distribution side of the business, and I really appreciate the distributors list at the end. If you are serious about getting your movie out there, read this book! Then read it again!

Phil's book is a vital source for understanding the current landscape of independent distribution. I wish that I'd read this book two years ago before I'd started on my first feature. He's an excellent writer, but it's not just the writing that shines through - it's the interviews. He gets the salient questions in and avoids the starry eyed fluff that has a tendency to creep into industry interviews. I highly recommend it!

After years of watching movies and perhaps having friends, family, and acquaintances tell you that you should write a screenplay or make a movie, you've decided that that's what you want to do with some of the months or years ahead. First, don't panic. Lots of people have had this epiphany before. It's a long journey, but the rewards can be rich if you remember that it's step by step, and not javelin leap by javelin leap. It takes time and much effort, and even more patience.

You'll need a few things before you even begin to direct. Obviously, you need a camera, a screenplay, some actors if necessary, and locations where you'll be allowed to shoot. But besides all that, you'll need some books too, some guides to show you how indie filmmaking is, and what you can do to make your experience an enlightening one, perhaps even more exciting than you might have imagined. That's where Phil Hall comes in.

You pick up a copy of his book, Independent Film Distribution, and prepare to read Phil's educated, calm prose that I'm confident will get you through any worries you might have. It might not solve them all, because an indie film production still has lots to be concerned about during it, but you'll look at how Phil sees independent film and not only perhaps see even more names you might have not recognized at first, but see how to market your dream film, see what it takes to shout at the world, "See my movie!"

Phil's greatest quality in his writing is that he's aware of the filmmakers like you who might read this book. To make an indie film is hard work, but to get people to see it is even more difficult, and he makes sure you know. He does not discourage, but rather guides you through what's out there, also covering what film festivals are all about, and the pros and cons of it.

But it's not only him! No, no. You'll be fortunate enough to read interviews with various, esteemed indie filmmakers, and quotes throughout the chapters from countless others who have been entrenched in indie filmmaking and other aspects of filmmaking and film distribution for years and can speak from where you might want to be one day.

This is where you go for all you'd want to learn. And Phil, being the understanding, considerate writer that he is, he includes a list of distributors in the back, for you to see who is in the business of getting indie films out there. Believe me, there are many books you could possibly have on your shelves about indie filmmaking, lots of authors talking up the history and perhaps also the distribution, but Independent Film Distribution needs to be one you keep close at hand and heart. You'll learn more than you ever thought possible, even if you know a whole lot already.

I didn't know what to expect when starring at the front cover of this book and thumbing through its list of contents, but I hungered for knowledge on this topic and bought it with reservations.

After reading the book, it left me with a sense that I merely overheard parts of a conversation, wishing I caught all of it. Although the interviews were pretty decent and sort of acted like conversations at a festival's kick-off party, it didn't fulfill me the way I needed it to.

I can say there are a few things I did learn, which - I guess - made it worth the read, but I won't keep this book.

I don't know... I think I could have learned more by a few hours of reading articles on the Internet, but that's just me.

I give it a C minus.

This book is outstanding. It is about real travel and interaction, not the 9 countries in 13 days type thing. It is very practical, addressing the real problems faced by the solo woman traveler (harassment, cultural attitudes, personal safety issues). It also has the standard advice of what to pack,etc. I appreciate the special aadvice for seeking interaction with other cultures by actually living and working among the local population......travel is much more than what you can see thru the tour bus window.

I've read many travel books and searched out various resources over the last year, but Thalia's book really hit home with me. She prompts the woman traveller to dilligently question her own motives and to really delve deep into why she wants to travel and how certain aspects of travel may affect a woman's TOTAL well-being. I've answered many questions in my journal and I have to admit I've adjusted my travel plans (for the better) because of Thalia's insightful book.

At last an intelligent, informative, approach to spending time in other countries. Simple promptings to ensure you don't offend the local people, hints on gaining the most from the areas to which you travel and good, sensible logistics info. on packing, booking, travelling etc.

I first bought this book when I was preparing to travel to Europe at 19 - over ten years ago, and my rough worn copy is still a favorite on my shelf.

Chock full of great advice, anecdotes from author Zapatos and women she interviewed, inspirational insights and down to earth tips, A Journey of One's Own is the perfect gift for any woman considering an extended travel adventure - or armchair traveller looking for a new perspective.

This is a wonderful resource. As I read it, I always had a pen in hand, taking notes. I have a plethora of websites, notes, and good tips to take into consideration when planning my three-month trip. She helps you ponder each decision carefully, whether it is to travel solo or with others, where to stay, travel lessons, safety, how to pack light, and traveling for a long period of time. Even though I am not traveling with a partner, I still read the entire book cover to cover. I *highly* recommend this book--I would give it way more than 5 stars if I could. Any woman (even a man would benefit from most of this book) should read this book before traveling.

Having been interested in independent Catholicism for many years, I rejoice that a contemporary scholar (and an IC bishop) has made the movement a subject of his academic study. This is an approachable book on a fascinating subject, one that has resided too long in the shadows.

Pastors: This is a good book for your personal library. It shows the many kinds of catholics that are today working in our society. It will help you to identify the people that is coming to your church and how to address what they believe. Let me tell you, you will be horrified by some of them and their new age doctrines. Beware: the author believe that lesbians and homosexuals can be normal christians. This is contrary to the biblical truth, but the book is only a resource, REMEMBER IT!

Excellent groundbreaking work by a scholar of the history of Christianity. As an academic working in the same field and also writing my dissertation on independental sacramentalism, I deeply appreciate Dr. Plummer's extensive research and fresh insights on this subject, which has long been ignored by the academy. The book is well crafted and fascinating. Highly recommended for those interested in exploring the subculture of independent sacramental churches and communities.

if you enjoyed this book, you should also read Dr. Plummer's "Living Mysteries: a handbook for the independent priest" available [...]

Dr. Plummer, a bishop in the Independent Catholic Christian Church, has done something quite laudable in his new (2005) survey of the independent sacramental movement—he has brought together elements of the amorphous, constantly changing periphery of sacramental Christianity into a coherent if somewhat schematic whole. Covering history, liturgy, theology, and leadership in significant detail, Plummer brings a number of other sources up to date while providing an insider's view of the movement.

Among the book's strong points are its scrupulous fairness to communities whose views, it is clear from the appendix, the author does not share, as well as its clear organization and extremely readable style. At 134 pages (plus bibliography and endnotes), it is somewhat short, but you feel like you have read 50 pages and gotten 300 pages worth of information. That it was published so recently makes it even more valuable for a movement that has received infrequent and shallow attention until now.

From my own perspective as an independent catholic seminarian, the greatest service The Many Paths does is to provide a rich bibliography of sources for further study, especially articles and books available on the web. There are some 360 endnotes compiled mostly in 2004, filled with citations and further information about the clergy and jurisdictions involved in the contemporary independent movement. Dr. Plummer's account is indispensible for all those interested in this growing segment of the American church.

but it's just a book full of simple phrases of things that suck like

bar of soap breaking in half
socks falling down
underwear falling down
Michael McDonald
Applebee's

I don't think these are in the book but you get the idea. Mind you this book made me laugh and I did enjoy it - it's just not what I was expecting and that sucks for me. I'm sure it's probably made clear in the description above that I probably just skimmed over so I guess it's really me that sucks. One cool thing about this book is there are blank pages on the left which to me is best suited to writing things that suck which are not already in the book [the above are my additions], your favourites of things that suck, grocery list, whatever..

I came upon this looking for a darkly funny book...I'd recommend A Dirty Job.

A friend of mine had a copy of this - and as soon as I picked it up we immediately started a discussion of what else should be in the book...a long and very entertaining list of things in your life that suck. Hilarious!
I believe the author also has a website where you can add your own things that suck to the collection - a great idea. This is the kind of list that is truly endless - and also a lot of fun. Pick one up and put it on your desk.

Jason Kaplan is a comic genius. A friend of mine gave me Things That Suck after a particularly sucky week, and as I read it, I laughed out loud more times than I could count. I never thought I could be so entertained by a "mere" list. David Letterman should be ashamed of himself.

This book literally made me laugh out loud, which was a bit uncomfortable as I was attempting to read it in the midst of a meeting. Warning: Do not read this in the misdst of a meeting. You will laugh out loud, and then you will be filled with an unrelenting need to grab the person next to you and point to the line that made you laugh, see if they laugh as hard as you did, and when they do, force them to listen to you read every line you thought was funny. Again, not conducive to a meaningful meeting.

True, this has "bathroom reading" written all over it, but I spend a lot of my life in that room! Kaplan's knack for spooling off a list of similar frustrations--and then jumping to a radically different--but equally annoying--apsect of life is what repeatedly brought a smile to my face. Great stuff.

Nightmare U.S.A. is an extremely informative and well written book. The author keeps it fun throughout by putting a sense of love into his work. I found, as I read through this hefty tome, a true feeling of 'being there' watching the films that are presented. I'm looking forward to the next installment. All in all, a wonderful read for those interested in the study of exploitation films.

So great a book I bought two one for my business partner and one for me!

I've written a longer, more extensive review for Film Threat, but I'm going to do another one here because I believe this book belongs on the shelves of every horror/exploitation fan, film buff and film journalist. Yes, it is expensive, but it's also a 500+ page oversized hardcover with color and black and white photos (many from filmmakers' personal collections), movie reviews and interviews (many with directors who have never spoken about their films publicly before). As I said in my previous review, this is probably the best film book of the decade.

If exploitation films are your cup of tea, you need this book. Period. At some point this should become some sort of mandatory college text book, as it is not only a history in filmmaking that is rarely covered by more "serious" journalists, it's also a crash course on filmmaking.

Once you read this incredible book, which will cause you arms to fall off if you try to do it in one sitting, you'll be thrilled to know it's only the first volume (the second one, according to the author, is scheduled for 2010). And you thought things couldn't get any better.

Simply put, you aren't a fan of exploitation/horror if you don't have this book in your library.

Price:
I've talked to many people that feel the price is a bit steep and I agree the book isn't cheap. It is however 500 pages filled with interviews, pictures (everywhere), and essays. Think Arnold Schwarzenegger's The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised size wise but about horror films. I mean the book is no joke and there could be an exploitation horror film made about a serial killer who uses this heavy book as his weapon, that's how big it is. I felt the price was well worth it as a horror fan and film lover in general.

For those of you who aren't the biggest readers:
Basically, all you have to do is read section I The Exploitation Independents which is the history of American independent exploitation films during 1970-85 and goes from page 11-48. After you start reading you'll want to keep going and after that it's basically a reference book with essays and reviews, so you could read up on a particular film. What I'd do is either read up on a film I found prior to watching it or after I watched it to learn more.

THE BOOK:
Stephen Thrower appears to know film even though he made a rule to not include reviews on classics, foreign, and studio made films, he still makes tons of compare and contrast references to classics and mentions great directors such as Bergman and Fellini. I highly recommend this book to horror and film fans, my friends in everyday life not so much but I think my horror Amazon friends will love it, specifically reviewer Clint Bronson. Clint has crazy knowledge on horror and from my readings of his reviews 1970s imparticular which, after much thought, is the best decade for horror hands down. Be sure to check out Clint's reviews as well.

Section I- As I mentioned details the history of the exploitation film from 1970-85
Here is how Thrower breaks down section I and the history, this was a great read.
The roots and the Godfather of gore H.G Lewis.
Romero and the Modern Horror Pantheon
Critical Responses to Exploitation Cinema
Drive in Massacres
42nd Street Monsters
Serial Killers
Psycho-Killer, Qu'est-ce que c'est?
Slashers- J'adore
When Blood Is Not Enough
Torture
R ape
It Came from the Stars/Swamp/Bushes/Caves
Things That Go Bump in the Night - One of my favorite avenues of horror being the ghost story. Thrower is honest in this area saying a bigger budget with good acting helps this area of horror.
Art of Perversity-Horror and Incoherence
Decline-Carpenter, Hooper, Romero, Craven
Hollywood Trash

Section II
Essays on Films and Filmmakers
This goes from 73-373 and like I said at this point it's a reference book. You can skip around read films that interest you and as you see others go back to the book and read up.

Section III
Reviews
118 Additional reviews. These are done in a shorter format then the essays above.

Section IV
Appendices and Index
Including an exploitation independent checklist Horror, 1970-85
A Bibliography
Index

I actually learned about this book in a non horror magazine Film Comment which gave it very high praise as well.

If anyone wants to know if a particular director or film they like is talked about in the book feel free to ask.

Being somewhat obsessed with the period and films covered in this mammoth tome I can unreservedly say that reading this was a religious experience for me. The amount of research gone into this project is extraordinary and the enthusiasm author Thrower has for forgotten gems like THE CANDY SNATCHERS, DEATH BED, BOARDING HOUSE and others is truly infectious. Not since Mike Weldon's original PSYCHOTRONIC came out in the early 80s have I been this giddy about a movie book.

Part 2 is announced in the back of the book which means the good times keep coming.

I am an in-house attorney for a film production company. This book is a great resource to point you in the right direction in many respects: reminders of what terms various contracts/agreements should contain, the different types of agreements common to the film industry, copyright information ... just to name a few items. Money well spent for a very focused look at legal aspects to the film industry.

This book helps anyone who wants to do or is doing anything in entertainment be on top of their game. I carry this book with me, along with my bible (that says a lot about the book right there!) I read it every chance I get and learn so much more as a Writer/Producer, about the legalities and expectations of each member of a production team. This book is necessary for a business minded person. Crowell educates the readers in the basics of entertainment law, however he does not use language that only an attorney or judge can comprehend. He breaks concepts down in bite size pieces. I have gained a better understanding of what needs to happen in pre, pro. and post production of a film and will make sure that the many areas in film making get the attention and documentation that it needs because of this book.

This book is so useful, I don't know where to begin. It's well-structured, well-researched, and I don't know where I'd be without it. The author has so much useful information, and puts it in a way a filmmaker, who doesn't speak legalese, can understand. This book gets a very high recommendation from me for sure.

Having the hindsight of producing several movies, I wish I had read this book much earlier. ANY filmmaker would benefit from reading this book as early in their career as possible and then keeping it on their shelf as an invaluable reference tool to return to again and again.

This review is specifically directed to aspiring professional screenwriters: GET THIS BOOK.

(Note I did not say "buy" this book, since, if you truly are an aspiring professional screenwriter, you're probably sucking your own body lint for food and live under a bush overlooking the Santa Monica pier.)

Yes, do whatever you have to do. Beg, borrow, steal...pawn...get this book. You've already read your Sun Tzu:

"If you know the enemy and know yourself, your victory will not stand in doubt."

Hollywood was built on exploiting talent, and specifically exploiting writers. It's time we (YOU!) writers start preparing for the business side of things because gosh knows the other guys are plenty prepared already. Reading this book will make you realize three things.

1. Actually getting your great little/big screenplay made will be incredibly complicated, even if you're just selling it to someone who already knows what they're doing.

2. There are ways to make your script more attractive for producers/distributers and more lucrative for you.

3. Thom Crowell is an informative and entertaining scribe.

I had a friend of mine in negotiations with a major studio executive. True story. Wrote a little script called "Balls, No Balls II." Guy tried to get my buddy to sign a contract without an NDA. My buddy stood up, whipped out his Pocket Lawyer and KA-BLAW! Smacked that suit right in the mouth! "You want my high concept? I WILL be signing that NDA!"

Hmmm, actually this never happened. But at least I know what an NDA is now. Do you? Oh, you don't? GET THIS BOOK!

And yes, AMAZON, you do offer a very reasonable price. I suppose buying it isn't out of the question.