Boston University Books

I haven't actually read this book in many years but it was a favorite of mine as a child. I remember my mother reading it to me night after night after night and then taking a trip into Boston to see all of the places mentioned. It's a great story and the illustrations are beautiful. I now use it as a gift for new moms to read to their children.

Prior to a planned trip to Boston, I purchased Make Way For Ducklings for my grandchildren who were three and a half and five and a half at the time. Their mom was running in the Boston Marathan. Knowing that we would be taking them to the Public Gardens and they would see the "ducklings"..this was a perfect history lesson written so well for little ones and adults to learn...Highly recommended

This book is simply sublime. I had it as a child, got it for my own children over 25 years ago, and now am buying a copy for my new grandson. Everything about this book is wonderful!

This classic picture book details the lives of the Mallard family in the Public Garden of Boston. This is an excellent read for kids of all ages, and is a good introduction to Caledecott books.

Mr. and Mrs. Mallard explore all the nooks and crannies of Boston and the Back Bay, before settling on the perfect place to raise their family. A true love letter to the Boston of 60 years ago (complete with Irish cops!), it is a classic that speaks to people from everywhere, and families worldwide, on the love and nurturing that parents show for their children.

Dr. Attig's book is an important part of a paradigm shift in our thinking about grief. He has thrown open a door to new thinking about how we can continue to be in relationship to loved ones who are no longer alive. This book is eloguently written with the ring of truth from the lives of real people. An excellent addition to our knowlege and understanding of grief.

This is such an important book that it is required reading in my Introduction to Death and Dying course. It has valuable information, yet it is verty readable. It is presented as a very human book.

Dr. Thomas Attig's book, "The Heart of Grief: Death and the Search for Lasting Love," is an exceptional follow-up to his first book about grieving, "How We Grieve: Relearning the World." Each chapter of "Heart of Grief" begins with a real life situation involving the death of a person and the consequences of that death on those who are still living. His premise is that people who have passed away can still be an important and essential part of one's life. You don't have to get on with your life without them; you can get on with your life with them. Although there is an element of `advice' giving in "Heart of Grief," the book is much more story-telling. It's like a good novel-you can read it for the dramatization of some essential human truths. I recommend it highly.

I'm willing to bet that whoever wrote the editorial review for Publisher's Weekly (above) has never known the crushing agony of losing someone to death that s/he truly loved; or suffered the kind of pain that still drops you to your knees, years, even decades later, begging for mercy. The kind of anguish where you'd gladly give your own life just to make it stop. The kind you bear when you know they are never coming back and there is nothing you can do. I'm very happy for that reviewer. I hope he or she will never know it. But Heart of Grief must be read by those who understand all too well the overwhelming tidal wave of hopelessness that accompanies the loss of a loved one. Where Publisher's Weekly found this book simplistic, I found beauty in its quiet simplicity.

Being of a metaphysical sort, I've read just about all the reincarnation / life after death / love never dies / hypnotic regression / soul mates for eternity / communicating with the dead / type books. I've been spellbound by all of them and will probably continue to read them as they are published because it's a fascinating subject. Besides helping us to understand the process of dying and what comes after, these books pledge that we will someday be reunited. They all assure us that the deceased are still very much alive and well and with us daily, so there is no need to grieve. But they also often come with the stipulation that we must let go so that our loved ones can move forward, and because we want what is best for those we love, we attempt to suppress our grief, no matter how much it hurts us. While the theory seems reasonable, by trying to ignore our suffering, we compound it. We cannot stop the hurt just because we want to. It's not an electrical switch. It's not a water faucet. And it's just not that easy. Grief is complex, binding us with ropes so twisted we cannot seem to find the end that will untangle us.

Heart of Grief shows us that we do not have to let go, and in fact, encourages us not to. With compassion and a comforting voice, Thomas Attig sets forth practical ways to keep and strengthen the bonds of love with those who have died. I found it to be a very spiritually healing and uplifting book that has made a dent in my grief and a difference in my life.

On September 11, 2001, many sons and daughters, mothers and fathers, brothers and sisters died. I lost my own son 10 years ago and since that time I have wondered what can really be of help to parents, or other grievers in learning to live with such loss. Now, more than ever, life seems so fragile in this world and the need for understanding grief as important as ever. It is so hard when grief is so great. Our fears of our own mortality spring to the front stage of our emotins nakedly exposed to others. I recently found Tom Attig's The Heart of Grief and it met me right where I was. Using his personal experiences of grieving people, Attig describes a process of learning to love in a new way. He recounts the stories of people's losses and provides a myriad of ways that grievers have found to continue loving the ones they have lost.
Of course, we do not stop loving or forget our loved one. Death does not end our relationshipwith the deceased, but it is different. They are forever gone from this life. Attig suggests that sometimes people fear that when they accept the loss it means they have stopped loving the deceased person. Many people, who are unable to let themselves feel the full impact of their loss, find themselves stuck in wishing for the past and the return of a loved one. Consequently, there can be no real acceptance of the loss. Attig emphaasizes the need to BE SAD because what has happened IS SO SAD. Feeling intense sadness scares many people, so Attig encourages us to find someone to accompany us on this journey, a spouse, a friend, or a professional.
Most importantly, Attig writes that if we do not fully accept and greive our loss, we may have difficulty ever loving again. It is only through acceptance of our losses that we can continue to love those who have died in a new way and to love those who are still with us and love us. The use of real peoples' stories of loss are inspirational and give hope. Attig provides numerous examples and possiblities of ways to learn to love anew. Whether you are grieving a loss yourself or know someone who is, this book is very readable, relateable, informative and comforting. We all will be grievers some day. I highly recommend this book. I has a permenant place of importance on my bookshelf.

THIS IS THE FIRST TIME THAT I'VE EVER PURCHASED FROM AMAZON, AND I MUST SAY THAT I AM COMPLETELY SATISFIED WITH MY PURCHASE. THE BOOK WAS IN PEFECT/BRAND NEW CONDITION AS DESCRIBE.

I received this book in only three days and it was in better condition than described...Not to mention the awesome price that I got for the book and expedited shipping!! My school wanted $113.00 for the book...psshhh.

This text is required for Psych 103 at Stony Brook Univ., LI, NY
It is excellent.

If you've ever wanted to learn as much as possible from an introductory textbook in the area of Psychology, look no more. This book has served as a tremendous assistant for Psychology, and various other areas of study where psychology is certainly related. If you enjoy learning about cognitive and other behavioral functions of the body, this book is a perfect match!

The authors' use of case studies and real-life examples makes this more than a textbook -- and much more readable than one. I found myself excited about reading each chapter. And I know I'll be looking up things in it in the future. My only quibble is that I found many copyediting errors that I hope the publisher will fix for future editions.

This book will make you jealous to think that 18 and 19 year olds write this well.

It would be very wise to read this and adopt the level of quality these young men and women used in their essays. Some of the events are extrinsically insignificant or common, but these bright students displayed the intrinsic value of each through excellent writing, grammar, and detail.

I'm leaving the military for college, and the essay once seemed like a massive hurdle for me. Using these essays as a standard, I no longer have that fear.

Good advice. But who's kidding whom ... it's going to take more than a great essay to get into Harvard. You need the GPA and strong test scores. If your grades and credentials aren't up to par, it doesn't matter how much lipstick you put on that pig.

Vernon M
Cambridge, MA

This is a fantastic book. As a first-generation student, I had no clue what to expect from a college essay; I had no idea what made an essay good and what made it bad.
Although this book doesn't directly teach you what a good essay is, the amazing essays in here allow you to 'absorb' the good writing and use it to your advantage.

Vernon (poster before me) is correct here; you still need the grades, the scores, the extracurriculars.. or else the book does not help much.
However, if you KNOW you have a strong profile but do not know what to expect from a college essay (like me), then this book is right for you!

I can't thank this book enough. I learned good writing only paying $14 instead of something astronomical for those editing services.

Ironically, with the help of this book, I got accepted into Harvard's rival school :)

[Handsome Dan] out.

These essays were very good, some of them were very moving. I found that this book explained the college essay process and was an easy read.

This is a fantastic collection of application essays. If you or your child is in need of examples of well-written essays, these 50 essays are just the thing for you. Not only are the essays themselves printed, the book also provides an analysis for each, by the Staff of "The Harvard Crimson". Within each analysis, you learn what topics to choose, what to avoid and how to keep the reader from discarding your essay. If they worked for Harvard students, they'll definitely help you with your school.

The voice of Ollie Ewing in Sudden Times is haunting, terrifying. With morbid curiosity and creeping anxiety,the reader follows Ollie's dark journey and witnesses his psychological disintegration.

This is not a novel that I would recommend because I "liked" it; it is a novel that is uniquely constructed and well deserving of recognition. Take a risk. Lock your door. Read Sudden Times....

Meet Ollie Ewin, the young Irish carpenter who narrates this book. Ollie is a troubled lad, who has hallucinations during the day and cannot sleep because of his nightmares. We first meet him as a lowly clerk in a supermarket and are made part of the terrifying past that haunts him. But the details are never spelled out and one can only guess at the outlines. Then Ollie goes to London and the whole story congeals and unfolds. Ollie blames himself for some of the terrible things that happened that time in London while he is unable to understand the others. He is caught in a swamp of vicious crime and it slowly drowns him. The story escalates until it ends in a nasty persiflage of justice.

First of all, the author shows courage in starting a book with events that make little sense, trusting that the reader will not give up on him. Secondly, he shows incredible imagination in placing us into the tortured soul of this young man and succeeding in making us feel it. And, in addition, the language is superb.

This is a must-read!

Dermot Healy is amazingly talented. I have now read three books by him - 'The Bend for Home', 'Sudden Times' and 'A Goats Song' (still my favorite of the three). Each time I read him, I am stunned by how, well - perfect - his writing is. His characters tend to have lost thier minds (madness, drink, drugs,or some combination), and the line between what's 'real' in the novel and what the character is hallucinating is never clear. Why do they go about things the way they do? Well, because people do... Like many of Angela Carter's creations, Healy's characters are appealing and attractive, yet at the same time annoying and almost repulsive... In the end, the reader is offered no explanation of what went on - if the character himself doesn't know, how can he explain it to US? He told it to us the best he knew how, anyway. The books have some very undefineable beauty to them. I don't understand why Dermot Healy is not more widely recognised than he is.

One of the best books I have read this year is Jeffrey Lent's "In the Fall". So when I read the appraisal of this Author's work not only by Mr. Jeffrey Lent, but Roddy Doyle, and others, I thought the chance I was taking on an Author new to me was minimal. The man who wrote this book, Mr. Dermot Healy, has produced a work that will be on any short list of favorites from 2000 I will have. This book is unique and unconventional it is extraordinary. Some of the commercial commentators felt the need to go beyond what the jacket provides, and into events in the book. That decision was unnecessary, but thankfully it in no way detracts from the book. There are no simple explanations for this work, and were the story line known to you, because of the way Mr. Healy delivers his tale, little would be lost. This is a book that can be read and read again.

The book is written in the first person and that is about the only conventional aspect of it. The book is laid out in an eclectic manner. Actually it is presented in a bewildering pattern less structure that initially left me lost. Going back and reading a passage again does not help, because the subject of the book is lost, and the Author puts to paper the thoughts of what a person in the various frames of mind this individual goes through, would look like were thoughts visible. Once you get in step with the Author and his character everything makes sense, what seemed random is not, what was seemingly fragmented becomes perfectly assembled. This book does not say what it is like to feel a certain emotion; it causes the reader to feel as though he or she was experiencing the events themselves. The feeling when the book is read goes beyond the vicarious to something more akin to immersion.

The Author then demonstrates how masterfully and with what range he can craft language, how versatile he is, when, toward the end he lays down courtroom conflict between defense counsel and witnesses that is as well done as any such exchanges I have read. The dialogue is sharp, terse, and delivered in a hyperactive exchange. The Author demonstrates with ease what so many crime story pretenders struggle to produce and generally fail.

The book is brilliant, the Author a writer of incredible range, and he offers a reading experience you will not forget, and one that you will be hard pressed to repeat.

Stunning in its raw power, this novel, unlike many other Irish novels, draws its power from its simplicity, rather than from lush description or the accumulation of details. Stripping language to the bare bones here, Dermot Healy draws the reader, without embellishment, directly into the confused mind of the main character, a carpenter named Ollie Ewing.

Ollie has just returned to Sligo, almost mute with shock from unspoken, terrible events which have befallen him while in London, where he has been working as a day laborer on construction sites. The narrative shifts back and forth in time and location, revealing Ollie's paranoia through flashbacks, brief scenes, and dialogue, which sometimes seem to have no context other than their revelation of his suffering. He is clearly trying to hang on to his sanity--and is only marginally successful--as he talks to the reader in quiet, almost confessional tones. Using unadorned, simple language, he describes things he sees that are not there and voices that no one else can hear. Never wasting a word, his earnest narrative forces the reader to share his thoughts while interpreting his state of mind.

Gradually, the reader learns of Ollie's almost paralyzing experiences in London, where he lived with a friend, Marty Kilgallon, in a trailer at an old construction site. Through Marty, Ollie learns firsthand about the protection rackets and extortion on construction sites, the common use of murder as a weapon of enforcement, and the unsympathetic judicial system. When his friend disappears and does not return for six weeks, Ollie gets caught in a whirlwind of violence and learns the true meaning of hell.

By the time he returns to Sligo, he has come to believe that there is a "glass sprinkler" machine, operating at night, which sprinkles glass over the streets of London, that the flecks in people's eyes are aliens, and that his own image in a mirror is someone imitating him. Though Healy's style is often difficult to follow, as the reader tries to piece together the events that are responsible for Ollie's current state of mind, Healy's use of detail is stunning. Casually inserted, bizarre observations about common aspects of life help create Ollie's inner life and illustrate his existential helplessness. The essential unfairness life, the power of chance, and Ollie's victimization catch the reader in a whirlwind of emotions, and his plaintive voice, crying out from all this, is unforgettable. Mary Whipple

This is an excellent book. My great-grandfather was a bootmaker in company K of the 9th Mass and I've collected every document I can find on the 9th's existance. The insights this book offers are priceless. Samito has done a wonderful job.

Mr. Samito's work is a careful examination of a tumultuous period in American history, and a compelling human drama. Would make a great movie- better than Braveheart or The Patriot!!

Mr. Samito's work is a careful examination of a tumultuous period in American history, and a compelling human drama. Would make a great movie- better than Braveheart or The Patriot!!

This compelling book truly transported me to the nineteenth century. Mr. Samito eloquently presented the words of this little known figure in a truly remarkable fashion. The history community is truly in debt to Mr. Samito for uncovering these long lost treasures of the nations past. Any history "Buff" worth their salt needs to read this book. I only hope Mr. Samito continues to produce works of this quality for some time to come. Ken Cooper

I don't normally read historical books, especialy ones about little known Civil War generals, but this one came highly recommended by a friend so I gave it a shot. I was won over immediately! As it turned out, the life of Patrick Guiney was remarkable and compelling. His letters to his wife were eloquent and heartwarming, and his courage in the face of what must have been a very painful injury was inspiring. Samito's editing was never intrusive, and elucidated the more ambiguous aspects of the text. I found his explication of the Boston cultural and political scene of the time to be particularly insightful. Overall, a surprisingly good read! Nick Cavuoto

I ordered this book directly from Amazon and delivery was prompt with the book fully intact, condition as expected and without any problems. Amazon also, promptly answered any questions I had regarding the order. ORDER DIRECTLY FROM AMAZON.

I had the item expedited and it arrived within the disgnated 48 hours. One drawback - since I was not home, UPS left a note and I only received the book the following day.

Bit more writing in the margins than I expected.

This is the best legal textbooks I've ever used. The writing is straightforward and clear, and the examples are interesting and well-written. Really a marvelous tool for teaching and learning evidence.

This book is set up great. I like how there are cases, but no little like "notes" at the bottom of the pages. It explains the specific area of Evidence well in relation to the cases and gives good problems to work out so you can make sure you understand the topic. Great book!!

Boston has a reputation for being something of a Puritanical stick-in-the-mud. It is surprising, then, that it has experimented so vigorously and persistently with its urban design. Some of those experiments - the Back Bay and the Emerald Necklace - we recognize as glittering successes, while others - the creation of Government Center and the Fitzgerald Expressway - are festering failures that the city is only beginning to address today. Of the numerous histories and narratives that this tremendously fertile subject has produced (many of which I've read), the most wide-ranging, elegantly written and well illustrated that I have found is Jane Holtz Kay's Lost Boston. It works equally well as a coffee table book and a curl-up-on-the-couch book.

The creation and evolution of Boston is arranged here chronologically, starting with the first settlements in 1630 and concluding with an epilogue on urban renewal and it's ramifications at the close of the 20th century. Even though it is an accurate history, it tells a great story without becoming dry or academic. The language is descriptive and accessible, introducing major players in the Boston scene, from Charles Bulfinch to James Michael Curley. You also get a wonderful feel not just for the power brokers, but the neighborhoods, people and places that made the city a vibrant place. There is a warmth to Kay's writing, without delving into sentimentality. Because the background history - the day-to-day development that made Boston the Hub of the Universe - is so readable, it helped me understand the context of major events in the city's history: filling of Back Bay, the Great Fire of November 1872 and the razing of the West End in the 1960's. Instead of examining these as isolated events, they are knit together to show the city as a living, evolving organism. It was fascinating to see how Boston reinvented itself after the Fire, to see the creation of Frederick Law Olmstead's Emerald Necklace, only to lose its way, lured by the siren song of renewal.

And throughout are some of the best photographs and period illustrations of old Boston you're likely to ever see. There are the bustling wharfs on Atlantic Avenue, the original Museum of Fine Arts (where the Hancock Tower now stands), and the graceful mansions of Roxbury. There are dozens of examples of the Boston Granite style that dominated the city's architecture before the Great Fire. For me, the most moving photographs were the ones of Adams and Scollay Square and the West End, all of which fell victim to the wrecking ball to make way for Government Center and urban renewal. They themselves serve as simple, eloquent statements for common sense and reason when it comes to grand urban experiments.

And yet, it's an unfinished history. The Big Dig - the largest public works project in American history - is nearing completion, which will bring down the despised Fitzgerald Expressway. The land cleared for that highway will yet again be developed into inhabitable space and add another major chapter in the history of the city's evolution. So as history loops back on itself in Boston, it does so in new and unforeseen ways. In that, Lost Boston serves us well as a history and a speculation on the future of the city.

What a handsome book this is! I can't decide whether I liked the photos more or the text. The history is elegantly written and fascinating. How many people realize that Boston was literally created from the marshlands, spoonful by spoonful. The cast of characters who lived in this so-called Athens of America had an equally splendid selection of architects and places to live. The photos are a real treasure. I keep turning back to so many. The first edition was a classic, my mother told me. And this updated one has not only the older traditional rownhouses and state house and the pictures of the monumental construction of such attractions as the PUblic Garden and Common but a new cast. There are images of neon lights and amusement parks and the author (whose last book Asphalt Nation was a stunner with a polemic cast) has added photos of saved and threatened buildings to tell the 2lst century story. I couldn't recommend this more.

A 1999 revised edition of the 1980 classic by one-time Boston Globe and current Nation architectural critic Jane Kay, this beautiful book is filled with images of buildings and squares tragically allowed to fall into disrepair, destroyed by fire or bulldozed for parking lots and malls. Pictures, maps and photographs are black & white, and are interspersed throughout the book, organized into subjects such as signs, spires, schools, etc. The text is arranged chronologically, and is generally well-written and highly accessible. The author delves into the history, policies and people of various times from 1630 to the present day.

Many of the buildings and areas depicted are truly beautiful, some destroyed as recently as the 1970s, when you'd think people would have known better. Scenes after the fire of November 1872 make you want to cry. I have a fair number of pictorial histories of The Hub, and still found some pictures in here that I hadn't seen elsewhere, and the author's perspective is worthwhile reading.

The book is constructed of high quality paper and concludes with picture credits, a selected bibliography and a good index. It should be of interest to those with some connection to Boston, architecture or history, particularly of the 18th and 19th century.

What a treat to have this updated version of the author's classic history of Boston. The photos still resonate with the sadness of their loss and the beauty of their existence. But this isn't just a coffee table book. It remains the best history of this fascinating old, and new, city. I especially liked the supplement telling what had been saved, what was threatened and what was lost. I bought the first version 20 years ago and have bought the second to give to the next generation in my household to say how cities grow and should grow. A splendid book!

There is no way to describe College Prowler's books other than amazing. Whether you're already in college, still deciding on one to go to, or deciding which ones to apply to, College Prowler's books are probably the best asset you can have.
It's the only guide written with information from students who actually go there, instead of just what the school wants you to think. College Prowler's guides can tell you everything: where to hang out, where to live, how much money to have on hand, where to park, how much drugs/alcohol is being passed around, how attractive your peers will be, and just about anything else you could want to know about a school.

I am currently a senior in high school, and will be graduating this spring. I received this book as a gift recently and read it from cover to cover. It's no nonsense, in your face honesty is something I truly enjoy and respect. This book has put me over the edge in my decision to attend BU, and I have decided to enroll early acceptance as a result. Bravo to the authors!

Unlike most college guidebooks available about particular schools, this review goes far beyond the statistics...allowing the reader to get a real glimpse at life at Boston University. Adhering to a "by students, for students" attitude, this edition is aimed at high school seniors who are uncertain whether a particular university will suit their lifestyle, preferences, and individual needs. With a generous dose of humor and honest commentary by the author about her experiences as a student, this is an excellent choice for any potential student.

Butterflies through Binoculars: A Field, Finding, and Gardening Guide to Butterflies in Florida (Butterflies and Others Through Binoculars Field Guide Series,) This is an excellent reference book for butterfly lovers in the State of Florida. I take it with me on my butterfly field trips and when I sit in my yard to observe them. The book has excellent photos, detailed information for each species, and the habitat locations. It's an easy book to carry and pack.

This is one of the best presented field guides I have ever seen. Each and every species of Florida butterfly is pictured and described. Most butterfly guides I've seen use pictures of preserved specimens in a collection. This can be confusing because parts of the wings normally hidden are exposed when the collected specimen is mounted. This book avoids this problem by using only pictures taken in the wild (except for a few rare species). No more unnatural poses!

The text is easily readable without extensive knowledge of obscure scientific words and has enough humor to keep it from getting dry and technical, but not so much that it overpowers the book.

This book deserves a place on the bookshelf of anyone interested in Florida butterflies.

If you are looking for a filed guide to the butterflies of the northeastern United States, this is THE book to get. Written for a relatively small geographical area, the book contains only those butterflies likely to be seen in the regioon...unlike other guidebooks which offer many photos of butterflies not native to the regioon you are in. Excellent photos and the reduced subject area result in quick identifications. Although written for the northeast, the book is useful over a wider range...I have even used it in Texas to great effect. Don't put too much stock in the information about flight period and abundance, though. And don't expect much info on larval hostplants, etc