V Books

Molly Moon's Stops The World is a fabulous book for both children and young adults. I think that the characters in this book are unique, and right when you think you know the ending of the story, it turns again, making it more exciting, thrilling, and suspenseful! It makes you never stop reading! This book is simply fabulous! Children would describe Molly Moon as 'magical' and young adults would describe Molly Moon as 'mysterious'. The bad guys almost always aren't as bad as they seem to be. In this book, bad guys can turn good. It kept me very busy on a long trip.

As the title suggests, Molly Moon is hitting Hollywood in this book. But why is Molly heading to the USA after such a weird and hypnotic experience in the Big Apple? You will have to read the book to find out. Remember to read the first book to meet all the characters and work out what they are about!

This is a great book!! A great follow up to the first Molly Moon book. My boys and I take turns reading(ages 8 & 12) We can't put it down! I highly recommend it!

This is the second book of Molly Moon I've bought for my 9 year old. She loves them! It is a fairly thick book but she knocks it out in about 3 days. Highly recommend!!

my grandma got the first three books for me as soon as the time travel (book 3) one was in the book store. then she sent them to me in a package. when i saw them, i was in the middle of reading a different book (narnia, i think..), so i put them in my shelf so i could finish "the lion, the witch, and the wardrobe." when i finally finished that by thanksgiving '06, i pulled out the molly moon books and read the first one, the second one, and the third one, straight through in that one day! it was so much fun when molly and rocky (in the second one) were in New York, livin' the sweet life. and i thought my heart was going to burst when (also in the second book) the magpie could have made them into human being salsa!!!

but i thought it was great when they were in Sinclair's car, watching ms. trinkleberry and nockman. (hahahahahaha!!!)


i love this book, and ive loved all the other ones, too!

I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!

If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)

If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!

This is an excellent book that will help experienced and newcomers in photography. Pay attention to the Zone system that Adams has devised. It will realy help you take total control over your pictures with a helpfull and very creative perspective. The last part of the book (developing negatives) might be ommited by the person who is into digital, although it helped me comprehend a lot about the various Adobe Photoshop features and relate them to classic photography.

One little remark I have to make is for the publisher. The book is printed into gloss paper (all the three books in the series) with a high reflectance index. This results in dificulty reading the book at certain angles.

Concisely written in Adams' own scholarly style, "The Negative" is a valuable resource for photographers learning the foundation of technically correct (as opposed to generally good) base exposure in a variety of scenes, both pedestrian and those that are more conflicting. One must, however, consider that more than 4 decades have passed since the techniques were founded and the technology described can be viewed, in many cases, with a quaint tug at nostalgia. Today's evaluative and matrix metering systems, programmed along the Zone System, do a remarkable job where once exposure was tedious and error prone, and this is where learning the Zone System to competently handle difficult scenes is a useful addition to a photographer's "book of tricks". But despite the clarity of explanation and steps, Adams' Zone System remains a complex, intertwining system to understand (theory) and apply (field application); it never was and never will be a five-minute task. For B&W fine art photographers, "The Negative" holds a timeless reference quality with many techniques remaining the solid benchmarks for fine art production. In summary, a tremendously good read and a most valuable addition to any learned photographer's library.

The Negative (Ansel Adams Photography, Book 2)

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.

I have been gaming for over 15 years, ond only recently picked this up and played at a con. I love it. It's simple, easy to learn and play, and has an inherent flexibilty that makes it easy for Keeper's to make a judgement call on events not covered in the rules. (When in doubt, the Luck roll is a good bet).

If you want real horror, ignore the WoD and make it Cthulhu!

The Call of Cthulhu system, as written in the 5.5 and 6.0 versions, is one of the most complete systems I've ever found.

That is amazing, considering exactly how LITE the rules system is. There are very few hard and fast rules, with almost everything being handled by percentile dice. The system is very organic, with characters increasing in skill by performing them.

The characters in a Call of Cthulhu game are more 'real' than some similar games from other companies. They have a great sense of depth due to the occupation system used. Also, considering how lethal combat is in the game, you are greatly encouraged to think your way out of problems.

One other area that has been found by my group to be important is the ease of transfer from one 'style' of play to another. Whenever we are wanting to run any type of realistic game set in any era, we always look to the Call of Cthulhu rulebook for ideas. So far, we have run a wild west game and several other genres using the rules in this book.

The works of master horror writer H.P. Lovecraft of the 1920s have influenced almost every single good horror writer to date, from Ann Rice to Stephen King. COC is likely the best RPG ever put to print, and the publisher Chaosium just makes things easier for players by adding content from their various supplements with each new edition. A typical game session has your characters snooping around for clues, and interrogating various NPCs (non player characters), and then implementing a course of action. The climax of a campaign also often (unfortunately for players) includes one of the hideous deities of the Cthulhu Mythos, such as Azathoth, Cthulhu himself, Dagon, or, possibly the worst, Nyarlathotep, trickster god with a thousand avatars or "masks". COC is the only game that has ever given me, as the gamemaster, chills reading a supplement in the middle of the day. I also recommend picking up one of the numerous Cthulhu Mythos anthologies of short stories. Prepare to be scared

I first read these tales in an "Armed Services Edition" of HP Lovecraft stories, back in 1944! Sitting underseas in a US Navy Submarine in the South Pacific, scared to death, and lonely for home, these stories gripped me so completely, I forgot my real fears of war.

That old book, now tattered and yellowed with age, was read by my son and daughter, who now want to pass it on to my grandchildren. It's time for me to replace it with a new Penguin edition before is falls apart, totally!

Lovecraft's writing has many weaknesses, flowery language, poor characterizations and vague plots. I see all these faults now, but they never bothered me when I first read him. Women don't seem to be a part of Lovecraft's world, and that is a shame. His stories were too short to correct these faults. Modern full novels, in the Lovecraft tradition, like "The Riddle of Cthulhu," are written with many of HPL's faults corrected; like the inclusion, for example, of unforgetable characters, romance and a believable plot. Still, the "Call" is the source and the classic horror book. You must experience these classic stories, then move on to today's modern "Lovecraft Style" novels!

Doesn't it tell you something, that *every* review for this edition of this book gives it 5 stars? (Some of the out-of-print editions have reviews here too.) And let's face it, us RPG enthusiasts are not the sort of folks to shy away from criticizing.

Some people will say the Basic Roleplaying rule-set is outdated. It's true that games like Unknown Armies and Godlike are pretty cool, and I know people who are using those rules for their CoC games. But just try introducing a newcomer to those rules, or getting someone who's only played D&D before to convert. They get dizzy, I tell you. Nope, for a simple, elegant rule-set that just about anyone can grasp right off the bat, Call of Cthulhu's Basic Roleplaying has still got it, after more than 20 years. The rules fade into the background, where they belong.

And unlike other games with their multivolume core rulebooks and endless splatbooks that you *need* if you want a fully fleshed-out campaign, everything you really need is right there in this one rulebook. Heck, every time Chaosium does a new edition, they comb all the supplements for spells, monsters, skills, and so on, and add them into the new edition--to save you time and money! Chaosium even printed the entire short story, "The Call of Cthulhu," in this edition, so newbies can get a taste of what it's all about.

If you've got an older edition of CoC, you don't need to buy this one--the rule changes are quite minor. Unlike D&D, a new edition doesn't make everything you already know obsolete--"editions" of CoC are back-compatible with older editions and old supplements. Chaosium does new editions to keep the book in print and to make it a little better every time, not to force the fans to spend money. I bought it because my old book was getting worn out, and I wanted a more durable hardcover edition. Now I can loan out the old book to players. But I'm really happy with the little changes, and it's nice to have some of the information that used to be in adventures and supplements all gathered together in one book.

Apparently I'm the only one disappointed by this book. I found it a mish-mash of political, social, diplomatic & economic history that flitted around the world without going into much depth in any country. Brendon is a bit like a gossip columist, writing brief tidbits & then moving on to the next item. Also, he mentions the major diplomatic events, Rhineland, Austria & Munich, only in passing. I had hoped there would be more emphasis on diplomacy & politics, as in "Munich" by Telford Taylor. I found the chapters on Spain & Italy most interesting, perhaps because I've read very little on the Spanish Civil War or Mussolini's dealings with the Vatican & the war in Ethiopia. The chapters on France are also good, but " Collapse of the Third Republic" by William Shirer is much better. The chapters on Britain are the worst. Brendon is biased against Churchill & doesn't do the man justice. I skipped the chapters on the U.S., Japan & Russia (except for the last chapter), so I can't comment on those.
Maybe this is good popular history, but I found it rather superficial. On the plus side, Brendon is a good writer.

I just completed this book and found it to be very well done portrayal of the 1930s. Brendon vividly captured both the individuals at the heart of the decade -- Roosevelt, Chamberlain, Stalin, Hitler, Mussolini and a cast of others (including the shifting political leaders in France and Japan) -- but also brings to life the trends and experiences of the millions of anonymous "masses." Particularly compelling were the chapters on Stalin's 1937-38 purges and the chapters on Japan. While lengthy (692 pages) the book reads at a good pace and keeps one interested.

This is one of the best books I have ever read about that period or any other period of modern history. Brendon knows how to connect countries, people, events and even fleeting vignettes with the utmost mastery. You really get a global vision about those years and the spirit that animated them. Last but not least it must be mentioned the elegance of Brendon's pen. His ability to depict leaders or secondary characters with one stroke, one line, one adjective or two is amazing and always with a drop of sly humor.
In his best moments he remembers that other great history writer and wit, E. Gibbons.

Comprised of a set of chapters in three or so rotations on such splendid characters as Hitler, Mussolini, Petain, Franco, Stalin, and even Hirohito and his generals. I could not stop reading this hefty volume and regret that it ended where it should have logically ended. The book bears comparison to the more breathless writings of Anthony Beevor and I heartily recommend it to specialists and to the general reader. Bravo!

Ah, the 1930s: "Japan annexed Manchuria and tried to conquer China, challenging Britain's position in the Far East. Italy seized Ethiopia & flexed its muscles in the Mediterranean, which, when Franco subjugated Spain, seemed in danger of becoming a fascist lake. Germany occupied fringe territitories, tearing up the Treaty of Locarno as well as the Peace of Versailles & upsetting the balance of power in Europe." "Statolatry," the worship of the state, lay at the heart of the matter. It wasn't the stock market crash of 1929 that doomed the decade, but (argues this author) governments' responses to it that engendered 'The Dark Valley' of the 1930s, particularly by the middle of the decade. The perceived panacea of state planning, instead of surmounting the turmoil engendered by 1920s stock market irrational exuberance, actually was akin to pouring salt on the wound. As "governments abandoned laissez-faire in favor of protectionism" "this encouraged 'have-not' states to create 'co-prosperity spheres' of their own, in defiance of the feeble League of Nations." In other words, "economic nationalism easily developed into political agression." Concomitant to this, propaganda was elevated to an art form. Said one participant: "And why do I insist on proclaiming that October was historically a revolution? because words have their own tremendous power." The words could easily be Lenin's, but are another coup leader's actually, uttered by Mussolini after his October 1922 seizure of power. The communists were no slouch herein, either, of course. The USSR had its show trials (after a 1934 state funeral for Stalin's potential rival, after Stalin had the later killed). And Hitler, all the while, was gearing up for war while denying it . But why did not "the truth will out" across Europe and across the sea? In Britain, blame the "moral paralysis" of the decade on Fleet Street's "habit of suppressing or 'playing down' unpalatable news." Witness how they hid the truth about Mrs Simpson's relationship with their king. "It helped to justify the newspapers' deceit about appeasement and the imminence of war," the author concludes. Meanwhile, the French were afflicted with a "Maginot mentality;" wallowing passively behind their wall, praying that it would protect them from Hitler; an affliction not at all helped by Neville Chamberlain's pacifism. (Neville was, after all, but one fine example of Theophile Gautier's maxim that one can pass through one's own age without seeing it.) And "America further destabilized the situation by refusing to pull its weight internationally." But it was Italy that takes center stage in this book. Or, rather, it was the West's failure to confront Italy that emboldened the forces rising round the world to push their luck. In particular, "The most fateful turning point in the period between the wars," (in historian B Liddell Hart's view, the author offers) was Britain (through the League of Nations) not calling Mussolini's bluff in 1935. "Damaged by its impotence over Manchuria, the League of Nations, as many had anticipated, was destroyed by its failure over Ethiopia." To boot, in 1937, not taking a stand against Mussolini because such could be "dangerous" (as Chamberlain argued) was akin to telling Hitler to sabre rattle to his evil heart's content. In Hitler's own view: "The brown shirt would probably not have existed without the black shirt" (Mussolini's original fascistic stormtroopers). PS: This book has 76 pages of notes which is indicative of the thoroughness of Piers Brendon in this weighty tome. (06Jul) Cheers!

but unlike the passage from 1 Corinthians, Eleanor Cooney's perception and view of Alzheimer's disease is clear, unmuddied and unlike any that I've ever read. As the disease clouds the memory and behavior of her mother, the range of emotions that I felt as a reader and witness were sometimes too much to bear.

This is a book that I first read when a condensed version appeared in a Harper's magazine article in 2001. I purchased the book shortly thereafter since my own mother had been diagnosed with the disease a year earlier at the age of 58.

I still pick up Death, in Slow Motion every few weeks. I can't tell you what a comfort it has been to me as I journey through the dark and twisted tunnel of care for my own mother. Although our circumstances are different, and the case of every Alzheimer's patient is truly unique, I felt and still feel as if I have met someone who is willing to hold up that mirror and tell me what I am in store for - but in a comforting, compassionate and very honest manner.

Eleanor Cooney has written the most eye-opening and honest account of Alzheimer's that I have ever read! I was a caretaker to my Mother who also had Alzheimer's and much of this mirrored our experience. It felt like someone was finally telling my story: I'm broke, I'm exhausted, I can't take it, I'm abusing substances, I love her, I sometimes wish she'd die, I miss her....I hate myself!

I don't always find authors or experts that have her down to earth way of relaying the real nitty-gritty experience of caring for someone with Alzheimer's. She's an intellegent, strong woman who jumped head-first into the role of caretaker of her Mother, Mary who was beginning the long decline of Alzheimer's. This is a task many children take on and barely survive. Eleanor Cooney is definately a survivor and a brilliant, funny, brutally honest author.

But Eleanor Cooney is also a wonderful storyteller. I feel like I have been in these Connecticut neighborhoods and homes, and have met this cast of characters that tell the exciting story of Mary Durant's life. I especially feel like I've met someone special, Mary. It's hard to remember the person that's inside that Alzheimer's shell. Eleanor has done her Mother proud and left a loving memory of a very beautiful, creative and unusual person.

As the author remarks of Alzheimer's: "you will never be the same once it's paid you a visit." I have not been the same since I've read this book! Do yourself a favor and take this journey!

I bought this book because I had to for a Psycology class report. I read this in 1 day and was pulled in by the true, raw emotion described in this real story about the author and her mother. It is the kind of book you want to read about a subject you want to look away from. I recommend this for anyone who has a loved one suffering with Alzheimers, in the medical feild, or just someone who wants a gripping, powerful read.

p.s. I bought this book used.....wonderful condition...used is the way to go for any college student! low $$$$

This superbly interesting book reads like a story. She has done something major for anyone taking care of a person with Alzheimer's Disease. Her amazing honesty is like a breath of fresh air, and the book helped me more than any other book or support group.

This book is required reading for Alzheimer's caregivers and anyone else who wants to understand what Alzheimer's truly does to the patient and the family. Ms. Cooney gives voice to the myriad emotions the Alzheimer's caregiver experiences. Her down-to-earth style draws you into her harrowing world. This book is a valuable addition to the Alzheimer's genre!

Awesome book, alot of useful info, twobears books was also a outstanding

source in their timely shipping and keeping me updated on my book!

...Let this be the one you buy.

You may have heard the joke, "What do you call a fourth-degree witch?" The answer: "A Buddhist."

Well, those of us who read and PRACTICE this book can grow for a lifetime in this deeply spiritual tradition of the Craft.

As someone who is lucky enough to be taking classes with the author, I can honestly say that Thorn is the real deal. She practices what she writes; she Knows whereof she speaks; and she has the intelligence, experience, and power I believe we all seek in teachers. (She also doesn't take herself too seriously -- another hallmark of a truly great teacher.)

With this book and personal commitment, anyone can tap into the endlessly meaningful practice Thorn lays out in rich and clearly-explained detail.

Also, there's a DVD that Thorn created that I find very helpful. Unfortunately, (at least at the time of this writing) they don't offer it on Amazon, but if you Google Devotional Dance and Thorn's name, you'll find it....

After learning the basics of circle casting and herbal correspondence, many Witches seek a deeper understanding of magick and inner working. Enter "Evolutionary Witchcraft", a revolutionary guide to expanded humanity and divinity. As stated in the introduction, the goal of "Evolutionary Witchcraft" is to "reach for the stars, dance with the Gods, and make love to the beauty of the earth...[to] expand our capacity to be human and learn what it means to be fey workers-bringing the edges into center and opening up new worlds in the process."

"Evolutionary Witchcraft" is composed of 10 chapters that teach the basics of Feri Witchcraft. The first two chapters introduce basic Feri techniques such as casting a Feri circle and aligning one's triple soul. The proceeding chapters, each focusing on a ceremonial direction, address empowerment, magick, and personal healing. Included are unique Feri practices and concepts such as the Iron Pentacle, the Warrior Ethic, and the Black Heart of Innocence. It is designed to be read once, then studied over a ten month period.

Poetic, powerful, and wise, "Evolutionary Witchcraft" is a book for anyone truly devoted to spiritual progression. Practical exercises, meditations, and rituals allow the reader to tap into innate divinity and manifest magick in everyday life. It is an invitation to experience the beauty and dangers of Feri magick, for as Thorn teaches, anything truly worthwhile is dangerous.

"Evolutionary Witchcraft" is a work of mystery and power. It will push your boundaries and expand your knowledge and perception of the Universe. It is slated to be a classic. Thorn's compassion, experience, and deep commitment as a Priestess can be seen on every page. Read it and be inspired!

*courtesy of Copper-Moon.com*

Evolutionary Witchcraft
T. Thorn Coyle
Penguin books
302 pages

I found this book to be very intriguing because it provides a mystical perspective to magic and this perspective is based off a western system of magic as opposed to an Eastern system. It does have some parallels with Eastern mysticism, but is also more practical oriented. While I didn't agree with all of Coyle's points, I did find that I enjoyed her perspectives and approaches and felt like I received a good understanding of what informs her approach to Feri.

I liked her focus on the on the directions and elements associated with each direction as well as the different types of pentalces such as the iron and pearl pentacles. I also found that the exercises were valuable for creating a shift in thinking on how magic could be approached.

I think, in the end, what I most liked is the overall spirituality of behind the concepts. Here is a person who has explored her spirituality and then shared it with others and it really shows in this book. A refreshing change from a lot of the other books out there.

If you take all the popular "advanced" and not so advanced books on wicca/witchcraft that are the current fad, you get yet another "tradition". This is one of those blender "traditions" - a mix of some of this and some of that. The photos of the tatooed dancer is something you don't see in any other "advanced" books (you do see it on all high school campuses, reality TV, etc. - so much for originality). Almost everything that is presented in this "tome" has been around for many years. Read Starhawk's "Spiral Dance" for a start. The writing is repetitive to the point of being annoying. I was very disappointed because I ordered this based on all the rave reviews. I'd suggest you check this out at a library to see if it's for you, before you order it.The one I ordered is on it's way back to Amazon.

It's Easier Than You Think is one my favorite books. It's short, sweet, easy to read, and will make you feel better. I reread or dip into it from time to time. I highly recommend it whether you have any interest in Buddhism or not.

best explanation of Buddism for the American reader -- just bought another copy for a friend

Exceeded my expectations, this was my first purchase! Book was new, arrived quickly, & was a great price!

Although the book never dives too deeply into the history of Buddhism, Sylvia's personal stories, accompanied by her thoughts on Buddhist practices, provides more insight into the teachings of Buddha than I could have absorbed in any straight forward text. Since this was my first book on Buddhism, I really appreciated the down to earth method of writing she employs and the honesty with which she shares her experiences. Knowledge is a river flowing through time, and Sylvia Boorstein is a wonderful voice for this modern day and age.

I really enjoyed this book. It simplified and de-mystified Buddhism and protrayed it as a viable lifestyle/worldview for Westerners (and all people, for that matter). Reading this book genuinely brought me happiness.

This book hit home. One of my best friends gifted me with this book and it has been one of the best gifts ever. I work full time and have a 10 month old daughter. After reading just a chapter I felt relieved to know I am not the only one feeling stressed with all there is to do everyday while maintaining a home, work, relationships,etc. This book gives permission to slow down, and it says it's okay to stop and listen and not do the big birthday parties and attend all the holiday parties and events. Just being and listening and not doing anything together is time well spent.

As others have noted, this book is a series of reflections about motherhood and the importance of slowing down to savor daily life with loved ones.

This book energized me to make several changes in my own life. Part of my motivation for homeschooling this year was a desire to have a more conscious, contemplative, and purposeful life rather than a frantic-mad-dashing here and there life.

In fact, as the holidays approach, many of my friends are feeling "swamped", "overwhelmed", "stressed" - feelings I remember all too well from previous years. While I still have my moments, overall I am much less stressed than last year. The overall tenor of the holidays is much happier and calmer. I have done my best to pare the holidays down to the essentials, to keep things simple and personal, rather than grandly extravagant. Extravagance has its place, but when children are young, I think simplicity makes so much more sense.

I loved this book so much I chose it for my book club of busy suburban SAHMs. I was quite surprised to find only two (out of nine) loved it as I did! Three thought the book had "some good ideas", but they clearly didn't connect with the author.

The other four were quite negative about Mitten Strings. They felt it was too preachy and perfect and Pollyanna-ish, that "real" people couldn't live like the Kenisons without lots of money. But it's not a financial lifestyle she is talking about, it's an internal one, it is simply making a conscious effort to notice, appreciate, prioritize and streamline.

In trying to figure out the mixed response to this book in my book club, I came up with a couple of ideas. I think the crux of liking the book has to do with the following:

First, it depends on whether you are at a point in your life where you actually consider rushing madly to be a negative thing, rather than proof you are productive. Some people feel empowered and energized by rushing and being busy!

Second, it depends on how contemplative you are feeling when you read the book. The more contemplative you feel, the more likely you might enjoy the book.

Finally, it depends on whether you enjoy visual and poetic language. The author writes with a heartfelt, genuine sentimentality that, while I enjoyed it tremendously, can apparently be off-putting to people with more pragmatic sensibilities.

One reviewer said they would not give this book to a parent of an autistic child, or one with Down's Syndrome. I actually think this book has considerable merit for families with special needs children - the key is knowing WHEN to give the book. I have a child who was diagnosed with autism at 3, and when he was younger and we were rushing around madly from therapy to therapy, ransacking our home to make it an engaging learning environment, etc..., I would not have been in the frame of mind to appreciate it.

In fact, according to my three criteria above: the mad rushing was proof I was doing everything I could to help him; who has time to be contemplative when you are trying to save your child from autism; and poetic musings about the wonderful lives of families with typically developing children would have been quite upsetting.

NOW I see things differently. I think the ideas in the book have even MORE relevance for children with special needs, who often thrive in calm, centered environments. I think children with special needs deserve to have their progress, however slow or small, deeply savored and appreciated.

Well anyway. This is not a book that EVERYONE is necessarily going to love, in spite of the steady parade of 5 star reviews. Nevertheless, I join the parade and give this book 5 stars based on my own incredibly positive experience reading it.

I truly enjoyed this book. It is not a religious book (despite the title) nor a parenting guide; it is a deeply spiritual look at what it means to be a family.

Mitten Strings touched me in such a way that I felt like I was reading a letter from a good friend. There was a sense of peace reading it and imagining my family in her book. Her basic premise is to slow down, notice the details of your children's lives and be present with your family. But the book goes so much further than that. We all know to slow down...but to be reminded how magical it can be, with illustrations that are so tender is even better. I highly recommend this book and in fact purchased seven more to give to my friends as a special gift. I'd love to meet the author (Katrina) and sit over a cup of something on the front porch while our children run circles around the house!

It is rare to say but so true. It was given to me by an older woman and it truely changed the way I parent my two boys, see life and helped me create a summer that I will treasure. A must read for those who want to slow down and get off the "treadmill" of life.

This is often the first book I read to my upper elementary student children. Many have not been read to or for some other reason do not know the JOY and FUN of a good book.

We act this one out. From getting their muscles "kneaded" and arms "stretched" like dough. I get their permission first. Sigh... that is the decade we are living in.

We "shake" flour (really a salt shaker.) And sprinkle oil (in a firmly sealed vial.)

We whirl and twirl a stuffed animal in the air. Next the checkers (pepperoni)

Then the children "cook" in the oven. (actually under a desk.)

This is one book the children ask for and moan when I tell them it is at my other school.

It makes believers of them that books are exciting.

What a fun book! Our 3 year old loves being made into a pizza with all sorts of toppings made from paper or play food. Great activity that ends with a nice hug!

This is a wonderful and exciting book for all family members of every age. It's sturdy, nicely illustrated,easy to hold and to read. Talk about love in the family, this book illustrates to parents the importance of communicating, touching, and just having a good time with our children. Pete's a Pizza brings out the child in adults and keeps the child in children.

Cheer your kids up by turning them into pizzas. A cute book for any collection.

Petes's in a bad mood because he can't go oult to play with his friends on this rainy day. To cheer him up and pass the time, his dad invents a fun and unique game. He is going to make a pizza out of Pete! The book is very amusing as the dad rolls the dough (Pete) and sprinkles cheese (paper) and tomatoes (checkers) on the pizza. This could be a wonderful game to play with your own children. Loads of fun to be had.

It is understandable why this book earned a Pulitzer for the author. Written in the early 1950's, it was the first time Civil War events were treated from a human versus fact-after-fact view. However, Shelby Foote later wrote a superior account that not only provides the human side, but also presents all the historical data.

It would be an almost impossible task for anyone to figure out just how many books have been written dealing with the American Civil War. It would also be difficult to determine which Civil War historians are most often cited by their peers but there is no doubt that Bruce Catton would be near or more likely at the top of any such list. The reason for this is quite simply that Catton was one of the great historical writers of all time. Very few people can take their readers into the heart of an army, both those of it's soldiers and leaders like Catton and even fewer convey their story in the very clear and easy to read style that this author has mastered. To read this book of pure history is in many ways like reading a historical novel and even the reader who already has a firm grasp on the historical facts of this story will sometimes find themselves wondering what happens next.

This is the story of the last campaign of the Army of the Potomac, that Ill-fated army that had so often been humiliated by Robert E. Lee and his Army of Northern Virginia. This campaign was to be different however because there was a new man calling the shots and having a man like U. S. Grant at the helm made all of the difference in the world. It took Grant a while though to convince this often badly led army that he was any different than his predecessors. Different he was however and once he locked horns with Lee he wasn't going to let up until one army or the other was destroyed. In other words Grant understood what had to be done and he was determined to do it.

Catton's main field of study was this man Grant but one of the author's most endearing qualities is that he makes no effort to whitewash or hide his subject's faults. Catton also does not attempt to build Grant up by tearing away at Lee like many of the more recent Grant biographers have done. He simply makes Grant's greatness apparent by telling the story the way it happened and it doesn't take long for the reader to figure out what an outstanding general Grant was.

The author has done a lot of searching through soldier's letters and memoirs as well as regimental histories and this leads to a very personal perspective of the last year of the war. The stories he has gleaned from these sources are poignant, somber, gleeful and funny. For example, one entire brigade falls out of the final advance upon Lee's army to chase down and cook some chickens that have been scattered by artillery fire. I think it was Napoleon who said something about an army traveling on it's stomach.

I highly recommend this book to anyone with an interest in the Civil War. The hard core Civil War reader will find new information here and the casual reader will find that this book is fun to read and no one should have a problem following the story. If Amazon allowed six stars this is one of the few books that would qualify.

Part 3 of Bruce Catton's fantastic trilogy of the civil war is an interesting look at how the Army of the Potomac ended the war. From a discussion of a daring plan to plant dynamite underneath confederate lines to the chasing down of Lee's Army by Grant a true sense of what happened during the civil war can be gathered form this trilogy. An essential collection to any civil war historical library.

A Stillness at Appomattox is the last in the trilogy of the Army of the Potomac and covers from the period from late 1863/early 1864 (before the Wilderness and Spotsylvania Campaign) to April 1865 (Appomattox).

While the book is certainly heavily weighted in its coverage of the Union side, Catton is fair in his assessment of the various Union leaders. Of course, there is also the unique writing style that Catton possessed - a free flowing and smooth narrative rich with details.

My only complaint is the lack of maps. However, one must also bear in mind that the first edition was written in 1953, a time when books did not have the number of detailed maps that you would find in more recent titles.

Complaint aside, I highly recommend the book and series as the best coverage of the Union Army of the Potomac during the Civil War.

Read and enjoy!

This superb narrative about the Union's Army of the Potomac in the war's final year captured the 1954 Pulitzer Prize. The book is one of several superbly readable volumes on the Civil War by author/historian Bruce Catton (1899-1978).

This narrative covers the Army of the Potomac from the start of the brutal 1864 wilderness campaign through the war's end a year later at Appomattox. The author shows that General Ulysses S. Grant was more capable than brilliant, and fiercely determined to keep the pressure on General Lee's rebel army until the Confederates had no choice but to quit. Given the Union's advantage in men and material, the strategy made sense. What was less sensible were costly errors by Union officers, frightful casualties, and a sickening Union failure to clinch victory on the first day at Petersburg (thus reducing carnage on both sides).

The author perused many soldier diaries and letters to show us the life of the average Union enlisted man. That soldier was well-paid ($16 a month), but forced to endure boredom, rough weather, marching, stress, and dangers from disease and a tough, determined enemy.

This moving look at the last year of conflict is probably the best of Catton's narratives on the Civil War.