G Books

This is such a cute funny book. My girls love it and love to say " you throw him out!!" My husband had this book when he was a little boy and now my girls have it and i know it will be passed down forever. Great book for years to come

I've owned this book for twenty years. I was a small child when I first got it as a present, and forced my parents to read it to me again and again and again. Now that I am an acting and storytelling teacher for young children, I was looking through old books to use in my class. I came across this one, read through it again, and was won over all over again. Whether you are a young child, a parent of a young child or a teacher of young children (or perhaps just young at heart) you will no doubt have a wonderful time reading this book. (And, even if you're all alone, I suggest reading it out loud.)

What to do? Great introduction to problem solving and the silliness of animals. A joy to read using your best animal voice!

This book is on the Kumon required reading list. Wonderful illustrations, amusing, and easy to read. You and your child will laugh.

This was the longest book my two-year-old would sit through... again and again and again. She loved acting the part of the little heroine and readily recited "you throw him out!" with much enthusiasm. The drawings are entertaining and the end is lovely. I would whole-heartedly recommend this darling story.

The beautiful thing about May's book is that it is so hard to define. It is part psychology, part theology, part poetry, part philosophy. The book is empirical and lyrical. It vibrates with the author's warm heart, his brilliant intelligence, his down to earth common sense. It is a book that describes the spiritual journey many of us yearn to undertake and in so doing clarifies it and makes it easier to proceed. The journey of spiritual transformation that May describes is the journey of surrender to Mystery. May describes this process of transformation as the proces whereby our ego acquires its proper and helpful place in the orbit of our being. No longer the willful king concerned with preserving its self importance at all costs, the ego is transformed into an ally in the service of True Life. But the process of transformation is fraught with obstacles ranging from inner fear to the many illusions that pass themselves as the ultimate good to external evil. May looks at each one of these obstacles, patiently, comprehensively. He does not leave any questions about the internal life unaddressed, even if his response is simply to delineate the unknown. It is a book that I will take notes on and read often. As you read it, you will feel as I did, that behind its ease and clarity there lies a monumental effort on the part of the author. Like the other reviewers here, I am profoundly grateful to the author for this effort as well as for his openness to the inspiration that informs his work.

I found May's book encouraging. I particularly was drawn to his disclosure of the sexuality involved when your spirituality is expanding. The physiology of the Spiritual/Sexual response is not often spoken about. I am thankful for those disclosures.

This is one of those rare books that excites you as you read. May speaks of contemplative prayer and spirituality as both a long time practitioner and a psychiatrist. This is neither a book of inspiring piety not a book of the mechanics of prayer. Rather, it describes the dynamics of the human mind as it comes into contact with the transcendent in contemplative prayer. As I read through the book, I was frequently saying "Yes, that's it exactly!" The section on the defenses the self comes up with in "protecting itself" from unitive experience especially impressed me.
May has spent much of his professional career focusing on the area of spiritual direction. Rather than building his psychological model on experience obtained from treating pathology, May builds his model on "unitive experience" in the context of contemplative prayer. The model is especially helpful in understanding what goes on in us as we attempt to practice the methods of contemplative prayer. It gives a practical look at the obstacles to prayer, why they arise, and how to understand and work through them.
May's pivotal concept is the role of willingness and willfulness as life attitudes and the critical standards for our spiritual lives. He presents willingness as an openness to God's will in all circumstances. This attitude is critical, as it allows God to work through us. The real danger to our relationship with God and with one another is an attitude of willfulness. This attitude places our will as the standard. It is dangerous because there is no room for God in this attitude. It is especially dangerous when the person thinks that he or she is God's gift to humanity.
When I read anything other than novels, I underline important ideas. My copy of Will and Spirit is so filled with yellow from my highlighting marker that at times the pages almost seem to be printed on bright yellow paper.
This is an excellent book on the topic of contemplative prayer and the spiritual life. It is not an easy book. It requires serious reflection as you move through it. It provides practical advice that is available only from one who is experienced both in contemplative prayer and providing direction to those who are trying to follow the contemplative path.

I read this book so many years ago I can't remember. It is heavily underlined, and parts of it still stay in my mind nearly word for word. This level of thought is a gift for a long time. Now I'm ordering another copy for a friend. It's worth sitting down and thinking with this man-- get ready to underline.

WILL & SPIRIT is a difficult book to review. Any review is likely to reflect more of my own bias than the quality of the book. Readers will probably either love or hate this book. Therefore the best service I can render is to list a few of the things that might draw or repulse potential readers and let them make up their own minds. I gave the book 5 stars because ideas in this book are sure to stay with readers long after the book is finished. Many may read it more than once.

THINGS THAT MIGHT REPULSE READERS:

Writing style. Many contemplatives are drawn to mystical or poetic works that non contemplatives barely comprehend. Some contemplatives are repulsed by technical or scientific writing styles. In this book May comes across as a psychiatrist who writes about contemplative spirituality. The style is difficult to read, professional, and deep. In some ways he reminds me of M. Scott Peck.

Ecumenicism. May writes from a Christian perspective, but that perspective includes insights gained from all humanity and all religious traditions. One gains the impression that he believes Christianity is A way to God, but not necessarily THE way. There is enough of this tone in his writing to bother some readers. This is a book of Contemplative Psychology, but not necessarily Christian Theology.

Be forewarned. If you purchase the book and have these complaints, it is your own fault.

THINGS THAT MIGHT DRAW READERS:

True Spirituality. May does an excellent job of contrasting willfulness and willingness to submit to God. As with many contemplatives, he declares selfishness to be sinful, whether it is acted out in socially unacceptable ways or more respectable self-righteousness within the religious community. Three cheers for piercing the façade of the self-righteous.

Silence and Meditation. May will comfort many people who believe that contemplation requires sitting cross-legged on a bed of hot coals for several hours each morning. He even goes so far as to suggest that hyperactive people might gain more from brief periods of silence than those who are able to go to extremes. This pierces the bubble of contemplative elitism.

Unitive Experience. I don't know if this will be viewed by readers as a positive or negative, but May's description of unitive experiences will cause readers to think. He labels these as the most common of all spiritual experiences, but declares that most people shut them out because they challenge our desires to have total control of our own spirituality, and in the process total control of our own God.

Attachment. While acknowledging that all humans have desires, May challenges the selfish ways in which our desires quickly become attachments that stand between us and God.

THE BOTTOM LINE

Read through this review and decide. Is this a book for you?

Everything that you wanted to know about rigging ships with square sails.
The last part of the book is about ship handling. Now I know the reason the ships are rigged the way they are. You need this book if you build model square rigged ships.

This is a great reprint of the training manual for a Royal Navy officer. It has helped my presentation for living history of a US Navy seaman incredibly.

I bought this book because I am a recreational sailor and ship modeler. I found this to be an excellent source of information on the rigging and basic operation of 19th century military and commercial sailing vessels, and it answered many questions I have had about older sailing vessels as compared to modern ones.

The subject matter is laid out logically, but must be read carefully due to its original 19th century syntax and language, and the tremendous amount of detail discussed.

The book starts with how strands are laid into ropes, how ropes are made into lines, the basic components of rigging (hooks, blocks, hearts, trucks, cleats), description and tying of basic seaman's knots, moving on to constrction and stepping of the masts, spars and sprits, standing rigging, running rigging, sail construction and rigging for each location on the ship, finishing with anchor rigging. As if that were not enough, the second half of the book is a fascinating treatise on practical seamanship of the day, including coming to anchor, when to use certain sails, reefing, laying to, heaving to and other heavy weather techniques.

The book is illustrated throughout with hundreds of highly detailed period line drawings. Truly an 19th century version of the Annapolis Book of Seamanship and Chapman's Piloting combined, it is an absolute must for any model builder or student of sailing ships who wants to know "how it was".

History and ships...
I Love History and ships, and this is simply one of the best and most enjoyable books I have read. I am still reading it, but it is one of those you want to share immediately. My hobby is building 18th century wood static model sailing vessels, and I have learned a few things already (despite my library of 40+ books on the subject). It hurls you back in time, to enjoy details that would have been forgotten, if not for this kind of book. Like the page that tells the strategy that one should use if the wind changed by three points... or taking in a topsail... or tacking expeditiously...
If you are a fan of history and the 1700's sailing... you cannot go wrong with this book (and its cheap!)

Judge this book by its cover! It's exactly what it says it is. This book is full of practical knowledge suited for the young naval officer or merchant seaman. It's one of those books that is just fun to read. Similar to "The Art of Rigging," this book has tons of information about the rigging of sailing vessels not in common use today, but it's fascinating nonetheless. A great volume for those enthralled by the sea, or who enjoy model ship building. Looks great on the coffee table, too!

"Jung in a nutshell" does not do justice to this topic. It is a bowl of nuts.

But my very rudimentary understanding (to put forth one nut of many) is that consciousness, or the differentiation of self is a progression, which arises from a world of the unconscious. Anybody might say such a thing and get lucky, without having read Aion at all. But to read Aion and then say it is putting your money where your mouth is.

The template of self begins at the Anthropos (relying on the second-to-last chapter on the quaternario schema), and crystalizes in the lapis, where consciousness becomes fully realized.

Jung was not prosyletizing Christianity, but used Christ as an allegory of development of self. This is why he resorts to alchemy and Gnosticism, more than patristic forms of Christianity. He saw the philosophical underpinnings of Christianity as a workable model to explain how the higher human, who operates on his environment as well as on his own thinking, rises above his primal, animalist soma.

We began as a perfect template in the realm of the unconscious, we descended into the world of formation (borrowing from the Sephir Yetzirah here), or "Physis," as Jung called it, only to rise again through the quaternario ladder to become Anthropos once again.

By the way, the reader might note that in later chapters Jung seems to drop any mention about "Aion", a term better explained in the middle parts of the book (Ch. 5-11). I think Jung wanted us to apply his quaternario model on a meta-scale, not just as an explanation of the perfection of self and the emergence of consciousness.

As we know, we are nearing the end of the present Piscean Aion (the Jesus era), which was preceded by the war-like Arien Aion (the Greco/Roman conquest era), but which is to be followed by a more intellectual Aquarian Aion (whatever that will be).

The progression of the Aions, I think Jung hoped we would discern, correspond directly to his quaternario schema, and that human consciousness is tied to the meta-physical laws of the universe (in this case, astronomy) just like the ocean's tides correspond to the lunar phases.

I found a lot of this book formidably dense. Recently I read an introductory book on Jung by psychoanalyst Anthony Storr that sheds some light, even though Storr never specifically mentions AION. Storr observes a tendency in Jung's thinking to describe the psyche as a self-regulating mechanism, like the human endocrine system. For example, extraverted activity in the unconscious compensates for introverted activity in the conscious (or vice versa). Also, a neurosis may be the unconscious's way of compensating for overly one-sided thinking in the conscious. Similarly, a schizophrenic delusion may be the psyche's (unsuccessful) attempt to restore a lost mental balance.

Examples of this balance/compensation principle in AION:
(1) The Christ symbol. It's a symbol of the Self (like most of the symbols and archetypes discussed in the book), but it lacks a Shadow or inferior component; consequently, the early Christians were compelled to generate the Anti-Christ symbol. However, since the Christ and Anti-Christ are separate entities in traditional Christian thinking, the Western worldview has become highly dualistic and Manichaean, good vs. evil.
(2) The God archetype. As Western thinking has become increasingly secular over the centuries, the God-image has become repressed into the unconscious, where it emerges in savage political forms such as fascism, a worship of the State. (Jung wrote this a few years after World War II.)
(3) Leviathan and Behemoth. "God's monstrous antagonist produces a double because the God-image is incomplete..." (pg. 120).
(4) Sons of God in Catharist legend: Satanael the elder son, Christ the younger son. Similar to the Christ/Anti-Christ dichotomy.
(5) The "higher" and "lower" Adam figures in some Gnostic legends. The higher Adam represents higher states of consciousness; the lower Adam, the unconscious.
(6) The two thieves crucified with Christ. One is destined for heaven (higher consciousness), the other for a warmer climate (unconscious).

Of course, there's more to the book than this equilibrium-of-the-Self aspect. But that aspect ties in with the main theme, the process of individuation (or ascending to a higher state of consciousness) in the Western mind.

Jung really assaults the reader here with his encyclopedic knowledge of religion and alchemy. A lot of his later work deals with esoteric subjects (alchemy, gnosticism, hermeticism, kabbalah). I found a few of the religious subjects, like the medieval "Holy Ghost" movement, to be pretty interesting in themselves, but unfortunately Jung discusses only those elements that relate to his psychological theories.

As usual, this is another discerning, but difficult to read Jung book. It focuses on Christian imagery as related to Jung's model of consciousness. This model includes 3 layers vs. Freud's 2-layered approach--by adding a meta-layer which Jung termed the Collective Unconscious. Part 1 of volume 9 of the collected works addressed this layer & its denizens, the archetypes. It is very useful to read that volume prior to this one. This one provides additional information on good vs. evil. The socialization process of each civilization or nation attempts to reify acceptable behavior into children. The down side of this is that parts of the child's psyche is split off--or repressed. The conglomeration of these split off parts form the individual's shadow complex. The initial step in individuation is to reclaim & integrate these parts back into consciousness. Such repressed parts, if not brought back to consciousness, slowly gain energy & can affect people negatively--"not being myself" or Freudian slips. Jung found that alchemy depicted much of his psychological discoveries--giving him a relieving confirmation of his views. In another work, he also mentions that the great Hasidic leader, the Great Maggid of Mezerich, described the bulk of Jungian psychology centuries before. Jung looks for image parallels throughout history & all over the planet (similar to Joseph Campbell's quest). The 2nd phase of individuation is recalling anima or animus projections from other people--a topic far too complex for this review--see Schwartz-Salant & Stein's "Gender & Soul in Psychotherapy."

However, Jung had issues with his Christian upbringing (see his autobiography "Memories, Dreams, Reflections), but he finds extensive parallels within Christianity, especially Catholicism herein. His analysis will probably have an upside & a downside for both Christians & non-Christians alike--though perhaps differently. One can find similar parallels in other religions as well. For a good overall exposition of Jungian principles by a Christian theologian, see Hans Schaer's "Religion & the Cure of Souls in Jung's Psychology" & read CW11, Jung's "Psychology of Religion..." I liked these better than "Aion" (& I'm more interested in Buddhism). Jung's split with long-time friend Father Victor White was over Jung's view of evil as an entity vs. White's Catholic view of the "privatio boni"--evil as the absence of good (per Jung's "Letters"). I suggest reading M. Scott Peck's "People of the Lie" for more on this issue.

As in all but one of his books (i.e. "Answer to Job"), Jung takes a Thinking, scientific stance, saying (~Vajrayana Buddhism), "Emotion incidentally is not an activity of the individual, but something that happens to him." This is not my favorite Jung book, but it's worth reading.

_Aion_ is part 2 of volume nine of Jung's collected works. Although _Aion_ is unquestionably a stand-alone work, ideally it should be read after part 1, which is _Archetypes of the Collective Unconscious_.

That said, _Aion_ is one of Jung's greatest works and is one of the first three that anyone who is new to Jung should start with. The first part deals with Christianity, and the significance of the death of Christ. This is treated as a legitimate, factual historical event, yet it is also explained as a collective pschic phenomenon in the general sense. The middle part of the book deals with ancient alchemy, and the symbolic parallels between alchemy and modern conceptions of psychology. This might sound dull, but trust me - you will be surprised to see the uncanny symbolic parallels between ancient magical practices and the most modern, up to date theories of the psyche. This is discussed at length in the section on the "Two Fishes", which is one of Jung's greatest essays (although quite difficult). The final section deals with quaternity symbolism, and features a wide array of strange diagrams. About 200 pages in, these diagrams will become more frequent, and the reader might get frustrated trying to see the significance of these rudimentary drawings. Personally, my advice is to stop reading after 200 pages. All of the useful essays are contained within these first 200 pages, while the final 50 or so pages contains esoteric essays which can be considered, at best, curiosity pieces for the insatiable, die-hard Jungian. The editiors wisely confined this esoterica to final few pages of the book. This is not to take anything away from the book as a whole. Overall, _Aion_ is extremely profound and insightful, and is a must read for Jungians and non-Jungians alike.

This is a must own book for any student of Carl Jung. It covers the basic concepts of his psychological topology in his own words in a brief space and goes into a much deeper dive on the Self. This exploration of Self goes deeply into Christian symbolism and the structure and dynamics of the Self.

Like much of Carl Jung's writing, some of this is very tough going for people new to Jung. It is not a bedside book and the average reader will need to look a lot of things up. However, it is indispensable in terms of the concepts.

There are many good books that can provide commentary on this book and you can find them easily. I would highly recommend that you pick up one of these books about Aion in addition to the text itself. This is a book that has many layers and one which you must be patient with.

If you are merely looking for an introduction to Jung, then I would go with Jung's Map of the Soul by Murray Stein. This is the BEST introduction I know of and quotes Aion a lot. Aspects of the Faminine is also very good for those who want to know more about the anima/animus and a more readable version of Jung's thoughts on marriage, the feminine, etc.

The Viking Portable Jung is also good to get a cross section of Jung's most important thought. However, you will eventually want to read Aion for its depth and extensive elaboration on the nature of the Self.

I just bought a couple copies of "the Handbook" for my neices. They're a little young yet, Jr. High, but I couldn't wait to have them read my very favorite book from years ago. Some of the details are a bit dated, (and a bit hazy to me now), but everything else is timeless--although, when they screwed up MY class schedule, I wasn't lucky enough to get all lunches and study hours! This is a must read for ALL teens.

I saw this book on my library shelf, and was totally caught by the title. Is it not the strangest title in history?! I loved this book though, it had a little bit of everything, and the story was incredible sarcastic. It's basically about a teenage girl describing highschool and the lies they tell you about it! Its a great book!!! EVERYONE SHOULD READ THIS... come on, get off the computer and go get it NOW!

An EXCELLENT book! I give it 5 stars! A++++++! =-) I was skimming the book shelf of my teachers class looking for a book to read for my next test and I came accross this book. It looked like a good book and it was. I loved it so much that I kept the book and reread it 5 times!
~Fran

I wish I had the foresight to buy more of Ellen Conford's books from the late 70s, early 80s. I reread this book probably once a year, because it still is very funny and speaks to all the fears and dreams a teenage girl has. I always loved Ellen Conford, because she wrote about normal kids who did their homework, didn't do drugs and had both good and bad teachers in their classes. Julie is a great heroine because she's pretty normal, and therefore you can relate to her, her crushes, her family, her friends and her insecurities. As always, the moral is that you, as a teenaged female, are just great the way you are. Another plus for Ms. Conford.

A very funny look at high school life thru the eyes of a cool girl. The way it is set up is there are 10 or 12 sections or quotes taken from the High School Rule Book. Then, they tell the story that corresponds with rule section. This format fits the story very well, and is very inventive from a writer's standpoint. It is a cool look at high school life. The girl wants to be a writer, and tries to get something published in the school journal. The only problem is its by a die hard cynic who doesn't like her. Its an endearing story. In a way, it is like several ministories tied into one, the character going thru her high school career. The ending is well conceived, and has real meaning. Be yourself. Excellent book!

Also recommended: No Flying in the House. Classic Faerie Tale story.

Jung was meticulously looking for psychological patterns of thinking. These patterns he called archetypes. Like the instincts have influence on the physical body, the archetypes should have their influence on the thinking mind. They have their origin in what Jung called the collective unconscious.

While the personal unconscious is made up of contents which have at some time been conscious but which have disappeared from consciousness through having been forgotten or repressed, the contents of the collective unconscious have a collective, universal and impersonal nature which cannot be reduced to experiences in the individual's past.

All original mythological revelations have their source in the collective unconscious. Metaphorical mythology is needed in expression of the complex archetypal contents. Even though the cultural surroundings have their influence on various myths, too, it seems like the collective unconscious was identical in all individuals.

Although Jung was a real pioneer in his field, I find his (translated) style of writing slightly 'dry'. Especially the last chapters on mandala symbolism were boring. -I suggest you highlight the most interesting contents, so you'll find them easily later again.

Jung's books are not easy reads, but they are almost invariably eye-openers. I recommend first reading his student's works (von Franz, Barbara Hanna, Joland Jacobi), his "Man and His Symbols," & (especially with respect to this book) Joseph Campbell & Jean Shinoda Bolen. It helps a lot to understand mythology when exploring the collective unconscious. Jung goes to great lengths to show how the denizens of the collective unconscious (archetypes--universal images~Plato's view) map onto very different cultures throughout time & space--appearing in art, dreams, visions, etc. Bolen uses Greek goddesses & gods to depict these. Jung disliked neologisms (creating new words) instead he transplanted them from other disciplines to map into his psychological theories & constructs--thus, "archetypes" & "complexes"--paralleling General Systems Theory (cf. biologist von Bertalanfy's works). "Complex" comes from mathematics' complex numbers. Jung knew & conversed with physicist Pauli, Kabbalah professor Scholem, & many other famous, high-caliber scholars. It is important to realize, when reading this book, the important differences between archetypes of the collective unconscious & complexes of the personal unconscious--though they have the same names! Thus, the mother archetype is the pure image of motherhood--with both positive & negative aspects. But, each person has an actual, individual mother (or lack thereof--absent mother). The interaction or combination of these two forms one's mother complex. As in math, it has a rational part (actual mother) & an imaginary part (archetype). In math, the imaginary part is multiplied by i, the square root of minus 1--which cannot exist, yet mathematicians use it creatively! So does Jung. Even modern works by "post-Jungians" often confuse or confound these two. The Anima/animus is particularly prone to this confusion. Unfortunately, Jung added to this confusion IMHO by calling the anima soul & the animus spirit. The anima/animus use gender & projection to enable people attune to the Self, the overarching archetype (others are essentially subsets). It is the image of wholeness &, thus, the object of psychological individuation--not integration. Jung says one cannot integrate the entire unconscious--that is beyond human capability. This is more subtle than it seems--esp. regarding western mystics' unio mystica (union with God) & eastern enlightenment. Jung attempts to assist people evolve, ~the U.S. Army: "be all you can be," rather than a thin veneer of civilization--p. 269 "Outwardly people are more or less civilized, but inwardly they are still primitives." Further, p. 322 "The view that we can simply turn our back on evil & in this way eschew it belongs to the long list of antiquated naiveté's. This is sheer ostrich policy & does not affect the reality of evil in the slightest." Therefore, Jung includes the negative aspects of both archetypes & complexes. Finally, as scientific psychologist, Jung notes that p. 269 "We should never forget that in any psychological discussion we are not saying anything about the psyche, but that the psyche is always speaking about itself."

This intriguing study of the archetypes of our collective human unconscious is FASCINATING. Here we confront the fountainheads of the hypostasis of dreams and the active genesis of fecund mythology. The collective unconscious differs from the personal in that it is not constituted of repressed or forgotten complexes but of inherited archetypes that were never a part of your conscious life. Anyone who plans to study mythology should be required to read this book... ignorance of it would prevent your comprehension of the primitive man and tribes' living mythology and religion. (Also would be an essential tool in exploring dreamwork or human nature) The archetypes are felt in our most personal life and encountered in dreams. Unconsciously, unprojected, it turns out that our own minds have a "sea of possibilities", and that they assume definite forms only in projection. The archetypes are vessels that we can never empty or fill, having only potential existence, taking shape they become no longer what they were. They need be interpreted anew throughout the ages. They are the imperishable elements of the unconscious, but they change their shape continually, being the "treasure in the realm of the shadowy thoughts" which Kant spoke of, and among the highest values of the human pysche. They are the simple solution of how archaic myths, far from being merely historical remnants or allegories of physical processes, still grasp us with profound effect in all levels of society and eras. Awareness is needed of these jewels to understand the unconscious' interconnectedness with our conscious life and the fact that the human pysche is not born tabula rasa. This is a classic work, that some may not adhere to, but far from being a philosophy, and me far from being a pyschologist, I would not take the bold step here to criticize Jung's work. Jungian or not, I give it my stamp and seal of approval guaranteeing your utmost interest.

This work, along with _Modern Man in Search of a Soul_, is one of the best places to start if you are new to reading Jung. It is also the companion piece and predecessor to _Aion_, which is another spectacular and groundbreaking work. If you want to read _Aion_, it would make sense for you to read this one first, since it is part 1 of volume nine, while _Aion_ is part two. Overall, I would say that both parts 1 and 2 of volume nine are absolutely essential reading for any Jungian, and if you're going to buy one, go ahead and buy both.

As for the actual content of _The Archetypes of the Collective Unconscious_, I would describe it as an overview and recapitulation of many of Jung's key concepts. As the title implies, the main concepts are archetypal images (as revealed in to people in dreams) and the collective unconscious. These are trademark Jungian concepts, and Jung devoted a large portion of his writings to explaining what he meant by Archetypes and the collective unconscious. If I could explain it to you right here I would, but Jung spends a the first two hundred pages of this book simply explaining and defining "archetype" and "collective unconscious". These are key concepts in understanding the human mind, and may help unlock the mysteries of conscious existence; it is by no means superfluous to devote such rigorous study to these ideas. _The Archetypes and the Collcetive Unconscious_ is NOT a narrowly focused, specialized, or jargonistic work. It deals with ideas that are central to understanding the human psyche or soul, and applies universally to all of mankind.

There is also a pictorial section of the book in which Jung actually shows examples, in the form of paintings, of archetypal images that were seen by his patients in their dreams and subsequently drawn by the patients themselves. Some of these paintings are very artistic, and there are uncanny similarities among many of them. This pictorial section occurs about 200 pages in. After the pictures, Jung goes into a detailed explanation of each one, which I found to be somewhat tiresome, especially considering many of the paintings were extremely similar. Overall, the final, brief, section of the book in which the paintings are described is quite boring, and I would recommend that the reader simply look at the paintings and forego the final explanations, which are extremely redundant. In other words, read the first two hundred pages, look at the pictures, stop, and then move on to _Aion_. The weakness of this final section is not enough to justify removing a star from my ratings, however, simply because of the utter profundity and potency of the first 200 pages, which represents the majority of the book anyway. Keep in mind that the vast majority of Jung's writings consist of essays not more that 100 pages long each. You will find that most of his complete works contain numerous profound and insightful essays, occasionally laced with the odd, specialized, highly esoteric essays. When you come across one of these rare but unreadable essays the best idea is to just skip it rather than get bogged down. This is not to take anything away from Jung and his great, prophetic works; I am just trying to give you the heads up on how to avoid some of the rough patches.

It's a book of essays on a theme, like most of his other books. Here's an attempt to describe the whole theory in a few paragraphs. Jung suggests the existence of a 3-layered psyche consisting of (1) the conscious (active part of the mind), (2) the personal unconscious (thinking over which we have little or no control), and (3) the collective unconscious (unevolved, animal-instinctive mental activity). The collective unconscious is "collective" in the sense that humans resemble each other the most at the lowest, biological levels. "The body's carbon is simply carbon" (pg. 173). We inherit the collective unconscious from the common pool of human characteristics, like morphological aspects of the body such as arms, legs, etc.

The "archetypes" originate in the collective unconscious and are the psychological equivalents of Platonic Forms. (I realized about halfway through the book that archetype-figures also appear in the personal unconscious, where they're called "complexes"). The most important archetypes appear to be the Shadow (the inferior aspects of the self which we hide from others), the Anima/Animus (our object(s) of desire), and the Wise Old Man (e.g., teacher, medicine man). He also discusses a Mother archetype and a Child archetype and indicates the existence of numerous others. Identifying strongly with an archetype leads to psychosis.

The heart of the book is in the first essay, but the rest is useful in fleshing out descriptions and giving examples. The collective Anima archetype, for instance, can be found among movie stars and in the general pop culture. Devils and tricksters often represent the Shadow archetype. Tolkien's Gandalf is a good instance of the Wise Old Man. It's not so easy to identify a particular individual's Anima complex or Shadow complex.

A few things bothered me about the book. For one, Jung indicates that the "Primitive mentality differs from the civilized chiefly in that the conscious mind is far less developed in scope ... The Primitive cannot assert that he thinks; it is rather that something thinks in him" (pg. 153). This is a dubious kind of distinction between civilized and uncivilized states of mind that seems to have gone out of fashion over the decades. Also, I couldn't tell from this book what methodology Jung used to determine the significance of dream symbols. Does every dream about climbing a tree represent the psyche climbing the "World Tree" toward higher states of consciousness? Do snakes always represent the unconscious? Is every old woman in a dream an example of the Mother archetype? Etc.

One of the more interesting and also frustrating essays describes a case study of a woman who paints mandalas over a period of 16-plus years. Why mandalas? Jung says the mandala represents the Self, and painting them is useful for determining the contents of the psyche. He discusses the first dozen or so in detail (reprinted in color), but then glosses over the rest, which came into his hands after the patient had died from cancer!

I couldn't set this book down. He literally goes through every possibility, facing years of uncertainty, and still keeps trying - and graduates college and law school in the meantime. I cannot imagine going through what he went through in Kenya, then coming to the US as a safe haven, and facing such a drawn-out, uphill battle simply to stay.

His story is not always easy to read but it is very engaging, even if, like me, you are not a lawyer or law student. David Kenney Ngaruri and his friends and colleagues in this book are very inspirational.

This is an eloquent and heartbreaking tale of one immigrant's journey throught the U.S. Immigration system. It reads like a John Grisham novel although the story is sadly true. The author, a 7-foot tall Kenyan, was a political prisioner in Kenya for his role as a labor organizer. He faced imprisonment and torture and was ultimately able to escape Kenya via the promise of a basketball scholarship in the United States. In his quest for political asylum in the U.S. he encouters heartless judges,corrupt officials, State Department bureaucrats, a beautiful "witch", kidnapping rebels, interpid law students and a dedicated and brilliant law profressor (his co-author). I couldn't put it down and felt a mixture of outrage at the U.S. immigration system while in awe of the power of the human spirit to overcome the most dauting of odds.

My copy arrived yesterday; I may not get to read it until our beach vacation this summer. But the photo of the two authors on the inside back flap of the dust jacket may be the funniest author photo ever! It will be hard to wait until this summer to read it.

This is an amazing book that makes plain the unbelievable complexity of immigration law. Anyone with an interest in immigration policy should read this book.

For those of you looking for a good summer read to take to the beach, or just a great book to snuggle up with on a rainy day, I highly recommend opening up the pages of Asylum Denied. It is both informative and inspiring as it tells the story of David Kenney Ngaruri, the political asylee who struggled to stay in America. Although the book is currently being passed around law schools, as the new go-to-guide for asylum law, I am sure it will not be long before it makes the bestseller stands at nation-wide bookstores or grabs a spot on Oprah's booklist. Asylum Denied, written by two authors, the above-mentioned David Kenney Ngaruri and Philip Schrag, the professor of law at Georgetown University, serves both as a law manual and as a heart-warming story of adventure, perseverance, and love. Unlike most law-related books, it reads very smoothly and catches your attention from the first page. Even if this is not the usual type of book you read, I urge you to give it a try. If the face on the cover of the book is not enough to convince you to read it, then I hope this review will.

Nice sentiment but not as good as "someday". This focuses on peace in the word and how it only takes one person to make a difference.

Cute book. A nice way to plant big ideas into little minds. It is a good sized book and colorful.

I've read this book to my son since he was an infant and he's now 3. It shows your child how important he is in this world and what he can do to change it -- without being too preachy.

Great for everyone, young and old!

What a sweet, positive message for little ones. I love that this book drives home the idea that a happy, peaceful world can start with a little child. The illustrations are beautiful and the message important. I have already bought another as a baby gift. If you like this one, you'll also enjoy "My Book of Thanks" by the same author and illustrator.

I know this book is for kids, but I received it as a grownup's gift and was in tears before I got to the third page. The message this book imparts gives a gentle reminder that we all bring something to the world and our very existence is something to be treasured. It also reminds the reader that we have the potential to bring positive action to our world and the people in it. These are valuable thoughts for readers of any age. It's the core message of Frank Capra's "It's a Wonderful Life" but in a far more accessible story.

The next time I'm having a bad day or I feel discouraged about my life, I will turn to this little book with a very profound message and read it again and again.

This a keeper--for life.

Christina Moore has done a fine job in creating a novel that takes us out of our day to day lives. It didn't take me very long to be engaged and stay engaged with this story of a woman who took on a job that none of us would ever consider, but she did leave her high pressured job, which we would all like to do at some point and went in the opposite direction and proceeded to sort out her life. I enjoyed reading this book very much and you will too!

From the opening line, "naught but lies." Author Christina Moore's new novel had me. Her "Maggie-the charter boat cook" story of exploring a salty historic schooner's past while trying to map out a new life for herself stands this fresh voice firmly braced among writers of the "down East" tradition.

Her way with words transcends the female-male mold with dialogue and observations that put you there, but not always from a woman's point of view. Her penetrating descriptions of the crew, the captain & mate, and her own position of cook help you understand what makes a Maine Sailing Vacation so special. It is the boats, the weather, and the islands to pick and choose from. Mostly it is the special feeling you get from her descriptions of the routine of preparing for the paying guests, taking care of them aboard for a few days, and then sending them ashore with memories they'll never forget. Memories of quiet nights anchored in a cove with passengers and crew telling stories on deck under millions of stars. Days spent learning to hoist sails while keeping the peak and gaff even and seamanlike, and then sweating the halyards home with just manpower and smarts. There are no winches aboard this boat, never have been, never will be. Learning to steer a course "out there" leaving a razor straight wake to nowhere and yes, meeting the weather that sometimes goes foul, reveling in it's power and this hundred year old boat's response to the challenge.

"Black Swan" is a novel that reads like true confessions, like a historic peek into a past indiscretion long hidden, or a dream of escape we will never act on, but escape in our minds nevertheless. It's a novel you can give to your granddaughter, grandmother, or treasure yourself and hope for a sequel before the sheets grow cold.
-Captain Conrad Brown, author of Gold Bars, Chartering Your Boat for Money Gold Bars

The book is well written. The action keeps the reader on the seat. Enjoyment of adventures and imagination at work. The work is a pure genius

Written by sailing aficionado Christina Moore, Black Swan is a modern-day nautical novel. When Margaret Noonan deserts her stifling corporate job and her comfortable but humdrum marriage to pursue adventure upon the Maine coast she remembers fondly from her childhood, she gets more than she bargained for. Working as a cook aboard the schooner Black Swan, she prepares meals for a dour crew and sulky, disappointed passengers. But soon she discovers the Black Swan's dark secrets of smuggling and murder, and must find the resolve within herself to look at her new life straight on rather than through the rose-colored glasses of her childhood memories. An engaging and memorable novel, especially recommended for anyone with a love for the open sea.

Reviewed by Lisa Kisner for Reader Views (6/07)

Margaret Noonan left behind everyone she knew and loved to sail on the seas as her father and grandfather before her. Chasing lost youth and facing an uncertain future, Margaret leaves her position as a vice-president in a large corporation to become the cook on the schooner, Black Swan. Margaret must learn to deal with an incommunicative captain and an unfriendly mate; she discovers life on the schooner is not as idyllic as she had hoped. As Margaret grows suspicious of the schooner's real purpose, she focuses on pleasing the passengers and learns to revel in such accomplishments as baking fresh bread for passengers in the temperamental schooner's oven.

I found this book captivating from the first page. The author writes about something most of us dream about but never dare to do -- leave everything and begin a new and adventurous life. Each chapter alternates between Margaret's first year and her third year aboard the Black Swan. By doing this, the author is able to contrast the struggle and the rewards of Maggie's life aboard the schooner and her search for happiness within herself. The nautical terms and routines are accurate, yet not overwhelming. Readers will find themselves aboard the Black Swan, rocking and swaying with the schooner. The story and characters are believable; in fact, I looked more than once to double check that this was a work of fiction, so real the story appeared. I have already recommended "Black Swan" to several of my friends.

If you are a girl, know a girl or have ever been a girl, this is the book for you. This anthology of the collected writings of teenage girls and their women mentors uplifts, inspires and transforms.

Also, when you purchase a book you help support a noble cause and allow this non-profit mentoring program to continue providing its much needed service.

This is a great book filled with every emotion under the sun! It made me laugh, cry and sing. I applaud the women and girls who gave so much of themselves to make this book a reality. A definite must read!

I am one of the writers in BOLD INK and i would just like to say that i had an wonderful time working with my mentor. Writing the pieces that went into the the book as well as the ones that didnt. I would also like to thanks everyone who left a comment. Now I can only speak for myself but i enjoyed hearing good feedback about the book. Please enjoy and thank you very much.

This book is just as other reviewers have said, inspiring. I have to add something that the other reviewers haven't said, which is that the design is one of the best I've seen for this type of book. It's a real pleasure for the eye, and very imaginatively done without distracting from the reading.

This book is so beautifully put together. I was looking for a writing guide for my 12 year old daughter -- at first, I did not think this book was it, but I'm a teacher and I was curious. BOLD INK is truly amazing. there are poems and stories from young girls, but there are also little blurbs explaining how they went about the writing process. My daughter devoured this book and has written so much more than she ever has. I think that adults can teach children all they want, but it is the lessons from their peers that they really take to heart.