C Books

I read this book to my students. But before I had read it myself, I shared it with my students. It was very emotional for me. (I have a cousin listed on the wall. His son was born about 4 months after he died. I could see my uncle walking his grandson there.) The book was a beautiful, moving tribute to all those who have given their lives in Vietnam.

Being a "baby boomer" from the Vietnam era, I think this book will help explain to my grandchildren about Grandpa and his war time. It is beautifully illustrated and tender. I wish I'd had this book when I went to see the Wall with an 8th-grade girl who made an etching of her Grandpa's name. It may not mean as much to anyone who hasn't been touched directly by the Vietnam war, but it touched my heart.

The Wall by Eve Bunting is an incredible story of remembering. It all starts when a little boy and his father visit the Vietnam War Memorial. The father, who wishes to find the name and remember the good times with him, takes a piece of paper and and pencil and traces the name off of the wall. The little boy, who just wishes his grandfather was there with him, sadly watches another little boy and his grandpa on a walk. This book about rememberance will make you sad until the very end. Eve Bunting does a great job setting the mood at the Vietnam War Memorial. I give this book a thumbs up and believe it's the best children's book ever. Read The Wall by Eve Bunting to find out what happens in the end.

Loosing a relative can be tough, especially if your close to them, or too young to ever experience or meet them. All you can do is wonder. The book The Wall by: Eve Bunting, is aobut a dad and his son that go and visit the Vietnam War Memorial in memory of the dad's father, or the son's grandfather that died in the Vietnam War. Eve Bunting describes what happens there from a child's point of view. It is very realistic, and makes you feel like you are really there.
This book not only teaches little kid's lessons, but is good for even adults. IT really took me back and made me think. It made me think of how valuable our lives really are, and when we die, who is really affected by it. Also, it taught me that loosing someone you love doesn't always have to be sad, especially if they have died fighting for what they believe in. So, if somebody you know died, think of the positive side. Reading this book may take you back, and let you think of why they were so special.

The Wall
by Eve Bunting
Illustrated by Ronald Himler

You should read this book because it's great and it's about someone you will remember and someone you love! The main Characters are the Dad, son, and an old man from war, and grandpa. Dad and his son are trying to find grandpa's name on the wall. The wall is in Washington D.C. They can't find their grandpa's name even though they keep looking up and down.
Dad and his son find grandpa's name! what do you think his name is? The book tells you a note and tells you where the wall is and it is in Washington D.C. it also tells you why the wall was made.
By reading this book you can learn to Keep doing your best, keep looking for what you want, and don't give up. Keep looking for what you love too! What do you love to find that you love so much? What I love to find is my family and my things I love. So if you love to find your family then read this book!!!!!!!!!!


By Tanashia C

This book is far more than its title implies. Yes, it's about animals and plants in the wake of glacial retreat, but it's also a travel guide to ancient lakes and seas, an explanation of the cause of glaciers, and seeing the distribution of life throughout North America in an entirely new way. And as if this weren't enough, Ms. Pielou's precise descriptions are consistently presented in a very readable way.
I've just finished my first reading, and will be reading it again soon. It's a great book.

This is a fabulous book. I have read it twice, will read it again and again. I am not a scientist, have little background in geology, ecology, earth science, don't know E. C. Pielou from Norman Mailer, but for me it has been a page turner from preface to index. I have learned that at 40+ below zero Fahrenheit black spruce trees stop procreating via seeds, turn to cloning,which allows them to survive alpine frigidity beyond all reason. I have learned that maple trees followed the ice north faster than chestnuts because they blew in on the wind while chestnuts had to be carried along by squirrels. I have learned that THE ice age was just the latest, that there have been at least 200 similar periods since Day One, and that the next one is surely on its way - global warming or no. There was a time in Earth history when it rained day and night, week after week, month after month, year after year, for thousands of years. Who knew? Treat yourself to a rare delight. Get this book and don't pass it on until you have read it backwards at least once. -Mike Ameigh

I love this book. At the beginning the author starts off with a agreeing nod towards the completely discredited Malthus, and I love this book despite that. I'm only two chapters into it and already I love this book. Anyone who blithely thinks that the global warming analysis is completed and that we know all the answers needs to read this book and realize just how dynamic climate patterns can be over as little a period as the past 20,000 years. But reading it requires that the reader put away his science as politics mentality and listen thoughtfully to an amazing story. Did I mention that I love this book?

One of the most far-ranging books I have ever read. The first chapter, on glaciation processes, covers an an enormous amount of ground (no pun intended). This book can give perspective on such issues as climate change and on the ongoing rapid change of plant species in North America.

It provided information about glaciation that made me fighting mad about the abuse of glacier images in Al Gore's movie. He is doing no service to us by using specious evidence in support of his views on global climate change.

The author's style can make you feel that you are on the business end of a fire hose, but what a great way to cover a lot of important territory fast.

Science is data-driven. What we know is based only on the data we acquire and its careful interpretation. Debates about climate change often occur in an over-heated atmosphere, with those opposed to the notion that manmade influences are driving the global climate shift often beginning their arguments with the statement that "the climate changes naturally". True enough. Over the 4.6 billion year lifespan of our planet, it's safe to assume that the weather has changed. It is the magnitude of the changes, and their rapidity, that has caught the attention of scientists. The end of the Pleistocene Epoch and the beginning of the Holocene, the past 20,000 years or so, marks the end of the last glaciation, known as the Wisconsin glaciation, and the beginning of the present interglacial. There seems no reason to doubt that a new glaciation should begin. Short term trends, measured in centuries, have varied, with periods of relative warmth and then cooling. The Little Ice Age, which began around 800 years ago and was a particularly rigorous period in our history, seems to have ended with a warming period persisting from the mid-19th century until the 1940s, at which time a short cooling trend set in that seems to have reversed itself about 1970. The trend has been unremittingly upward since then, accelerating in the magnitude of the temperature increase. It is the trends and not individual years that are important. Since we are in the cooling phase of an interglacial period, there is one inescapable fact: the glaciers should be advancing and not retreating. That would be the natural trend. But they are not advancing, they are most definitely retreating worldwide. From continent to continent, everywhere we look, the ice is melting. This is the antithesis of what they should be doing naturally. It is most probably a manmade trend. And that is the worrisome aspect of recent climatic events.

E. C. Pielou has written the finest book on that strange period when the ice disappeared and flora and fauna fitfully returned to the ice-ravaged landscape of glaciated North America. The large mammals, such as mastodons, mammoths, sabertooth cats and giant short-faced bears, were the most spectacular immigrants. The small human population of 10,000 years ago may be to blame for their extinction: another sobering thought. It is the dramatic destructiveness of the glaciers, the titanic changes in the environment caused by natural climate change, and what it takes to reintegrate a pre-ice age biosphere that has changed almost beyond recognition, that Pielou outlines so beautifully. Pielou does not speculate on issues of global warming. What she does do is brilliantly portray the breathtaking magnitude of global climate change. It only requires a little imagination to recognize that if humanity is indeed changing the long-term natural course of the weather, then we are playing with fire. When it comes to the issue of climate change, it is best to ignore the arguments. First acquire the facts: acquire them truthfully and without prejudice, especially without economic or political prejudice. Then proceed from there. This book is strongly recommended for best outlining the facts without imposing an ideology or agenda. And in the end it is the facts that make the issue of climate change so worrisome for thinking people.

Mike Birman

This book was an instant favorite with me and several friends - its quick, witty prose and dialog was engaging and unique. Craig Seymour works in personal observation, history and commentary to make the memoir more entertaining than any other I've read in recent memory.

Back in the early 1990s, a handsome, young, and affable African American graduate student and teacher found himself nervously attending his first gay strip club to see a live performance by his favorite porn star. Here, customers were allowed to freely fondle the naked dancers. Openly gay but a gay-sex virgin, nervous and slightly apprehensive, Craig Seymour gets his good friend Seth to accompany him.

Excitement soon replaces apprehension and Seymour finds himself falling in love with the clubs as well as his good friend Seth, to whom he ultimately surrenders his virginity. They become live-in lovers.

But as the strip clubs are becoming an ever growing obsession, our hero is able to appease both his lover and his jones by making strip clubs the topic of his master's thesis, with the cautious approval of his school advisor.

Now a club regular, Seymour interviews and gets to know a cast of characters as colorful and crudely affectionate as anything in a Bob Fosse musical.

His first interview subject is dancer Jake the Guess Model, a straight `gay-for-pay' former construction worker who tells his customers he is bi `because [they] like to think there's a chance.'

And then there is Dave, a customer just out of a twenty-one-year monogamous heterosexual marriage and now having the time of his life hanging at the clubs and fondling beautiful young male dancers dangling their eye-level rock hard jewels for his perusal approval.

Dave's favorite dancer is Matt who sports leather chaps publicizing everything usually known as `privates.'

Sassy drag queens, dirty old men, sugar daddies, and dis-effected club owners abound throughout this breezy, affectionate tome.

Author Seymour also learns of and writes about D.C.'s rich gay history, dating back to the 1800s. Then, knowledge of fifty-year-old poet Walt Whitman's love affair with Irish immigrant Peter Doyle, thirty years his junior, was as casual as the then published stories of sexual liaisons between black and white men in Lafayette Square "under the shadows of the White House."

The story of how the gay strip club scene began in the 1960s, where dancers could legally bare all, is beautifully told. The owner of a local bar on O Street, Chesapeake House, offers a pair of sailors $50 each to strip down and dance for his patrons. Soon the club is drawing huge crowds that include the likes of Truman Capote, Tennessee Williams, and Rock Hudson. Other clubs (as well as bath houses) soon open and prosper on O Street, the city's gay red light district.

Although Mr. Seymour's depth and fascinating chronicle of how this charmingly tawdry industry evolves is both interesting and informative, it is his personal transition from thesis writer to booty dancer that makes his memoir a thoroughly entertaining read.

Likable and self-effacing, the author writes thoughtfully, ironically, and humorously about his second job:

"...get on stage, disrobe quickly, try to get a hard-on, and then walk out among the customers, who for a tip--generally a buck--got to stroke, fondle, poke, and prod [your] bod. It was more like sex than dancing, and it had become my job."

He also writes with great care and much soul-searching about maintaining his monogamous relationship with Seth while almost every night allowing strangers and regulars to feel him up.

Seymour's partner is more trusting than most, and it is admirable that the author repays that trust with honesty and a form of fidelity.

However, after six years of being with the only man he's known sexually, the author approaches his partner with a proposition that dooms the romance, if not the friendship.

With the cocaine bust of Mayor Marion Barry, a champion of D.C.'s liberal sexual exhibition laws, restrictions are shortly thereafter imposed on the strip clubs. Customers are no longer allowed to fondle dancers, and dancers aren't allowed to fondle themselves. This, of course, cuts into everyone's income, and author Seymour, now single and sparked on by the success of his thesis, embarks upon a career as an entertainment journalist, which eventually takes him to New York. Thanks to his unique literary gift and ability to ask his celebrity interviewee's frank and probing questions, he quickly ascends the ranks.

His ability to get such stars as Janet Jackson, Mary J. Blige, and Mariah Carey to open up and discuss such things as masturbation, size-queendom, secret babies, cheating boyfriends, and mental depression are shocking, revealing, and often quite poignant. His discussion with TLC's Lisa Lopez regarding her romance with Tupac, his death, her premonition of her own death, is particularly moving. Craig Seymour's keen observations of human behavior, particular with regards to his celebrity subjects, are empathetic and caring, always intelligent, never fawning.

Eventually, Mr. Seymour's busy schedule--writing for The Washington Post, Entertainment Weekly, Vibe, the Buffalo News, and the Atlanta Journal-Constitution, to name a few--become all-consuming, making it nearly impossible for him to have a personal life.

He re-thinks academia, and eventually returns to the University of Maryland to finish his Ph.D. While working as a professor at the University of Massachusetts Dartmouth, he hears that the old strip clubs on O Street will be torn down. He returns for a bittersweet farewell that brings him full circle. The year is 2006.

Craig Seymour's warm, witty, and honestly rendered self-examination of his seemingly unlikely but totally plausible life as grad student turned gay stripper, turned journalist, turned college professor, is quite the odyssey, and quite a lesson for us all. There is so much life out there for all of us to enjoy. This story reminds me of the famous quote from Auntie Mame: "Life's a banquet but most poor sons-of-bitches starve to death!"

Author Craig Seymour definitely heard the dinner bell.Looker: A Novel

This was a very well written and entertaining book. This was the type of book I couldn't put down once I started to read it.

I feel that Craig is very brave writing this book seeing he teaches at the college level. I get so tired of people writing stories after they retire and have nothing to lose. It is great to see him write this type of autobiography.

I also learned several things I didn't know before so this book was also educational in a way. I never knew about the strip clubs being cracked down on the patrons touching the dancers at the end. I am ashamed to admit this, but I had no idea about Frank Kameny until I read the book and also learned a couple other things about gay history when he mentioned his research.

This is a very good book to read and you might even learn a few more things about gay history like I did:)

I just finished reading "All I Could Bare," and what a great read it was: poignant, smart and informative all at the same time. It's a genuine contribution to cultural studies about the sex industry but also a very moving portrait of what it's like to be in a relationship as a gay man. It' a rich book on so many levels and the run ins with Mariah and Janet don't hurt! You'll love this book.

This was a excellant read. Now, that I've got that out. Let me quickly backtrack. I had the pleasure to sit on a PCA/ACA [popular culture association] panel with the author [Craig] at the annual conference hosted in San Francisco this past spring. Out of all four of us on the panel, his topic, at the time this soon to be released memior, captured everyone's attention in the small but packed room. And, let me just say, Craig is just as engaging in person, as well as his memior reads. If you looking for a memior thats, fun, light-hearted, insightful and filled with witty humor, then look no further. Craig bares it all and then some. Craig, and I only use his first name because I actually met him, introduces you the to the other side of stripping, the one that as a gay man myself, I [we] often forget exist. He puts a real human face to the eye candy filled world of stripping. In baring it all, Craig carefully crafts a memior that is deeply personal,and still scholary in nature. He meticulously devlops everything from his club days in New York, to his stripping in D.C, to his interviews with pop music royalty--working for Vibe Magazine. Lastly, all his experiences nicely merge and congeal to give his journey the most interesting flares. This is a must read for anyone interested in queer studies and enthongraphic research.

Bought as a gift for a 21st birthday. Will be a memory that he can keep for a long time with a personal message on the inside front cover.

Great gift idea! Would highly recommend

My daughter is 24 years old and she is an aspiring artist. Andy Warhol is her very favorite. I got her this book for Christmas and it is her most favorite thing. She says that the detail that it has is facinating and compelling. One word of advice though...it is one HEAVY book so make sure that you are in a comfortable place to support it while you are reading.

This is a real great (and large ;-) ) book with beatiful reproductions of Andy Warhol. My children love to go through it. It was also for sale on the Warhol exhibition in the "Stedelijk Museum" in Amsterdam last year.

Definitely worth the money!

I've recently got into andy warhol and this is the second book i have by him. The book has stunning portraits/photographs/art thats what i love about andy warhol everything is unique and different.I wasn't sure what to expect with this book however i'm glad that I purchased it.

You also might want to check out "Men - Andy Warhol"

Fantastic pictorial book...worth every penny. If you are a fan of Warhol, this is the book to own. Great prints of Andy's work from the 50s, 60s, 70s and 80s - including rare prints. You won't be disappointed - it is all here. The dimensions are impressive at 17" x 13" x 2 1/2", and it makes for a beautiful coffee table book that you will be proud to display. The pictures are sharp, both in color and b&w, and many are full-page, including pics of Andy and Edie. Outstanding!

There is simply no better way to immerse yourself in the semifictional London Holmes' lives in. All the rich cultural refernces are listed, plus every minor inconsistency in a continuity line Doyle never did care about. Great reading; adds immensely to the already great stories of Holmes and Watson.

William S. Baring-Gould (1913-1967) was one of the greatest Sherlock Holmes scholars ever. Publishing several works on Holmes publically and privately, this two-volume annotation of the Holmes canon is perhaps his greatest work, and was his last. Published in 1967, the copyright inscription shows that it is held by his widow, Lucile M. Baring-Gould. Baring-Gould himself was a life-long devotee of Holmes in particular, and mysteries in general. He is also noted for the fictional biography of Nero Wolfe, in which he puts forward the idea that Nero Wolfe is the son of Sherlock Holmes, via THE woman, Irene Adler, of 'A Scandal in Bohemia'.

Sherlock Holmes is one of the best known detectives in the world -- so famous in fact, that 221B Baker Street in London continues to get mail adddressed to this fictional character almost a century after he would have died had he been a real person. There are groups of people -- Sherlockians and Holmesians, the distinction between which is rather subtle -- who delight in retelling the tales. There are forever questions and debates about the ordering of the stories; Baring-Gould is one authority often referred to in these debates, thanks to his work on the Chronology of Holmes, used as a framework for this annotated set.

Baring-Gould breaks the time frame into the follow divisions:

- The Early Holmes (1874 - 1879)
- The Partnership with Watson to Watson's first marriage (1881 - 1886)
- Watson marriage to his wife's death (1886 - 1887)
- Partnership until Watson's second marriage (1887- 1889)
- Watson's second marriage to Holmes' disappearance (1889 - 1891)
- Holmes' return to Watson's third marriage (1894 - 1902)
- The end of the Partnership (1903)
- Sherlock Holmes in Retirement (1909)
- An epilogue (1914)

Baring-Gould introduces the series with a 12-part series of essays that look at various aspects of the Sherlock Holmes legend, including foreign translations, translation into stage and screen, and highlights of particular personalities (Watson, Moriarty). He includes a wonderful brief essay by Edgar W. Smith, an early Sherlockian, which asks (and answers) the question, 'What is it that we love in Sherlock Holmes?' In the end, beyond the setting and the culture and the chase, it is the values 'implicit and eternal in ourselves' that we recognise as manifest in Holmes that keeps him an enduring character.

The volumes are the complete texts of all short stories and novels, backed up with an almost equivalent amount of textual annotation, richly accentuated with photographs, engravings, maps, and other graphics (diagrams, coats-of-arms), often taken from Holmesian sources such as journals, playbills, early editions, and even 'The Strand' magazine.

Sherlock Holmes introduces us to a world foreign yet familiar, past yet somehow present -- the stories are very contextually bound yet timeless in almost inexplicable ways, and present mysteries beyond the face-value plots. Baring-Gould's love for his subject is very apparent throughout the over 800 pages of these volumes. Some editions of this book come with a slip-cover.

This is my favourite of all my Holmes books. It is must for any fan of Holmes.

I hope I am not the only one who loves reading Sherlock Holmes but is really annoyed by "Sherlockians" - people who take their Sherlock far too literally - a lot like Trekkies, who take Star Trek just way to seriously. Baring-Gould, it seems, was the ultimate Sherlockian, and this is his masterpiece - a 1500 page annotated, illustrated, and interpreted edition of everything Sir Arthur Conan Doyle - I'm sorry, Dr. John Watson - ever wrote about the subject, plus a healthy dose of his own interpretations and those of others.

I can't remember a piece of fiction recieving as much love and attention as the works of Sherlock Holmes. This edition has illustrations, maps, definitions, references - everything. Anybody who checks the actual weather and train schedules from a piece of fiction just has too much time on his hands. It truly is a work of art, marred only by an annoying habit of Sherlockians to take their subject far, far too literally. The biggest problem I have with the tome is B-G's annoying habit of inserting his own opinions as fact. My other major peeve was his organization of the work, which put everything in the author's own chronology rather than in the order in which the books were published. This makes finding anything a bit of a chore.

As far as the new Leslie Klinger three(!) volume annotated edition of Sherlock goes, I have seen it but not purchased them. Again, shelf space seems to be the major problem here, not to mention the $125 price tag. From a brief look-over, it appears to be a more subdued, up to date, better quality edition, but less exuberant and less fun than Baring-Gould.

`The Annotated Sherlock Holmes' by William S Baring-Gould is easily one of the top two or three best examples of annotated popular literature, as good as, and possibly even better than the most famous annotation efforts by Martin Gardner on the major works of Lewis Carroll.

It is not immediately evident to me that the works of Sherlock Holmes need annotation. Unlike the works of Carroll, there are very few linguistic tricks or cleverly veiled allusions to his English contemporaries. On the other hand, over the course of the last 120 years, there has been an enormous body of work dedicated to the exegesis of Conan Doyle's Sherlock Holmes stories. There has been probably more of this activity for works of popular fiction than for the next five cases put together. To my knowledge, there is virtually no similar activity on the mystery novels of, for example, either Agatha Christie or the mystery stories of Edgar Alan Poe, to take two authors who bracket Conan Doyle's' stories in time.

It is worth the effort to determine what it is which makes the Sherlock Holmes stories so popular. One of the easiest ways is to compare Holmes to the heroes of his greatest modern imitators, the lead characters of the CSI series, most especially Gil Grissom of the original CSI show, based in Las Vegas. Both characters are `amateur' scientists in that they apply scientific disciplines to solving crimes, and actually do original work in their respective sciences, in spite of the fact that their primary avocation is `consulting detective'. In Holmes case, this was a profession he invents out of whole cloth. In the case of Grissom and his colleagues, the `consulting detective' profession has become institutionalized in the discipline of forensics, where the crime scene investigators deal with things which are beyond the ken of the average detective.

There is an eerie similarity between Holmes and Grissom in that both are very detached from many normal human interactions. Holmes rationalizes this with his theory of the mind as an attic that can hold only so much information. To add new things, old things must be discarded. For this reason, Holmes is blissfully ignorant of the planets in the solar system, but he is an expert on over 100 different types of tobacco ash. Similarly, Grissom is very poor at office politics or romantic relations in favor of his dedication to the application of entomology (study of insects) to forensics, a subject on which he is a nationally recognized authority.

It should be no surprise if the popularity of Sherlock Holmes stories may actually be gaining in popularity, as the CSI shows go a long way to validating many of the scientific principles and techniques used by Holmes. The most famous may be his search for a very sensitive reagent for the detection of blood residues. This is what Holmes is doing when he and Dr. John Watson meet for the first time in the chemical laboratory of `Barts' (St. Bartholomew's Hospital). Holmes explanation of why such a reagent is important in the investigation of crime is verified on practically every episode of CSI, whether it be in Las Vegas, Miami, or New York City. So, not only are we taken by the fact that Conan Doyle had such a good grasp of criminal investigation, but that he was so astute as to realize that such a reagent was possible.

Holmes elevates intellectual competence almost to a level of magic, using that old chestnut that if the difference in the level of technology between two parties in an encounter is great enough, that higher technology becomes indistinguishable from magic. One major difference between Holmes and Grissom is that Holmes has no modesty about his abilities, demonstrated when he belittles' the deductive powers of Edgar Alan Poe's hero in his famous story, `Murders in the Rue Morgue'.

The value of this annotation also increases over time, as the world of Sherlock Holmes is rapidly slipping away from us. These stories were written when the sun literally never set on the great British Empire, stretching across Canada, hundreds of Pacific Islands, Hong Kong, southeast Asia, much of Africa, and that greatest `Jewel in the Crown', India, where Dr. Watson himself served as a surgeon in the British Army in India. Among other things, that meant that if anything could be found in the world at all, it could be found in London. London's scientific and intellectual centers were among the greatest in the world, so it should be no surprise that the world's greatest `consulting detective' should live in London. In many ways, Sherlock Holmes is a far more believable character than his later fictional colleague, James Bond, since England's fortunes as a mover and shaker on the world stage had fallen far between 1880 and 1950.

So, our pleasure is greatly enhanced by being given copious notes on Holmes' London as well as the science of the day. Also very satisfying are the notes that correlate events in various stories. The whole collection is laid out by the fictional chronological order of Holmes' cases.

The greatness of Holmes' character can be seen in the fact that he is probably the model for over half of the great fictional detectives of the last 100 years. While I am not a great fan of detective fiction, I am certain he was the inspiration for both Agatha Christie's Hercule Poirot and Dorothy Sayers' detective, Lord Peter Whimsey. In fact, the greatness of Dashiell Hammett's and Raymond Chandler's detective writing may be in the fact that they escape the Sherlock Holmes prototype and create a new style of private detective.

This work of annotation is so good, I am hard pressed to appreciate how anyone can fully enjoy reading Sherlock Holmes without these notes. As with the commentary track on better DVD releases of movies, the notes literally double or more than double the pleasure and rereadability of the works.

Very highly recommended.

Awesome is the only word I can think of to describe this particular collection--there is all the novels and stories with amplifing info on particular items in the story/novel you are reading listed on the sides of the pages, ala footnotes (sidenotes?)--and the supplementary info is staggering, with bios of Doyle, Holmes, Watson AND Moriarty, the history of Holmes on stage, screen and in print, 221B Baker Street info, etc.--these sections take up at LEAST the front 3rd or 4th of the 1st volume alone! If you are a Holmes fan, you MUST find and buy this collection ASAP!

This lady has spent years researching ancient techniques and it is to her credit that granulation and woven chain has finally come to America.

These chains are not soldered; they are fused and woven. I recommend you have at least a semester of college level jewelry or several years of soldering under your belt before jumping in with this one. But it worthwhile if you want to make chains that are worthy of royalty, or have a chain for a piece of art jewelry that will do it justice.

This is a workbook, progressing from the simplest and easiest to progressively more complex chains. After the first couple hundred fused links you become pretty adept. After fusing the links, you will learn to weave links into patterns. These are not your ordinary chains. They are strong, beautiful and flexible.

Jean is obsessively precise in her work, so this book is very precise. She goes over what gauges work for which patterns, as well as all the little tips that make a chain look superb. It's a lovely book, very well-written and one to be included in a goldsmith's library.

To get a better idea of the creativity and precision of this lady's work, go to Randy Smith's website: http://www.rocksmyth.com/ and look for Jean Stark's work. Prepare to be amazed at all the lovelies and realize that pictures do not do her work justice, as good as the pictures are. Many of the chains are made with 30 ga. wire, which is not much thicker than sewing thread. Her chains feel like silk.

If you're serious about making fine quality chains, then you need this book. Jean Stark is the guru.

This was just what I was looking for. Clear instructions with photos. A great find!

This is great information with very east to read instructions. Not for the lazy or faint of heart.Great ancient traditions brought back to life.

Classical Loop-in-Loop Chains & Their Derivatives is the full title which I find still does not adequately describe the book.

This book is an instruction manual rather than a reference source. The instructions presented have been tried and tested on a number of students, and incorporates feedback from the students. The black and white photographs shown are of the chain work produced by the students as well as the author.

Loop-in-loop is the description of how chains are constructed with each chain link looping within each other to form a chain. Examples of this type of chain are on the front cover of the book.

The classical chains covered in this book are described as single loop-in-loop, side-weave single, single though-bead, basic pinched loop, roman pinched loop, pinched loop with wrapped beads, pinched loop through-beads, basic double loop-in-loop, double with wrapped beads, weave-off double, two-way double loop-in-loop, three-way double loop-in-loop, four-way double loop-in-loop, multiple soldered single, multiple soldered pinched loop, pinched loop with spacers, multiple woven single mesh, multiple woven double. In all 34 chains are described, 16 derivatives of the 18 definitely attributed ancient style of chains.

The main emphasis of this instruction work is on using fine silver and fusing to form whole links incorporating annealing, and then shaping into the links, and then forming the chain. Detailed step-by-step instructions are given on forming links up front, and then each chain has instructions on how to shape the required link, and then form into the chain. This book clearly explains and demonstrates these techniques and processes.

Each chain has a list of the materials needed (in inches and gauges (thickness) - appendices contain conversions) to make it at a given length. These can be used as references for links/inch or used to adjust as necessary to form a necklace or bracelet of given length. An appendix is supplied which gives recommended dowel diameters for the wire gauges for making variations to basic chains. The authors viewpoint is that making chains is an art form, and this book is to develop the students abilities and to encourage their own subsequent development and personal refinement of explained techniques.

Although primarily based on fine silver work (sterling is unsuitable for these techniques - if you solder links that is a different technique), the book does cover how to produce fused chains in 22K gold (including 22k gold metal alloy composition that was used in antiquity and for which these techniques work best).

There is a 25 page chapter on clasps and terminations, cross referenced with what chains they are suitable for, and the chains are cross referenced with what clasps and terminations are suitable.

This book does not have colour photographs. It has diagrams (at enlarged sizes for easier viewing) showing how to form the chain links and join with the next link and or terminate. Black and white photographs show finished chains and/or portions of finished chains. There are no photographs of ancient chains, and very little information on any apart from the detailed instructions on how to make them. Occasionally there are snippets about the existence of such an ancient chain, and even where it is located.

If you do not currently possess silverworking/chainworking tools you will need to purchase them to make the chains in this book, as well as needing work bench space. There are details in the book about what tools you will need, and for the USA where to obtain them. This book does not go over any of the safety aspects of using blowtorches or kilns. Please make sure you have on instruction on these before proceeding.

With the price of silver (and gold) the making of the chains will not be inexpensive, but if you wish to learn how to make a number of chains, this book will explain how.

This is a well organised, well presented instructional book. I would suggest to re-read the two pages covering "Weaving" and "Achieving best results" with "common problems and how to avoid them" before commencing each chain.

i find this book to be a great help when i am desiging necklaces, bracelets and even drop earrings. this is something every jeweler needs in their library.

For all you kids out there who picked up a guitar because you wanted to be a Beatle, this book shows you how to do it.

First, be exceedingly talented and charming, then WORK YOUR TAIL OFF! Within these pages is detailed documentation of exactly what the Beatles did to attain, then retain, their unparalleled success.

No other band, save possibly The Ramones, put in more stage time wherever they could, and we all know the results.

Read this book, young musicians, then go out there and do it, for the sake of us music fans.

Thanks to Mr. Lewisohn for this book. We look forward to his multivolume bio.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from page one.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]

Since publishers and editions change from time to time, I am not certain that I am reviewing the exact book. This book will be interesting mainly to those who were teenagers during the 1960s. These persons will recall the first time they heard each of the Beatles' albums, or they will recall the event of buying these albums. For example, I first heard Sgt.Pepper at the Fillmore Auditorium in San Francisco. The album was played before the performers went on stage -- that was Cream on their first American tour, along with Gary Burton Quartet and the Flaming Groovies (a last minute replacement for the Electric Flag). Anyway, the book takes the form of a diary detailing when and under what circumstances many of the songs were composed, recorded, and performed. The book contains 360 pages of small print, and almost every page has a 1/4 page photograph, though some are 1/8 page or 1/2 page, in size. The latter part of the book contains color photos. The reproductions of the photos are better than one might expect -- nice contrast and sharp focus. We learn that the original name of the Beatles was the Quarry Men, where this name came from Quarry Bank High School for Boys (page 12). We learn that the Quarry Men (John, Paul, George, and John Lowe (drums)) made their first recording in 1958 (page 13). We learn that Ringo was the drummer for a band called "Al Caldwell's Texans" even before he (Ringo) jointed "Rory Storm and the Hurricanes." (page 16) We learn that the first appearance of the lineup of John, Paul, George, and Ringo took place on August 18, 1962, and this was at Hulme Hall, where the occasion was the Horticultural Society's annual dance (page 75). We learn that the Beatles' first U.S. performances were in February 1964. An interesting fact is that Charles Finley, then owner of the Kansas City Athletics baseball team, paid $150,000 out of his own pocket to persuade the Beatles to play in Kansas City, and that the manager of the hotel in Kansas City cut up the Beatles' bed linen into 3-inch squares, and sold them for $10 each (page 139). We learn that the trumpet players on Strawberry Fields Forever were Tony Fisher, Greg Bowen, Derek Watkins, and Stanley Roderick (page 234) and that Dave Mason played the B-flat piccolo trumpet on Penny Lane (page 240). We learn that Maxwell's Silver Hammer took 27 takes, that She Came In Through the Bathroom Window took 39 takes, and that Here Comes the Sun had 13 takes (pages 324-327). Again, the reading is fairly dry and fun facts are encountered only on occasion. There is essentially no information on the Beatles' social lives. But for those who were teenagers during the 60s, the book is likely to be a page turner.

The Beatles weren't always big,and their was a time actually before Beatle mania.In these times we also didn't always have Ringo star to play drums.We had Pete Best.

The compiled information is outstanding.For a person to gain so much information and archives and list them all in this well priced book is a genious.Very affordable as amatter of fact i picked this up new for $5.99 just awhile ago.

With a well written list of all of The Beatles shows from Livirpool to the USA you can expect the same amoutn of quality info in each segment.The back of the book features a list/guide to all the Beatles albums and a well summed up list of al their songs.(OR so we believe)All the information found in this book is accurate never having to worry of fasle news paper clippings or romours that spread amongst those days.Cool little tid bits of info float all over the book and some well done photos.

This is truley for the Beatle fan in all of us craving that little bit of nerdiness wondering about everything they ever did.Or to some one who wants a well written chronological ordered book of the Beatles in general.Big fan or newcomer this is just right for you.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from the beginning.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]

This book is just as most of the reviews have said. Fantastic pictures and stories of the original DOGTOWN Z-BOYS in their heyday. I don't understand how the previous reviewer can say it was "not what she expected" ? THE STORIES AND PROFILES IN THIS BOOK ARE WHAT MADE THE Z-BOYS! It's all about the Z-Boys and the cult that surrounded them, and no one else, so she is mistaken when she says it's not about the Z-Boys, she just must not have taken the time to actually look at the book. It is the ultimate resource on the Z-Boys. There was never anything as important as these stories and pictures to "The Legend" that showed the world what these guys did, who they were, and where they came from. And C.R. Stecyks's words go far beyond what you would expect! Top notch story telling and social commentary. The Glen E. Friedman photos alone, in the second half of the book, are worth it's price. All the photography is so colorful, literally and figuratively. This is true 1970's Southern California Americana at it's best. A must for ANY Z-Boys, Skateboarding, or 70's Pop-cuture fan.

If you love creative non-fiction, you'll love this book. Even if you have no emotional attachment to skateboarding, even if you hate skateboarding. The photographs could do all the talking, but once you read the words of CR Stecyk, you'll be a skateboard enthusiast even if you've never seen a half-pipe.

Journalist Stecyk and photographer Friedman grew up in the creative 1970s California coast atmosphere in which their friends pioneer skateboarders, the Z-boys, reinvented their sport. They lived amongst them, they were them. They utelized their artistic talents to chronicle the birth of the Santa Monica surf-skate culture, and their exploits are compiled in this book, a tangible, more-comprehensive version of Peralta's documentary "Dogtown and Z-boys." See the film, get the book, you'll be hooked.

If you were around when Dogtown was the thing, or are just interested in this era of skateboarding, don't miss out on this book! It's got tons of great photos, and of course, the original articles that were in "Skateboarder" magazine. This book is very well constructed; hard-bound glossy pages, all for less than half the price of an old Skateboarder issue on e-bay. Totally worth the money!

I'm not into skating but my 17 year old nephew Stephen is. He is hard to shop for and when I saw this book I knew it was for him. Let me tell you it was a HUGE hit on Christmas morning! The pictures are great and anything that gets kids interested in reading these days gets my vote.

When I bought this book I expected a biography-type book, like the story of the Z-Boys. That's not really what this is. It's just a collection of articles written about skateboarding during their time. It also has some interviews with Stacy Peralta, Tony Alva, and Jay, but the book is mostly about skateboarding during this time, not really about the Z-boys.

It does have a really good amount of photos of them though. So, if you are a skateboarder, this would be a good book, but for a fan of the Z-Boys, this might just be a disapointment.

Robust account of one of the seminal figures of early America, one attempting the creation of an indigenous culture cast in a more universal mode than that of the provincial Christianity of his roots. The courage to give up his secure life as a minister for the uncertainties of exploration and creative renewal marks Emerson's trail through a pioneer's psychological American wilderntess, to touch on and integrate everything from the post-Kantians, to the Buddhists/Hindus to the Persians and Sufis. That Emerson evolved into a near firebrand abolitionist is an aspect of his life unsufficiently told, and this part of his later career runs clear in this book. All in all, a first rate pioneer story of another kind.

This is the only biography of Emerson that truly matters. Richardson locks in on the essentials - the development of a seeking mind is search of the ground of being and the nature of reality. Emerson is our Founding Thinker and to do him justice, a biographer has to grapple with the how and why a mind grows, changes, struggles and reaches new heights. Even if you haven't read much Emerson, this biography sheds light on what Emerson meant when he said, "Nothing is at last sacred but the integrity of your own mind."

In the past, my experience in reading Emerson has been similar to reading the Tao Te Ching; interesting, non-mainstream in its point of view, puzzling to understand what exactly it means. So I would pick up the Tao and read it at different times of the day and different frames of mind, hoping that it would resonate with me, but it never did. Maybe it was the cultural difference, or the language, or not being able to easily identify with Lao Tzu. Such had been my experience with Emerson. I wanted to understand him better because what little I did understand made me want to learn more, but I just couldn't get there.

This biographer, Richardson, really did his homework and any who want to understand Emerson better should appreciate this work. Emerson kept exhaustive journals and collections of his thoughts for many years. He read widely and deeply, kept detailed notes, and thoroughly indexed the notes. What perfect material to access for writing a biography! Apparently Richardson went back and studied much of the source material that Emerson references in his journals and brings into this biography an understanding of who Emerson was reading and what it meant to Emerson, so we receive the pleasure of following along on a journey in the development of a powerful mind. Then Richardson is able to write about this development so that it is easily readable to us moderns. It's quite a remarkable achievement.

"Mind on Fire" shows me that Richardson is certain that studying Emerson and his message is worthwhile. So much consideration has gone into this biography that when I laid it down after almost non-stop reading for several days over the holidays, I felt like I really understood Emerson for the first time, and now have much better insight. I plan to let this book simmer in my mind a few more months, then pick it up and read it again.

If Richardson could also write something as lucid and detailed to help me understand the Tao Te Ching, I wouldn't have 10,000 questions about the 10,000 things. ;-)

Mr. Richardson's 'Thoreau A Life of the Mind' was not only the best biography I've read on Thoreau, but one of the most exhilerating and enlightening reading experiences of my life. So I decided to read his 'Emerson The Mind on Fire.' And it was every bit as intimate and intelligent.

There are times you feel that you're intruding upon Waldo and Henry on one of their walks. It was an endless stroll of two intellectuals and humanists on the path of being very human. Each of the one hundred chapters (both books) are kept short, which helps move the reader from topic to topic without ever feeling put upon (too much detail can drag what is otherwise very interesting.) Though, for me personally, I would love to savor every moment these two great men shared. I don't think I could ever get bored.

Emerson has many close friends with whom one gets to know intimately. His personal address book was a whose whose of literary and intellectual greats.

The relationship between Emerson and his second wife, Lidian, is of great interest. She was also intellectual and as much a partner in life as she was a wife. Her presence is everywhere in Emerson's life.

Emerson's essays are pure poetry. And the behind the scene snippets into how they became a part of his legacy was both insightful and relevant to the day to day interactions and causes he committed himself. His transformation from the unremarkable child into the neverending 'student' of self-education and commitment to social conscience throughout his entire adult life is one to be admired.

Mr. Richardson is one of the best biographers of nineteenth century literaries. He is truly one with his topic.

Robert Richardson's biography of Emerson is superb. Though, as Richardson reminds us, Emerson did not like superlative language when precise and adequate language would do, it is the case that at times the superlative, the precise and the adequate converge (as, in fact, they often did in Emerson's writings). Richardson's biography is indeed superb in its unfolding of Emerson's life -- the loves, the friendships, the losses, the intellectual and spiritual hunger, the religious quest, the writers in America, in Europe, in Persia and elsewhere to whom Emerson owed and acknowledged debts, the grasping at and for a world, the determination of a single, brilliant human being to find his way and to see his life, and all individual lives, as imbued with the divine and thus worth living.

The book is also superbly written. Each short chapter offers enough substantive insight to urge the reader into the next. It is a long book, but not long-winded. Richardson provides the reader with some morsel of insight in a few pages of narrative, and then offers a rest to digest what has been said. His placement of quotations from Emerson's journals, essays and other works is brilliant, offering the reader a useful sketch of Emerson's metaphysics and ethics. In my own case, this has allowed time to reach for other literature more fully descriptive of the events or scenes offered in a particular chapter, or to reread chunks of Emerson's writings while moving through the biography. The book is a useful tool not merely for a study of Emerson's life but for a study of Transcendentalism and of the interplay of ideas across the Atlantic that shaped American thought in so many ways. One sees more clearly where and how such writers as Nietzsche and Thoreau obtained the seeds of their own truths from Emerson's works and thoughts.

Richardson has set the standard for the writing of future biographies. Again, simply superb.

I bought this book for my son who was turning 4 and he absolutely LOVES it, I have read it to him every night for over a week now!!!!

A great book to stir a kid's imagination. This books shows actual playing, and not just watching a toy/video game that does something. A great way to teach creative play and get get kids thinking.

It has very well-done illustrations. It clearly shows a boy going through his day in a normal way, full of realistic fantasy play. I like how he includes his baby sister in everything, and how his mother participates a little in his play. The language is realistic and appropriately detailed.

But we don't read it very often, and I think I know why.

Firstly, this is a *very* long, *very* wordy book. It's definitely better suited for children closer to 8 than to 4, and even then - it's a long book. You have to really make time for it, you can't just fit it in there. This isn't in and of itself a problem, plenty of the books we *do* read a lot are long, but it definitely doesn't make me more likely to want to read it.

Secondly, the mom in the book is... well... just a little needy. By the middle of the book her desperation for a hug starts to weird me out. I understand that kids go through that no-hugging stage, and you do start to really miss them - but I can't help thinking that she'd get more cuddles if she'd just SHUT UP about it already! I know if I want a hug, all I have to do is ostensibly refuse them and the next thing I know I'm being smothered! (And I'm not that needy for them, either.)

It's just not my thing. I know a lot of people sympathize with the mom, and I feel for her, but... it goes a little overboard, and not in the funny way that I like.

It might just be me.

My 3 year old is crazy about firefighters and this is one of our favorite books! Very creative, and although a little long it holds his attention until the end (then he always laughs and gives me a hug). Very good book!

We ordered this for our son who was graduating from the fire fighting academy - Cute paperback book. Only issue at all was with the delivery. It was left outside of the house and in the rain -- could have ruin the book but fortunately it was only damp by the time we got it.