University of Iowa Books

The eleven stories collected here range in setting from Chicago's south side to small towns in southern Illinois, but are all thematically linked in their exploration of confused and often angry lower-class white males. The stories are also generationally linked, in that their characters all appear to have come of age in the early to mid-'70s. Indeed, the three best stories are set in the '70s and follow the same junior high boys through a trio of episodes ("The Vomitorium,'' "Smoke'' and "The Grand Illusion''), which include a trunk full of stolen Tootsie Rolls, and the forming of an "air band", and a homosexual advance. These three stories share much of the humor and angst of Chris Furhman's excellent novel The Dangerous Lives of Altar Boys, and Tom Perrotta's collection Bad Haircut.

In "The New Year", "The Greatest Goddamn Thing" and "Torture", the narrators are teenage boys, whose primary role in each is as sidekick or witness to another person's pain. In the first story, a cuckolded and abandoned father takes an axe to a deer. In the second, a brother just out of jail leads him into an all night bar party complete with gun, fire, and sex. And in the third, a neighbor is stranded on his roof by an irate wife, and no one calls for help. In each case, there's a kind of sad desperation to it all. Desperation is also present in two stories ("The End of Romance" and "Roger's New Life") that follow a UPS driver with a flaccid marriage, two kids, and a shaky grip on sanity. These are the most distant of the collection, as the protagonist is clearly cracking up and it becomes harder and harder to identify with his tenuous grip on reality. A rather similar character is the focus of the longest story, "Limbs," sharing a troubled marriage, kid, and in this case, friends of dubious character.

Two Chicago-set stories stick out: "The Politics of Correctness" abandons the world of the unemployed and lower-class for the world of academia and a struggling young English professor who must contend with the drug dealer who menaces his home, and the uber-PC people in his department. One sense this is a very personal story from McNally, and while it's not bad, it's not particularly original or noteworthy either. My own favorite is "The First of Your Last Chances," which stands out if only because it has a happy ending. Both funny and tender, it's a welcome respite from the heaviness of the other ten stories. The collection as a whole reveals a great new talent, I'll look forward to his next work.

The cover photo on this book (cuffed hands) isn't quite right. This is not gritty realism or "Cops"-like docudrama. Instead, author McNally's sensibility lies somewhere between the blue-collar melancholy of Raymond Carver and the outrageous humor of Hunter Thompson. His characters (all males in their early teens to their thirties) are comically pathetic, living lives that barely hang together. Teenagers Hank and Ralph appear in three stories set on the Southside of Chicago, obsessed with girls (who are all repelled by the two boys) and spending their aimless days and nights on the ragged boundary line between adolescent angst and Big Trouble. Roger, a UPS driver, moves blankly through empty days haunted darkly by thoughts of Squeaky Fromme and Charles Manson, while a fellow worker runs a personal ad and discovers the liberating mysteries of "raw carnality." Meanwhile, romantic relationships and marriages languish and sour.

Far from being bleak, the wonky dialogue and cock-eyed situations in these stories had me laughing out loud. In my favorite story, a debt-ridden young English instructor is beleaguered at work by witless students and an annoying, politically-correct faculty and then harassed at his new home by a neighborhood bully. All comes unglued for him at a faculty party where he gets entirely too drunk. Only the last longer story, "Limbs," shows McNally stretching himself into something more novel-like, as he explores the disintegrating impact of a murder on the lives of several small-town people, and here there are few laughs, just a dizzying descent into confusion and rage.

I love this book. It is both disturbing and fiercely entertaining.

Eleven stories make up this solid collection, and three of them are related ("The Vomitorium," "Smoke," and "The Grand Illusion"), starring a kid in the eight grade named Hank and his sometimes goofy, always strange adventures with Ralph, his dangerous deliquent of a friend. All three are excellent, and they make a logical progression, offering nice closure at the end of the third story.

The remaining eight are a mixed bag. "The New Year" is fantastic, but "The End of Romance" is not. "The First of Your Last Chances" seemed a bit too crafty, but I ultimately loved the story, which features a hilarious S&M vignette and a real cute ending. "The Politics of Correctness" was a wonderful story all the way through, my favorite in the collection. "The Greatest Goddamn Thing" didn't do it for me -- it all seemed too forced, and I didn't buy the narrator's voice. "Roger's New Life" just never seemed to go anywhere (a detached 3rd person pov, reminiscent of Raymond Carver), while "Torture" was strong from start to finish, though I'm not sure if it's a story that has a real direction. And the last and the longest, "Limbs," is a winner.

I wouldn't consider any of these stories as bad -- they are all finely written, and McNally's got a very nice, easy style. Many of the stories were very funny and thoroughly enjoyable.

I was a lucky person to have had John McNally as an instructor in college. He taught at my college for a short time and I still feel that college (which will remain anonymous) did not know what they lost when they lost this brilliant writer. He taught a creative writing class which was based fully on the power of the written word and how the simplest and most realistic language often tells the best story. McNally's own work completely upholds this belief. I unfortunately have lost touch with John, but when I found out via the web that he had published this collection of short stories, I knew I had to find it. I had him for one semester, yet I remember him better than any other teacher I have ever had.

As a fan of the writing of Richard Yates and Raymond Carver (who John introduced me to), I can tell you that he learned his craft from the writings of these masters. His characters are believable, the dialogue is simple but powerful and the settings are described in the most minimal detail, but yet you have a feel of exactly where you are and who these people are. McNally's characters exist through their dialogue and that is what makes his stories powerful.

I highly recommend this collection of stories. Some are disturbing, others are more lighthearted. However, the writing is tremendous and you get inside these characters almost immediately. The art of the written word is not lost. People like John McNally are keeping it alive.

John McNally's Troublemakers sparkles with electric language and moves the heart with touching scenes faithfully depicted. Often these days, one must look widely and patiently to find contemporary fiction that rises above the level of workshop attempts to that of true literary art. McNally has shown his work to be sensitive, laugh-out-loud funny, and true to the spirit of what it means to be human. For all familiar with the plight of the college adjunct, I especially recommend "The Politics of Correct", a tale of a young man oppressed, financially and culturally, to such an extreme that radical decisions and actions are called for, and it resonates with a veracity nearly impossible to find in other works dealing with this subject. This collection is a fine example that good literary work is out there, if one looks patiently for it.

There's no plot here and certainly no white knuckle drama. The book is a series of essays, each chapter relating an event or way of life experienced by the author as a child growing up on the North Dakota plains during tbe early 1900s. From education to farm life to holidays, each was covered with love and humor. I felt like I was getting to know my own grandmother as a child. My only wish was that there were more photographs, but considering the time period it was wonderful to have a few.

I loved this book. Its a compendium of short pieces about the author's mother, who was a frontier woman with a wonderful outlook on life. I also loved the descriptions of her husband, who had to drive the children through snow, to get to their respective schools, and the descriptions about how the kids were settled in the schoolhouse overnight, while wild mustangs banged against the door. I don't know about you, but I'm not sure I would send my children to a schoolhouse way far away, with food for a week. Can you imagine what they did after school let out... all by themselves? I wanted to hear more about this. The descriptions of quilting are wonderful.It is a great book if you are in the mood to feel cold, hungry, and in North Dakota with the snow beating down upon you. Also if you enjoy descriptions of sumptuous meals at holidays, replete with Norwegian recipes!

It often happens that our own stories are intimately entwined with someone else's story, and that to understand who we are, we have to tell another person's story first. This is true for Carrie Young, who has written a marvelous memoir of her mother.

This warm, hopeful testament to a woman's courage tells the story of Carrine Gafkjen, who--all alone, and with the single-minded, strong-hearted independence that is often obscured in men's stories about women--homesteaded 160 acres of North Dakota prairie. That was in 1904, and Carrine Gafjken spent the next eight years working for money in the winter and returning to her homestead in the summer. By the time she was thirty, she owned 320 acres of productive land. In 1912 she married Sever Berg. They sold his homestead and took up residence on hers, and over the next decade she bore six healthy children, the last of whom has told us her story in a style that is as strong, clear, and direct as Carrine herself. This is story with no frills or fancy lace, a story of hard work and tough times, but through it all runs hope and love for the land and a firm belief that perseverance will win out in the end.

To my mind, the best books are like this one, valuable in ways too many to count. I not only learned important things about life on the Dakota prairie, but I learned some very good ways to tell a story, to give voice to someone who can no longer speak for herself and who must live--if she continues to live--chiefly in the words of a writer and the heart of a reader. Carrie Young is a fine teacher for any aspiring writer, and her stories about her mother's life are instructive examples of story-telling at its best.

by Susan Wittig Albert
for Story Circle Book Reviews
www.storycirclebookreviews.org
reviewing books by, for, and about women

I stumbled on this book in a used book store. It is the amazing story of the author's parents and their life in rural North Dakota. The book has adventures, anecdotes, and gives the reader a real sense of how families existed in the early 20th century. This was a very entertaining story, although perhaps you can't tell from this review. None of us who have read it could put it down, from my 78 year old mom to my sister who is reading it to her 7 year old daughter.

The author is the youngest of six children of hard-working Norwegian-speaking parents, and the account of the struggles her parents went thru is awesome. Sometimes I thought the author indulged in hyperbole, and I would have appreciated a little more exactitude, but it no doubt is true that life during the twenties and thirties in northwestern North Dakota was a hard and demanding one. The first part of this book is the best, as the author relates the fantastic efforts necessary for the kids to be educated. There is a lot of discussion of Norwegian food, and those of you who are of Norwegian descent will gobble that talk up, but for me I could not get too interested in how her mother went to extraordinary lengths to prepare, under primitive conditions, the food she was so good at concocting. There is less talk of the interesting political events during the time than I would have liked. Appam, North Dakota, which was apparently a home town to the family during these years, has, according to my 1958 atlas, a population of 18. I would like to have learned whether it was a bigger place when the author was a child. But the upbeat attitude to her childhood was a real plus for this book--not the dreary catalog of hardship one sometimes gets from depression sagas. I liked this book.

One of the best contemporary poets writing, and a force to be reckoned with. Buy this book.

This is a world of brilliance--but also with great weird humor.

The feeling grows as one turns the pages that Peter Shippy is one of the most original poets now writing in American. While the external surface of the poems is busy--byte-n surrealism to sci-fi baroque--they are secure and madly intelligent. No matter how wild his reality--and we have lovesick aliens, chop-socky crickets, a brain in a vat, a dog who digs Pier Paolo--these poems are a grand thing happening. A virtuoso verbal performance.

Shippy puts the anti back in anti-poet. Daring and glorious.

Funny, eccentric, very smart. Tough, too. But I like my poems tough. ...

This book review all common technique of statistical methods - from t-test to factorial design and regression. Also, it also introduces non-parametric statistics. Detailed examples in each chapter are helpful to read the book.

Snedecor first wrote this excellent elementary applied text while at Iowa State (late 1940s or early 1950s). When Bill Cochran arrived in Iowa he helped out with the revision. It was very popular and was revised by Cochran many times even after Sndecor died. Well written and often used in elementary courses this book is also a good reference source for statistical methods.

This was the core text for both semesters of my graduate level statistics classes back in the '70s. The text was very understandable and the examples were most helpful. I am now an MD doing clinical research at a medical school and this is STILL the best statistics reference I've ever come across. ...

I found the writing clear and easy to follow. I recommend this book to anyone looking for an excellent introducory text in statistics.

Snedecor first wrote this excellent elementary applied text while at Iowa State (late 1940s or early 1950s). When Bill Cochran arrived in Iowa he helped out with the revision. It was very popular and was revised by Cochran many times even after Snedecor died.

Well written and often used in elementary courses this book is also a good reference source for statistical methods. Empahsis in applied statistics in those days was in agricultural experiments and that is the reason statistics was prominent at Iowa State University in those days.

Hi - I'm the illustrator that did the cover. Had to read the whole manuscript first - Lee's a sweetly demented fellow, his tales of full of sadness, regret and wicked observation.

Had to get a drunk a couple of times just to start work on the cover art.

Lee - you never said whether you liked the cover or not?

Simply THE BEST. Every book by Lee K. Abbott reads like a chapter in a BIG AMERICAN NOVEL. I mean: each one of his short-stories is more nutritive than most novels published these days. I already wrote a review as a READER FROM BARCELONA, SPAIN but forget to put my e-mail there in case Mr. Abbott wants to send me the promised out-of-print-book (if you're there, Lee, knock three times). In a world where everybody seems to fall for minimalists, Mr. Abbott is a maximalist with a vengeance. Lucky us.

Lee K. Abbott is the King of Kings and the true heir to John Cheever's crown as the ruler of the short story as Big Art. I once phoned him while doing a stage at the University of Iowa International Writers Workshop and he promised to send me "The Heart Never Fits its Wanting" (his only title I didn't have); he never did but it's okay: still looking for it and proud to be his only fan born in Argentina.

Simply THE BEST. Every book by Lee K. Abbott reads like a chapter in a BIG AMERICAN NOVEL. I mean: each one of his short-stories is more nutritive than most novels published these days. I already wrote a review as a READER FROM BARCELONA, SPAIN. In a world where everybody seems to fall for minimalists, Mr. Abbott is a maximalist with a vengeance. Lucky us.

Some of these stories are not in Abbott's newest collection, one of which is the humorous and unforgettable "A Creature Out of Palestine." The first two pages introduce us to the world Abbott has created, characters speaking with his strength and natural humor, the landscape and characters as unique as Faulkner's Yoknapatawpha County, but in the desert of the American southwest. When I first read Abbott, I thought, "Wonderful. Who IS this guy?" Answer: an original, and per William Giraldi in "The Georgia Review", "Abbott fuses a poet's purpose with a fiction writer's, the lyrical with the narrative...[but it would be] impossible to sustain that level of stylistic fervor, those orgasms of language for more than twenty or twenty-five pages." The limitation of length in the short story challenges a writer to create a world peopled with three dimensional characters in conflict, and yet to make the story whole, with synergy. Abbott is the master, doing so with beauty, pathos, and most especially, humor.

I read these stories years ago and still can't get them out of my mind. Chetkovich has the rare ability to completely transport a reader in the space of a brief paragraph. Often, she does it with one sentence. All I can say is, "More please."

The work here is so strong, funny, insightful. She seems to only choose her best work for publication. All of it is top flight. This can hardly be said for so much that is printed and puffed up these days. She is great.

I admit having learned about this book only because I was looking up something on Jonathan Franzen, who happens to be Chetkovich's boyfriend since about the time of this publication. Although the amount of publicity for their respective work could not be more disparate, Kathryn Chetkovich is a talented, sensitive and perceptive writer in her own right. So impressed was I by her short but uncannily emotive stories that I would personally fire off a marketing campaign for her if she asked me to. Calling her glimpses of young women's ambivalence towards the ties with family, friendship, love and adulthood "enigmatic" or "mesmerizing" would be trite. But how she nails feelings I thought reserved to myself, moreover, why no one has brought her ability to broader recognition IS a riddle to me.

Her style of accentuating the marginal while letting the essential speak for itself appeared, albeit later, in a few German women authors' stories that I liked in varying degrees (Zsuzsa Bank, Judith Hermann). Likewise, Chetkovich's stories are not all of the same sterling quality to warrant a full five stars--some are just a little too slight--, but 4.5 stars and rising.

I came across a Kathryn Chetkovich story in the Houghton-Mifflin annual collection of best short stories (1998 edition), and knew I had to get my hands on "Friendly Fire" as soon as I could so I could read more of her writing. And I wasn't disappointed -- all of her stories are beautifully crafted and have an wonderfully understated wryness and insight -- you will be delighted, amused, and often moved by the perfect turns of phrase that Chetcovich finds to illuminate even the smallest incident or observation. Can't wait for more from this writer.

I consider myself a reader and am usually aware of all the new books coming out. I picked this book up having heard nothing about it. I sat and read the first story of this collection and before I was even done the first page I knew Kathryn was a discovery. This is her first book and she has me for whatever else she writes. These stories about real struggle and emotional entanglements of the family. Having grown children I loved reading them. I don't usually write these reviews ; I don't feel competent ; but it is a crime to me that I hadn't heard of this book. FRIENDLY FIRE is so WONDERFUL. When I think of the books out there that receive so much attention. Kathryn is a gem. Support her work and you will not regret it!

I have wanted to get this book for many years now. I read it while going to college. It is a story that has been in my memory for a very long time. It was a shock for me to see (after I read it) that it is much longer than I remember it to be, even though it is short as books go. It is a sad story. Let's hope that things don't work out the way that Mr. Thurber tells us they will. But maybe that's the whole idea: for us to read THE LAST FLOWER, then make sure that its ending doesn't happen. So, everyone, buy the book, and you can help out.

This book had the most impact on my 1940s and '50s childhood. I grew up with it, looked at it time after time, pondered it, felt it. Who said "A picture speaks a thousand words"? James Thurber had a wonderful silent way of reaching the heart. I recommend this book to all parents with children, and to all grown-ups. Of everything I have ever read or seen, this is my #1 book of all time! Please have it out on your table always!

This treasure of humanity was practically a Bible and also a constant "coffee table" book in our household when I was growing up in the late 50's and 60's. This is one of those rarest of books that will simultaneously break your heart and make your spirit soar. It only offers (see Thurber's dedication to his daughter) "a wistful hope" - but it will inspire you to nurture every ounce of genuine hopefulness you can muster.

This book had the most impact on my 1940s and '50s childhood. I grew up with it, looked at it time after time, pondered it, felt it. Who said "A picture speaks a thousand words"? James Thurber had a wonderful silent way of reaching the heart. I recommend this book to all parents with children, and to all grown-ups. Of everything I have ever read or seen, this is my #1 book of all time! Please have it out on your table always!

E. B. White thought this was Thurber's best book I agree that it is among the best. Written for his young daughter, it is an anti-war book of the right sort, emphasizing both the inescapability of war hostility and the devastation war causes. It is a perfect book for an adult to read to a thoughtful child--or for any adult to read in any circumstance. The line drawings (cartoons is not quite the word for Thurber's unique visions) are simple and eloquent throughout. The book was prescient when it appeared just at the outset of WWII. The story ends with hope symolized by the one surviving flower that may restore happiness and beauty to the world. It is the flower we still enjoy contemplating, sixty years after Thurber drew it.

Deb Abramson has written what we all need to read: the truth. By turns poignant and funny, this memoir brings us into the world of a girl with incredible insight and show us how she managed to grow up. It was so refreshing to read something real for a change, instead of the slick stuff we're too often fed. I highly recommend this book.

There have been only a few books that I needed to finish reading in one sitting! This is one of them! Ms. Abramsom has a wonderfully vivid style of writing that not only develops the characters, but creates the entire emotional setting. Her writing is very "painterly", developing images of color and texture on almost every page. Although I am a male, there are events and psychological insights that remove any gender differences. This work will appeal to either male or female.

There have been only a few books that I needed to finish reading in one sitting! This is one of them! Ms. Abramsom has a wonderfully vivid style of writing that not only develops the characters, but creates the entire emotional setting. Her writing is very "painterly", developing images of color and texture on almost very page. Although I am a male, there are events and psychological insights that remove any gender differences. This work will appeal to either male or female.

I, too, read this book in one sitting. Abramson's exploration of memory is remarkable in its ability to convey entire universes of emotion and pain through a single detail. She retrieves those details despite the risks memory must pose and the temptation to forget, and presents them to the reader with empathy -- for us, for her family, and for the child she once was. Her approach to storytelling -- through snapshots and isolated scenes -- perfectly mirrors the personality characteristic that lies at the heart of her book: what happens when narrative, the way humans tell stories about themselves and make connections with others, breaks down. I was not quite the same person after reading this book. I highly recommend it.

Deb Abramson's memoir is beautifully crafted. She shares intimate family details with strong, descriptive writing. There are many well-chosen scenes and moments that will stay in your memory for a long time. When my husband and I finished chapter one, we had an argument about who was going to read the book first. Difficult to put down and inspiring to read.

The beauty of Hank Davis' book is that it operates on several levels at once -- as only the best works can.

On the surface, Small Town Heroes is the story of an older guy with enough spare time and discretionary income to get in his car and truck around eastern North America checking out minor league baseball teams. Players, managers, mascots, front office people, concession workers -- each has a story to tell. These stories interweave to form the tapestry that is minor league baseball today.

On a deeper level, Davis' investigations facilitate the contemplation of bigger issues, beginning with the realization that, ultimately, all travel is time travel. It is fascinating to watch Davis collide head on with (friendly) ghosts from his middle 20th century childhood even as he encounters a new generation of "instant" stadiums hastily assembled from the remnants of discarded beer cans.

Deeper still is the responsibility of an emerging generation of elders to preserve and protect that indigenously North American optimism that baseball has always represented and that minor league baseball today can help us preserve. Our heritage was never predicated on the whims of spoiled brat millionaires and self important corporate moguls in luxury sky boxes. As Davis points out time and again, relief from such nonsense is only as far away as your local minor league ballfield.

My only regret is that Davis' book cannot go on forever and cover every location. As both a Royals/Golden Spikes and CWS fan, I would enjoy Davis' perspective on Omaha's precious Johnny Rosenblatt Stadium.

Meanwhile, anyone afflicted with parents, spouses or others irritated by "valium ball" who routinely admonish you to "grow up" and burn your bats and gloves so you can get out in the back yard and build them a new patio -- you need only hand those offenders a copy of Small Town Heroes and let Davis show them why such requests cannot and must never be granted.

Finally, if you're a "Field of Dreams" fan, consider this to be a book about multiple successful examples of the "if you build it, they will come" scenario.

Well, beat the drum and hold the phone-the sun came out today! We're born again, there's new grass on the field.........Well, I spent some time in the Mudville Nine, watchin' it from the bench............. Hank Davis has a hit! Reading Small-Town Heroes gives one much the same feeling as listening to Fogerty belting out Centerfield.

Davis does an excellent job of exposing the heart, soul, and emotions of those immersed in making a minor league team a reality. The struggle of emotions and the psychic battles faced by players, managers, coaches, mascots, fans, vendors, and other personnel involved in making the game "come off" are, many times, missed by the typical fan. Davis puts you "in the head" of the new kid just getting off the bus in eastern Tennessee and guides you through his experiences and journies. He then leads you on an expedition of the mind, emotions, and ego of the 27-year-old coming down from The Show for a last trip through the minors.

Davis's style makes you cheer for guys and teams that you have never seen-nor, in many instances, heard of. You feel the sense of urgency in getting the next hit or lowering the ERA with the next strike out. You feel the humanity of men ready become superstars as well as those about to plunge into "the agony of defeat". Hank Davis distinguishes and translates the subtleties of conversation in the dugout and batting practice that are concealed or ambiguous for most. His understanding and empathy flow clearly and vividly through to the pages of Small-Town Heroes.

Hank Davis leaves the reader with his opinion of the state of the baseball, and the minors in particular. He has an explicit assessment and is not hesitant about sharing it. He is the kind of guy I would like to sit next to and share a beer with at Graniger Stadium in Kinston, North Carolina on a hot August night!

Tours of small towns, minor league parks, and geography are accurately and realistically portrayed for the reader. Local flavor, as illustrated by Davis, can almost be seen, heard, smelled, tasted, and felt. He presents all the characters-those not likely seen by a visitor and those taken for granted by the locals. From "Mom" and the "Mountain Man" to the groupies, mascots, ground crew, hotel desk clerks, waitresses, and guards-"the whole cast"--Davis introduces you to each. Others have attempted tours similar to Davis only to commit error after error-Davis gets a hit!

This is an excellent read from start to finish. Davis really captures the essence of the minor league experience from the perspective of players, employees and fans. Baseball fans will love it, and non-fans will still be caught up in the many personalities profiled here.

Hank Davis has done a marvelous job in this view of life in (and around) the minor leagues. His sense of humor comes through many times. This was probably the easiest reading book of this length (354 pages)that I've encountered. It just flows! One of the things that I liked most about the book was not only the liberal use of photographs, but their placement. Every photo was within a page of the corresponding verbage. In summary, I thoroughly enjoyed this book. Each and every page was interesting, entertaining, or informative. As a visitor to approximately 30 minor league parks myself, Davis enabled me to "revisit" many of those parks. Job well done, Mr. Davis!

Well, beat the drum and hold the phone-the sun came out today! We're born again, there's new grass on the field.........Well, I spent some time in the Mudville Nine, watchin' it from the bench............. Hank Davis has a hit! Reading Small-Town Heroes gives one much the same feeling as listening to Fogerty belting out Centerfield.

Davis does an excellent job of exposing the heart, soul, and emotions of those immersed in making a minor league team a reality. The struggle of emotions and the psychic battles faced by players, managers, coaches, mascots, fans, vendors, and other personnel involved in making the game "come off" are, many times, missed by the typical fan. Davis puts you "in the head" of the new kid just getting off the bus in eastern Tennessee. He then gives you a tour of the mind, emotions, and ego of the 27-year-old coming down from The Show for a last trip through the minors.

Davis's style makes you cheer for guys and teams that you have never seen-nor, in many instances, heard of. You feel the sense of urgency in getting the next hit or lowering the ERA with the next strike out. You feel the humanity of men ready become superstars as well as those about to plunge into "the agony of defeat". Hank Davis distinguishes and translates the subtleties of conversation in the dugout and batting practice that are concealed or ambiguous for most. His understanding and empathy flow clearly and viv-idly through to the pages of Small-Town Heroes.

Hank Davis leaves the reader with his opinion of the state of the baseball, and the minors in particular. He has an explicit assessment and is not hesitant about sharing it. He is the kind of guy I would like to sit next to and share a beer with at Graniger Stadium in Kinston, North Carolina on a hot August night!

Tours of small towns, minor league parks, and geography are accurately and realistically portrayed for the reader. Local flavor, as illustrated by Davis, can almost be seen, heard, smelled, tasted, and felt. He presents all the characters-those not likely seen by a visitor and those taken for granted by the locals. From "Mom" and the "Mountain Man" to the groupies, mascots, ground crew, hotel desk clerks, waitresses, and guards-"the whole cast"--Davis introduces you to each. Others have attempted tours similar to Davis only to commit error after error-Davis gets a hit!

In a recent interview with Samantha Bravo the author of TEACHING LIFE answers some questions about his writing of the book:

Bravo: In TEACHING LIFE: LETTERS FROM A LIFE IN LITERATURE, each letter to Kelly addresses a different aspect of education, literature and life. How did you decide which topics to address? How do you think the book's organization of these topics affects the reader?

Salwak: The topics suggested themselves to me as I moved ever deeper into the project. I knew I had to write "When a Parent Dies," for example, because the day after my father's funeral I returned to my class to discuss "Hamlet" and saw my father sitting in the back of the room. The chapter on "Marriage" suggested itself because I was struck by how many of my colleagues across the country wrestle with balancing the academics with family life. Many questions emerged over the years from discussions with my parents, both educators, as well as from my students. Overall I answer questions that many teachers (and students) ask of themselves and that I continue to ask of myself.

Bravo: Why did you choose to format the book as a series of letters?

Salwak: To avoid the risk of coming across as "preachy" or dogmatic. That's not my style. Writing letters "to" a former student was an indirect way of reaching my potential reader. Also, this format helped me to establish a warm, personal tone that is the voice I try to maintain in the classroom. I am speaking to teachers, yes, but I am also speaking to students as well as to the general public - and I don't want to alienate them.

Bravo: In the book's summary it says that "'Teaching Life" is an effort to impart lessons to the next generation
of teachers." Would you also agree that these lessons are equally benefiting to students who read this
book? What sort of insight should a student expect to gain in contrast to a teacher?

Salwak: Yes, most definitely. Letters as personal as these permit the student to slip away from present concerns, open the door, and step inside the secret life of a teacher. Happiness is a gift, not a right, and most of us as teachers have been so gifted. Perhaps some students themselves will carry from the book the thought of entering this noble and personally rewarding profession. At the very least I hope they will find here some useful suggestions for getting all they can from their educational experiences.

Bravo: You say that Kelly has become a metaphor for all your students. Could you explain this in more depth?

Salwak: Every semester my classrooms are filled with Kelly's - bright, eager-to-learn men and women who are giving me three hours a week of their most precious possession - their time. What I say "to" Kelly in the letters I say to all of my students: make the most of your allotted time, seek the best in everything you do, and keep growing. My challenge is to find a way to connect with them, to encourage them to care about the material, to think about some of the deep issues of life, and to have a good time while doing so. That's part of what keeps me coming back day after day, month after month, semester after semester. Though Kelly didn't live to realize her potential as a teacher, my experience of knowing her and thousands of students like her continues to inspire me every day.

Bravo: Thirty years after Kelly's death, why did you believe that this was the right time in your career to publish "Teaching Life?"

Salwak: There were many months, even years when I didn't know when (or even IF) I would complete the book. Coincidentally I did so while approaching my 35th year of teaching. To borrow from Samuel Johnson, I believe that into every teacher's life there comes a "time to be in earnest." This is such a time for me.

"Teaching Life: Letters from a Life in Literature" is sure to leave an indelible mark on you, whether (or especially if) you are a teacher (first-year or veteran) or simply a lover of books, literature, and learning. I doubt I will ever be as well-read as the author, or acquire such rich and varied life experiences. But reading this book has inspired me to try. Reading this book was also a way of renewing my own vows to my students: to honor and respect their time, to be an example of curiosity and knowledge, to listen and learn from them. When I finished the last page, I was eager to find a quiet place to sit and reflect on everything I'd read. I'm sure I'll continue to do so for a long, long time.

After having been a college Professor for over 16 years myself, I thought I knew all (or at least most) there is to know about my profession. Dr. Salwak's book has provided me with a tremendous amount of knowledge and inspiration. I am humbled by the realization that there is still much to be learned and very appreciative by the warmth and insightfulness with which the book is written.
This book is a masterful piece of literature that can be of tremendous inspiration for readers pursuing a number of different careers.
Letters from a Life in Literature feels like a warm cup of tea in a cold rainy day. I highly recommend it.

This book has an incomparable value to me that is hard to explain with words. It has provided me with very valuable insight that I certainly could not obtain from any other source. As a future teacher, it was very important to me to experience through Dr. Salwak's words all what this wonderful profession of teaching involves. Before reading the book, I certainly thought of teaching as my career goal, but now, I have come to realize that it is my vocation and my passion.

I enjoyed each and every single chapter in this book, from the interesting classroom anecdotes to the sad and reflective moment that the death of a father represents. However, I think that for people like me, whose journey into the wonderful profession of teaching has just began, the chapter about "Transition" is a must read because it explains in detail the challengeable "transition from feeling like a student to living fully as a scholar-teacher." The book also covers other important subjects for early teachers, such as the art of lecturing, reading, and, the most important (I think), how to connect with students.

I would definitely recommend this book not only to anyone in the teaching profession but to everyone who wants to learn more about life from this wonderful professor and person: Dr. Salwak. As his former student, he has changed my life in ways that I would never imagine and I am pretty sure that anyone who could have the chance of reading this book will certainly agree with me that his knowledge and wisdom are without comparison.

In "Teaching Life: Letters From a Life in Literature," Dr. Dale Salwak writes of what it can be like to immerse one's self into a book.

"It can be intimidating to read hundreds of pages written by a man or woman who knows more than we do about a subject he or she has studied and researched for many years."

In this 180-page piece of work-part epistolary memoir, part handbook-readers will find themselves in such a situation, as they immerse themselves into the mind of a man whose 35 years spent as a literature professor have made him a master of his profession, and whose experiences have made him a master of living.

For all readers, whether they are beginning or seasoned teachers, students or the general public, intimidation gives way to awe, as Salwak's innermost insights encourage, excite and humble.

Salwak, professor of English at Citrus College, was inspired to write "Teaching Life" in response to the sudden tragic death of one of his students. For the sake of privacy, he gives her the name Kelly for this book. In 1978, as she was on her way to Salwak's office to discuss her plans to pursue a career in teaching, Kelly died in a car accident.

"Perhaps it was the suddenness of her death, the utter loss of so much potential, the appointment we never kept which left me wondering whether anything I had said in class had made a difference in her too-short life-or, for that matter, in the lives of any of my students," Salwak writes.

Five years later, Salwak realized that one way to answer the many questions that had risen from the tragedy would be to write a series of imagined letters to Kelly as if she had lived, gone on to earn her bachelor's degree, completed graduate school, become a teacher and earned tenure.

Thus, the premise of "Teaching Life" was formed.

The book consists of 16 chapters, or letters, each discussing a different aspect of education, literature and life. Each is poignant, finely articulated and detailed.

Although the letters are addressed to Kelly, readers get the sense that Salwak is speaking directly to them, which appears to have been precisely his purpose. Salwak puts each written word to great use.

In response to Salwak's great question as to whether he makes a difference in his students' lives, the answer is evident throughout the pages of "Teaching Life."

Students who have had the privilege of learning from this deeply caring instructor can profess that Salwak has indeed made, and continues to make, a great difference. For students and others who have never had the chance to know Salwak, this book offers that opportunity.

In "Teaching Life" Salwak does what he does every day of his career, where his great passion and talent lay-he teaches.