Z Books

I purchased this book intending to get an unbiased view of the Spanish exploration of the New World. That is a difficult task given the nature of 20th & 21st Century academia.

This text, an eye witness account of what happened on real explorations, more than satisfies my objective. What's more, it's as exciting as can be... kind of like Star Wars... exploring new worlds, defeating the bad guys and establishing new alliances.

Excellent work.

If I could rate this work greater than five stars, I would. Not that it's the most erudite of tales but simply because it is the truth as Bernal Diaz experienced it. Almost certainly, it isn't one hundred percent accurate for Diaz' experiences are necessarily modified by the years separating his experiences from his writing of it. Nor was he, or any other member of the Cortez' expedition, an anthropologist, ethnographesr, scientist or even a particularly accurate observer. They were simple men--brave men, brutal men, trapped men--bent on plunder.

Still the Bernal Diaz memoirs are as good as it gets regarding the Conquest of Mexico and, as such, is an invaluable account. I find his account so important that I used it as my primary source in researching my novels--"Skull Rack" and "Hummingbird God"--on the Conquest of Mexico. I loved it when Diaz remarks towards the end of his account that, even in his old age, he wasn't able to sleep the night through. He "had to get up and look around." It's fascinating to note that basic human nature doesn't really change. Bernal Diaz del Castillo was suffering from post-traumatic stress disorder induced by the fearful events of his two year battle in Mexico. Also, I loved it when he commented--also toward the end of his tale--that "although we robbed the Indiains, Cortez robbed his soldiers even more."

Cortez, for all his brillianace, luck and perseveranace, was, at the end, nothing more than a common thief.

Ron Braithwaite

When I first read the 1800 English translation, I could not put it down. Here are the first lines--a real grabbers! "In the year 1514, I left Castile (Spain) in company with Pedro Arias de Avila, who was then appointed governor of Tierra Firma (east Panama)...but afterwards suspicious that his son-in-law had an intention of revolting, he caused him to be beheaded."

Bernal's description of the Aztec city of Tenochtitlan is amazing: "To many of us it appeared doubtful whether we were asleep of awake; nor is the manner in which I express myself to be wondered at, for it must be considered, that never yet did man see, hear or dream of anything equal to the spectacle which appeared to our eyes on this day."

And how about this magnificent line: "And now, let who can, tell me, where are men in this world to be found, except ourselves, who would have hazarded such an attempt."

And here is the horrific vision the Spaniards beheld when they climbed to the top of the great Aztec temple-pyramid. Remember that nearby, and looming up like a nightmare, was the stupendous "tzompantli," or skull rack. By careful Spanish count, it contained the grinning remains of 136,000 human beings.

"In this place they had a drum of most enormous size, the head of which was made of the skins of large serpents: this instrument when struck resounded with a noise that could be heard to the distance of two leagues, and so doleful that it deserved to be named the music of the infernal regions; and with their horrible sounding horns and trumpets, their great knives for sacrifice, their human victims, and their blood besprinkled altars, I devoted them, and all their wickedness to God's vengeance, and thought that the time would never arrive, that I should escape from this scene of human butchery, horrible smells, and more detestable sights."

The Conquest takes on a different color when seen through the eyes of the Spanish. Yes, they were greedy and cruel, but the scale of human sacrifice practiced by the Aztecs was beyond imagination. It is said that some twenty thousand people were sacrificed for the dedication of the Temple of the Sun. The Aztec priests worked for hours on end cutting out human hearts. They worked until they collapsed from exhaustion.

Bernal's history is also interesting for another entirely different reason. Joseph Smith (born 1805), the Mormon prophet, came of age during the period of English translations of Spanish histories (Bernal's in 1800 in London, and 1803 in the US, and Clevigero's "History of Mexico" in 1806 in Virginia and 1817 in Philadelphia).

Therefore, the golden splendor of the Spanish conquests of Mexico and Peru was fresh on everyone's mind, especially because the Spanish colony of Florida had become an American state (1821).

Thus, any notion that Americans were unaware of the great civilizations of ancient America is without foundation in real history. Ancient civilizations in America were so on the mind of people that in 1816, Solomon Spaulding wrote a history about a white and dark race in ancient America. His novel, "Manuscript Found," had the white race of mound builders destroyed by a darker-skin race.

Read my review of Robert Silverberg's magnificent book, "The Mound Builders of Ancient America: The Archaeology of a Myth." A must-read for anyone interested in the archaeology and myths about ancient America. Click here: Mound Builders

First person historical accounts are generally the best way to read history and have it come alive in the mind of the reader. This book by Bernal Diaz is certainly no exception to that rule. Although Diaz wrote this much later in life, and doubtless his memory was not perfect, it is obvious that the experience of marching with Cortez in the conquest of the Aztec empire left innumerable vivid memories in his mind.

I am very sensitive to the fact that the conquest of the Aztec empire and other native empires in the Americas left a horrific legacy which is still felt dramatically throughout the hemisphere. Despite the fact that in many ways, the conquistadors should not be considered "heroes," I think we still can admire and be awed by their courage and fortitude in the face of unbelievable odds in facing the Aztecs and not only escaping with their lives, but eventually conquering the entire civilization. Diaz brings these events to life better than any history book I ever read, and I highly commend this book to anyone interested in the history of this period, of Mexico, or Latin America in general.

Diaz was one of the soldiers who accompanied Cortez to invade the Aztec Empire. His account is one of the best we have of the whole affair. It is not written with much bias and was written to discount historical myths after the invasion had taken place. It is very analytical at times and his analysis of what happened is given added authority since he was present at the events. If you want to understand what happened this is a great book to read.

We checked "Alpha Oops!" out at our local library on a whim and my 2 year old daughter loves it! She actually runs around the house reciting lines from it, like "Fair and Equal Turns for All!" and "U is for Unique!" I had to read this book to her every night for weeks and even though we've returned it she's still talking about it. The best part about this book though for grownups is the adult humor that is interspersed and the smart illustrations. You've got to love a book about the alphabet in which the letter Z prevents the letter V from taking a second turn by dragging him away and the letter G observes "Oooooh...V is for Violence."

This book is SO hilarious! Very silly and clever. I got it when my son was four and now he's five. It's one of our many favorites. The letters come in all out of order and they argue about who should go next, and at the end on the last page they are still all jumbled up. The story ends and then we play the game we invented of "find the letters in order." It takes a few minutes because the illustrations are really detailed. We won't get tired of this one any time soon.

This book is very clever and a lot of fun. We have two small children and continue to read it over and over (and over and over and over). Especially for our two-year-old, who only recently mastered the alphabet, finding the letters out of order has proved to be a treat. He delights in trying to explain to us where the letters should really be. Also, the word pairings are fresh and unique. Everyone knows A Is For Apple. This book gives you stuff like "B is for big beautiful balloons blowing briskly in the breeze above a bevy of bright blue bouncing balls." The illustrations are also wonderful. Highly recommended.

I bought this book for my youngest nephew's birthday, and I almost kept it for myself. I love the way that each letter has its own character that comes through in the text and illustrations. It really is a fun way to teach kids the alphabet - "A" doesn't always have to go first!

This is the type of book I wish was available to me when I was learning letters. The concept of giving each individual letter it's own personality is brilliant. Finally, someone has made the process of learning letters fun and interesting. Thank you, Ms. Kontis! Looking forward to more from you in the future...

If you have a child age 4 - 10 years-old get this book now. Do not wait. The world could be coming to an end. What is that thing in the sky anyway?

Adventures abound while above the comet looms. The characters are filled with foibles and nobility. Moomintroll and the Snork Maiden are one of the world's greatest couples, even if they are about 11 years-old and completely asexual. Love does not conquer all, but it sure takes the sting out.

Hurry! Moominmamma, Fillijonks, the Snork Maiden, Little My, Hemulens and Groks are all waiting to meet you. You do not want to miss them, but more importantly you do not want your child to grow up without them.

I too grew up reading these books, then bought them for my own children to read, and now still enjoy reading them from time to time - sure it is an easy read for an adult, but what better way to spend a dark, rainy day then to curl up with a fun book that brings back all those warm and happy thoughts of childhood?!

I am so delighted to find that these are still available today and recommend them to everyone, young and old alike.

If you're intrested in more great Scandinavian literature, I highly recommend Kay Nielsen, who published a book by the name of "East of The Sun, West Of The Moon" filled with fantastically magical Scandinavian folk/fairy tales and his stunning artwork! I am not sure if it is still available to buy but should be in your local library. If not if you request it they can probably send for a copy.

Hope this was helpful!!:-)

~Most Happy~
¸.·' .·'¨¨))
((¸¸.·' ..·' -:¦:- ~Lady Anne~
-:¦:- ((¸¸.·'

Wonderful book for both children and adults. I fell in love with moomin adventures as a kid and wanted to share it with my child. He loved it too.The charm of the Moomin Valley never fades.
The shipping was fast and the book was in mint condition, I am very pleased with this purchase.

Large astronomical objects blow up everything, even trolls.


So what is a young moomin to do when threatened with extinction by big space rock smooshing? Set out to save the world of course, preferably with a bunch of friends. If you make some new ones on the way, then that is perfectly fine as well. How exactly a short funny looking little guy can have his own astronomical impact requires a bit of invention.

Tove Jansson, Comet in Moominland (Ernest Benn Ltd., 1946)

It is one of the great travesties of literature in translation that of the fourteen legendary Moomin books written by Tove Jansson, three of them have, as far as I have been able to tell, weathered over half a century without being translated into English, despite the great success of the other eleven. It's a twist of the knife that The Little Trolls and the Big Flood, the first of the series, is one of the three. (Note: the book has, in fact, been recently translated, but it only available, as of this writing, in Finland.) Thus, for over fifty years, English children delving into the Moomin books (and they have been legion) have started their journey here, with the second book, Comet in Moominland. And while it's a decent book, it's not the highlight of the series by a long shot. Would it be better if we had access to the first? I've no idea. I hope to find out eventually.

Moomintroll and Sniff are young, and they do love a good adventure. During a wild storm, they meet the Muskrat, a philosopher who foretells the end of the world. Sure enough, not long after, astronomers spy a comet rushing towards the earth, and Moomintroll, Sniff, and their new friend the Silk-Monkey head off to find astronomers to consult with. A grand adventure, indeed.

Back when I was a kid devouring the Moomin books, Comet in Moominland was my least favorite of the series. I'm not terribly sure why, rereading it, now, because it's got pretty much everything a kid could want-- fantastic creatures, grand adventure, the fate of the world hanging in the balance, all that stuff. I really did like it a great deal this time round. If I find the rest of the series that much better in rereads as I did thirty-odd years ago, I'm in for a wonderful series of re-reads. This is great stuff. *** ½

This book is just as most of the reviews have said. Fantastic pictures and stories of the original DOGTOWN Z-BOYS in their heyday. I don't understand how the previous reviewer can say it was "not what she expected" ? THE STORIES AND PROFILES IN THIS BOOK ARE WHAT MADE THE Z-BOYS! It's all about the Z-Boys and the cult that surrounded them, and no one else, so she is mistaken when she says it's not about the Z-Boys, she just must not have taken the time to actually look at the book. It is the ultimate resource on the Z-Boys. There was never anything as important as these stories and pictures to "The Legend" that showed the world what these guys did, who they were, and where they came from. And C.R. Stecyks's words go far beyond what you would expect! Top notch story telling and social commentary. The Glen E. Friedman photos alone, in the second half of the book, are worth it's price. All the photography is so colorful, literally and figuratively. This is true 1970's Southern California Americana at it's best. A must for ANY Z-Boys, Skateboarding, or 70's Pop-cuture fan.

If you love creative non-fiction, you'll love this book. Even if you have no emotional attachment to skateboarding, even if you hate skateboarding. The photographs could do all the talking, but once you read the words of CR Stecyk, you'll be a skateboard enthusiast even if you've never seen a half-pipe.

Journalist Stecyk and photographer Friedman grew up in the creative 1970s California coast atmosphere in which their friends pioneer skateboarders, the Z-boys, reinvented their sport. They lived amongst them, they were them. They utelized their artistic talents to chronicle the birth of the Santa Monica surf-skate culture, and their exploits are compiled in this book, a tangible, more-comprehensive version of Peralta's documentary "Dogtown and Z-boys." See the film, get the book, you'll be hooked.

If you were around when Dogtown was the thing, or are just interested in this era of skateboarding, don't miss out on this book! It's got tons of great photos, and of course, the original articles that were in "Skateboarder" magazine. This book is very well constructed; hard-bound glossy pages, all for less than half the price of an old Skateboarder issue on e-bay. Totally worth the money!

I'm not into skating but my 17 year old nephew Stephen is. He is hard to shop for and when I saw this book I knew it was for him. Let me tell you it was a HUGE hit on Christmas morning! The pictures are great and anything that gets kids interested in reading these days gets my vote.

When I bought this book I expected a biography-type book, like the story of the Z-Boys. That's not really what this is. It's just a collection of articles written about skateboarding during their time. It also has some interviews with Stacy Peralta, Tony Alva, and Jay, but the book is mostly about skateboarding during this time, not really about the Z-boys.

It does have a really good amount of photos of them though. So, if you are a skateboarder, this would be a good book, but for a fan of the Z-Boys, this might just be a disapointment.

The work of Hakim Bey is well-known in that other american world, the "underground" society, the one of subculture, silent resistance and anarchy. But slowly it has been bubbling to the surface, often in unexpected places. The novel and film Fight Club, surely shows an affection for poetic terrorism, an idea rooted in Bey's ontological anarchism and closely related to the situationist tactic of detornement. T.A.Z. is not the property of any philosophy but chaos and elegant disorder. Sure, there are aspects of anarchism, chaos thinking, situationist leanings, but that is just a symptom of the spectacle and is such precisely because of it. These essays all point to a way out of this spectacular society, but the first step comes with the mere recognition of it. This is harder than it sounds, or perhaps easier. TV and the media are always easy components to recognize, the real challenge is to recognize how the spectacle, i.e., the prefabricated, artificial, consumerist milieu penetrates, influences and shapes even our most intimate thoughts--which we often mistake for our own desires, wants and needs. In T.A.Z. Bey offers suggestions on how we can extricate ourselves from this structure and start creating our own temporary autonomous zones, within this system of economic, social and cultural oppression. Immediatism, Poetic Terrorism, and the embrace of Chaos are just a few of the strategies that he advises, all of which presuppose a new dialectic with reality.

This is only an outline, a mere review, I leave discerning and interpreting the details to you...Get this book today (also available in spoken word from axiom records).

TAZ is an amazing book. I personally see it as a philosophy and a self-improvement book. Hakim Bey presents his ideas about how the universe should be, chaotic. If you are into chaos magic or discordianism you will find this book very appealing and its a book that must be in your collection.

TAZ is a virus, it spreads through all the self-created walls that hold you down with the promise of true freedom. Suddenly you will become chaos.

Assume nothing.

I am surprised that the sort of people attracted to such a work--to guess from previous reviews--are still apparently apt to want to swallow the thing wholly, assertions that "they lied to you, sold you ideas" and all. Personally i reckon that we are in the midst of a conspiracy, yes...but most likely an unconscious one--the aggregate of fear & complacency & ignorance & such things, that is, resulting insidiously in the effects of a sort of conspiracy. What sort of result, for example, would one really expect from blowing up a transmission tower? A sudden enlightenment of the populace? No: most people would likely become even more reactionary when faced with causes for alarm.

Essentially this book, in spite of its claims to the contrary, seems to me a variety of art movement and not the "ultimate" anything, but as with anything so incendiary and beautiful its value can still hardly be overestimated. Who can resist Poetic Terrorism or Bey's felicity with language (eg. Chaote art)? The language and imagery are colourful and bursting full. Imagine a feast laid out on a table with barely enough room for the feasters' plates--and certainly not enough for their elbows--and everyone seated around it wearing purple plumage or velvet saris or nothing at all & laughing with food in their mouths.

I'll take what i need and leave the rest, as it goes. Implicit in most of the writing is criticism of those who would reject any part of the "freedom" described, but who's afraid of Hakim Bey? I'm glad he wrote even if i won't be taking all of what he wrote to heart.

Have a couple of dictionaries standing by, or be sure to have a few dozen bookmarked online while reading this, for if you're to appreciate Bey's prose, you're likely to need 'em. He writes in a strange way, obviously highly intelligent, but rambling, and if you're not quite sure what he's on about, it's just going to seem worse.

There are a lot of ideas in here, based on things I'm not very familiar with, such as Sufism and dadism - some of which are at least partially explained, but this is one of those books you need to read, and then come back to later and see how it compares. Certainly on the first go struggling somewhat to get a feel for how his mind works on paper.

It's a very inspiring work, which he may loathe to hear, but I intend to do something about it. I recommend reading it to anyone interested in expanding their interests and testing the limits of one's mind. Agreeing with everything he presents isn't necessary, but thinking about it is - doing even better. Highly recommended reading.

This is one of those pieces of literature that you simply cannot afford to miss. It's like discovering Marge Piercy at the tender, malleable age of 12, or finding Clarissa Pinkola Estes' book, worn and well-loved, after a ten-year marriage filled with abuse. Except, TAZ doesn't require you to be at any particular phase of your life to change it. It just does. Sometimes, it's not immediate. Sometimes it sits quietly in the back of your mind, bubbling up curt replies to oppressive corporate and societal forces that occasionally - tragically infrequently, to begin with - with issue forth from your mouth and cause bank tellers to go pale with shock.

Temporary Autonomous Zones are nets of co-conspirators, ready to take the mass of over-bearing government and the thin veneer of so-called civilization down, not through bloody revolution, but rather through obsolescence. If we do not respect the right to control us, if we have our own power back to do our own work, only then are we our own people. And moreover, in "Ontological Anarchism", we find the suggestion that we do not have to define ourselves by ANYTHING other than what WE feel we are. We are "supposed" to be productive, civilized, friendly, codependent, well-dressed, well-paid, well-fed and easily coddled. But humans are NOT that - we are animals, base creatures of a triple nature, as gods are, as goddesses are. And in each as our own deity, we cannot be truly shaped by anyone else but our own ineffable nature.

And that's just the beginning....

I was never into Dragonball when the anime premiered when I was young, and I did not grow up idolizing it like several other boys of my generation. However, after beginning to appreciate the works of more modern mangaka, I decided that it's time to read on the most influential classic that inspired so many of my favorite artists: Akira Toriyama's "Dragonball".

I will point out right now that this VIZBIG edition is the first three volumes of Dragonball in one large volume at a more economically friendly price. A wise move since the entire series has been available for quite a while now. Not only that, but the page size is larger, giving you a larger view, and two chapters are in full color.

The story, for those who need to know, is that a brilliant teenage girl named Bulma is searching for seven mystical "Dragonballs" that, when all found, summon the dragon-god Shenlong(Shenron in the Funimation anime dub), and he will grant the person a single wish, whatever it may be. On her quest, she runs into a strange young boy named Son Goku who has a mysterious tail and a bo staff that can extend at his will. Added to that, the boy has unnaturally powerful strength and NO knowledge of civilization abroad. What results is one comical misadventure after the other as the two meet more strange and interesting individuals, some good, some evil, as they try to find the remaining Dragonballs.

This set takes you through the beginning, to the meeting of individuals such as Kame Senn'in(Master Roshi in Funimation dub), Oolong, Yamcha, Reich Pilaf (Emperor in the anime dub), and Kuririn (Krillin in the dub)up until the first fights of the Tenka'ichi Budokai ("Strongest Under Heaven" Tournament, roughly).

Those who have watched Dragonball's sequel set, Dragonball Z, will quickly note a greater emphasis on comedy than action, and indeed the manga is silly. I would not recommend this to young children as there is lots of sexual-based humor. While the story is interesting, it only gets to some real interesting stuff near the later half of the entire book when a bit more combat occurs. Two significant cons of the set are as follows:

1. The colored pages. Don't get me wrong, I like colored pages, but the coloring in this set is mediocre at best. While some things, like the backgrounds, are colored nicely, there are inconsistencies in the color of Bulma's hair and Pilaf's skin. Both are colored as turquoise-to-purple and blue-to-green, respectively. Also, this makes the chapters that were once color(now grey-scale in the manga) to look weak in outline and detail, making some panels appear to be poorly printed.

2. Some of the writing. Many know that Viz is big on softened, somewhat childish dialog for some series, but I believe Dragonball is one of the most infamous. They use a lot of contractions for simple words, making them out to be spoken by someone with poor diction("for" becomes "f'r", "what are you" becomes "wha'cha", etc.). And sometimes, the characters say some pretty lame puns that I'm sure were not in the original. Bad like 4kids Entertainment bad(Pilaf: Soba! Are things going okay?! Soba: So ba, so good!).

However, none of this takes away TOO much to the manga, and it is still largely enjoyable to read. Many of the names are translated well, as well as keeping the original names of some objects. There are also several editor's notes to let you know of stuff that needs reference to Japanese culture, and whatnot.

If you've never read or watched this series before, then you'll probably enjoy the cartoony designs and comical characters. There is not much in terms of action, but that changes when Dragonball Z starts. Buy all means, if you want this, get this version, its cheaper and you get more manga for your money.

I have had this comic book for so many years and for so many years i never got around to reading it as it seemed to find a life just lying on my book shelf as an ornament. With the recent re-releases of the DBZ DVD uncut re-mastered box sets I found myself finally being able to watch DBZ as I couldn't before. The reason being that when I wanted to watch DBZ on the cartoon network it was already way to deep in the storyline for me to follow and catch up so I decided to never jump on the DBZ nation. Now with the DVD sets being so affordable and just jammed with so many episodes I couldn't pass the opportunity. So I ended up really loving the cartoon and it did take about 1 episode for me to get comfortable with the English voice cast.

Now DB isn't available on DVD box set uncut re-mastered so I thought I would turn to the comics to see where it all began. I finally read the book on my shelf that's been there for years and I really enjoyed it. I am glad I never threw it out on one of my weekly apartment cleaning splurges. The artwork of course is stellar and I love Japanese comics because they have so many pages unlike US comics that only have about 21 pages. It's nice to see how Bulma met Goku and how Oolong & Yamcha all fell into the scheme of things. I always wondered where Chi Chi came from & now I know. I found the book so enjoyable that I ordered the other 15 issues that rounded up the original DB saga. I found myself just waiting for the next page to turn. The creator/artist does a wonderful job of balancing action, humor, friendship, & dirty jokes all in one. This truly is a piece of art that is a masterpiece to own. It also makes a great quick read on any vacation or bus ride. The version I have is the 1st one published by Viz Comics and is the exact same one displayed here except it has a white cover & not red. It is also a little bigger which I like. I am a bit shocked by some reviews that say it's too racy for teenagers. The comic is in cartoon animated children like format; i doubt it's harmful unless your child needs psychiatric help if a comic book influences them that heavily to want to beat people with a stick that magically extends or imagines that people can sit on clouds that fly you places. I am also certain young children won't find the humor the way a grown teenager or someone in their 20's would. I didn't find any racy or uncomfortable content in the comic whatsoever. Everything is in for humor effect. This comic is for any art lover and any DBZ lover. It's simply the best and one of the best artistic contributions to the world.

i grew up watching the anime so i had no problem getting into this. it is a very creative story and the characters grow on you. give it a chance its not a bad read at all.

Okay, while Dragon Ball isn't my favorite manga, it is probable the most well-known and most celebrated manga to date. And for good reason.

Volume 1 tells the story of when Bulma first met Goku, and they decide to hunt down the dragon balls. Goku's grandfather has died, and he is living alone in the wilderness, so he really has nothing to lose. The stories in this volume leave you wondering about Goku's origin (Bulma is constantly suprised by his mysterious monkey-tail), laughing at Goku's innocence, Oolong the pigs diarrhea, and Yamcha's shy perversion. Dragon Ball is a great manga. It will have you laughing and marveling at Akira Toriyama's unique artwork. If you're a fan of shonen manga but have not read Dragon Ball, do yourself a favor and try it out.

On a side note, Dragon Ball: Volume 1 is rated T for teen (ages 13 and over). I have heard that there are censored versions of the book as well as uncensored ones, and I'm not sure if this is true, but I know that I own an uncensored book. Uncensored, Dragon Ball contains some mild language, some mild violence (a cartoonish monster is decapitated),many sexual jokes (Goku is often "patting" strangers out of curiosity to whether they are male or female), and a generous amount of nudity (Son Goku is seen completely nude, Bulma has a shower scene where breasts and bottom are exposed, etc.) I'd recommend Dragon Ball for those ages 16 and over, despite the teen rating it received.

Akira Toriyama's 1984 manga series "Dragonball" has got to be one of my favorites. While a lot of people in America think (negatively) of Dragonball as Dragonball Z or GT (manga/anime), I think of the classic Dragonball that has entertained me for the last couple years.

I first found Dragonball when browsing through manga at my local bookstore. The dragon on the cover was just one of the things that caught my eye. Inside, there was a whole world to be explored! I fell in love with Toriyama's detailed art, the ironic and entertaining storyline, the characters, the jokes...everything has made it a wonderful manga for me.

While it has its good things, it also has its bad. I would not reccomend Dragonball for people younger than 14, or to people who don't like manga, or even can't take a joke. Dragonball contains some violence (but no blood), crude humor, and sexual references.

In conclusion, Dragonball is just one of my favorite manga series, but perhaps my most valued. I hope you will like Dragonball, too!

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.

I enjoy the adventure in all these books and particularly like the fact that there is a series of books and they have the same characters.

A famous writer is coming to Green Lawn, but after the writer doesn't show up for a book signing event in the Book Nook, Dink, Josh and Ruth Rose are worried.
Later in Dink's letter it says the the writer was probly kidnapped.
SO they started investingation, was the auther really kidnapped and by whom?
You need to read the book and find out!

My eight year old grandson is avid reader. He reads 2 years ahead of his grade level in school. I always think of books for my grandkids as gifts. When his birthday was coming, I came looking for books. I found this series. They are called the A-Z mysteries. I bought the first ten books A-J and they were such a success. He loves everyone of them. I am going to buy more of them to use as gifts for good report cards, etc. I think that books are the most important gift that you can give to a child and these books are great.

I like everything about the kidnapping stuff. I like Dink, Josh and Ruth Rose. I think the pictures should be in color.
It was a good mystery.

I wanted to get a beginner's chapter book for my almost 6-year-old daughter. I thought about Junie B. Jones or the Magic Tree House series, but I was turned off by Junie's poor grammar (or at least the author's attempt to make her sound like a "real" 6-year-old), and by the Magic Tree House's female character being "dreamy" while her brother was "logical". This book managed to avoid those caveats, while still being an entertaining read for my daughter. I wasn't sure at first if she could follow a chapter book on her own, with illustrations only appearing every 3 pages or so, so I read her the first two chapters last night. This morning, the first thing she reached for was that book. Instead of getting up and watching Saturday morning cartoons, she sat in bed, ate a banana, and finished her new book. I couldn't ask for anything better.

I was getting to know a song by Charles Trenet, one about a rained-out fairground populated by semi-human monsters, and it flashed on me that it reminded me of one of the Moomintroll stories that had made a fine, somewhat creepy, impression in childhood. Turned out I was remembering "The Hemulen Who Loved Silence" from "Tales from Moomin Valley". That story, proved to have indeed featured a rained-out fairground -- well, not just rained out but spectacularly destroyed by flooding, something that happens frequently in Tove Jansson's books. that story proved to be just as great as I'd remembered, and maybe better as it had psychological insight and satirical wit that I suspect I didn't entirely grasp as a kid. I soon found myself reading one Moomin book after another.

They all have wickedly funny moments, they're all fanciful, they're all subtle in some way. But some of them are really aimed at kids and, despite their considerable charms, can wear thin at times.

Moominpappa at Sea is a really great one for the adult reader. Yes, it has all the fancy and fun of a children's book, but....good lord! it is wonderfully complex. very funny, psychologically perceptive, at times very creepy. Where, say, Moominvalley Midwinter is a series of loosely connected episodes, everything in Moominpappa at Sea fits together very cleverly, from the first sentence to the last.

the plot hinges on Moominpappa's vain, poignant quest to have his family feel like they still need him. Moomintroll on the other hand is making some kind of adolescent transition, getting away from the family, bonding in the dark on the beach with a strange creature.

Jansson is one of the only authors I've ever read, for either child or adult, who can so deftly put her fingers on life as we experience it - the mood shifts, the disappointments and inner worlds and longings, the quirks and kindnesses, the tangible atmosphere of the seasons and the weather and the seaside... by God, she's got it, and with a few flicks of the pen, she can realize them fully and make us feel them too (even when her protagonists are fictional, round little "Moomintrolls" off for a month on a mysterious windswept lighthouse island.) Astonishing. A book to read and reread by anyone in grade 4 and up, especially in August and September (though anytime will do.)

My parents used to read the Moominbooks when to us when we were young, and they made a lasting impression on me. For me, Moominpappa at Sea was probably my favourite, along with Comet in Moominland.

Given that the books were originally written in Finnish the translator has done a fantastic job to make the stories incredibly readable and finely nuanced in English. It's possible that the books appealed to us kids so much because they come out of a European culture quite distinctly different from most of the English and American stories we were used to.

The chapters are the right length to read aloud one at a time to kids. (Good for bedtime stories in the summer holidays, I seem to recall!)

I was fortunate enough a couple of years ago to take a ferry across the Gulf of Finland from Stockholm in Sweden to Turku in Finland, and the little rocky islands in the Gulf are almost exactly as I imagined them from the book...

I first discovered this book at the age of about 12 or 13, already older than the average moomin reader, but having read most of the others. It was obvious that this was no ordinary moomin book, and neither was it strictly a children's book. In fact it is a masterly observation of family dynamics, mid life crises and the human condition, but mixed with a mysterious and fantastic magic that leads to spine tingling excitement and making one question how we know what is real.

Every psychology student has something to analyse in every character, and anyone who ever had a moment of doubt about the meaning of their life has something to ponder. What father with a teenage family would not relate to Moominpappa's melancholy, feeling that his life is without purpose now his family appear to be independent, his urge to be needed, to be able to protect them? What homesick traveller could not understand Moominmamma's longing for her garden, (and its magical transformation which you will have to read for yourselves). The description of her homesickness brings tears to the eyes. And what put-upon mother could not identify with her delight in being able to disappear from her family just long enough to stop them taking her for granted? The glimpses of the fond, but no longer passionate relationship between Moominmamma and Moominpappa, and Moominmamma's endless patience for Pappa's foibles, their need for their own roles, and his inability to understand her own needs says more about the maried state than plenty of far more learned texts. We will all be able to identify the same dynamics in our own families and relationships.

Meanwhile Moomintroll's adolescent emotional awakening must bring nostalgic memories of first love to we adult readers, but must surely mystify the average 8 year old. Younger children do not usually have a developed enough sense of other people's individuality to understand the complexities of what is driving the Moomin family to their peculiar dispersal.

The allegory of the frozen Groke could represent so much - I feel a thesis coming on - but I think represents how people get into a vicious cycle;cut off emotionally because no one interacts with them, and becoming ever more reclusive and antisocialin a vicious cycle. She makes us think about how we subconciously excuse ourselves for avoiding the lonely, scared, mentally ill, etc among us, for fear we may be "tainted" them.

Although I'm sure children will enjoy it at one level I recommend it highly to everyone, particularly if you are in a life crisis. I have lent it to nearly all my close friends and no one has yet not enjoyed it thoroughly.

Anyone who enjoyed this book should also enjoy Moominvalley in November with a similar selection of odd characters who we will all recognize among our own aquaintance.

The good news is you don't have to be a child to be enchanted by the Moomins. The bad news (for me) is missing out on these delightful stories when a child. I always try to begin the Moomin tales in the middle of the day because I know I won't stop until the end of the story.

Moominpappa decides they all need an adventure, and he is most desirous of "taking care" of everyone so Moominmamma can rest and all can be safe and protected. They set sail on an evening in late August to a small island in the Gulf of Finland planning to live in a wonderful lighthouse. The island is strange, bleak and barren. The lighthouse appears abandoned and is locked. The Moomin family consisting of Mamma, Papa, little son Troll, and Little My all go about practical tasks of settling in, first a search to locate a key. The living quarters in the lighthouse are at the very top only to be reached by a rickety spiral staircase. Much to Pappa's dismay, the light is out, and he cannot make it work. The fall storms begin (Pappa never explains why he didn't begin his adventure in the spring) and the life on the island becomes terrifying as well as bleak.

Though the Moomins get angry at one another, they are unfailingly polite and cooperative with the exception of Little My who is a cheerful, cynical pragmatist. Mamma & Pappa are very permissive parents, but always interested in what Troll and Little My are thinking and doing. The author very gently shows how perhaps there is a downside to sleeping and eating when you want, sleeping where your fancy takes you, and going on any adventure that occurs to you. There is delightful comedy where the Moomins throw a birthday party for The Fisherman, and he discovers all his "presents" belonged to him in the first place.

Come, enter the world of the Moomins! You might want to stay!