T Books
Related Subjects: Thomas, Frank Trammell, Alan Thompson, Justin Tsao, Chin-Hui Thompson, Mat Trout, Paul
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Used price: $71.99

A great bookReview Date: 2008-04-27
Concise and interestingReview Date: 2008-03-22
It is also very helpful if one knows like what exactly sounds a linguolabial or a laminal or a voiced epiglottal fricative, otherwise he may be at lost..
Rare ExcellenceReview Date: 2008-03-28
It has now. Thoroughly recommended.
Peter West
The best resource on writing systems availableReview Date: 2008-02-17
In a book of this kind the quality of the printing is a major consideration, as the samples of text need to be large enough and black enough for the individual characters to be read, and ideally should harmonize with the surrounding text in English. Before the age of computer-based typesetting it would have been impossible even to approach this ideal except at enormous price, but now it has become realistic. In general this book comes very close to the ideal, with a very high level of typography.
At more than 900 pages the book goes far beyond a mere listing of scripts with samples. It also includes a great deal of historical and cultural information, explaining how the different scripts evolved to their present state. In addition there is information about how the more successful scripts, not just Latin but also Arabic, Russian, Hebrew, Aramaic and so on, were adapted to languages different from those where they began.
At its published price the book is probably beyond the pockets of most general readers. It is worth mentioning, therefore, that on at least two occasions in recent years it has been available through Amazon with a very large discount, and one can probably expect this to happen again. I bought my copy at 40% of the published price, for example, and with that sort of discount it need not be restricted to libraries and specialists.
Is what it says it is but...Review Date: 2007-10-24

Used price: $5.98

Someone finally speaks the truth!Review Date: 2008-05-29
Made me laugh out loud!Review Date: 2008-09-21
Tenderly Written, Don't Miss This OneReview Date: 2008-06-06
The next Erma BombeckReview Date: 2008-05-20
Paraphrasing a favorite commercial of my youth ... buy it, you'll like it. And Jen, keep 'em coming.You're a Good Mom (and Your Kids Aren't So Bad Either)
What an awesome book!Review Date: 2008-05-07

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Amazing!Review Date: 2008-01-18
Bradley Hathaway "All the Hits So Far But Don't Expect Too Much."Review Date: 2007-12-11
Absolutly Amazing!Review Date: 2007-07-22
Ahhhh!!!! I LOOOOOVE him!!!!Review Date: 2006-04-12
Inspiration for allReview Date: 2006-02-01
The book is an excellent way to explain where the poems came from and a little more about what they mean. The book creates a context for the poems that help people understand the poems and not jump to conclusions about what Bradley "really" meant.
This book/cd offers an enjoyable collection of honest, insightful, and sometimes satirical, poems that will make you laugh, cry, and think.
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excellent readReview Date: 2007-12-04
Not a new idea but a nice escapist summer readReview Date: 2006-07-07
The story of a young child who finds motivation and maturity from an older person who enters his/her life is not exactly an original idea yet Deford makes it just a bit fresher by using a growing city,changing times, and a good assortment of true-to-life characters as the backdrop.
The only nitpick I have is that there are a couple of minor subplots involving a rape and an affair that seemed to be there only as a device to hammer across the point that when you're a 14 year old boy, you learn people can do bad things. For me, those portions added very little. When the story stays focused on the relationship between the two leads(the aforementioned 14 year old boy and a 23 year old girl struggling with polio), the book is gripping and moves forward rapidly. Actually, it seems as though this book could be translated to the small screen pretty easily. I hope we see this as a Lifetime or Hallmark channel presentation soon.
You might be able to see the ending a mile a way but if you need some breezy reading for a vacation or a day trip to "the shore"(a term that will be clearer when you read the book), "An American Summer" may be a nice way to pass the time.
Amazing!Review Date: 2006-07-01
Don't judge a book by its cover...Review Date: 2007-07-19
Frank Deford brings the summer of 1954 to life with his novel about the unlikely friendship between a 14 year old boy, Christy Bannister, and 23 year old Kathryn Slade. When Christy rescues Kathryn's dog from near disaster, he is befriended by Aurelia Slade, her mother, who consequently introduces them, and through her connections helps him salvage his paper route. Although Kathryn is confined to an iron lung because of polio, she's one of the liveliest characters I've seen. She proceeds to teach Christy all sorts of things that summer: about girls, about swimming, about competing, and about having a vision and determination. While he secretly shapes his muscles with a Charles Atlas program, Kathryn demonstrates such personal courage that she helps him realize his own strength. Their friendship is bound through family secrets, challenges, laughter and perseverance.
This is a poignant tale, often humorous and touching without being maudlin.
All the senses are involved with Frank Deford's nostalgic story: The sounds of Kathryn and Christy singing "Sh-boom, sh-boom," smells of a pool and blooming nearby garden, tastes of RC cola sipped through a straw, and touches of an empathetic hand to a lifeless one. Although a quick read, it will be one you'll think about for a long time.
Getting to know someone's heart.Review Date: 2007-03-05
Collectible price: $35.00

Yet Another Life-Long FanReview Date: 2008-10-04
Classic SciFi StorytellingReview Date: 2008-05-28
And then of course the SciFi plays in when all the robots are struck by lighting and come to life to help Andy and his friends survive a flood that also occurs at the same time.
Highly recommended for young and old!
A great book for boys of all agesReview Date: 2001-01-07
Thank goodness that I saved my copy from childhood - who could imagine it would still be with me now? (You should have heard my shout of joy when I found it amongst some old belongings a couple of years ago!!)
My kids are going to read it soon, and I'm looking forward to talking it through with them as they read it.
I would LOVE a movie on this book - a great idea and easy to do now with "simple" FX.
Good luck to those searching for it, it's worth the wait.
Andy Buckram's Tin MenReview Date: 2000-10-02
Andy Buckram's Tin MenReview Date: 2000-09-19

Alter did it againReview Date: 2008-06-24
A must read for Hebrew students or anyone wanting to better understand narrative portions of ScriptureReview Date: 2008-03-26
In chapter two, he further develops his purpose by proposing the biblical authors used literary devices like word-plays, embellishment, and fictitious characters to give color to the narrative. He suggests that the authors received the historical data from their sources, and then proceeded to make the message and intended application clearer by use of literary devices. So their use of a fictitious character would be acceptable because they are not changing the meaning or moral message of the text. He states that they would often detail the main characters speech and actions to give insight to their motives. It is helpful to see some of these literary features in seeing how the author might have pointed out characters and events in Israel's history, but only a foundationally different hermeneutic (as Alter pointed out) could accept all of these.
The third chapter really begins to illustrate Alter's purpose. Here he points out a literary device called "type-scenes", and they are the typical "flags" that the original reader would have expected to see for certain events. One illustration was the betrothal scene, where the typical events include a man (master or servant) goes to a well in a foreign land, meets a girl, wants to marry her, she goes back to her family, and etc. Alter points out the situation with Saul going to the well and instead of asking for a wife he asks for a seer. Then the story of Ruth where the roles of hero and heroine are reversed and Ruth goes to a foreign land and Boaz has his men-servants fetch her water. The idea is presented that the original reader is used to the typical sequence, and so when someone different or completely unordinary happens the author has now arrested their attention. That is the point Alter wants to make. The author wrote in such a way to highlight certain points or characters to the original reader, but the problem is that three thousand years later those literary features are not as clear. This chapter was really eye-opening to begin reading narratives looking for those points of deviation from the typical to better understand the author's intended meaning.
In the fourth chapter, Alter shows the importance of dialogue imbedded in the narrative sequence. The author uses direct speech to develop the characters in the narrative. The reader only knows what the characters are thinking by what the author has them say. The narrative events are a mere background to dialogue. Sometimes the speech that the author mentions is a shortened form of what actually must have been said. The reader needs to pay attention to when there is speech, when it stops, and when it seems that the author has purposely not said something that should have been said. This idea of dialogue intersects with the type-scenes and other literary devices to make the Bible a real literary masterpiece.
Chapter five points out the use of repetition in the Old Testament narrative. Alter says that this point of repetition is the one that is the hardest for the modern English reader and also the one feature that is most over-looked. For instance, the writer of Exodus repeats himself when he states the plague that is going to happen to Egypt and then he restates the plague when it happened. The modern reader is not going to think anything of this device; however the original reader was mostly likely hearing this read, and so the author is making sure the hearer gets the full details at least once. He also gives the repetition of key words or "word-roots" in the narrative and called it Leitwort. His example of this idea is the Samuel story and the repetition or emphasis on the words "listen, voice, word". This is not going to be done easily in an English translation, but it will aid the reader in understanding the author's intended meaning. He showed how different repetition is in poetry where there is no direct copying of a phrase or use of synonyms, but instead poetry is styled and creative repetition of thoughts that move the poem. Alter ascribes this use of repetition to the tension between the freedom of the biblical authors to write and the Divine plan for the text.
In chapter six, Alter describes the art of characterization as a literary device. It was already mentioned briefly that much of what is known of a character comes in direct speech. That is true, and it is often the most important things that can be known about that character is by what he says, because when that character acts then the reader has to infer things about that character. However in direct speech the character cannot hide what he is thinking or who he is. The author has the ability to only allow the reader to know certain things about each character. It must be noted why the author would switch names for a person, for instance, Michal is sometimes called the "wife of David" and other times she is called the "daughter of Saul". The author could be telling something simply by changing a name about the mindset of Michal, her current marital status, or another idea laid out by context. This is another interesting literary device that is probably overlooked by modern readers, but it can, like the others, aid in better understanding the author.
Chapter seven explains a literary device that has many authors each contributing to the finished product. Because the Bible has seeming inconsistencies in it, Alter assumes that it must be a book put together by multiple authors in a type of patchwork way. However, later he says that the author may have received differing historical accounts and then purposely put both accounts in the Bible. He says that the author could have contradicted himself and done it in such a way to be artistic.
The last chapter makes the argument that the narrative and narrator give knowledge to the reader. The narrator, he says, is omniscient because they know people's thought and even God's thoughts. The author is sort of "teasing" the reader with perfect knowledge, which the author seems to have and the reader can only see a glimpse of. However, the author often tells the crux of the narrative and then goes back and tells how that happened.
This book's purpose was to show how the Hebrew author's use literary devices to "jolt" the reader out of the norm. Although these devices are often purposely or ignorantly overlooked by modern reader because of the language divide, the literary features here (for the most part) are extremely helpful for the reader. Alter accomplished his purpose, and this text is very beneficial for Hebrew students to better understand the characteristics of OT narrative.
This book hits the mark!Review Date: 2008-03-02
Dense but goodReview Date: 2007-12-15
Needless to say, as a result of reading this book, I bought Alter's book on Biblical Poetry.
A Fascinating Way to Read the BibleReview Date: 2008-05-29
Although recent scholarship has emphasized historical- and textual-critical methodologies, Alter chooses a literary-critical approach; that is, he asks how we should read the Bible first and foremost as literature. Ancient Hebrew storytelling conventions were often radically different from those we use today, so we must learn to be attuned to things like a character's silence, or minor, telling variations in a scene that is repeated several times. In this way, Alter takes much of what may make the Old Testament (or Hebrew Bible) seem "boring" today--its Spartan narrative style, the apparent redundancy of many of its stories--and shows how these elements are actually integral to how the Bible tells its story.
Alter's prose style is scholarly without being suffocating. It is, however, dense with ideas. I often found myself reading as little as five pages at a sitting, as each sentence seemed so full that it was all I could take in before I had to stop for a mental breather. (I recommend reading the Conclusion first, which ten pages provide an excellent summary of the book's main ideas and may make it easier to digest them as the author investigates each one in detail in the rest of the book.) His examples are profuse, and well-chosen to illustrate his points.
Alter mostly steers clear of ideological disputes about what the Bible is or isn't, sticking to his purely literary analysis of the text. He occasionally makes comments to the effect that he sees the stories of the Bible as "historicized fiction," but his approach can still fit into any faith framework; it is just as possible for a devout Christian and an atheist to read the Bible as literature. What's more, Christians will not only find an enriching way of appreciating their sacred text here, but may even gain comfort in the face of some scholars who seem to think that a Bible with editors is inherently an unreliable Bible. Alter, to the contrary, shows that the Biblical author-editors must have been very sophisticated storytellers, and that what are often taken for mere inconsistencies today may well represent a deeply thoughtful approach to depicting the moral and social ambiguities the authors saw in their world.
"The Art of Biblical Narrative" takes effort to read, but those willing to take the time to absorb it may find their understanding of the Bible enhanced, deepened, even changed.
~

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VERY SCARY,THANK GOD IT'S NOT ME.Review Date: 2007-10-30
Begone SatanReview Date: 2008-03-07
True?Review Date: 2008-02-07
A good, quick overview of the subject.Review Date: 2007-06-23
beware of the darkReview Date: 2007-05-13

Used price: $125.00

The Title Says it allReview Date: 2008-06-13
YOU NEED TO BUY THIS BOOK if you want to turn your IT Business into a profitable one.
I cant wait for Ericks next book, hopefully he wont keep us waiting too long :-)
This is what you're missingReview Date: 2008-02-26
Most small IT services firms don't market. That's why they stay small. If you want to grow a consistent services business, buy this book and start marketing now. You will recoup several times this book's cost with your first marketing campaign.
This book easily surpasses its meek titleReview Date: 2008-02-23
Invaluable information for IT providers to SMBReview Date: 2008-02-06
Great Book for Selling Managed ServicesReview Date: 2008-03-21

Used price: $6.51

Good Starting PointReview Date: 2008-02-10
Perfect! Great Sale!Review Date: 2008-04-27
The Best of Sewing Machine Fun For KidsReview Date: 2007-12-20
Love this book!Review Date: 2007-10-19
Review for sewing machine fun for kids bookReview Date: 2007-08-27


A must readReview Date: 2008-09-09
Great second in the series!Review Date: 2008-03-02
I totally loved the first book in this series, The Begotten. It was fabulous. The second book in this series, The Betrayed was just as good. I recommend reading the series in order. There was a point in the middle of The Betrayed when I put this book down due to other commitments, but when I picked it up again I was pulled right back into that world.
The brutality the "gifted" experienced was as powerful as the miraculous events. I couldn't believe how many times they were captured after trying to get free. And being pursued like that had to make them crazy. I found the parallel between the "dark" lord and Satan quite interesting. He would get furious when Daria quoted scripture during times of suffering, yet that was the one thing that sustained her. For me, another profound conclusion from this story was how God will sometimes allow others to suffer alongside us to provide encouragement.
I loved the message about God's perfect timing and tuning into his voice. And the strategies that the evil Lord, Sorcerer Abramo, used to try to break them were so similar to the devil's. First he tries luring you in with your own lusts and weaknesses. If that doesn't break you he goes after your flesh (like with sickness) and if you still refuse to curse God in the midst of that pain he tries the ultimate tactic of hurting those you love. What a wicked enemy we have!
Bergren did such a fabulous job of making me see how the enemy works through this parallel story. It makes me want to memorize more scriptures that I can use when I need encouragement and when I need to fight off the enemy's attacks. As far as the edgy factor goes? I'd rate this with 8 out of ten stars for edgy content. If you want to experience an adventure that will both thrill you and at the same time cut you to the very marrow of your bones, you will love this book.
On the edge "THE BETRAYED"Review Date: 2008-02-08
Even Better than the First!!!Review Date: 2008-01-07
Great Historical Read!Review Date: 2007-11-24
Related Subjects: Thomas, Frank Trammell, Alan Thompson, Justin Tsao, Chin-Hui Thompson, Mat Trout, Paul
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Serious linguists specializing in writing might read it through, but amateurs--like me--will just pick it up and leaf through it, stopping here and there, reading this chapter or that, or will use it to look up some specific thing they might want to know about, say, Bishop Wulfila's Gothic script's roots in the Greek alphabet or the origins of the Georgian or Armenian alphabets.
It tells about scripts found all over the world, big ones--Latin, Cyrillic, Arabic, Chinese, Korean, and so on--and far less well known ones, like Berber, Cherokee, Ethiopian, Deseret and some found in Indonesia and islands in the Indian Ocean.
It tells the historic backgrounds and--for lack of a better word--genealogies of the scripts, then shows how they work.
One thing that irks me no end is a shortcoming not with the book itself, but rather with the publishing business as a whole: the font used in the book is inadequate. It is appalling that in a book about writing systems, there are characters that have to be set in other fonts from the main book forn--sometimes even within one word--and characters that show up as composite characters with diacritics off center from the letter they modify. It is a fairly simple thing to edit a font and add characters as needed. It is a shame that major publishing companies seem unwilling to make the small investment in typography that would let them set a book like this in one font, with all the characters needed, so that it reads smoothly, without distracting inconsistencies throughout.
Now, this is indeed a niggling compalint, and it in no way reflects on the beek itself, the writers or the editors. It is the fault of the publisher, and should in no way dissuade anyone interested in this admittedly esoteric subject from getting this book.