P Books

This book isn't very well written, but what it lacks doesn't make it any less of an excellent read. John Irwin manages to tell it like it was in an interesting manner that will keep you turning pages well past midnight. The combat he saw during the closing days of the ETO are gripping and you will not want to put this book down. Interestingly, after his crews M4 Sherman is put out of action, losing their assistant Driver, they are issued the very rare M26 Super Pershing, of which only about a dozen or so made it to Europe. He uses the additional Armor and firepower to take on the Dreaded German King Tiger, and even finishes off the deadly JagPanther with it's massive gun, earning the respect of his crew that he so craved. All in all a great book from cover to cover, I can't help but give it 5 stars.

I do not read a lot, but I have to admit that this was a well written, and very interesting book. For not finishing High School, John P. Irwin does a fantastic job telling his story. He leads you through his experiences and tries to let the reader know how horrible war really is. A story that everyone should know about!

What a great book. Despite it's brevity, author John Irwin has penned one of the best WWII memoirs I have ever read. He's honest, humorous, and pulls no punches. He was only in combat for a brief period (March-April 1945). In this time, the Rhine had been crossed and the German forces were rapidly disintegrating. Still, it was no picnic as some WWII histories try to paint. There were always some Germans trying to destroy a tank with one of their vaunted Panzerfausts. Plus, one can say honestly that in combat, time takes on a different meaning. This book in a ideal read for World War II buffs of all ages. Enthusiastically recommended!

I have to go with 5 stars too. This is a great first person account of the way it was. I found the book riviting and well written. A compelling, well written story of what it was like being a tanker in WWII. I thank and salute the author for having taken the time to get his story told, you will enjoy it start to finish.

Take one teenage soldier who later earns a PhD in philosophy. Place him in the midst of a conflict in its final days. Stir generously with passable writing ability.

What you get is Another River, Another Town : A Teenage Tank Gunner Comes of Age in Combat-1945.

This is something different in the way of soldiers telling their tale. Here's a guy who got into the war when it was practically over, during the final few months of the European campaign, all post-Bulge. And he's a tank gunner. Most books of this sort are from the perspective of the grunt, and usually from guys who saw more "action" (which is not to say the author did not - his life was in grave danger on a number of occasions).

With Another River, Another Towns we get some insight into the mind of a soldier and a good glimpse at the life of a tank gunner during the last days of World War II, when the European Theater saw more surrendering and looting than actual combat. This isn't a "becoming buddies in the foxhole" book ... but it did have some merits, primarily in that it looked at a period of the war usually glossed over fairly quickly. Once you get past the Africa campaign, Sicily, D-Day and the Bulge, the European conflict becomes much less "sexy" from the American perspective. This book fills in some of those gaps and shows us what the soldiers experienced during this late period in the way.

It was not a melodramatic or sepia-toned book, which is a positive, and offered a glimpse into an aspect of World War II not often explored - the mass surrendering at the tail end of the conflict, and how the Army often did not want to deal with prisoners of war because they only served to slow down the advance. German soldiers intent on surrendering were often turned away.

Nothing here is vital reading, even for the WWII buff - it's a pretty typical soldier's tale, told simply - but I really enjoyed this glimpse into the world of the tank gunner and would certainly recommend this for a good Saturday read on the war. It had a lot of heart.

Due to ever degrading literary taste of our post-war generation, Stefan Zweig has been forgotten for few decades,in spite of the fact that the first half of the 20th century , Zweig was perhaps one of the most famous and popular authors in the world. He and compatriot Hugo von Hofmannsthal had almost pararell lives.They were both some sort of literary prodigies(Hofmannsthal and Zweig earned their fame in their teens).They began their literary careers as poets and ended up writing various kind of literary genres,including libretto for Strauss. Also both ended up committing suicide. Zweig wrote many memorable fictions ,but only one novel.And, this is "Beware of Pity".
The novel is a kaleidoscope of the Habsburg dual monarchy.Zweig's talent lays on his superb description of human psyche of each characters and representation of comtemporary time. this work well represents decaying , both morally and physically , Habsburg dual monarchy. It shows how anarchoronistic system of mores( of K.u.K) that led otherwise good natured and a bit simple minded Leutenant Hoffmiler conered to the desperate situation. Does Hoffmiler deserve his fate? read book and decide that by yourself. what amazed me was how well Zweig synchronized and symbolized tragic denoument of kekeskalva family with the outbreak of" the war to end all wars". This is both pcychological and historical drama par excellence.One of forgotten masterpiece that recently rediscovered. Thank you NYRB to bring Zweig back.

This is an intense, psychological drama, and a page-turner to boot! What's so great is the wonderful language, the "lofty" writing. I just loved every page, and our poor, tortured hero.

It's a fabulously written book about love instigated by pitty, which can be very dangerous. Worth reading as this kind of thing still happens every day.

...no, not the book by Dave Eggers, but this masterpiece by Stefan Zweig. I came upon this by accident, and bought it, intrigued by the story outline and the reviews below. Only very, very rarely does a book have the power to draw me into the lives of the characters, probably because they're usually just that - characters. Not so here. Here we have flesh and blood and all that entails. I'm still amazed at Zweig's story telling. He's the kind of writer who could make a shopping list fascinating. I lived and breathed every single word in this incredibly beautiful book, and, as has been said elsewhere, the tension becomes almost unendurable. I can hardly do justice to it in a few words. Weirdly, I often found myself smiling, not because it's a funny book, far from it, but just through an appreciation of Zweig's supreme mastery of his art. This is one of those books appearing only a few times in your life that wring emotion out of you whether you like it or not. A heart-breaking, unforgettable and life-enriching experience.

I'd also like to praise the translation, by Trevor and Phyllis Blewitt. At no time is there even a hint that you're reading a translation - something that occurred to me only after finishing the book. On the contrary, it seems to me that the elegance of the language and all the magnificent virtues that contribute to Zweig's humanity and genius have been faithfully rendered. The proof is in my twin disappointments; coming to the end, and learning that there are no further full-length novels by Zweig. I'll definitely be reading all his other works, though.

In the introduction to this book Joan Acocella tells Zweig's story as a writer. One of her claims is that despite his enormous popularity as biographer, essayist, writer of great novellas and stories, this novel is his masterpience. The novel is in essence the story of a feeling, of 'pity' of how it becoming the obsession and duty of the main character turns self- serving and destructive. Briefly , the book revolves around the relationship between a poor Austrian officer Hoffstein and a crippled seventeen year old daughter of a wealthy family Edith Kekesfalvas. After he has inadvertently insulted her by having asked her to dance he becomes bound into a relationship with her, in which she falls deeply in love with him without his truly reciprocating. This is how Acocella reads the protagonist's reasoning and its result after her doctor informs him that it would be disastrous for him to abandon her.

"So he descends ever deeper into hypocrisy. In the process, Zweig gives us a piercing analysis of the motives underlying pity. Gradually Hofmiller realizes how much he enjoys the courtesies paid to him for his emotional services, how it pleases him that when he arrives at the Schloss his favorite cigarettes--and also the novel (its pages already cut) that he had said in passing that he wanted to read--are laid out on the tea table. Nor is it lost on him that his own sense of strength is magnified by Edith's weakness and, above all, by his growing power over the Kekesfalvas, the fact that if he, a poor soldier, does not present himself at teatime, this great, rich household is thrown into a panic, and the chauffeur is dispatched to town to spy him out and see what he is doing in preference to waiting on Edith. Beyond the matter of power, however, Hofmiller finds that the emotion of pity is a pleasure just in itself. It exalts him, takes him to a new place. Before, as an officer, he was required only to obey orders and be a good fellow. Now he is a moral being, a soul."

This end in destruction is somehow a foreshadowing of what would happen to Zweig.Having been betrayed with the rise of the Nazis by the Europe he loves, tried to make a new home and life with his second wife in Brazil. But it does not work out and the both of them are found after having taken fatal overdoes of drugs hands intertwined.

I have been a shell collector for more than 25 years and along this years, this is the first time that I get such an interesting, well-documented, beautyfully illustrated and skillfully designed book on this subject. I am very happy with this purchase. The book has 411 pages with information and has about 12 photographs in each page giving a perfect appreciation of thousands of shells from everywhere. Each photo includes the common name (obviously valid in English speaking countries only), the scientific name, average length of adults (in centimeters and inches), brief information of geographical distribution and synonym names. Oh!, I almost forget to say that the authors,R. Tucker Abbott and S. Peter Dance are two famous conchologists leading this field of science for many, many years. So, this book informs, teaches and makes it very funny to learn and investigate in the universe of shells. "Bon apetit", collectors!!!

I had an earlier printing of this book (1983) and was disappointed to find that the 2000 edition I just purchased was virtually identical apart from a page of corrections at the end which would be much more useful if incorporated into the text. I feel that this excellent book needs updating to keep it as the No 1 general book on seashell identification.

This book is very informative and descriptive if you're looking to collect exotic shells from different parts of the world.

I have been a shell collector for a very long time now. This is now my second copy of this book, as I have worn the first copy out. It is the most comprehensive identifier book around. The color photos are excellent, and the amount of species depicted is impressive! This book, along with Jerome M. Eisenberg's A Collectors Guide to the Sea Shells of the World, are probably the only two books on Sea Shells, a novice collector will ever need. The serious collector will also benefit from these books as well.

This is a great book which hv given me alot of info, but still can upgrate by increase more pictures & decription for seashells of the world.

Poet and writer Ralph Carpio takes a unique approach to instruct the reader on how to become powerful. The Constant Creator In You is an enthusiastically recommended, "reader friendly" addition to any personal self-help, self-improvement reading list and reference collection.

In The Constant Creator In You, poet and writer Ralph Carpio takes a unique approach to instruct the reader in how to become powerful, radiant, loving, and creative in their daily life. Carpio talks about Life Power (an ability to examine possible consequences and receiving all of what we wish to receive); The Giant Soda Machine (life is participatory and works in an organized way); Living Statements (the importance of life's communication with us); Unnecessary Boxes (it is a natural state to live in a steady stream of desires requiring decisions and choices); Reality Check (the role of reality checks in the empowerment process of taking charge of our lives); and The Constant Creator In You (a strong, creative force within us creates helps us deal with and shape our material conditions and circumstances). The Constant Creator In You is an enthusiastically recommended, "reader friendly" addition to any personal self-help, self-improvement reading list and reference collection.

The Constant Creator in You is a refreshingly powerful book that breaks the mold of self-help books on the market today. His straightforward, almost humorous way of presenting age-old material in an easy-to-digest format, makes reading and utilizing the principles in this book a delight, while also serving to help change the reader's life. I firmly believe that this important book will be of major assistance to all, no matter how far or how long one has been on the path to self improvement or self actualization. Thumbs up for Carpio's The Constant Creator in You!

The Constant Creator In You turned me on to the enormous power I have in the present moment. The universe is on MY side, listening to what I'm asking for! This book tells you just how to listen to what you're asking for in such a simple, easy to read way, I really treasure it. A must read for anyone with personal challenges to overcome.

Constant Creator is a modern new age message-quick, clean, so simple it's unsophisticated enough to be the truth. Carpio writes with sheer honesty. Sheer in the sense that he did it and he knows we can do it. Honest because it's in the grand tradition of American writing that says it's free as the air, available as freedom, and as simple as Allowing.

I would have given a much lower score based on an HPL feel scale; but I must admit the product is solid even if it has nothing to do with classic CoC; its a totally different game.
That other type of flavor game was mainly to appeal to people that:
1) Felt uneasy to play in the 20s
2) Wanted more fire power or modern organized resources
3) Were fan of X-Files even if DG came a bit before the TV series, the popularity grew much after that

So its a good game to play Mulder and Scully or even men in black kinda investigators with those sunglasses and Steyr rifles
Its definitally Modern horror type and not for the classic HPL type of game fans

This amazing game (and just plain interesting read!) is currently back in print. You can pick up the new edition, converted to D20, by heading to the publisher's web site. Pagan Publishing and TC Corp have done a great service to its fans by releasing this reprint!

I don't have a long, thoughtful review to write. Just wanted to say this is the BEST RPG idea/supplement I've ever seen. Intelligent, thoughtful, scary, fun...get it get it get it!

This is the best RPG suppliment I have ever read, bar none. It's a great READ, even if you are not a gamer. Interesting background, lots of plot hooks as well. The group that did this book are great writers and are loving what they do and it shows. If you are into Horror, X-Files, Call of Cthulhu, ect...buy it to read, if not play.
The book is curently out of print, but I understand that it will be reprinted in 2006 as a hardcover with d20 rules. Anyone wanting to write or publish an RPG should read this book and use it as an example. A MUST.

DELTA GREEN is the modern adaptation of Call of Cthulhu. Drawing on the same body of UFO lore and paranormal activity as the X-Files, DELTA GREEN has tapped into something very deep. And of course, once you have a successful RPG, you might as well start the fiction flowing, right?

Dark Theaters has some fairly lenghty short stories, designed to flesh out the world of DELTA GREEN. Some clues and hints are elaborated on; what exactly happened during the fabled raid on Innsmouth in 1928? What was the final mission of Gen. Fairfield? We find out more about the summoning by the Karotechia that was a dress rehearsal for the end of the world, but the entirety of the episode remains tantalizingly removed.

Dark Theaters, like the rest of DELTA GREEN fiction, is about what it means to be human. Or not human. The monstrosities which are called up and cannot easily be put away serve to highlight our humanity. But in the end, humanity is just short-hand for a fundamental incomprehension of the universe. We are carrying on a rear-guard action against reality, buying our fellow-man time for ... what? To say that humanity loses in the end is to pretend that there are other players, rules agreed upon, some validity to having tried and lost. Life is a game of solitaire, and we're not playing with a full deck. All is meaninglessness, a blowing of the wind.

And yet humanity means staying in the game. Like Lucifer, the real patron saint of lost causes, we know that we will lose and darnit, we are going to keep playing the hand we were dealt. It gives meaning to life, death, and the passing of the seasons, the sacrifices we have made and those we have sacrificed, to play by the rules, even if there aren't any. So let us cheer for the hero and jeer for the villain, and not go gently into that dark night.

These stories set in Mr. Parkhill's classroom at the American Night Preparatory School for Adults ("English -- Americanization -- Civics -- Preparation for Naturalization") are wonderfully humorous and warm. They reflect a generous humanity and a keen ear for language in author Leo Rosten (1908-1997), who first wrote the stories for The New Yorker using the pen name Leonard Q. Ross.

When Rosten wrote the stories in the 1930s, the debate that had roiled American society over the high levels of immigration at the beginning of the century had ended with passage of the restrictive Johnson-Reed Immigration Act of 1924. Readers of The New Yorker could well remember the rancor and the stereotyping of the debate.

Rosten countered the prejudice against immigrants by portraying Mr. Parkhill's students, drawn from several national and ethnic groups, as earnest learners eager to know about and join American society by first learning the English language.

When people from different cultures meet, there are bound to be some collisions. A dark side take on those meetings is the ethnic joke. The bright side is this book, finding humor in the encounters that all can smile at.

I read The Education of H*Y*M*A*N K*A*P*L*A*N as a teenager in the early 1960s. Though I do not recall negative attitudes about immigration in my family, school, or suburban New Jersey neighborhood in that decade, the book surely shaped my attitudes and feelings about immigrants and immigration in a positive way. Hyman Kaplan taught me immigrants make America a better and richer society.

Each time I look through the book now, I worry whether Rosten crossed any of our modern "PC" redlines that would cause it to be crossed off reading lists. The book's humor ("comic dialect" is the scholar's term) depends on the rendering of accents, not much used at present. I found one use of the N-word (misspelled, in accent, not in anger) by a student character. On the whole, however, the book stands up well.

I give copies of this book to friends who are ESL (English as a Second Language) teachers. Leo Rosten's own nights as an ESL teacher, while he was working on his Ph.D., gave him the inspiration for the stories.

The shape of our nation's immigration policy is certainly a licit issue for debate and disagreement. Current immigration has some different countours than in the 1930s. Some voices, however, get carried away and tip over into negative stereotyping. They should take a break, have a cup of coffee, read this book, and meet Mr. Kaplan.

-30-

Having just begun teaching English As A Second Language to a group of Asian adults, a relative thought I might enjoy "The Education of Hyman Kaplan". The novel takes place entirely at the American Night Preparatory School for Adults. There under the tutelage of Mr. Parkhill, Hyman Kaplan, Miss Mitnick, Miss Caravello, Mrs. Moskowitz and an assortment of Jewish and Italian immigrants struggle with the complexities of the English language, anxious to master the language and learn about the history and culture of their newly adopted home. The irrepressible Mr. Kaplan takes center stage in the classroom with his singular logic in using the English language. Abraham Lincoln becomes Abram Lincohen, King George III of England is an autocrap, and Valley Forge becomes Velly Fudges. Kaplan conjugates the tense to die as "die, dead, funeral", and when talking of the contents of a newpaper he can't understand why he must say "it said", instead of "he said", since the paper is decidedly of the masculine gender. It's the Harold Tribune after all. This is a hilarious yet touching book. We are never laughing at Hyman Kaplan's linguistic foibles but with him, as we appreciate the struggles of all immigrants, those seventy years ago, or those today to come to terms with becoming Americans and learning the language that binds us together.

Think you can read an uproariously funny book without laughing out loud? Think again. Adventures of an English-as-a-second-language class for new immigrants in 1950's America.

As a new ESL teacher, my husband thought I'd enjoy this book. H*Y*M*A*N K*A*P*L*A*N* is an irrepressible immigrant to the US, struggling to master English, but that doesn't stop him from communicating at every opportunity. Waves of malapropisms spoken with a thick Eastern European accent don't get in the way of his enthusiasm. Set in the 30's, this is a world where teachers and students are Mr., Mrs. and Miss, immigrants worked in garment factories, and all still believe in the American Dream. Even Mr. Parkhill, the god-like teacher, can't help but be infected by Mr. Kaplan's unique interpretations of the great works of English literature--the Shakespeare story was a classic. Definitely dated, certainly politically incorrect, these stories hail from a simpler, but maybe tougher time--Leo Rosten originally wrote under the name Leonard Ross. A lovely little collection of stories!

This book, along with its sequel, "The Return of H*y*m*a*n K*a*p*l*a*n," (and don't be fooled, those stars are important) is a beautiful work and one that I'm surprised hasn't been rediscovered by critics and readers alike. Originally published as a series of stories in a magazine, these stories were finally collected into book form and later combined with its sequel in a grand form called O, K*a*p*l*a*n, My K*a*p*l*a*n (which is now out-of-print, but worth reading if you find it in a library or rare book store, since it was edited and improved by the author, with new characters and stories).

The stories all revolve around a group of immigrant adults attending the American Night Preparatory School for Adults in New York City in the 1930s. Under the tutelage of the fastidious, but patient and kind, Mr. Parkhill, the book chronicles their challenges in learning the English language. This is in and of itself a masterpiece: Leo Rosten (who had to publish the stories under a pseudonym since he wrote them while living off a fellowship and did not want to let his professors know that he was working on totally unrelated research) has found humor in GRAMMAR!! He not only shows how difficult English is to master, but how irrational and arbitrary the grammatical rules are that we all, as students, desperately try to commit to memory. Moreover, he writes with an expert ear, hearing the subtle differences in the accents and common foibles of English speakers from various language backgrounds. The fact that these passages are life-out-loud funny (and not at all in the sense of laughing at any character's mistakes but at the English language itself for torturing non-native speakers so) is astounding enough.

But this is the story, however, of a true comic hero - Hyman Kaplan. Leo Rosten has created a character as complex and poignant as Shakespeare's Falstaff, or John Kennedy Toole's Ignatius J. Reilly. Hyman Kaplan is a force of nature, yet distinctly human -- irrascible, dogmatic, determined and yet sensitive, noble and joyous. He is a man who refuses to kow-tow to the rules and guidelines of the English language and who truly relishes the joys of wrestling with learning. Since his exuberance leads him into constant conflict with his fellow students, his character is one of the greatest literary devices ever devised by an author. The stars emblazoned in red, green and blue crayon that are part of his signature, only serve as the ultimate monogram, defining this character as one worthy of the ages.

While this book is about efforts by foreigners to assimilate as Americans, it also highlights the glories of America's immigrant, melting-pot past -- a heritage and tradition that is sadly rapidly being forgotten and lost in this modern globalized world. Moreover, with the advent of the politically correct era of hypersensitivity, it is likely that this book will never experience a renaissance of popular support that it richly deserves. This is a true treasure -- I discovered it as a teenager and have often enjoyed returning many times to visit with these charming, inspiring characters. I cannot recommend it enough!

My Mother passed away and we thought all the paperwork was in order and it was not. I got this book from Amazon and it has outlined every detail and possible stituation. I went and got all the forms and and in the middle of probate right now. Very, very well written for a simple probate case and non complicated estates.
If there are people who will contest the will or complicated properties, business deals; most likely, you will need a lawyer and probating yourself will not work. But if it is very clear and simple, you can probabe yourself. Great book, worh every penny spent on it.

This book really helped my wife go through the probate process for her mother's estate. Highly recommended book!

This is a great book for going through the probate process. It takes
you through the entire process and explains all the jargon. The only
problem I had with it is that if your probate includes anything which
is a little out-of-the-ordinary, e.g., heirs/beneficiaries who may contest the will, it does not help. However, one book cannot cover 100% of
the possible cases. This book probably covers 95% of the probate cases
and is helpful even if you are one of the "odd-cases" and you are not familiar with the probate process.

If you can only purchase one book on probate in California, this book should be your first stop. I am in the process of probating my mother's estate and I will save at least $20,000 by using this book. There a dozens of forms, tips and tons of information on the subject. If you are motivated and organzed, this is the guide to help you avoid the high cost of attorneys in probate. I cannot urge you STRONGLY enough to use this book as your guide to probate in California.

After my mother passed away and I was named executor, I discovered something: California's probate system is a massive, elaborate joke designed to make lawyers rich. It's incomprehensible how convoluted the process is, and how absolutely ZERO help is available. (The court clerks I turned to answered every question with this: "I can't tell you! I'm not a judge!" And, of course, it's not like you can contact a judge.) Imagine trying to file the tax returns for Microsoft without any training or instructions: that's just a hint of what you're in for here.

Armed with this book, though, I got through the process. And -- against all odds, and despite the ridiculous restrictions and obfuscations this laughable legal system imposes on people WHOSE PARENTS JUST DIED -- I got all the way through probate, saving something like $10,000 in legal fees.

So, if your estate doesn't have much money -- or the legal system just bugs the heck out of you, and you refuse to fling hard-earned money at those charlatans -- get this book and thank your lucky stars it exists.

Suffering is the proper word. Anthropology should be totally, completely fascinating -- it's the study of human cultures, for heaven's sake -- but it's often a dry-as-dust class for college students.

This book is not dry. In fact, it's probably the only anthropology book that can bring the reader to tears of laughter.

Which is not to say that the book is a comedy. It's not. The book is a sympathetic and interesting take on the writer's study of the Dowayo people. But the Dowayo people -- like any other ethnic group or people -- have quirks that the people themselves cannot see. Nigel Barley lives among the Dowayo and documents their lives, tells how he does anthropology, and manages to do so in a way that makes the book one I sometimes pick up, open at random, and enjoy.

Stumbling upon this book was total luck! The only motive I had to get this book was a desire to learn more about Anthro as informal as possible- yet have it be completely nonfiction.

I just want people to know that this is my first actual review. That being said, everyone who reads this review should understand that I liked this book SO much that I not only sent it from my house in Japan to a friend in the states, but I also came back here to write a short blurb on it.

I promise any future reviews won't be such a waste of everyone's time! Take a chance and get this book!

I borrowed this book in the early 90s from a British friend (thanks Mark!) and it fast became one of my favorites (a close second to Brave New World). Witty, touching, and hilarious - I would love to have Nigel Barley over for a dinner party! I just wish he had written more books like this one!

Nigel Barley is a social anthropologist and this is his account of his first fieldwork, a year living and studying the Dowayo people of Cameroon. Social and cultural anthropologists (also known as ethnographers) travel to exotic locales (sometimes in our own backyard) and live among a group of people for a year or more in order to come to know their way of life intimately and write about it. Most every Ph.D. student in the field will face this "rite de passage" in order to become "a real anthropologist," and is generally given precious little guidance in the matter, which seems cloaked in mystery and is therefore commonly a source of considerable anxiety. In recent years, the situation has been partially remedied with the publication of some texts on methods and techniques, as well as the development of courses on field research methods, but there is still little written on the human dimension - namely, what is life like "in the field"? This book joins a small club, which includes Malinowski's diary and Return to Laughter. What sets Barley's book apart is his wit. He faces some serious problems but - in retrospect at least - laughs at them. It is a very entertaining read. You will learn a lot about what to expect in the field. It will also be useful for anyone who will be living in Africa and possibly other developing regions, such as Peace Corps volunteers and missionaries. I was, however, uncomfortable throughout the book because the author seems to be very distant and detached from the people he lived with and studied. It is hard to find anything very positive about the Dowayo, and the book therefore serves to reinforce negative stereotypes about Africa and bolster Western superiority. I prefer the eloquence and wisdom of Return to Laughter.

This is a budding anthropologist's account of his experience with an obscure and previously unstudied people in the Cameroons. If you thought you might want to be an anthropologist, this will either inspire you or turn you to some more comfortable calling. The innocent Englishman describes in hilarious detail his dealings with bureaucrats, missionaries, village chiefs, and rainmakers, while trying to maintain anthropological distance. You learn a little bit of anthropology from the book; you learn much more about the anthropologist. He may have embellished his story in places, but he probably didn't need to. It would make a great film, but don't wait for that. It's one of the funniest books you'll ever read.

Basically it is a mix between the original 2 scripts for the movie, making it pretty much twice as awesome!

Those random small things that left you hanging in the movie such as where does the Left Knocker lead?

HIGHLY RECOMMENDED!

Ah, another George Lucas movie. Well now its a awesome book. I personally love it as much as Star Wars. Its a strange tale, of a strange girl, who gets trapped in a strange land....wow, does that sound familiar. This is my favourite book! I love it more than Interveiw with the Vampire! and thats alot of love!

If you liked the movie, then you'll love this book. I bought a mint condition copy for about seventy dollars last year, and I couldn't be happier with it.

Like the movie, the book tells of a young girl draw into a fantasy world by her own overactive imagination in order to save her little brother, who has been stolen by the goblin king, who says he is only seeking favor in her eyes, and seems to have fallen in love with her.

The book follows the storyline of the movie exactly, but offers more insight into the characters thoughts and actions. I can remember in particular that the ballroom scene was quite staggeringly more descriptive. A wonderful book, worth the price; espescially if you can find one in good condition.

this book is worth every penny... its a story about a day dreaming girl who wishes her little brother to a land of goblins castles and of course the labyrinth. if you dont want to spent 50 dollars on this book you CAN GET IT FOR FREE.. just google it and youll find the transcript of the book that you can print out and read.. its not like having the book... but its way cheaper..

gosh, i was six when i first saw the movie! now that i'm eighteen makes no difference how i love this enchanting story.

smith brings the story up to another level, as he dwelves deeper into sarah's feelings... and also jareth's. the chemistry between the two is undeniable. i would like to think that in another situation both of them would be together, albeit the fact that she's mortal and he a goblin prince.

smith's writing is of course, very detailed and deep, and he tries to explain all the different meanings and reads between the lines of the movie. he has us vying for the king, and rooting for the good guys, too. he makes us want jareth to have a happy ending, and perhaps one with sarah. he makes us want to see the movie.

well, maybe the movie IS old, and the special effects kind of horrid by today's standards, but truth be, enchantments are timeless.

I first read this book many years ago and bring it out every so often to refresh Two Trees' persona in my mind. This book is full of the author's love for his subject and he passes this on to the reader with great art. The story is in some ways so terribly sad that it is almost unbearable, but Two Trees and his love for nature and his dog can really only ultimately express joy and wonder. I just love this book and hope everyone who reads it follows Two Trees' wish to pass this extraordinary story along.

Some people talk about spirit like it is taught in "Indian 101", but you can experience something very soulful and ancient in the words and earth here.

Joe Two Trees is the last of his tribe. New York in the early twentieth century is not for him. Or is it? As a native New Yorker with a passion for the past, I loved this beautiful story. Whenever I return home, I can no longer visit the Bronx (especially Pelham Bay) without thinking of Joe and his relationship with Theodore Kazimoroff's father. The writing is lovely, and the story evokes all sorts of feelings at so many levels. It was my Aunt, a former teacher, who told me that I should read this book. It has become one of those novels that I recommend to others regularly.

The Last Algonquin is a sad but heartwarming story about a man and his attempts to come to grips with his place in the world. The fact that this man, Joe Two Trees, is the last of his tribe of the Algonquin's makes his journey that much harder and more interesting. If you are looking for an official history of the American Indians, this isn't the book for you. However, if you are looking for a deep and touching story of one American Indian, and what we as a nation have lost by ignoring the heritage of American Indians, then you will enjoy this book. Mr. Kazimiroff has done an excellent job of preserving the story given to him by his father and keeping the memory of Joe Two Trees and the Algonquin Indians alive.

This is a must read, especially for those of us raised in the Pelham Bay section of Bronx. The tale of The Last Algonquin is inspiring and heartwarming. And, I hope that Mr. Kazimiroff realizes that he has given The Bronx, the Algonquin Indians and his father the immortality they truly deserve.
Remember as long as someone tells( hears or reads) this tale, the story of Joe Two Trees will continue to live on among the rocks and trees of Pelham Bay Park.