J Books

I have to add my 5 stars for this informative resource. It was my textbook for two courses. However, even after my classes ended I found myself referring back to the loads of information provided within the pages of this book. It is extremely comprehensive and well worth the investment.

*If you are not a student required to purchase a newer edition, I recommend looking at an earlier edition - I know that you'll get the same great information, just at a much discounted price.

Book was exactly as described. Brand new and in shrink wrap. Very happy with purchase!

This is a great book, it's easy to read, it has excellent, detalied and graphic photographs. I highly recomend this book as a text or reference book.

This a must read & a book to hold on to for reference.

All the information you need for death investigation...has a couple extra chapters in the new edition that were not in the last one...

This book takes a totally new look at the American militia (or Patriot) movement. Instead of fat drunks wandering around in the woods as is usually portrayed by the mainstream media, we have serious, dedicated and well-organized men and women who truly believe that they have a responsibility to be prepared in case the country needs them. While the scenario is fiction (although closer to reality then most will want to admit), the true plot here is Americans, working together and without government help, defending the Constitution and their fellow countrymen. The Founding Fathers are surely smiling down to see their spirit is alive and well.

As a female who is armed and trained, I thoroughly enjoyed reading A Well-Regulated Militia by John J. Carpenter. It is easy to discern from Mr. Carpenter's writing that he is extremely knowledgeable concerning marksmanship, gunhandling, and tactics, which makes the book very interesting. The author develops his characters extremely well. There are female characters who decide to take up arms. It was fascinating to read about the reasons they became armed, as well as the details of their training. One of my favorite characters was a female villain! This book is a wild ride through the Western Hemisphere and beyond with two separate plots which meet in the American Southwest with catclysmic results. The events that transpire seem eerily close to modern reality. As a result of reading this book, I took more aggressive measures towards protecting and providing for my family in the event of an emergency.

this book was obviously well researched, but i wouldn't say it was well written. i actually wonder if it was even edited ... but the plot is quite applicable to today's situations.

Well-written book about American response to the Chicano-Socialist movement (backed by Hezbollah and the UN). A cabal of liberal politicans in California (no surprise) and Arizona "invite" the Mexican Army, and UN troops to occupy these states. Global military commitments Iraq, Afghanistan and Korea occupy the Clinton-gutted armed forces. China threatens the US with war if the US responds to the UN presence with armed forces. It is up to the militia (made up of ex-military, law-enofrcement and Joe Average) to handle it.

Well-written and technically astute. Easily on par with Tom Clancy. WORTH EVERY PENNY. Could have been entitled "A Short History of Our Future".

Let me tell you this right now, this book really made me think about how easily life could be flipped upside down! This book tells the story about what determined Americans do when faced with well colaberated terrorist acts and the takeover of the Southwest by the UN thug-a-crats! This novel will make you think about how easy it would be to disrupt life in the U.S. and how important it is to not only be armed, but to be vigilant! Illegal Immigration is a large threat and this story shows the potential outcome if our policies don't change!

PJ presented his trip at an REI store and I was really impressed. I ordered the book the next day and wasn't disappointed at all. He details his experiences traveling all across the globe and a keen eye able to pick out small cultural details that are often overlooked.

If you've ever wanted to do a long trip, this book will definitely help you plan from getting from point A to B and on to Z.

Great book! Highly recommended!

as a public school teacher, i'm grateful to finally have an insightful and unique text to get my kids excited about geography. the author's sense of adventure and reckless approach to conquering geography is just the key to unlock 7th grade boredom. i've already begun planning my trip to siberia.

Mr. Parmar's book is an excellent guide for those who see the world from a very human point of view. His narrative is easy to place into a context of not just travel, but travel through cultures, personalities, lives, and life. There is a real sense of adventure that seems to be missing in most fiction, but also an element of curiosity and facination that some other travel writing lacks.

On a more practical level, this book has great value to would-be travellers (though seasoned travellers will certainly be rewarded with the text). By examining the small realities of world travel, those for whom attempting trips outside of comfort zones seemed unimaginable can see the potential of exploration of humanity through real travel.

Traveling for business all the time, I read a lot on Planes. Granted I don't get out of the country much, but this book made me feel like leaving work to see the world. It made flight time pass wishing I was on board for a few more hours to finish it in one flight... needless to say this book was awesome. Read it and then pass it on to your kids to give them some inspiration.

Being an avid reader of just about anything I can lay my hands on, I stumbled on this book quite by accident. And what a pleasure I found within! This book not only opened my eyes to parts of the world that I had never really given much thought but also revealed an inner strength and motivation of the primary cast - specifically PJ - prompting a desire for the opportunity to meet him some day.
If I was a grammar teacher, I would of course make some changes within the text, but that is certainly not the point of this book and actually lends to its charm. As I moved from chapter to chapter, I couldn't wait to see where he would go next, what his next challenge would be, and who he would encounter at his next oasis. It is the people and the cultures described within the places that makes this an excellent read and the fact that Mr. Parmar does such an exemplary job at making you feel that you are right by his side during the journey.

PJ, Where are we going next?

Received the book promptly and was received in the condition described. Thank you. V. Santana

The Art Spirit is a classic. No artist should ever be without a copy. This book invites reading time and time again. It brings us back to the principles. The value of things. Right thinking. Relationships. As a practicing artist, I can think of few books that have meant so much.

Any artist who does not have this book in his or her library is being cheated out of great insights:

"There are mighty few people who think what they think they think."

"Be willing to paint a picture that does not look like a picture."

"...pictures which do not represent intense interest cannot expect to create an intense interest."

"Effects of perspective are made or defeated by sizes of strokes or by their tonality."

And this is just the teaser.

George Bellows, Edward Hopper, Patrick Henry Bruce, Stuart Davis, Rockwell Kent, Guy DuBois, Alfred Maurer, Carl Sprinchorn and countless others studied with Henri and went on to do great work. There are too many for this to be simply coincidence. The "Art Spirit" is the closest thing we can get to the Kool-Aid that flowed in Henri's classroom. One can glean quite a bit from the pages of this book. It is both practical and inspirational. I have to say that it can be a bit frustrating not being able to see anything or ask a question, but its much better than nothing (thank you Ms. Ryerson!). Buy a copy and read it.

The Art Spirit. Now there's a bold title. The implication is not only that there is such a specifically identifiable thing as an "art spirit", but also that the author, painter, and teacher, Robert Henri knows these specifics; a bold implication indeed. The difficulty (wherein lies the boldness) whenever one attaches the word spirit -or spiritual- to anything, there are, of course, as many understandings or perceptions of that word as there are hearers and readers of that word. This may exist to no greater degree and appear no more obvious than in the world of visual arts. Henri himself acknowledges this, writing in the forward, "...the opinions are presented more as paintings are hung on a wall, to be looked at at will and to be taken for what they are worth. If they have a suggestive value and stimulate to independent thought, they will attain the object of their presentation..." And later, "There is no idea that anyone should agree with any of the comments or that anyone should follow the advice given. If they irritate to activity in quite a different direction, it will be just as well." Although he embraces this free thinking, to-each-his-own, take what you will from it approach, it is merely one of the specific personality characteristics evidenced in the Art Spirit. Henri intends to show there is an "art spirit", and it is the province of every human being.
This is the crux of the issue for Henri, his point of departure from other artist/writers, and the chief value of this book: The Art Spirit is attainable by anyone, can be exhibited by everyone.
Other works on the subject tend to be either the less specific, more nebulous notions where we are expected to buy the fancy explanations and just accept that there is something spiritual, or of the spirit, going on here, or the very specific, artist-only oriented varieties. For example, consider Mandarin's grid "composition" series and his writing about them. While his theosophically induced explanations may help some to a degree of understanding, we are essentially left to take his word for what we are supposed to be seeing in the canvas. In his "Concerning the Spiritual in Art", although Kandinsky presages Henri -discussing psycho-emotional, expressive, and contemplative states of artists out in the real world and before the canvas- he ultimately leaves it with the artist, not really taking it out of the studio and into the factory, construction site, or office cubicle as Henri does. Whereas Kandinsky seems to digress at times into a sort of "how -to" instruction guide for defining and placing spiritual elements into a picture, Henri takes it further, defining his Art Spirit, then setting about showing us how to tell when it's present. This every-man definition is offered at the very beginning of his book:
"Art when really understood is the province of every human being.
It is simply a question of doing things, anything, well. It is not an outside, extra thing.
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature. He becomes interesting to other people. He disturbs, upsets, enlightens, and he opens ways for a better understanding. Where those who are not artists are trying to close the book, he opens it, shows there are still more pages possible.
The world would stagnate without him, and the world would be beautiful with him; for he is interesting to himself and he is interesting to others. He does not have to be a painter or sculptor to be an artist. He can work in any medium. He simply has to find the gain in the work itself, not outside it."
Henri then spends two hundred and forty five more pages illuminating and reiterating how one is -or can be- an inventive, searching, daring, self-expressing creature; how to live life to the fullest. The Art Spirit manifests itself in the appreciation of the non-material things in life; in the "true student" who self-educates and explores feelings, meanings, who contemplates, who really sees, who learns to express "who is you"; in what comes from the external world and inside you; in the full enjoyment in the living of life; in doing a thing well ... anything.
Henri accomplishes a difficult task here; a book with specific and important information for the artist, yet within that structure filled with insight and compelling ideas for the non-artist. One is urged to make a full reading, since quite often both are mingled in the same sentence or statement. For example, a non-painter might be tempted to skip the ten-page section on brush strokes (pg. 62-72), seeing no need for it. The unfortunate reader would then miss out on many little gems of insight and information. What is a brushstroke but a purposeful committed action by an artist? So then, consider the message in these statements when you substitute the word "stroke" with "action" or even "attitude" (parenthetical insertions are mine ):
"Strokes carry a message whether you will it or not. The stroke is just like the artist (person) at the time he makes it. All the certainties, all the uncertainties, all the bigness of his spirit and all the littleness are in it."

"There are more strokes which laugh, and there are more strokes which bind laughter, which freeze the face into a set immoveable grimace."

"(There are) bad strokes which are bad because a brush (a method) or a condition of paint (situation) were chosen which could not render them."

While Henri plays to both artist and non-artist audiences, it is at these times when he addresses the artist more directly he more closely aligns himself with Kandinsky. Both men bring their great passion for the subject into their text in their strong, clear, and pleasing voice. Kandinsky, sounding alternately-yet only slightly more- poetic here, technical there; Henri with a bit more enthusiasm. They share the same territory on many issues, such as the shape, direction, and function of line, intention of every stroke, careful planning followed by exuberant expression and more. Yet, while they may travel the same road, they do not share the same vehicle. There is an important distinction in each man's approach to spirituality, or the art spirit. For Kandinsky, there is a spirit world out there, and a spiritually inspired painter can -and should- find ways to represent both that indwelling spirit and that exterior spirit world to which we are all connected. Henri says (when) we search the external world with appreciation and wonder, and we search within ourselves, and when we become more self-expressing creatures, we have the art spirit...we are the art spirit. Kandinsky believes only non-objective images can reveal the spiritual, Henri says it matters not what you paint but how you paint it-compelled by the spirit. So while Kandinsky can use the "psychic effect" (pg. 24) of color to manipulate the viewer's emotional state toward a comprehension of the spiritual, Henri says the artist's mark itself can manifest the Art Spirit. While, in both cases it takes a more or less purposeful opening up to the notion of the spirit, for Henri it is not trying to grasp the spirit and record it, it is about internalizing and building the spirit inside ourselves, and our resulting expressions will, by definition, represent the Spirit. And it is possible for all of us.
The long quote above (from pg. 5) is written exactly as printed in the fifth edition printing not only as expository text, but as a means of illustrating Henri's bright, clear and energetic voice that runs throughout this book. The subtitle for The Art Spirit reads, "notes, articles, fragments of letters and talks to students, bearing on the concept and technique of picture making, the study of art in general, and on appreciation," and that is exactly how it reads. Much of this is due to Henri's considerable gift of communication, and the balance is credited to the physical layout of the book. There are no chapters, even very few headings to sections, lending itself very well to opening to any page and beginning to read. At times, a lecture, or perhaps advice to a single student goes on for five, six, seven pages. Other times, pages are divided into two or three sections, or set up in individual sentences which concern the same subject, yet stand on their own. The resulting effect is the feeling of being in the very classroom of Professor Henri. There are also considerable instances of repetition here, albeit in subtle variations. The index, however, is usefully repetitious as well, helping to differentiate between those subtleties when one may be in need of a specific quote or reference.
The last thirty pages are exact notes taken by Margery Ryerson, a Henri student who eventually compiled the notes, fragments, etc.(in the revised edition, she is credited as Editor). This is an excellent addition to the book. Reading Henri's comments and insights in her necessarily abbreviated, note-taking style provides fresh psychological weight to the reality of Henri's classroom.
One area of disappointment concerns the photograph illustrations of Henri and his work. In the fifth edition, the plates are in black and white. Although understandable at the time of inclusion (1930), they do not allow for close comparison with Henri's ideas and techniques about painting elaborated in the text. The real disappointment is to find that the current edition available from booksellers has not updated to colorplates, but jettisoned the pictures entirely, save for the full color cover.
I recommend The Art Spirit to anyone involved in the creative process. It is a must have, particularly for those times when one may be experiencing a creative burnout, or to shake off the cobwebs. I am recommending The Art Spirit to non-artists as well -anyone who is looking for a little spark, a little positive push toward self-actualization.
For the artist, I am not recommending The Art Spirit over the Kandinsky classic; I see Henri's work as more of a continuation, or a rounding out of what Kandinsky started years before. Artists and aspiring art appreciators must read both if there is to be any hope of understanding

This book was an inpiration in my spiritual journey.
-The Big Glow

This is a book which can easily change the way you see (observe) world. It is a book which requires meditation.
Krishnamurti's talks on various topic and his insight to know yourself is life changing.
While reading it, I used to go deep into thought and observed myself. During this period you realize and know a lot about yourself. One of the biggest thing which I learned was that you know the truth when you know what is not true. Making yourself aware of yourself (including anger, jealousy, prejudice) and not forcing it to go away is the the true observation. Just watch yourself as you watch the the sky and the birds without trying to do any change. This is just a small part of things which changed my life. It is not a book that will change your life but definitely one can change his own life after reading his book. At some points in the book you will be lost as there is nothing wrong or right but constant meditation on the topic will help one out.

If you are ready to challenge your believes and habits, this is a must read book.

One the MOST influential book I have ever read! It is very easy to follow, and I would recommend it to every one.

If you're interested in actually practicing Buddhism, not just reading or conceptualizing it, I feel like this book may help, because it's like having a teacher in your pocket. He guides you in a way that is productive, yet you have to truly see what he talks about for yourself in order to appreciate it. Otherwise, as JK would say, it's just more dead words.

"Some of you believe in the idea of reincarnation. You come and ask me what I believe, whether reincarnation is a fact or not, whether I remember my past lives, and so on. Now, why do you ask me? Why do you want to know what I think about it? You want a further confirmation of your own belief, which you call a fact, a law, because it gives you a hope, a purpose in life. Thus, belief becomes to you a fact, a law, and you go about seeking confirmation of your hope. Even though I may confirm it, it cannot be of vital importance to you. Whatever it may be to me, real or false, what is important for you is that you should discern for yourself these conceptions through action, through living, and not accept any assertions." - krishnamurti

I cannot recommend this book high enough. This book is one of the most comprehensive and accessible of Krishnamurti's work. It is a collection of talks given at various parts of the world. In each series of talk Krishnamurti leads the listener to look into serious topics like Operation of thought, conflict , The art of seeing, freedom, the energy needed for freedom, do we need a teacher, etc. There is a huge difference between looking into an issue and "thinking" about an issue. Thinking involves thought, and simply looking is mere observation. And krishnamurti says that if this observation, the seeing is done with total attention without the interference of thought, then the intelligence operates.

Many a times while reading this book, my mind will come to a complete stop and I would be taken to deep and spontaneous meditation. Krishnamurti is highly skillful in sparking our insights and allows us to see what he sees. He never says "This is right or this is wrong", he doesn't even want us to agree or disagree to what is being said, because he doesn't offer any theories. He just tells us to look without judment, prejudice or opinions. He asks us to listen "completely". He says that people ask questions for two reasons, one is to confirm what they already beleive in, and the other is to "really" find out the truth. The first way of asking will never lead to an answer, because we are unwilling to listen to the "truth"; We only want a confirmation for the false, and only the false needs confirmations. This book is for sincere seekers of truth who really want to know the truth. He says that when we look at the false as false, what remains is truth. Health is the absence of diseases, and so it truth the total negation of false. The ability to discern the true from the false is what intelligence is. I have observed that reading one talk per session in regular periods helps tremondously in awakening "intellingence", not "my" intelligence but just intelligence.

"As I was saying, the importance in asking a question is not to find the answer but to understand the problem because there is only the problem and not the answer. To ask a question is easy; but to go into the problem is extremely difficult because once you know what the problem is, the very seeing of the problem is the understanding of the problem. The moment I can state the problem very clearly, simply, the answer is there, I do not have to look beyond. But most of us do not know what the problem is. We are confused about the problem and so naturally we look, in our confusion, for answers; and that will only produce further confusion. " -krishnamurti

I've read this book several times. Every time I pick it up, I end up laughing until I almost cry. As a bachelor myself, I relate to the grains of reality underneath O'Rouke's great sarcasm.

Not as good as "Eat The Rich" or "Parliament of Whores" or "All The Trouble in the World" or "Holidays in Hell" or "Give War A Chance"; those books are thought-provoking as well as screamingly funny. This one is just screamingly funny, but this might actually be a plus for people whose response to some of P.J.'s better works is a defensive "That's not funny!"; P.J. has a tendancy to poke fun at EVERYTHING, including the sacred cows of people who he disagrees with (and sometimes those he agrees with.)

As a 32 yr old bacelor, this book had me literally HOWLING with laughter! I let my girlfriend read it. We aren't dating anymore, LOL. As ridiculous and as obscene as some of it seems, it is startling to realize that I have actually LIVED like that!

FIVE STARS,..!!!!!!

I've been on a tear of P.J. O'Rourke's books lately, starting with Republican Party Reptile and so forth. This is by far one of P.J.'s best. I'm on the other side of the coin politically (fairly liberal) myself, but P.J. usually spares no one, and I admire that (Rush and his wacko friends could learn a thing or two).

This book is just about how to get by if you're a bachelor. It's incredibly funny for the most part (the cooking sections should not be read if you've just ate!). This is a fantastic little book, very helpful if you plan to live like a slob or like a typical college freshman.

The Bachelor Home Companion: A Practical Guide to Keeping House Like A Pig written by P.J. O'Rourke is a very funny, keep you in stiches book.

You'll never keep a house neat and tidy after you read this book. Of Course, that's assuming that you already do. What its like as a bachelor in theory as to actually being one is, according to O'Rourke, a great disparity. If you want to laugh and be entertained at the same time then this little tome is for you to enjoy.

Humor abounds and your life will definately take a turn... for better or worse will depend on you.According to O'Rourke... "How often does a house need to be cleaned, anyway? As a general rule, once every girlfriend. After that she can get to know the real you."

I read "Cache Lake Country" in 1968. I was delighted to find it in print again...like meeting an old friend.
Thank you.

I have read a lot of outdoor books over the last 40 years, and this is one of the best. I am going to research the author, John J. Rowlands, because he was obviously a fascinating man who lead a very interesting life. This book tells about 12 months living in a cabin on a lake in Northern Onatario. At the time Rowlands was working as a timber cruiser, evaluating forests for use as lumber. He happened upon his ideal lake and was lucky enough to get stationed there by his company. He was also very lucky to have two great friends living within miles (within signaling distance via the various drums, horns etc. they engineered), on other little lakes. Together the three lived every outdoor boy's dream life of independence and adventure. This book has stuff about canoes, wild animals, sled dogs, snowshoes, knives, axes, the history of the lumber camps, and many boy-scout like craft projects. I just wish it was a lot longer.

A good book but I didn't think it was as easy to read as friends lead me to believe. A tremendous amount of reference material, but I thoroughly enjoyed it.

I found the book enlightening and informative. Thank you for the opportunity to enjoy and learn from this book.

I'm going to be a little less enthusiastic, but only a little, than some of the other reviewers here. I really did like this book, but for some reason it just didn't quite pull me into the time, place, space the way it did some others- although it didn't miss by much.

This is a very unique book-probably reminding me of my old Boy Scout Fieldbook (a little more detailed and survival-oriented than the handbook) more than a typical non-fiction work. The illustrations are great as well as occasionally light-hearted, and if you are at all handy or have an engineering or for that matter, culinary bent, you will find plenty of recipes and blueprints for food, tools, gadgets- even crystal radio sets or birch bark canoes. While some of these you'd probably have to find some supplemental information to make, most come so well described and diagrammed that you could probably build them or bake them directly from the book.

For me the best part is the author's midwest and at times almost cowboy way of describing life. His time around rough loggers in the days when horses and two man saws were still the order of the day especially captured my imagination. Like many readers, I'm a lot hermit, and the thought of life in a cabin in the north woods with nothing but snow, bear, moose, and wind has a certain charm, and I'm grateful to Rowlands for giving enough of a story to enjoy a bit of that charm vicariously. An excellent and unique book, and for some it will probably become a treasured possession.

A.A. literature and independent research make clear the relevance of this little book to the A.A., 12-Step, Recovery picture. See Dr. Bob's Library, 3rd ed.[[ASIN:1885803257 ; DR. BOB and the Good Oldtimers ; The Books Early AAs Read for Spiritual Growth [[ASIN:1885803265 ]; The Akron Genesis of Alcoholics Anonymous[[ASIN:1885803176 ; and Turning Point: A History of Early A.A.'s Spiritual Roots and Successes.[[ASIN:1885803079. A.A.'s co-founder Dr. Bob said hundreds of time that 1 Corinthians 13 was an absolutely essential part of the early A.A. program. He thought so much of this Drummond study that he circulated The Greatest Thing in the World widely among the A.A. pioneers. It was part of his library. It was part of his expression of the meaning of love. For that's what the Corinthians chapter and the Drummond book are about.

I heard Larry Burkett highly praise this book years ago so I got one. I agree, this is an awesome book. read just a few pages and it will change your heart to love others more, no matter how grouchy you are at the time. I prefer the older editions of this book, they fit in my purse better

My brother sent me a copy. He liked it so much he brought fifty copies to share with friends. I in turn have purchased copies to give away. It is the Sermon on the Mount, The Gospel of John, and First John all in one by way of expounding upon Paul's great love expose. Gary Trawick.

This book by Henry Drummond is a much-neglected meditation on I Corinthians 13. With kindness and gentle encouragement, Drummond walks the reader through the characteristics of love we all fail so miserably to exhibit in our own lives. Well-written and short, this book should be on the shelf of anyone who is trying to live Scripture.

Hadn't read Henry Drummond's book in years, but I recently picked it up again and re-read it and found it had lost none of its power for me. This book can be read in twenty minutes, but it's a twenty minutes that can change your perception of life and love.

Drummond, who was an inspiring liberal-thinking Christian of the 1800's, divides Paul's chapter on love in First Corinthians into three parts: "love contrasted," "love analyzed," and "love defended." He shows us what love isn't, shows us what it is, and defends it as the "greatest thing in the world." He helps us understand that it is not a burden to love - it's the easiest thing in the world!

This book is one of the most inspiring pieces of Christian literature I've ever read.

This series of books is an outstanding history of the reorganization of Soka Gakkai International after World War II in Japan. It provides a great insight into the rebuilding of Japan, and the struggle many endured to rebuild the SGI and their lives. Recommend to all SGI members.

This book (series) chronicles the history of the Nichiren Buddhist laity, Soka Gakkai,from 1960 to the present. It's a collection of the personal struggles and victories of the pioneers of Nichiren Daishonin's Buddhism in America. No matter how many times I read it, it never fails to inspire me with hope and courage. The SGI motto "No matter what, never give up!" echos from every page.

As a foreigner living in a foreign land, I can understand from my own life how the Japanese war brides who introduced Nichiren Daishonin's Buddhism to the USA felt. President Ikeda gave them four tasks to perform and they were:

1.) learn to speak English 2.) learn to drive a car 3.) buy a car 4.) become US citizens.

Impossible dreams for these women. By taking US citizenship they'd lose their Japanese citizenship and could never go home. English was very difficult to learn. Buying a car for a newly wed military couple, often with young children, was also seemingly out of reach.

Though their deep faith they made they impossible possible. Please do read the entire series. It will become one of your favorites as it has become mine.

As a practitioner of Nichiren Buddhism and a relatively new member of the Soka Gakkai International, this book was a great surprise to me. I knew that the book was a history of how the Soka Gakkai was reinvigorated by Josei Toda after WWII. But I had no idea that the struggle was so great. I am learning every day more about Buddhism by reading how the characters in the books use their faith to overcome their own struggles (karma) and become enlightened people. Maybe the expert on snake oil does not practice Buddhism so the story does not make much sense. I look forward to reading "The New Human Revolution."

As a novel in which the protagonist, Josei Toda, discovers a deeper meaning to Buddhism while imprisoned by a militarist government during WWII may not connect with every reader. I read this novel approx. 30 years ago as I was learning about Buddhist practice and philosophy. It provided an excellent medium through which I learned the application of Buddhism in a practical setting, rather than simply as abstract concepts. I have continued my Buddhist practice and this novel was a key to keeping focused on the primary goal of enlightenment, a.k.a Human Revolution. Why another reviewer dismisses this as "snake oil" is odd. This Buddhism is a simple practice which requires no belief to undertake. An interested party, as I was, may begin without spending a penny, as I did. It is certainly not focused on trying people to spend large sums on ever continuing seminars and such. This school of Buddhism does alarm some people, as the novel illustrates, because other "mass movements" of the time were facist and not humanist. Furthermore, any new movement is seen as a threat to established institiutions. The Soka Gakkai, which this novel explores, is now recognized by a plethora of peace organizations as a beneficent organization.

The concept of human revolution is based on the Buddhism of Nichiren Daishonin, that enables people to elevate their life conditions to the highest through their buddhist practice, thus revolutionize them from within.

But, the true greatness of the Daishonin's Buddhism lies in making the practice possible and available to anybody, and through giving each member of the world the opportunity to continuously change him/herself for the better, the world peace can be achieved. The idea itself is revolutionary, I believe, that it goes totally the opposite of what has been done historically to achieve peace, which is to make the change at the top to force the changes downward to people (in many cases with lots of sacrificing and suffering).

The SGI, whose president is the author of The Human Revolution and The New Human Revolution series, practices the Daishonin's Buddhism; therefore, its ideal is to make each individual happy and to promote peace throughout the world. The New Human Revolution can be read in many ways, but I would recommend to pay a little more attention, when you read it, to the fact that the Buddhist ideal is put into practice and actually happening.

As a SGI member, I am proud to be a part of this endeavor and recommend anybody to check it out.

I bought Manners Can Be Fun for my 2 year old granddaughter. She is too young to understand a lot of it but is enthralled with the pictures. Reading this book to her reminds me that I should always, always teach with actions rather than words because little eyes are watching and a slip in manners, even at home, will have an impact.

This book is as wonderful today as it was years ago! I agree about the missing Burpers - I want them back! But still a wonderful and fun way to instill principles of courtesy in the reader. A wonderful reminder of years gone by and if we are lucky a promise of what we can be in the years ahead. Just be nice to one another! Ann Clarke, author of People Are So Different! based on tolerance and understanding.

Two boys, 5 & 7 can often forget the importance of manners. Being tired of preaching and threatening, I saw this book and thought I'd try it. While they sipped hot chocolate, I read this to them. Neither of them said a word, but were paying complete attention! I couldn't believe it! I wasn't sure my kids would be able to enjoy and/or process this. They did, and I am very pleased with this book. Looking forward to buying all the other editions.

I wish this book had been around for my children when they were little. Their great grandmother had told them about it, but it was no longer in print. I bought six copies... so they could read it to their chilren when the time comes AND one for my class of kindergartners. My K kids LOVE it!

I had Munro Leaf books when I was achild (I am 61 now) and loved them. This is a fabulous book. All kindergarten and first grade classrooms should have this book. It explains why manners are important in a way that children will understand that their life will be better if they use good manners.