Independent Books

This is a grate and very useful book. It is very clear and understandable, it have many actually information about movie business which I cant find anywhere else!

I bought this book because I'm getting involved in the movie making business (my expertise is mainly from a product development background). Even though a film can be viewed as a product I needed to understand the complex market in which I'm getting into.

"Marketing to Moviegoers" is an incredible way to get insight on all aspects of the film marketing process: from creative ad campaigns, test screenings, media buying strategies, product placement, merchandising and getting to know the distribution strategies for both big studios and independents.

Rather than a how-to manual, Robert Marich compiles numerous examples and case studies, in an enticing and easy to read format (using indsutry charts and graphics), that allowed me to understand what to expect when producing, promoting and distributing my film in a few days.

I think this book, with its broad coverage of the movie industry and its practices is a great compliment to "The Complete Independent Movie Marketing Handbook", because the latter focuses more on step-by-step recommendations on how to get your movie packaged and sold.

As London bureau chief of The Hollywood Reporter, I covered the whole range of movie marketing strategies, from bad to brilliant. Bob Marich gives those who market movies and those with an interest in the film business a great inside look at how it's done, from market research to promotions and publicity to distribution. He covers major studio releases, movies distributed by indies, and foreign-language films. This is a great read for anyone who cares about how movies reach the ticket buying public.

This book is a must-read for any aspiring or practicing film marketer -- even marketers of non-entertainment products can learn a few tricks here. Thoroughly researched and logically presented with a liberal use of tables, "Marketing to Moviegoers" leaves no stone unturned in its elucidation of the whys and hows of selling a movie to the public. It delves into everything from concept testing and surveys to trailers and projection equipment and even the special challenges posed by foreign-language films. Should be required reading at all film schools.

I have written on films for a decade for VARIETY and have subsequently free-lanced for other publications. I found "Marketing for Moviegoers" a highly comprehensive account of marketing in the industry, of films winding their way to hoped for profitability employing multiple strategies through multimedia and ever expanding technologies. Even the most seasoned professionals in marketing will want to compare notes with this book's wealth of information and anecdotal material. It is definitely a must for neophyte filmmakers or those aspiring to that calling so that they will know exactly what they are getting into.
As the book gives a thorough rundown of the fields of marketing research, media advertising, promotional tie-ins, merchandising, publicity and distribution it carefully notes the opportunities and pitfalls of assorted game plans. Chronicles of standard industry practices are interlaced with boom or bust investment tales. It is especially skillful in coping with the constant changes of new technologies. On the subject of the Internet, for example, the various advances and retreats, strategies and counter strategies are duly recorded.
"Marketing for Moviegoers" bolsters its points with numerous charts and examples of recent movies. While this book's primary appeal will be to those in the trade its inside story of the intense media battle for consumers' dollars should have the attention of some just plain moviegoers.

I've looked at, bought, and borrowed several other books like this one, but none offered anywhere near the detail on income and self-employment tax that this book does. There are actually several chapters (5) dedicated just to taxation, including rates, audit trends, pros and cons of doing things one way over another, even information on paying estimated taxes that was written in a way that I finally understood it. I went through it all extensively with a highlighter, and came out understanding much more than when I'd asked my retired CPA uncle. As a newcomer to the self-employed workforce, I was grateful for the information I found here.

Oh, and the rest of the book is great too! The suggestions for record-keeping, documenting expenses, samples of contracts and legal forms, copyright and trademark advice -- it's all exactly what I needed. I wish I had found this book first, it would have saved me a lot of time and money. Highly recommended as the all-in-one resource it claims to be.

I recently a started an S corp for my software contracting. The book is helpful and worth the price. It won't answer EVERY question you will have, but you probably should talk to a CPA for those anyway.

I purchased the book since my employer explained that I will become an independent contractor for 2007. The book explained everything about being a contractor and how to stay in line with paying the taxes, how to protect my self employed status, what deductions I can take, and what forms and agreements I should use. I found it very informative and would recommend it to anyone who wants to understand the world of self employment.

My husband is an independent photographer, so the Nolo Press books are great for him, geared as they are to all those wishing to handle all the paperwork for themselves, instead of the usual array of lawyers, accountants, etc. He keeps it as a reference book and can easily turn to whatever subject he needs more information on. Well-written and easy to understand, as are all Nolo books, these books are wonderful to review periodically.

Plenty of books impart the basics of how to work independently - but too few include all the legal tips, tricks and traps involved. WORKING FOR YOURSELF: LAW & TAXES FOR INDEPENDENT CONTRACTORS, FREELANCERS & CONSULTANTS covers everything from setting appropriate fees and understanding how and when taxes are paid to limiting liability and getting paid. Record-keeping processes are simplified with sample logs and entry advice, chapters on how the IRS defines an independent contractor versus a paid employee are essential keys to keeping independent status, and advice on pricing and insurance offer key strategy-oriented tips and approaches. A 'must' for any who would work independently.

I really enjoyed this book. It is very refreshing to know that there are still some writers out there who don't have to resort to overly sexually explicit or cursing to make a good read. Ms. Harris did a great job!

I was immediatly pulled into the intense life of Brandi. Her character was someone that I think every women can relate to one way or another. She exemplifies life as a young African American female, and the struggles. The story carried through and took twists and turns that had be talkin back to it and sharing emotions with the characters. Wonderfully written, big ups Lisa, cant wait for the next one.

For an up and coming author, she has amazing talent! I read this book in less than 24 hours. I could not put it down. Two friends and myself, purchased the books, after meeting the author. Now we are on to the next book, Finding My Way. We can not wait for the release of her other books, because we know they will be page turners as well!!! Keep them COMING!!!! Lisa Dumas Harris is Great!!!

This book was outstanding. I've been so busy lately that I have had time to even think about a book, but when I brought it and began reading I could not put it down. I have read it twice. Lisa is a great writer and I am anxious to read any other upcoming projects that she may have. This book has left me wanting more from her and I can hardly contain it.

Great, great, great book. A MUST read.

I just wanted to let everyone know that I LOVED "Only Time Can Tell". The story was so personal and real. I could relate and I fell in love with the characters. Brandi was my favorite. I felt her pain and I rode the whole emotional rollercoaster with her. Lisa is an excellent writer. I was able to lose myself "inside" the book. I started reading it at 10pm that night and couldnt put it down until I finished at 3am the following morning. I passed it along to a friend of mine who also loved the book so prepare to have even more followers. Cant wait to read "Finding My Way" and I hope God blesses you with more words to put on paper so I can read them. So if you havent ordered the book yet, "what are you waiting for?". You are missing out on an excellent treat.

THIS BOOK IS ABOUT LEGENDARY FILM MAKER ROGER CORMAN. HE IS KNOWN FOR MAKING FILMS AS QUICK AND CHEAP AS HE COULD. MANY OF THESE ARE CULT FAVORITES SUCH AS LITTLE SHOP, GIANT LEECHES AND MANY MORE. I HAVE SPENT MANY A FRIDAY NIGHT AND SATURDAY AFTERNOON WATCHING THESE "CLASSICS". ROGER CORMAN IS KNOWN FOR MAKING CHEAP BUT INTERESTING AND SOMETIMES HILARIOUS B MOVIES. THE BOOK GOES BEHIND THE SCENES AS THE AUTHOR INTERVIEWS MANY FORMER EMPLOYEES WHO HAVE WORKED FOR CORMAN AND HAVE INTERJECTED THEIR VIEWS AND OPINIONS ON CORMAN. ROGER IS ALSO KNOWN FOR GIVING MANY STARS THEIR START. CORMAN IS ALSO A COMPLEX GUY WHO CAN BE VERY GENEROUS AND CAN ALSO BE AS CHEAP AS THEY COME. SOMETIMES MOOD BUT ALWAYS LOOKING TO MAKE ANOTHER MOVIE. I REALLY ENJOYED THIS BOOK AND I RECOMMEND IT FOR ALL FANS OF KING OF THE B'S AND WHO APPRECIATE BRILLIANCE ON A BUDGET.

Wow! Talk about switching personalities! This amazing biographer can emit the style of the person she is writing about to really give you a flavor of the personality. And of course, she spent time working for him, so you are privy to more of a view. Written somewhat bruskly like Roger's personality, you really gain insight into his life and what made him the person he is. Contrast this book with Beverly's biography of Ron Howard and you see some of the exceptional talent of this lady. A great read!

(...)

Gray's biography--fun as it is-- is more than a story about a man who is arguably one of Hollywood's most idiosyncratic moguls. It is a chronicle that parallels that of The Great Depression, World War II, the growth of the film industry and Los Angeles itself. We meet again celebrities we haven't thought about in years like the adorable dimpled Jon Davison, the memorable Vincent Price and even run across pop culture icons like Frank Gorshin.

Occasionally this book is burdened with glitz-town detail that only a dedicated film buff might adore but these moments are rare. Like a super hero, Corman--now 75 and still going--is resilient because he is multi-faceted. The same can be said for screenwriter cum UCLA instructor and journalist Beverly Gray. The two seem admirably paired in that way. Gray uses her many experiences and talents to tell the story of a man of many parts.
(...)

This fascinating "biography" is really a savvy "how to" book that belongs on the shelf of every screenwriter, aspiring producer, director, and development executive -- and everyone else who loves films and craves to know the secrets of Hollywood's most colorful mogul.

I found it fun to read as a realistic "behind the scenes" glimpse of what it takes to be a profitable mogul, such as the way Corman hired young cheap "promising" talent instead of going for experience. Directors fresh out of film school reading this book, for example, can get a good feel for the mindset and financial situation of producers they interview with. Screenwriters will learn how Corman and team (Gray had been his development executive) managed to write and produce so many successful films quickly.

Few books reveal the inner machinations of a successful producer so intimately. Gray, a screenwriting teacher at UCLA, has done a spectacular job of showcasing the life story of an intruiging man through more than eighty interviews and via her own experience.

I have to agree with the other five-star reviews. "Roger Corman: Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers" is the best book on the subject, the subject being the most unique American studio head in film history.

Beverly Gray really paints a nuanced picture of Corman and never panders to the fans, the haters, or her old boss Corman himself. Though it's impossible to pull back the curtains entirely and see into a man's soul, Gray seems to have at least pulled back one side, giving us as much a glimpse as is possible without telepathy.

Storywise, Corman is, as always, fascinating, and Gray's perfectly detailed retelling of his story is the best yet written.

As a working Hollywood director and published author (The Power Filmmaking Kit), I usually take many filmmaking books with a grain of salt. They are either overly simplistic, revealing the inexperience of the author or serving as blatant self-promotion. "Filming the Fantastic" is neither. Mark Sawicki's take on visual effects cinematography whipped me back to my childhood when I dreamed of creating the same in-camera special effects I grew up with in movies like Star Wars and Indiana Jones. The one book I wish existed years ago, "Filming the Fantastic" is chock full of techniques, tips and advice to both novice and experienced filmmakers alike, focusing on the art of using lenses, practical set pieces, miniatures, forced perspective, and a variety of non-CGI approaches to making incredible effects. If you are interested in making movies or the filmmaking process, I highly recommend "Filming the Fantastic." It is a fascinating read, and a fresh look at an extraordinary art form.

If you are a filmmaker Mark Sawicki's book is a must for your arsenal. The book will give you much needed fundamentals of how visual effects shots are done. Dont try to "fix it in post". Do it right the first time in your camera.

Finally a book which analyzes FX effects non only in CG but in old fantastic and "Handy" method!!!

Mark Sawicki's book, is a wonderful resource for those interested or involved with the history and creation of visual effects for film and TV. This book would be a great addition to a visual art students library - teachers will also find the practical exercises excellent, while film industry professionals will find the advice and commonsense approach to making visual effects invaluable. I should stress that this beautifully illustrated book is different to the glossy (and all too common) "how we made the effects for such-and-such blockbuster", Filming the Fantastic is much more real and practical, always encouraging the reader to learn by trying things for themselves.

Filming the Fantastic is about creating visual effects - not just those made by computers. The use of miniatures, matte painting and clever planning demonstrate how time and money can be saved while producing outstanding results. Marks professional effects experience provides the framework for the book, backed up with interesting anecdotes and exercises for the reader make their own special effect shots. A really unique feature of this book is showing how to deal with the inevitable situations where there has been little or no planning prior to filming.

This substantial book is crammed with photographs and diagrams, illustrating the text and clearly explaining concepts for the reader. There is considerable depth to the theory sections on colour, perspective and lighting, making the book a fine reference work for any filmmaker. The exciting thing I found about this book was sections such as "So you don't have a million dollars" - which go into making effects with a low budget or if you are challenged for time. Effects are created using home video equipment with simple props - ideas on how to create you own blue screens, superimposed backgrounds, stop motion animation, people falling out of buildings, crowd replication and even a pan across an airplane crash scene, can all be created with a few dollars and a few hours. This may make the book sound too simplistic for a professional, however "in camera effects" (as they are called) are becoming more rather than less common in feature film production. These "tricks" are recognised as time savers in the professional industry.

In summary this well written book is very easy to read with clear thought out examples for students, teachers and professionals. Great illustrations and photos explain the key concepts thoroughly while the broad topic range make the book relevant for many people and situations.

A great gift for yourself or anyone interested in the magic of movie making. My advice is to dust off the camera and try the effects for yourself!

Mark's book is so much more than another cg text on doing effects. He has endeavored to share many traditional methods which are at the source of how a very experienced professional translates them into cg. But the beauty of Mark's book is that he doesn't just mention some vague concept. He gets in there with very specific details and examples of traditional work, as well as cg work. There is so much specific info that you will learn a great deal of practical application in your own work...traditional or cg. But more importantly, you will see and appreciate concepts and methods that can be (and are) applied in the cg world, which have grown out of traditional hands-on, real-world effects work. This is a book that students and the industry both need.

This tells you how to design a house for you. Not just a house out of a book, but one that takes your living patterns into account. Don't want a formal living room? Don't put one in! Also reminds you if you want to live in the house a long time, to make room for handicapped access that may be needed later. Design your kitchen and baths the way you live! Have fun! ;-)

This is the first book I've found that actually addresses living patterns in home design. The book describes the fact that people can be uncomfortable sitting in a huge living space and actually crave the need for smaller spaces like alcoves. Social behaviours and traffic patterns while entertaining are studied and factually explains what makes a room feel comfortable or homey. With traffic patterns and accessibility as the basis for the design half of the book, Clark provides a solid foundation for design fundementals and the why behind it.

The second half of the book covers home building. A s a complete novice in this area, I can't vouch for the accuracy of the information, but it does seem quite comprehensive in its description, demystifying the building process, and empowering owners to monitor their contractors with an informed eye, while giving insight to the bigger picture and mindset of contractors. I think this understanding will help communication between owners and contractors and make homebuilding a smoother process. Of particular interest, I found the load calculations for foundations fascinating as it wasn't something I had ever considered in home building as it is something the architecht waves his magic pencil to produce.

The book is written in a familiar tone the layperson will relate and understand, and while it doesn't shirk the industry jargon, explainations are forthcoming, making it easy to understand and simple to follow.

I've read quite a few books on home building and have done extensive research on the internet. This book covers design priciples and the why not found elsewhere. I highly recommend this book as the foundation to anyone planning and building their own home.

Sam Clark uses up half the book before he gets into the nitty-gritty of construction methods. This really IS a book about house DESIGN as well as construction. As such, it's an EXCELLENT book for someone who's starting from scratch to create their own house. The approach is extremely methodical, treating mindsets and goals as elements of the design process equal in importance to elevation drawings.

The illustrations bear particular attention. The (black and white) photographs are well composed, and have high contrast to clearly delineate the features that are supposed to be of interest. The line drawings are rather funky looking (in part because Clark appears not to own a ruler), but nevertheless do a very good job of illustrating what the text is talking about. This is the case for three reasons: (1) they were created by the author, who knew EXACTLY what part of the text needed visual aids; (2) their rulerless nature means that Clark can emphasize particular features rather than focus on strict scale drawings; and (3) each one is sized independently to take up as much space as is required to depict the subject matter, without worrying about "wasting" some page area. The end result is that the text and illustrations fit together well to make a unified whole.

For more detail on the Building part of creating a house, I'd recommend "Do-It-Yourself HOUSEBUILDING" by George Nash. But because Nash's book doesn't come close to Clark's for clarity, I'd first read Clark's book cover-to-cover. Then I'd keep Sam Clark's book open to the same subject area so that you can step back and get a clear overview as you get confused in the details of the Nash book.

I have been researching owner building for almost a year now and this is the first and only book I've found that both had all the information I needed, and presented it in a way that a layman could understand. Five thumbs up.

For the owner-builder looking to educate her/himself, sifting thru the oceans of books to read is tough. This one is definitely worth the time. Clark takes a no-nonsense, unpretentious approach. The text is easy to read and in plain language that lay people can understand. Focuses mostly on conventional stick-building, but there are lots of great ideas (in the "doing it yourself on a budget" theme) that apply to any building style.

What initially drew me to this was the low-budget part. It turns out to be full of practical advice for anyone thinking of getting into making movies whether from the purely creative or the cold-hard-cash standpoint. Actually, this book makes an excellent point of connecting the money and the art especially in the field of filmmaking where the pursuit is hardly ever one-man or completely free of expense. This is not just about the low-budget film but about filmmaking in general discussed in a way you would discuss how to bake a lasagna. You realize that anyone can bake a lasagna. Whether or not anyone would eat it? That's another story.

This book is very readable - the author uses several anecdotes to engage the reader, and also provides lots of hard facts, and excellent suggestions. If you are planning a film - buy this book.

Planning The Low Budget Film by producer and production manager Robert Latham Brown draws upon the author's 30 years of experience to lay out the principles of solid film planning with strictly limited resources. Chapters discuss how to get into the low-budget film business, how to apply and adhere to a schedule, methods of calculating and keeping track of the budget. Of especial value is the meticulous step-by-step instructions for anyone who is brand new to the confusing world of financial recordkeeping. Written in down-to-earth, no-nonsense format, Planning The Low Budget Film is enthusiastically recommended for aspiring and professional film producers of all experience levels.

I found out about this book quite by accident on Wikipedia, as so many people rely on expensive computer budgeting programs now. I refuse to shell out more big cash on programs and books. The D.I.Y. film information industry has become so bloated, you could spend so much money on materials, you could've made a feature film instead of buying more books on HOW to do it. But this is a really good book from an actual teacher who knows how to communicate. It's a secret self-published book that I'm glad I stumbled upon. As word-of-mouth spreads, I imagine many more people will find out about it.

Anyway, now that the script is done five years later, I've been avoiding the idea of all this real work, hoping I could run a cute photo and a personal ad for a knight to ride in and save me. I didn't care if the knight was white or black or even abusive. But no dice. And since I have to do this anyway, I wanted to really learn the logic of how and why to break down and budget a script. It's a surprisingly easy read for such a dry subject and I'm carrying my copy around like a newly dog-eared pet, reading a little bit more each time. Good luck to both you and me!

Update: I broke down and not only had to buy a program (which I still can't figure out six months later--if only Scott Billups would write every manual!)--but I also took a pre-production class with Debbie Brubaker, the line producer. Man, she is rock n' roll.

If you are making your first legitimate movie where people besides your friends and family are depending on you not to screw up big time and you just searched Amazon for books on filmmaking and you need a no-nonsense step by step guide to help you through the behind the scenes process, this is the book for you!

I work with a comedy group in California, and we recently shot our first budgeted short film. As I am the most organized member of the group I was appointed the "Line Producer" and put in charge of making the whole thing come together on the back end. Coming from a theatre background, I knew what went into putting a stage performance together, but I was in the dark when it came to preparing for a film. After scouring Amazon (and a few other sites) this book seemed the most adequate to help me prepare for my job.

I've worked in film before, so a lot of the books I looked at about making a movie spend 2/3 of their volume explaining the difference between DV and Film and what a DP does, but I needed something that cut through that introductory fat, and would help prepare me for pre-production and detail exactly what went into pulling a film together.

This book is that book. It was my bible. It was glued to my side like Biff's Sports Almanac in Back to the Future 2.

Mr. Brown walks you through everything that goes into "making it happen." From breaking down the script into a functional shooting schedule to preparing an accurate budget to determing how far behind schedule you are to making sure there is a place for people to go to the bathroom, it's all in there. Additionally, the book even helped me to prepare for a lot of the basic legal and propreitary issues that we would encounter.

Brown also peppers the book with great anecdotes that help you avoid the pitfalls and roadblocks that he himself has encountered on large feature films like The Goonies. Yeah, The Goonies, you can't mess with someone who worked on The Goonies.

This book is essential. Bottom line. Read it. Love it. Use it.
Make well prepared movies.
Be a hero for your production.

Easy discovery art for everyone, no matter what age. This book has been around for awhile, but the ideas are still classics.

This is a great book. Own your own and use it all the time to give your kids found memories of creating things with you. The ideas are fun, well explained, and creative.

This is a great book for parents and educators alike. The projects well-detailed in this book are very comparable to techniques educators are taught to use with children in elementary and younger classrooms to promote creativity and self esteem.

This is a must have book for both parents and teachers. I keep it handy for those days when I feel like doing a project with my daugher, but I need a little help coming up with a creative idea. This book always gets us started. There's something here for everyone and it can be used with a huge variety of ages. It is truly one of the best art books we own.

All of Mary Ann Kohl's art books are great, but if you have to start with just one, I would get this one. In fact, if you are teaching art to young children or working with your own child artists at home, this would be an ideal book to start with. Why? It covers all the mediums: drawing, painting, assemblage, printmaking, collage, sculpture and crafts. It contains open-ended projects that are suitable for almost any age. The projects allow children to explore materials and techniques and come up with their own ideas. Each page includes one project and is illustrated with line drawings. Each project is coded to show at a glance how much time/preparation is needed, what age/experience level the project is appropriate for, and so forth. My only complaint is that some of the projects call for the use of liquid starch which I have not been able to find (only spray starch and powder starch) - so I substitute watered down glue, which works. I teach art, am an art school graduate and a parent, and I have quite a few books on this subject, but this is the book I turn to most for ideas.

Tony Collings writes stories of courageous men and women who are fighting to bring the truth to their readers. Collings writes from the vantage point of an international correspondent who has risked his own life to cover world danger spots. This book should be read by anyone who values a free press.

For the American layperson who may not be familiar with the dangerous situations and murky but volatile undercurrents journalists often face in foreign trouble spots, Tony Collings book "Words of Fire" will be revealing in its accounts of journalists who have given much--even their lives--to the cause of truth and democratic ideals. As an international journalist himself, Collings knows well of what he writes. This work might even raise the level of regard in which journalists are held as defenders of the people's right to know. Here Collings is talking about the important issues shaping the growth and development of any of a myriad countries, not the latest American fad-gossip which passes for "news" on tabloid TV in the U.S. For the professional journalist with overseas experience--and I include myself in that category with friend and former CNN colleague Tony Collings--I found his work well researched, well written and a good account of what is the best in our craft.

At a time when print journalism has often been justly criticized in the U.S. as medium of entertainment, without independent moral backbone, Tony Collings has written a moving, brilliant record of the deadly struggle between a free press and totalitarian goverments around the globe. Collings is an experienced broadcast journalist and an eye-witness to much of the corruption and terror hidden and sustained by censorship everywhere, from Russia to Columbia. He argues that press freedom is an essential and enabling condition for the expansion of democratic reform in reactionary regimes. But perhaps what is most moving about WORDS OF FIRE is the many true stories of personal courage, the harrowing dangers faced by journalists in our historical era as they attempt to unmask the face of tyranny with only the truth of their words.

Author Anthony Collings knows how to bring this vital topic alive. In the USA, we take press freedom for granted. If anything, some of us feel there's too much of it about: we often sympathize with Hollywood stars who punch out swarming paparazzi. But in much of the world (and not just the kleptocracies and one-party regimes), simply getting the basic truth to press can be a career-ending or even life-threatening endeavor. Collings wisely decides to illustrate this by focussing on individual cases, many of which will astound you. This is an important book on an important subject.

At a time when print journalism has often been justly criticized in the U.S. as medium of entertainment, without independent moral backbone, Tony Collings has written a moving, brilliant record of the deadly struggle between a free press and totalitarian goverments around the globe. Collings is an experienced broadcast journalist and an eye-witness to much of the corruption and terror hidden and sustained by censorship everywhere, from Russia to Columbia. He argues that press freedom is an essential and enabling condition for the expansion of democratic reform in reactionary regimes. But perhaps what is most moving about WORDS OF FIRE is the many true stories of personal courage, the harrowing dangers faced by journalists in our historical era as they attempt to unmask the face of tyranny with only the truth of their words.

This is my all time favorite bread book. Some of Dolores Casella's ideas reflect the time in which she wrote the book. I think the focus of food has shifted in the past 20 years to more healthful things but there is plenty in this book to cheer about. For the hand bread maker this might well be the only handbook they ever need. I love the fact that she has included lots of ethnic specialties but confess that the basic loaf breads are my favorites. Can't believe this is not still in print!!

I bought this cookbook as a bride many years ago. It has been used so many times that not only is it falling apart, it still has a circular burn on the back pages from the time I was following a recipe with the book propped onto the two-burner stove, as the wife of an intern living in the intern's and resident's dorm next to the old LA County Hospital. Our tiny kitchen was built into a closet, but I still made bread from my favorite cookbook. The loaf breads are the best ever, and I use the waffle and pancake recipes every week. This book should be in every cook's library.

A World of Breads was the first bread baking book I had ever purchased and is still my favorite 30 years later. Simple and easy to understand recipes that any home baker can use with confidence. I highly recommend Delores Casella's A World of Breads and her other bread and baking cookbooks.

Diana
Diana's Desserts - A Website for Home Baker's

I own the 1966 edition & have made almost all of the recipes. None are hard to make, some just use baking power instead of yeast. All their recipes taste just like grandma used to make!

This is a great variety of breads with easy to follow directions in the "art" of breadmaking. I would recommend it to any cooking library.