Campbell Books
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Equestrian rodentia at its very bestReview Date: 2005-09-10
Very nice readerReview Date: 2004-06-19
My first grader is hesitant to read and not into horses, so she wouldn't have picked the book off the shelf. But when her little sister brought it home, she discovered that the book was very approachable. The writing was simple, the font was laid out with lots of white space and the illustrations were engaging. So with a litle bit of encouragement, she did read it herself and found that Little Rat was a pretty interesting character.
As a mom, I found Little Rat's story of trying something new to be positive and upbeat. The "lesson" was gently told and with humor--in a way that doesn't insult the reader. We got it out of the library first, but it was the kind of book you'd want in your child's library, so we ordered a copy of our own.

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Another WinnerReview Date: 2000-07-10
He reminds us to be spiritual aware--not life- sleepers and advises us to create wonder. How to study the Word, and listening to God in our everyday lives are other meaningful chapters.
There is too much to explore in a review. Read the book. You'll love it.
IndepthReview Date: 2001-07-29


Western heroesReview Date: 2008-05-03
Campbell makes the story of the seven million Homesteaders really come alive in the first four chapters. The following seventy photos (in 175 screen) reinforce many of the points with detailed captions and nicely these include a touch of humor here and there. The photos show dilapidated houses, barns and other buildings, household and agricultural implements, rusting farm machinery and vehicles. So many of the exterior shots show buildings just sitting on the empty Plains which to the Homesteaders must have seemed a daunting environment, not only to work but also to bring a family up in.
I think this is a wonderful book of an overlooked part of American history and the only thing that could have made it better for me would be a really classy art paper and finer screen to reproduce these remarkable photos.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
A haunting photo collection of abandoned homesteadsReview Date: 2003-06-08
Today, where once stood prosperous farming communities joined by a network of roads and railways and served by a scattering of rural towns, fulfilling Thomas Jefferson's dream of a nation of small farmers, there is thinly populated ranchland, large hay fields, and expansive wheat growing operations. After decades of unusually high rainfall, these regions have returned to their normal arid conditions, which are unsuitable for dry-land farming. In some places, the prairie grass has reclaimed the land, obliterating evidence that the earth here was ever tilled. Only a few abandoned structures remain.
Campbell's photographs are fascinating and haunting. In many of them the vast sky looms overhead. Often in the distance there is a range of mountains, sometimes snow covered. The sunlight is bright and the shadows deep; the only signs of life are the grass and occasional trees. In all of them, the details are crisply focused, and where the landscape is flat and open, everything is sharply clear right to the horizon. I recommend this book to anyone interested in the West, images of the plains, and the history of homesteading.

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It's like finding your way homeReview Date: 2007-06-12
One of the best storytellers of our time!Review Date: 2007-07-28
A hero ventures forth from the world of common day into a
region of supernatural wonder: fabulous forces are there
encountered and a decisive victory is won: the hero comes back
from this mysterious adventure with the power to bestow boons
on his fellow man.
There are at least four major stages that a monomyth has however, in his book, Campbell goes on to describe seventeen stages that some monomyth's posses. The four stages making up the cycle of a monomyth are "passage: separation-initiation-return:" In the passage stage the hero is summoned to journey or embark on an adventure by some kind of event that takes place or from a message, he receives. The hero may embark on this passage willingly or reluctantly. During the separation stage, the hero meets with a mentor or wise man who gives the hero either an amulet or some words of wisdom to be of help to the hero on the adventure. It is during this stage that the hero will go through his first transformation, also known as "crossing the first threshold," as he crosses over to another world or dimension leaving behind the old world. In the initiation stage, the hero goes through several trials or tests. The hero often receives help in these ordeals along the way by allies or from a supernatural force. As the hero completes these ordeals successfully, he proves himself more worthy to continue the adventure. Most importantly, during this stage the hero must pass through a major ordeal that will expand his consciousness, and thereby change his character forever. Often, this ordeal entails the death of an ally or enemy. Once the hero successful accomplishes his ordeal he is rewarded with a gift, it could be intrinsic like the "holy grail, or it can be new found knowledge to better the world with. The last stage the hero travels is that of the return whence he came. Often the hero will undergo further trials on his return before he is permitted to cross the threshold back to the world he left. During his return journey, the hero will use his newfound wisdom or gift to make a safe return home. Once home the gift is used to cure some ill in the hero's home or to impart new wisdom to his neighbors.
Campbell points to the significance of the monomyth in the fact that it describes the cycle that Moses, Jesus, and Buddha had gone through according to their religious adherents. This is not to mention the hundreds of other monomyths told throughout human history. The monomyth proves that humankind shares a common creation DNA in a sense. The monomyth is the perfect vehicle for one to study the Humanities by.
Recommended reading for anyone interested in history, psychology, philosophy.


A Woman of No ImpotenceReview Date: 2005-04-12
Therein can be found both the secret of Margaret Thatcher's success and the seeds of her downfall. Her supreme confidence helped overcome widespread doubts that a woman could lead her party and her country, but in the end her arrogance alienated the very people she needed to retain power.
Thatcher's story presents a unique challenge to political biographers, largely because her overpowering personality and strident views make a fair assessment difficult to achieve. The writer has to tread a fine line between hagiography and demolition job. Happily, John Campbell's book manages to avoid these pitfalls, and his account of Thatcher's life and times is even-handed, thorough and highly readable. The first volume
of Campbell's biography - The Grocer's Daughter - covered Thatcher's early life and career, concluding with her arrival on the threshold of Number Ten. This second volume concentrates on her entire eleven-and-a-half years as mistress of Downing Street, as well as the aftermath of her removal from power.
The first thing to say is that it's a huge read - over 800 pages. But this is no more than the subject deserves, given Thatcher's dominance, not only in her role as Prime Minister, but also as an inveterate meddler in the work of her ministers. From health and education to local government finance and foreign affairs, there was barely an aspect of policy which Margaret Thatcher did not seek to influence.
All the important events of her premiership are there - the three election victories, the Falkands, Westland, the miners' strike, the Poll Tax, and her dramatic departure at the hands of her own party. But the book goes beyond the big stories to put her premiership in a wider context. Take housing: Campbell shows that Thatcher's policy of encouraging council tenants to buy their own homes, while prohibiting local authorities from building new houses with the proceeds, led to a massive shortage of affordable housing, and by extension to the high
numbers of homeless people still seen on British streets today.
Campbell's thorough research shines brilliantly throughout the book, but U.S. readers may find this depth of detail just too much information to take in. During some passages, even my eyes started to glaze over at so many references to obscure events and personalities from Britain's political past.
Of greater interest may be the sections covering Thatcher's dealings with Ronald Reagan. Thatcher apologists often claim that Britain's standing in the world grew taller as a result of her strong support for the U.S. President. But Campbell makes good use of Reagan's archival papers to reveal the true relationship of these political soulmates.
While they undoubtedly got on well, the President rarely let their friendship get in the way of his policy objectives. Thatcher believed they were working as partners to save the world from tyranny, but Reagan failed to consult her even on such important matters as the invasion of Grenada (a British Commonwealth territory) or his suggestion to Mikhail Gorbachev at the Reykjavik summit that the US and USSR should abolish
all nuclear weapons. Even so, Thatcher never lost an opportunity to catch the presidential ear. Campbell recounts Reagan breaking off from one of her many telephone rants to observe: "Isn't she marvellous!"
One of the most enjoyable sections of the book focuses on the burnishing of the Thatcher image, especially in the later years of her premiership. Campbell documents the change from the clothing of a "middle-class mimsy" to the power-shoulders of a leading lady, and her increasingly imperial airs. The regal touch was most memorably on show when she emerged from Number 10 to announce "We have become a grandmother." But
the author also offers a reminder of her qualities as a consummate actress. In 1990 she delivered a conference speech in which she compared the new bird of freedom logo for the Liberal Democratic Party to the dead parrot from the Monty Python sketch. She had never seen the routine, but delivered it with perfect timing to laughter and cheers from her audience. The following month, she was an ex-Prime Minister.
Margaret Thatcher's fall from power was pure political theatre, and those of us who watched it unfold on our television screens will never forget those dramatic days. The big question in my mind was: could Campbell's account rise to the occasion? The answer: a resounding yes. Every twist and turn of the spectacle is followed, without recourse to melodrama or purple prose, and what could easily have been a disappointing damp squib of a section turns out to be a fine account of a political career in meltdown.
For me, the most intriguing part of the book describes Thatcher's life after leaving Number 10. Politically-speaking, she was dead in the water - there is no role in the British constitution for an unemployed prime minister. But Campbell is astute enough to highlight the human aspects of her new situation. Only days earlier, she was being feted by
President Mitterrand at Versailles. Now, shorn of the Downing Street machine, she had difficulty even using the telephone to find a plumber. Thatcher's refusal to adapt to her new situation caused her successor much grief, and the book relates the despair which John Major felt at her off-stage sniping , especially when he was trying to rebuild bridges
to Britain's European partners.
Having already documented the lives of two former Prime Ministers - Lloyd George and Edward Heath - Campbell is able to view the Thatcher years with a historical perspective. The conclusion of this book, however, is disappointing. A work of this magnitude deserves a resounding finale, but instead it runs into the sand, offering little more than a couple of pages to sum up Thatcher's impact. It's not a bad ending, but I feel that the author could have done justice to the rest
of the book by bringing together more effectively the various strands of Thatcher's life.
That said, the book is a masterpiece of political biography,
meticulously researched and written in that enviable style which both informs and entertains. It may be too soon to call it the definitive biography of Britain's first woman prime minister, but the next time an author sets out to write Margaret Thatcher's premiership, this is the first book they should turn to.
Thatcher should be every girl's heroineReview Date: 2006-03-21

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Good history, great politics!Review Date: 2007-05-18
study of the diverse portrayal of prostitutes in movies Review Date: 2006-05-02

Couldn't put it down!Review Date: 1999-10-08
Stand in for LoveReview Date: 2001-04-01
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ApplauseReview Date: 2005-08-09
I've always loved this one!Review Date: 1999-07-03
This is the story of a teenage girl and her family (parents and two brothers), who buy a small island in the St. Lawrence seaway when they suddenly come into an unexpected inheritance. The catch is, that when US and Canadian boundaries were established, each country thought this island belonged to the other! So now they don't just have an island; they have an independent country!
Setting up international relations and dealing with things like immigrants are things that the family never planned on, and their creative solutions are hilarious.
Though this book is usually classified as "young adult," I still enjoy it, though I'm long past that age. One warning, though -- the book was set in the turbulent 60's, and it's rather dated. It's been out of print a long time, but I would love to get a copy of it someday.

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Excellent resourceReview Date: 2006-10-08
Excellent Preparation for Credentialing ExamsReview Date: 2000-04-23

The Dangers of Herdism.Review Date: 2003-09-30
Another K-L title to return to again and againReview Date: 2003-08-22
Anyone familiar with K-L's later works will find many of the themes of those works being developed here. Although (as I realized with a shock about half way through the book) K-L was just 34 when this was published, his distinctive style is already fully developed: assertive, contrarian, polyglot, unapologetically Catholic, and richly sourced and documented. He already has his favorite quotes, his favorite examples, his favorite turns of phrase.
And yet, while this book is recognizably K-L, there are many valuable arguments in "The Menace of the Herd" that make it far more than just a first-draft of "Liberty or Equality" or "Leftism." His central point is a dramatic challenge to "herdism" and mass democracy (or "ochlocracy," as he calls it), in which all positive virtues are overwhelmed the lowest-common-denominator of simple majoritarianism. The positive virtues, for K-L, include piety, aristocracy, responsibility, personalism (which he distinguishes from "individualism"), and, of course, Catholicism.
Within this argument, K-L makes many smaller points that any thoughtful reader will want to turn over in her mind carefully. These include a fascinating discussion of the classical Christian view of rewards in eternity versus happiness in the here-and-now (and how this affects life in predominantly Catholic nations); the harm caused by the modern educational focus on "how" (science, math) instead of "why" (philosophy, theology); the myth of militarism and nationalism as conservative or "rightist" movements (K-L calls this, in caps, the Great Error of the Century); and much more. Just as intriguing and thought-provoking are his asides and footnotes, including the relative sinfulness of despotism versus mob rule, the differences between "statism," "nationalism," "racialism," "patriotism," and "imperialism," and this gem: "Neither are the progressivists, in present-day America, revolutionaries or enemies of the order. Being 'radical' or 'progressive' they merely want to continue with greater speed and determination along the established, wrong trail" [p. 218].
At the same time, K-L posits some arguments that may well make his conservative and libertarian fans uncomfortable. These include a strong argument against "capitalism" as a "herdist" instinct, and the above-mentioned opposition to "individualism," as distinguished from "personalism." At one point, K-L argues that advertising increases the cost of consumer goods -- a point Mises effectively demolished in chapter 15 of "Human Action." This is one aspect of the early K-L that is much less prominent in his later works.
Finally, since this book was published in the middle of World War Two, I should note that it contains a fascinating discussion of German and Austrian history, and a study of the cultures and characteristics of "the Germanies," that put both world wars in a new and highly intriguing light for me.
"Liberty and Equality" and "Leftism Revisited" are both, as I've noted elsewhere, books that I return to again and again, trying to absorb the learning and the perspective and get my mind around arguments and insights that are highly counter-intuitive for many Americans -- even contrarians like me -- steeped as we are in a culture that worships "democracy" and the "common man" above all else. "Menace of the Herd" now takes its place beside those other books. I strongly encourage any of my fellow K-L students to expend every effort to get a copy of this for your own library. It more than repays the time and money.
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Little Rat has a dream. In her previous adventure, "Little Rat Sets Sail" it was to learn how to sail without giving into her fears. Now her fears stem from an entirely different source. Little Rat wants to learn how to ride a horse, just like her daddy once did. Wanting something and getting it turn out to be two entirely different matters, however, when our heroine comes face-to-face with the gentle "mountain on four legs" Pee Wee. Little Rat's newfound reluctance isn't helped by a malicious goat that sometimes gets in the horse's way, or the bumps, bruises, and accidents that befall our intrepid hero. The fact that Little Rat sticks with riding becomes an impressive act, and by the end she and Pee Wee have deservedly won fifth prize in the big Fourth of July Horse Show.
The story in and of itself doesn't sound like much, I'll grant you. And if a lesser author and a lesser illustrator were working on it, I'd probably recommend it to horsey fans and leave it at that. No, what's amazing here is what the author has done with the simplest of words. Scenes that are humorous are also almost dry in their delivery. When Pee Wee accidentally stands on Little Rat's foot, she tries to get him off by shoving him. "But Pee Wee was a giant horse, and Little Rat was a little rat. You do the math". The book's full of small asides like this. On top of the superb writing, there also lies a story about sticking with something even if it's hard. Little Rat's first thoughts when meeting the humongous Pee Wee are somewhere along the lines of, "We have cars now. Why learn to ride a horse?". Children who are just beginning to join organized sports, take up instruments, or learn new hobbies will sympathize with the suddenly reluctant Rat. Those that are taking riding lessons of their own may even remember thinking similar thoughts.
Illustrator Molly Bang hardly needs introduction, but I'll give her one anyway. From her almost Impressionistic, "When Sophie Gets Angry... Really Really Angry" to her subdued scientific "My Light" (a wonderful way to explain electricity and other forms of energy to kids), Ms. Bang is adept at a wide range of styles. She knows how to wield paint and pencil equally well and I'd trust any book in her hands. The "Little Rat" series is done with watercolors, pencil, gouache, and a smidgen of chalk dust. Looking at the "photo" of Daddy Rat on his own Fourth of July horse, I couldn't help but wonder if "Photoshop" should be added to her list of talents as well, or if she's just good at doctoring photographs. In this book, Bang has chosen to keep everything to scale. Little Rat isn't a human sized creature leaping onto a stallion and riding off into the sunset. She's rat-sized, and the horse is horse-sized. You can well understand her reluctance to climb aboard when you see her tiny figure propped high up on her equine companion. This is especially amusing at the horse show, where squirrels, rabbits, and raccoons also sit aloft large impressive bays. Best of all, Bang has a real feel for emotion and expression. Chrissy Goat's nasty horizontal pupils shine out with a clearly evil intent whereas Pee Wee's gentle demeanor is evident from the moment he first appears.
For those kids just getting used to reading early chapter books on their own, there are few books out there better suited than the remarkable, "Little Rat Rides". It's sweet-natured, has a darn good lesson at its core, and is stunning to the eye. If we could get all the early chapter books out there to be half as good as this story, the world would be a better place. Or at least a better read one.