Virginia Books

Unexpectedly, this novel was richer and smoother than the other 5, in narrative style and in the dichotomies of small-town, trivial-tensions etched through the welcoming warmth of familiarity and intimacy. In the pilot to the series, THE COOKING SCHOOL MURDERS, it seemed that Rich was writing with all cylinders primed and pumping. At retirement age at the time, possibly she had harbored a long banked dream of writing this type of novel, and she was giving it all she had saved in her writer's soul through a rich lifetime. See my review (link page).

In BAKED BEAN SUPPER MURDERS, the second book in the series, the author's style seemed more relaxed. She seemed to have settled her author's hat comfortably on her head, and to feel she would be allowed by her publisher and readers to take time setting the foundation of an extensive collection of characters, which were her neighbors and friends with a few newcomers to the community mixed into the brew, most of whom would become suspects. Rich wasn't just developing depth into an intriguing group of characters to carry a "still waters run deep" plot. She was developing various types of Character from ethical, philosophical, sociological, and psychological perspectives. And she was "doing" an edgy Norman Rockwell portrait of small town life, this time with a slightly bitter twist (booze slurped tastefully, and socially tended), which eloquently exposed the dynamics of greed and offensiveness which can fester within a small community, especially when wide spreads of class structures, and a variety of social attitudes attempt to mix (or not) within a small, seasonally lush geography.

Below is a paragraph from my review of COOKING SCHOOL MURDERS, in which I noted the warmth Rich dramatized about another small town area, that of her own point of origin in Iowa:

You might expect a more simply sophisticated version of Mrs. Pollifax, a version of that feisty, restless, elderly spy; a version which is contented to settle into her last chapters of life by leisurely honing the luxury of cooking, of nurturing the body and soul by being comfortably in and seeing the significance of The Basic Life within small-town-communities existing in various places on "The Route 66 Literary Continuum" from Sinclair Lewis's MAIN STREET to Grace Metalious's PEYTON PLACE, with Joanne Fluke's Hannah Swensen cookie jar series taking the cake for the sweetest, perkiest view of small town life (warm hearts in cold places; see my Listmania).

THIS time many of Eugenia's friends and neighbors, with those among them who were neither, treated her like an old-lady-widow who should be done with the vital part of her life. Poor souls. They should have been warned. In one scene Mrs. Potter was rendered speechless several times, by this group, and each time I smiled, knowing this cattle rancher (her other home was in Arizona), horse riding lady would eventually get her feet under her (or in the stirrups), and the cow pies would fly. Loved that scene. Loved how Rich had Potter work herself out of the offensive affronts.

Since this # 2 in this sequence was my last novel in this series to read, I applied ginger to my reading recipe. I've reviewed the other two novels, by Virginia Rich, and those by Nancy Pickard who successfully published three Mrs. Potter novels after Rich's death. Possibly I had left this one to read last because I hadn't felt the pizzazz for THE BAKED BEAN SUPPER MURDERS title, as I had the others. I wondered if that might have been because baked beans, though I love them, didn't hit my palate as anything special in the currently jazzed-up culinary world. When Rich composed this one (probably during the transition from the 1970's to the 80's), especially from her secondary home setting in a lobster fishing village near Bangor Maine, brown bread and baked bean recipes were treasured and held close by the old guard cooks in the community.

While you're drooling over the opening supper entrees and ingredients, allow yourself to read leisurely through the character setting space in the early plot. I doubt any reader could have more trouble than I do with remembering a slew of names. I was helped by knowing that Rich doesn't just drip them and let the water run out without containment, she continues (underwater basket?) weaving names, faces, bodies, and social styles, through each other and throughout the mystery, completing several tangy tapestries which will thoroughly incorporate not only each name mentioned, but will add the reader into the design, from his complimentary side.

"Here's looking at you, kid."

This was an unusual mystery, in warm, spicy, and feisty ways. In this one I felt the characters' grief for the loss of each murdered character. I felt a deep disgust for some of the potential perpetrators.

Long live the soul of a true novelist who happened to have a plethora of mystery spices with which to season ... A Great American Novel.

Richness was achieved here, and shared well.

Thank you, Virginia. You've risen perfectly to your current residence and its unlimited views of many oceans. No old lady, you. Lady of the first water.

Holding a crystal water-goblet in both hands, looking through prisms of multi-colored light, I see not a cozy culinary. I see a true author, Virginia Rich, and a true novel with a tangy, tasteful mystery included.

Linda Shelnutt

Whether you are a slight fan or an avid fan of trains and railroads, you don't want to miss this book! It is very well written and the pictures are great! Bob Withers is one of the best writers ever.
S. Smith, Ravenswood, WV

The biography of Pioneer Baptist preacher, John Taylor (1752-1835, Virginia-Kentucky) was superbly researched and written by Chester Raymond Young, the editor. His annotation of John's pithy, and sometimes rambling discourse, on his 10 Baptist Churches in the Bluegrass and Ohio R. region of early Kentucky, really helps one to understand the history of the pioneer settlers. By reading the biography first, one gains a much deeper appreciation of who the people and family members are, whom John Taylor mentions in his book. This is a treasure trove for both geneologists and students of religion.

Our adorable children are at times handfuls... and that is just what the sneaky Baron finds out when he kidnaps the Duke and Dutchess' children. What begins as the Baron's great scheme to gain riches slowly turns into a plea from the Baron for mercy as he slowly sends children back to the Duke having been overcome by their rumpus and mischief. It is a fun book from cover to cover and a must read for children 5 to 8.

I gave this to my father who played with the Richmond Braves in the mid 1950's. He loved the book and it brought back some fond memories for him.

The Battle of McDowell is the first of it's kind in the respect that it is devoted to the history of this important battle in Highland County, Virginia. Anyone interested in further details of the battle may e-mail me at 7thcav@va.tds.net and I will do my best to answer their questions. I thank you, Richard L. Armstrong. P. S. - Yes, I am that Richard L. Armstrong.

I own two of these maps so far. I can honestly say that I want all of them. I love maps but not just any will do. These are not only beautiful but as near as I can tell, accurate. These are great to use with civil war books short on good detailed maps or just to keep your bearing while you read. There are no military markings on these but if one were to laminate and use map markers, voila. Gotta have these.

I really enjoyed this book. My favorite part is when Hattie goes to the old mine and sees all of the bats flying out. It proves that peoples ideas and personalities can change. I would recommend reading it if you have some free time. Overall I would rate this book EXCELLENT!

This book was a gift for my husband and he couldn't put it down when he first opened it.

First published in 1936, Black Thnder was widely and favorably reviewed, but - as the author writes in his introduction to this edition - "the theme of self-assertion by black men whose endurance is strained to the breaking point wat not one that readers of fiction were prepared to contemplate at the time."

The young Richard Wright, in reviewing the book for Partisan Review, commented as follows: "Black Thunder is the true story of a slave insurrection that failed. But in his telling of the story of that failure Bontemps manages to reveal and dramatize through the character of his protagonist, Gabriel, a quality of folk courage unparalleled in the proletarian literature of this country.... Black Thunder sounds a new note in Negro fiction, thereby definitely extending the boundaries and ideology of the Negro novel." -- from book's back cover