Virginia Books

This book is a welcome breath of fresh air in a world that seems to pretend that death never happens. It does, and this book reminds that denial will cheat us from what matters in life. My experience as a physician reminds me every day that death is an essential part of life. The book is filled with moving stories about people's confrontation with death and lessons to help us lead a richer life.

Although I am an RN and have wrapped many patients for the morgue in my day, I still fear death and if I will feel anything when I am dead. This book was affirming, validating and inspiring. It will help me live my life. How does so young a person have such insight into this topic? Of note an article entitled "Could the clinically dead feel pain" in ABC Science Online is fascinating. Thankyou Virginia. Buy the BOOK!

I bought this book because I am starting to volunteer at a convalescent home. I recommend it for anyone who is going to comfort the terminally ill.

The book's true stories and descriptions of what extreme life-saving measures doctors often resort to, have made me want to have a very specific advanced medical directive. Artificial breathing / ventilation and feeding tubes are not for me!

Virgina understands that remembering is part of healing.
I also use Write from Your Heart, A Healing Grief Journal in my classes. It is good to find books such as these.
For the children I teach I use After the Tears, A Gentle Guide to Help Children Understand Death.

A powerful and positive call to action that inspired me to "make death part of life".

Like most Americans, I come from a family in which the very thought of death is always put off until it's much, much too late. Ms. Morris's book changed all that for me. It defanged the "death monster" and turned it into a facet of life that I will think about, talk about and prepare for with my family and friends in a manner that will ease the passage of the dying invididual as well as those who love that person.

I never thought a book about death could be so life-affirming!!

Michael Hardy is the consummate writer- he does his research-in depth, collects his material-much of it first-hand, then writes a book that is a cross between a textbook and a biography. I,too, am descended from men who were in the 37th NC of whom I knew nothing before I read this book. Now I do.

Even if you are not related,this book is excellent reading in order to understand how and why young men from rural western NC were willing to risk it all for a cause they did not all support. This is a tremendous book and a great read.

this was a great written book ,i had relatives that served in company E of the 37th nc and it was great getting to know there effords in supporting the southern cause.i suggest this book for anyone.

This book is loaded with in-depth research and provides a well written history on the 37th. My great-great Grandfather served in Company H and it has been a pleasure to learn of his exploits.

My husband and I are reading this book at present. His great-great-grandfather was in the 37th NC Infantry of the CSA, and this book helps bring to life what these soldiers endured. From the beginning of the War to the end, anyone who reads this account will be moved. The book is very well-researched and is very detailed. I highly recommend it to anyone wanting to know more about the experience of a Confederate soldier.

Michael Hardy has written a detailed and fascinating account of the 37th North Carolina in the Civil War. It is especially good in its use of first-hand sources - letters, diaries, etc. - of the soldiers who served in the unit. Formed in the late summer of 1861, the 37th participated in most of the major campaigns in the eastern theatre, beginning at New Bern and continuing through Gaines Mills, Second Manassas, Chancellorsville, Gettysburg, Fredericksburg, and Petersburg to Appomattox. Hardy traces the whereabouts and actions of the unit in rich detail, sometimes on a day-to-day basis, which is especially useful while they were on the march. In addition to their battlefield actions, Hardy provides a complete roster of the 37th by company and a list of all the unit's courts-martial during the war. The book is an excellent history of the 37th and a useful reference source as well. And Hardy's generous use of the soldiers' words themselves make for very interesting reading. The book is another excellent addition to the many regimental histories published by McFarland in the last half-dozen years or so.

I was really intreged by this book because it was understandable, interesting, and filled with facts about this amazing man that I've never read or heard about before.

Thomas Jefferson is to me: one of the most admirable people in history.This book has an amazing fictional aproach but yet it is still factual and educational and you can still be one of the biggest Jefferson buffs out there and not have to do years of studying.This book is to me the most animated biography that mosturizes dry facts to fertile entertainment.

As a life long Jefferson fan, I enjoyed this book immensely, but am concerned that Bober does not offer a critical analysis of her subject. She says that one of her goals in writing this book is to make Jefferson appear more human. While she goes into great detail about Jefferson's family values and other interests aside from politics, she omits any mention of his mortal flaws which are exactly what make him human. Any reader can tell that Bober reveres Jefferson like a Revolutionary God (and indeed he was one), but she is unable to maintain any degree of impartiality as a biographer.

For instance, Bober enthusiastically discusses the various ways Jefferson tried to bring an end to the peculiar institution of slavery through his writings, but she never questions why if this was so important to him, he failed to take advantage of his executive power as president to ensure that the Louisiana territory he purchased in 1803 remained slave free? Why didn't he fight harder to retain the clause prohibiting slavery in his original draft of the Declaration of Independence? The Jefferson of Bober's imagination is not capable of such double standards or inconsistencies in character.

Bober only briefly mentions that while Jefferson professed to be against slavery, he owned several hundred slaves at Monticello and his other plantations. Why was his rhetoric inconsistent with his actions? Bober conveniently ignores the fact that Monticello was built entirely by slaves. (This I know because I have a degree in history, but a less informed reader would be misled). Jefferson may have thought that ending slavery was a good idea, but he did not pursue this cause with the same passion with which he fought for the freedom of white Americans from the British.

Bober dismisses the notion that Jefferson had an affair with his slave Sally Hemings and instead suggests that the president's nephew was the father of Sally's children, yet Bober's evidence to support her argument is scant. In fact, she spends as little time as possible on this topic, preferring to discuss Jefferson's contributions to his country. While this approach is refreshing when compared to the massive number of volumes out there on "Jefferson's scandals," Bober has neglected an important part of Jeffersonian history. Recent DNA testing has proven that Sally Heming's children were fathered by a Jefferson male which could be Thomas or possibly someone else.

All this said, Bober does an excellent job of bringing Thomas Jefferson to life and articulating his accomplishments in a meaningful way. It's a shame that her work is decidedly unbalanced and therefore irresponsible from an historical point of view.

A magnificent book for an incredible man. Told in story book fashion, as all history should be, Bober's writing style is a mesmerizing tribute to the subject.It is a shame that a man of Jefferson's character and vision would probably be unelectable in today's visionless sea of pluralism and status quo where the details of the day outshine the necessities of tomorrow.

Probably one of the best books I've ever read- it is very informative, but I was able to read it like I would a novel- a rare trait in nonfiction literature. It was written in a way that even one who is not a history buff can enjoy it. It shows that Jefferson was quite ahead of his time, but he was not superhuman as some sources lead us to believe.

Jeff Pasley's "The Tyranny of Printers" is a fresh look at American politics and journalism in the early Republic. The traditional narrative of journalism in the early Republic is that a weak press tyrannized by political parties produced some of the most subservient and unfree journalism ever seen in America. Pasley turns this narrative on its head, arguing that printers and newspapers in fact created the modern party system. Far from being party stooges, printers were in fact politicians with a major stake in the issues of the day; far from politically subservient, printers provided the organizational glue that held the early parties together.

Pasley argues that newspaper editors provided the crucial ideological and organizational tools that were needed to negotiate the chaotic political waters of the early Republic in part because printers were the only truly professional politicians of the time. Parties lacked permanent organization in the early Republic; campaign season brought political operatives and candidates out of the woodwork, but for the rest of the year it fell to editors to mediate between politicians and constituents.
Newspaper offices, which often doubled as local post offices and as reading rooms for out-of-town papers, were logical locations for official party meetings and informal affairs. Editors were uniquely placed to gauge public opinion because of the volume of other papers that passed through their offices. By reprinting accounts of party rallies, toasts, speeches and marches, newspapers spread the party's message to many more people than ever could have seen the event in person and created an "imagined community" of party followers spread over the entire nation. The printing of toasts and speeches also allowed editor-politicians to simultaneously forge a national party ideology and to tone down the parts of that ideology that might not play well in certain states or regions.

Pasley argues that the first party to understand and use newspapers in politics was Thomas Jefferson's Republican party. The Republicans were able to deploy the press effectively as a weapon at least partly because of their willingness to let a certain class of people into the political arena - artisan printers. The Federalist newspapers that sprang up to counter the Republican press were generally run by young aristocrats who wrote and copied articles from other papers but didn't actually do the hard manual labor of setting type and printing papers. Republican editors, by contrast, tended to be printers themselves, raised in a declining artisanal tradition and realizing that the road to success might lead them down an untraditional path. By understanding artisanal editors to have played such a large role in the birth of political parties, Pasley provides fresh new evidence for the idea of a great democratization of politics occurring in the early Republic. The party editors of Jefferson's and Jackson's days were certainly not of the lowest class of people, but they were manual laborers who conformed to an old, hard-drinking tradition that was anathematic to refined Federalist or neo-Federalist aristocrats.

The most revolutionary aspect of Pasley's book may be found in the way it understands the relationship between journalists and politicians. The received wisdom of the journalism world focuses on notions of objectivity and partisanship; the era of the political press is seen as a low point of American journalism. Pasley's argument suggests that printers of that era may well have had more influence over politics and that ordinary voters may have been much more well-informed than voters are today. The union of journalism and politics that Pasley describes is one that held many advantages for both the printers and the parties of the day.

This fascinating book traces the evolution from a relatively apolitical printing trade to a highly politicized press, from the founding of the republic up through the Jackson administration. While the book is a solid contribution to historical scholarship, it is written in a highly accessible style, providing plenty of context for those of us who have forgotten many of the details of high school US History class. But what makes the book most readable is Pasley's style of substantiating his general accounts of demographic and political trends with numerous engaging mini-biographies of specific printers, a colorful lot of characters, to illustrate his points. For me, the book also went beyond forgotten high school history to explain things I never knew about the development of party politics, about the "Federalists" (who stood for the opposite of what is called "federalism" today) and the "Republicans" (the precursor of the modern Democratic party). Given today's highly polarized political climate, it is especially interesting to read about the founding fathers' fears of party politics. In 18th century elections, it was considered quite unseemly for a candidate to campaign or promote himself in any way. Thomas Jefferson was conflicted in his views of the press, working behind the scenes to encourage a pro-Republican press, while making every effort to personally disassociate himself from newspapers.

This book first came to my attention in the course of my family history research, as it turns out that my great-great-great-great-grandfather Charles Holt is one of the printers given biographical treatment in the book. Holt served as an example of printers who became politicized by the infamous Sedition Act under John Adams' presidency. He started publishing his newspaper intending to be neutral, printing all viewpoints, but quickly discovered that the Federalists who utterly dominated Connecticut would not countenance a newspaper that published any viewpoints other than their own. Just for publishing diverse views, he was labeled "a Jacobin, a Frenchman, a disorganizer, and one who would sell his country." (Sound familiar?) Frustrated in his attempts to be a neutral printer, he dug in, editorializing:

There are generally *two sides* to every subject. To the
public opinion, in a free country, there ever will and should
be. And it is the duty of an impartial printer to communicate
to the public on *both sides* freely. But nine tenths of the
newspapers in Connecticut are decidedly partial to *one side*,
and keep the *other* totally out of sight. This is not
fair.... The public may therefore rest assured that so long as
my brethren in this state print on *one side only*, so long
will I print on *the other*.

(In other words, Holt anticipated by a couple of centuries Rush Limbaugh's quip that "I am equal time.") Eventually, Holt was convicted under the Sedition Act, heavily fined, and jailed for six months. But as Pasley shows through Holt's example and many others, the Sedition Act, which criminalized criticism of the government, and which intended to stifle the much-feared evils of a politicized press, instead had the opposite effect. A whole generation of printers became more politicized than ever before, and The Sedition Act was not only repealed, but a newly energized explicitly Republican press put Thomas Jefferson into office.

It is amazing how timely and relevant some of the issues of 200 years ago seem, with parallels to today's politically divided climate. (Just as one example, I was struck by Pasley's comment on a trend in the wake of Jefferson's election: "there was a sudden awakening of libertarianism among some Federalists now that some of the weapons of state were in Republican hands." Not unlike our present-day Democrats who are rediscovering federalism, and our Republicans who think government should be small except when they're in control of it.) I really enjoyed getting to know the many colorful characters who enliven this history. I think anyone who enjoys politics and history will greatly enjoy this book.

The St. Louis Post-Dispatch chose "Tyranny of Printers" as one of the best books of 2001 in its November 25 edition (...).

The Tyranny of Printers is a history book that accomplishes a lot at the same time. On one hand, it offers a new and fascinating look at journalism during the Revolutionary Period. Pasley essentially argues that rather than being tools of the parties, journalists themselves were responsible for dictating the rise of party politics.

The book is very well-written and manages to be entertaining enough for a general audience but also incredibly useful for the academic world, which is very tough to do. Pasley mainly uses a series of biographical portraits to construct his narrative, which makes the book easy to digest but does restrict his ability to apply his conclusions to a larger population, but I never doubted his findings.

As with any book, Pasley obviously takes sides. The newspaper men emerge as the true heroes: bold and fearless spreaders of democracy who had a fundamental role in the rise of party politics of the period. Extending that, the Jeffersonians (and not the currently chic Hamiltonians) are the politicians who were more in tough with spirit of democracy that the nation was founded on, and this propellem them to their dramatic victory in the election of 1800.

Pasley's book is inventive, enjoyable, and highly informative. I suggest to any casual or serious student of the Early American Republic. It is a welcome antidote to the current trend in Founding Father hagiography.

The Tyranny of Printers: Newspaper Politics in the Early American Republic written by Jeffrey L. Pasley is a book that gives an overall picture of the power of the press in our early American Republic from the Revolutionary period to the Jacksonians. Newspaper based politics is a term used much in this book to describe the type and level associated with the local party.

The classic case of newspaper-based politics was when Thomas Jefferson used one paper in Philadelphia to do his bidding against Alexander Hamilton... not to mention that Jefferson got caught. Newspapers were the central source of news, outside of word of mouth, and a network of newspapers really gave both the candidate and the paper momentum and political life. The late eighteenth and early nineteenth century was a real hotbed where newspapers breathed, newpapers were the republic's central political institutions, working components of the political system rather than just commentators on it. This was true all the way to the end of the Jacksonian era of democracy.

This book has a narrative that flows quite well and keeps the reader well informed and is full of anecdotes. Jefferson, Madison and Monroe all used the press to their collective advantage as they striped the power away from the Federalists, but not only is this book about how they politician used the press. The most interesting story is how the author enlivens his narrative with accounts of the colorful but often tragic careers of the individual editors.

There is a companion web site that readers should consult at: [url] serving as an extension of the book... this site contains important supporting material information. The book has endnotes rather than footnotes concentrating all of the supporting information toward the back of the book. There is a very good bibliography with this book that supports the writing very well.

As time marchs on... reading this book give us a glimpse in the window of a time where political goals were linked to the newspapers and their editors making the full circle of the political process, linking parties, voters and the government together... the newspapers were the linchpin of early political power. This book is very informative and gives a rare look into the life at times of some of the more interesting minor players of early American Politics the editors.

I enjoyed reading this book as it still had a familiar theme but the players were the most interesting as the Americian political process still worked, a very interesting book, indeed.

My patients loved the book.I had an original copy signed by Ginny. I lent it out so many times I can not seem to remember who I gave it too. So I am getting another copy, but it will never replace my signed copy.. Hi, Ginny if you are reading this is is Bea Tom's ex-wife. Say hello to everyone. Bea
ps How is Granny?

This is a delightful and uplifting book that any survivor of a serious illness would do well to read. It is a wise and wonderful addition to any library. I cannot express what a consolation it was to me and many friends and relatives who survived disease. I applaud Virginia Goff Green on her wonderful words.

As a cancer survivor, this book is a perfect gift to a loved one who's just been diagnosed with any form of cancer or long-term illness. It reminds the patient that taking care of themselves, both spritually and physically, during the medical journey is so important. Nice illustrations with sparce words makes it a book that has great meaning with very little effort to read. I have this in my kitchen on a book stand, changing the pages frequently, to remind me that it's always good to take a few minutes to "smell the flowers" and I'm eight and a half years from my treatment. Perfect gift --- much better than flowers or candy as it lasts longer!

Delightful is the best word to describe this charming little book. And it is a very strange word indeed to describe a book that deals with the problems of serious, chronic illness, but the combination of few words presented in lyrical style, along with beautiful, brightly-colored watercolor prints of flowers results in a delighful presentation of practical information on a very sensitive subject.
The two women responsible for the book - the author and the illustrator - have "been there, done that". Both are survivors of serious illness and have - along with their families - faced the questions that surround such illness, including the decision to use (or reject) life support and to move ahead with life despite some limitations following illness. They provide lots of practical, insightful information that can be useful to anyone - male or female - facing serious illness and/or surgery, but do so without losing sight of the inherent joy of life which, like the flowers that they use to illustrate emotions, seems to occasionally wilt as we face crisis situations.
The book is more than delightful; it is a charming, useful, practical guide to anyone undergoing a life crisis.
It seems strange to say that I enjoyed it - but I definitely did and plan on ordering additional copies to pass along to friends when they face similar situations. I highly recommend it!

This is a totally enjoyable feel-good book. I loved every word and the drawings were marvelous. I cannot say enough good things about this masterpiece. If only I could give 6 stars!

This is an unusually perceptive and open first-hand account of an artist and her family's move to Umbria. Unsentimental descriptions of their everyday joys and frustrations are counter-pointed by the dramatic upheaval of major earthquakes. Ryan articulates connections between the natural and built environments and the adventure of the self; between ancient traditions and contemporary creativity. I found it highly engaging - a page-turner. I'll return to it.

It would be a mistake to place this book in the same category as that overworked genre - the foreigner who buys and does up a house in Italy or France. Virginia Ryan is married to an Italian, has represented Italy abroad as a diplomatic wife, has 2 Italian-Australian children. Her committment to the country, its history, customs and people show through on every page of this book. This is a year of her life that happens to be set in the hilltown of Trevi, Umbria as she sets out to make a new home and new friends, to begin to practice as an artist again, to help her children with yet another adaptation. She has an easy writing style; you feel you can trust her observations as she also admits her own shortcomings in settling into her new surroundings.

There's a lot of fun and joy of life in this book. And she KNOWS Italy and Italians, writing from within the culture, not about it.

Highly recommended for anyone who wants to dip deeper into the life and spirit of contemporary Italy, with all its paradoxes and pleasures.

One can't help be charmed by Ms Ryan's observations of rural italian life,in a region where people's lives, in many respects, appear untouched by time. It is sometimes funny,without being patronizing,and obviously written by a person who loves Italy but doesn't see it through rose coloured glasses. A good read.

Virginia Ryan gives what no standard travel book could even approach: the authentic feel, taste and emotions of Italy, all interwoven in a fascinating personal story. It reads like a novel, yet takes you into an Italy that few tourists could hope to glimpse. Frances Mayes pales in comparison. I'd recommend it for anyone going to Italy, or who would like to go there in their armchair. It's a great, adventurous, authentic read. I loved it.

The book reveals an intelligent and sensitive artist, who succeded, with a special talent, in matching, touchingly, life experience and inner feelings with Umbrian picturesque landscape, so calm and exciting, ancient and peasant. Her pages shed light on what can happen to a wanderer( the specially gifted female protagonist), going abroad and meeting what life arranges for her family and herself. This book informs our hearts about it and makes us to reread landscapes we suppose to know perfectly.

I wanted this book because 'Haller' is my mother's maiden name. However, there is no connection that I know of!

The book is great - the recipes and the history of the presidents during the time Henry Haller was chef at the White House are very interesting. I was hoping there would be colored photographs, but there are none except for the outside cover.

I do recommend this book.

I got this cookbook on a Norwegian cruise ship.When looking it over,I recognized many of the recipes used on the ship!What does that tell you?I bought it for $40 and I've never regreted it.It is so packed with hundreds of top-notch recipes.It is the only cookbook you'd ever need,ranging from comfort foods such as macaroni and cheese,spaghetti and meatballs,pizza,and waffles to the effortless gourmet and seemingly endless variety of desserts,entrees,and salads.The best cookbook in my library.If you cook at all,buy this book!

This book not only has great recipes but it also talks about why the presidnet enjoyed them so much. Also included are photographs of presidents and their guests with descriptions of their time spent in the White House. More than just a recipe book!

I first purchased this book years ago, and it is still a cherished favorite. It is as much fun to browse through as it is to cook from, with well-written stories recollected of our first families. Mr. Haller included recipes which can easily be mastered by the average household cook, with photos to inspire and amuse. We enjoy this cookbook so well, we've purchased copies for family and friends over the years, and continue to do so. It makes a wonderful and thoughtful gift - a book of elegant and practical recipes, fit for coffee table display! This book has something for every taste and every occasion, and covers everyday recipes to the truly sublime, decadent to healthy, down home Southern recipes to European favorites, with everything in between. The White House Family Cookbook is truly worthy of America's talented First Chef - Henry Haller. It is also the only recipe book of which I personally own two - a "working copy" for the kitchen, and a more prestine copy for our personal library.

surprisingly doable recipes- every one so far has been one of the best meals ever- family favorites- nothing even "OK" - everything fantastic. the history or personal stories included are fun as well. best cookbook i ever had- going to give as a gift to everyone who cooks. Can't help but love it!

This poetry anthology shows the purest of writing from the Appalachian region's best poets. All of the poets featured in the book had been previously published. My favorite poem of course...is the one that inspired the title of the book!

Wild Sweet Notes: Fifty Years of West Virginia Poetry leaves me in awe of the poetic achievements of West Virginia writers. Rarely does a poetry collection read as compellingly as a novel and possess the same power to hold a reader so strongly in its grip that it is nearly impossible to put the book down. But Wild Sweet Notes accomplishes this and more and in the process reveals that West Virginia is not an intellectual and cultural black hole but rather a place where poetry is a natural and necessary response to life in a harsh, unyielding and sometimes strange place. These poets could all be Welsh given the way they see and feel and touch their world and let it touch them; the way they use language and the music of words to capture the experience of the mines and miners, the black and barren waste of land and men, the mystery of the back-woods hollows and mountains and people who live there, the dreams of the young and the memories of the aged. West Virginia surprises the visitor in many ways - its beauty, its drama, the tenacity and strength of its people, its landscape where nature nurtures and destroys. It is a land where appearances are illusions, where the man who runs the little roadside grocery could have the wisdom of a sage and the heart of a poet. But who would know it from his rumpled clothes, his weathered face and gnarled hands, except perhaps by looking into his eyes and reading what they have to say. Wild Sweet Notes is not a simplistic down-home collection of local poetry, but rather a universal journey through time, the mind, landscapes, essences, and the enduring spirit of people and a place so little known, so misrepresented and so misunderstood. Few poetry collections are as satisfying, moving, enlightening and rewarding as Wild Sweet Notes.

During one of my too-infrequent visits back home, I bought a copy of this anthology at the West Virginia Writers' booth at the 2006 West Virginia Book Fair in Charleston, not knowing what to expect but willing to bet some bucks I would find it worthwhile. In retrospect I don't see any way I could have been prepared for the cascading ephiphantic experiences that followed upon reading it. I was up half the night, alternately laughing, crying and struck dumb by the sheer recognition these poems triggered in me. For several weeks afterward I felt as if there were a new dimension visible in the world as I experience it--I had gotten in luminous touch with the West Virginian I was forced to suppress when I out-migrated three decades ago, driven by economic and personal necessity.
To some extent, this effect upon me is likely due to the fact that the West Virginia in which I grew up is now largely extinct. This isn't necessarily good or bad, it's just the way it is; the government brought the interstates and the interstates brought drug trafficking, North Carolina drivers, AIDS, white-haired folks from Ontario passing through on their way south, K-Mart, Wal-Mart, gang fashions past their bicoastal sell-by dates but plenty fresh in these parts, and sometimes a little prosperity. First electrification, then the highways, brought the means of general and permanent change. So much change that it even became possible to elect a governor who's too young, too urban to know what "Open For Business" actually means. But the folks who created these poems--THEY knew the place I knew when I didn't know anyplace else. And they write about it in the first language I learned.
I thank them for reminding me that I am more than my last thirty years.

REVIEW: Wild Sweet Notes Fifty Years of West Virginia Poetry 1950-1999, 418 pages Publisher's Place, Inc., Huntington, W. Va. www.publishersplace.org

Today, for many people, home is a state of mind. Home of the past and the home of the future. "Wild Sweet Notes," Fifty Years of West Virginia Poetry l950-1999, edited by Barbara Smith and Kirk Judd is a literary treasure for not only West Virginians and others of the Appalachian region, but for readers of poetry and prose of any geographic locale. This collection contains a rich texture where universal themes are rendered with evocative voices.

The editors are to be complimented on their artful selections and placement of this diverse range of poetry and bringing together a cohesive book of superb quality. Certainly, the pride of West Virginia comes through; and as a West Virginian, I feel there is much to celebrate with this publication. The writers represented cry out on issues that are all about humanity.

The word "confluence" comes to mind--a word that the late Willie Norris used to describe his world of the South. Yes, there is a confluence in this collection where the personal becomes public and the public becomes personal because of the intense commitment to the landscape, family, and friends. A strong appreciation exists for what money can't buy--the feeling that a person is a part of something larger than the self.

Several of these writers have a national reputation as poets and as writers of fiction and nonfiction. However, every writer represented in this book is equally worthy and deserves the highest praise and recognition. Reading this book you say to yourself, "One is as outstanding as the other." When I studied creative writing with Lester Goran (Isaac Singer's translator) at the University of Miami, Goran repeatedly said, "The arts are not about a democratic process." It took a few years of experience writing and submitting my work to appreciate his words. Thus, I believe in giving equal tribute and praise when deserved, and I particularly feel this way in regard to this anthology.

Striking images appear in the late David Jarvis' poems that breathe with keen observation and emotion. I have a bias for what he created having read his chapbook, The Born Again Tourist. Jarvis' work leaves much for the reader to complete in his or her own mind. It is the same kind of feeling that I have when I view a Walker Evans photograph. Following is an excerpt:

Sometimes I hear them call my name at night.

Why do they make me wear these chains

And stake me to this land,

Land stained with their sweat and blood

And rich with their bones

This faceless choir that's chanting now from mountaintops

An ageless aria that penetrates the rock

And writes through hollows

Where streams rush like their ancient bloodlines. ***

Joseph W. Caldwell's, "BELLS ON PARCHMENT CREEK" resonates with an immediacy of the kind that lasts for decades, and you sense it will be handed down to the next generation as an historical document. Excerpts of the first and last stanzas are as follows. (Stanzas two and three are extraordinary in lending to the development of this poem but are omitted here because I believe it is unfair to reveal too much in a review).

ON THAT FEBRUARY MORNING

DINNER BELLS SURGED AND SWELLED ALONG THE CREEK

CARRYING SHARPLY IN THIN AIR,

SENDING THE WORD SOMETHING

HAD HAPPENED AT THE HANNING FARM.

EIGHTY-NINE YEARS LATER

SHE RETELLS THIS STORY

ABOUT A MOTHER SHE HARDLY KNEW,

AND THE BELLS STILL TOLLING.

Barbara Smith's Apple Pie Dying has a personal quality, the kind of a reflective conversation where, as the reader, you feel she is conversing with you and sharing intimate thoughts. She causes you to pause and think about your own life. An excerpt of the first stanza is as follows:

How I wish I had been with her

As she measured the flour and the salt,

Cut in the shortening

And sprinkled on water,

Baling the dough,

Rolling it out, lifting it--

Peeling the applies, slicing them

Spicing them and crimping the crust,

Listening to Paul Harvey or Cokie Roberts

Or Oprah in the background,

Mopping the floor and changing the beds,

Filling the birdfeeder while the pastries were baking,

Then cooling, then being basketed and backseated

And on to the church.

In Wilma Stanley Acree `s "At Honanki," she takes you on a journey with her where you examine the vastness of space and time--understanding that which flees and what still remains. An excerpt from the first stanza is as follows:

At Honanki (the Badger House)

the guide,

Arizona Hopi face

framed by gray braids,

leans against the red cliffs,

points at the pictograph, and recites, "This is

Kokopelli,

the Sinagua symbol

of fertility,

fertility of soil,

of woman,

of action and thought.

See the raindrops he scatters."

One of the most compelling pieces I have ever run across on the importance and the beauty of the written words comes in Grace Cavalieri's poem entitled Letter. This will be a piece that I will read at my writing workshops at The New School, in New York City where I teach. Excerpts are as follows:

If you ask what brings us here,

starting out of our lives

like animals in high grass,

I'd say it was what we had in common

with the others--the hum of a song we

believe in which can't be heard,

the sound of our own

luminous bodies rising just behind the hill,

the dream of a light which won't go out,

and a story we're never finished with.

We talk of things we cannot comprehend

so that you'll know about

the inner and the outer world which are the same.

Someone has to be with us in this,

and if you are, then,

you know us best. And I mean all of us

the deer who leaves his marks behind him

in the snow, the red fox moving through the woods.

The poetry and prose that is here is accessible and creative in form. This book can serve many purposes--the main one for the pure and simple joy found in reading. It also makes a lovely gift, which is how I came to know this book. It was given to me as a birthday gift from my brother, Sam Kessell, and Larry Halsted. They also happen to be friends with the late David Jarvis' brother. A West Virginia heritage is like that--we find one another, one way or the other, sooner or later. On another level,"Wild Sweet Notes," has tremendous academic and historical value, which can make a strong contribution in an academic setting. The voices are authentic, direct, and powerful. They serve as excellent examples of fine writing in terms of language and form.

--Reviewed by Mary Sue Kessell Rosen

Bio: I teach writing workshops The New School in New York City (An Essay Writing Workshop and The Bloodroot of Our Voices Workshop, a multi genre course).

Wild Sweet Notes: Fifty Years of West Virginia Poetry leaves me in awe of the poetic achievements of West Virginia writers. Rarely does a poetry collection read as compellingly as a novel and possess the same power to hold a reader so strongly in its grip that it is nearly impossible to put the book down. But Wild Sweet Notes accomplishes this and more and in the process reveals that West Virginia is not an intellectual and cultural black hole but rather a place where poetry is a natural and necessary response to life in a harsh, unyielding and sometimes strange place. These poets could all be Welsh given the way they see and feel and touch their world and let it touch them; the way they use language and the music of words to capture the experience of the mines and miners, the black and barren waste of land and men, the mystery of the back-woods hollows and mountains and people who live there, the dreams of the young and the memories of the aged. West Virginia surprises the visitor in many ways - its beauty, its drama, the tenacity and strength of its people, its landscape where nature nurtures and destroys. It is a land where appearances are illusions, where the man who runs the little roadside grocery could have the wisdom of a sage and the heart of a poet. But who would know it from his rumpled clothes, his weathered face and gnarled hands, except perhaps by looking into his eyes and reading what they have to say. Wild Sweet Notes is not a simplistic down-home collection of local poetry, but rather a universal journey through time, the mind, landscapes, essences, and the enduring spirit of people and a place so little known, so misrepresented and so misunderstood. Few poetry collections are as satisfying, moving, enlightening and rewarding as Wild Sweet Notes.

Wounded after intervening in a student's life, Faye Harper retreats to a childhood haunt to find respite. Rather than the expected peace, however, she quickly finds herself in the midst of a criminal investigation. Detective Aleksy Denko, also from Chicago, unofficially seeks answers in arms deal gone wrong that left a former partner dead.

Aleksy underestimates Faye's resilience, viewing her as a cream puff. Cute like Faye is not his type, although she can make him understand its appeal. What he really needs is a cover, and Faye can provide it. Unfortunately, Faye has to get involved with anything that involves risk. Too bad her own actions have already put her in danger.

A faced paced, heart pounding read, ALL A MAN CAN ASK provides unexpected twists that makes author Virginia Kantra's novels a must read. Unexpected courage and surprising compassion bring these characters vividly alive, even as drug addicted teens, stretchy bras, and romantic entanglement also intriguing elements that prove these character's all too human flaws. Indeed, the fast paced plot and the strong characterizations are nicely balanced, resulting in a tale that is at once deadly yet richly balanced by powerful emotions and physical attraction. ALL A MAN CAN DO comes very highly recommended.

Jarek Denko gave up his big city job as a detective and took a job as a chief of police in a small town for his daughter's sake. But big crime follows him to town and Jarek has a criminal to catch.

Tess DeLucca's brother might be a suspect, but she knows he's innocent. As she tries to not only report on the story, but protect her brother, she finds hereself drawn to the new chief. He's not what she expected...and falling in love with him wasn't what she expected either.

Jarek and Tess work together to catch their criminal, even as they see just where their feelings will take them.

Virginia Kantra writes a rich, emotionally packed story!

Jarek Denko didn't want to raise Allie, his ten-year-old daughter in the city, so he left Chicago, accepting a job as chief of police in small town Eden. He hopes this will be a better environment for Allie who lost her mother only a year earlier and is still worrying about losing her dad. However, when they get to Eden, Jarek finds that there are those on the force who are not overjoyed with the fact that someone from out of town has been hired as their superior, they would have liked it better if the new chief had been promoted from within.

Tess DeLucca is a local reporter, born and raised in Eden. She more or less had to raise her younger brother Mark, because her father took off when she was nine years old and her mother took refuge in the bottle. Time has moved on, but Tess is still looking out for Mark, now an ex-Marine and her mother, now a recovering alcoholic.

One night a nineteen-year-old girl is raped and Mark is one of the prime suspects as he had been seen with the victim. Tess is convinced of his innocence and Jarek doesn't want anyone butting into his investigation, but there is just something about this lady reporter.

So do they team up and prove the brother's innocence and catch the real rapist before he attacks again? And do they team up in a different kind of way, you know, like in a romantic way? Well, I suppose it's not that hard to figure out, but the story is told very well and it is a pleasure to read. Ms. Kantra is one fine writer and I'll be coming back for more.

A Harlequin Dreamers Review by Lori Napier Mayer

Jarek Denko gave up the big city streets to become a police chief in the backwater town of Eden. He hopes the small community can fill whatever is missing from his daughter's life. Then a red light assault casts suspicion on his department, and Jarek does not know who he can trust. His controlled demeanor has earned him the nickname Ice Man, but reporter Tess DeLucca easily sparks an inconvenient attraction. Worse, his best suspect happens to be her brother. Moreover,

Tess does not believe in the police keeping secrets and he does not believe in anyone getting in the way of his investigation. Tess questions why Jarek refuses to talk about his failed marriage or young daughter. Tess does not do cops, and she does not do families. She already raised her brother Mark, who is often irresponsible, unreliable and infuriating. For years she cared for her alcoholic mother as well. She does not need another family to add to her responsibilities. Unfortunately, Jarek's kisses can make her shudder and melt, causing her to forget her plan to remain dispassionate, objective and in control.

Author Virginia Kantra begins her miniseries Trouble in Eden with ALL A MAN CAN DO. While they might not have much else in common, Jarek and Tess share a profound need to protect their personal lives. I admit to thoroughly enjoying this mature hero and heroine who struggle with the emotional baggage that comes with age. Indeed, author Kantra deftly captures the deepest and most intense emotions with grace, exposing the most profound moments of living with compassion and intensity. Despite the gravity of personal challenges, however, the beauty of the growing romance between Jarek and Tess adds a sparkling hope and joy to Kantra's novel that makes these characters uniquely memorable. Add a suspenseful plot and the result is a highly entertaining read.

This gorgeous novel reflects many of the ideas found in "A Room Of One's Own" by Virginia Woolf, with whom Vita had a famous affair. After the death of her husband, the Earl of Slane, Lady Slane shocks her staid family by asserting her own will, leaving the house she kept with her husband, and settling into a small house in the countryside. Finally after seventy years, Lady Slane is determined to live as she chooses, with a life full of contemplation, dreams, and memories. She reflects on her lost ambition to be a painter, but knows that the life she lived was not without merit or value. She finds passion in the freedom to choose, and this gift she bequeaths to the one member of her family who understands its importance.

This curiously overlooked novel was revived by a Masterpiece Theater production starring Dame Wendy Hiller, which like this novel was superb. The gentle story of an elderly woman's retirement while her forceful children squabble over unimportant matters is at once comic and poignant. The author has peppered the tale with curious, memorable characters, among them the eccentric art collector who is allowed to eat in portrait galleries because museums hope he will donate to them when he dies; the benign landlord Bucktrout, who sees Lady Slain's desire for peace at home; and the coffin maker who pictures people dead to reveal their true characters. This fine little masterpiece deserves to be read today.

I meandered my way to this book through Sarah Ban Breathnach's treasure of self-excavation, Simple Abundance. I had read Anne Morrow Lindbergh because of her recommendation too. AML & Charles Lindbergh were good friends with Vita Sackville-West & her husband, Nigel Nicholson. So I finally got around to Vita Sackville-West & this book. It was so moving, wonderful, unforgettable, that I will reread it. I laughed & cried. I will try to find older copies of this to give away to dear friends, old & new. It's one of those books. I'm 41 & have sacrificed much for the men & children in my life that I nonetheless love so dearly. This book helped me bring those feelings of ambivalence into focus. It also helped me realize I'm relatively young & still have time to live the life I've dreamed of since I was a little girl. Maybe this "child-bearing years" thing was just a detour.

How effortlessly Ms. Sackville-West spins her surprisingly moving story of an aging aristocrat who, near the end of her life, decides to do those things she could never do before as she sublimated herself to her strong, successful and controlling husband. This classic British diplomat, who expected to be obeyed because such were the times, was, after all, so much more important than she was and what an interesting life she had in his shadow, didn't she - so conscientious and such a good wife and mother. What she does when he dies, how she perceives her existence and her place in her family - and how they respond - will catch you up in its wake and carry you to the ending, which is perfect and thus bittersweet. I found this a memorable novella.