Washington Books

If your after a book on the Capitol Building, then go no further than this beautifully photographed and well layed out book. Full of rich detail and architectual illustrations.

This building is the perfect imbodiment of the American Democracy, it is an iconic symbol of America the world over. This book does this great building justice, the images are crisp and vivid and the text is almost scholarly. Everytime i enter this building i get a shiver and feel the tingle of goose bumps, and am reminded of what a spectacularly beautiful building it is, and how the building seems to hold the most awesome power. The history in its halls and the majesty of its presence makes the most incredible impression, if you are not moved by this building then frankly you need to check your pulse. If you have any interest in this iconic building or just appreciate beautiful books then i cant imagine you being disappointed in this book.

This is a wonderful book for a number of reasons: its beautiful illustrations, its wealth of detail delivered in a reverent and infectiously enthusiastic narrative, and (most of all) its unabashed defense of classical architecture and passionate call for a return to the style in our great buildings. One has merely to open this book to thank his lucky stars that most of monumental Washington, DC was built before the Marxist-inspired so-called "International Style" and its degenerate stylistic descendants inexplicably washed away centuries (nay, millenia) of Western art tradition. It's appalling to read the sort of vindictives that were hurled against the last exponents of the classical style, men like Bacon, Russel, and Gilbert, by so-called "modernists" when they designed stunning masterpieces like the Lincoln and Jefferson Memorials, and the Supreme Court Building. And it's galling to see what "modernists" offered the nation as an alternative to classical design: can anyone look at the Museum of American History on the National Mall and not shake his head in sadness? The place looks like an annex to a New Jersey shopping mall.

Reed is a wonderfully able partisan of the classical style, and dismisses so-called "modern" architecture as the "Anorexic" style for its lack of decoration. That may be overly harsh; great architects can indeed produce great buildings even in non-classical styles - the Kennedy Center in Washington is a fine example of non-classical yet non-Anorexic design. But Reed has one undeniably true point: we as a civilization have allowed ourselves to be cheated our of our millenia old Western art tradition by so-called "artists" that have translated their lunatic fringe political views (the International Style was nothing but applied Marxism, designed to reflect the "means of production" to quote standard leftist gibberish) into drab design originally meant for "worker housing" and now applied (ironically) to US government and corporate structures. This "artistic" rabble still to a large degree indulges its proclivities towards lunatic fringe politics, and continues to so savagely attack the classical style (because they in fact hate Western culture and all it stands for) that it has become unthinkable to build a classical structure in the US today. Some are ignorant enough to claim that the classical style makes them "want to throw up," but the best they can come up with is the travesty of soulless design that is present day Houston or any number of Asian cities like Seoul.

The closest we are allowed to claiming our Western heritage anymore is the so-called "Stripped Classical" applied to the new WW2 Memorial in Washington. I suppose we should thank our lucky stars that that we at least got "Stripped Classical" instead of some appalling metal and glass gimmick that - like most "modern" structures - would rapidly deteriorate into a shabby pile of rusty metal, stained concrete, and peeling paint. But like Reed points out, "A building without decoration is like the heavens without stars." Why is "stripped" all we are allowed to enjoy anymore? Because leftist "artists" that can't stand the West, can't stand America, and most of all can't stand the culture from which it sprang browbeat us into standing glumly in "modern" museums looking at unintelligible and ugly "art" (a melting toilet at the Whitney comes to mind) and won't allow us to erect magnificent Corinthian or Ionic columns anymore. Really, it is sad. This magnificent book, at least, shows us what we once had, and what might have been. Let's hope future generations of Western civilization have more courage than we do, and spend their days recovering their own cultural heritage. Perhaps they will once more build for the sake of beauty rather than that of Marxist anti-Western hatred.

Very comprehensive guide for those of us who love to haunt used bookstores in CA (et al). Useful information such as inventory sizes, specialities, phone numbers, special services, and more. Organized by state, city, and also several indices.

An invaluable take-along tote for any who consider a used book store visit an essential part of the trip. Choose the revised, expanded Used Book Lover's Guide To The Pacific Coast States if traveling in California, Oregon, Washington, Alaska or Hawaii: it includes number of volumes, store specialty, and candid comments if the store was visited.

This newly updated and expanded addition of The Used Book Lover's Guide To The Pacific Coast States continues to insure its preeminence as the most comprehensive and important guide to the used bookstores and dealers in California, Oregon, Washington, Alaska, and Hawaii. Featured are 1,500 used book dealers conveniently grouped by location and category; a Specialty Index to help locate dealers specializing in a particular area of interest; easy to follow travel directions for getting where you want to go; twenty-four city, regional and state maps to aid in planning book hunting trips; and practical comments about shops based on the David and Susan Siegal's personal visits. If you are a true bibliophile or antiquarian book dealer traveling the area, don't leave home without your copy of The Used Book Lover's Guide To The Pacific Coast States!

Vanity in Washington by Peggy vanHulsteyn, published in December 2000, couldn't have been more purr-fectly timed. Yes, it was making its way to booksellers just as gift-givers were making up their minds about what to get the cat-lovers in their lives. But it was the embattled race for the White House that made anything with a Washington, D.C. dateline in demand...

VanHulsteyn's cat Vanity provides both the inspiration and the voice. Vanity's trials and tribulations of touring a particular city are from the feline's unique perspective. Through Vanity's travels, we humans get a tour of our Nation's Capital's hot/top spots. One of my favorites is when Vanity coughs up a fur ball in the cab when the fare seems excessively high because the driver didn't understand English and took them needlessly out of their way. She also pokes fun at bureauCATS and fat cats and other political animals...

Vanity in Washington is light-hearted, and vanHulsteyn's humor makes this a fun and funny read...Its 112 pages make it an easy one- or two- sitting reading for the cat-lover in your life -- you or someone you know. Susan Bard Hall, Pet Times

This delightful book is my choice of a gift for every one of my cat-loving friends. Van Hulsteyn knows cats, their idiosyncracies, their foibles, and their lovingly inattentive ways. Cat owners will readily see their own pet in Vanity and her antics. Upon receiving the book as a gift from me, my friend in Seattle, a 3-cat owner, e-mailed, "I can really relate to her description of Vanity getting into her suitcase that's open on the bed....Just what mine do before I go on a trip. They camp out in it and leave cat hair all over whatever I have already packed!"

And cat owner or not, everyone will spot their favorite bureaucrat in the Washington characters van Hulsteyn deftly delivers, along with enough cat puns to keep them in puurrspective. Her eye for distinctive details, as well as the charming illustrations, enhanced my pleasure as I chuckled through her droll descriptions of Vanity facing the frustrations we all deal with daily, from weather-challenged traffic to rude parking attendants to power-hungry "friends." Few of today's manners, mores and tastes escape her sharp wit.

I had met Vanity in van Hulsteyn's first book about her, "Diary of a Santa Fe Cat," and was pleased to find I could continue my acquaintance with this witty kitty--and have a second round of gifts that please my friends so thoroughly!

"Vanity in Washington" is just the prescription to laugh our way out of our recent national political quagmire. (Shall we at least all agree we could use a good laugh about Washington?) Imagine "Mr. Smith Goes To Washington" with a feline cast. No, it's more sophisticated, more light-hearted than that. OK. Imagine "Auntie Mame" as a cat. That's closer to the level of hilarity. Readers will be "amewsed " (this book is chock-full of cat puns) no matter which political party has their support.

"Vanity in Washington" offers up a charming view of our nation's capitol through the eyes of an adventurous calico named Vanity (thus the title) recounting her attempts to navigate the metro, take in an Orioles home game, attend a formal state dinner, and become the Czar of Snooze as the new director of the FBI (Federal Bureau of Inertia). It's a timeless send up of bureaucracy and a great gift for those who accept that cats already run the world and we humans are just here to open cans. Recommended.

Though 4 years younger than the author, Frank Wetzel, I knew many of the people he talked about in Victory Gardens & Barrage Balloons and experienced many of the same places and events he writes about. The girl used as the model on the cover lived not too far away from my family during WWII. I would definitely recommend this book for all Bremertonians but especially those living there between 1930 and 1945. Others may enjoy it as well

Former editor Harwood of The Post has written a 3-page review of the book in the health section re: the importance of oral history. Good reading

I was not too familiar with the life of Marian Anderson, so it was
with some degree of anticipation that I listened to THE VOICE THAT
CHALLENGED A NATION by Russell Freedman . . . it did not
disappoint.

Anderson began her career, singing in church choirs . . . because
she had to quite school after her father died when she was in
eighth grade, she did not get to complete high school until
she was 24 . . . yet she continued to sing, helped along by
members of her church who constantly came together to raise
money for her lessons.

She eventually sang to sold-out concert halls throughout Europe . . . yet
the book's most moving part described her return to this country in
1939 . . . when she was denied permission to perform in Constitution
Hall in because she wasn't white, she staged--with help from
Eleanor Roosevelt--a breathtaking outdoor concert at the Lincoln Memorial.

I would have liked this CD to have contained some of the performances
of her actual songs . . . yet for that, I guess I'm just going to have to
spring for another CD of her music . . . it will be my pleasure to do so.

Writing a biography of a private person who led a public life is, by definition, difficult. So it only stands to reason that writing a children's biography of a private person who led a public life would be ten times as hard. Children's biographies cannot speculate over the sex life of the subject. They can't delve into shoddy rumors or dredge up conspiracy theories related to the person's sordid background. None of this is to say that Marian Anderson had such sketchy rumors floating about her person, of course. By all accounts she led an exciting life, had a fabulous career, and is regarded as a great American hero. But she was also a private person, which places Russell Freedman in a difficult position. As the author of, "The Voice That Challenged a Nation", Freedman's job is to tell Anderson's story while relying on as many good, strong, clean facts as he can get his hands on. Fortunately, we're talking about the premiere biographical children's author here. Alongside fellow genius James Giblin, Freedman knows exactly how to present a life this interesting and detailed. The book will not charm every child assigned it in school. But if you've a kid who's open-minded and able to get into Marian's struggle, this is an excellent resource. Even if, prior to this book, they couldn't tell Marian Anderson from Ella Fitzgerald.

The book opens with what is inarguably Anderson's greatest moment in the public eye. She stands on the steps of the Lincoln Memorial with a crowd of 75,000 people below her, waiting to hear her sing. The date is April 9, 1939, and Anderson has been refused the chance to perform at Constitution Hall. Anderson is black and the DAR (Daughters of the American Revolution) is inherently racist. With this concert, under the shadow of Lincoln himself, Anderson gives a heckuva performance that stands as a dignified response to racism in America. It goes very well and from here we shoot back and see Ms. Anderson's life in full. From her early days as a choir member in Philadelphia to her triumphant European tour in the early 30s. Certain aspects of Marian's life repeat themselves. She was wholly dedicated to her mother and took her everywhere. She was uncertain of her own talents at times but continued to sing and conquer. Freedman expertly weaves fascinating aspects of Marian's life (example: her high school boyfriend waited some twenty years to marry her) with factual information about the times in which she lived. Kids who read this book learn just as much about Jim Crow laws and deeply imbedded segregation as they do about Ms. Anderson's life. By the end of the book you find yourself emerging with a fascinating look at a truly great woman.

Freedman follows up this book with an extensive bibliography (which gives props to fellow fabulous child biography, "When Marian Sang" by Pam Munoz Ryan). There's also a discography, a series of picture credits, and a wonderful index. It seems petty to demand that an author (or publisher) bend even farther backwards after producing such a gorgeous book, but I was a teensy bit sad that "The Voice That Challenged a Nation" didn't have a small cd accompanying it. When you read a quote, like the one from opera and concert singer Jessye Norman saying that, "If the planet Earth could sing, I think it would sound like Marian Anderson", you want to hear that voice. Not just read about it. But as I said, them's small potatoes. As it is, this may be one of those few children's books that inspire kids to search for Marian Anderson recordings on itunes (which has a lovely selection, by the way).

With some authors, you know to trust them. You pick up their latest work without a smidgen of doubt in your mind that what you're about to peruse is going to impress you. After Freedman won my respect with his glorious, "Eleanor Roosevelt: A Life of Discovery" (Eleanor shows up quite a lot in this book as well, I'm pleased to report), I expected nothing but the best from his Marian Anderson bio. And the best it is. A fine selection for any library, whether personal or public, anywhere.

"This will be the day when all of God's children will be able to sing with a new meaning, 'My country, 'tis of thee, sweet land of liberty, of thee I sing. Land where my fathers died, land of the pilgrim's pride, from every mountainside, let freedom ring.'
"And if America is to be a great nation this must become true. So let freedom ring from the prodigious hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania!

"Let freedom ring from the snowcapped Rockies of Colorado!

"Let freedom ring from the curvaceous slopes of California!

"But not only that; let freedom ring from Stone Mountain of Georgia!

"Let freedom ring from Lookout Mountain of Tennessee!

"Let freedom ring from every hill and molehill of Mississippi. From every mountainside, let freedom ring..."

--Martin Luther King, Jr., August 28, 1963

Dr. King must surely have had a thought or two of Marian Anderson as he stood on the steps of the Lincoln Memorial on that historic afternoon and delivered those words.

Many of us know Marian's basic story:

Marian Anderson was a helluva singer.

Despite being celebrated in Europe as the voice of a century, and despite having the strong support of the President's wife, Eleanor Roosevelt, Marian Anderson was denied the opportunity to perform in Constitution Hall in Washington, DC because it was owned by the Daughters of the American Revolution, and those ladies didn't allow no black folks to be singing in their hall. That refusal led to Marian performing instead from the steps of the Lincoln Memorial for a crowd of 75,000 people on the Mall and a nationwide radio audience.

She stood up tall where Martin would stand a quarter-century later and led off her performance with a rendition of My County 'Tis of Thee.

Her performance is seen as a historic event at the dawn of the modern Civil Rights movement.

Two years ago, Pam Munoz Ryan and Brian Selznick created the stunningly beautiful 40 page picture book, WHEN MARIAN SANG (Scholastic Press, 2002), which won all sorts of awards including a Sibert Honor.

Now Russell Freedman has written a beautiful and more detailed biography of Marian Anderson which will similarly captivate readers with its engaging text and its clear, oversized photographs of the singer herself and of supporting characters in the story of Marian Anderson.

The most precious of those supporters were also some of the earliest. Through the chapters focusing on her earliest years, I was moved by Freedman's portrayal of how Marian's childhood community came through time and time again to insure that her dreams would not be in vain:

"Again there was no money for lessons. Most of Marian's earnings from concert appearances went to her mother, who was still taking in laundry and scrubbing floors, and to her sisters, who were still in school. And again the congregation at Union Baptist Church came to Marian's aid, organizing a benefit concert that raised $566 so that she could study with Boghetti."

Equally moving is the subplot of her life that involves Orpheus Fisher:

"I don't wanna wait in vain for your love" --Bob Marley

Having had to quit school after eighth grade in the wake of her father's death, Marian did not complete high school until she was twenty-four. It was during her delayed high school years--back when America was engaged in the First World War--that Marian met Orpheus Fisher who, "like her, was still in high school. He fell for the shy singer with the soft laughter and huge sparkling eyes who was almost as tall as he..."

Decades later, America was midway through the Second World War when Marian finally relented and married Orpheus, who has tirelessly and faithfully pursued her all those years, while she was single-mindedly focused on her career.

And what a career it was:

"During one ten-month period she gave 123 concerts in fifteen different countries, performing a repertoire that included over two hundred songs and arias in German, Italian, English, French, Spanish, Portuguese, Swedish, Finnish, and other languages."

It must have been amazingly disheartening for Marian Anderson to return home from entertaining European royalty and once again come face to face with Jim Crow. Like black sports stars of that era, Marian faced dangerous and humiliating conditions when traveling and performing around some regions of our "sweet land of liberty." And yet, in photos, she appears both to have left that all behind and to be channeling some kind of higher power as she sings.

" 'It was music-making that probed too deep for words.' "

Marian Anderson remains a symbol of the historic fight to let freedom ring for all Americans. In VOICE THAT CHALLENGED A NATION, Russell Freedman goes far beyond the symbolic to provide us a memorable look at the life of a singer whose talents knew no bounds.

Compiled and organized by Mary Houser Caditz, "Wandering & Feasting: A Washington Cookbook" offers more than two hundred tempting and tasty dishes reflecting the culinary heritage of Washington State. Spiral bound so as to lay flat upon the kitchen table or counter, "Wandering & Feasting is a regional collection organizing dishes from the Olympic Peninsula (Halibut with Macadamia Nut Crust; Whole Baked Salmon with Medley of Three Dill Sauces; Filet of Sole Turbans with Shrimp Sauce), Southwest Washington (Individual Salmon Wellingtons with Dijon Cream Sauce; Cream of Carrot Soup with Marsala; Chocolate Hazelnut Decadence with Rum Cream), North Puget Sound and San Juan Islands (Dungeness Crab Stuffed Mushroom Caps; Strawberries in Raspberry Sauce with Orange Cream; Easy Apple Raisin Chutney), Puget Sound (Fried Calamari in Beer Batter; Cheese Puffs with Smoked Salmon Filling; Steamed Clams with Tomatoes and Herbs), Cascades (Flank Steak with Blue Cheese, Mushroom and Sun-dried Tomato Stuffing; Baked Pears in Apple cider and Cinnamon; Trout with Chive Cream Sauce), Central Washington (Beef on Skewers with Peanut Sauce; Spinach Salad with Apples and Ginger Vinaigrette; Minted Cantaloupe Soup), and the Inland Empire (Venison with Juniper Berry Sauce; Bulgar Wheat Pilaf with Mushrooms; Asparagus napoleons with Orange Hollandaise Sauce). Occasionally illustrated with historical photography, and featuring appendices that include 'Basic Recipes', 'Low-Fat Suggestions', Glossary, 'Selected Bibliography', and an Index, "Wandering & Feasting" is an ideal and strongly recommended addition to any personal and family cookbook collection.

Well written book with fascinating information about Washington State. The book includes recipes which highlight different regions in Washington. Ms. Caditz, a Washington native, weaves interesting stories and features throughout the book. A must have if you enjoy cooking and enjoy Northwest cuisine

This cook book is informative, useful, and inspiring. The recipes are yummy and well worth the effort. Be sure to try the Walnut Torte with Chocolate Glaze!

The book is divided into regions of Washington State, with an interesting narrative about each region in each section. There are historic photos, too, so Wandering and Feasting is a book to read, in addition to cook book as reference.

The presentation is crisp and appealing.

A great gift for gourmets, people who cook, NWophiles, and those who like to eat others' good cooking!

This book is very helpful. It provides a world of information that will help anyone be able to get around and get involved in their community.

This is one of the greatest resource books I've ever used! It is so comprehensive, in that it provides resource information for everything from professional associations to book clubs. I'm a Guidance Counselor for the US Army, and I've used it on several occassions in counseling women on career matters. What was really astounding was that all of the phone numbers I called were correct! Many of the organizations are National and therefore are not only helpful to women in the Washington area, but for women throughout the country as well. The only other thing that I could say is thankyou , to the author for providing such a valuable tool for women. It has enriched and enhanced my life in many ways.

This book relenquishes a wealth of information and services that are available in the Washington D.C. area.

I love this book. I remember my mother reading me a kid's version of Rip Van Winkle when I was little. Now, I am thrilled to find a version illustrated by one of my favorite fairy tale illustrators. Even though Rackham's art is somewhat darker (colors and style) than some other classic fairy tale artists, it speaks to me the most, bringing the characters to full life. This is probably one of my favorite fairy tale stories of all time and I am thrilled to have a book with illustrations that do it justice. I recommend this for fans of both fairy tales and art.

The character of Rip Van Winkle is like an older version of Peter Pan, overgrown and frumpy. He seeks to enjoy his life and in doing so engages in mostly childish activities. Adulthood bores him, as it should, because he excels at leisure as much as Ben Franklin stands out in industry.

Rip reads well to married people, who seem to be the ideal audience for the story. The detached approach Irving takes in describing the "henpecking wife" and "curtain lectures" is comical to married couples, husbands in particular. It is a great comfort for men in 2005 to learn that the traffic of henpecking was a one-way street then, too. :)

The character of Rip is admirable. How lucky to be free to do nothing and experience no remorse. He is harmless, and a great credit to the community in entertainment value and spontenaity. By enjoying simple things, he understands the best things in life are free, such as the view from the mountain top and pulling a fish out of the stream. He is good for conversation, non-judgmental, agreeable, and rather kind. Strange, but it seems he could be a fine pastor or priest.

The comedy of this story seems to be the escape from his hellish home life. Some have described heaven as a place of rest, away from the burdens of the world. So Rip, on the mountaintop, taking in a beautiful sight, after a day of shooting squirrels, has some delicious liquor, and falls asleep until two tyrants are deposed; his wife and King George.

Washington Irving's 'Rip Van Winkle' originally appeared in The Sketch Book of Geoffrey Crayon, Gent. (1819) alongside another evocative piece of Americana, 'The Legend of Sleepy Hollow,' a wondrous story equally set in Irving's beloved Hudson River Valley. Though not as multilayered as its longer and slightly more well known fellow, 'Rip Van Winkle' also has long roots in Old World folklore, which is appropriate, since The Sketch Book was the first book by an American writer to be taken seriously by the European audiences that then set the standard in the West. Like the earlier A Knickerbocker's History of New York (1809), 'Rip Van Winkle' is playfully attributed to Dutch antiquarian "Diedrich Knickerbocker," the most famous and certainly the most charming of several personae Irving adopted as an author.

Written in simple but gorgeously visionary language, 'Rip Van Winkle' is the story of the lazy but warm spirited farmer, who, in an effort to escape the "petticoat despotism" of his "termagant" wife, flees for an afternoon's hunting in the lonely, autumnal Catskill Mountains. Accompanied only by Wolf, his faithful but equally harassed dog, Rip is surprised when he notices an odd figure approaching through the wilderness and calling out his name. The "short, square built old fellow with thick bushy hair and a grizzled beard" is carrying a "stout keg," and gestures to Van Winkle to assist him with his burden.

Taking up the "flagon," Rip hesitantly follows the little man into an isolated ravine, and thus steps unknowingly into fairyland; there he finds himself confronted by a solemn and outlandishly dressed party of dwarfs playing at ninepins. Bewildered, Rip pours out the beverage for the assemblage, but can't resist taking a drink himself. Awaking on the mountainside, Van Winkle, finding Wolf gone and a badly rusted gun at his side, returns to town, where he discovers his home in ruins, his wife dead, his children grown to adulthood, the land of his birth now an independent nation freed from the yoke of the British, and himself a stranger to the villagers, who stare at his tattered clothing and exceptionally long facial hair. After making bewildered inquiries, he comes to accept that twenty years have passed.

As a humble, good hearted, and mild tempered dreamer, Rip is an archetypal fairytale hero, though the only dragon slain is Dame Van Winkle, and she accidentally, by the passage of time itself. Like kindred spirit Ichabod Crane, Rip is not an absolute novice when it comes to the fantastic, for he has enjoyed telling the village children who love him "long stories about ghosts, witches, and Indians."

As in traditional Celtic fairy lore, in which eating or drinking while visiting fairyland is often punished with permanent residency there, Rip had made the honest mistake of partaking of fairy foodstuffs, and thus pays an unintended price for doing so. For Celtic fairy lore also featured multiple variations on the theme of fairy time; one minute of perceived human time might be seven years of fairy time, and a man spending a happy week dancing in fairyland might discover that one hundred years or more has past on earth upon his return. Whether dwarfs, elves, boggarts, or fairies, Irving's little people are first cousins to many of the mythological beings of European mythology. Interestingly, like the literally "solitary" fairies of Ireland and Scotland, who were brusque of manner at best and never seen in groups (as were the far more gregarious "trooping" fairies), the little men Rip holds audience with "maintain the gravest faces, the most mysterious silence," and thus represent "the most melancholy party of pleasure he had ever witnessed."

But Irving, who deftly places his story in the historical setting of pre-Revolutionary America, also shrewdly offers his audience other interpretations for Van Winkle's strange mountain encounter. Though narrator Diedrich Knickerbocker acknowledges early that the Catskills are "fairy mountains," one character, sage Peter Vanderdonk, explains that it was the dead "Hendrick Hudson" himself, who returns with his crew every twenty years "to keep a guardian eye on the river," whom Rip encountered, while the postscript indeterminably discusses a variety of Indian spirits, including the Manitou, who haunt the region. One fact entirely overlooked by scholars everywhere is that American literature was born in the daimonic, a tradition begun by Irving but enthusiastically continued by Nathaniel Hawthorne and Edgar Allen Poe.

Like most of Irving's work, at present Rip Van Winkle is a grossly underappreciated piece of pure Americana; certainly American literature could have gotten off to a much worst beginning than it did than with its gallant, optimistic, and uncynical founder. For Rip, despite the precariousness of his experience, learns to accept his fate and settles into a comfortable old age as a venerated member of his community. Not that very long ago, there was a time in America when, taking a direct cue from the story itself, some of America's young schoolchildren were fancifully taught that thunder was not the result of lightning, but merely the echo of the elves' occasional game of mountain bowling.

This definitive edition, first published in 1905, features over fifty genuinely "mesmerizing" though somber watercolor illustrations by British master Arthur Rackham, which perfectly suit Irving's text and will captivate both adults and children alike.

As a General Surgeon and Surgery teacher in a residency I appreciate the value of this manual. I may get quick, truthful and current answers in my job and with my medical's residents.
Thank for this gem.

If you need quick information, or to reforce your knowledge in the Emergency Room, this manual could help to solve almost any problem. This is not a text book, is a reference where you can find a quick answer.

During my internship this book and the Washington Manual of Medical Therapeutics were the 2 books I couldn't live without.They give you quick information to solve almost any problem.

I humbly suggest that anyone who likes the work presented in "Washington on $10 Million a Day" also peruse the political newsletter "Counterpunch". I am not affiliated with any of the above mentioned entities just an interested reader eager to spread the truth about our sham democracy. For those of you who have not read this title and would like to investigate the sordid inner workings of our nation's capital; purchase this book. You will not find the commercialized, sanitized B.S. so pervasive in mainstream media. Educate yourself about the dissolute triad, comprised mainly of lobbyists, corporations and P.R. firms which in aggregate are known as the "4th" branch of government. I also suggest reading "Derailing Democracy" by Dave McGowan. Thank you.

Ken Silverstein is the co-editor of the newsletter Counterpunch and one of the best investigative journalists in the US. In this book he exposes some of the ways in which corporate money and lobbying corrupt our political process and make sure that public policy serves corporate interests, not our own. A pair of examples will illustrate. In one particularly telling account, Silverstein reveals how Philip Morris connived to set up a phony public interest group called Contributions Watch, the purpose of which was to smear trial lawyers as "the most powerful special interest group" in the country. In another section, he describes various types of "astroturf" lobbying activities, where corporations create phony "grassroots" groups to provide cover for their interests.

Much of the book is based on reporting Silverstein did for Counterpunch. Given Silverstein's talents, one wonders why he is working for a small-circulation newsletter. Surely our major newspapers have need for investigative journalists of his talents. But then one remembers that the big papers are themselves corporate owned, and unlikely to want to shed too much light on the misdeeds of large corporations or the excesses of unrestrained monopoly capitalism.

The one flaw I can find with the book is the absence of any detailed notes on Silverstein's sources.

Yes, it truly is the age of retail politics. And Ken Silverstein's new expose, Washington on $10 Million a Day, shows the high price that must be paid to the lobbyists of K Street to get troubled corporations and Third World dictators out their various jams. Silvertein introduces us to the likes of Tommy Hale Boggs, the brother of ABC news diva Cokie Roberts, who charges $500 an hour to help oil companies boot Indians off potential drilling sites, bail out the interest of big banks, vouch for the character of butchers like Baby Doc Duvalier and tirelessly tread on his intimate relationship with President Bill. Then there's the noxious Edward von Kloberg, the man who fell for a Spy Magazine spoof when he indicated he would be willing to represent the interests of a German neo-Nazi group. Among van Kloberg's other clients: Saddam Hussein and Romanian thug Nicolae Ceausescu. With this new book, Silverstein goes right to the corrupt heart of the Beltway, where forgiveness for almost any crime against humanity is for sale at the right price. Silverstein is one of the nation's finest investigative reporters and this book proves he is also one of the funniest. Jeffrey St. Clair