Publications Books

Jill Raiguel's "Life Skills" has given me a solid principles to live life daily feeling mentally and emotionally healthy and well. This is a must book for everyone in recovery or anyone living in today's world!

As the child of an alcoholic I've found Jill Raiguel's book so helpful in huge ways and little ways. I shifted from feeling lost and damaged to knowing I'm OK. I learned that there are steps to making friends, expressing emotions safely, some of Jill's life skills from the quiz at the beginning of the book. my mom and I have read it together. Its great!

As an active minister of a church and spiritual growth center in Southern California, I have had the opportunity to use Ms. Raiguel's book both in teaching (ministers and practitioners) and in counseling situations. The information is presented in a clear and simple way- so that topics, which might normally be a bit overwhelming within themselves, are more easily received.

I recommend this book to other ministers, counselors and churches. It has become a 'must have' for me.

I bought this book for myself and found my 21 year-old daughter had picked it up and was participating in the excercises. That was the beginning of a whole new line of communication between us. We have both been affected by the divorce between me and her father years ago and this book was a key to opening the lines of communication between us after all these years. We were able to deal with some important issues at a level we have never reached before. The life skills exercises are so helpful in providing the element of "action" with learning that was so critical to us.

I urge anyone with unresolved issues to try read this book. I think it would be an excellent resource for teens on up.

My life has been one of grose alcohol abuse from all sides, both parents were alcoholics, both spouses and numerous friends in between. I attracted to me those that would hurt me. Jill's book helped me identify patterns in my life and understand how I was worthy of having a very different life. After reading the book and applying the principles and seeing who I am, my life has soared. My confidence in who I am has been elevated to new levels.... I am complete with me, and it is wonderful.....

I would recommend Jill's book to anyone who has had any verbal or physical abuse from twisted alcholic thinkers. You do not have to stay a victim nor do you need to remain in situations that corrupt your life. Read this book apply the insights to your life and become free to be who you are....You're worth it.

Finally, here's an all-inclusive, easy-to-understand book about issues of intellectual property, copyright, trademarks, online works, the Fair Use doctrine, contracts, agreements, and more. By using helpful symbols and clearly written descriptions, these legal experts provide, in one volume, a wealth of information critical for authors to know. With a little patience, anyone can understand the information the Evans attorneys provide.

They also cover issues such as privacy, domain names, a brief history of intellectual property law, and information about pending legislation. I found the section on agreements for Publishing, Collaboration, and Licensing especially helpful. I did not realize that each book also comes with a CD-ROM containing sample forms and contracts-an extra added bonus that makes this book an invaluable resource all writers, new and experienced, should invest in. Highly recommended.

I had the absolute pleasure of meeting Tonya Marie Evans at the Book Expo of America in Washington DC this year and she is a smart, enthusiastic, driven woman. This book should be required reading for anyone wishing or thinking about writing and publishing a book. This book will help you understand the process in plain english. This book clearly explains complicated legal issues, offers examples and answers your questions. This is a book you will want to keep on your desk and refer back to again and again. I recommend this to each person who sends me a book to review or asks me any type of publishing question.

Literary Law Guide for Authors is my 'gold medal'. I treasure this well-written and VERY easy-to-read book! I've written (self-published) a children's book and currently writing a spiritual anthology. In both cases, I desperately needed contract forms and from searching the internet and communicating briefly with the author, I ordered this book. The forms section (in addition to the CD) included every bit of information I needed to create and provide a professional looking contract. I just can't say enough of this book. TIMELY. WELL-WRITTEN. INFORMATIVE.

buy it!!!

Insightful and Effective would be the best two words to describe the advantages of this book. This book lays out literary law in a non-complex way that is very easy to grasp. Dangerous publishing coups could be avoided by implementing all of the book's stratagies when applicable. The details about electronic rights has really enabled me to see the full value of my children's books. Since reading the book, I surveyed many author friends of mine who unbeknownst to them, had signed away valuable electronic rights that their publisher stand to make a bundle on. Also, being told the vast difference between copyrights and trademarks saved me a lot of money that I would have spent needelessly on protecting my products when in fact I had already taken the proper steps. This book takes the paranoia out of negotiating with publishers and has taught me the precious lesson of knowing that everything is truly negotiable, especially when it's your property at stake. I tell everyone I meet about this book.

I thoroughly enjoyed reading this book. I think it does a wonderful job of describing the law and legal issues that an author should know about if they are going to take full advantage of their work product. Knowing the information contained in this book will most assuredly help a small business owner who creates publications to market her company and/or to provide herself with credibility. Definitely a must read for any infopreneur, too!

Interestingly the subject matter included in this book is fairly simple on the grand scheme of things regarding the law. I don't remember a course at either of my law schools that focused on this material. There certainly was a course on Intellectual Property, but that subject is larger than what this book covers. That course covers the real meat of intellectual property: Patent Law. Authors don't need to concern themselves with that subject.

My favorite parts of the book were chapters 2 (Copyright), 4 (Fair Use & Permissions), 7 (Trademark), and 10 (A Brief History of Intellectual Property). I'm glad chapters 3, 8, and 12-14 were included, too. Those talked about how to apply for IP protection with the US Copyright and US Trademark offices, as well as basics about the law of contracts and agreements.

I also enjoyed poking around the Net to learn a bit about the author. I only did this because of the way the author wrote her book. She included herself as part of the book's content. She is a somewhat young attorney who has an athletic background and clearly a drive to be a successful entrepreneur. The world would be a better place if there were more women like her.

I would have enjoyed the book more if it had not been ALL law. For example, while it is true that an author gets substantial protection from registering her copyright so she can sue and get damages. Most writings don't merit filing for such protection. I think it should have been pointed out that some writings don't really need the full range of protection, while others certainly do. If I write a 10-page ebook that helps me market my Web site. Do I really care if someone steals that from me? Probably not. But if I write a 170-page booklet that I sell at my seminars and workshops, then I better register my copyright because some real effort went into that publication and my seminars need it for credibility. I'd be at a loss if someone stole it. Things like this could have been included in the instant book being reviewed to make it better. 5 stars!

Very pleasing to the eye, handy daily notes such as which sign the moon is in, color of the day, moon void of course, holidays (pagan and otherwise), of course, historical tidbits (famous pagan birthdays, etc) and others.

I was pleased and surprised that the last several pages of the calendar are dedicated to various "articles" such as herbs, cleansing your home, a table defining the planetary and astrological symbols, and more.

Each month not only has a stunning picture at the top, but to the right side, a column with great info for that month/season, or just tips and reminders of magic to be created!

I adore this calendar, and will be getting another one for 2007!

As mine was given to me as a gift, I would HIGHLY reccommend this as a gift idea for any Pagan you know!

I was unable to find this in town and was very pleased to find it on Amazon.com. I buy one every year and this year is as good if not better than previous years.

I got the calander the other day and the yearly calanders are always nice, but someone should have done a double check on what was printed. In my calander there is the typical face with the days of the week and the moon phase, etc and next to each of the days of the week is the symbol of the planet that rules over the day. well, all is fine but there is the symbol for saturn next to monday AND saturday when then symbol for the moon should be next to monday. i`m not sure if this is in all the calanders printed or what but its a mistake in atleast some of the calanders.

I've gotten this calendar for the last several years, and look forward to getting it each December. It is clear, easy to read, and each month has an interesting article about that month -- its festivals, holy days, or just thoughts on the season. I use it regularly, and recommend it to any Pagans out there who need an attractive wall calendar. Although it's called the Witches' Calendar, that's really a misnomer to me -- it is for more than just the Wiccans among us!

I am in Australia so the festivals are all turned on their head, but this is not a complaint. I love writing in my southern hemispherical equivalents and I often celebrate both festivals in different ways for both hemispheres.

I love the pictures, ( yep they'll go into frames at the end of the year ) and the information on the pages at the back of each month. I love knowing what the moon is up to without having to work it out, it's just a visual and informational feast. I will definitely get one every year from now on.

Goddess I love being Wiccan !!

Very amusing, particularly to Brits. Purchased as a gag gift for a British ex-pat returning home to the UK for a trip.

I love this book! I'm a big Britcom fan and can now get a lot more laughs out of my favorite shows.

This little book, which crams an enormous amount of information, both practical and interesting, should be in every Amnerican's pocket before they leave for the UK. I learned more from it than from several larger books put together. It even explains cricket, that baffling sport! I thoroughly enjoyed reading every page, and while I wasn't going to travel to Wales or Scotland to practice those versions of Gaelic, it is contained within should you wish to. A most superior book, and entertainingly written besides. Enjoy!

This book is great. It's tiny, easily hidden, extremely funny, and you can make British people laugh with it. Really! Even Brits find it fun to read... "Oh, so THAT'S what they mean on those American programs on the telly. I was wondering."

I read this little book before setting out to Scotland for a year. What a great thing to do! I was more prepared than many of the people I was traveling with to deal with the idiosyncracies of Brit-speak. I especially love the foreign language section in the back... you don't really need it, since everyone speaks English, but it's fun to whip out something in Gaelic and see how many people understand (answer: not many).

I highly recommend this book, if only for its entertainment value. You won't regret it! I'm even able to watch the BBC now!

Lonely Planet's "British Phrasebook" is a great introduction to the British way of life and speaking for foreigners. Whether you are an American going to visit the British Isles, or a person studying English as a foreign language this can be a good guide and reading supplement. Traditionally to Lonely Planet phrasebooks, this one gives you a short and easy-read introduction to the origin and modern state of English. Then follow the sections dealing with British English and regional languages.

The section on British English is, again traditionally, an introduction to the language through British culture, institutions, traditions and way of life. Some chapters open with humorous sketches by S. Hughes that will make you laugh out loud. You will learn how to greet people, how to talk over the phone, how to find your way in the world of slang and cockney (not being a thorough textbook or dictionary of these), how to brace yourself with the features of British pronunciation (not being a course on phonetics), how to tell a British word or expression from an American (not being a British-American dictionary), how to address the Queen or peers (without making you bored with the detailed description of the aristocratic history). But most of the contents are not even the lists of typically British words and expressions. It is an interesting, sometimes funny, sometimes witty, often highly informative yet brief description of British culture (music, sports, food, drink, housing, etc.) and institutions (political, educational, etc.), as well as of ways of travelling, spending your free time and free money. If you need to know the names of high-street shops or intend to watch a report from some cricket match, think of driving a car or going on a train journey, want to read a paper and know what's meant and what's not - "British Phrasebook" is one way of helping you survive in Britain.

The regional section tells you about regional accents and dialects of English with some examples. It also deals with Scottish Gaelic and Welsh. Here (in the last two chapters) there is a true phrasebook letting you say a lot of useful things in the native tongues of Scotland and Wales. Practical transcription enables you to pronounce sometimes quirky letter-combinations of these Celtic languages.

Written in a simple language and entertaining manner, while being very informative "British Phrasebook" is nearly a must-have on your next trip to the Isles and will certainly be your good companion, which will easily fit in a pocket.

A comprehensive survey of the artist's work, it covers not just his paintings, but also his posters, advertising and magazine and book illustration and the murals. Very well illustrated and with a comprehensive text it chronicles the artist's development and his vast array of work.

One of the most interesting chapters is that which explains in detail the methods Parrish employed to achieve his remarkable results. This includes his use of photography and the painstaking glazing techniques he employed.

A very interesting and useful publication; it is not one that sits idly on my book shelf.

The version of this book that I own is from the second printing (1974). What a beautiful book! In some ways Parrish seems to be the dreamy counterpart to Norman Rockwell. An amazing attention to detail and lighting. To reiterate a point raised in other reviews, this book would benefit from more color plates, but that is a minor criticism. While I have not yet purchased any of the other books in print on Maxfield's work...this is a fine place to start. There is a generous sampling of landscapes, product advertisements and magazine covers. Recommended!

Note: I made some immature person angry by giving negative reviews of books written to "prove the Book of Mormon." Rather than answer my criticism, this person automatically gives my reviews negative votes. Oh, well.

Your "helpful" votes are appreciated, and please remember that a short review is not necessarily a bad review if it leads you to a great book.

I love "Daybreak" (see cover) with a nude figure standing above a girl sleeping in a columned pavilion. If you like this painting, then check out different reproductions (the colors vary widely and change the nature and mood of the painting. Really change it.

"Twilight" is another great painting. For me, it is evocative of a great mystery. You want to step into that farm yard and explore the house and barn. No people are shown, but it gives me the feeling that ghosts live there (without being scary--in a dreamy sense).

"Afterglow" is also intreguing, showing a New England church as the stars come out.

The book is full of both color and black-and-white illustrations. I would love to see "Landing of the Brazen Boatman" in color. A robed figure is walking down some stairs of a strange temple while a boatman awaits.

What a gift of imagination Maxfield Parrish left to the world!

Highly recommended.

This book has always been the "essential" Maxfield Parrish reference for me. It contains page after page of information about the artist's incredible personal and professional life. It also goes into great depth detailing the illustrator's perfected (and tedious) technique of creating illustrations. From crafting meticulous miniatures for layout to the final process of layering oil glazes onto the canvas. It's all there.

I would highly recommend this book to Illustrators, art teachers, and overall art enthusiasts who want to expand their knowledge about illustration and a true master of the past. This book has been cited in other publications such as "Step by Step Graphics" for the depth analysis of his technique.

My only small criticism is that I would've liked to seen more color prints within the book. A few too many black and white reproductions of the artwork. That aside, I feel this book is of tremendous value.

I, like you, want to own Daybreak--perhaps more so than any other painting. Sometimes an illustration entertains, perhaps greatly. Some evoke admiration, even gaping admiration. In the case of several Parrish paintings, admiration is merely the aftertaste of a much more powerful emotion: the craving to be in the space the artist has created, to have or to be the characters therein. A desire to truly exit this world and remain in the other. The list of works that affect me in that way starts off like this: It's A Wonderful Life, Oz, Narnia, Harry Potter's magical England, Parrish's Daybreak & Land of Make-Believe & Air Castles et al., Robert Heinlein's Glory Road, ERB's A Princess Of Mars... We read or watch or view them over and over again in an attempt to ease the longing.

This volume satisfied that craving long enough for me to catch my breath.

The book is well written. I have been enjoying reading it. However, I can't give it 5 stars because the author takes drugs and writes about it. How about a kid reads this book? So, the kid will think is cool or ok? I don't think the author has the right to inspire people to do what he chooses to do with his body. The body is a temple to take care of not to abuse it and exploited in actions, words, thoughts or writing.
He also mentions the dark side of his nature that it's too personal and too dark. Almost evil to the point, that I felt he should have left it out. Nobody needs to know about this of his past. Only God should judge, and he knows all our sides including the dark ones.
If you are spiritually sensitive, you will feel the darkness of his spirit in the past while reading his words. Words are powerful and words can manifest.
Some parts of the book with these are repulsive!
The rest is excellent! He has great thoughts and ways to present his visions of art. The author can also inspired other artists.
To the Author, I would suggest asw a friend reader for him to see "The Secret." Hopefully, he won't repeat writing events of his inner demons. Sorry, but nobody cares...besides this should be in a personal journal or talked with a theraphist.
The author uses his writtings to heal and confess himself. The bible says, to confess to God only. If you don't want criticism like this don't exploit your past weakneses by writting to the world!
This book should not be given to kids under 25 yrs old. When you are 25 yrs old. your thoughts patterns are mature to make the best judgement before then your brain is still developing and is highly impressionable. This is a fact and one can google it too.

I bought this for my fiance and he ABSOLUTELY LOVED IT. I really enjoyed it too. My fiance is a HUGE Alex Grey and TOOL fan and if you are too you will love it too!!!

Soul Expression Can Be Visionary Artistry
Imagine, for a moment, the Creative Forces. How do you envision the Spirit of Life, as it expresses itself within you? When I suggest this meditation in my classes, people usually enjoy it. When I suggest to pick up a colored crayon or two and help the Creative Spirit express itself on paper, this second instruction creates more anxiety than pleasure. I hear the protest, "But I can't draw what I envisioned!" I might reply, "Just allow yourself to enjoy the process and don't be worrying so much about how you think it should look. Let it be easy, let the vision guide the drawing, let it do what it wants with itself."
After we have made our drawings, people share a little of what was experienced during the meditation and we get to see how it came out on paper. The drawings are so different, yet group members usually recognize the mark of the Creative Spirit in them. Their sheets of paper contain precious revelations. People remark favorably, of course, about those that are more "artistic." Some may denigrate their own work when comparing it with those that win the group's "artistic" award. I try to draw their attention elsewhere. It's not about being "artistic," but about honoring one's experience as best one can.
Alex Grey, author of The Mission of Art (Shambhala), writes that the purpose of making art should not be trivialized into a career path toward fame and fortune. The essential purpose of making art, he reminds us, is to honor Spirit, to make it visible, to make it real in this world. If we create also for the purpose that it might further awaken Spirit in others, then making art becomes a spiritual mission as well. If sufficient talent, dedication and hard work are present in the mix, then it can also be a profession. He calls the professional artist to a higher mission, explaining how to invite Spirit into the work. If the artist commits to bringing Spirit into the work, he claims, Spirit will collaborate with the artist.
Creating is an essential part of the soul's activity and thus belongs to everyone as their natural birthright. So he aims his book also at the rest of us, just as he does his painting. He writes, "When people are profoundly moved by art, they recall from their depths their own intuition of spiritual truth." Like Edgar Cayce, he would have us all involved in some sort of creative activity and wants us to appreciate the spiritual importance of doing so.
Even if you do not recognize the name of Alex Grey, very likely you have seen a reproduction of one of his visionary paintings. Best known are his stunning, anatomically correct renditions of a person with transparent skin, revealing the inner body as well as the spiritual energies flowing through that body. In his painting of the kissing couple, for example, you can see the spirit of the man and woman intertwine. His paintings show beautifully the truth of Spirit's activity in this world.
The fact that his stuff is extraordinarily good--dazzlingly good--doesn't take away from the fact that he is sincere when he writes that each of us is an artist. He urges us to recognize that our soul yearns to find outward expression in creative acts. Echoing the understanding of Edgar Cayce, he writes, "Seeing with the eye of the heart, the mystic eye, is seeing with the soul." Responding to the creative itch, taking the time to express it, in poetry, in cooking, in painting, honors the source. Allowing the imagination to become involved in our activities invites the soul's involvement in what we do.
I explain to my students that our doodling exercise is something of a sacred ritual. I note that we attuned ourselves to a very special inner reality, and then expressed it outwardly as honestly as we could. In other words, we gave testimony to our own experience of Spirit. By sharing our drawings, our spiritual intuitions made visible, we treated ourselves to witnessing several reflections of Spirit, expanding and sharpening our sensitivity to its qualities.
But the exercise was not without struggle. It took something akin to what Grey calls "egocide." We had to let go of notions of what the drawing "should" look like, and allow the expression of something greater than our own willful abilities." It requires turning our focus away from the ego's perceived "artistic" outcome and focus instead upon the authenticity of having honored our experience. In the back of my mind is one of my favorite ideas from the Cayce material, that the one of highest service we can give to one another is to share our experience of the Creator. I am also aware of his teachings about art being an essential path of spiritual experience. The purpose of our exercise is not to see who can make commercial art, but to enhance our connection with Spirit. We can not all be commercial artists, but by honoring the muse and being willing to share, we can all serve as visionary artists. [...]

Warp your mind and you just might see God. Haven't tried LSD. Have tried "Salvia Divinorum" (still legal as I write this in most areas) I don't smoke and rarely drink, and I've never even tried pot, something most who know me don't believe since my parents were hippies.

But, after being stuck in a 70 hour week overtime job for 3 years, I had an art block that made me feel almost suicidal. The flood of ideas trying to focus through that tiny speck of time I had burned me out.

So, against everything I'd ever done in life, I got some Salvia Divinorum after a lot of net research on anything "Psychedelic". And after a few trys had a hallucination beyond comprehension. Literally seeing God and his infinite love and creativity and how bright that burns in all of us, even as tiny and insignifigant the universe is in the greater universe beyond.

Reading this book I felt kinship. Someone who'd used a psychoactive and seen his true purpose.

I reccomend to anyone who wants to do art (with or without earning a dime from it) but feels limited or blocked by stress interferring with creativity to do this. Try a hallucinogen ONCE (or a couple times) and check out visionary stuff like this.

In The Mission of Art, Alex Grey shows that his prodigious artistic gifts are moored in intellectual depth. Grey discusses art history, aesthetics, mysticism, religion, postmodernism, and processes of art reception with equal facility. This kind of writing is a rare treat. Only a small number of American artists have articulated their ideas in writing and fewer have done so with as much skill and alacrity. Grey's writing is reminiscent of G. Albert Aurier, the French Symbolist critic who shared Grey's mystical inclinations and his views about the spiritual and moral potential of art. Grey believes that mystically inspired art can in turn inspire its viewers to transcend today's oppressive consensual values of materialism, utilitarianism, and consumerism, and become aware of more authentic spiritual realities. There are a couple of factual inaccuracies, perhaps due to exaggeration or oversight, as where Grey states that mystical art was virtually absent in late nineteenth century Europe (p.37) and that Van Gogh labored in "complete obscurity" (p.90). Many prominent artists of the late nineteenth century French Symbolist movement were deeply inspired by neo-Platonic mysticism. Though Van Gogh never achieved material success, he was well known and respected by some major artists of his time. Aurier praised Van Gogh's art in a published review shortly before the latter's death. As the world seems to plummet ever deeper into eco-devastation and strife, to continue to hold out faith in general processes of human spiritual "evolution" which are aided by art, as Grey does, appears to demand ever more credulity. In my view, one can now realistically expect mystical art only to be a source of some personal inspiration and an exemplar of humanity's highest but tragically failed ideals. Its ideals of spiritual perfection might still be realizable, or approachable, by the minority of persons and minds which are receptive to it, but it has been virtually impotent as a means of producing a generalized social-spiritual transformation. Indeed, our society seems to appropriate such art as a means of a repressive desublimation of mystical idealism. Mystical art might tend to palliate and pacify idealistic urges, lulling some viewers into complacency by its pleasant presentations of images of spiritual self-actualization, images which, as wonderful as they may be, are only shadows of real conditions of actualization. Our society allows access to these images while doing its best to restrict access to the kinds of experiences which might truly facilitate such an actualization, such as the entheogenic experiences which largely inspired Grey, and competent shamanic guidance. Nevertheless, such mystical representations of what might be more realizable in a better world may for some others highlight the differences between what is and what ought to be, inspiring greater efforts to close the gap. Mystical imagery, as a means of Bildung or of the cultivation of consciousness, is capable of helping to "magnetize" the minds of receptive viewers, helping to keep some minds freed from Plato's cave and aimed toward the light.

Vivid Dialogue, September 1, 2005
By Barbara Glass

In her second novel, Fleming brings back Lieutenant Matthew Alexander, whose directness and lack of concern about embarrassing the wealthy and powerful make him a very appealing character. Alexander and his partner Jake are called to the scene of a homicide in the posh Gold Coast section of Washington, D.C., where the victim is a millionaire real estate developer. He died in the home of a young woman to whom Alexander had once been engaged, but she's only one of a collection of suspects with reasons to want the dead man out of their lives.

Fleming knows how to write a gripping story, but what makes it especially vivid is her dialogue. With their words, her characters show their personalities, beliefs, and values. When they speak, you can almost see the flash of anger in their eyes, hear the chuckle in their voices, or sense the sorrow in their body language. These voices, freighted with emotion and edgy as they wait for the discovery of various truths, draw you into the world of the book and make it hard for you to put it down. Furthermore, Alexander knows that the truth he's looking for lies deep in those personalities.

Suspense builds on every page. Add to this the tension between the lead detective and his bosses, the racial and family issues that won't go away, and the beautiful wife Alexander has at home, and the result is a satisfying complexity that pulls you into his world and keeps you there until the conclusion.


Murder in Black and Gold, June 10, 2006
By Chiquita Mullins Lee (Columbus, Ohio USA)

Murder on the Gold Coast brims with surprises and revelations. Barbara Fleming's intelligent writing sheds wisdom and insight into the human condition. With her uncanny eye for detail and a well-tuned ear for dialogue, even Washington, DC is a character full of energy and personality. Fleming's writing is by turns lyrically poetic and as staccato as a crime report. Matthew Alexander deserves a long career investigating the District's crimes. And Barbara Fleming is building a solid body of work from the capers of this cunning detective.

Murder on the Gold Coast is the newest installment of Fleming's Matthew Alexander Mystery Series. Someone has killed wealthy black real estate developer, Harold William Waterson, Sr., and, surprisingly, his Washington, DC social sphere encompasses a circle of people with motives. His elegant white wife is miserable. His son detests him. The black, beautiful Angela Bowman wants to end their affair. When Waterson winds up dead in the posh basement of Angela's parents, the three Bowman's maintain their innocence. While there is no hard evidence to implicate them, there is the matter of the murder weapon; that key piece of evidence - a 38-caliber revolver that emptied two slugs into Waterson's chest - is missing.

Matthew Alexander steps in to unravel this mystery, wrestling against the odds, frustration, and time. Matt's personal history with Angela enhances the intrigue; they might have married had her father found him worthy. In his current marriage to sultry Carla, his life balances romantic negotiation, administrative head-games, and brutally long hours. His witnesses balk, and his leads sometimes disintegrate, but his instincts seldom betray him. This sharp, handsome detective is cocky for a reason. He's good at his job.

Wow, I loved this book! For weeks I had been searching for a good mystery book and when I saw the reviews for this one I didn't waste any time ordering it. This story starts off with Harold Waterson, a wealthy businessman being murdered at the beginning of the story. The question is who shot him..why and why did he get murdered in the basement of people who claimed not to know him?

Barbara Fleming will have you guessing and assuming to the very last chapter. Once I got down to 100 pages left I stayed up all night trying to solve this murder case.

HIGHLY RECOMMENDED!

You won't be disappointed!

Barbara Fleming's Murder On The Gold Coast: A Matthew Alexander Mystery is a murder mystery which offers delightful dialog, well-developed characters, a finely designed plot, and intimate insight into the process of a police department's murder investigation.

While the homicide detective's viewpoint is the primary viewpoint, what I found fascinating was how Barbara Fleming gives us a "look-see" into the work and involvement of a forensic specialist, district attorney, and police chief, among others, as Detective Lieutenant Matthew Alexander investigates wealthy Harold Waterson's murder in Washington D.C..

If you love murder mysteries, you'll thoroughly enjoy the experience of reading Barbara Fleming's Murder On The Gold Coast: A Matthew Alexander Mystery.

I enjoyed it and I am sure you will too.

Detective Mathew Arnold investigates a murder in the home of his former girl friend, whose father persuaded his daughter to break off the relationship. The victim and several suspects are members of the upper crust of black society in Washington, D.C. Detective Arnold faces not only the stress of a personal relationship with a key suspect, but also intense political and social pressures in a high profile case that his superiors are anxious to close with a quick arrest. His character, perserverance and investigative instincts and skill prevent a gross injustice, and leave the reader with the challenge of figuring out who did it. As a dectective story, this is a thrilling piece of work with a convincing assortment of possible culprits that make the book difficult to put down. As a literary work, the author creates some fascinating characters and provides some interesting insights into the social milieux of the characters.
Fred J. Milligan, Westerville, Ohio

Murder on the Gold Coast brims with surprises and revelations. Barbara Fleming's intelligent writing sheds wisdom and insight into the human condition. With her uncanny eye for detail and a well-tuned ear for dialogue, even Washington, DC is a character full of energy and personality. Fleming's writing is by turns lyrically poetic and as staccato as a crime report. Matthew Alexander deserves a long career investigating the District's crimes. And Barbara Fleming is building a solid body of work from the capers of this cunning detective.

Murder on the Gold Coast is the newest installment of Fleming's Matthew Alexander Mystery Series. Someone has killed wealthy black real estate developer, Harold William Waterson, Sr., and, surprisingly, his Washington, DC social sphere encompasses a circle of people with motives. His elegant white wife is miserable. His son detests him. The black, beautiful Angela Bowman wants to end their affair. When Waterson winds up dead in the posh basement of Angela's parents, the three Bowman's maintain their innocence. While there is no hard evidence to implicate them, there is the matter of the murder weapon; that key piece of evidence - a 38-caliber revolver that emptied two slugs into Waterson's chest - is missing.

Matthew Alexander steps in to unravel this mystery, wrestling against the odds, frustration, and time. Matt's personal history with Angela enhances the intrigue; they might have married had her father found him worthy. In his current marriage to sultry Carla, his life balances romantic negotiation, administrative head-games, and brutally long hours. His witnesses balk, and his leads sometimes disintegrate, but his instincts seldom betray him. This sharp, handsome detective is cocky for a reason. He's good at his job.

Murder on the Gold Coast by Barbara Fleming
Reviewed by Chiquita Mullins Lee

This book kept me up for several nights straight. It is not a long book by any means and the average reader can go cover-to-cover in a few hours. However, one WILL find one or two things they missed upon every subsequent reading of the book.

This book is not written by a "Hard-Core" fisherman. Rather, it is the story of a "Hard-Core" fisherman. Mr. Cinquemani, a former NYC English teacher employs his grasp of the English language and writes in a way that is not only understandable, but entertaining to his readers. While the book is about fishing, it is not a "How-to" book and Mr. Cinquemani's choice to not focus on the technical aspect of fishing (i.e. equipment, knots, strategy), combined with his writing skills, does not leave one feeling empty upon the first completion of the book, or all subsequent completions for that matter.

Night Tides is about Billy "The Greek" Legakis, a legend in the striped bass fishing world. It is the story of this man's ongoing pursuit for the "Largest" striped bass. Stories of this man's introduction to this fish, his obsession with this fish, and his unparalleled pursuit of this fish grace the pages of this book. Several pictures are also included in the book, adding to the whole experience.

Having read the book several times, I am not only astonished by the sometimes unbelievable accomplishments of this particular fisherman, but grateful that the paths of these two gentlemen crossed when it did. While the stories of "The Greek" are truly amazing, without Mr. Cinquemani's abilities, these stories may very well have been untold. My utmost gratitude to Mr. Cinquemani and Mr. Legakis for choosing to share their stories with the rest of the world.

The book is a very easy read. BTG is a unique man with a true obsession with the straiped bass and the sea. A great book if you are not a fisherman and an even better one if you are. I let a buddy borrow it and he is not a fisherman. He is three quarters finished on the second day of his read. Go for it!

A quick read for anyone who enjoys catching a few "Strippahs" from their local haunts. Billy has certainly mastered the art of catching the big ones, but it also comes at a price - Fishing is 1st - everything else, I mean everything else comes after. Catching 2,500 fish with a rod during a slow season was mind boggling to me, I had to do the math twice and was sure there was an extra zero in the numbers, but low and behold this guy is a true master of the species.

It was an inspiration to read and even got me up in the middle of the nite to go for the cows under a full moon and a high tide - I got skunked and humbled.

A great gift with some terrific photos.

If you are a striped bass fisherman, this book will not let you down. I read it in 2 days. Eccentrics like Billy make life interesting. On a sad note, I can't imagine what it must have been like to fish back in the 60's and 70's before we wiped out the majority of these monster bass.

Michael Cinquemani's bio of striper fishing legend Billy "The Greek" Legakis is an engrossing story. Whether they are committed fisherman or not, readers are bound to recognize in BTG the rare combination of wits, will, and sheer tenacity that marks any person at the top of his or her field. Any die hard fishing fanatic will plow through Night Tides in a single sitting. Casual observers of the sport will love it too. Cinquemani's writing mixes humor and awe to create a realistic portrait of a unique character. The fishing community is lucky to have such a literate, and readable, storyteller!

Great book. I cannot emphasize enough how anyone interested in Zen practice should read this.

Amazon unfortunately not stopped stocking it. I'd recommend anyone interested to go to the publisher's web page and order it there for $13. Just do an internet search for "Wisdom Publication", once there search for the book it will pop right up.

gassho

New book, shipped in timely manner that was in the new catagory as advertized.

I found this to be a great guide and wish I had it early in my practice. A very simple to read - written with compassion. The author comes through in every word.

While living in Japan, I was truly fortunate to be able to sit Zazen at Antaiji and study with Uchiyama-roshi. He had a gift for explaining the practice of zazen, or seated meditation. He was able to completely demystify and explain in clear language how to sit and let go of thoughts. This book is an updated edition of Uchiyama-roshi's first book, Approach to Zen, and is really the only book you need to read about sitting zazen, the Buddha's practice.

Outstanding book. In reading books on Soto zen practice over the last 10 years, this the clearest, most straight forward and best book on zazen (seated zen buddhist meditation) from a highly respected master I've come across. If you only read 2 books on Zen, read Zen Mind, Beginner's Mind by Suzuki and this one.

What a journey! A thrill ride to other worlds- your world? Our guide, Susan, fillets her true-self for all to feast as she allows us to experience her emotion, vulnerability, and STRENGTH. This book opened my mind, engaged my imagination, and gave me hope... What a gem!

This book is like a guide through one's own personal reality into the subconscious and beyond into hidden worlds, like dreams, and many other altered states. Fascinating concepts on time and no time, reincarnation, karma, life choices, and even death and spirits. This book is above and beyond because it frees one to open their minds to encompass the scope of life beyond what we understand without adhering to any particular belief system. It is kind of like the more you open, the richer your life becomes. The whole book gives you an 'ah hah!' kind of feeling, a sense of constantly being enlightened. A good book to read over and over.

I am reading this book for the third time. It is SO packed with incredible insights and usable thought processes I was folding most every page so I could go back for reference. It was very well received at our womens' health fair in clinic. Kalior is my new favorite author, I have read all 4 of her books. Some fantasy, all life enriching.

This book is a most soulfully interwoven journey the dives deeply into the adventure of self-exploration. It reflects all of life's internal issues on multiple levels and is cram packed with plenty of real substance. A very courageous book to steps out of the norm and yet is delivered in the most delightful way. It's brilliant!


This writer Susan truly has an amazing gift!

Linda Post

This is an extremely amazing book. It takes you on a very deep journey of love and life. Very inspirational. Susan did a wonderful job on this. Thank you.