Clubs Books

This is gorgeously written novel, for a first novel or a 50th. Beautiful language, universal themes and totally believable flawed characters. I don't often feel compelled to mark favorite passages while reading, but this one is full of earmarked pages. I'm not sure why this one hasn't gotten more attention, but I look forward to reading more of Shauna Seliy's work in the future. Highly recommended.

There is something about this book's cover image - strong and gentle hands protecting and revealing the simple beauty of the fruit - that recalls Seliy's mastery of words and character in this stunningly lyrical first novel.

Seliy's ability to convey of sense of place while simultaneously developing Lucas's emerging sense of self carries you along in the way that a good book makes you forget to care about where you really are (on the subway, at the kitchen table, at your desk at work not working, etc.). Somehow Seliy manages to accomplish this without overwriting. Her sparse descriptions and sparing dialogue (alternately bitingly witty and suddenly poignant) did the job so effecively I found myself crying throughout this book - sometimes because of a plot point - but mostly because of the way the words on the page...felt.

I also cried at the end, mostly because I didn't want to leave this place and these people, along with the very real and the very mythical senses they evoked. It is impossible to believe that these people did not live, just as described here. Seliy's careful research - on mining life, old world traditions and dialect - and her own obvious sense of belonging to this part of our country - make it possible to doubt that they didn't.

A beautiful book by any account, made all the more impressive by its debut status. I eagerly await Seliy's next book. Until then, a reread of this one is something to look forward to.

This is a beautiful novel to curl up with and get lost in for a little while. Lost in 1970's western Pennsylvania, lost in a dying coal mining town with its strong ethnic history and mythology and family stories, lost in the boy's search for his mother and growth .... I absolutely loved it and you will, too!

This incredible novel is one of the best debuts I've read. The beautiful prose grabs you from the first page and does not let you go. I recommended it to my book club and it is by far our favorite book this year.

This book made me feel nastalgic for a time I never knew. I always heard stories about growing up in a mining town from my grandma. Reading this book, I felt like I was really there. It's definitely going on my new favorite book list!

i bought this book for my aunt who is a single, middle-aged, jouyful southern woman. she is an exuberant believer in Jesus Christ who unfortunately doesn't know much of his world beyond the USA, and i thought this would be a good way for her to explore it while connecting (a word that is very near to her counselor's heart) with people.
i don't know how much she has read yet, but my sister and i devoured it in the few days that we had it. we came away from it feeling even more curious about life in different places and reminded of our privilege as women to live in a financially independent manner.
all in all, if you need an antidote to self, this book will help.

I read the Material World several years ago and I was excited to see that Peter and Faith had published a "sequel" of sorts for the book. Women in the Material World is fascinating, especially if you can review it side by side to the Material World. I thought the questions regarding love in their marriage and their expectations for their children were so interesting. I am very happy with my purchase of this book and I recommend it to anyone who is considering it.

A sequel to the authors' successful, "Material World: A Global Family Portrait," which interviewed 30 "statistically average" families from around the world and photographed them surrounded by all their worldly goods, "Women In The Material World," by Faith D'Aluisio and Peter Menzel, revisits 21 women from these families.

With interviews conducted by women over a period of days, even weeks, and 375 color photographs of women captured in their daily lives, this is an absorbing look into an overlooked world of marriage, women's work and families. From female circumcision to divorce, from finances to education, gender roles, work, and friends, women discuss every aspect of their lives - seemingly freely.

Two themes repeat through this largely agricultural world - women's work begins before dawn and ends long after dark and most women feel they have enough children - whatever that number may be.

This is a fascinating, captivating and beautiful volume, to be read, not just browsed.

This book is a superlative sequel to the early Material World by Peter Menzel. I have read the earlier book so many times that when this new volume came out, I bought it immediately sight unseen. In this book, Faith D'Aluisio revisits 19 of the 30 families featured in the Material World to find out about the women's lives.

The articles are organized alphabetically, together with short features on marriage, laundry, work, education, childcare, hair, food, water, and friends. At the back of the book, we find statistical charts about women, and a useful statistics glossary. Each article has an extended interview with the mother of the family that reveals parts of her life story as well as her attitudes towards topics such as marriage, child care, education, money, and possessions. The articles are of course filled with numerous color photos, large and small, of the women at work and with other family members.

The Material World itself is a monumental book, but it was hard to go back to it after reading this book, where we find that the details presented in the Material World were so incredibly superficial. For example, family life for Maria dos Anjos Ferrerira in Brazil or Carmen Balderas de Castillo in Mexico isn't nearly as rosy as one might guess from looking at their original smiling photos in the Material World. On the other hand, Zhanna Kapralova from Russia continues to be a survivor. No matter how much you learn from the Material World, it will be far eclipsed by this book with its extended interviews and additional photographs.

A companion to Material World: Portrait of the Global Family, this book is an incredible expose of the lives of typical, average women all over the world. I, as an American woman with everything I could ever possibly dream of, especially appreciate seeing how things may have different for me had God just decided to make me the girl child of a Vietnamese working family vs. my background. It really makes you take stock of your life, appreciate it, and feel blessed no matter what your circumstances may be. America is truly a wealthy and favored nation. Even our poor, compared with most of the countries in the world, are rich! We should all feel compelled to give back, not matter how much (or how little) we have. I've been giving this book to my friends for gifts (thank you, Amazon!) A MUST READ!

I discovered Betty MacDonald when I was about twelve years old, after checking The Egg and I out of the Carmichael Branch library here in Sacramento, about 22 years after it was first published. My parents had mentioned that the egg ranch Betty lived on with her first husband in the 1920s, which she writes about in The Egg and I, was located some miles from the place where we lived in Washington state, in the late 1950s. Furthermore, they had actually taken a day trip with friends to look at the old place, sometime after the book and the movie of the same name came out in the 1940s.

This familial connection, however faint, to an old, famous book and the movies it inspired, piqued my childish mind, and I eagerly started reading about life on a chicken ranch on the Olympic Penninsula. I fell in love with Betty's easy, friendly, hysterically funny, down-to-earth yet somehow elegant prose, and immediately checked out her other autobiographical books: The Plague and I, Anybody Can Do Anything, and Onions In The Stew.

In all of her autobiographical books save Onions In The Stew, Betty uses the first chapter to presage her theme by describing her experiences as a child in a large, boisterous family, in loving and extremely funny detail. In Anybody Can Do Anything, Betty describes life with her family and her two young daughters, Anne and Joan, in Seattle after she has left her husband and the egg ranch behind. The Depression is on, and Betty, now a single mother, struggles with her large and interesting clan to make ends meet, somehow finding a lot of laughs and funny adventures, often with her exuberant sister Mary, the inspiration for the book, along the way. Anyone who is interested in what life was like in Seattle in the 1930s, in witty character descriptions, and in a personal glimpse of how families coped with the "Great Depression", will find this book fascinating, not to mention frequently hilarious.

Betty, I miss you and the way you used to make me laugh out loud--I was sad when I finished reading Onions In The Stew for the first time and then realized it was the last autobiographical book you wrote: the tuberculosis finally caught up with you in 1958, when I was only four years old, still living in Washington, not far from your home on Vashon Island. I re-read your books many times as I grew up, even visited Vashon Island, and often wished I could have met you and your family. It's silly, but I've always felt a sense of loss at never having known you, because I am sure you must have been a marvelous friend. Your sense of humor had a profound effect on me, and inspired me in my earliest writing attempts. It's been many years since I've read your books, but I've never forgotten your irrepressible, bona-fide funniness. Wherever you are, thank you!

My husband is one of Betty's nephews.All of the sisters had an incredible wit about them - probably because of their mother Sidney Bard. She did a wonderful job raising her children with out her beloved husband Darcy. It's too bad the children and grandchildren didn't learn lessons from Betty's books. She would be sad to see the way the family turned out.

It's just so heartening to know that others love Betty MacDonald's books as much as I do. I've been giving Anybody Can Do Anything as my female gift book of this year.

we get the story of what she and the children did with themselves.

Her father had been a mining engineer, and although he died fairly young he had been able to save quite a bit; her mother had come from a 'good' East Coast family--not REALLY rich, but apparently quite well off. Betty and her siblings had grown up in large houses with music and dance lessons. However, the Great Depression reduced the family's portfolio to wastepaper. The children had never been taught to actually *do* anything, and actually going out to work for a living was something that they (especially the daughters) had never thought that they would have to do.

The story of how they scrambled to make ends meet during the 1930s would have been grim, but the Bard family despises self-pity above all other faults, and Betty is able to find humor in any situation.

After women having to work to survive during the 1930s, and having to work in the 1940s when all the men were off to war, is it any wonder that the women of this generation and their daughters wanted to retreat into domesticity during the 1950s?

This book is hard to find, so if you get the chance, snap it up!
This is a hilarious account of the author's life post-"Egg & I."
Betty moves from the chicken ranch back to her family's home in Seattle.
Sister Mary, undaunted by the fact that Betty has no experience, eagerly launches Betty's business career and social life.
The mishaps that ensue are absolutely hilarious.
Skillfully written, this book makes the Depression a laugh riot.
BUY IT!
I only wish that Betty had written more books.

The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.

He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.

However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.

This is a really interesting look at the evolution of black culture through the lense of music. Some of the author's opinions about later music (50's-60's) may seem out of touch to today's readers, but overall it is well worth reading.

This is one of the most important books on America and American history, culture and citizenship. It would benefit the world if it were incorporated into public education. Someone said that nations are judged by their art and this book examines that subject superlatively. This study of the blues examines the evolving cosmology of the Africans and their journey and creation: the blues, one of the singular most powerful beauties of America. He shows how from the blues came all and embraced all other peoples and cultures. Baraka's ability to live the thoughts of the originators enables us to understand the profoundity of their sorrow and sublimity of their joy.

The other day a friend rashly claimed that art and music were equally hard to describe in words. I asked him to tell me about a certain painting of Picasso's. He did, but claimed it wasn't accurate. "OK," I said, "you're right, but now tell me about Mozart's Jupiter Symphony." He opened his mouth, closed it, looked at me, and said, "Yeah, I see what you mean." Writing a book about the blues would be equally hard, it seems to me. So, LeRoi Jones did what he could, back in 1963, to tie the indescribable to the more concrete. He wrote a social history of African-Americans in the USA through the prism of music or---maybe on the principle of red and yellow tile floors (are they red with yellow designs or yellow with red designs ?)---he wrote a book on African-American music through the prism of social history. It is one of the most important books on American music (and American society) that you can find. It has stood the test of time. He begins from the Africans who came to North America as slaves bearing very different cultures, confronted by an absolutely different view of the world emanating from their new masters. Here he tries to show how African music became transformed into African-AMERICAN music and then American. He continues then up through the generations of slavery, to Emancipation, migration to the cities, World War I, the Depression, World War II and the bebop age of the Fifties. The book is pre-Civil Rights movement, pre-Martin Luther King. Jones may have looked down on the NAACP and its allies as "white liberal supported organizations", I'm not sure, but they don't appear. The times are symbolized by the use of "Negro" throughout. I agree, the tome is dated, but don't reject it, don't pooh-pooh the man. This is a very intelligent, very worthwhile book. Anyone, particularly from outside the USA, who wants to know the history of African-American music within its social environment ought still to read BLUES PEOPLE. He writes, "If Negro music can be seen to be the result of certain attitudes, certain specific ways of thinking about the world (and only ultimately about the ways in which music can be made), then the basic hypothesis of this book is understood." [p.153] Jones goes to great lengths to get to the bottom of those attitudes and thoughts.

My main criticism, apart from the fact that history dictates that we must be left a half century behind contemporary realities, is that though Jones obviously knew and loved the blues and jazz and all the various styles ( if not swing), his approach is coldly academic, highly dispassionate. He may criticize people who tried to make money, he may downplay all those who "abandoned" their roots, but my disappointment is that there is nothing of himself in the work barring a few mentions of his family. He does not share his enthusiasm. Music is beauty after all. I am sure he wanted the book to be taken as a serious essay, which it is. But in keeping himself removed from the discussion, being so analytic and professional in the style of the day, he has robbed us "readers of the future" of many insights.

African-American experience in the USA expressed itself most particularly in the blues, only later did that musical mode become part of the general American culture, often watered down, sometimes imitated by those who didn't wish to fit in or who wished to cash in. When conditions have changed, when the black middle class has entered mainstream America, and the urban underclass is wrapped up in hip-hop, gangsta rap culture, which is relentlessly commercialized by the powerful media, talking about the blues may seem a matter for historians or ethnomusicologists. Still, BLUES PEOPLE resonates strongly if we try to understand where we have been. As for where we are going---that old line sums it up---we're goin where the Southern cross the yella dog.

I actually purchased the first paperback edition this book a long time ago, and I learned that it had been out of print for quite some time. It was a time when I was a casual listener of blues and jazz, and didn't think about the roots of the music I was listening to. The book was interesting enough, but it didn't have information about more contemporary stuff, as it was printed in 1963.

Recently, I found this book in the upper shelves of my library, having completely forgotten about it in spite of my infatuation with the blues for the better part of the last two decades. It was a most welcome surprise for me, as it contained a compact but comprehensive introduction to the time period from the first Africans came to America to the 1920s when their music was first recorded, and laid the groundwork to how this music evolved in a sociological context. The rural lifestyle, the reflections of the exodus from the south on the music and subsequent refined, urban sound are discussed in this framework.

Although it would not really appeal to the casual reader and listener, "Blues People" is invaluable for the serious blues and jazz fan for setting the music into the general context of social life and external effects that made this music what it is today.

This book is great for boys and girls alike, but especially poignant for young boys who still want their sleepy pals but also want to be thought of as grown-up! If you can get them to read it with the attitude of the characters, you'll smile the entire time you're reading. Dont' let this one get by you!

These books are perfect. His ear for spoken language is dead-on. It's a joy to read aloud.

This is one of the sweetest bedtime stories, getting kids ready for sleeping over with a reassuring message. Best of all, it features two little boys. There's not a lot of gentle message kids books out there that feature little boys.

This is timeless kiddie lit story: Ira is invited to his first sleep over. Ira's older sister, however, casts doubt in Ira's mind. Will Reggie laugh because Ira sleeps with a teddy bear? Should he go with or without his beloved teddy? His parents are supportive and Ira makes his decision, only to change his mind once again.

Jim Trealease, of Read-Aloud fame, read this story, with appropriate voices to a group of teachers. I was so enchanted with it that later, when I taught high school, I asked permission of my seniors to tell them Ira Sleeps Over. They loved it!

Not having read the book nor able to check it out from a library, I relied totally on reviewers 5 star comments when deciding to purchase this book. Just about 1/3 the way into the book my parental radar piqued at the conversation between Reggie and Ira concerning ghost stories, "scary, creepy, spooky ghost stories." To my sorrow, no mention or even allusion of this was in any of the reviews.

My youngest 3 children (two 5 year olds and a 7 year old) are from a culture that emphasizes ghosts, the boogie man, evil spirits, etc. in a demonic fashion. Prior to becoming part of our family, ghosts were used as a form of disciplne to terrorize them to comply and obey. Even after having them in our family for a year they still struggle with the memories of these demons. Since the ghost story is the climax in Ira Sleeps Over, I do not recommend this book.

In this book, Stevie discovers that the beautiful frisky mare that her parents have bought for her might possibly have been stolen from its previous owner. She goes through a genuinely painful time, as the mystery is resolved. This is one Saddle Club book where the happy ending feels completely earned.

I have read many, many SC books and this one is my favorite! Unlike in many of the others, Gift Horse's ending is not very predictable and Stevie actually faces a serious problem with not only another individual but with herself. Too often SC characters are happy-go-lucky, perfect girls without any problems, but in this book Stevie goes through a genuinely painful and realistic time. If you're gonna read a SC book, read this one. Will Stevie have to give up her beloved first horse to No-Name's rightful owner? Read the book to find out!

I thought this book, Gift Horse was a great book and one of the best Saddle Club books yet! I am a huge fan of all the Saddle Club books, even if this is only the fourth one I have read. My friends reccomended it to me a long time ago, and I just got around to reading it. It really is a wonderful book and I reccomend it to anyone who loves horses and adventure! In this book, Stevie trys to compete with No-Name one last time before the snooty, Chelsea Webber takes her away from her. What must Stevie do to ride her beloved mare one last time? You will have to read the book to find out! It is really good! Keep up the good work Bonnie Bryant!

I've read most of the SC series,but this one rocks all the way!My favorite,to say the least.I've read it three times and cry every time!Do yourself a favor: point your little arrow and click "Buy"! I love this book;you will too!

I LOVE this book! I don't know why it's just really great! It's one of those books that you can read over and over again and still not get sick of it! Stevie Lake is having an amazing time on her new horse, No-Name, but then a girl claims that No-Name is HER horse. Will Stevie have to give up her beloved horse? Find out!

Carole,Stevie,and Lisa go to the track, and to see some of Mr.Mcleod's horses race.the trainer,Garvey ,is involved in a bribery with another jockey,so Mr.leod's horse will win....

I like most of the Saddle Club books, but I found this one D-U-L-L and B-O-R-I-N-G. Ms.Bryant did really well with #69 Endurence Ride and excitement picks right up in #71 Horse Talk but I don't know what happened with this book! After reading the other horse racing books,#43 Photo Finish and #21 Racehorse, I thought this would be great, but I was wrong. I mean three boys named Josh and they ALL like Carole! Yeah right! The part with the trainer,Garvey, and the Jockey was NOT that great. The whole book was unrelistic! Carole should have told a grownup after Garvey threatened her! The Saddle Club should give up Mysteries and leave the detecting to Nancy Drew.

The three Saddle Club girls, Lisa Atwood, Stevie Lake, and Carole Hanson find out about a bribery at the race track about how a jockey will make sure his own horse won't win and that another will so that he gets money...before they know it, the Saddle Club isn't at the track for horse races anymore. They're in on another race...for their own lives!

Carole,Stevie,and Lisa go to the track, and to see some of Mr.Mcleod's horses race.the trainer,Garvey ,is involved in a bribery with another jockey,so Mr.leod's horse will win....

Well written book! It gives information about racing and what goes on at the racetrack. At the climax, it leaves the reader on the end of there chair wondering "What's happening next! " Stevie, Lisa, and Carole go on a lot of adventures together and victory or failure, they pretty much always have horses on there mind. Bonnie Bryant writes great horse books and if you like the Saddle Club series, you'll love the Pine Hollow series! I recomend this book to anyone who loves horses and racing.

There is something universal about the appeal of Harry the dog and his adventures. Little children who have pets in their home environment will easily identify with ALL the 'Harry' stories.

I am so excited!! today I was seeing a patient in Greenville, South carolina and much to my surprise, sitting on the floor of her home was, No Roses for Harry. When I was a child (I am currently 54) this was one of my favorite books. When I had my children I tried to find this series of Harry books but could not remember the names. Oh so depressing. My depression lifted today. At this point in my life I have college and high school students, but the future is bright. Maybe my grandchildren can now benefit. So excited. I can guarantee any youngster will sit down and listen to this book, over and over again.

One thing I have found myself doing is going back and buying all these classic books that I read as a youngster. My little one LOVES Harry! He's just as popular with the kids today as he was 50 years ago when he first was published. He gets read over, and over, and over..... in our house and I keep getting requests for more Harry books! Highly recommend!

I loved this book as a child and loved it all over again when I read it with my siblings. They enjoyed it all over again as well. It sparked a good talk about our stories of growing up. It was fun!

When Grandma sends the family a sweater for Harry, he knows right away he doesn't like it. It was a green sweater with roses on it. Harry is white dog with black spots and that's the look he likes. He tries to lose the sweater time and time again, but people keep bringing it back, then a bird grabs a lose strand and flies away, unravelling the sweater as she goes. Soon the sweater is gone, vanishing before Harry's eyes and he is happy. But then he learns Grandma is coming to visit and he is worried.

The family looks all over for the sweater, but can't find it. Then when Grandma arrives, she takes Harry for a walk in the park and up in a tree they see a bird with a new nest which looks exactly like Harry's sweater. This is a nice story. My little guy just loves it and frankly I prefer these children's books from the middle of the last century. They really knew how to illustrate them back then.

[Backcover Review]: "PEOPLE OF LEGEND by acclaimed photojournalist and author John Annerino is a stunning and evocative portrait of Native America and the mystical landscapes they call home. "This largely photographic essay...offers a rare glimpse of coming of age ceremonies and feasts, and vivid re-enactments of ancient dances."-San Francisco Chronicle. "Contemporary Native American culture is revealed by a photojournalist who spent over 20 years exploring the Southwest...a stunning visual display of modern tribes and people: a blend of cultural history and art book."-Reviewers Bookwatch. "Annerino's work is outstanding." -Arizona Daily Star. "PEOPLE OF LEGEND tells a history, in words and pictures, that we all need to know." -American Photo Magazine. "Extraordinary."-Sandia Review." [Backcover Bio]: "Praised by Newsweek as one of the finest photographers of the West, John Annerino has worked in the frontier of Old Mexico and the American West for two decades. The Washington Post has lauded his "reverant and ravishing photographs," The Denver Post described his work as "fabulous," Publishers Weekly calls it "stunning." Represented by Gamma-Liaison, Annerino's credits include Time, Life, Newsweek, and Scientific American, among many prestigious publications worldwide. The author of nine books, Annerino's works include the critically acclaimed 1999 border saga DEAD IN THEIR TRACKS and his new photo/art book on American cowboys and cowgirls, ROUGHSTOCK: THE TOUGHEST EVENTS IN RODEO."

[Backcover Review]: "PEOPLE OF LEGEND by acclaimed photojournalist and author John Annerino is a stunning and evocative portrait of Native America and the mystical landscapes they call home. "This largely photographic essay...offers a rare glimpse of coming of age ceremonies and feasts, and vivid re-enactments of ancient dances."-San Francisco Chronicle. "Contemporary Native American culture is revealed by a photojournalist who spent over 20 years exploring the Southwest...a stunning visual display of modern tribes and people: a blend of cultural history and art book."-Reviewers Bookwatch. "Annerino's work is outstanding." -Arizona Daily Star. "PEOPLE OF LEGEND tells a history, in words and pictures, that we all need to know." -American Photo Magazine. "Extraordinary."-Sandia Review." [Backcover Bio]: "Praised by Newsweek as one of the finest photographers of the West, John Annerino has worked in the frontier of Old Mexico and the American West for two decades. The Washington Post has lauded his "reverant and ravishing photographs," The Denver Post described his work as "fabulous," Publishers Weekly calls it "stunning." Represented by Gamma-Liaison, Annerino's credits include Time, Life, Newsweek, and Scientific American, among many prestigious publications worldwide. The author of nine books, Annerino's works include the critically acclaimed 1999 border saga DEAD IN THEIR TRACKS and his new photo/art book on American cowboys and cowgirls, ROUGHSTOCK: THE TOUGHEST EVENTS IN RODEO."

Acclaimed author and photojournalist John Annerino is known for his high-risk journeys through the frontiers of Mexico and the American Southwest, seeking stories untold and photos unseen. For the past two decades, with his pen and his camera, he has told the stories of indigenous people -- their struggles and triumphs, their political strife and quiet dignity. His chronicles about the Tarahumara [WHERE SPIRITS STILL DANCE, in press] and Inde [APACHE: The Sacred Path to Womanhood, Marlowe & Co.], and his journeys across the desert with Mexican citizens looking for work in the United States [DEAD IN THEIR TRACKS: Crossing America's Desert Borderlands, Four Walls Eight Windows], can be found in several books as well as in frequent articles. Annerino share[s] his journeys and experiences, reflecting on how indigenous cultures have retained their traditions while dealing with outside influences. -Heard Museum

PEOPLE OF LEGEND. Annerino's book examines Indians' ties to land...A dozen figures raise crooked sticks toward the twilight sky. In the shot, Annerino manages to bring an almost monumental quality to the circle of students at San Simon High School, on the western edge of the Tohono O'odham reservation, as they play the ancient stickball game. At first glance, it appears to be some ancient ceremony. In a way it is. "I wanted to show the spirituality of the game of toka for the Tohono O'odham," Annerino said. -Daily Star

I am a Norwegian journalist/photographer and I have just by chance discovered the impressive book PEOPLE OF LEGEND. Superb photographs -- all of them rich of dreams and poesi. I myself have always dreamed of visiting Arizona and especially the sacred mountains of my childhood heroes, the Western Apache -- and today centuries later -- I share a universal sadness for what happened to the indigenous people. For me their care and understanding of the nature/environment has been an important inspiration in my participation to preserve rivers and mountains in my homeland Norway. At this moment we are trying to save the last river system in south of Norway -- producing super 35 movie -- a documentary -- and hopefully a photoexebition next summer. There are a lot of people around who care for mother earth and this book is a valuable contribution.

Gods be feathered, how I love this book. The four-book Chanur series is one of the greatest SF epics of all time. (The fifth, Chanur's Legacy, is a fun afterthought but not as deep as the original chunk.) This first volume is a satisfying stand-alone read, but trust me, you'll want to read the rest. I always warn people not to start this series unless you have a large chunk of time set aside--even though I've reread it countless times, once I get started I still find its momentum impossible to put down.

Pride of Chanur starts with an unforgettable image--a mostly naked fugitive human writing numbers on a spaceship deck in his own blood to prove his sentience to the startled alien who has just slashed him with her claws in self-defense. From there it rolls along into an intelligent, funny, and utterly satisfying adventure. Cherryh achieves an amazing feat in telling the story entirely through alien eyes, yet still giving us completely satisfying, believable, and likable protagonists. She vividly depicts four entirely distinct and fully realized oxy-breathing species, each complete with distinct patterns of thought, traditions, and psychology, plus several other more mysterious methane-breathing species, in all their complex and troublesome interactions, plus humans (well, mostly just one) thrown precipitously into the mix. The human is the alien in this story, and we hear his perspective only through the often garbled and always incomplete computer translator, an approach which is unusually realistic (unlike so much SF where translation always works perfectly, instantly) and always leaves you curious to know more. The reversal of perspective is so convincing and complete that you'll find yourself looking at your own species' psychology as the strange one.

Plus there's the fascinating reverse-sexism of the hani, the main alien culture, which essentially follows the structure of a sentient lion pride: men are considered too volatile and unstable for everyday business, thus are kept secluded except during dynastic battles; the sensible, pragmatic females take care of commerce, law, alliances, and space-faring. (In the sequels, these beliefs get confronted and deconstructed in interesting ways.) The quintessentially feline temperament and mannerisms of the hani--vain, swaggering, hot-tempered, affectionate, physical, fierce, loyal--are convincing and irresistible, especially if you're a cat person anyway! And be warned, the pidgin and idiom the characters use for inter-species communication will completely infect your brain.

Dive right into this satisfying yarn, and know that in the next three books a far, far wilder, bigger, and more complex story will unfold...nail-biting action intertwined flawlessly with deep psychological and cultural insight, tangled intrigue, agonizing moral dilemmas, and extraordinary character transformations. Enjoy the ride!

Not many writers can do aliens as well as Cherryh -- bilateral, oxygen-breathing, most of them, but with minds and emotions and evolved biologies that are very, very different indeed from human. Pyanfar Chanur is the successful, wealthy captain of a Hani trading ship, a powerful figure in the powerful Chanur family, leading a crew composed all of family members, like all Hani ships. And then she's suddenly saddled with Tully, a refugee human escaped from the Kif, an opportunistically piratical race that evolved by blood feud. Humans are newly arrived on the edge of the space occupied by the member races of the Compact and trading rights with them will be worth a lot, but Pyanfar will have to risk everything. And the profoundly untrustworthy Kif aren't going to make things easier. Cherryh does a terrific job of gradually introducing the reader to the intricacies of the vaguely lion-like Hani society, in which females do the work and tend to the psychologically unstable, world-bound males, who are lords of the estates -- until they're challenged by younger males and finally lose. You'll come to know Pyanfar and her crew as individuals, too. The plot gallops, the characterizations are intriguing, and the dialogue is snappy. Yet the book is much denser than it appears. What more could you want -- except the three following volumes in this saga?

Yeah, this book was pretty cool. It's not quite as dense or sprawling as I've come to expect Cherryh books to be (not that that's a bad thing!), but that doesn't detract from it one bit. And this book moves, moves, moves. It's probably one of the most engrossing books I've ever read.

This is another one of Cherryh's first-contact type novels, and I think it's the thing she does best, really. It involves a lone human somehow lost in alien space who manages to sneak abord a Hani merchant ship, and how his presence upsets the delicate balance of power there. It's serious without being too oppressive, and it is without question the best of the series. I've read the other three, and really you can take those or leave them--the book is complete enough in itself. (With the others, I kind of feel myself playing the Star Trek 5/Aliens 3 game--if I didn't like it, it didn't happen. Trek 5? Nope. Went from 4 straight to 6....)

I highly reccommend this book. It's typical Cherryh, in that you'll have to wait for your gratification until the very very end--but then, it's always worth it.

After reading and enjoying Ms. Cherryh's "Cyteen" I started searching for more of her novels and decided to begin reading Chanur's Saga. "The Pride of Chanur" is its first volume.

Ms. Cherryh creates, once more, an astounding backdrop Cosmos full of intricacies, depicting the other end of the universe shown in "Cyteen".
Here she elaborates The Compact's Media where many alien races compete, trade and fight. There are oxygen breathers and methane breathers; big cat-like people and gray somber entities; aggressive races and peaceful ones; some species are deceitful and others are straight forward.
Just to make things more complex a Human show up demanding asylum from the Hani (Chanur's kind) and giving way to a feud between Hani & Kif (the bad guys of the story).

One astounding feature of the book is that the main character is Captain Pyanfar Chanur and her ethnocentric point of view is THE point of perception. All other races (including human) are strange and requires all her imagination to figure up what kind of entities they are. Are they friendly? Stable? Trustworthy? All these and many more questions she has to answer in order to survive.

The other bewildering aspect is that Hani kind is conducted by their females. Ladies are in charge of commerce, space travel, politics and any other significant activity (even war). Males are the Lords, pampered by females, sporting and hunting. Only one by Clan, he may be defied by other males (his own exiled sons are suitable) to singular combat and the winner takes all.

The novel has the typical Space Opera structure, enriched by new elements as character's depth and culture's coherence.
It is a very good sci-fi novel that will be enjoyed by fans & general public!
Reviewed by Max Yofre.

I'm currently re-reading this in it's incarnation as the first part of "The Chanur Saga" "Omnibus edition." I wanted to put a separate review here since I intend to rate that "omnibus" low simply because it's not complete. "The Pride of Chanur" is an excellent book. Written in the standard Cherryh "from the gut" manner, it grabs on to your emotions and yanks them hither and yon from the first couple of pages all the way to the end. It's one of those books where you try to read faster and faster so that you can find out what's going to happen (even after having read it several times before). The best part of the book is the fact that it's stand-alone: it finishes what it starts. The remainder of the series requires this book. But, this book doesn't require the remainder of the series (though you'll definitely want to read that). Excellent book.