Society Books

The great Polish/Lithuanian empire ruled all of central europe at one point - from Berlin to Moscow. I'm betting most of you weren't even aware of that. I wasn't either until I started reading more of european history. In developing a friendship with some people of Polish descent they recommended this author and his nobel prize winning novels to me. I was daunted by its length and by the date of when it was originally written. However, I started reading and have been hooked on these books ever since. I have come to believe that Mr. Sienkiewicz is the father of the modern novel. This is not a stilted 18th century read!
It gives you history (from a polish perspective) with fictionalized characters and a compelling story behind the backdrop of the calamitous decline of a once proud and powerful empire. The characters are heroic, tragic, conflicted and wonderful to follow. You will love this book and the several sequels in this decades spanning story.
One doesn't win a Nobel prize in literature if they can't write and Mr. Sieniewicz earned his.

I have read "With Fire and Sword," "The Deluge," and "Pan Michael" ("Colonel Wolodyjowski") and I recommend all of them highly. The characters are memorable and well-developed, the heroes are likeable, and even the villains are understandable as people with very human motivations.

Ask around a bit and you'll find no shortage of folks, men in particular, who became readers via their encounters in youth with class adventure tales: The Three Musketeers, The Count of Monte Cristo, Ivanhoe, the Lord of the Rings, etc. ask again and you'll find almost no one whose heard of half the Nobel Laureates in Literature, fewer who've read them, and none enjoyed many of them. All the more remarkable then that one of the great adventure authors of all time actually won a Nobel and somewhat tragic that so few have read him in recent decades. But Henryk Sienkiewicz has made something of a comeback and it could not be more welcome.

Sienkiewicz is the great author of Poland--indeed, to some extent his works are said to have created and helped to maintain the strong Polish identity that prevailed through the troubled 20th Century. When his books were first published -- mostly late in the 19th Century -- the English translations were done by Teddy Roosevelt's friend Jeremiah Curtin and, whether they were adequate for their time, they are are terribly dated now and have served to put off potential readers. Add in the fact that neither the Nazis nor the Communists had much interest in fostering Polish patriotism and you've the recipe for lost classics. But then, fittingly as the Iron Curtain was crumbling, Hippocrene Books commissioned a new translation of his greatest works, The Trilogy and Quo Vadis?, by the highly-regarded Polish novelist W. S. Kuniczak, and these eminently readable versions won Sienkiewicz a modern audience. New translations of other works followed, then a terrific film version of In Desert and Wilderness, and a massive Polish television adaptation of the Trilogy. Suddenly we've a surfeit of riches and some catching up to do.

If you're just starting out it might be wise to begin with Quo Vadis?, a stand alone tale of Christians in Rome that really deserves a fresh film treatment. But it's well worth your time to dive into the Trilogy, the first volume of which is the magnificent With Fire and Sword. Set in 1647, amidst a Cossack uprising against the Polish-Lithuanian Commonwealth, it tells the story of a young Polish patriot and hero, Yan Skshetuski, and his love for the beautiful Helen, who is also coveted the brutal Bohun, who fights with the rebels. Pan Yan's twin tales give us epic history and grand romance, while his compatriots offer comic relief. There's his wily servant, Zjendjan, whose semi-faithful service somehow keeps lining his own pocket. There's the mopey giant Pan Longinus, who has sworn a vow of chastity until he lives up to the example of his forebears and takes off the heads of three enemy soldiers with one swing of his massive battle sword. There's Pan Michal Wolodyjowski, whose bravery and feistiness belie his diminutive stature. And, best of all, there's the Falstaffian Pan Zagloba, who makes up in drinking capacity, gluttony, and biting wit what he lacks in zeal for battle, as he keeps his one good eye peeled for threats to his corpulent frame.

It'll take you a hundred to a hundred and fifty pages to orient yourself and get used to the odd names and nicknames, but the subsequent thousand pages go by far too fast. It's one of those stories you don't ever want to end.

I've read Kuniczak's translation of the Trilogy and greatly enjoyed it. It was my introduction to Seinkiewicz. However, while reading it, it seemed somehow incoherent, like something was missing. It also seemed impossible that the companions of Zagloba would be so credulous of his boasting.

I went and found a copy of the 1890 translation of the Trilogy by Jeremiah Curtin. What a difference! Though the language is somewhat archaic, the story flows so much better and the character of Zagloba is much more believeable. There is more context to his antics, and his companions are presented as far more skeptical of his boasting, making the story much more realistic.

Kuniczak seems to have omitted and simplified much that appears in the Curtin translation, to the detriment of the story. Many believe the Kuniczak version is superior, and maybe it is more accessible, but I recommend you find the old editon in the basement of the local library and read it first.

This was one of the most sweeping epics I've ever read. It's over 1,000 pages, but it takes little effort to finish the book. I found myself white knuckled and breathless through many of the battle scenes. This was truly a good read for both men and women.

For somebody interested in art, a book with many pictures is easy to read and enjoy.

The convenience of the pocket edition is incredible and the quality of the images and analysis is excellent.

The Story of Art is a classic introduction to the history of fine art. The sweeping scope is matched only by the driven narrative that will fascinate the neophyte and the well versed. This book is THE introductory text for any study of art.

As his title indicates, in The Story of Art Gombrich presents the whole of western art history as a chronological narrative -- from prehistoric times on up to his own times -- clearly setting out everything from ancient sculpture to Renaissance painting to modern architecture.This book can change the way you look art.Intellectually and physically pure delight.

Having already been exposed to art history and criticism, I felt at times that this book was overly simplistic. (It was originally written for "young people" after all...) What was harder for me to appreciate were the frequent passages in which Gombrich gives vent to his own personal opinions (gushing on about Rubens for instance.) He makes a token effort to be objective but his Eurocentric bias toward the superiority of Classically-inspired Renaissance art is clear.

However, as an introduction to Art History and Art Appreciation, you could do a lot worse. Gombrich is easy to read, he states himself clearly, he presents the history of art (in Europe) as a steady evolution of ideas, rather than a compartmentalized series of Eras & Styles as so many academic textbooks do. He selected illustrations that most effectively elucidate his point. Useful as his book is, it would be a mistake to treat him as a final authority on the subject. _The Story of Art_ is merely an INTRODUCTION to art. Once Dr. Gombrich has opened the door for you, you should leave him behind and continue your explorations on your own, or at least with a different guide. Form your own opinions; that's part of the experience of art.

About the Pocket Edition specifically: The text is in the front (printed on very thin "Bible" paper) and the illustrations are in the back. Phaidon has provided two built-in ribbon bookmarks so you can keep your place in both sections. It's an interesting solution for making the book smaller. I can vouch for the fact that it's easy to carry around, since I took it with me on two trips while reading it, but the arrangement does have its drawbacks. Having to flip back & forth to look at the pictures as they are referred to in the text, and having to hold two places simultaneously while reading means that you have to use both hands. I like to read while I eat (yeah, I'm one of THOSE people) but found it was impossible with this edition. If portability and price are your top concerns, then this is the edition to get. Otherwise, shell out the extra $$ for the full-sized version.

Philip Gulley gets it. He understands so much of what has gone from our lives, where society has fallen off the path. And though he is a Quaker Preacher, he doesn't force feed it down your throat. This book doesn't come off as preaching, but rather as Gulley allowing you a glimpse into his life.

He shows us by examples rather than telling us. His stories of neighbors and family are as heartwarming as the front cover of a porch with rocking chairs promises. He references Bible passages but not in every story, and in a manner that is easy to relate to. His humor and wit are evident throughout and gives the reader the feeling that Gulley would be just the person to sit next to in those rockers and listen to for hours on a summer night.

If you are in the need for a pick-me-up, quick and easy read, I highly recommend this book.

This book's title gives an excellent description of the book. It is a book that I will keep and read over and over. I recently gave a copy to my pastor and have also given copies to a couple of friends. The stories help me to be a better person.

I purchase this book for my elderly parents and listened to them read every night until completed. They thoroughly enjoyed the book and the large-print edition is a bonus.

Book arrived as advertised BUT shipping via USPS very slow, took almost a month for book to arrive.

Philip Gulley serves as the pastor of a small Quaker church. He was asked to write something for the church newsletter which he did, little suspecting that some of his writing would end up in the hands of Paul Harvey who read it on his radio show. This book is a compilation of the essays that Gulley wrote for his church newsletter. They contain his observations of life summed up in chapters such as "My Cup Runneth Over, and So Does My Toilet" which I'm sure many readers can identify with. His wry humor is evident throughout the book as is the genuine compassion he has for other people.

The best place to get a pet is from a shelter, and if you read this book, you will learn why. I have always gotten my pets from shelters, but did not know the behind-the-scenes story until I read this (and a few others). Ms. Hess writes for the general reader, and is a bit less introspective than I would have liked, but her information is sound. In fact, I would recommend this book to teenagers, precisely because it is not too high-brow. Today's kids are tomorrow's pet owners, and it is important to educate them in the realities of pet overpopulation, puppy mills, and the fact that pets are not designer accessories, but living beings who require more than some kibble and water.

I highly recommend this book to anyone considering a pet. It makes you think about what repercussions are possible if you obtain a pet on a whim and do not dedicate yourself to training and caring for it. It shows the results of our society's "throwaway" mentality, the lack of education on the effects of pet overpopulation and the way our declining economy has added to the problem by not allowing many citizens the money to afford proper pet care and sterilization.

This books shows a cross section of a typical animal shelter and the fact that there are many not so happy endings, mostly because of humans and their failure to do right by their pets.

I've volunteered at the animal shelter in my town for a few years now, but have never had quite as much insight as this book provided. I get the feeling the shelter in the book has a smaller volunteer base than the shelter I have dealt with based on the details they were willing to share with her. This was a very uplifting book that explained a lot about why shelters work the way they do (ie rules about who can adopt, what happens when they get lost pets, etc.). Unfortunately, it is most likely to be read by the people that already understand these rules and why they exist.

Once I started reading this book, I couldn't put it down. I'm among those who do know what kind of responsibility it takes to own a dog. I'm the happy 'Mom' of 2 terriers, one of which is a rescue dog. It is true about rescued animals - they know they've been given another chance and will give you their love many times over.

Elizabeth Hess was down to earth in showing the trials and successes an animal shelter goes through. If you know someone who's not sure about getting a pet, I highly suggest they read this book. It'll make them think twice. If you know someone with misconceptions that all shelter animals get homes, give them this book as a wakeup call! A pet can take up as much or more of your time than a human baby, but the human race has made dogs, cats and other animals disposeable. There are happy endings as well as sad in the book, but it's worth buying. As the kids would say, we give it a 2 paws up!

This book was so good I could not put it down. A realistic yet compassionate look at shelters today. A must read!

Recieved item on time, right when we were told it would arrive. Book in very good condition.

Simon Wiesenthal is best known as the man who had been indefatigable and single-minded in trying to bring Nazi criminals to justice as long as there was a single one of them left. For him this was an absolute moral imperative and something that he felt he owed to the memory of the murdered millions of Jews, of whom Wiesenthal could so easily have been one: he was the survivor of a succession of concentration camps: the Janowska camp outside Lvov, Plaszow (the camp of Schindler's List), Auschwitz, Gross-Rosen, and finally Mauthausen. It may come as a surprise to some readers that Wiesenthal was sensitive to the moral problems raised by the issue of forgiveness - yet this book is a moving meditation on that theme. According to his biographer, Hella Pick, Wiesenthal had `always considered it his most important book'.

Cruelty and casual murder were everyday occurrences in the Janowska camp, and are described in gut-wrenching detail in the first half of this episode from Wiesenthal's life. While doing slave labour at a military hospital near the camp, he was secretly brought to the death-bed of Karl, a gravely wounded 21-year old SS officer whose conscience was wracked - not just at death's door, but apparently immediately after the event - by his participation in a horrific massacre of Jews in Dnepropetrovsk. The officer got a nurse to find `a Jew', who happened to be Wiesenthal, to whom he could make his confession and from whom he could seek forgiveness. Wiesenthal wanted to get away; but something - apart from the dying man's grip - made him stay to hear him out. A Catholic priest later told him that that alone should have helped the man to die in peace, since confession and genuine repentance are more important than any absolution. But at the end Wiesenthal left the room without saying anything. Quite apart from the sufferings he was himself undergoing at the hands of the SS just then and from his expectation of death at their hands at any moment, it was not for him to offer forgiveness on behalf of the victims of Dnepropetrovsk. But the issue haunted him - had he done the right thing? After the war he sought out the SS man's mother. The young man had come from a devout and Social Democrat family who were distressed when their son had joined the Hitler Youth and even more when he had volunteered to join the SS. But the mother was convinced that her son had been a good man. Wiesenthal said nothing to her about what her son had done... The short but haunting book charges the reader to put himself in Wiesenthal's shoes and to ask himself `What would I have done?'

Before publishing his book in 1969, Wiesenthal sent his manuscript to a number of distinguished thinkers for their response, and the comments of ten of them were included in the first edition. Further contributions were made by others to the 1997 and 1998 editions: there are now 53 altogether, and they make up nearly two-thirds of the book. They include - to name only the most famous - those of the Dalai Lama, Cardinal König, Primo Levi, Deborah Lipstadt, Herbert Marcuse, and Desmond Tutu.

Some of the respondents seem to me to veer away from the question Wiesenthal had posed, and draw a distinction between forgetting and forgiving; others discuss the question of collective guilt (some reject it; others blame all the bystanders) - interesting, but irrelevant in the context of this story. Almost all agree that whilst individuals can forgive offences committed against themselves, no human can forgive in the name of other victims. In such cases, if the victims cannot be asked because they are dead, perhaps only God can be asked for forgiveness - though one respondent says that God was hardly fit to forgive something which He had after all allowed to happen. And the Jewish tradition has it that even God will not forgive the unpardonable sin of murder. It is unpardonable, because it is the one sin for which reparation is impossible. The Christian tradition, basing itself on Jesus asking God to forgive them, `for they know not what they do', and on the idea that you must hate the sin, but not the sinner, shaped the answer of some Christian respondents. Some say that forgiveness is not only a boon to the penitent, but also for the victim, freeing him from the burden and poison of hate. Two Asian contributors, one a survivor from the Khmer Rouge and the other a victim of the Cultural Revolution in China, blame only the top leadership, and have some understanding for those who were brainwashed.

One respondent hopes that Karl will rot in hell; others also refuse to accept the genuineness of his repentance, indeed stress the offensiveness of him putting a Jew - chosen not as an individual but picked at random - under the moral burden of hearing the confession and being asked to forgive. Wiesenthal at least saw Karl as an individual and is capable of some compassion towards the dying man and later towards his mother (but one respondent thinks that Wiesenthal did wrong to shield her from the knowledge of what her son had done).

These are just some of the responses to Wiesenthal's question. It is a question addressed to all of us, and it is not surprising that this book has been used as a text in many courses on the Holocaust.

Multiple issues arrived ahead of schedule and are in new condition.The Sunflower: On the Possibilities and Limits of Forgiveness (Newly Expanded Paperback Edition)

I've used Wiesenthal's The Sunflower as a text in college courses several times. On each occasion my original high estimation of Wiesenthal's narrative grows, while my dissatisfaction with the chorus of responses that takes up nearly two-thirds of the latest edition deepens.

Wiesenthal asks exactly the right questions that all of us need to confront about forgiveness. Is forgiveness always ours to bestow? Is it permissible or even possible to forgive on behalf of others? Should forgiveness be tied to repentance on the part of the transgressor? Should the transgressor try to atone for his/her wrongdoing? What if, as in the case of the dying SS-man Wiesenthal meets, the performance of overt acts of atonement are impossible? Are there certain actions that are unforgiveable, or is the philosopher Jacques Derrida correct when he insists (On Cosmopolitanism and Forgiveness) that the only kind of forgiving that makes any sense is the kind that forgives the unforgiveable? And in a godless world--a world where, as several characters in The Sunflower say, wickedness is so rampant that God seems to have gone on leave--is forgiveness necessarily a different kind of phenomenon than it would be in a Godded world?

Weisenthal doesn't pretend to answer any of these questions, but he and the other characters in his memoir discuss them, presenting different perspectives and coming to different conclusions. The very real value of The Sunflower is that it encourages readers to think about the questions.

Which brings me to the responses. Most are impressionistic, unanalytical, platitudinous, and hence totally out of step with the brutal authenticity of Weisenthal's text. A few stand out from the others: Robert Coles', Rebecca Goldstein's, Abraham Joshua Heschel's, Primo Levi's. But most can be given a pass. My suggestion would be to focus first and foremost on Weisenthal's text and forget about the responses. A nice cinematic complement to the book is the documentary "Forgiving Dr. Mengele."

Summoned to the bedside of a dying Nazi who had willingly participated in the systematic annihilation of Europe's Jews, concentration camp inmate Simon Wiesenthal found himself the captive, solitary witness to this 21-year-old SS man's confession of responsibility for committing acts of unspeakable cruelty.

Kurt had asked a nurse to bring him a Jew (any Jew would do); quite by chance the nurse selected Wiesenthal from the work detail assigned to the hospital that day. Against his will, he listened to this man recount his experience of packing a house full of Jewish men, women, and children and then setting the house on fire while lobbing grenades into the inferno and shooting at anyone who had attempted to escape this hell. Kurt watched a father, mother, and small boy leap from a window to their certain death. Before the leap, the father had shielded the child's eyes.

The image haunted Kurt, who was unable to fight again. Instead, he froze on the battlefield and suffered and injury that first cost him his sight and then took his life. Before he died, though, he wanted to confess his sins to a Jew that he might be forgiven and die in peace.

Wiesenthal, who was about the same age as this soldier, heard him out but refused to forgive. Instead, he offered silence in response to the story and returned to the concentration camp.

The experience haunted Wiesenthal; soon after it happened, he discussed it with his friends back at the camp, with a Polish Catholic seminarian. Much later, he presented the story to theologians, political leaders, Holocaust survivors, and victims of other attempted genocides and asked each of these persons what he or she would have done in the same situation.

The story itself is first book of The Sunflower; the responses to the question, "The Symposium," are the text of the second book in this volume. Broadly grouped, the respondents are Jews and Christians, primarily. There are two Buddhist respondents and one Chinese respondent who makes no reference to religion though his response is in keeping with Buddhist thinking. Within these broad categories respondents reflect on different facets of the experience Wiesenthal describes and facets of their faith and life experiences and knowledge to make a response.

The Jewish respondents point to the fact that only the person against whom a sin has been committed has the right to forgive the sinner. Therefore, Kurt cannot be forgiven; his victims are dead. The Christian respondents point out, first, that they feel they have no right to address the question because they have never been on the receiving end of genocide. Then they point out that God alone can forgive and that it is incumbent on each of us sinners to find forgiveness in our hearts for others. The Buddhists respond, as Buddhists do, in the present tense and with an eye on enlightenment--a release from suffering. Each perspective reflects a different concept of individuality and therefore of the nature of accountability.

For this reader, The Sunflower accomplishes the important task of bringing the reader into the concentration camp alongside one of its victims, into the hospital room of the dying SS man, and into the heart of the questions the Holocaust raises about responsibility, accountability, forgiveness, restitution, and grace. These are questions that refuse pat answers and therefore remain alive and active in our minds. Wiesenthal's book challenges our ability to empathize with those who suffer and our ability to think about how and why we believe what we do about ourselves and each other. It is a humble and beautiful tribute to those who suffered and died in the Holocaust. We too can honor their memory by participating in the conversation this book presents.

This book is actually a collection of essays. Lewis addresses various things such as, the glory of man as being a reflection of the glory of God, why he is not a pacifist (where he gives some pretty strong moral, biblical, and sensible arguments), speaking in tongues and various spiritual gifts (moreso on their implication, not on the technicality of each or what exactly each gift is), what he calls "is theology poetry" (or in other words, do we believe in theology just because the idea of a cosmic drama appeals to us), the affects of peer pressure and the gradual degradation of one's inner principles and also its positive affects when one surrounds him/herself with Christians, and forgiveness.

Overall a very enlightening read, in which many issues that are not commonly talked about are given attention. Not very long either, but packed full of insight.

I agree that this collection is often overlooked when considering the best works of CS Lewis. Among the essays, my personal favorites are Weight of Glory and Transposition. I highly recommend this book.

This is one of my favorite books by C. S. Lewis. The essays are all valuable in many ways; they all touch upon not just theology, but politics, science, life in general. Lewis packs down into uncomplicated prose some of the most profound thoughts I've ever considered in "Transposition" and "Is Theology Poetry?", and they have to be read several times to be understood. In some ways, all the essays are interlinked; it makes sense to read it--the first time--from start to finish. Those who have read only MERE CHRISTIANITY and SCREWTAPE will find here more personal, complex, and unsimplified Lewis.

For the serious reader of C. S. Lewis Christian apologetics, as opposed to his fiction and literary criticism, "The Weight of Glory" is Lewis at his deepest and best. The title essay alone is worth the price of the book.
And what is the weight of glory? "The load, the weight, the burden of my neighbor's glory should be laid on my back, a load so heavy that only humility can carry it.... All day long we are, in some degree, helping each other to one of the other of these detinations [heaven or hell]." (pp. 46-47)
But, wait, there's more!

There is a jacket blurb on The Weight of Glory from John Updike, who comments on both the comfort and pleasure afforded by Lewis. Neither should be underestimated. This is great devotional writing but it is also great writing, writing that is typified by Lewis' ability to deal with the weightiest of matters with a light touch.

It is a truism that our faith is reinforced whenever we see it embraced by great minds. Samuel Johnson believed that and it is interesting that Lewis often turns to Johnson for such reinforcement, as we turn to Lewis--one of the indisputably great intellectuals of the twentieth century. Part of that greatness comes from the stark clarity with which Lewis sees important matters. That makes his work accessible; it does not make it simplistic.

All of the lay sermons in this volume are trenchant, though 'The Weight of Glory' and 'Learning in War-Time' are exceptional. I especially like 'Is Theology Poetry?' and 'Membership' and find 'Why I Am Not a Pacifist' of particular interest and importance these days.

This is a book to be read, embraced, and shared.

This book is a book that anyone who is considering a career in any type of child services needs to read. I myself am going into social services and this book made me realize what I will be seeing on a daily basis. Mary Ellen was such a brave little girl and I applaud her for surviving her early life!

The book Out Of The Darkness is an awesome book. It shows the hard time that a little girl named Mary Ellen had to go threw. She has such a hard life, but in the end everything work out. I recommend this book for everybody. This is an outstanding book, everybody should read it.

I'm Eric Shelman, co-author of Out of the Darkness. I just wanted to ask that if you buy this book, come on back and write a review of it when you're done. I've never had anything but positive feedback about it, but others can use YOUR personal experience with it to better judge it prior to purchasing. I thank all of you who have read and commented on our book.

The authors of this book have created a wonderful window of understanding how child abuse/neglect has evolved over the years. This book should be required reading for anyone interested in the human service field. Through the heart-felt story of Mary Ellen, we can see why there is such a strong need to protect children and continue to evolve for many more years. Thank you to Shelman & Lazoritz for telling such an important story.

Review of Out of the Darkness: The Story of Mary Ellen Wilson by Eric A. Shelman and Stephen Lazoritz, M.D. Dolphin Moon Publishing, 2003

I chose to review this book because it explains the job of a social worker in the early days of the profession. The book appealed to me as an author and advocate. Set in New York City immediately after the Civil War, this book offers a powerful story in a historical context. Using an original style that combines journalism with fiction, the writers completed a work of art that is based on a true story. The protagonist, Mary Ellen Wilson, was a real orphaned child who experienced devastating cruelty at the hands of the first woman to be tried and convicted of child abuse, Mary Connolly. The story climaxes when Etta Wheeler, a social worker; Henry Bergh, the founder of the American Society for the Prevention of Cruelty to Animals; and Elbridge Gerry, ASPCA attorney, come together to rescue Mary Ellen. It's nearly inconceivable that animals were awarded victims' rights before children.

Thomas Wilson was an immigrant from Ireland who fled the potato famine to shuck oysters at a New York City hotel. In 1861 he married Frances Connor, an English immigrant who he'd met while she was a laundress at the hotel. While he was on the front lines during the Civil War, she gave birth to their daughter, named Mary Ellen. The year the child was born was the same year that Tom Wilson died in battle, 1864.

Frances found it difficult to work and care for her child, so she sought the services of a woman named Martha Score. Childcare for the working poor in the tenements of New York City provided meager nutrition and crowded conditions with no sanitation. However, Miss Score took good care of the baby while Frances worked long hours at the hotel. Travel through the tenements was treacherous at night, so Frances could not visit her child as often as she wished. After her husband died during battle, Fanny turned to alcohol for solace, leading to the loss of her job. Eventually, Fanny died in an "inebriate's asylum." When the war ended, working women returned to housekeeping as their husbands went to work. This left Miss Score with no income, thereby having to abandon the then two-year old Mary Ellen to Blackwell Island almshouse. Mary Ellen was illegally adopted to the evil Mrs. Connolly, where she suffered for seven years.

Etta Wheeler worked for St. Luke's Mission; she cared for the "outdoor poor" and frail elderly in the slums of the city. When neighbors spoke about the cries of a child called Mary Ellen, Miss Wheeler used all available resources to rescue Mary Ellen. However, she was often told by pastors, police, and lawyers to not interfere in the family's business. Undaunted by the advice, Etta persisted in her rescue efforts, eventually aided by Henry Bergh of the ASPCA. In 1874, with police assist, Mary Ellen was carried out of the abusive home, covered with a horse blanket provided by the ASPCA. The court proceedings set a precedent: "There had never been a recognized way to remove a child from an unfit home." The jury trial resulted in felony assault charges against Mrs. Connolly.

Etta Wheeler's sister, who lived on a farm in upstate New York, legally adopted Mary Ellen. Etta continued her social work in the tenements of New York City, where she was needed most. Mary Ellen eventually married, and her daughters spoke of their mother's burns and cuts that never fully healed. However, Mary Ellen lived until the age of ninety-two, surviving her husband by thirty-one years. Meanwhile, Mr. Bergh founded the Society for the Prevention of Cruelty to Children. Mr. Gerry was responsible for forming the initial laws pertaining to the rights of children.

This story will cause the reader to wince at the cruelty and rejoice at the rescue. Perhaps the most poignant message in the book comes with the ending: "Perhaps we should see Mary Ellen not as the victim of abuse, but as the survivor, and as a persistent reminder that the efforts of a few people on behalf of one child can make a real difference." As a social worker, that is my hope.

I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!

If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)

If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!

This is an excellent book that will help experienced and newcomers in photography. Pay attention to the Zone system that Adams has devised. It will realy help you take total control over your pictures with a helpfull and very creative perspective. The last part of the book (developing negatives) might be ommited by the person who is into digital, although it helped me comprehend a lot about the various Adobe Photoshop features and relate them to classic photography.

One little remark I have to make is for the publisher. The book is printed into gloss paper (all the three books in the series) with a high reflectance index. This results in dificulty reading the book at certain angles.

A must read. The explanation of the zone system is outstanding. I had taken a number of skyline photographs of Austin which when reviewed by professional photographers got 2 thumbs up. After looking at them with a critical eye on exposure and armed with my new understanding of the zone - I retook those same pictures and WOW. What an amazing ability to move your camera off of matrixed metering and know how to really set the exposure for what you want to show. Also helps you understand the tradeoffs the camera is making in it's exposure settings so you can be more purposeful in changes you might make. A critical read if you also intend to ever move into large format photography.

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.

I can't say enought about this book. It is helpful for anyone interested in plant propagation, easy enough for beginners, and detailed enough for experienced gardeners.
Look no further if you are looking for a book in propagation, this is IT!

This is one of the best books on propagation I have seen. Def worth it!

An excellent resource for propagating just about any plant using a variety of techniques depending on the time of year and the purpose. While it took me a while to figure out where to find the guide for plants not featured in full page explanations, once I did I was ready to take on new projects. A great book for growing new plants for the garden and for friends.

I was looking for ways to create new trees and plants on my 12-acre property without having to spend hundreds and thousands of dollars. I bought a bunch of small trees, shrubs and perennials, and bought this book to learn how to use cuttings and other techniques to multiply my investment. So far, so good. I will be using this book a lot over the coming years.

This book not only covers the fundamentals of plant propagation with beautifully illustrated, step by step instructions, it also covers what can go wrong, the best times of the year for each individual plant family, and often includes more than one technique for each type of propagation. After reading this, I'll be embarrassed to purchase plants from a nursery since it makes the propagation process so easy!

This book introduces a simply and effective method for health. And it becomes a good method for relationships also.
Especially when I read about Soul's Journey.. I felt my heart became warm and comfortable.

I've read it two times. I think everybody can get benefits from reading this book and try the methods that is introduced in it.

Spiritual leader and founder of Dahnhak and Brain Respiration integrative mind-body training programs Ilchi Lee presents Human Technology: A Toolkit for Authentic Living is the sequel to the bestselling "Healing Society" and a spiritual guide to basic principles for managing life's core issues: health, sexuality, and purpose. Human Technology offers twelve guideposts for living a peaceful and happy life that is true to oneself, including "Listen for the voice of your soul until you find your passionate life purpose", "Live as your soul directs with honesty, integrity, and diligence", "Recognize that you are what you choose and what you act". Human Technology also emphasizes the importance of the brain as the master controller in our lives. A guide for fomenting self-mastery and a life lived to the fullest, Human Technology encapsulizes an enlightened way of thinking about ourselves, our fellow human beings, and all aspects of life including birth, sexuality, aging, and death. A profound and positive-thinking guide to self-improvement and personal contentment.

It is book not only gives me the tools to create body health, but gives me a life plan to reach the destination my soul yearns for. Just Amazing Book !!

This book is the answer to my questions about enlightenment purpose of life and how to live toghether happily in society. What amazed me was how simple Dr. Lee makes everything so it is clear and understandable. Even something as simple as breathing can determine how we feel, manage our health and, interact with our loved ones. This book was truly worth my time and energy. I recommend this read to anyone and their families. Human Technology I think means being professionals at living a happy life.

There are many books that can help us achieve self mastery in a way that does not control, but welcomes all. This book is one of them.

Ilchi Lee has a gift of expression. There are many practical pointers in this book to help one to feel their self, and to become their best self. I recommend it for anyone who is looking for a new angel to self mastery. It's a great and mind opening read.