Society Books

Sir Nigel is the tale of the early adventures of Nigel the future commander of the White company, from his early squire hood culminating in his knighting on the battlefield and successfully winning his lady love.

In many the morals and world view of Sir Nigel clash with my own. Nigel is one of these simple strong souls who never see the relative nature of the world. To Nigel everything is black and white, good or evil without any shades of grey, Honour is all and fear is an unknown concept. Yet I enjoyed this story immensely. Why? Perhaps because it takes me back to the simplicity of childhood, that state of perfect heroes and right and just causes.

Also this is Conan-Doyle the author who bought us Sherlock Holmes so the quality of the writing is first rate as is the quality of the historical research and accuracy providing idealized visions of characters such as Prince Edward and John Chandos and events such as the Battle of Poiters.

I wasn't quite sure what to expect from this book. I very much enjoyed Doyle's Sherlock Holmes books, but there is quite a difference between detective stories set in the present (or at least what wast the present at the turn of the 20th century) and adventure books set in the Middle Ages. I am pleased to say that Doyle is just as good at adventure as he as at mystery, which is saying quite a bit.

I will refrain from explaining the plot to you once again, as that has already been done several times in previous reviews. What I wish to note in particular is the incredible realism Doyle mixes with outlandish chivalry. I find this difficult to explain, but the best I can do is briefly compare it to the Arthurian novels of the great Howard Pyle of the same era as Doyle. Pyle's books are the embodiment of boyhood ideals of chivalry. Knights fight for honor, and live in something resembling a fairy-tale land (though not quite as preposterous). Doyle's world, on the other hand, is the real world. It is a place of suffering mixed with joy, and the cunning of worldy men alongside the chivalry of others. It is a place where a man is actually liable to be crushed by a blow, whereas in Pyle's world a hero would seemingly have to try very hard to incapacitate himself. Doyle's world is actually meant to be historically accurate, and he took great trouble to research what he was writing about. This explanation is but one aspect of the "realness" of Doyle's style, but I find it impossible to adequately explain, and you will simply have to read the book to understand.

In truth, I prefer Pyle, but Doyle is not far behind. The difference would be largely made up for if Doyle's book contained excellent drawings and superb archaic english like Pyle's do. If you like Pyle, I imagine you will be delighted to find another author who writes Medieval adventure with so much skill, especially in so unlikely a figure (at least, to those of us used only to thinking of him as the author of the Sherlock Holmes books) as Sir Arthur Conan Doyle. I'm very much looking forward to finding the sequel.

Overall grade: A.

You're a Sherlock Holmes fan, right? Yes, of course you are. Everybody is. Look at the zillions of reprints of these stories. Every year there's another one. And who is the writer? Why, Arthur Conan Doyle, of course.

Or maybe you're a science-fiction or fantasy nut. The books you love best are those in which a very imaginative author conjures up a remarkable, detailed, complex world, puts human-type characters in it, and sets them in motion, reacting to the forces around them. You'd crawl through mud to find a book like this.

So why oh why oh why don't you give this neglected masterpiece, this Sir Nigel--and with Doyle as the author--the acclaim it so richly deserves? No, it's not fantasy or science-fiction, but it begins in England in 1348, and can you possibly imagine a time and place more foreign than that?

To briefly summarize, the story is about a young squire, Sir Nigel, and his quest to perform noble deeds so that he can win the hand of his love, who waits patiently for him to complete them. If you want nothing more than adventure, this book has it. He begins by rescuing a damsel from a scoundrel who would besmirch her honor; there is a small then a large sea battle against the Spanish; there is a journey to a cruel, pirate-infested island, and the revenge exacted on its leader; there are jousts, one on one and thirty on thirty; and in final there is a large, desperate battle between huge armies of French and English where much glory and blood is to be found. Large and small, adventures abound, and I haven't even mentioned half of them. And nothing here stretches credibility. Yes, Nigel is a hero, but he suffers setbacks also--some really embarrassing--and in fact misses most of a set-piece battle he was looking forward to when he almost gets his brains bashed in at the beginning of it.

Like all of Doyle's creations, this novel is rich in small details also. For example, forks hadn't been invented yet. It was considered good manners to hold your meat with your thumb and middle finger while cutting it; to do otherwise was bad form. When you're done with the meat, you toss the bone behind you for the dogs. Once a week, the whole mess was swept out and more hay is laid on the floor. He shows a great knowledge of weaponry as well, talking about the relative merits of the bow and the arbalest, the heavy stones heaved by mangonels, and of course the use of swords and shields and lance. These are just a couple of examples. Practically every page reveals insights as to the way of life in those times, not the least of which is the portrayal of the chivalraic code by which they all lived.

Lastly, it is beautifully written, almost lyrical. Nigel comes upon the fair Edith, "whose face had come so often betwixt him and his sleep." Is there a more economical or descriptive way to put this? And later, marching in war-torn Brittany: "As the darkness deepened there came in wild gusts the howling of wolves from the forest to remind them that they were in a land of war. So busy had men been for many years in hunting one another that the beasts of the chase had grown to a monstrous degree, until [even] the streets of the town were no longer safe . . ." Descriptive? Indeed, chilling.

This is exciting, informative, first-class fiction, and warrants a much larger audience than it has apprarently been getting over the years. Do your part!

I don't have much time to write this review, but if I did, it would be a long one full of words of praise. I read this book in its Spanish language version(only about 15 times). I found it really exciting and interesting. It is the classic story of the undersized fighter who at the end gets all the glory. The story is full of surprises and it will capture anyone's imagination (it got mine). Read it! -

The book just grabbed me from the very first paragraph. I knew that Sir Arthur is an excellent writer but I didn't know that he is that good with medieval adventures.
Everything he writes is very true historically and that makes the book even more enjoyable. His sense of humor and the story made me feel almost being there with Sir Nigel. The story itself is simple but full of surprises. If you are a kid or if you are one of those grown up kids like me you will love this book.

Kate Maloy has the life I want to live. We have similar backgrounds, including age, gender, past marriages, Quakerism and more. So perhaps I should seek that life -- it's out there, she proves so in this book.

This is not a light or superficial book -- it is rich and shines with deep thoughts and reflection. She includes all the wrinkles, twists and lines that real life brings to us. In this book she shares the kinds of things you might think about, but not speak, the contents of a personal journal, introspective and quite true.

She has managed to make the most of her life, and this book is a wonder to read. Her writing style is one that invites the reader along, and I felt (as you probably will) as if this was part of a conversation with a close friend, part with myself, part simply a life viewed through a warm and inviting window.

She writes about so much, this book is incredibly full -- I'm not done yet reading it again and again.

A quote I love, "Long before I ever met Alan, I wondered if any man of my generation could love a woman his own age, could feel passion (and compassion) for her aging, vulnerable flesh, could open himself to a soul-deep love even as he himself loses muscle tone, stamina and hair -- could well and truly stand naked in front of another and not be ashamed. Now I know there is at least one such man on the planet."

Sigh. This Friend speaks for me.

An uplifting, warming reading for cool nights and warm days, too.

I'm not a Quaker and I've never attended a Meeting. Although I consider any religion that calls its practitioners Friends a step in the right direction, my motivations in reading SBN were strictly secular. I was first drawn to the book because I have enormous respect for the publisher. The cover also spoke to me. The simplicity and purity of it. A single stand of snow covered trees. And I've always been intrigued by bridges as metaphors, so the title was perfect. There's no doubt that SBN is a book of the spirit in the sense that it's a look at the effects of Quakerism in the writer's life. And this is a strong theme of the book. To say otherwise would be misleading and disingenuous. But the book is so much more than that, too generous with its reach, too honest in its outpouring of contemplations, too bighearted and open-minded to be pigeonholed as a theological dogmatic text. It is indeed a soulful book, but it offers its deep solitude, silence and solace to all. For some unknown reason I dipped into the book haphazardly, rather than reading it linearly, which did not ruin the experience for me. Covering a rapid and transitional year in her life, it alternates between journal-type entries and short and long meditations on all things human: emotions, food, television, our education system, everyday life, and even the internet, which becomes another form of metaphysical uplifting for the author. It turns out she's met her new husband on the web. Some of their communications back and forth, via re-mail, are included in the book. That atypical love story is just one of the truly fine, honest - and surprising - things that the author reflects on. They all conjoin into the story of a lifechange. An intelligent, quietly passionate, appealing, and insightful story of the process of continuing to make oneself a better person through faith in life and in each other.

I'm another reader of this book who is not a Quaker, nor do I play one on TV. That said, I was fascinated and moved by Ms. Maloy's memoir spanning 10 very significant months in her life. For readers contemplating any major life change, this book provides both inspiration and wisdom.

I'm Kate Maloy's ex-husband. She speaks about me in her good book, A Stone Bridge North, anonymously, because she was considerate enough to try to protect the guilty.

Because I figure in her book, but not in especially complementary terms, I figure that potential buyers or readers of her book might be interested in my take on it.

It's a captivating story of emotional venture and spiritual adventure, with author-centered but gifted, exquisite reflections on the meaning of the struggle - in terms with which anyone can empathize - to enrich a life, a marriage, a sense of self, one's soul.

It's also a guarranteed page-turner, a compelling story of the roles of reflective struggle and the mystery of grace in amazing turns of life.

The story of how Kate found the wonderful man who became her soul-mate and new husband is, simply, amazing by any standard.

Any person who ever wondered how - by concerted effort or by gentle grace - life can, indeed, take magnificent turns needs to read this book. And take heart.

Kate Maloy has written a lovely and moving book. To attempt a memoir is one thing; to write it without me-me-me is a true art (not to mention a reflection on the selflessness of the writer). Not once during this read did I hear ego or judgment and I never had the feeling that the author was in therapy and was compelled to write this book. Instead, I felt as if the life she lived... and the discoveries she made perhaps moments before writing... were what she chronicled. She lived, she learned, and then she told us about it. The author spared us the angst, but not the profound revelations generated by that angst.

I recently finished "Storm" by Jack Cavanaugh/Bill Bright, and was very pleased with the novel. It made me anxious to read the other books in the series, because I became so attatched to the characters in this series as much as I had to the ones in Cavanaugh's "Songs in the Night" series. The plot moved along quickly, with much suspense and surprising turns. Asa is the most believable character, he is the hero, yet he is depicted immediately in the beginning as having faults typical of a young college boy- he is socially awkward, jealous,takes everything as a personal slight, and focuses on the external attributes of others while blind to their internal motives. No better example is the way he relates to Annabelle. Her character, I feel, is rather weakly written, because she is the cliched spoiled flirty rich girl type, turning out to be a heartless Jezebel. This kind of character has been done to death in fiction! I wish she had been written a little more three-dimentional.
But in all, the book was thrilling, especially the last several chapters. Hard to put down! I also liked the notes at the end, that gave a little background on the real period and actual historical events. Well done!

I could not put down this book. I was caught up in the characters' lives and couldn't wait to see how everything turned out. Though there is deception and wickedness in the world, the Holy Spirit will stir up within evil men's hearts a storm that will cause they to acknowledge God. Great reading!

In 1798 Asa Rush is a socially backward Yale college student. He dreams of an oratory career, but is routed in his first disposition class by upper classman Eli Cooper. His classmates torment him the rest of the week; only on the weekend does he find relief.

He also finds the girl of his dreams, an old acquaintance from his hometown. Bright, beautiful and wealthy, she is also the girl of Eli Cooper's dreams and Asa finds himself competing with the good-looking and charismatic Eli for her hand.

Asa's only bright spot at Yale is in his position as Dr. Timothy Dwight's secretary. Dr. Dwight is president of the college. He is a gifted orator, spiritual leader and the primary reason Asa attends Yale.

So when Dr. Dwight asks a favor of Asa, he can't refuse. A young man has fallen in with the wrong crowd and needs a mentor. It isn't until Dr. Dwight prays over Asa and for this young man, Asa realizes what he's done.

The young man he's agreed to mentor is Eli Cooper, the bane of Asa's existence. Eli rewards Asa's mentoring efforts by beating him up every chance Eli gets. But Asa pushes on, and finds himself drawn into Eli's dangerous world.

Before story's end, one man holds the life, and the future of the young United States, in his hands.

The third book in the Great Awakening series, Storm is set during the political turmoil of 1798-1800. The upcoming presidential election is between incumbent John Adams and challenger Thomas Jefferson and the country teeters on the brink of another revolution. Even though the book is fiction, Mr. Cavanaugh incorporates enough historical detail to bring this time alive. A story of hope and renewal that resonates today.

What a terrific book. I devoured it in one sitting. I love most anything that has to do with Bill Bright's work and Mr. Cavanaughs writing style is terrific. I just picked up Fire and am a quarter of the way done with that one too.

Also would recommend two books that Ted Dekker wrote, based on Bill Bright's notes and theology..."Blessed Child" and "A Man Called Blessed"

If you're interested at all in revival, historical novels, or either author's writings, you have to read this. Very well done.

Poe, Doyle, Christie -- none of their stories is better than "The Stolen Cactus," "The Crime at the Post Office," or "Footprints." This collection of crime stories had all the twists and clever resolutions I could ask for. Unexpectedly, it also has quite a few insights into human nature and coping with reality. I read "The Man Who Couldn't Sleep" after a night of disturbing dreams and felt as if Capek were writing to me from the grave.

I found this book in the English-language section of a bookstore in Prague, during my first visit to the Czech Republic, which is a surprising and wonderful place. I didn't know the first thing about Czech culture or history before then. I didn't even know that one of Capek's contemporaries in Prague was Kafka, who was Czech, not German.

Reading Capek convinced me that Kafka was -- like Capek -- a humorist; unfortunately humanities professors in the U.S. don't get the joke. In other words, Capek is Kafkaesque and Kafka is Capekesque. Both drew quirky little images, too. That's right: Kafka drew pictures in his manuscripts. A few of Capek's illustrations are reproduced in this book, as well. (Karl Capek's brother Josef was a member of the little-known and very odd Czech Cubist Movement, a group that abhorred right angles.)

The prose in this translation is a bit ponderous, though, so I recommend that when your first open this book you temporarily abandon your requirements -- if any -- that crime fiction be terse and gritty. Remember that you're reading a translation from a Slavic language written a decade after WW I. In addition, the stories are first-person narratives, a form that is little used these days.

I'm eager to read more Capek. And it would be great if the publisher would create a Kindle version of his work.

A superb collection of stories told in a simple, yet very descriptive and captivating language, each a different nugget. Some are very funny, others reach a quiet conclusion, others make you think, but not enough to rob you of your sleep. Nice to read just a few at a time, otherwise it's hard to remember them all. Can be read completely out of sequence. Enjoy!

"Tales from Two Pockets" should have a special place in the minds of its readers. That's the place reserved for works which are entertaining without being trivial, consistently amusing and delightful upon re-reading, and which appear to have been written effortlessly and on the spur of the moment (this latter characterization is probably an illusion, since even a rapidly written piece by the right writer incorporates a lifetime of craftsmanship and professional skill). The stories in this collection, which combines two different but related sets of stories ("from one pocket, then the other"), were written for Capek's newspaper columns during 1928-1929. Czech readers responded enthusiastically to these stories, which started out clearly enough as detective or crime stories but soon overflowed the boundaries of that category to become something very different: reflections on the human mind and character under duress and meditations on the nature of crime, punishment, and, most especially, justice. The difficulty of judgment which is fair to both the victim and the perpetrator is a theme returned to several times, leaving the question an open one, even in the most gruesome cases, e.g., "The Ballad of Jura Cup", in which the motive is highly personal and bizarre, or "An Ordinary Murder" in which the motive is routine but the results are unsettling. Also related to this idea is the story (from the first set of 24) entitled "The last Judgment", which seems to be the prototype of the stories in a completely different collection,"Apocryphal Tales", stories that veer off in the direction of "alternate reality" parables (this may be the story which Capek himself thought of as "the turning point" within the whole collection of 48 stories).

The second set of 24 stories is a continuous round-table conversation, organized along the lines of the Decameron. One story ends, and a thematically-related one begins (or a story is based on a stray remark or characterization in the immediately preceding story), something like a baton that is passed from one relay racer to the next. Often there is a smaller story within the larger one, recruiting another member at the table as a second narrator. From the formal point of view the most interesting of these is "The Confession", in which a priest, a lawyer, and a doctor are all told the same story by the same man over several decades - he has done something terrible (his deed is never specified) and must talk about it or implode, though he feels neither contrition nor guilt nor remorse, while he has a specific desire to avoid retribution (which is why he picks men professionally and ethically bound to keep his confession a secret). It's a large and eclectic collection of narrators that Capek creates - including policemen, businessmen of various stripes, a doctor, a priest, a "jailbird", a journalist, civil servants, and men of unidentified callings. Based on their names and their vocations they are meant to be a representative sample of inter-war Czechoslovakia's polyglot mixture of ethnicities, nationalities, religions, and social strata. This is the "social undercurrent" of these stories, an idealized picture of a hybrid, pluralistic society created by an admirer and strong advocate of T. G. Masaryk and the political system of the First Republic.

The translation by Norma Comrada is excellent, colloquial and fluent. As is her Introduction, which gives the background of the stories' creation and of Capek's familiarity with the detective-story genre in the literatures of France, England and America. On a light note, the musings of the lifelong bachelor, Police Captain Bartosek, on a kidnapped child (which I think of as "Bartosek on Babies") should be required reading for new mothers and new policemen as well. And it is in his portrayal of policemen that we see the breach that separates Capek's time and place from the grimmer post-World-War-II world of Czechoslovakia. We meet Captain Havalka who sympathizes with the inner turmoil of Jura Cup, and, more than once, we see at work the squirrel-toothed Inspector Pistora, whose unprepossessing exterior houses a first-class deductive brain that rivals that of Sherlock Holmes. Then there is Detective Holub, who, when recovering the funds that the confidence-man Plichta has defrauded from widows and lonely women, allows Plichta to deduct his "operational expenses" from the restitution he makes and admires his strict system of accounting (it is Holub who says,"We like ordinary criminals, not mysteries"). You can't imagine such empathetic portraits of policemen after 1945, though P. Kohout has tried his best to endow even State-Security policemen with admirable streaks in their characters.

The stories were written during the "calm years" of the First Republic, after the difficulties of setting up a new state had been dealt with, and before the Depression and the encroaching threats of international power-politics had arrived. This allowed Capek a respite to write as he pleased without an eye looking over his own shoulder at the political excitements of the years before and the years to follow. As Comrada points out, it would be incorrect to call these works "detective stories" or even "crime stories" (in many of them there are neither crimes nor solutions). However the reader characterizes them, it should be obvious that Capek displayed a relaxed freedom of spirit as he wrote them and took a great deal of pleasure in doing so, both of which are strongly communicated to the reader.

The fourth Earl of Chesterfield once admonished his son to "wear your learning, like your watch in a private pocket: and do not merely pull it out and strike it; merely to show that you have one." The stories contained in Karel Capek's "Tales From Two Pockets", unlike Chesterfield's watch, are worth taking out and reading again and again and again.

Karel Capek played a pivotal role in Czech arts, literature, and politics in the years of the first Czech Republic. He was a playwright and, with his brother, authored "RUR", the play that introduced the word robot to the world. His novel War With the Newts remains today one of the great pieces of dystopian fiction. His life and work during this period was inextricably linked with a strong belief in the newly born Czechoslovakian Republic. Capek's devout faith in democracy and his aversion to both fascism and communism was well known. His intimate socio-political relationship with Czech President Tomas Masaryk served as an inspiration to Vaclav Havel the artist who became president after the Velvet Revolution.

The 48 stories in Tales From Two Pockets first appeared in print in 1928 in a Prague newspaper. They were known as pocket tales because presumably the newspaper could be folded and placed in ones coat pocket after getting off the tram. Immensely popular the first 24 stories were published in book form as Tales from One Pocket. The remaining 24 stories were originally published as Tales From the Other Pocket. This edition, published by Catbird Press (which has done a marvelous job of publishing English editions of Czech masterpieces) and excellently translated by Norma Comrada, contain all 48 tales.

To call the first 24 stories detective stories would not do them justice. They do tend to involve a murder or a crime of some sort but Capek stands the genre on its head. They involve more than the solution of a crime. Capek tends to work around the crime to look and spin small stories that tell us a little bit more about human nature than about the crime business. Each story contains a snippet; they are too short to be an exegesis on humanity. But each snippet is worth reading and after you read one or two you can put them in your pocket and start all over again.

The second 24 stories each flow from one into another. Think of a group of people sitting around a table in a bar. One tells a story about a crime or some other foul deed. After one story is finished someone pipes in and announces, "I can top that". They stories flow seamlessly one to another. Again, no single story packs a huge `message' but cumulatively they are thought provoking and provocative. It should also be mentioned that the stories are also just fun to read. Capek was one of the first Czech authors to write in colloquial Czech. His writing style was not formalistic and stilted. He wrote the way people talked and his stories are all warmly told and engaging.

So, put these tales in your pocket and pull them out whenever you'd like to lose yourself for a little while in the world of little mysteries created by Karel Capek.

great stories to read a few at a time, not necessarily in order. they are like a whimsical sherlock holmes with a definite eastern european bent. i had never read any Capek before and I think this has been a great start.

A Genie in the House of Saud: Zubis Rises (A Genie in the House of Saud)

A bit arachaic in language and cultural approach, but the narrative pictures Doughty draws are fascinating; submersion into a little known cultural and time. Great for anthropological studies.

I must, grudgingly, give this monumental classic work of travel and adventure five stars, despite the fact that I don't really like the author. Doughty was probably not a very nice, friendly person; his life and opinions seem centered around a strict, almost fanatical and unforgiving, religiosity (he was a very fervent christian). Nevertheless, what he set out to do, he did with ample success and eficiency; and what he set out to do is not so simple as it seems at first sight,in my opinion, except for one of his main, but most superficial goals: to redeem the English language from the poverty and oversimplicity it had fallen into (Doughty believed the English language had fallen from grace since Spencer: I wonder, what would he think of it now?).

"Travels..." is an account of Doughty's two years of wandering through the Desert, in the 2nd half of the 19th century, with Hejaz and Nejd nomads. Unlike many other travellers before him (such as Sir Richard Burton), he never even tried to pretend he was a muslim, but admited to the nomads he travelled with that he was christian....and then went on, once and again for two years, to argue christianity's superiority over Islam and to explain how the fact that they were muslims excited his pity at seeing them fooled by their fraudulent Islamic beliefs. We know that traveleng in Arabia in those times was quite risky and dangerous, so it is a wonder that he was not killed by the nomads he was travelling with after they had to hear, for the hundredth time, how their faith was a fraud!!! This pious propensity, or even thirst for martyrdom (some times the provocations seem to point at that), is also quite trying for the reader.

However, if you can stomach the religious dissertations in his very special saintly style, the reading is rewarding indeed. Doughty had the (undeserved, I think with envy)luck to find the remains of the Nabataean town of Hegra, which he describes in some depth, with sketches of the tombs and copies of the inscriptions he found there. Who doesn't dream of finding the abandoned, lost, ancient town, built by a mysterious half-forgotten people? His descriptions of life with a Nomadic tribe of those times, with its unbelievable hardships, due to the famine-level subsistence usual among nomads, are an etnographic work of first rank. His report of the abuse, threats and indignities he had to suffer at the hands of the nomads because of his refusal to deny his christianity are unintentionally funny, in spite of himself.

But it is when we see that Doughty constantly compares the nomads of the desert with the Patriarchs of the Bible, and we know he can imagine himself in the company of Abraham's or Ishmael's tribes, when we learn the extent of the religious significance that this journey had for him. The ignorance and fanaticism that he finds in these nomads, he imagines in the Patriarchs of the Bible. For him Christianity, his own faith, was the light and salvation that took people out of the pitiful and primitive state these nomads live in. In fact, his journey is actually a pilgrimage to invest his religion with a significance that maybe he had been in the process of losing from sight.

And it is this, the fact that this author had set out for a journey with the intention of profoundly despising the people he was going to live with, what makes me despise him as a person, even though I see the importance of his work. Although Doughty repeats, now and then, the common, admiring expressions that were usual and fashionable to speak about the nomadic Arabs of those times -all the usal "noble savage" stuff-, we can read between lines (and later on, directly) that he thinks they are repulsive, inferior creatures. He goes to Arabia thinking he will be a superior among primitives, and he leaves Arabia, two years later, convinced that this has, indeed, been the case. In my opinion, the one who comes out the worst from the experience, is himself, although I have to thank him for recording his experiences and so, giving me the oportunity of reading between lines and learning from that.

I would like to add that this is not a complete edition of Doughty's work, which I read in the Dover two-volume edition, with an introduction by T.E.Lawrence and translations (of the Nabatean inscriptions) by Ernest Renan, and with some beautifully drawn maps.

There are few travel books that can stand up to the depredations of time - indeed, travel literature by its nature tends to be ephemeral. We may peruse the Victorian travelers, but mainly to get a sense of the exotic, from a time when it still was that way.

Fewer travel books still can claim to have had a conscious impact beyond their own genre. One thinks of Stendahl's travels in the South of France, Radishchev's journey from Petersburg to Moscow, or Stephens and Catherwood in the Yucatan. But Doughty is in a class by himself.

This remarkably eccentric man with the remarkably eccentric writing style set off into one of the last fringes of society, to a world where the art of the word was cultivated and where a man's worth was set by his speech. He is not an easy read. Yet his writing reflects the sense of a major intellect from one culture confronted by a tradition which is very old, very venerable and yet totally alien from that in which he was raised. That he sought to explain it by creating a new way of writing is perhaps not remarkable.

Many writers of the last century have been quite vocal about the debt that they owe him; one sometimes wonders if this is honored more in the breach than we would like to believe. But try him on for size, but be prepared to be patient. You will find that his style will win you over if you are.

Doughty had reflected his belief throughout his journey and I am not surprised. He decreased the Bedw traditions and tried to link it completely to the teaching of Islam. He knew from the beginning that the Bedw tradition especially in the northern part of the Arabian Peninsula has nothing to do with the teaching of Islam. It was basically their culture. He did used the Bedw to serve his purpose since he wrote this book only to the western readers at that time to capture their imagination of the Arabian desert and to lay down the first step toward the colonization period that took place 30 years later.
Doughty in his book has described the Bedew life with many details that have shocked me. Since he lived with my great grandfather (Tollog) during his stay on al Harra, I was able to tell how close he was to reflect the real life of my tribe.
If we ignore his belief's reflection in his writing, we can conclude that his book is truly a masterpiece in detailing the life of one of the most isolated part of the world in 1800 century.

After reading this work detailing the 1870s [mis]adventures of the legendary Charles M. Doughty, one comes to understand much better why T.E.Lawrence so admired the Bedu and mistrusted the Arab city dweller. Doughty's "travels" really amounted to being "driven" through hostile lands occupied by "fanatics," continuously handed off from one group of outlaws and thieves to another. "I found in them an implacable fanaticism," wrote Doughty. "All their life is passed in fraud and deceipt." Sacred oaths, swearing in the name of God out of mere habit, traditional mores of protecting the fellow-traveller in one's charge honored mostly in the breach. One friendly Arab acquaintance along the tortured path tells Doughty, "I hope that your life may be preserved: but they will not suffer you to dwell amongst them! You will be driven from place to place. As many among them as have travelled, are liberal; but the rest, no." Abdullah el-Kenneyny advised Doughty, "I am even now in amazement! that in such a country, you openly avow yourself to be an Englishman; but how may you pass even one day in safety. You have lived hitherto with the Bedu; but it is otherwise in the townships."

Early on, the strange language seemed humorous and distracting, but it soon grows on you. "Give me a hand" becomes "Lend me a grip of thy five." Robbed, stripped, insulted, the intrepid Doughty gives the evil-doers the back of his hand as often as he dared, many times with his hand on a revolver hidden under his robes. One bluff carried off successfully against fellow travellers, who were sworn, of course, to defend him -- "By the life of Him who created us, in what instant you show me a gun's mouth, I will lay dead your carcasses upon this earth."

Occasionally some paragraph seems to be the obvious inspiration for a like passage in Lawrence's "Seven Pillars of Wisdom," an exquisitely detailed description of how a camel comes to a halt and lies down being one of the most obvious examples.

A major feature of this work is the great care taken by the author to use and then explain the Arabic vocabulary for places and things unique to the Arab culture. Each and every page is peppered with these terms. There is a fine glossary, praise God, the Merciful One!

The first half of this collection of selected passages from the massive original work will give readers warm feelings for the Bedouin and sweet dreams of wandering amongst them at peace with God and nature. The second half will likely wipe out any such urge. Civilizations still clash, 130 years later. Extremists rear their ugly heads on both sides of a vast chasm. Will the next 130 years bring much fundamental change?

So many different people and groups claim lineage with the Rosicrucians there is no way to really tell which one's are legitimate and which are not. Although this book may be about the true Rosicrucian Order it doesn't mean the information is accurate. It does contain some interesting information but I think it needs to be taken with a grain of salt. And I have to admit that I got bored with the many pages of tarot explainations that were presented as if they represented the true inner teaching of the Order.

Dr. Case was a gift to humanity and True and Invisible Rosicrucian Order is a crown jewel amongst the treasure of material he left behind. It is not for everybody. This book requires patience and many readings to get the full value out of it.

I agree with the other reviewers who say that the BOTA lessons provide a necessary foundation for truly getting the most out of this dense and difficult text. That being said, there is so much value here words fail me.

I have read so many books on occultism. I have started so many "self-initiation" programs. When I found the BOTA I felt like I was coming home. When I then discovered this book I felt like I found a treasure chest in the attic. I have spent the last two years primarily focused on studying this text and no other experience in my life (outside of my marriage) has provided me with such clear exercise and evidence of spiritual development.

I am humbled by Dr. Case and his legacy. My only prayer is that I might become a channel for that Divine Love that has so graciously provided my being. I owe it to Dr. Case that I even have an inkling of the worthiness of that prayer.

Those of us who are serious Seekers can struggle for years before the light begins to dawn. I have been a Freemason for many years and an SRIA member. I have read Boehme, Blake and others. Struggled with Tarot and Qabalah, but on getting into this book the scales fell from my eyes. Many feel within; and struggle to find words. Paul Foster Case finds them for us.

Who were the Rosicrucians? Appearing out of nowhere in 1614, the Rosicrucian fraternity anonymously published two manifestoes and then went silent. Because of this silence, many scholars surmised that the Rosicrucian Order was just an elaborate hoax... but the the Rosicrucian manifestoes undeniably had an immediate and profound impact on the philosophy, science, and politics of the age. Even unto the Twenty-First Century, Rosicrucian thinking continues to play a major role in Freemasonry and many other esoteric organizations.

Paul Foster Case wrote "The True and Invisible Rosicrucian Order" because he believed that the original Rosicrucian manifestoes were written in a sort of Qabalistic short-hand, making them clearly understandable to those versed in alchemy and Qabala-- and obscuring much of their meaning from the general reading public. The first portion of Case's book is an exhaustive look at the Rosicrucian manifestoes, gleaning a treasure-trove of Qabalistic symbolism, numerology, and sacred geometry from the literal words printed in the documents; the second half of this book presents a series of highly subjective meditations on Rosicrucian philosophy, using Tarot keys to communicate the wisdom of the Rosicrucian masters.

The first portion of the book, covering the Rosicrucian manifestoes, is hardly light reading. Case spends page after page delving into the esoteric significance of the two Rosicrucian documents, reading deeply between the lines for a hint as to their real meaning. Admittedly, Dr. Case's style is relentlessly analytical, and he writes with a sort of focused intensity that may not appeal to everyone. Much of this material is difficult to grasp, many of Dr. Case's references are obscure, and there are several entire chapters which are little more than advanced occult geometry lessons. Despite these entirely valid criticisms, however, Case's analysis of the Rosicrucian manifestoes stands as a tour de force of Qabalistic Gematria and Rosicrucian philosophy. You simply won't find a better work of this nature anywhere! As Case correctly points out, the Rosicrucian manifestoes were addressed to an "erudite" reading audience, and their occultic significance could not have been missed by the practicing alchemists and philosophers of early Seventeenth-Century Europe.

My favorite parts of the first section of the book are those discussing Brother C.R.C.'s allegorical tale, the geometry of the Vault of the Adeptii, and especially the meaning of the Rosicrucian rose-cross symbol (Case's analysis of this symbol will undoubtedly have special significance to Scottish Rite Masons!).

Where the first half of this book is unnervingly direct, the second half is more subtle. This section covers the traditional Rosicrucian scheme of initiation (patterned after the Qabalistic 'Tree of Life' diagram), and provides the reader with a true system of self-initiation very much in accord with the Golden Dawn tradition. Because each Grade of Initiation is associated with a particular center on the Tree of Life, Dr. Case focuses on one aspect or attribute of that center, and then uses the Qabalistic attributions of the Hebrew letters in that word to establish a set of "doctrines" for each Grade. These doctrines are then exemplified using their associated Tarot Keys, providing the would-be initiate with a complete series of Tarot meditations to guide them up the Path.

The methods suggested in "The True and Invisible Rosicrucian Order" are solid, but unfortunately, this book doesn't provide any instructions for carrying them out. This was probably by design, and there are certainly strong arguments in favor of this omission, but it's easy to see how the would-be initiate might become frustrated with the book's total lack of guidance. Individuals who are already familiar with Case's writing will probably have an inkling about how to use these meditations to their best effect, and for this reason, I would strongly recommend reading Case's other masterpiece, "The Tarot: A Key to the Wisdom of the Ancients," before attempting to tackle the exercises suggested in this book.

Paul Foster Case was a gifted teacher, and this book is probably his crowning achievement in the field of occultism. Outside of B.O.T.A., the Order that Case founded, you aren't going to find a more open discussion of his techniques. However, because of the complexity of "The True and Invisible Rosicrucian Order," this certainly isn't a title that I would recommend to a beginner on the Path.

For more information about B.O.T.A., see http://www.bota.org.

SHALOM!

Paul foster case presents a true understanding of the inner principles of the Invisible Order of The True Rosicrucians based on the two true manifestoes.I was skeptical of course at first,but being a student of occult sciences such as Qabalah,Mental Alchemy,Esoteric Astrology,and yes Esoteric Tarot,he hits it at the heart.He does not claim to be a rosicrucian nor his school to be a Rosicrucian Order as such.He simply states what is clearly seen by those with eyes to see.The True rosicrucian order is in the hearts of all the children Of the ONE INFINITE REALITY,plain and simple.

This book is amazing, I didn't expect a book on software engineering to be so easy to read and understand.

Most of the other software engineering books I read are too academic and detached from the industry.

The case studies provided in this book are things I can totally relate to as a software developer. Question/Answer sections are great.

Overall this book is very well written, it is a true masterpiece.

The knowledge I gleaned from this textbook was directly responsible for my getting a high paying software engineering job immediately after leaving college - that alone should be a testament to its value. It gives a wide reaching survey (yet certainly not lacking for details) of the latest cutting-edge methods for software engineering as well as the tried-and-true methods that have been in use for decades, while placing a primary emphasis on writing software that is trustworthy on time and within budget. In a software engineering world where ethics have fallen out of favor and the "almighty schedule" has become more important than quality and security, this textbook is an extremely refreshing view of how to apply modern principles and process to produce not merely programs but supportable, trustworthy programming systems products. And best of all, Bernstein shows you how to do it ON-TIME and WITHIN BUDGET by performing quantitative cost and time estimation prior to and during the development process. If software engineering is to reach the level of professionalism long associated with other engineering disciplines, we must all embrace the methods and principles discussed in Bernstein's book.

It's important to note also that there are many case studies in this book from Bernstein's distinguished career at Bell Labs, and they are extremely valuable in learning what "works" and what should be avoided. Software engineering as a discipline doesn't learn from its mistakes as well as other engineering fields, but this book takes 35 years of hard-earned experience and the latest research by Bernstein, Boehm, Parnas, and others, and condenses it into what I consider the best software engineering textbook on the market. This is a must-read for any computer science practitioner who wants to consider himself a true engineer and a professional.

This book does a great job of covering the key tools and techniques used in the development of software systems. It is very readable, and is suitable as a course text or an informative reference guide for practicing programmers and managers. A wealth of case study material provides insights into how to develop reliable software, on time and within budget. Sprinkled throughout are pragmatic rules of thumb and metrics. A good read and a good addition to any reference collection!

The most commendable single aspect of this book is the extensive set of real case studies. The main author (Bernstein) comes from decades in high tech industry and this permeates the entire book. The book is extremely broad in scope too, so the prospective reader or student gets a tour of a vast array of related subjects. The quantitative basis for the entire book constantly reminds the reader of the usefulness of a quantitative approach to all sorts of aspects of software engineering. Prospective buyers can dive in to the text at Amazon and make up their own mind about the usefulness for their own purposes. Take a look!

Well, this is certainly a much different type of software engineering textbook than I have seen in the last score of years ☺! I was a reviewer of early editions of Pressman, and a user of every edition since the second one at four different universities. Shooman's classic 20+ years ago is another early data point for a graduate course. The Software Engineering Lectures of Tom DeMarco and Ed Yourdon from 1979 are still shelved six feet away from me, and have been referenced in every undergrad and graduate software engineering related course I have taught since 1984. The same shelves contain Pfleeger, Leach, Lethbridge, Peters, Watts & Humphrey, Sommerville, Thayer and many others within the combined 12 foot lineal span. They obviously are used, but not to the extent of Pressman.

That may be about to be changed! Larry Bernstein's new text states on page 32 ".. none of these [principles of sound organizations] will work unless our profession recognizes the next core element in the evolution of software processes as a fundamental principle. Software trustworthiness is the next major area in which academic and industry must focus -- both for national security reasons as well as to ensure that the U.S. software industry maintains its leadership. The three attributes of software reliability, security and safety comprise trustworthiness."

I totally agree with the belief about where we should focus our attention in coming years, but not for the reasons that Larry cites. Let me explain:
* Having worked as a software/knowledge engineer on the Space Shuttle program for Rockwell International for four years, including the maiden flight of Discovery within a few months of my hire date in 1984, I am a very firm believer that the trustworthiness of the software in the shuttle and all the support effort was a gold standard at the time. I was also a full-time professor of CS concurrently, so could bring such issues to all of my classes. Although I have given up my dream of going to the moon, hatched when my small team of high school students fired off rockets in a farmer's field prior to Sputnik, I still hope to make it to the international space station, so a trustworthy system is not only of academic interest! In the last 20+ years, the ubiquity of computing, particularly embedded systems in all modes of transportation, makes such a standard a MUST, not just "nice to have" in our cars, trucks, planes, etc. When a team of Ford software engineers showed up in my office 10+ years ago, asking for help in developing safe software systems for next generation side impact sensors, I could not brush off their concerns! Obviously, software systems pervade the lives of many of the 6.6 billion people residing on this planet today, not just the billion or so who access the Internet. It is irresponsible, not to mention a direct violation of codes of ethics for computing and software engineering, NOT to develop such trustworthy systems.
* I cannot agree with Larry's rationale about the leadership of the U.S. in software. Trustworthiness of software systems knows no national boundaries! Other engineering artifacts do not know such artificial boundaries - do we want the bridges and high rise buildings of Europe, Asia, the Middle East, South America, Africa, etc. to be less safe, reliable and secure than those in the United States? I think not, if for not other reason than millions of our citizens travel to and live in those countries every day. Clearly, the lives of people across the world are just as valuable as those fortunate enough to live in our 50 states. The state-of-the-art in engineering methods is being advanced on a world-wide basis - why should we think software engineering education is somehow an exception? I would hope that this new text would be published in many languages and used by students and practitioners worldwide. I had first met Professor Bernstein on November 30, 2000 during my sabbatical to set up an International Software Engineering University Consortium (www.iseuc.org). So Larry clearly knows of my penchant for the world-wide importance of software engineering ☺!

Why do I think this new text is different from earlier ones and would recommend strongly that all current faculty and practitioners consider it carefully, especially for an introduction? The rationale includes the following. The text:
1. Focuses on the increasingly vital role that trustworthy software systems will play in the lives of current and future generations. Consequently, it is quite easy to engage or "hook" students in an introductory software engineering course about the importance of the topic - they see the impact of the lack of such systems on a weekly, if not daily, basis. Many of them will be able to share personal and professional experiences. The marvelous column by Neumann in every copy of ACM's SIGSOFT Software Engineering News provides ample examples, in any case.
2. Is cleverly written with excellent and realistic case studies with real questions and answers
3. Draws on the demonstrated expertise of the primary author when he was the CTO for Bell Labs
4. Truly demonstrates the rationale for the role of quantitative software engineering methods throughout the development life-cycle, beginning on page 4!
Reliabilty = e-k?t, where k is a normalizing constant, ? is complexity/(effectiveness x
staffing) and t is the time the software executes from its launch.
5. Emphasizes the "why" as well as the "how"
6. Includes excerpts from student teams related to the growing use of Real Projects for Real Client Courses - RPRCC-in software engineering and other courses
7. Covers most of the topics in a traditionally-structured software engineering text, but does so in a more contemporary and intuitive way. Some of the topics in other texts that wind up at the end, hence often not covered, are main-line chapters in the Bernstein text*. The newest edition of Sommerville's text does indeed have a 20-page chapter 3 on "Critical Systems" and a complete 120 page Part 4 on the same topic, but this is certainly an anomaly among current texts. The Bernstein text emphasizes trustworthiness as a continuing theme throughout, with the continual use of quantitative measures - witness the large number of "Magic Number" boxes for empirical results and heuristics contained in virtually each chapter. I admit that there would be a "learning curve" for most of us, but hey, aren't we supposed to be paragons for "life-long learning" that we espouse for our students?
8. Has fewer pages than virtually every other text. This is a real advantage. Students (and faculty) feel they have a "prayer" of being able to use the material in one course!
9. Has nice on-line support site.
10. And, finally, Larry will go to great personal lengths to support his text ☺!

A couple of possible sources of improvement for the second edition would include the following:
1. Include Failure Mode Effect Analysis (FMEA) as a major component when designing critical systems. This is a common engineering tool that was used in the design and testing of the Space Shuttle Main Engines (SSME) over the last 30 years.
2. How can the vital concept covered in the text be applied to the massive task of rendering trustworthy the extant base of millions of software systems? The text does a superb job for developing such systems, but can trustworthiness be "bolted on" existing systems? I doubt it, but cannot see an easy answer here.
3. A friendlier website for both instructors and students would be helpful, ala those for other software engineering textbooks

*Topics in the text
Part I. Getting Started
1. Think Like an Engineer - Especially for Software
2. People, Product, Process, Project - The Big Four

Part II. Ethics and Professionalism
3. Software Requirements
4. Prototyping
5. Architecture
6. Estimation, Planning, and Investment
7. Design for Trustworthiness

Part III. Taking the Measure of the System
8. Identifying and Managing Risk
9. Human Factors in Software Engineering
10. Implementation Details
11. Testing and Configuration Management
12. The Final Project: By Students, For Students

Linda gives us a peek at the traditions that inspired her (and me!). With clear instructions (and a sense of humor) she guides us through her basic creation process. Her glue-stick applique method, assorted tips and tricks, and numerous pattern options open up new dimensions in the quilting process. And the array of patterns and beautiful photos provide a visual treat! Looking for fresh ideas? Enjoy a "cultural connection"? Like to browse a beautiful book? I recommend Turkish Delights.

Beautifully illustrated, this is one of the best tutorials on freezer-paper applique I've found. This lovely book includes patterns simple enough for those new to applique, as well as gorgeously intricate designs-irrisistable to even the most experienced quilter.

Based on timeless floral motifs admired by the artist in Turkey, these patterns, and accompanying colorful text, bring to mind the bustle of crowded street bazaars, the mystery of smoky Turkish coffeehouses, and the lush comforts of the harem.

Take a virtual magic-carpet ride, and treat yourself to some Turkish Delight!

Dreamspinner Cheryl

One of the few treasured quilting books that is not only well illustrated but reads like a story and the experienced tips and tricks to applique are a great bonus! Linda transported me back to Turkey and all the things I loved and was mesmerized by while there! Thank you Linda for not only a well written document of this beautiful art but also covering the "pictures are worth a thousand words" aspect! Great job!

This book transports the quilter to a whole new world. The
illustrations are simply beautiful, the directions very easy to
understand and concise. The finished quilts are truly an
inspiration. You will enjoy your trip to Turkey through these
pages. Linda has simplified the gorgeous Turkish flowers to a
level that all can understand and appreciate and your quilts
will be an inspiration that will transcend time.

This is a great applique book. It has everything, exquisite original designs, and great illustrations and technique photos.
Linda's unit construction was new to me and it's a terrific way to handle layers and all those "little bitty pieces." Turkish Delights is the newest addition to my applique book collection and one certainly not to be missed by any appliquer--beginner to advanced.

What is most interesting about this book -- which centers on the poetry of the Bedouin tribe of Awlad Ali -- is not the poetry per se, but that it gives an insider's view of the craft of Ethnography. It shows, through the eyes of a skilled ethnographer, and almost by indirection and in reverse order, how meaning is attached to cultures by the people who live in them.

By peeling back the skin of the Awlad Ali culture - one of the nomadic tribes that once hovered around the edge of the Western Egyptian Desert -- we learn, not just "the ways" of this and similar Nomadic tribes, but more generally, the steps needed to attach meaning to the onion called culture. This analysis reveals, layer-by-layer, the structure and texture of the Awlad Ali worldview. It also reveals the various ideologies that supported its construction.

The Awlad Ali tribe is a society based on blood kinship, on honor, and on a kind of fierce tribal autonomy and independence. And however abstract these categories may seem, and however much they may seem settled at birth, they are in fact constantly being re-negotiated in the tribe's everyday efforts to survive: "lived deeds" in the Awlad Ali culture always trump ascribed status and words. The culture has especially derogatory names and references to those who talk, but fail to act.

Moreover, cultural meaning and societal rules remain close to the ground: that is, closely attached to survival needs. Ascribed status - that is patrilineal genealogy, maleness, etc. definitely have a pride of place in the culture, but these do not settle the matter of status once and for all: What one does with these is the final arbiter of ones position and status within the tribe.

As an American peeping into another culture, what I learned in a somewhat painfully indirect way is that most of rest of the world - even primitive tribes -- still speak and relate to each other in the language of humanity: poetry, songs, prayer, proverbs, folklore, tales, myths, etc. To them, these are not mere cultural trinkets, ornamentations and affectations, to be tossed about during holidays, or to be commercialized and then tossed aside, or just the colorful tools used to promote a particular kind of politics or political organization, but they are the real meat of human discourse. They serve as the actual conduits through which deep human feelings are conveyed and transmitted.

As a backdrop to our own culture, there are at least two lessons to be learned (indirectly and in relief) from this book:

(1) That it is possible to construct a cultural worldview (a complete cosmology of meaning) entirely without the need for a category called "race" or without reference to the idea of a "religion." The author, who was Christian and a partly-white female, lived in the home of the tribe she was studying for two years, which was nominally Muslim, but with all of the many intersecting categories of meaning: race and religion, were never mentioned to her or ever played a role in tribal discourse.

(2) That we Americans live in a social world that is bereft of normal meaningful human attachments and discourse. In comparison to the Awlad Ali tribe, we live in a world of greatly diminished humanity in which racism, acquisition of things, commodification and consumerization of those things, rationalizations and political spin, false piety, rationing of intangibles qualities, knee-jerk bipartisanism, sublimated hatred, and artistic shallowness, are substitutes for real meaning.

Is this all just an inevitable part of modernity? It is difficult to know, but we must be grateful to this author for showing us with great skill that there are other images of, and paths to meaningfulness.

Ten Stars

the book is written by an american woman with mideastern roots -- she provides great insight into the traditionals of the bedouin and arab worlds. I read this before I went to Egypt and it provided great foundation for understanding the culture of the town and village. I like her writing style -- she makes anthopological analysis interesting by explaining in the context of her interactions with the bedouins.

I agree with the other reviewers. It was the best ethnography I can remember reading. What struck a chord with me was her description and explanation of the women's submission to the men, that the submissiveness was valuable only when it was voluntarily given. The idea of women being submissive to men is not only Islamic, but exists also in Christianity.

Lila Abu Lughod, an Arab American woman, lived among the Awlad Ali tribes of the North West of Egypt for two years. Veiled Sentiments is the book she wrote on the lives and poetry of Awlad Ali. Abu Lughod field work was clearly not carried out from a "superior" stance; she sympathized with her subjects and dealt with them as equal human beings rather than inferior specimen or cultures. Abu Lughod attitude, intelligence, training and tremendous analystical ability helped her in developing great insight and understanding of this fascinating culture.

Abu Lughod analysis of concepts such as "hishma" was truly incisive and shed a great deal of light on the nature of modesty between women and men and amongst men and women. The analysis seems to explain behaviors and norms witnessed elsewhere in Egypt and indeed other parts of the Middle East.

An important thesis of Abu Lughod is that the Awlad Ali people often communicated in very conservative and modest way directly through words; they only said what was proper and fitted the norms. Yet a second mode of communication far more true and expressive was found in their little songs or poems.

Abu Lughod discussed gender relation amongst Awlad Ali at length and the relationship between women and the families of their husbands and the society at large. I really enjoyed this book and would highly recommend it. For an excellent work on veiling and gender issues, I would recommend Leila Ahmed's Women & Gender in Islam.

"Veiled Sentiments" is academic. It is the outcome of the author's living in a Bedouin community in northern Egypt (the Western Desert) for two years, a feat of no mean proportions.

Lila Abu-Lughod came to a deep understanding of such aspects of the culture as blood ties, veiling and poetry not only because of her talent and training but also because she has ties to that culture. She calls academics like herself "halfies" because they belong both "inside and outside the communities they write about." She realizes that such a situation benefits them in terms of gathering knowledge within close cultures.

The veiling of women (or rather women's veiling of themselves) is an important topic because of recent events including world politics and of the ongoing research in feminism. It is also important because it is so often misunderstood and so difficult to understand even when it is explained.

After reading Abu-Lughod's renowned (in the world of academics) book, "Veiled Sentiments," I think I have a better handle on veiling than I ever would have had otherwise. It was not easy to absorb the concepts that surround it. That it took ¼ of a 315 page book to do it (a conservative estimate) is a testament to the intricacies of and the psychological motivations behind this cultural /religious practice.

Learning more about veiling alone made this study one well worth reading. But the surprise for both the reader, and-as explained by Ms. Abu-Lughod-the author herself is the discovery of this culture's use of poetry. To take it one step further, the insight into how societies in general (at least ours and that of the Bedouins) similarly use their poetry and relate to it.

Abu-Lughod finds that poetry is used somewhat differently among women in the Awlad ` Ali tribes than it is used by men. Because I am writing my own book of poetry called "Skyscapes: A Woman's View," I was especially interested in this aspect of "Sentiments;" it also was, by the author's own admission, an amazing and important cultural discovery. A group of women in China have their own secret language apart from the men; now this anthropologist brings to our attention how the poetry and veiling customs of these women reveal their emotions and are rooted in the traditions of a society in which they live quite separately from men.

Though this book is not meant for mainstream readers, I hope that many who have no ties to anthropology will make an effort to read it. I believe that women will find it especially interesting but men will also find pertinent information for today's political climate within its pages. No amount of travel could impart the depth of understanding of this culture, and-by extension-similar cultures that this book does.

(Carolyn Howard-Johnson is the author of "This is the Place..." )

if you've ever considered starting a web business, this books presents many examples and thought provoking questions keep you in the right direction.

Relying on case studies ranging from Flickr and Facebook to Netflix and LinkedIn, "Web 2.0: A Strategy Guide" provides entrepreneurs, corporations and business administration students equally with a resource to make sense of the business side of all things Web 2.0.

The book doesn't go into technicalities or spend time on design matters as they typically appear in Web 2.0 applications today: as a matter of fact, it abstracts itself from look and feel of the sites analyzed, focusing on how the different sites make money.

The result is a five step action plan that starts with building on collective user value (users no longer are mere consumers of content, but rather active contributors and creators); activating network effects (seeking the ways in which a business can leverage the multiple connections between the layers, places and groups and how they can grow your offering); working through social networks (the fundamental building block of the Web 2.0 economy); dynamically syndicating competence (picking your battles and doing what you do best faster, making it accessible to more people); and recombining innovations (looking for ways to connect the online with the offline, the new with the old).

The result is a book that is highly recommended if you are looking to take your business to the next level of the social web: a place where being social is not merely an option but a requirement.

The book is impressive in its clarity. Shuen's concise, clear language presents the marketing and business aspects of Web 2.0 without the typical hype. If you are new to Web 2.0, social networks and curious about the rise of Facebook, Youtube, and similar outlets, then give this book a thorough read. You will come away understanding the core business principles driving the success of these online behemoths.

One example of user-contributed value Shuen highlights is the tag cloud on Flickr. The tag cloud is a categorization of popular items on the site derived from user input. The tag cloud allows people to explore through concepts rather than just finding specific. Shuen reports that 85% of the photos in Flickr have human-added metadata. This data is used to better organize search and categorize the images. The interaction with the customer is a key item Shuen points out as critical to Flickr's success. This user contribution to the site generates value for all users. A key she says to successful Web 2.0 operations.

Shuen also highlights LinkedIn and Facebook. She describes positive network effects at work in these companies. On LinkedIn the value of the site is determined by the network it can offer you. When you join the network, you add a positive impact, your presence may lead to others to join or you may linked up previously separated groups. By joining the network you increase its utility to all users while simultaneously making it more attractive to non-users. These positive network effects as Shuen calls them are critical to Web 2.0 success.

A nice feature of the book, is that at the end of each chapter, Shuen presents Strategic and Tactical Questions. These are excellent bullet list to help you think about enabling Web 2.0 on your business or expanding your Web 2.0 up-start. For example, she encourages you to "think about positive network effects" taking place in your business. How have you actively considered and worked with positive network effects to grown your company?

Shuen break downs Web 2.0 into some key areas: collective user value, network effects, competence syndication, and recombinant innovation areas she documents as core to Web 2.0 business. If these you want to learn more about these concepts and Web 2.0 in general, this is the book to start.

I found this book mildly irritating, until I realized that it was in fact perfect for what it sets out to be, an introduction of Web 2.0 concepts for those who know nothing about the Web, i.e. executives who still dictate memoranda, still budget for print advertising, etcetera. O'Reilly has a superb model for leveraging conferences and publishing books, but O'Reilly should have known better than to publish this book in 2008 without reference to Web 3.0. Wikipedia has a fine overview of Web 3.0, start there, I have put the URL in the comment below.

I found the book bland and disappointing, and found--when discussing Amazon, for example, the book reads more like an advertisement and has no clue on all the stuff Amazon is not doing (see the comment for two URLs), such as microtext for micro-cash, creating global intelligence councils on poverty and every other topic using top authors, and creating local citizen intelligence minutemen who can do real-time observation in the context of Amazon's excellent S3 cloud, which is in my view operating at less than 10% of its potential because Bezos has two things on his mind: outerspace and Kindle.

The end notes and the bibliography are the best part of the book. The index stinks. 7 pages for a 214 page book, should have been at least 14--it was an afterthought and done badly.

Better books on Web 2.0 and Generation 2.0 include:
Groundswell: Winning in a World Transformed by Social Technologies
Mobilizing Generation 2.0: A Practical Guide to Using Web2.0 Technologies to Recruit, Organize and Engage Youth
Here Comes Everybody: The Power of Organizing Without Organizations
Wikinomics: How Mass Collaboration Changes Everything

Better books on the larger scheme of things:
Group Genius: The Creative Power of Collaboration
The Wealth of Networks: How Social Production Transforms Markets and Freedom
New World New Mind Changing the Way We
Infotopia: How Many Minds Produce Knowledge
The Future of the Internet--And How to Stop It
Collective Intelligence: Creating a Prosperous World at Peace

In Web 2.0: A Strategy Guide, author Amy Shuen demonstrates subject mastery from the first sentence. Steeped in her topic (she's taught it at Wharton, Haas School of Business, CEIBS and École Polytechnique), the reader gets detailed information on the meaning of Web 2.0. This isn't a book filled with hype -it provides theory, thoughtful detail and is practical. Chapters end with strategic and tactical questions. The illustrations and screen captures provide depth and clarity. Companies like Flickr, LinkedIn, and Facebook are used as case studies.

In the first chapter, Users Create Value, she tags Flickr as the poster child for freemium-based businesses. Shuen points out that this model was first developed in 2006-and that low marketing, investment and distribution costs allow revenue streams to cover costs quickly. She's ahead of another book on the topic that's expected at the end of 2008 -Free by Wired's Chris Anderson.

There's a great discussion on mash-ups in Chapter Four, Companies Capitalize Competencies. The final chapter of the book, Businesses Incorporate Strategies, contains Shuen's Five Steps to Web 2.0-thought-provoking reading for anyone in business. You'll have to read the book to fully understand her rationale, but here are the steps as she sees them:

+Build on collective user value
+Activate network effects
+Work through social networks
+Dynamically syndicate competence
+Build a Web 2.0 business plan

The publisher, O'Reilly, distributes Web 2.0: A Strategy Guide under their Safari imprint. This means that there is an online version of the book for quick access that allows a reader to put the material to work almost immediately. Other publishers should follow O'Reilly's lead--their organization clearly embraces multiple ways to provide value to readers.

I recommend this book for tech neophytes who know that they need to learn more about Web 2.0, and for seasoned experts who want to gain exposure to a rich set of cases-along with questions that will compel them to dig deeper on the topic.