Society Books

This book was incredibly thought-provoking and practical. Weil has an extremely positive energy that eminates through the pages of this book.

Whether you possess little to great concern about the upbringing of your children, this book has something for everyone!

I wanted the book to be longer because I enjoyed it so much. When is the sequel coming out?!

"Above All Be Kind" is a wonderful book for anybody who cares deeply about the future of our children. Being a teacher myself I would like to recommend this book as a must read for teachers and parents alike. The book reminds us what is really important in life. It invites us to raise our children to become compassionate and caring people who understand and welcome their responsibility for our Earth and all living beings.

Many school teachers will tell you that parents will complain to them that their children don't read at home. The teacher then always asks, 'well, how much do you read?' And the answer usually comes back, 'I don't. What does that have to do with it?' Our children do follow our models, whether we think they do or not. And to really provide a good role model requires hard, hard work, and thinking about it, every day, every second. Instead, we all have a tendency to mouth platitudes and give lectures.

A great read, worth it for any parent, and really, anyone else. This goes way beyond education and raising kids.

This is actually my second time reading this book. The first time through, I was primarily looking for ideas to make my household a bit more peaceful, and while I found the book interesting, it didn't address my specific concerns about sibling rivalry and bickering.

Fast forward a couple of years, and this book is EXACTLY what I need. The idea of trying to live humanely and kindly, each and every day, and to extend the concept beyond one's nuclear family to the world at large (and to all living things for that matter), really resonates right now. Zoe Weil talks about the importance of our actions. Having a sense of compassion combined with a sense that our actions DON'T matter can lead to dispair. Having a sense of materialism combined with a sense that our actions don't matter can lead to exploitation of people and resources.

Anyway, the book does discuss how to empower children to consciously choose humane, compassionate choices. Zoe's approach is highly facilitative rather than dictatorial. She says it is important to:

1. provide information
2. teach critical thinking
3. instill reverence, respect, and responsibility
4. offer positive choices

And there are many examples of how to put this in practice, particularly for children in the middle and teen years.

One of my favorite chapters is chapter 3, "Your Life is Your Message". Zoe says, "I'm very aware of the fact that each of us will be faced with emotions and circumstances that compete with our desire to make the most humane choices." She talks about how difficult it is to be a good role model for our children ALL the time. We will fail - we're human! But she writes, "the task before each of us is to choose compassion in the face of apathy that deadens our spirit, restraint in the face of desires that can harm, and courage in the face of fears that hold us back - and to do so in practical, concrete ways that translate our ethics into action. We will not always make the kindest choice, but by staying aware and remaining committed to making our life the kind of message we want it to be, we'll be able to make kinder choices more and more often."

THIS is something that I can do. The fact I will fail sometimes doesn't absolve me of my responsibility to do what I can.

Chapter 3 is also where Zoe exhorts us to expand humane values to include everyone, and these are some choices she says have an impact on ourselves as well as others outside of our family - what we wear, what we eat, what entertainment we choose, what we drive, as well as choices about our homes, furniture, toys, personal care and cleaning products, among others. I'd been guilty of thinking, "Such and Such Superstore will still exist whether I shop there or not, so I might as well get xyz there because they have the best price." After reading this book, that is not a thought I am going to have again.

Zoe also includes a questionnaire to help people get started on their journey to live more consciously and humanely, as well as several interesting resource lists.

I highly recommend this book.

It's not an easy task to raise compassionate, non-materialistic, and socially conscious children in today's prevailing culture. Above All, Be Kind is a guidebook for parents trying to do just that.

Author Zoe Weil is the co-founder of the International Institute for Humane Education, an organization that teaches young people about more humane ways of living and about how our daily choices impact the world for ill or good. She says living in humane ways is all about living up to the highest human qualities.

Weil gives examples of situations parents will likely encounter with their children ("What do you do when your son asks for a toy gun?" "What do you do when you find pornography in your teen's room?") and how parents can handle those situations with wisdom.

In segments called "Did you know?" she reveals disturbing facts about hot button social issues such as factory farming, sweatshop clothing, and child-targeted advertising. Besides documenting the facts about those issues, Weil takes the process a step further with pages called "Let Kindness Grow," which offer suggestions about what we can do to make more humane choices in relation to each issue.

The most important message in the book is to parents themselves. It is the mantra "My life is my message," which Weil says she has used many times to check her own behavior. The Ghandian quote reminds parents that we cannot expect our children to walk any path that we ourselves are not willing or able to walk.

To that end, Weil lays out a four-step plan she calls the "Four Elements" that can help readers come to a right action for themselves or help their children make about any choice. Essentially, the Four Elements are: Gathering information, using critical thinking skills, turning that knowledge into respect for all, and making a responsible choice.

One of the last parts of the book is dedicated to personal introspection. Weil created a "My life is my message" questionnaire that readers are to work through to critically look at where we can improve our own life messages. The 13-page exercise is a humbling and valuable experience.

Weil provides an appendix bursting with solid statistics, valuable reference books, and tons of resources to help parents locate more information, better products (such as a list of companies that do not use animals to test products) and websites that can help us make more humane choices for ourselves, our children, and the world. As a result, this book is not a one-time read but rather a resource to be picked up time and again. --Dana Anderson-Villamagna

I'm new at long arm quilting and these designs are wonderful. There are 3 levels of patterns. The first group is a single continuous pattern, the second group consist of 2 lines and the third of three lines. As i advance in perfection of technique I will move to the next group.

I can't wait to start quilting from this book. I would recommend Amazon to anyone. I have never got a bad product.

This is a great book for so many creative venues and outlets. I'm not much of a quilter, but I do use quilting outlines as embroidery ideas for machine embroidery designs.

This has made using my Grace frame much easier. The quilts are beautiful and I am so happy with the finished projects. Thank you for writing this book.

This book was just what I was looking for to jump start my creativity with my Mega Quilter short arm machine. I am limited to 5" or 6" designs
and I wanted something a little more complex than simple curves and waves.
This book has 126 pages of designs. The line drawings range from complex scrolls to very simple hearts. There are even more complex tripple color drawings to create those elaborate designs you see made on the long arm machines. I copy the designs onto long narrow strips of paper to create my pantagraphs that I follow with a lazer pointer. This is a wonderful book and well worth the Amazon price!!!

A wonderful book with patterns, conversation, and instructions. A delight for everyone who loves applique either in large or smaller projects. Highly recommend.

This quilting book provides great illustrations
and complete instructions. I am looking forward
to making some of the blocks using the colors
that are suggested.

The book is a wonderfully designed pattern for hand applique. The entire book is devoted to the creation of one design masterpiece featuring many squares of wreaths, flowers, half square borders and birds. The overall border is exquisite and intricate. The author's patterns and directions are excellent and easy to follow. She includes a chapter on how to select fabrics to create the shadings of flowers and birds without ever being a bird or flower fabric. She teaches what to look for. The only changes I comtemplate making are redesigning some of the birds.

Plan on taking this book off of the shelf whenever you want a little inspiration for another quilt. This quilt is truly an heirloom - not one you're going to sleep under. The quilt itself will take your breath away and, hopefully, you'll be inspired to try some of the techniques, even if you aren't as ambitious as Docherty is. I went right out and bought some new fat quarters of fabric that I thought might do for some of the squares, using her approach to choosing fabric, and will start small, with only one block. Her innotative techniques and exquisite results make her both an artist and a skilled artisan. Her writing style make her an excellent teacher. Don't pass this one by.

If you want to take embellishment over the top, this is for you. Excellent source of inspiration for applique that is so special. Highly recommend.

Nightmares plague the narrator's childhood. In these dreams he relives the pre-stoneage life of one of his proto-human ancestors. Each night is a different episode from his ancestor's life, and the episodes are lived and relived in a jumbled, non-chronological order. The narrator places the episodes in chronological order and tells his ancestor's biography. What emerges is an action-packed, engaging saga of adventure and romance at the dawn of humanity.

London got the science of genetics wrong as he tried to explain how the narrator could have such memories, but he seems to have gotten one thing right. Modern paleo-anthropology posits that for most of prehistory, the earth contained several coexisting species of hominids. London peoples his world with three hominid species. His description of the interaction between these species probably gives an accurate depiction of ancient man's inter-species interaction.

In this short novella Jack London ('White Fang', 'The Call of the Wild', 'The Sea-Wolf') describes beings who lived at the dawn of mankind. You could call these creatures human, but they are still rudimentary beings. He tells a romance of the unknown ages populated with creatures that may have been.
Jack London's 'Before Adam' is a brilliant recreation of the dawn of humanity, describing the prehistoric world as a place of dark conflict where only the fittest will survive.
Would it be exaggerated to call it a journey to our own subconscious? A subconscious - as a hidden memory of the history of mankind - hidden so deep in our mind that it can only be reached by fiction.

I agree wholeheartedly that this is a very unique and interesting work (it's hard to even call it a novel or pin it down to another genre). The book is about a modern day protagonist who has nightmares about prehistoric life. As he becomes an adult, he posits a theory that these are the biological remnants of the experience of his distant prehistoric ancestor.

He pieces together the story from his dreams and what comes out is this book - a detailed and very graphic portayal of life before people were "people". Reading this, you are plunged into a whole different world, where the inhabitants are somewhere between people and the primate-ancestor on the evolutionary scale. It is an amazingly harsh and cruel existence with a truly "primitive" society. And yet, we get to love some of the central characters, empathise with them and marvel at this novel's description of the seeds or the birth of what we see as humanity in terms of resourcefulness and compassion.

The work also has a psychological and philosophical aspect as the modern day narrator wrestles with his "second I" and what his connection to his ancestor means to his identity. I've read several good prehistoric fiction works and this is the best - certainly the most profound - it really makes you think and amazes you.

While I'm not much into reading fiction or Sci-Fi type books; I have to say, this is probably one of the best books, I've ever read in my life. ( and I'm an avid reader)

Jack London has a way of really pulling your mind into the picture. ( Or putting pictures/stories inside your head)

If you're looking for a book to take your mind of things, or want to live a vicarious experience, I can think of no better book than this one.

This is one of Jack Londons stellar achievements. The ending will surprise you.

An awesome book, that you'll have trouble putting down, until you're finished.

I only started reading Jack London's work three years ago, but I've had an interest in prehistoric times and evolution since I was ten. When I tried explaining to other children that humans and apes may have evolved from a common ancestor they just sort of sneered in disbelief. This was over a hundred years after Charles Darwin had died.

Jack London's first SF novel "Before Adam" is an imaginitive, compelling read. Through his dreams, a twentieth century man "remembers" events from another time and place - a life lived at the dawn of time. The narrator "Big-Tooth" shows us the harsh brutality of prehistoric life, the endless struggle to survive, the constant danger posed by predators looking for food, and the menace of the "Fire Men" - a race more advanced than the species Big-Tooth belongs to, a race that have learned to use fire and kill prey with bows and arrows. It's very rare for anyone to live beyond middle age. Most people die violent deaths, either at the hands of a rival, or satisfying the hunger of a beast.

This is not the first story with a prehistoric setting (Jack London was apparently accused of plagiarism by another author, Stanley Waterloo), but it's a wonderful book nevertheless. London later wrote a book with a similar premise called "The Star Rover", in which a condemned prisoner puts himself into a trance and experiences his past lives. It's possible that J.G. Ballard had also read "Before Adam" before writing "The Drowned World", another book about race memory and the retreat into prehistory. There's a lot of psychology in it.

As a species we've certainly come a long way, or so we like to think. The slaughter initiated by the Fire Men looking for living space has been repeated time and time again. Our "intelligence" has enabled us to come up with more ingenious ways to kill each other, moving from bows and arrows to guns to weapons of mass destruction. From what can be seen on television or read in newspapers, it seems we're still a long way from "growing up". Jack London's novel should teach us not to be complacent.

I first read Come Spring around the age of 12, on my father's recommendation. He had read it when he was 12, when the book was new. Now I've read it many times, and am still enchanted with this work of historical fiction. Oddly, I am not a fan of historical fiction, but Ben Ames Williams' depiction of the Robbins family founding a town in Maine, against the backdrop of the Revolutionary War, blends warmth, tragedy, and romance. As a pre-teen reader, I loved the story of Joel Adams and Mima Robbins and their courtship. As an adult, I love the strength of the family bonds, though hard times and good. I would love to see this book as a recommended book for history students. It brings to life the real pioneer spirit of early Americans.

This is a wonderful historical novel, well worth reading and re-reading. It's full of romance and adventure, and readers will enjoy knowing that many descendants of the characters still live in the lovely town of Union. In fact, they can visit the Union Historical Society's website for more information about the town....

This is a good read, and significant as it documents an early settlement in Maine, and typifies life in the those early times, and what our Maine ancesters went through to settle those remote regions, of which Maine has many. Enjoy!

Just finished reading a borrowed copy of 'Come Spring'. Ordered a copy for myself (something I've never done before). When it arrives, will read it again (again, something I have never done before). Full of good story, history, and earthy philosophies. Ben Ames Williams has a way of putting it all together. It takes a few chapters to get into the mood of the book, but once there, watch out!

Come Spring is one of my all time favorite books. When I read this book (about every other year) it's as engrossing as the first time I read it. I can close my eyes and picture the wildllfe Williams decribes, I find myself trying to copy the accents of the characters and never fail, I end up reading late into the night "just one more chapter". For more information on this wonderful book, contact the Union Historical Society at 207-785-5444.

The Complete Angler - Izaak Walton and Chalres Cotton

This book deserves a place in a collection of great angling books, such as those of John Geirach, Henry Middleton and Scott Waldie. It is really two books and an odd sort of middle section on property rights and fishing (funny how some issues have not changed much since the late 17th century). It has some wonderful discourses on not just fishing but the lifestyle and philosophy of fishing. There are some sections and descriptions that can be tedious but they minor compared to the overall wonderful dialogue of the majority of the book.

The first section is written by Izaak Walton and, to me, was Canterbury Tales-esque, is it's older English language (which is entertainingly preserved) and its format. Three travelers - a fisherman (angler), hunter and falconer meet. In the course of discussing the merits of their activities the angler convinces the hunter to come along fishing with him (after seeing a hunt with hounds). Over the course of a few days on the rivers of England, the angler turns the hunter to the quiet joys of angling. He goes through the fish in England and all the baits and methods of fishing for them as well as how to prepare each of them. I had never through of carp of chubs and fish to eat, but after some of the descriptions in this book, I may have to give the a second look someday. The first book is as much of a celebration of the social and contemplative nature of angling as it is descriptions and methods of fishing. Interspersed are encounters with the local farmers, milker and inn-keepers as well as the talking over of the days activities among friends. But the highlight of this first section, and in my opinion the entire book, is the parting words of the angler to the hunter of how angling is a life philosophy that departs sharply from the hustle and bustle of the capitalist life. The first book is replete with references to early Christianity and its admonitions against looking to wealth for happiness.

There is an odd middle section about property rights and fishing which serves as a rather odd bridge to Charles Cotton's section. This book focuses on fishing for trout and graylings in a small section of England. If found the wordy descriptions of the flies by month to be tedious and the lack of philosophical discussion of fishing to be a little disappointing of an end.

Five days of fishing along the river Lea which joins the Thames near London is the background on which the cheerful narrative of The Compleat Angler is laid. The splendid civil conversation of Latin named Piscator, Venator, Auceps, Viator, and Piscator Junior is a joy to hear. Shakespeare was just publishing his first work when Izaak Walton was born in 1593 in Stafford. Walton retired in his early fifties and traveled about rural England visiting friends, fishing, and writing in his easy-going fashion. After publication of The Compleat Angler in 1653 he continued to add to it in his leisurely way for the next quarter century. Samuel Johnson praised the book in the eighteenth century and later Charles Lamb recommended The Compleat Angler to Samuel Taylor Coleridge. 'It breathes the very spirit of innocence, purity, and simplicity of heart,' he noted. 'It would sweeten a man's temper at any time to read it; it would Christianise every angry, discordant passion; pray make yourself acquainted with it.'
The Compleat Angler is a true classic of English literature that owes it's esteem not to advice about fishing but to Izaak Walton's pre-occupations and exquisite manner. Subtitled The Contemplative Man's Recreation the pages glow with delight in the hills and dales, woods and streams of the beloved countryside. Walton conveys a message of meek thankful fellowship and peace to all "honest, civil, quiet men". 'The Compleat Angler is not about how to fish but about how to be,' said novelist Thomas McGuane. 'Walton spoke of an amiable mortality and rightness on the earth that has been envied by his readers for three hundred years.'

This is surely one of the earliest books available to the modern angler. But it's worth distinguishing 'anglers' from 'fishermen'. I take 'anglers' to be people who go after fish for fun or sport or pleasure and 'fishermen' to be people who go after fish for work.

The first thing to be said about Izaak Walton's book, is that it is a play followed by a text book. The second thing, is that it's in a foreign language even to the English, because it was first published in 1653 when the author was 60. A ripe old age in England in those days.

Walton was essentially a biographer. He got paid for it - often commissioned as a good artist might. He wrote 'The Life of Donne' - a poet who even I've heard of. He's alleged to have been a prosperous merchant, but it doesn't really matter. Great angling writers like Richard Walker were engineers. Old school writers like George Skues, were public school educated solicitors in London practices who took the train to the chalk streams of Winchester in Hampshire at weekends, tying flies as they went.

The play concerns three people who meet by chance and get into conversation about their interests. They're travelling at a walk, and so they lighten their journey with convoluted conversation. Before long, it develops into a bit of a competition. Walton is the angler (Piscator). Another gentleman is keen on falconry (Venator) and yet another is keen on hunting (Auceps).

If you tire of 17th century banter, skip forward to the chapters on each particular species of fish, which will ring true immediately. To me it's a revelation that these friendly old fish will still fall for the same tricks as Walton was playing on their ancestors over 350 years ago.

Three hundred fifty years ago Izaak Walton wrote of the curious blend of inner peace and giddy excitement which the amateur naturalist finds at streamside. He invites us to stroll with him through the countryside, discussing the mythology, superstition, and the science of England's aquatic fauna. It is an unrushed journey, though we often arise at sunrise, and the author introduces us to many of the local inhabitants. Indeed, if our fishing is successful, we might exchange our catch for the song of a pretty milkmaid. The Compleat Angler is a brief book, and Walton's intent is to hook the reader, and encourage him to try fishing for himself: "I do not undertake to say all that is known...but I undertake to acquaint the Reader with many things that are not usually known to every Angler; and I shall leave gleanings and observations enough to be made out of the experience that all that love and practise this recreation, to which I shall encourage them." Interestingly, Walton starts off on the defensive, since the fisherman's passion was even then caricatured. By the end the reader has joined the "Brotherhood of the Angle," making artificial flies and enjoying the poetry of fishing: "The jealous Trout, that low did lie, Rose at a well-dissembled fly." To the modern ear Walton's literal belief in naturalists' old wives tales may seem humorously anachronistic, and it comprises a remarkably large part of his affection for his subject. We are also frequently reminded of the book's timeline with comments such as "...the Royal Society have found and published lately that there be thirty and three kinds of Spiders," while we now know that there are thirty thousand species of Arachnids. And the Brotherhood of the Angle is a genuine fraternity to Walton, "...I love all Anglers, they be such honest, civil, quiet men." The prospective reader must also be disabused of the misconception that Walton was a purist for artificial lures; he strongly recommends worms, minnows, and live flies. In Walton's watery world there is no dry humor, only fresh. Following his description of the twelve most effective artificial flies he says, "Thus you have a jury of flies likely to betray and condem all the Trouts in the river." And here he compares the beautiful coloration of a living trout to...well, you'll see: "Their bodies [are] adorned with such red spots, and...with black or blackish spots, as give them such an addition of natural beauty as, I think, was never given to any woman by the artificial paint or patches in which they so much pride themselves in this age." At the risk of taking some of the surprise out of the book, I here present a sample of Walton's fishing secrets: "Take the stinking oil drawn out of Polypody of the oak by a retort, mixed with turpentine and hive-honey, and anoint your bait therewith, and it will doubtless draw the fish to it." I would guess that Walton wasn't much of a cook, however, and I do not recommend his recipe for eel (partially skinning it, packing the viceral cavity with nutmeg and anchovy, cutting off the head, slipping the skin back over the body, and sewing it together where the head formerly was, then barbecuing it on skewers). Walton's affection for fish and fishing extends beyond the aquatic nobility of trout and salmon, to the often ignored commoners: gudgeons, sprats, bleaks, herns, tench, roach, umber, loach, and sticklebag. And as for the importance of fishing in Walton's world: "I envy not him that eats better meat than I do, nor him that is richer, or that wears better clothes than I do; I envy nobody but him, and him only, that catches more fish than I do."

Walton uses the perspective of an enthusiastic angler to promote a lifestyle of reflectiveness, gentle humor, and appreciation for nature. The book is easy to read, despite being first published in the 1600s.
The Coachwhip Publications reprint edition (ISBN 1930585209) is inexpensive and contains Cotton's "Part 2," written at Walton's request for the fifth published edition of "The Compleat Angler."

This seering uncompromising volume is one of the most important books published in the past thirty years.

The many excellent chapters penned by world-class historians and analysts destroy the mendacious rationale for the welfare-warfare state, that monstrocity at war with America itself and the world.

In particular, Murray N. Rothbard's two essays, "Two Just Wars: 1776 and 1861" and "World War I as Fulfillment: Power and the Intellectuals" are especially crucial to understanding how this messianic drive for empire and regimentation came about.

_The Costs of War_ thoroughly examines how the US has gone from being a peaceful republic to the empire it is today. From the Civil War to the Spanish-American War and the World Wars, the essays in this volume tell you about the individuals who deliberately turned the country against its long-standing isolationist tradition, and how and why they did it.

More importantly, in keeping with its title, the book also describes the high price we've paid for the warfare state, not only in human lives, but also in damage to the economy, the culture, and especially liberty.

This book is essential for anyone who wants to understand what's going on in the world today in the context of what has gone before. The information and ideas here are extremely important, now moreso than ever, and I give the book my highest possible recommendation.

~The Costs of War: America's Pyrrhic Victories~ is a compelling and powerful anthology directed against the imperial psychosis of our times. It offers a sweeping indictment of the costs of war in terms of loss of life, the effect on morality in the aftermath, inflation, mounting debt, statism, the loss of civil liberties and economic freedom. A multitude of collaborators have contributed to this powerful anthology including John Denson, Samuel Francis, Thomas Fleming, David Gordon, Paul Gottfried, Robert Higgs, Justin Raimondo, Murray Rothbard, Joseph Stromberg, Clyde Wilson, et al. In the words of Justin Raimondo, the "noninterventionist movement" has been "relegated to the margins of American politics, confined to pacifists and extreme leftists, on the one hand, and extreme rightists, including libertarians as well as members of the John Birch Society, on the other." Many of my nominally conservative friends have been of the mindset that a martial obsession is a novel conservative value. However, if they study history more objectively than they will find that there is nothing particularly conservative about being "warlike" and obsessed with "militarism," particularly within the Old Right conservative tradition at home in America. The neoconservative interlopers have led them astray. Notwithstanding our present-day abandonment of the non-interventionist tradition, its roots go back deep into America history. The founding fathers enshrined their commitment to non-interventionism in the Neutrality Act of 1793. "The Great rule of conduct for us," proclaimed George Washington, "in regard to foreign Nations is in extending our commercial relations to have with them as little political connection as possible... It is our true policy to steer clear of permanent alliances with any portion of the foreign world." Thomas Jefferson further lauded the virtue of strategic independence, in proclaiming: "Peace, commerce and honest friendship with all nations; entangling alliances with none." John Quincy Adams surmised, "America does not go abroad, in search of monsters to destroy. She is the well-wisher to the freedom and independence of all. She is the champion and vindicator only of her own." Some of our "monsters" in recent years whether Osama Bin Ladin or Saddam Hussain were actually considered our allies. Moreover, these "monsters" were foreign aid recipients and are actually "monsters" of our own countenance at one time. In my humble opinion, America's security lies in a foreign policy based on strategic independence and armed neutrality, not in reckless intervention abroad or in countless foreign entanglements, alliances, and commitments to international bodies like the United Nations.

Many people see the Second World War as a defining case against non-interventionism, but if they studied history more objectively than they would see how American intervention in the so called war to end all wars, the Great War, in fact paved the way for the Great Crusade in the Second World War. Woodrow Wilson's intervention in the Great War and his campaign to "make the world safe for democracy" actually served to make the world safe for both Hitler and Stalin. The seeds of Nazi Germany were planted by the forced abdication of the Kaiser and the vehement economic retribution perpetrated by the Western Allies like England and France against Germany, which only served to destabilise Germany and radicalise her body politic.

John Denson astutely surmises, "The greatest accomplishment of Western Civilization is arguably the achievement of individual liberty through limits on the power of the state. In the war-torn twentieth-century, we rarely hear that one of the main costs of armed conflict is the long-term loss of liberty to winners and losers alike." War for America, despite our overwhelming victories, has been one Pyrrhic victory after the other. "Beyond the obvious costs of dead and wounded soldiers, there is the lifetime struggle of veterans to live with their nightmares and their injuries; the hidden economic costs of inflation, debts, and taxes; and more generally the damages caused to our culture, our morality, and to civilisation at large." With this erudite anthology, Denson and many others illustrate the costs of war and the heavy toll that an imperial mindset unleashes on a nation. To encapsulate some of the brilliant content therein: Richard Gamble takes on the perennial champion of imperialism in the nineteenth-century Abraham Lincoln in a terse analysis of his sordid legacy, his war of aggression; Richard Raico sketches the costs of America's needless involvement in the Great War, in an essay entitled `World War I: The Turning Point;' Robert Higg's profound essay entitled `War and Leviathan' sketches a history of how war preparedness has led to a continual aggrandisement of power in the hands of the state while proving itself to be detrimental to freedom; and Paul Gottfried asks the most heterodox question of our time, in his essay `Is Modern Democracy Warlike?'

This book squarely challenges the prevailing myth that our sustained history of war in the twentieth-century has made us freer and secured more freedom at home. War is an engine for aggrandisement of power in the hands of state, centralisation, as well as sweeping cultural and moral changes. After WWII, Americans became acclimated to payroll withholding, a hefty income tax, and a mammoth centralised bureaucracy. Nonetheless, the idea that there is somehow salvific cleansing power in the spilt blood of the America G.I. continues to prevail. I whole-heartedly recommend this book. Thomas Woods put it best, "The Costs of War is easily one of the most important books to emerge from American conservatives in a generation." I whole-heartedly recommend this jewel, which is a reminder of the costs of war and a defender of the non-interventionist tradition which must be recovered.

Although soundly invested in the critiques provided in each of the contributions to "The Costs of War: America's Phyrric Victories," I find the refusal by Mises intellectuals to entertain extending the franchise of soldiering to the ruling classes (and even, now, to the comfortable middle classes) by way of compulsory service a hollow defense.

Mr. Stromberg (whose analysis here, as in his articles dating back many years, speaks truth to power most lucidly) himself has been heard dismissing the James Fallows assertion. To paraphrase: that until the mothers of soldiers in comfortable white suburban towns are ringing the phones off-the-hook screaming at their Congressmen "YOU KILLED MY BOY!" the lives of Fallows' working-class "Chelsea boys" will continue to be defiled in the name of state sponsored phyrric misadventures as they are marched off to slaughter.

What other than placing the incidence (costs) of warfare squarely in the laps of the decisionmaking class will stall the state-led rush to war? Surely not the scorn of intellectuals. Surely not the "mature restraint" shored up by our shuddering constitutional system, increasingly torn to shreds by means of "unitary executive" assertion. Alas, surely not the thoroughly "professionalized" "all-volunteer" armed forces, marshalled by increasingly unaccountable yes-man officers, themselves at the beck and call of revolving-door insider-intellectuals, presidents, congressmen, and captains of industry as they engage in the lapping up of the "political means to wealth"--the overwhelming majority "exempted" from their service on the battlefield.

John V. Denson edited a useful anthology that undermines the "popular history" (popular nonsense)of recent U.S. History and the rise of empire which is a term the Establishemnt does not like because empire is an honest definition. Denson chose excerpts which deal with the rapid growth of centralized government, the disintegration of constitutional rights, and an ever increasing national debt all of which is related to unnecessary war since the Civl War or the War of Southern Succession.

Denson's introductory essay is worth reading. This essay gives the reader a glimpse of the book's theme, and his essay is a good introduction to the rise of militarism in the United States since 1860. Denson's introduction presents the reader with a cause-and effect relationship between war and the erosion of rights.

The essays that examine the Civil War, especially Murray Rothbard's essay, gives a view of the Civil War that reveals that actual origins of this tragedy as opposed to the childish convention that somehow the Civil War began over the issue of slavery. Readers should note that Gen. "Stonewall" Jackson was opposed to slavery. Gen. Robert E. Lee emancipated his slaves. On the other hand, Gen. Grant had to free his slaves to take command of the Army of the Potomac. Gen. Sherman of the Union also owned slaves. As some of the essays clearly state, Pres. Lincoln antagonized the Southerners with manacing military actions especially on Virginia's border which resulted in the Virginians joining the Confederacy.

The essays dealing with World War I and World War II should be of particular interest to those not familiar with actual the origins of these wars. Textbook writers give the false impression that Pres. Wilson and U.S. authorities were neutral prior to April 6, 1917 when members of the U.S. Congress voted to declare on the Germans and their allies. The facts were that American bankers and powerful political fugures had given money and resources to the British and French espcially after 1915. Pres. Wilson had U.S. supply vessels sail into war zones to assist the British and French and to deliberately antagonize the Germans into provocation.

Murray Rothbard's essay regarding World War I is instructive. He chides Walter Lippmann for being a ferocious advocate of U.S. entry into World War I as well as a proponent of military conscription (slavery). Yet, when Mr. Lippmann realized that he was of draft age and in good health, he used his connections with Felix Frankfurter to avoid having to face angry gunfire. Lippmann's excuse was that he wanted to help shape the post World War I United States in line what the "intellectuals" thought was necessary for everyone else. Mr. Lippmann annointed himself as one of Plato's philosopher kings. This anecdote is indeed instructive. This is line with the adage that, "War hath no fury as that of the non-combatent." One should note that the current group of armchair patriots have never seen combat. Vice President Cheney had five (5) draft deferments and never saw one he did not like. Yet, he is similiar to Walter Lippmann in that Cheney wants war but never wants to face war's dangers. Lippmann and Cheney fit Andy Jacobs' descriptions of War Wimps and Chicken Hawks.

The essays dealing with the costs of war reveal that the plutocratic rich benefit from military expendatures, but the public never gets to see the bills until later when they come due. Those who prefer to remain ignorant and comfortable about the costs of war only protest when taxes and inflation damage their economic status. Yet, these folks may hold a key to stopping the war machine as suggested in one of the essays if they alerted their U.S. Senators and Representatives.

The appeal to "Demokracy" to initiate wars is ludicrous which Messers Gottfired and Hoppe make very clear. The fact is wars in the name of democracy or wars in the name of the people are the most destructive. A point well made is "Vox populi Vox Dei" applies to war. Modern political views state the voice of the public, no matter how stupid or wrong, is a substitute for reason and knowledge.

Mr. Denson's book is useful for those who are puzzled by the rise of the military state. Readers should also consult the bibliogrphy in this book. Harry Elmer Barnes' anthology titled PERPETUAL WAR FOR PERPETUAL PEACE and James J. Martin's REVISIONIST VIEW POINTS are especially useful. Mr. Denson's THE COSTS OF WAR is timely and well worth reading.

This is the third in the Moosepath series of books by Van Reid and it maintains his exemplary standard of good writing and is a delight. The story makes a great winter read as it uses all the atmosphere of the season - winter snowstorms, crackling log fires, spooky deserted houses. It follows on from the previous novel Mollie Peer although this story is complete and can stand on its own; but if I you intend to read Mollie Peer (and I recommend it most hightly) it would be best to read this novel after Mollie Peer or you will know what happens in Mollie Peer. This really is good wholesome storytelling at its best - not a watered-down-to-not-offend wholesomeness; but a rich, life-affirming novel of loveable characters in a rollicking laughter-filled old-fashioned tale that will bring tears of joy and sadness. READ THESE BOOKS!

if, like me, you're a bit plugged up from reading irvine welsh, noam chomsky, dave eggers, etc. van reid's "daniel plainway" might just do the trick.

i picked this up on a whim and afterward was scared i had gotten myself into something that was going to be a bit "precious and old-people-y", though i held on to a glimmer of hope due to the fact that "the onion" had read and liked the book.

in the end i couldn't put the thing down -- partly due to the author's way of jumping from storyline to storyline on a chapter by chapter basis, but mainly due to the fact that it was a delightful read. it reminded me more than a little bit of a rural american sherlock holmes adventure (the story is set in 1890s maine), but with tongue planted firmly in cheek (never irritatingly so though).

i won't divulge any details of the storyline, but i will say that i thought the book peaked about 2/3 in (when all the various threads finally came together) and after that it slowed down a bit. not bad, but perhaps mildly disappointing after such a fantastic build-up. one other point of note: if like me, you find yourself wanting to read the first two books in the series after finishing this one, you'll realise you've been given too many spoilers about book 2. will this affect your enjoyment of book 2? dunno. i haven't started that one yet... but i know how it ends.

i don't think you can go wrong with this one. regardless of your age or interests, a bit of good clean old-time book reading fun is coming your way.

Van Reid is just a great story teller. This is the best (so far) in his Moosepath trilogy.

Hurray for the Moosepath League!! Maine novelist Van Reid now has published a series of his comic, sweet novels, each more pleasurable than the last, featuring Tobias Walton and his companions Ephram, Eagleton and Thump. His most recent offering, Daniel Plainway: Or the Holiday Haunting of the Moosepath League, is the perfect Christmastime or winter fireside book. Woven with so many pleasurable amiable asides and subplots, the main story about a kidnaped boy and ancient Norse writings seems almost an afterthought. To take one example, Walton, whom Reid describes as "himself a pearl, and good things did seem to surround him", starts the novel losing his hat in a sudden wind; the peregrinations of that topper itself, and the goodwill it seems to bear from its owner, flow delightfully through the story. In another delightful scene, Reid waxes rhapsodically on the perfect qualities of snow for snowballs, leading to a delightful snowfall fight involving the novel's heros, villains, and local youngsters. A particularly pleasurable turn for me, a former classicist, is that the interpretation of the writings depends on hearing the Greek spoken in a seemingly nonsensical English phrase, "she'll bust her feeding." Although always lighthearted, Reid's novel is not without serious purpose, as expressed in the dialogue as to whether "there are so many people in the world willing to drive tragedy" or whether "there are as many, more, really, who are willing to put things right." In Reid's world, those who good-heartedly "put things right" - most especially the comical Moosepath League - predominate. I finished his book with a fair certainty that the same prevailed in my own place and time.

'Daniel Plainway' is the third foray into the adventures of The Moosepath League for Van Reid, following 'Cordelia Underwood' and 'Mollie Peer'. If you have not read those volumes, do so now.

In this episode, the charter members of The Mossepath League encounter their alter egos in the form of the Dash-it-All Boys, while the other members of the league match themselves against a secret society, obsessed with discovering lost Viking riches, known as the Broumnage Club.

These adventures, however, are once again woven into the fabric of the continuing story of Bird, a small boy whose story has been heretofore a mystery, in great Van Reid style. That is to say brilliantly. Reid's talent for intertwining story threads is unmatched by any author in my eclectic library, and it is a singular pleasure to find recurring, peripheral characters scattered about the pages of 'Daniel Plainway', as well as 'Mollie Peer'. When these characters appear, it is sometimes to deliver a funny anecdote or story, or to be merely a small participant in an ongoing conversation; and whether identified by name, or left for me to surmise their identity myself, I always feel like a participant in an inside joke.

I would love to apprise you as to the identity of Daniel Plainway, or hint at how he is connected to young Bird, but I feel I would be diminishing your reading pleasure, not enhancing it. The best turn I could do for you, in regards to this review, is stress upon you the joy you will have in reading Van Reid's chronicles of The Moosepath League, starting with 'Cordelia Underwood', then 'Mollie Peer' and ending with 'Daniel Plainway'.

I feel confident when you are finished with this trio, you will be anticipating the fourth installment in this saga as eagerly as I am.

Pam Johnson founded "The Secret Society of Happy People" and found herself grappling with holiday newsletters, worldwide press coverage, a spirited debate on "Politically Incorrect", and asking state governors to proclaim National Admit You're Happy Day. In Don't Even Think Of Raining On My Parade: Adventures of The Secret Society Of Happy People, Pam shares with the reader her perspective on living, enjoying, and celebrating what life has to offer, and presents a spectrum of happiness showcased through insightful stories, thoughtful observations, and witty pieces by other writers. Don't Even Think Of Raining On My Parade is highly recommended for inspirational self-help reading lists and library collections.

This book is two books in one! It tells the reader in chronological order the fences Pam had to jump to get her idea to become reality. With sheer determination and a humorous way of viewing events, Pam succeeded in her quest. The book also is loaded with entertaining stories demonstrating the 21 types of happiness. It was a quick, delightful read.

This book provides a humorours look at how her "Secret Society" got started. The stories of her adventures with the media, politicans, and the public in general are funny. She reminds us fo how lost "happiness" as become, but more important how we should NOT rain on someone else's parade. This easy to read and entertaining book would make anyone a great gift.

Pam's book is an easy to read, humourous look at how hard it is to spread a little happiness. It takes the reader on a chronological journey with Pam as she heads towards making her passing thought of a Secret Society of Happy People into reality. It also contains entertaining stories demonstrating the 21 types of happiness. A fun, quick read that left me smiling

Pam Johnson's "Secret Society Of Happy People" is one of the most unique and yet simple ideas I have ever heard of. Unlike so many other "feel-good" authors of today, she does not suggest that we deny our true feelings or the unhappy realities of this world, but to make a point of expressing our feelings of happiness as and when they arise -- without feeling guilty or inappropriate for doing so. There is a good chance that we are all a lot happier than we think we are! This book also raises awareness of how we allow other people's negativity to zap the happiness right out of our lives. "Don't Even Think of Raining On My Parade: Adventures of the Secret Society of Happy People." chronicles the author's diligent and courageous undertaking to bring acceptance back to the concept of feeling good. It's a wonderful read.

If you're looking for an art piece, this is the book for you. I was hoping for a little more instruction. It is a beautiful book and I would probably buy it anyway even if I had known how little practical knowledge is actually offered. Most of the instruments could probably be figured out by a fairly competent ceramist, but a beginner would be completely lost.

I was disappointed not to be given cross-section diagrams of some of the wind instruments; I would have liked some more and more specific technical info on creating a clay xylophone and/or marimba; I'd like to know more about stretching drum heads and stringing/playing the bowed instruments and harps. That said, I can probably figure it out, but that's why I bought this book. To help me figure it out.

Conversely, in the section in which Hall does give step by step procedures, he includes simple steps that even the 6-year-olds in my pottery classes know how to do. Nothing about firing techniques or the rest of the stuff ceramists seem to feel obligated to include in a book written for beginners, though, for which I am grateful. Any beginning potter needs a general instruction text (or a good class), so I'm not sure why specialty authors feel it necessary to include basic steps and then, for want of space, leave out stuff you'd really like to know.

Sorry for whining so much. I really love the book and have been reading it word for word (some of it is pretty silly kind of psycho-babble, so you've been warned) to glean every bit of info. It's spangled with little stars of knowledge and I don't want to miss any of them.

As others have said, this isn't really a studio book. It's too nice, and hasn't got all that much practical information anyway, unless you've never made an ocarina or can't figure out on your own how to make a goblet drum. (Thanks for the instructions on fitting the head, though.) It will give you loads of inspiration, and if you understand the different ways of making a sound, which are really explained quite adequately, you'll be able to figure out at least a rudimentary model of most of the instruments shown.

I'm facinated by ceramic music and this book had instruments that I didn't know existed. It is well written and very informative. I also enjoyed listening to the music CD. If you're into ceramics, this book is a good buy!

Love the book and the cd. If you like making musical instruments out of clay or want to learn about them. This is your "must have" book!

I first made my purchase because I had a couple of my photos included in the book. But when I opened it up, it took my breath away! Not only are the photos well done and well laid out, but there is historical information about clay instruments, as well as information about currently made clay instruments. There are also pages of 'how to' for those so inclined. There is information about various artists. I thought it was of such value that I have purchased a copy for the Bethany College Art Department's ceramic instructor. There is a wealth of knowledge in this one book! I highly recommend owning one! Kudo's to Barry Hall!

This book is to own. It's at home in the studio, on the coffee table or in the historian's library. It's well written,informative (with some how make ceramic instrument techniques), exhaustivly researched with magnificient photographs of clay instruments, both ancient and new, of every type. I would never loan my copy for fear of not seeing it again.