Philosophy Books

This is an excellent book. The author thoroughly describes the process and analysis of mergers and acquisitions. He also outlines LBO's, shared growth, and alternative exit and restructuring strategies.

This book is very well written...packed full of helpful information on M&A. The author's use of short cases to illustrate key points was most helpful. I found the down to earth discussion of how to put deals together very clear. I particularly enjoyed the fact that the scope of the book included an extensive discussion of alternative strategies such as JVs to mergers and acquisitions. The author also managed to include an exceedingly large number of case studies in the book, many of which were international transactions. Good book, good read. I highly recommend it.

While this book covers all aspects of how to do a deal, the chapters on valuation, deal structuring, and financial modeling are by far the most lucid I have seen. The Excell spread sheet model on the CDROM accompanying the book provides incredibly helpful insight into how purchase price strategies are developed. The reader can review all of the underlying formulas enabling them to modify the model or to develop their own. Moreover, the model provides the reader with unusal insight in how all valuation, tax, accounting, and synergy considerations converge and interact to affect price. Overall, the book is very well written, clear, and supported.

Unlike many other treatments of this subject, this text discusses M&A in the context of a process or framework. The author takes great pains to show how all M&A related activities interact. The text discusses both technical (e.g., valuation, accounting, and tax issues) and non-technical (e.g., strategy development, identifying potential targets, initial contact, negotiation, and integration) issues. The book does an excellent job of talking about alternatives to M&A for executing strategies, including alliances, joint ventures, partnerships, etc.

Numerous recent case studies illustrate various concepts and situations. The coverage of laws affecting different types of business combinations, of accounting standards applicable to M&A, and of relevant tax considerations is both current and excellent. The book also contains useful checklists to facilitate implementing transactions. The book is also chock full of helpful insights and hints of what to look for and how to avoid the traps that often accompany different types of transactions.

The book also contains an excellent discussion of other ways to enhance shareholder value. These include spin-offs, divestitures, carve-outs, bust-ups, and bankruptcy.

The book is highly practical and well-documented and could be viewed as a handbook on how to use M&A (or alternatives to M&A) to execute business stratgies. I think the book is an indispensable reference for accountants, lawyers, investment bankers, CFOs, and others involved in making transactions happen.

This book takes the mystery out of M&A financial modeling and structuring deals. Many books on the subject seem to take a "black box" approach to how to do deal structuring and valuation. The author discusses in plain language how to do valuation, simulation, and deal structuring using financial models and how to use such models to select the best offer price for a target firm. The book includes detailed discussions of tax, accounting, and alternative deal structures.

The CD accompanying the book contains an Excel spread sheet model that can be modified to fit the unique circumstances of any transaction. This alone justifies buying the book, in my opinion.

The book also provides keen insights into how M&A can be used to implement business plans, how to identify potential target firms, strategies for contacting potential targets, and how to draw up initial documents such as confidentiality agreements and letters of intent. The book is highly comprehensive covering virtually all topics necessary to understanding the M&A process.

For the money, it is the best book on the subject, up-to-date, complete, and highly readable. If you have a serious interest in the subject, this is an important book to add to your library.

The book is well written. I have been enjoying reading it. However, I can't give it 5 stars because the author takes drugs and writes about it. How about a kid reads this book? So, the kid will think is cool or ok? I don't think the author has the right to inspire people to do what he chooses to do with his body. The body is a temple to take care of not to abuse it and exploited in actions, words, thoughts or writing.
He also mentions the dark side of his nature that it's too personal and too dark. Almost evil to the point, that I felt he should have left it out. Nobody needs to know about this of his past. Only God should judge, and he knows all our sides including the dark ones.
If you are spiritually sensitive, you will feel the darkness of his spirit in the past while reading his words. Words are powerful and words can manifest.
Some parts of the book with these are repulsive!
The rest is excellent! He has great thoughts and ways to present his visions of art. The author can also inspired other artists.
To the Author, I would suggest asw a friend reader for him to see "The Secret." Hopefully, he won't repeat writing events of his inner demons. Sorry, but nobody cares...besides this should be in a personal journal or talked with a theraphist.
The author uses his writtings to heal and confess himself. The bible says, to confess to God only. If you don't want criticism like this don't exploit your past weakneses by writting to the world!
This book should not be given to kids under 25 yrs old. When you are 25 yrs old. your thoughts patterns are mature to make the best judgement before then your brain is still developing and is highly impressionable. This is a fact and one can google it too.

I bought this for my fiance and he ABSOLUTELY LOVED IT. I really enjoyed it too. My fiance is a HUGE Alex Grey and TOOL fan and if you are too you will love it too!!!

Soul Expression Can Be Visionary Artistry
Imagine, for a moment, the Creative Forces. How do you envision the Spirit of Life, as it expresses itself within you? When I suggest this meditation in my classes, people usually enjoy it. When I suggest to pick up a colored crayon or two and help the Creative Spirit express itself on paper, this second instruction creates more anxiety than pleasure. I hear the protest, "But I can't draw what I envisioned!" I might reply, "Just allow yourself to enjoy the process and don't be worrying so much about how you think it should look. Let it be easy, let the vision guide the drawing, let it do what it wants with itself."
After we have made our drawings, people share a little of what was experienced during the meditation and we get to see how it came out on paper. The drawings are so different, yet group members usually recognize the mark of the Creative Spirit in them. Their sheets of paper contain precious revelations. People remark favorably, of course, about those that are more "artistic." Some may denigrate their own work when comparing it with those that win the group's "artistic" award. I try to draw their attention elsewhere. It's not about being "artistic," but about honoring one's experience as best one can.
Alex Grey, author of The Mission of Art (Shambhala), writes that the purpose of making art should not be trivialized into a career path toward fame and fortune. The essential purpose of making art, he reminds us, is to honor Spirit, to make it visible, to make it real in this world. If we create also for the purpose that it might further awaken Spirit in others, then making art becomes a spiritual mission as well. If sufficient talent, dedication and hard work are present in the mix, then it can also be a profession. He calls the professional artist to a higher mission, explaining how to invite Spirit into the work. If the artist commits to bringing Spirit into the work, he claims, Spirit will collaborate with the artist.
Creating is an essential part of the soul's activity and thus belongs to everyone as their natural birthright. So he aims his book also at the rest of us, just as he does his painting. He writes, "When people are profoundly moved by art, they recall from their depths their own intuition of spiritual truth." Like Edgar Cayce, he would have us all involved in some sort of creative activity and wants us to appreciate the spiritual importance of doing so.
Even if you do not recognize the name of Alex Grey, very likely you have seen a reproduction of one of his visionary paintings. Best known are his stunning, anatomically correct renditions of a person with transparent skin, revealing the inner body as well as the spiritual energies flowing through that body. In his painting of the kissing couple, for example, you can see the spirit of the man and woman intertwine. His paintings show beautifully the truth of Spirit's activity in this world.
The fact that his stuff is extraordinarily good--dazzlingly good--doesn't take away from the fact that he is sincere when he writes that each of us is an artist. He urges us to recognize that our soul yearns to find outward expression in creative acts. Echoing the understanding of Edgar Cayce, he writes, "Seeing with the eye of the heart, the mystic eye, is seeing with the soul." Responding to the creative itch, taking the time to express it, in poetry, in cooking, in painting, honors the source. Allowing the imagination to become involved in our activities invites the soul's involvement in what we do.
I explain to my students that our doodling exercise is something of a sacred ritual. I note that we attuned ourselves to a very special inner reality, and then expressed it outwardly as honestly as we could. In other words, we gave testimony to our own experience of Spirit. By sharing our drawings, our spiritual intuitions made visible, we treated ourselves to witnessing several reflections of Spirit, expanding and sharpening our sensitivity to its qualities.
But the exercise was not without struggle. It took something akin to what Grey calls "egocide." We had to let go of notions of what the drawing "should" look like, and allow the expression of something greater than our own willful abilities." It requires turning our focus away from the ego's perceived "artistic" outcome and focus instead upon the authenticity of having honored our experience. In the back of my mind is one of my favorite ideas from the Cayce material, that the one of highest service we can give to one another is to share our experience of the Creator. I am also aware of his teachings about art being an essential path of spiritual experience. The purpose of our exercise is not to see who can make commercial art, but to enhance our connection with Spirit. We can not all be commercial artists, but by honoring the muse and being willing to share, we can all serve as visionary artists. [...]

Warp your mind and you just might see God. Haven't tried LSD. Have tried "Salvia Divinorum" (still legal as I write this in most areas) I don't smoke and rarely drink, and I've never even tried pot, something most who know me don't believe since my parents were hippies.

But, after being stuck in a 70 hour week overtime job for 3 years, I had an art block that made me feel almost suicidal. The flood of ideas trying to focus through that tiny speck of time I had burned me out.

So, against everything I'd ever done in life, I got some Salvia Divinorum after a lot of net research on anything "Psychedelic". And after a few trys had a hallucination beyond comprehension. Literally seeing God and his infinite love and creativity and how bright that burns in all of us, even as tiny and insignifigant the universe is in the greater universe beyond.

Reading this book I felt kinship. Someone who'd used a psychoactive and seen his true purpose.

I reccomend to anyone who wants to do art (with or without earning a dime from it) but feels limited or blocked by stress interferring with creativity to do this. Try a hallucinogen ONCE (or a couple times) and check out visionary stuff like this.

In The Mission of Art, Alex Grey shows that his prodigious artistic gifts are moored in intellectual depth. Grey discusses art history, aesthetics, mysticism, religion, postmodernism, and processes of art reception with equal facility. This kind of writing is a rare treat. Only a small number of American artists have articulated their ideas in writing and fewer have done so with as much skill and alacrity. Grey's writing is reminiscent of G. Albert Aurier, the French Symbolist critic who shared Grey's mystical inclinations and his views about the spiritual and moral potential of art. Grey believes that mystically inspired art can in turn inspire its viewers to transcend today's oppressive consensual values of materialism, utilitarianism, and consumerism, and become aware of more authentic spiritual realities. There are a couple of factual inaccuracies, perhaps due to exaggeration or oversight, as where Grey states that mystical art was virtually absent in late nineteenth century Europe (p.37) and that Van Gogh labored in "complete obscurity" (p.90). Many prominent artists of the late nineteenth century French Symbolist movement were deeply inspired by neo-Platonic mysticism. Though Van Gogh never achieved material success, he was well known and respected by some major artists of his time. Aurier praised Van Gogh's art in a published review shortly before the latter's death. As the world seems to plummet ever deeper into eco-devastation and strife, to continue to hold out faith in general processes of human spiritual "evolution" which are aided by art, as Grey does, appears to demand ever more credulity. In my view, one can now realistically expect mystical art only to be a source of some personal inspiration and an exemplar of humanity's highest but tragically failed ideals. Its ideals of spiritual perfection might still be realizable, or approachable, by the minority of persons and minds which are receptive to it, but it has been virtually impotent as a means of producing a generalized social-spiritual transformation. Indeed, our society seems to appropriate such art as a means of a repressive desublimation of mystical idealism. Mystical art might tend to palliate and pacify idealistic urges, lulling some viewers into complacency by its pleasant presentations of images of spiritual self-actualization, images which, as wonderful as they may be, are only shadows of real conditions of actualization. Our society allows access to these images while doing its best to restrict access to the kinds of experiences which might truly facilitate such an actualization, such as the entheogenic experiences which largely inspired Grey, and competent shamanic guidance. Nevertheless, such mystical representations of what might be more realizable in a better world may for some others highlight the differences between what is and what ought to be, inspiring greater efforts to close the gap. Mystical imagery, as a means of Bildung or of the cultivation of consciousness, is capable of helping to "magnetize" the minds of receptive viewers, helping to keep some minds freed from Plato's cave and aimed toward the light.

This is a very cool book, chock full of wild and creative illustrations. A quick, but fun read.

Reading this book, I felt like I could see the movie in my mind. The vivid descriptions and word play are incredible. The book is filled with awesome illustrations to accompany the equality descriptive words. This futuristic adventure is mildly paranoid while still touching on enough reality to make you think. It is almost like a cousin to a comic book. It was incredibly well written and engaging. I highly recommend this book.

Similar to Jack Kerouac's seminal beat novel On the Road, Montauk Babies is the story of Al Leedskalnin and quantum physicist Peabody Freeman, who are traveling across country in 2011 in a '73 Buick Riviera, on a mission to keep time-space from imploding in on itself.

The title comes from the 1930s secret government experiments in invisibility, time travel, and mind control, when Nikola Tesla and several other physicists undertook experiments in multiple realities, eventually creating a "time tunnel" between 1943 and Montauk Island of 1983. According to the story, Leedskalnin was a subject of the Montauk experiments and is thus acutely aware of how these interdimensional gaps threaten to destroy humanity. And only a "Montauk baby" is spiritually equipped to save the earth.

Montauk Babies could loosely be called a graphic novel because of its lavish illustrations, though the narrative is in text form, albeit printed, at times, on the horizontal and even upside down, in a font that is nigh impossible to read clearly. While this may echo the plot conceit of a world falling apart and of events dislocated in time, it is also downright impossible to read.

Even with this in mind, Montauk Babies is an entertaining and provocative read, of interest to science fiction buffs, conspiracists, and comic-book lovers.
[...]

This is a really well done graphic novel. The story is exciting and keeps you glued from beginning to end and the beautiful color illustrations are unlike anything I have seen in other graphic novels.

Great read and cool art. This book is really unique. Lots and lots of depth to these characters. I can really see this being made into a movie. I'll be the first in line. Best graphic novel to date that I've come across.

Dôgen-Zenji was the greatest figure in Japanese Zen; if literary output were the criterion he would be the greatest of all Zen Masters. He was one of those rare beings who combine the contemplative's insight into reality with the poet's gift of words.
His immense masterwork, the "True Dharma-Eye Treasury," covers all aspects of Buddhist practice from rarefied metaphysics to behaviour at mealtimes: all dualities are comprehended in Enlightenment, leaving no distinction between the mundane and the sublime.

I have four books of excerpts, but this is my favourite: the poetic and metaphysical chapters predominate over practical and instructional ones. Literary Japanese, supple, intricate and elliptical, was wildly different from modern English, but the translators have done wonders in achieving clear and (fairly) natural versions, though word-choices sometimes puzzle. A good balance has also been struck between a surfeit of footnotes and too many baffling allusions.

This is a book to read, re-read and grow into, depth after depth. It expresses as much of the beauty, mystery and profundity of Zen (and existence itself,) as can be expressed in words... and then a little more. Even when I'm reading a passage I can't make head or tail of, I feel my body go cold, as when reading great poetry. This is a book that haunts, astonishes and humbles, a book to trudge through the snow for, to swim icy rivers for... and you can buy it so easily.

Great book which contains a big collection of Dogen's wisdom. In order to understand it without much difficulties, I would suggest that the reader will start by learning about Mahayana Buddhism in general, and then start to investigate Dogen texts. Because the wisdom of Zen Buddhism is often written in Chinese or Japanese, this book is very handy for the westerner user,especially because the translation is brilliant.
As a student of Japanese language for the last 6 years, I know how hard it is to translate the 12-13th century Japanese into nowadays English, so it has really impressed me. A sure pleasure.

To review this book at length would ignore its lessons. My only advice is to read it and discover the Dogen for yourself. You might come away thinking he's an idiot. He'd say he'd succeeded mightily in your education.

"moon in a dewdrop" is a collection of writings by Eihei Dogen, the founder of Soto Zen. The text is divided into four sections, which are clear and easy to understand. There are notes and a glossary so that the meaning of the text can be clearly grasped. The book is a five star raft.
Now to the writing, Dogen speaks from experience, insight gained through deep meditation, lived every day. The text is not meant to be intellectually grasped as a doctrine. This can be understood by the presentation of the first section being "Practical Instructions" and the first writing being "Zazen-Gi" or Rules for Zazen. Sitting with "moon in a dewdrop" is like sitting with Dogen himself, at every turn Dogen is pointing to reality and inviting us to fully enter it and taste it for ourselves. The text is a practical manual to be used in conjunction with Zazen, Dogen wrote for all those, who truly wish to taste the essence of Buddhism and reality.
The writing is five star.
I wholeheartedly recommend this book to any one who is interested in Zen and a greater depth of reality.

Eihei Dogen is without a doubt the greatest writer in Zen history. His masterwork, the Shobogenzo, represents one of the most comprehensive, fascinating, and valuable works of Buddhist literature. In Moon in a Dewdrop, Kazuaki Tanahashi has compiled the best single volume Dogen in the English language. This contains the best translations I have ever read of several of Dogen's seminal works - Genjo Koan, Uji, Yuibutsu Yobutsu, Sansuikyo, Zenki, and the Tenzo Kyokun.

I love the design and graphical, artistic qualities of this book. I have 3 copies - 1 to remain shrink-wrapped, 1 to build the models and 1 to read as a whole.
The approach to each domain in the book is unique, entertaining and informative. I love the tidbits of information and the exercises. As a paper model builder, I enjoy the quality of the models also.

I'm not sure what this book set out to do, but it certainly fires up the imagination of anyone who looks at it. The drawings and constructions are masterful, the little experiments and mental expeditions are thought provoking and the organization is absolutely indecipherable. If you have a brain and it could use a little exercise, get this book.

What do you think of when you hear the word museum? Do you see glass encased exhibits with little tags of text beside various artifacts? Can you hear someone complaining about the loud whispers that can be heard? Can you feel the boredom setting in?

The Museum of Lost Wonder is an example of a completely different kind of museum. The pages of this book lead the reader on a journey of exploration and freedom of thought. Instead of stuffy scientific displays, this museum encourages the visitor to wonder and ask all of those questions that they always wanted to ask but thought they'd sound foolish or be glared at for even coming up with the idea.

This book is divided into eight alchemy themed exhibit halls: Calinatio (technology), Solutio (aquaria), Coagulatio (zoological), Sublimatio (observatory), Mortificatio (history), Separatio (science and faith), Conjunctio (arts), and Circulatio (the entrance and exit). Within each of these sections readers explore scientific, mythological, spiritual, and fantastic renditions that explain our world. Many of the exercises encourage visitors to use their creativity to come up with alternative explanations, to explore their own questions, to try various experiments, and to construct models of the various exhibit halls.

I have waded in and out of "Museum of Lost Wonder" several times and am stunned by its density of interesting and amusing ideas. This book flits about from one idea/tone/literary genre to another with almost unbearable frequency, and is thus very hard to pin down. Within the parody of the museum guidebook, there are highly-detailed but bizarre diagrams, visual and verbal puns, clever symmetries and other gems to reward the careful reader. Destined to be a cult classic on par with the Dr. Bronner's Magical Soap label... I'm getting copies for EVERYONE I know.

The Museum of Lost Wonder is a pop-up book for adults, a Maurice Sendak cartoon narrative for grown-ups. The text contains an eclectic blend of philosophical tidbits, scientific factoids, history, alchemy, New Age musings on dream states, visions and hypnosis, Tibetan Buddhism, and quantum physics, all presented in the form of enchanting illustrations and gorgeous artwork.

Author Jeff Hoke, senior exhibit designer at the Monterey Bay Aquarium in Monterey, CA, and an award-winning creator of museum exhibits, was inspired by the eclectic museums and curiosity cabinets of the 1600s. As such, The Museum of Lost Wonder is constructed as a storehouse for arcane bits of knowledge. Despite the grandiose claims of self-discovery, going through the book is like wandering through a funhouse. The seven "exhibit halls" (i.e., chapters) begin with "The Hall of Technology," whose ambitious exhibit is entitled, "The Beginning of Everything." The other exhibit halls have similarly provocative "exhibits," with titles such as "Who Are You?" and "What Is Reality?"

Each hall includes a fold-out, do-it-yourself model that is reminiscent of an Escher painting or a Rube Goldberg creation, with such titles as "Path of Destiny Peep Show" or the "Carousel of Life." The reader is instructed to cut the paper to build the models, but I was reluctant to do so because it would destroy the integrity of this gorgeous book.

At nearly $50, this book may out-price itself for what it delivers in terms of mystical wisdom or esoteric knowledge. But it is a marvelously beautiful piece of work, the top of the line in the tradition of the coffee table book. The Museum of Lost Wonder is well worth the time spent browsing through it--and its expensive cover price.
Mysteries Magazine

This is a really great book. It combines philosophy and science in order to tackle a multitude of existential problems. The author's style of writing is fresh and alive, I recommend ths book to anyone interested in expanding the fronteirs of their understanding. Books I also liked are a Universe in an Nutshell by Steven Hawkings and Descent into Illusions by Paul Omeziri.

I must preface my review by stating that I have never been so excited and moved by a book that I have wanted to contact the author. That is what I found myself doing upon reading this book. This book is just what its title says. The author does not "miss a beat" describing in great detail using practically every aspect of scientific knowledge from atomic structure through logic to quantum theory---we are even given a valuable explanation of Love. This text may be challenging to read for those unfamiliar with scientific terminology. And it can also be difficult for those with a science background, such as myself. However, for me it is well worth the work necessary to strive to understand the unfamiliar terminology. (I am continually learning from this book. I am presently on my third reread).

One of the author's main messages is "not" to believe anything without first verifying it with reality, as we know it. He calls it the "Personal Explanation Principle". He indicates that religions are just such belief systems that we as people "fall" victims of; because we do not verify the beliefs with the facts, as we know them, of reality. He gives a very detailed explanation of how the New Testament can be explored using his methodology.

The author methodically and meticulously walks us through his thought processes, which took 30 years to assimilate, of delineating the structure of reality and the nature of consciousness. Included in the "walk" are many of reality's phenomena made revelatory. An example of that, for me, would be the dual nature of light. It's particle/wave duality, which is explained as "functions". Also, when the author took me on the mental journey of "Setness" an exhilaration of the magnificence of life swelled up in me.

To me this is a very important book that should be read by all that are seekers of truth. It is for all those wanting to gain an understanding of the purpose for their existence, wanting to know where life is headed towards, and wanting to know who God is.

This book will enlighten and develop one's mind substantially. You will discover that this is our objective.

And yes, I contacted the author and he responded openly.

Although Mr. Wheatley is a little verbose in sections, his documentation of Zen Buddhistic Principles found throughout the disciplines of Mathematics, Physics, Theology, etc. forms a nice reference guide for anyone tuned into that wavelength. In particular, his explanation of how Godel's Theorem and Cantor's "Confusion" shed great light on the difference between GOD's Logic and Man's Logic should be a revelation to any undergraduate level math students who encounter these ideas for the first time. Curiously, Mr. Wheatley makes many misstatements about both Zen Buddhism Principles and the Bible, however. For example, by accepting the false biblical teaching of Original Sin, he misses the point that eating the proverbial apple gave Adam and Eve the ability to make Moral Discernments in fulfillment of GOD'S PERFECT PLAN. As proof, read Genesis 1 which states that Man and Woman were made in GOD's Image. Genesis 4 shows that Adam and Eve weren't the first humans on Earth at all, there were plenty of others by then. The allegorical meaning of the story of Eden, then, isn't that Adam and Eve were the first humans on Earth, but they were the first humans with the ability to make Moral Discernments (in GOD's Image). In fact, Moral Discernment is God's Unique Gift to Man, which is the basis of consciousness, not some Math Formula. But because the wages of the resulting, unavoidable sin are Death, many people foolishly try to return to Eden by: (1) living a sinless Life (2) by removing choice altogether by passing and enforcing strict Laws (3) by attempting to do away with Moral Discernment and the resulting consequences for our actions altogether by trying to remove Shame from Shameful actions. GOD is not some ethereal Man-In-Space, but is simply the Totality of all Real Things, The Set of All Real Sets. GOD's Love manifests itself from the amazing sub-atomic relationships that underly this magic Life all the way to the grandest of Macroscopic Scales, the Interconnected Totality itself. The Zen Buddhism connection can be found by simply superimposing the 0 symbol and the symbol for infinity (8 on its side) in Mr. Wheatley's supposedly "new" formulation that 1 = 0 x infinity. Superimposing them gives you the yin-yang symbol. A potential disadvantage of artificially separating the infinity from the zero, however, is that Mr. Wheatley is able to equate the entire expression to be equal to 1. This potentially might obscure the fact that the deepest meaning of the yin-yang symbol is that it is both 2 and 1 AT THE SAME TIME. His overall equation does preserve that important meaning by utilizing a single element on one side of the equation and two elements on the other side of his final TOE equation. This may be hard to see for some at first, however, which could potentially obscure the richest meaning of this beautiful symbol/equation. A much more GODLY TOE, in my opinion, comes from Euler, who discovered that e ^ (i * pi) - 1 = 0. When someone can explain that relationship, then they can say they know GOD.

This book will change your life. You will never think the same way you did before reading it.
I have a degree in chemistry and I think this book should be read by everyone in the sciences. Without a doubt, the best book I've ever read. Why and what are two of our best friends

Mr. Wheatley has touched upon one of the most intriguing methods, through scientific study and evalution, that leads to new deductions for behavioral patterns. Many books have been written for sociological, psychological, cultural, and behavioral studies, of which I have a deep interest. However, as you are led step by step through the scientific processes of this book, one's perspective of human behavior will take on a whole new meaning. Such questions as "why do people behave the way they do?", or "How do cultural, geographical, sociological factors impact our behavior?" take on a whole new perspective for study and evaluation. This book could become required text at the college level for scientific studies. I was fascinated with several concepts put forth by Mr. Wheatley.

Zen Master Ryokan!
Like a fool, like a dunce
Body and mind completely dropped off!

This is another great translation of Ryokan by John Stevens. So many in their reviews have shown their respect and love for Ryokan who "is replete with MUSHIN, the mind without calculation or pretense, and MUJO, the sense of impermanence of all things".
Ryokan (1758? -1831) was a Japanese poet, Zen buddhist and one of the greatest calligraphers of all time in East Asia. In his early twenties he became the disciple of top Soto Zen Roshi Kokusen and trained diligently as a Zen monk. When Kokusen died in 1791, Ryokan left on a long pilgrimage, wandering all over Japan. In his early 40s he drifted back to his native place and spent the rest of his life in mountain hermitages. Near the end of his life he fell in love with a beautiful young nun Teishin who was by his side when he died at age 73. His hermitage Gogo-an on Mount Kigami still stands.

One Robe, One Bowl contains translation of his 100 chinese and 103 Japanese poems(101 Waka and 2 Haiku). Many of his poems are without titles and doesn't give us a reference to the time and place they were written. Ryokan frequently broke the rules of poetry composition. His poems are simple, direct and very poignant. His poetry is about love of nature, local children, rice wine and living a simple life. His beloved Teishin compiled the first edition of Ryokan's poems, titled Hachisu no Tsuyu ("Dew drops on a Lotus Leaf") four years after his death, which has also been brilliantly translated by John Stevens.
Both these books are a must read. Ryokan's poems refresh you, make you look around and under your feet. You notice everything from sun to clouds, birds and insects, trees, wind and rain, and his great love - Moon. I highly recommend reading them in a natural spot, where there are trees, flowers, flowing water and birds. You will find yourself drifting in and out of his poems and nature and back. Almost surreal.

Once you have read them again and again, add to your collection Ryokan's favorite poet, the Chinese sage Han Shan (Cold Mountain), also available on Amazon.

I bought this book because I was giving a talk on Ryokan and his poetry. It was wonderful to be able to share his poems with others and to have this treasure of a book for myself as well. His poetry is so simple and yet so profound and has universal appeal whether or not one has a background in Zen.

The words of Ryokan point to the heart of Japanese esthetics and spirit. You can not part the Zen attitude in most of his poetry from the very essence of his comprehension of nature and man. One of my favorite waka he'd written is :

Early spring - picking vegetables
a pheasant cries-
Old memories return.

The Wabi- Sabi mood and the Miyabi atmosphere are well recognizable in his poetry, and make the whole reading experience something much more intimate with his emotions and thoughts.

Another one of my favorite among Ryokan's waka songs is :

Lying in my freezing hut , unable to sleep;
only the quite roar
Of water pouring over a cliff.

Reading his book even a song a day will make you want to meet the good hearted Ryokan and share some tea with him in a cold winter day..
sure made me want to...

Ryokan, One Robe, One Bowl: The Zen Poetry of Ryokan (Weatherhill, 1977)

"Who says my poems are poems?
My poems are not poems.
When you know that my poems are not poems,
Then we can speak of poetry."

Ryokan, nineteenth-century Japanese Zen poet and monk, was either somewhat addled (an hypothesis which his eccentricity lends itself to) or was acutely aware that some of what he wrote simply didn't qualify as poetry. Most of it, however, did; his haiku, waka, and other traditional forms are often exquisitely rendered images of his life as a hermit, a beggar, and a man lonely even while those in the town in which he begged for rice loved him dearly. Often, his work is short, to the point, and lovely, showing the reverence for both nature and language that the best Japanese poets seem to feel as naturally as you or I breathe:

"Down in the village
the din of flute and drum;
here deep in the mountain
everywhere the song of the pines."

But, every once in a while, as with the piece that opens this review, he simply ignores everything he knows (and we know) about poetry and jots down a thought or a koan broken into short lines. Thankfully, there are far fewer of these than there are actual poems in this collection, and so it's worth your time; be prepared for a slight inconsistency in quality, though. ***

What a beautiful work this is all around. John Stevens translates this work brilliantly. This isnt a cold hard scholastic translation. This is a warm and touching work from two people, from two very different times, meeting at the heart of a timeless matter. There are a lot of reviews saying great things about this book. It lives up to all of them and more.

This book is full of poems touching on the completely ordinary matter, of everyday life. This everyday life wich contains everything we need/yearn for, yet almost always overlook. Ryokan was sort of an anti-establishment Zen student. Since establishments often usurp power and any value from things like Zen, leaving only inflated ego's ruling over cynical minds. Needless to say Ryokan wanted no part of this. Wich is why he lived mostly alone in the often freezing mountians.

He often writes of sheer loneliness. Wich makes some people question his enlightenment. I think this is a very important point. Cause it shows how cold and unbending some peoples view of Zen/enlightenment actually is. Whos to say an enlightened person cant feel lonely? Because Japans greatest master Dogen never wrote of lonliness? Many masters of the past lived in monasteries full of students. If anything they probably had very little time alone. Nowheres near enough time to develope any "lonley feelings." Hardly a fair comparison, that of Ryokan who lived in a little mountain hut, to a master of hundreds of disciples. Silly, but it doesnt seem to be too rare. I think this same thing that makes some Zen scholars cricital, is what makes Ryokan so beloved by everyone else who knows of him. He not only felt a gamut of emotions but completely accepted them as a dynamic part of life. Often writing beautifully about them as in this book. Ryokan shows us a Zen life doesnt have to be a sterile and emotionless one.

Thats not to say he was a complete hermit, he was very fond of the common man especially the children of surrounding villiages. Wich is what these poems are all about. Playing with the children in the "grasses" (he was sometimes criticized by other adults for this.) Walking along uneven mountain trails. Gazing at misty bamboo groves with various creatures scurrying about. Drinking sake with the villagers from time to time. Gathering supplies for his mountain hut. Writing poems and/or caligraphy for people when they would visit his him.

These are the everyday events as well as many others wich these poems speak of. You will feel as if you are sitting next to Ryokan while hes writes of the moon shining through the window, or the smoke rising from a single stick of incense.

Although Ryokan was a Zen master in his own right, he isnt lecturing or preaching anything in his poetry. He never seemed to talk of Zen, practice or philosophy (although he seemed to take his own practice seriously.) His poems will appeal to anyone for there descriptive naturalness and down to earth feel. In a few simple lines, Ryokan shares his fascinating daily life with us. I would highly recommend this book for anyone even halfway into poetry or a spiritual and aware life. Poetry at its best. Enjoy!

I received this book in top condition and I am thoroughly enjoying it. I have read other Catherine Ponder books and truly believe in her philosophy.

This book is not very big and can easily be read in one sitting. The copyright of my edition is 1983 and there were some parts in this book that struck me as a little dated (can't remember specific examples) however I did find the book useful. I'm not really sold on some of the ideas about prosperity- it almost seems too easy but the prayers for release were wonderful. I have referred back to this book several times and copied down several of the "release" affirmations. I gave this book 5 stars because of the sample affirmations throughout the book which have helped me in many situations. Since purchasing this book I have adapted a more positive attitude and incorporated several affirmations/prayers into my life which I can't say has made me more financially prosperous BUT it certainly has improved some unhealthy relationships and situations in my life. I look forward to reading other titles by this author.

This is one of Catherine Ponder's great books. I have been teaching from this book for 20 years and my students have all been able to improve their lives in every area from health and wealth to happiness. Just pratice the principles and say the affirmations and your on your way!

A friend mailed this book to me and at first I thought it lookes boring and not good. I read it becasue my friend bought it. I loved it and bought two more books by the author. I found afirmations to be both healing and to bring peace to me. Some of the affirmations work for me and the releasing affirmations are liberating to me.The ideas are good medicine!

A profound book, small and brief compared to her book "Dynamic Laws". this book is more direct and forceful--- in motivating readers towards prosperity. The chapter on tithing is superb--this writer has practised tithing and knows its power.The cost of this book is very small compared to its value to the readers.

Great book. I cannot emphasize enough how anyone interested in Zen practice should read this.

Amazon unfortunately not stopped stocking it. I'd recommend anyone interested to go to the publisher's web page and order it there for $13. Just do an internet search for "Wisdom Publication", once there search for the book it will pop right up.

gassho

New book, shipped in timely manner that was in the new catagory as advertized.

I found this to be a great guide and wish I had it early in my practice. A very simple to read - written with compassion. The author comes through in every word.

While living in Japan, I was truly fortunate to be able to sit Zazen at Antaiji and study with Uchiyama-roshi. He had a gift for explaining the practice of zazen, or seated meditation. He was able to completely demystify and explain in clear language how to sit and let go of thoughts. This book is an updated edition of Uchiyama-roshi's first book, Approach to Zen, and is really the only book you need to read about sitting zazen, the Buddha's practice.

Outstanding book. In reading books on Soto zen practice over the last 10 years, this the clearest, most straight forward and best book on zazen (seated zen buddhist meditation) from a highly respected master I've come across. If you only read 2 books on Zen, read Zen Mind, Beginner's Mind by Suzuki and this one.

What a journey! A thrill ride to other worlds- your world? Our guide, Susan, fillets her true-self for all to feast as she allows us to experience her emotion, vulnerability, and STRENGTH. This book opened my mind, engaged my imagination, and gave me hope... What a gem!

This book is like a guide through one's own personal reality into the subconscious and beyond into hidden worlds, like dreams, and many other altered states. Fascinating concepts on time and no time, reincarnation, karma, life choices, and even death and spirits. This book is above and beyond because it frees one to open their minds to encompass the scope of life beyond what we understand without adhering to any particular belief system. It is kind of like the more you open, the richer your life becomes. The whole book gives you an 'ah hah!' kind of feeling, a sense of constantly being enlightened. A good book to read over and over.

I am reading this book for the third time. It is SO packed with incredible insights and usable thought processes I was folding most every page so I could go back for reference. It was very well received at our womens' health fair in clinic. Kalior is my new favorite author, I have read all 4 of her books. Some fantasy, all life enriching.

This is an extremely amazing book. It takes you on a very deep journey of love and life. Very inspirational. Susan did a wonderful job on this. Thank you.

This book is a most soulfully interwoven journey the dives deeply into the adventure of self-exploration. It reflects all of life's internal issues on multiple levels and is cram packed with plenty of real substance. A very courageous book to steps out of the norm and yet is delivered in the most delightful way. It's brilliant!


This writer Susan truly has an amazing gift!

Linda Post