People Books

First, Jonathan Eig is a tremendous writer! He does have a tendency to detour along tangential lines, but that adds to the richness and backdrop of the drama that was experienced by Jackie Robinson. Eig transforms history into humanity with cameo appearances by icons such as Babe Ruth, Malcolm X, and Sidney Poitier. I felt the sense of pride that African Americans of mid 20th century America must have felt. It bolstered the idea of "Only in America". This was a civil rights story before Till, Brown v. Board.., Parks, and King. I hurt with Oscar Charleston, Josh Gibson, and a litany of other Negro Leagues stars born "out of season". I smelled the hot dogs of Ebbets Field. I met and loved Branch Rickey. I watched Pee Wee Reese, Eddie Stanky, and Dixie Walker and many others mature. I adored Jackie Robinson for his talent and demeanor. All courtesy of Jonathan Eig, who BROUGHT IT!

Jonathan Eig is developing an expertise at rehabilitating hackneyed young-adult biography heroes. First with Luckiest Man: The Life and Death of Lou Gehrig and now with "Opening Day", Eig takes a baseball player whose legend has become tarnished by excessive praise, and retells the story from its original context, restoring a sense of wonder.

The story of Jackie Robinson has with time become a story about the heroism of Jackie's white teammates. History now tells us that they bravely accepted and embraced him, over society's disapproval at the ending of baseball's color line. At least, that's how Eig first approaches and then rewrites the tale. In "Opening Day", the spotlight rightly shifts back to onto Jackie himself, as well as to his wife Rachel, the rock at the center of his life. We hear from Jackie himself via contemporary interviews and from his assigned beat-writer from the black press.

The discussion of Jackie's acceptance among his teammates is limited to how they did not in fact accept Jackie as one of them: Eig fails to uncover any evidence that the rest of the Dodgers tried to socialize with or befriend Jackie in any meaningful way once they stepped off the field.

Branch Rickey, who gets rightful credit as the man who integrated baseball, is also shown as the shrewd businessman he is, in both the good and bad sense. Rickey was the executive who refused to trade one of Jackie's most vocal teammate critics, realizing that his pennant hopes resided in that man's bat. He further refused to give Jackie a significant raise for 1948 even though Jackie's presence generated value in publicity and gate that far exceeded his meager rookie paycheck.

Most compellingly, Eig retells the story of the 1947 season month by month, primarily through contemporaneous newspaper accounts. We see the variable way Jackie was treated by the press, and whose agenda affected which stories. A national publication tried to anoint Spider Jorgensen, a strictly league-average third baseman, as the league's top rookie, in a veiled slap at Jackie's aggressive Negro League style of play. We also learn things not commonly told: we know, for example, that Larry Doby was the second black baseball player in 1947, but Eig goes further and tells us who came third and fourth (a cynical move by the St. Louis Browns), and which white owners opposed integration in the disingenuous name of preserving the Negro Leagues.

"Opening Day" could stand to go farther and tell a bigger story. Jackie's post-1947 career and personal life is shunted into a brief epilogue that hints at a possible second book of equal depth. Of course, the space within "Opening Day" is well used: the three chapters devoted to the 1947 World Series are well researched and lively told. Even in a book about Jackie Robinson, the other unlikely heroes and goats of that series (Bill Bevens, Cookie Lavagetto, Al Gionfriddo) still deserve their space.

A complex, nuanced portrait of Jackie Robinson, told with stunning detail and insight into the first black man to play major league baseball in the 20th century. As an historical account, this book goes beyond myth and revisionist morality to create what feels like a genuine account of a complicated man in a complicated place. As a baseball book, it is wonderfully expansive on an important era with lots of legendary players. As a literary work, it is a top-notch narrative told in an elegant, rhythmic cadence. It also gets high marks for journalistic technique and style. If all writers of sport possessed Jon's rare combination of gifts, the genre would be a lot richer.

This is the second book that I have read from author Jonathan Eig. The first, Luckiest Man: The Life and Death of Lou Gehrig, was such a great retelling of the life of the Iron Horse, that my expectations when picking up Opening Day: The Story of Jackie Robinson's First Season were quite high.

Opening Day is the story of Jackie Robinson's first year in the majors, and the challenges he faced when he became the first black American to play Major League Baseball. Any true fan of baseball knows the story of Jackie Robinson, his importance to the game and the lasting impact he has had on the United States. But, Eig manages to provide a fresh look at this historical year, focusing not only on the challenges and bigotry that haunted Robinson, but also on the lives that he touched in 1947 and for years to come.

One of the more intriguing stories from the book was that of Jackie's teammate Dixie Walker. When Robinson's Dodger teammates were informed that he was coming up from the Montreal Royals to play with the team, Walker wrote the team's general manager, Branch Rickey, asking for a trade. There were also rumors that he led an effort by the Dodger players to get Jackie off the team. Dixie always denied the accusation, but nonetheless, he was basically a self-proclaimed bigot - worried about what his family and friends in Alabama would do if he played alongside a black man.

Like authors before him, Eig could have easily cast Dixie as the villain of the story. But instead, he details how playing with Jackie helped Walker evolve into a better man. Within time, Walker started to respect Jackie for his toughness and determination. He started giving Jackie pointers on how to improve his game, and later in 1947, he stood up for him (along with all of Jackie's other teammates) when opposing teams would hurl racial epithets at Jackie. Robinson made Walker start to question his views on minorities and Walker came to realize what he learned about blacks while he was growing up was wrong. After that, Walker played with, coached and managed black players throughout the rest of his career, and later said Jackie was "as outstanding an athlete as I ever saw."

This is just one example of the impact that Jackie had on the lives of others. Stories are sprinkled throughout the book about the significant impression he left on his teammates, other players in the league, broadcasters, league executives - and most importantly, the next generation of black Americans who would continue the struggle for equality in America.

Opening Day, definitely lived up to my expectations and surpassed them, and I highly recommend it for any fan of baseball and/or American history - and to anyone who is interested in understanding the important role Jackie Robinson played in the evolution of the United States.

Eig's extensive research and thoughtful treatment of Jackie Robinson does not vary or question the general truth of his legend: Robinson played the game well under tremendous pressure with little or no support and demonstrated in the process the skill and courage that entitled blacks to equal opportunity. But Eig does add some new perspectives that make the legend far more interesting.

First is the general unpleasantness of Robinson. He's like Pete Rose in his burning desire to win at all costs and would rub some people the wrong way regardless of his color.

Second and perhaps most important is Eig's ability to introduce more subtlety into the story. Eig destroys the legend of Pee Wee Reese publicly encouraging Robinson on the field in the face of racial abuse. That did not happen, at least not in 1947. Robinson is utterly alone in 1947 and has to prove himself to his teammates. Branca is the only guy to make a point of shaking his hand when he first appears, which adds to Branca's own legend as a man of character, but even Branca essentially ignores him for much of the season. Some of this is racial, of course. But some of it is the culture of baseball: a rookie must prove himself.

Robinson's ability to peform in these circumstances, under the most tremendous pressure possible, adds to his legend and makes his 1947 season perhaps the most admirable of all seasons. Eig is also good at introducing subtlety into the legends surrounding Robinson's oppressors. There is some rumbling on the team, but that quickly dissipates. Most interesting is the role of star player Dixie Walker. Walker felt compelled by his southern roots, and by his desire not to have his business punished in the south, to make a point of objecting and asking for a trade. But thereafter, he drops the protest. The problem for Robinson was not simply the obvious bigotry, but his freeze-out by the rest of his team until he could prove himself under the most trying of circumstances. Walker may have given Robinson a few batting tips and may have dropped his trade demands, but neither he nor anyone else took Robinson under his wing. Even in baseball's demanding culture of ritualized abuse of rookies, a rookie will eventually be taken under someone's wing. Robinson did not have that benefit.

The protests of other teams has also been exaggerated. It appears that there were some murmuring on the Cardinals to try to boycott Dodger games, but that fizzled before it started. The Phillies were grossly racist in their bench jockeying, but backed off early in the season. The Yankees in the 1947 World Series had a few nasty bench jockeys.

What emerges from all this is the pain of the gross racism aggravated by the agonizing loneliness of Robinson as he has to endure everything and prove himself. Eig convincingly shows that by the end of 1947, Robinson succeeded in proving himself and was the MVP of this team. Only then was he accepted by Pee Wee Reese, the team's captain.

All of which demonstrates Branch Rickey's wisdom in choosing Robinson as the man to break the color barrier. Robinson had mental toughness and competitive fire. The rap on black athletes was that they were not mentally tough, and Robinson was exactly the right guy to disprove that myth. Choosing a more passive personality would not have made the point, and choosing a less disciplined soul who would have got into physical fights in 1947 would not have worked either. But it is interesting to learn how Robinson sometimes crossed the line (such as spiking Rizzuto in the 1947 Series) and how close Robinson came to losing it.

Robinson emerges as a complex and truly great man in this narrative. This is an excellent book that I highly recommend.

The Saturdays by Elizabeth Enright was first published in 1941, and though it was written many years ago, is as delightful now as it was then. It's a story about a family who loves each other, works hard and strives to do the right thing. How refreshing!

Mona (13), Rush (12), Miranda (10 ½), who is known as Randy, and Oliver (6) live in New Your City in a brownstone that is rather shabby, but has many floors and fits their lifestyle perfectly. The Melendy children's mother died, but their father and Cuffy, the beloved housekeeper, provide the love, attention and care the children need.

Each of the children has dreams and desires for their futures. Their interests are varied and they each are independent and inquisitive about life and their surroundings.

But while the Melendy children find life generally interesting, Saturdays can sometimes be just plain boring. The children form a club they call the Independent Saturday Afternoon Adventure Club (I.S.A.A.C.). All of the children agree to pool their allowances and each child takes a Saturday with all the money to do something by themselves that they really want to do.

The Saturdays are exciting, not just because of the activities they choose, but because of the people they meet and the stories they hear. Well, Oliver does make one Saturday particularly memorable, but you'll have to read the book to learn about his adventure.

In the day of the novels that glamorize the worst society has to offer, The Saturdays is delightfully refreshing.

Armchair Interviews says: Read the series and enjoy!

This book is different in a good way. It is about 4 children who decide to put there allowences to a good use. Every Saturday the add up there allowence and one of the children gets to do any thing that they will always remember.
By,
Girl With A Plan

I had doubts for this book because it didn't sound very interesting but my Mom wanted me to read it so I did-I loved it. It's original and imaginative and above all easy to read for hours without getting bored. It's original and fun like the story of Mrs. Olifount being kidnapped by jypsies, or Isaac the dog saving the family from suffocating. It's a wonderful book I can't wait to read the sequils.

When I was nine years old I picked up a copy of Elizabeth Enright's "The Melendy Family" on sale for 25 cents at my school Christmas fair, donated by some eighth-grader who evidently felt she had "outgrown" it. I wonder, does anybody ever outgrow the Melendys? "The Melendy Family" was a three-in-one volume comprising "The Saturdays", "The Four Story Mistake", and "Then There were Five". Alas, "The Melendy Family" is no longer in print, but fifty years later, I still have my copy, read to shreds, patched and repatched with scotch tape, a book to be treasured forever and never thrown away. Fortunately, the books making up "The Melendy Family" have been reissued as individual volumes available to enchant yet another generation of young readers.

"The Saturdays", the first volume in the series, introduces us to the four Melendy children: Mona, age 13, Rush, age 12, Randy, who is ten-and-a-half, and Oliver, age 6. Each is given a distinct personality and Enright modeled them on children she had known in her own life, her own children or childhood friends. The result is four fictional characters so totally believable that for years after the books were published, Enright continued to get letters from readers wondering if the Melendys were "real".

The Melendy children's mother is deceased, but they are raised by a devoted, caring father and Cuffy, their beloved housekeeper, who stands in as nurse, cook, substitute mother, grandmother, and aunt, and generally rules the roost. The children are funny, refreshing and unspoiled. Mona has aspirations of being a famous actress and already at thirteen can recite "yards and yards of Shakespeare at the drop of a hat." Rush is the next to the oldest, a musical prodigy with a penchant for getting into and out of trouble. Randy at ten-and-a-half (the half is very important at that age) is an endearing mixture of grace and klutziness, a talented dancer and artist who keeps falling over her own feet when it comes to manual labor. And six-year-old Oliver is the baby of the family, placid and calm, very much his own person, as his story shows.

The story opens on a rainy Saturday which finds Randy and Rush monumentally bored with nothing to do. Randy wants to see a some French paintings. Rush wants to go to the opera. Mona wants to see a play. But in the early 1940s (the approximate time in which the story is set is revealed in the opening pages when Enright tells us that the long scars on the linoleum floor were made by Rush trying out a pair of ice skates on Christmas afternoon, 1939), fifty cents a week allowance was standard, and there wasn't a whole lot you could do with that. Randy has a brainstorm. Let's start a club, she says, and pool our allowances together each week so one of us can spend them on something we've always wanted to do. This idea is adopted enthusiastically by all the children (Oliver wants to contribute his ten cents, too), and thus the Independent Saturday Afternoon Adventure Club (ISAAC) is born.

Each following chapter describes an adventure that takes place on each child's Saturday. Randy goes to see an exhibition of French paintings, runs into an old family acquaintance, Mrs. Oliphant, and is treated to tea at the Plaza while she hears a delightful story of the time Mrs. Oliphant was kidnapped by gypsies during her childhood.

Rush goes to the opera, walks home in a snowstorm, and finds a lost puppy that becomes the family's devoted friend and companion from that day on.

Mona, tired of her long braids, goes to a beauty parlor and treats herself to a haircut and a manicure. The resulting uproar by her father and Cuffy seems a trifle overdone, but as Father later admits, it's hard for parents to realize that their children are growing up.

And Oliver, keeping his own counsel, sneaks out of the house when his Saturday comes and goes to the circus all by himself. An even greater adventure occurs when he is given a ride back home by a mounted policeman on a horse, after he gets lost leaving Madison Square Garden.

After Oliver's adventure the kids decide to spend their Saturdays as a group, but that doesn't stop them from having mishaps such as Randy falling overboard from a boat in Central Park, the family almost suffocating from coal gas when Rush forgets to shut the furnace door, and the storeroom catching fire. It all comes to an exciting conclusion when Mrs. Oliphant invites the children to spend the summer in her lighthouse in Long Island.

"The Saturdays" takes us back to a simpler time and to adventures that probably couldn't happen today (no parent in his right mind would allow a ten year old to go to a museum alone in the New York City nowadays), but kids are still kids, and the Melendys seem so real they could be anyone we knew when we were children, or wish we had known. The time frame may help children understand what a dollar could purchase back then (a wash, set and manicure, or admission to a museum with change to spare). The whole series is a gem for every child and every generation. I still marvel at the priceless find I picked up off a bookshelf at random fifty years ago for only twenty-five cents. It's paid me back a zillion-fold ever since.

Judy Lind

I wanted to respond to the reviews below that thought it was either implausible or dated for children aged 10-13 to wander around New York by themselves. I grew up in New York (in Manhattan, across the park from the Melendys) in the late 1980s. I turned 13, just Mona's age, in 1990. I started walking home from school alone in fourth grade (when I was nine, a year younger than Randy). Like Mr. Melendy and Cuffy, my parents' major worry was that I was careful crossing the street. (Reasonably enough, they feared that drivers would not be able to see a small child.) Many of my friends from elementary school walked or took the bus to school alone at the same age. By twelve (Rush's age), I was allowed to take the subway to visit friends from junior high school, and they took the subway to visit me. By fourteen our teachers assumed that we were competent to find the Metropolitan Museum of Art on our own for projects. None of these people were neglectful, and none of them were "horrified" at the idea of pre-adolescents wandering around the city alone. This was in the supposed "bad old days" when crime was theoretically much higher than it is now, and none of us ever suffered any accident. (Although a group of friends and I got lost coming back from the theater in eighth grade, and were pretty embarrassed that we looked like tourists.)

Anyone familiar with the geography of New York City knows that the Melendy children stay within a fairly small geographic area in THE SATURDAYS, and that the areas where most of their adventures take place are some of the richest and safest in the city. Most sensible New York parents would allow their children to wander there on Saturday afternoons with no more concern than the appropriate ones that Mr. Melendy shows. (Be careful of traffic, don't talk to strangers, and don't get lost.)

Ironically, this ties in with the review that says that Enright did not take enough "risks" with the book, by having her characters get kidnapped by gypsies or run away from home. The fact is, she wrote a fairly realistic description of the childhood of the middle and upper-middle classes of New York City....kids who come into CONTACT with a relatively diverse group of people who have had a variety of experiences, but who actually live in a fairly safe, and sheltered world.

As a New York City kid, I was thrilled to read a book that reflected MY real life experience, as opposed to yet another story about kids who lived in houses with back yards and rode a school bus, and generally had no relationship to my real life. I still love THE SATURDAYS for its loving description of a New York that has in some ways remained startingly the same, even though parts of it have disappeared (no more two way traffic on Fifth Avenue, and no double decker buses!). As other reviews have said, The Saturdays is a charming, well-written book for kids, that can also be enjoyed by adults. It's also one of the few accurate and positive stories about growing up in a great city. I would recommend it for all ages.

Thom Hartman uses a serious comic-book style to show the danger of giving up our freedoms, mega-corporate power, and having a corporate-controlled liar like G.W. Bush as President. Hartman shows a keen understanding of danerous historical trends, particularly the Alien-and-Sedition acts of the late 1790's, and the harmful stranglehold of railroads in the late 1800's. Now we have large corporations counting our votes on non-verifiable electronic machines - can you imagine a more evil scenario? Not that the author is 100 percent. His anti-NAFTA view seems foolish, and he lays off the egotistical jerk (Ralph Nader) that put Bush in office - no matter how much Nader denies it. Still, the rest of this book makes perfect sense and is surprisingly educational.

I enjoyed reading Thom Hartmann's WE THE PEOPLE: A CALL TO TAKE BACK AMERICA. The comic book style made reading interesting and fun, as Hartmann takes the reader through a brief history of the USA and exposes how our government is being hijacked by big corporations.

Neo-Conservatives might find the book leaning too far to the left, but I think Hartmann takes a centrist stand. He does a good job explaining "corporate personhood," a corporation that claims to be a person therefore entitled to legal protections like a real person, and how corporations have slowly started taking more and more control over our government.

One thing I wish he did would've been to describe certain events like the "Alien and Sedition Acts," which comes up in the book. But Hartmann does provide website addresses to find out more info.

Even though the book was written in 2004 it's still very relevant to what is going on today. The illustrations by Neil Cohn are fun too.

A copy of this book belongs in every library in America and in every home. If it was so widely distributed and read, America would not have come to the crossroads it has reached, and we would all know how to protect ourselves and our country.

This is a simplified version of Thom's political and historical insight. It's done in cartoon style making it entertaining and a valuable learning aid for children or even adults who can gain knowledge about our nations democracy.

At last, a succinct summary of what has gone wrong in the American experiment that anyone intelligent enough to vote can understand. This book should be required reading in high schools across the nation, while there is still time to reverse the dumbing down of history and civics that is threatening the future of democracy in America. Thom Hartmann's arguments that we must act now are based on sound historical reasoning. They will resonate with the true conservative, while offering hope to the progressive that together we can take back America.

And if you are not yet sold, perhaps the fact that it is written in the form of a comic will interest you. If not, it should interest your teenagers. If you don't get it for yourself, get it for them. Better yet, join me in encouraging the authors to make it available online.

Excellent print quality.. A glance at common people in random daily-life shots. It's a book worth a place in your hands

This book was not by Jack Kerouac. It's by Robert Frank. It's one of the seminal books in the history of photography. Many see it as a hate letter to America, but that's a shallow reading of the book. It's some of the best documentary done by a non-documentarian of the American culture of the period. If you really want to see great photography with a point of view, this is a good start.

I find lots of listings get authorship wrong when the book is about a photographer's work. Amazon needs to fix this basic flaw in their system.

Looking at this again after many years ( I first came across it about 25 years ago) the images are as poignant as ever. This is truly a great book of photographs and is perhaps the best photojournalist's collection ever published. The new edition has all the gravity and attention to detail that the work deserves.

In this new edition of THE AMERICANS, the publisher, Steidl seems to have taken every step necessary to maintain artistic integrity of Franks vision. Even going as far as having Frank supervise the new printing of the photographs used in the book. The paper used in the book is very high quality, perhaps even 'archival' grade. Of course, there is the Kerouac introduction that both rambles, amuses and enlightens. There is a small pamphlet included in the book briefly telling the background story of how this new edition came to life. While this pamphlet is basically an advertisement, it also provides the passing fan of Robert Frank with a greater knowledge of what Frank has done over the course of his life by listing other books and movies that Stiedl will be publishing in the future. Thoughtfully, museum dates are also given for those interested enough to travel to D.C., SF or, NYC for the 50th anniversary celebration and exhibition of the book. From Steidl, this is a fine book; from Frank, a work of art; and a labor of love from all involved.

We're lucky to have this edition. Robert Frank is an old man with health issues now. That he is healthy enough to oversee this work is wonderful. Everything about this edition - especially in comparison to the 2007 Delpine edition I purchased earlier this year - is first-rate. I wish I had known this was coming out!

The book is a little smaller than the Delpine, but that's the only real negative (if it is one) I can think of. The main thing to me is that the photos themselves are how Frank intended them to look. Gone are the overly-lightened faces that plague the Delpine book. This is a pet peeve of mine that kills many photos in this Photoshop age. This is very obvious in the New Orleans trolley photo. In the Delpine work, the faces of the white passengers are totally washed out, and the black faces are awkwardly lightened (someone apparently thought they were helping Frank's work). That's all corrected here. In this Steidl edition things are shown as they were intended. One can even see details in the face of the man at far left, even though it is partially obscured by a window reflection.

Also, on several photos more of the frame is visible. This was most noticeable to me in the Butte, Montana photo of the woman looking out the car window, with several children in the back seat. A good portion of the left side of the photo is now visible, along with more shown on the top and bottom. The new crop just seems more "right." Not too mention that the face of the child in the middle of the photo is too light in the older edition.

Simply put, comparing the two editions is an eye opener. I first saw these photos years ago in a much earlier edition (I believe it was the 1969 Aperture work) and I still marvel at the depth of the images in that printing. I don't have that edition in hand, so I can't do a direct comparison, but I believe the Steidl images are much closer to that ideal. Franks prefers his images a little on the flat, low-key side. Another difference is that the photos are now printed on a non-glossy paper. I was surprised at this at first, but now I believe it works much better for this book.

In short, if you want an accurate, lovingly-printed edition of The Americans at a reasonable price, this is the one. Highly recommended.

I have read a lot of self help books over the years (I'm over 50) and this is the best one to come out in a long time. If you are at all unhappy with any aspect of your life or ready to make change for whatever reason, this book is a "must read". =)

As I read the case studies in this book, I recognized many of my peers who are in need of the resources that the author provides for developing a renewed personal passion for life. Anyone trying to energize the search for personal direction for the next life stage will appreciate the specific suggestions and examples. I have read this book twice already. Another book that I recommend is" The Five People You Meet in Heaven", and "He Never Called Again."

Her book is magic! Best of all, she is an author who genuinely cares about her readers! An amazingly kind and knowledgable person. Do yourself (and Suzanne)a favor and buy this book. You will absolutlely love it. I am a real fan of hers: you will be also if you read her books.

A dear friend of mine gave me this book and I thoroughly enjoyed it. Dr. Zoglio does an excellent job of describing the keys to happiness. Long ago, I independently arrived at many of the same conclusions about happiness, but I have never been able to articulate them as clearly and simply as Dr. Zoglio does in her book. While reading it, I found myself underlining text and writing notes on almost every page. I have subsequently bought my friend her own copy and also bought copies for my two grown-up children with the hope that the book will "tickle" them, too.

I was a little disappointed in this book. I had expected something original and different. It seemed to be a summary of books I had already read. The ideas were good and there was nothing wrong with the book but it was nothing new. I really didn't find one idea that wasn't similar to something I had heard or read before.

Twenty four years ago, I was a ten year old girl who saved every last penny to save $35.00 to buy the Little House on The Prairie boxed set by Laura Ingalls Wilder. It was my love of the TV show that started the savings venture...I heard it was based on a true story and I needed to know all the details. What happened when I received those books, and read them one after another that year changed me into a fan of the show, into a full fledge Laura Ingalls Wilder enthusiast. Why? Because of the simple beauty of the pioneer tales within. Stories that show that even when things are worse than you or I can imagine, family and faith still bring hope and contentment. Little Town on the Prairie is one of my two favorite stories. Even as a ten year old I loved watching Laura turn into a lady in this story. Its been several years since I read this one, and taking a break from my regular readings seemed a good idea. I noticed that I picked up new little things this time around. I can read different things into that meeting with Almonzo where he and Laura change cards, I can feel the shame and tension in the school house scene where Laura defends Carrie to Ms. Wilder (I think I felt this horror anew from a parents perspective) and I also noticed Ma's prejudices against the Indians more keenly as well. There was a scene I even felt uncomfortable with. In a social gathering at the school, some of the town's men dressed in black paint and acted like "darkies" to the amusement of the audience. I think Laura herself, would flinch from that in this day and age. But again, it only emphasizes the times the Ingalls family were living in, and how far this country has come. The country has made mistakes along the way (slavery and the Trail of Tears, for example). But where we are now is in no little part, due to the efforts of the brave pioneers like the Ingalls family. This is a historical, christian, pre-romance, and tale of growing from child to woman all in one and there is no doubt in my mind, why this remains a beloved story to children and adults everywhere today.

For this book review I read Little Town on the Prarie by:Laura Ingles Wilder. This book is good reading for preteen girls. The story is historical and is about living in the pioneer days.

In this book Laura and her family work hard to send her older sister to Collage and keep her there untill she finishes. Laura and her little sister Grace have to go to school when they move to town for the winter. Laura is very exited about going to school because she wants to get her teachers certifacit when she is sixteen. To find out what else happens you will have to read the book.

This book was fun to read and kept my intrest. It was a little confusing at timeskeeping up with who was talking. It was very interesting also to learn about how they lived back then. Over all it was a good book and I would consider reading it again.

Laura Ingalls thought that being thirteen was difficult, but now she is on the cusp of her fifteenth year, and things around her are changing like crazy. After a difficult winter full of one blizzard after another, Laura is happy to be back on the claim shanty with her family, away from the hustle and bustle of town. But she knows that her family will most certainly head back to De Smet to live in the shop before winter comes again, to protect them from the harsh weather that may lie ahead. Weather aside, however, Laura can't believe how many new things are arising. Especially the most important one of all - changes for Mary.

Laura couldn't be happier to be back in school again. After so many months of studying on her own, she is thrilled to be back in the classroom with her old friends Mary and Minnie, and Ida. But there's someone new in the classroom. A person from Laura's past who makes Laura shake with anger - Nellie Oleson. Laura, however, is determined to ignore the nasty Nellie and study as hard as she possibly can in order to gain her teaching certificate, and help to send Mary to college. But even without her being a part of the workforce, Mary is able to go off to college, and Laura couldn't be happier - or more devastated. But seeing how much Mary loves college, Laura resolves to study even harder, and begin earning the money to assist in keeping her there. Of course, Laura never imagined that things could possibly stand in her way. Such as the selfish new schoolteacher who thrives on taunting and humiliating both Laura and Carrie in front of the other students; and working as a seamstress in town. But the most shocking of all, is Almanzo Wilder's sudden interest in young Laura. Almanzo is a handsome fellow, whose Morgan horses are the talk of the town, and now Almanzo seems to have taken a fancy to Laura - something that leaves her confused and excited at the same time. But no matter what, she must remember to continue her studies, or else Mary may have to return home before her education is complete.

It seems strange to bear witness as someone ages, but that is exactly what readers have had the opportunity to do as Laura Ingalls grows in age, height, and maturity. The love she holds for her family is so refreshing and charming, and truly keeps the reader's interest peaked; while the constant maturity Laura displays in each and every one of her decisions is just unbelievable. Laura has completely grown up before our eyes, and each year she just becomes more and more lovable. The inclusion of facts regarding the changes taking place during this era are interesting, and present a fun learning experience for readers; while the sudden budding romances springing up around the young people of De Smet indicates just how much older these characters have become. Almanzo Wilder has grown on me over the past few books, and I love reading the scenes where he is present; and Nellie Oleson, as nasty as she is, will always remain a fun character whom you absolutely love to hate, but hate to love. This series just gets better and better!

Erika Sorocco
Freelance Reviewer

I read this book to my two sons, 7, 9 and my husband, during long drives. We all loved it. Even though the main character is a girl, my boys were interested the entire time and identified with Laura. The descriptions are great and the characters are well-drawn. We're now reading These Happy Golden Years and my family is loving that, too. I recommend this book for a family to read together.

This is a charming, entertaining, and educational story about what life was like among homesteaders in the Dakota territories in the 1880s. I mostly agree with the other positive reviews here. But there is a teaching moment in this book that should not be overlooked. The parents in this book are paragons of virtue, and their behavior matches the highest standards - standards of 1880, not 2006. There is a short scene during one of the "literaries" where several men perform in blackface. Although it occurs with innocent intent, modern readers might find it in questionable taste if they don't allow for the historical context.

If they're smart, parents and teachers will embrace this as an opportunity to open a discussion with children about changing standards, and the work it took to improve those standards.

I love these books. I bought the President's Daughter back in middle school and many years later decided to complete the collection. Like someone else said, it is my go to book. I can read it over and over and still find new things in it. It is actually also how I learned how the election worked!! The first is the best in the series, but anyone who reads this will not be disappointed by the quality of writing, depth of the characters and knowledge gained about a presidential family. Meg is a delight!

Most teens are embarrassed by the things their parents do. But in Meg Powers' case, she and her family are under constant national scrutiny, for her senator mother has just announced her candidacy for president.

Although dealing with the issues surrounding Katharine Powers' campaigning and frequent travels, the Powers family is still refreshingly normal. Meg and her younger brothers regularly compete with dinnertime witticisms, and she and her best friend Beth spend embarrassingly long hours dreaming about the day that handsome and popular Rick will ask one of them out.

Firmly entrenched within '80s pop culture (references to things like Tab and Joan Jett are sprinkled throughout the book rather liberally), this story is simultaneously set in a time that has yet to come -- making it something of an anachronism, but a fun and quirky one.

This book is a sooooooooo cool! Sixteen year old Meg has two brothers. Her mom is a senetor.One day her mom decided to run for president. Meg is than thrown into getting used to everyday life being the presidents daughter while still juggling homework,friends,boys and family life. This isn's a book you will soon forget.

I have read and reread (and loved, especially the first one) all three Meghan Powers books in their original editions. I am grateful to Hawk Publishing for reprinting these three books (now called the "President's Daughter" series) so that more people can enjoy them, but I do feel that people should know that these reprints are not high quality. They are trade paperbacks with bindings that seem sturdy enough, but the text is not at all crisp -- in fact, it looks like the publisher may have enlarged the pages from the original mass market editions on a Xerox machine and then reprinted these new editions from those copies. I am basing this guess on the fact that the text looks enlarged and somewhat blurry.

The covers of all three of the reprint editions are hideous; the first one shows a girl who looks to be about 8 or 10 years old instead of a teenager. ...

If you can get past all that, these books are marvelous to read. The first book in particular was very entertaining and educational to boot. I learned a lot about the nomination process used at the Democratic National Convention. Meg's "voice" is unique and distinctive, and a lot of the book is laugh-out-loud funny. Again, I am grateful to Hawk for reprinting these, even if the quality is a little disappointing.

I first read the first two books when I was in high school...in the 80s. I enjoyed them then, and sorely regret loaning them to a younger cousin when I got to college and was ostensibly 'too old' for them. My local bookstore didn't carry "God Save the Queen," so I've never read that one.

I'm 36 now, and I've read one heckuva lot of books. But two of that stay with me are "The President's Daughter" and "White House Autumn." Like the very best in young adult fiction (Harry Potter, etc.), the themes are universal, the characterization is excellent, and the glimpse into another world is fascinating.

The principles of Somatics absolutely address all your aches and pains whereby you take control to put yourself back in place by training your muscles. Best if you can locate an instructor for class instruction to enhance the illustrations as well as add new exercises. It is most unfortunate that Thomas Hanna did not continue on earth to realize his contribution for so many.

The Somatic exercises have given me more fluidity and ease of movement that anything I've tried - Yoga, Pilates, Egoscue, physical therapy. I actually felt an amazing difference the first time I did these exercises. I continue to do them every day, I enjoy doing them because they allow me to move with far less discomfort and pain. The book may be a little challenging, but well worth the effort. Be sure to read it and then begin the exercises so you have a complete understanding of what the exercises are about and why they work. I'm recommending this book to everyone I know that has lower back/hip issues. The exercises have also been helpful in increasing the range of motion of my shoulder which was beginning to 'freeze up' for me. This book can change your life.

Hanna Somatics is very beneficial for all people. It really blows the "your just getting old" myth and is an easy method to feel better in your body at the same time as doing something to make it work better. It is easy reading and the pictures of the exercises at the end are helpful. However, the simplicity of the exercises does not translate well in the explanations, so it would be very helpful to find a Somatic Educator to go over the exercises with you once or twice. Well worth the price of the book.

I had severe chronic abdominal pain for the best part of a year. I had to quit my sport (rowing) and it really affected my studies. Truth is I was already beginning to realise that my problem was somatic and had begun to release the abdominal tension just by thinking about it. I discovered somatics after that. Personally I have found it an effective approach to releasing tension. It has worked for me but what I would like to know is whether it has worked for others?

The thing about this sort of book is that it is likely to attract positive reviews. We only see the successes and the failures are forgotten about thus distorting the reviews. Indeed this is a failure of the book itself. As a practitioner of somatics Hanna must have had people he could not help. What was their situation? How long did he work with them? As such the first part of the book which discusses case studies and its philosophical basis cannot be regarded as scientific. We can learn as much from failure as from success.

The only critical review at the time of writing is right to criticise the poor visibility of the skeleton diagrams. Others have criticised its lack of mention of the fact that there are people trained in somatic education. If you decide to take on the program then I advise you to go to someone trained in the movements otherwise you risk doing it wrong and wasting your time or at worst making your problem worse.

Somatics is not an alternative to Pilates or Yoga rather it takes certain aspects of those disciplines and refines them as well as adding some additional ideas not found in either. Pilates is about core stability, yoga is about... well yoga and somatics is about muscle tension. The book also fails to adequately put itself within context of other related disciplines.

Anyway, Somatics is a great discipline. I hope that the next edition works out these criticisms.

A friend recommended this to me after I had been incapacitated by back pain. I just woke up crippled by back pain one morning - the first time in my life. After weeks of doctors and little relief, I read the book and tried out the exercises. I immediately felt the benefits.

The book is organized as first, a series of case studies, which the author uses to illustrate his theory of muscle amnesia, followed by a series of illustrated exercises with detailed instructions. Anyone reading this book should first read the case studies before doing the exercises.

The author's objective is to help you reacquaint you with parts of your body that you have lost touch with - and therefore lost control of. He believes that much back and body pain is due to involuntary actions of muscle groups that we have forgotten how to control. By doing exercises and focusing on how they feel, we can regain sensation and control of our muscles. We can replace painful involuntary muscle actions with graceful voluntary ones.

All I can say is, the exercises - and theory - helped me, and I do the short version of the exercises most days. The exercises are not strenuous or painful - they are pleasurable and relaxing, leaving you feeling invigorated.

I owned this book before I even had children. I used it in the classroom as a teaching tool. To drive the point home, I would have the children try to mix piant together to make their shade of skin pigment. They were amazed at how no one is white, and no one is black.

This book is an example that we are different, but we aren't alone...There are others like us. We ARE all the same inside...

I bought this book in addition to the "never forget a face" memory game for a 3 year olds birthday party. One can never have enough multicultural things in such a global world!

Dirty Sally
Whoever you are is great look at introducing youngsters to cultural diversity. "Culture" basically refers to commonalities that run through a group of people with a shared heritage. Sometimes children probably believe that her culture - way of doing things - is the "right" one and that others are a bit "funny." As you read Whoever You Are, you can begin to look at other cultures with your child, aim for an appreciation of differences. Eventually, this will lead to an increased appreciation of the incredible variety of human attributes, flexible thinking, and less prejudice and stereotyping. This type of conversation has to take place. That is why I wrote a children's' book entitled, Dirty Sally..The untold stories of mixed race kids who find a new identity, love, faith and forgiveness through GOD.
There is an interesting story behind the title. I was often taunted or teased about being biracial. Some of my family members and friends called me Dirty Sally. Dirty Sally is an old slavery term used to identify the descendants or offspring of Sally Hemings, a former slave and the late President Thomas Jefferson. Sally Hemings was biracial her mother was ½ white and ½ black and her father white. This book focuses on the misconceptions surrounding racial identity and the importance of choosing one's racial identity. Dirty Sally is a must read not only for inter-racial families, but for all parents hoping to instill in their children a sense of understanding and compassion. I believe that change requires resistance and within that process we can help heal some of the wounds that continue to inflict on racially mixed children. Purchase available on Amazon.com the ISBN# is 9781432707743
For more information or to contact the author, Myrtice J. Edwards visit [...]

I bought this for my daughter who we adopted from Guatemala. It is one of her favorite books to read at bedtime and I love it too! Perfect for any adopted child!

I love this book. It has beautifully colored illustrations to go along with a wonderful message that no matter how different we all are, we are all the same in many ways...we all smile, laugh, hurt, cry, and experience joy, love, and pain the same way.

I actually like this. It's a good and colorful read for kids of all races and great for young readers.

I recommend this book for all little girls of color. This includes biracial and adopted girls who can also become quite conflicted about their amazing locks.

Even though they may be surrounded by friends and immediate family with similar hair, sometimes they stop seeing the rich beauty of their own hair. They start comparing themselves with their family members with different hair.

This book was perfect for us. A godsend.

I think this book should be given to every family that adopts across racial barriers and recommended to every African American and biracial family (where one parent is of African descent).

Even better it should be read in every elementary school in America. The beauties of long, straight (especially blond) hair is extolled throughout children's literature. So should people of all cultures hear the beauty of African hair extolled.

I loved Ms. Tarpley's comments about her own hair journey. I am so grateful that she wrote this book. I wish it had been around 60 years ago so that many generations of girls could have seen the beauty of their hair affirmed in print.

I have loved every book written by Ms. Tarpley. I find them educational and uplifting. This book is no exception.

My older niece loves this book, all about a black girl who, as you expect, loves her hair.

She describes it in various poetic and imaginative terms - her hair can be like a globe, or be spun into a braid; it's curly like a vine winding into space; she likes to wear her hair in "ponytails like wings".

There are some unnecessarily didactic elements - kids at school teased her, so her teacher talked to them about having Pride in Your Heritage (a good concept, the whole book is about that, but that page wasn't so well-handled, I think), and her mother starts talking to her directly about how she's "lucky to have this head of hair" when she complains that haircombing *hurts* sometimes.

Also, some of the illustrations have odd perspective - I'm thinking specifically of one where she's going down the street with beads in her hair.

However, overall this is a really great book. And my nieces (aged five and 2.5) agree. They love reading this book.

My daughter loved this book as it has vivid illustrations and really helps to promote a love for African American hair!

IF YOU WERE THINKING OF BUYING THE BOOK "NAPPY HAIR", GET THIS ONE INSTEAD. ITS BEAUTIFULLY WRITTEN.

This is an excellent book for building confidence in African-American girls about the natural beauty of their hair. The pictures are wonderfully done and contribute to the feeling of pride you get when reading this book. My daughter especially related to the part where the little girl makes music with the beads in her hair, and I try to remember to be as compassionate as the mom in the book when I comb her hair.