North America Books

We just visited Mata Ortiz, and it is great to be able to connect all the faces and stories with the beautiful objects these humble artists create.

This is a great book for all that are curious about Mata Ortiz pottery and the people who make it. If you want to start collecting, it's a great book to have for a reference source. All artists mentioned in this book are of high caliber, as good, some even better than the Native American potters of the Southwest. At this time, these wares are also less expensive and affordable to most people. Hopefully they will be a good investment for the future.

Susan Moesch

A wonderful collection of photographs combined with dialoge about this remote village in Mexico. It describes the journey to get there, then details the lives of the talented people who live there. The photogtaphy is outstanding. A must for any person collecting or thinking of collecting pottery from this village.

"The Many Faces of Mata Ortiz" is a treasure trove of information about the treasures that are the Mata Ortiz people and pottery. It is well laid-out, well written, and well...wonderful!! The only thing that would make my copy better are autographs by Juan Quezada himself and every other potter in the book.

Unfortunately for whatever reason, Juan's son Alvaro is not featured in the book. He is indeed an exceptional artist.

I was able to meet Alvaro and Juan Quezada in Nov 2006 in their family gallery in Mata Ortiz and found them and their entire family to be humble friendly and genuinely thrilled that people love their wonderful creations.

If you have not had the opportunity to visit Mata Ortiz, "The Many Faces of Mata Ortiz" will inspire you to go. If you have, it will make you pine for it and it's people.

Almost 40 years ago Juan Quesada from the village of Mata Ortiz in Chihuahua singlehandedly revived Casa Grande style pottery. This book is a beautifully illustrated account of his success, along with the other artists of the village who learned from him. Becoming familiar with these artists should lay to rest the notion held by many Americans that Mexican imports are second class. These paper-thin pots are as beautiful as any you will ever see. This book has color photographs of many of the potters from Mata Ortiz as well as pictures of their pots. There is information on how the pots are made-- they are all built by hand from native materials, painted with brushes made from the artists' children's hair and fired over cow dung.

The book has a lot of interesting details-- for instance, when the Pope visited Mexico a few years ago, he was given three of these magnificent pots. Another fascinating tidbit is that one of every seven citizens of this village makes these pots. They have gone from doing manual labor to creating works of art.

Owning this book is the next best thing to owning a Mata Ortiz pot.

my kids loved it when the BBC series came out years ago. the concept is good, the story, excuse me, novel. But the execution could be revised somewhat, maybe extended and needs to be less author-driven and the theme as a whole could be taken further. It is a book of its day. but it's still a good read in this time of hit-and-run writing.

When I started reading this book, I thought: "Oh great, a boring story about some girl who's sick in bed. Fun." But, as I got into the book it became incredibly interesting. I started to feel I was Marianne, even though I'm a boy. When she met Mark in her dream as the boy she drew, because her tutor Mrs Chesterfield told her about him, I really felt for him. This book is really and truly gripping, an amazing read. When it ended, I was really sad because I wanted it to go on forever and follow the rest of the adventures and Marianne and Mark.

Overall, this book is incredibly enjoyable and I would recommend it to anyone.

I really liked this book. What I couldnt understand was what was wrong with Marianne? I indeed did find it a little scary but more eerie when reading at night. I loved reading it from front to back and I have read it again the same old plot not getting old.

I absolutely loved this original tale that beautifully captures the world of a sick young girl. Marianne is ten when she develops an illness that confines her to bed for several months. She passes time by drawing a house on paper, and dreams feverishly of the same house while asleep. Her adventures in the house with a boy named Marc become more frightening as her illness worsens. In the dreams, Catherine Storr touches on the dream-like fears of the children while in real life they deal with more substantial fears, such as illness and lonliness. Sometimes Marianne's fears turn into nightmares, which I found frightening but still appropriate for children. This is not the case for the movie, Paperhouse, which was way too much for pre-teens. All in all, I'd say that this is a book that crosses all age bounderies and I'd recommend it to anyone looking for a simple but facinating story.

And a bit odd too. Parts of the story that are supposed to be scary just end up being mearly curious. I mean I would not be scared by a boulder with an eye. Nor would I constantly eat sausages, like Marianne and Mark do. And they are particulary fond of the word "beastly". Every second sentence contains this word.

I won't go into detail about the story as the other reviews provide enough info but I will say that the book differs from the film (Paperhouse, in which Marianne becomes Anna Madden) greatly. It doesn't feel as menacing nor does Marianne have the same kind of cockiness and early-adulthood intelligence she has in the film. Instead, she's a year younger and seems more childlike. The story of Marianne's absent dad and having him appear in her dreams as a madman is not here either. The evil forces take the form of monolithical stones with eyes. And the stones chase Marianne and Mark?!

Very weird indeed, I'm not quite sure how the physics of that works tho. It's probably all subtextual. But I can't figure it out. The ending is also completely different from the film too.

I wish this book was darker and had a bit more evil in it. The boulders with eyes just don't do it for me. It didn't feel threatening at all. Althogether this a bit of a disappointment. It's not fully engaging or mysterious and seems too tame. I can't figure out what audience Catherine Storr was writing for but it seems a little unmagical for kids and a too tame for adults. Maybe it was different back in 1958 tho.

I loved this book! Marsha Scarborough's journey to the heart of Native American spiritual healing is so human, so vivid, so damn funny, I felt I was with her every step of the way. I loved the reality of it all. Marsha seems such a clear-eyed and practical person. Her encounters with the mystical realm thus seem all the more believable as we share in her own struggle to see beyond the surface, into the deeper nature of things. Through it all, she keeps her own fine sense of the absurd - of how ludircous it is to be offering a cake to the spirit of your dead mother in your own back yard, hoping the neighbors aren't watching! To go from there to the scortching desert ritual dance of the final chapters is such an amazing journey. What a gift that she has shared that journey with us.

I am compelled to write my first review as this book is truly a MUST READ!
Marsha Scarbrough writes in a tone that flows easily as we travel on a journey of Deep Insight and Discovery that leads to Healing. As we travel on the journey along with her, we learn about family, friendship, betrayal, acceptance, joy, and self-realization that all lead to Healing. We learn about the profound revelations and the freeing power of Love & Acceptance as the author takes us with her on this sacred healing journey. Bravo!

I devoured this book, I couldn't put it down. It was so powerful and wise, I stopped a lot to deeply reflect on the content to evaluate my own life. It was so humble and refreshing. You must read this book.

Medicine Dance is so engaging and funny that I couldn't put it down. I hope Marsha Scarbrough is working on a sequel.

Medicine Dance grabbed me from the first page and didn't let go until I finished the book. It's full of life lessons and laugh-out-loud humor. A great gift for your best friends - and yourself.

I purchased this book for my "just turned" 3 year old daughter before a 5 hour car ride. She loved this book - she did the mazes straight through to the end in one sitting. This is definately a wonderful beginner's book to mazes. Highly recommended!

Looking for an inexpensive educational item? Look no further. Kumon workbooks are excellent.

My Son is 2.5 yrs old and loved this book. He finished it in less than a months time. Yes, they weren't very challenging mazes, but kept the attention of my child for 10 minutes everyday. He liked it so much that everyday he would ask for it himself. I only wish they came in spiral bound or something like similar, so that I need not hold the book for him while he is working.

This is a great product, but geared to younger children as their first introduction to mazes. My 4 yr old son breezed through this book in one sitting. He may not have gotten them all perfect, but it wasn't much of a challenge at 4.

I loved the kumon books.i run a preschool and use the book at my school. each page is full of color and that gets the kids more interested in completing the pages

this book could easily inspire a life of crime--how else to afford the gorgeous contemporary jewelry? or acquire the museum quality antique and archeological collections?

as a knitter, embroiderer and beader, i am always looking for inspiration for my pieces. i may stoop to outright plagarism when it comes to the works in this incredible book. though i will say that i can only dream of having the level of skill the pieces display. the craftmanship, the artistry, are humbling when one considers the tools the artists had--and the reservation conditions under which too much of the art was created.

the text is wonderfully informative, if you can force yourself to read it, instead of allowing yourself to be mesmerized by the photos.

follow the advice of the professional review--buy this book immediately.

My brother-in-law has the exact same title book,his book has over 600 pages! I ordered the book thinking that I would get a similar copy at a great price. I did not realize that I was purchasing an condensed version. The information in the book, although somewhat sparse is good. Thank you.

A few years back I signed up for a class in silversmithing which soon became addictive. In addition to that interest, I have always been interested in primitive art such as that of the American Indians, the cave drawings, Australian Aboriginal art or spiritual drawings. These forms of spirituality and art or of art are very powerful. I have chosen to concentrate my silversmithing designs toward the designs I see from these primitive peoples. The book, North American Indian Jewelry and Adornment has proven to be very helpful toward that aim. In addition to that, it's just plain good reading.

This book is a must-have for anyone serious about studying Native American cultures. It is a fun read, while still being absolutely crammed with information. It's clear the author put in a lot of time and work to master her subject. Not to mention, the artwork featured in the book is beautiful. I love to breeze through it when I've had a hard day, just to feel my spirits lift looking at such amazing works of art. You will learn so much and enjoy the journey enormously.

This gorgeous book is indeed indispensable, especially if "read" visually. Unfortunately, quite a few of the tribal attributions for historic objects (information given to the author by museums) are wrong. Given the scope of this project, Dubin had little choice but to take often out-dated info at face value rather than do her own research. However, readers should keep this caveat in mind when using this work as a reference.

The Sociey for American Archaeology chose this book for its Public Audience Book Award. It is a fine choice.

This beautiful book has many things to recommend it: the importance of the subject, the beauty of the artwork and the photography, the quality of the contributors and the masterful presentation by its author, Dr. Bradley T. Lepper.

Ohio is loaded with treasure for archaeologists. Not one but four ancient Ohio sites are likely to receive World Heritage status from UNESCO in the next few years. These include Fort Ancient, the Newark Earthworks, the Serpent Mound and the earthworks at the Hopewell Culture National Historical Park in Chillicothe. Just this winter the U.S.Department of the Interior has released a list of fourteen sites it will present to UNESCO for consideration - including all of these. And of course Ohio has even more amazing ancient places and stories to offer.

Such treasures call for stunning images, and there are many here. There are also fascinating contributions by more than twenty of the world's authorities on ancient Ohio. It is hard to imagine a better team to teach this subject. But this is more than a coffee-table book and is not an anthology of independent articles. Bradley Lepper leads us through the story from the ice age to the era of early contact between American Indians and Europeans. He writes wonderfully and is the master of both science and story telling.

Ohio Archeology is a must read, with beatiful photos and illustrations, for those wishing to learn the most up-to-date information on the Native Americans of the Woodland Period. Learn how archeologists decipher the mysteries surrounding the amazing earthen monuments of these early Ohioans.

As a long time citizen of Ohio and long time fan of Archaeology, I should have had a much higher awareness of just how much incredible history there is to be had right here in my home state. While I always had a vague notion that people have lived here in Ohio for thousands of years before the first European settlers arrived ... I never encountered any material that seemed to do a very good job of shedding light on this period of the state's history. Well, Mr. Lepper's book does a FANTASTIC job of bringing this part of our state's history the attention it deserves. Great text, diagrams and photos.

Ohio Archaeology is a splendid overview of Ohio's native American cultures and sites. Beautifully illustrated and photographed (including photo's of assembled artifacts) it deserves a place in any collection of materials on the subject.

One of the best acquisitions I've made this year.

Dr. Lepper has written the book I have been waiting for. As a new resident of Ohio, I have been working to understand my new home better, and this book answers many of the questions I have about the earliest residents of this area. I am still reading it so cannot comment on its entirety but it features gorgeous color photographs, helpful maps, and a text accessible to the lay (as in non-professional archaeologist) reader. This book may also answer one of the questions I brought with me from my former home in New Mexico: Where are the builders of the mounds now, and why have so few of their works been preserved? Reading lists and references will help me extend my understanding.

I love Jamie Sams style of writing, and she opened many doors that were closed lifetimes ago.
Other Council Fires Were Here Before Ours: A Classic Native American Creation Story as Retold by a Seneca Elder, Twylah Nitsch, and Her Granddaughter, Jamie Sams

Provides thoughtful insight into a much retold Native American story of previous yugas. Ought to be required reading for the future leaders of our world.

I came to this book due to my interest in Jamie Sams and Twylah Nitsch. For people who have questions about the First through the Fifth Worlds from reading other books by Jamie Sams, this book fills in the blanks. For those who have no knowledge of Sams and Nitsch, this book is so playful and delightfully written that it could be underestimated by the reader.

This book is fascinating from cover to cover. Jamie Sams and her grandmother, Twylah, are master story-tellers. This book is a must-read for anyone interested in Native American beliefs! It is the Seneca version of creation and history, our relationship with Mother Earth, and events still to come! Thanks Jamie and Twylah!

As always when reading books by Jamie Samms or hearing the teachings of Twylah Nitsch, we find the gifts that we need too. The Medicine is always pure and healing.

I was eight years old. I read the paperback edition of this book every night, cover to cover. The story of the effervescent Plop and the conquering of his fear of the dark is as enduring now as it was when it was first published over 30 years ago.

This version is abridged and illustrated from the one that saw me safely to dreamland as a child. No matter. The spirit is preserved and the illustrations are wonderful. Great for any kid with any phobia. A magical book.

The CD in English IS abridged. We first discovered Plop on cassette, and it ran 1 hour. This CD runs 20 minutes. It remains a delightful, short bedtime story for my 6 year old who has it memorized, but it IS abridged. I still would love to locate a truly unabridged CD that has the detail of the cassette.

I totally loved this book when i was little and still do now (I'm nearly 21!). I've lost the tape so I'm looking to get another one so I can show my boyfriend how good it is too. i would highly recommend that every child should have a copy of this book.

Originally published in 1968, "The Owl Who Was Afraid of the Dark" is considered a classic in England. Now reissued with a whole new illustrator, we members of the United States finally get a chance to read this rather adorable tale. Though not a cutesy story in and of itself, illustrator Paul Howard has drawn a book that has perhaps set the standard for adorable barn owl tales everywhere.

Plop (an unfortuanate name, but whatcha gonna do?) is a small barn owl. Plop is also afraid of the dark. Though his parents attempt to inform him that there is nothing to be afraid of, he remains unconvinced. Finally, they tell him to ask various people and animals for information about the dark. From a boy the owl learns that the dark is exciting, with fireworks and such. From an astrologer he learns that the dark is wondrous, allowing us to see the many constellations in the sky. And so forth. In the end, Plop is convinced and is able to safely fly in the sky with his mother and father without fear.

If you'd like to read something to your little one that doesn't contain much in the way of tension or drama, this book's your ticket. Though Plop does partake in various escapades, none of these ever become dangerous. I was particularly interested in a section where he asks a black cat about the night. Considering that a cat would undoubtedly view a baby barn owl as a yummy snack, I was a bit amazed that nothing bad happened between the two. Nothing so much as the cat licking his chops or thinking to himself, "Boy could I go for a little fowl right now". Nuthin'. Which is fine. Illustrator Paul Howard has added pictures drawn with pastel pencils. The result is that Plop is the fuzziest, cutest, cuddliest little fluffball of an owl to ever flutter across the pages of a picture book. In addition to being a useful book for children that are afraid of the dark, it is also a good story for convincing children that owls are nothing, in and of themselves, to be afraid of. Just don't pair this story with Avi's "Poppy". All in all, this is a sweet little story with fuzzy-wuzzy pictures. Cuddly and adorable all at once, it is certain to be a child's favorite as the years go by.

I am now 13 years old, and I still listen to this classic tape when I have nightmares at night. When I was little I used to listen to it every single night. I listened to it so much that I almost broke it. If you are a parent looking for a good childhood book for your child I highly recommend it, from firsthand experience of being a child. Thanks

For Novices, all they need to know to be respectful, comfortable and a vital part of the experience. Good job!

This book provides an excellent overview of native ceremonies. You feel that Julia lives what she is writing about. An excellent book for those who want to get involved in native philosophy seriously.

Julia provides her reader with a straight forward and easy to understand guide to Pow Wows. She provides all the information they need to get the most out of their Pow Wow experience.

Julia White has captured the essence of the pow wow. The information provides the proper protocol for being part of a pow wow to prepare the viewer as a courteous participant. I particularly enjoyed Julia's descriptions of the various dances. I have been to several pow wows and have seen "guests" do all the wrong things and act in a way that would be considered offensive to Native Americans who are sharing their culture with us. These events are "gifts" to those of other nationalities and it is important to show respect when attending a pow wow. These ceremonies have sacred meaning and it is incumbent upon us to to know what is expected of guests. Julia presents the information in an interesting manner - straightforward yet very easy reading. The supplemental information about Native American background leaves me wanting to know more. Her knowledge is exemplary and she herself is a very special person. I highly recommend this book to any who attends pow wows or just wants to gain additional insight into the Native American culture. I personally appreciate that I can go to a pow wow and act in an appropriate manner. I hope Julia White is planning on writing additional books. I will be first in line for anything else she comes out with.

This excellent book tells in great detail and wondeful illustration, the history and tradition of the modern Native American Pow Wow. Readers will find great information on where to find Pow Wow's as well as how to act when they attend one. A must read for all those interested in Native culture.

This book provides lots of good info on what's really going on in the food supply, as well as suggestions on getting good food.
It also made me feel better knowing that there are lots of other people who care about the quality of our food.

"What is for supper?" is a short question with a long history of many answers. "Why is it for supper?" is more recently and less frequently asked. One long answer is The Revolution Will Not Be Microwaved, a fresh evaluation of how the other half of America eats, that is, the other half of one-percent.

Sandor Ellix Katz, author also of Wild Fermentations, examines our food choices, challenging us as would a moral philosopher, and inspiring us as might a romantic poet. But unlike poetry and philosophy, his texts are thoroughly researched and extensively footnoted. Scholarly without being stuffy, he ponders the social, political, ethical and environmental consequences of the foods we choose to eat, of the foods we choose not to eat, and of even our very acts of choosing. Food for thought about food.

Each chapter offers a wholesome essay that can be read independently of the others. Though inexpensive for a book of nearly 400 pages, its binding is especially durable. If separated physically from the whole, the leaves of each chapter stay bound together. This reviewer speaks from experience, having extracted entire chapters in this manner to distribute among friends.

Such portability is an appealing feature precisely because the topics are so diverse that few readers could possibly find the entire book relevant to their lives. Chapters such as these: Seed saving as political statement. Seeking and drinking raw cow's milk as acts of civil disobedience. The corporate takeover of natural foods, and the USDA makeover of organic foods. Whole food as healer, and processed food as killer. Medicinal herbs, including marijuana, as not just alternatives to pharmaceuticals, but their very basis. Pure and free water as birthright, now imperiled by pollution and privatization. Gardening as a means of reclaiming Eden. Vegetarianism as an act of compassion in contrast to carnivorous cruelty.

Vegetarians will be especially sensitive to and maybe even appreciative of the author's discussion of vegetarianism. Katz, a lapsed vegetarian, weighs the significance of life as a vegetarian among omnivores. The reasons for his own vegetarian apostasy are especially edifying. The chapter "Vegetarian Ethics and Humane Meat" begins almost with a confession: "I love meat. The smell of it cooking can fill me with desire.... At the same time, everything I see, hear, or read about standard commercial factory farming and slaughtering fills me with disgust." Whether filled with desire or with disgust, the author writes with humility and clarity. And charity. He continues: "I hold great respect for the ideals that people seek to put into practice through vegetarianism."

Katz acknowledges that vegetarians will brand "humane meat" a contradiction of adjective with noun, yet he nobly and duly presents the gist of vegetarian ethics and effectively distills into a few pages what we'd expect from an entire book.

This emerging moral vocabulary is one whose etymologies can be attributed to vegetarian evangelists and animal liberationists. Their shouts of protest and their cries of lamentation have been heard. Many meat eaters grown uneasy with their own complicity now seek the lesser of several evils. Michael Pollan, the eloquent author of The Omnivore's Dilemma, too deserves credit for expanding this lexicon.

Pollan, however, is less forthright about his own omnivorism than is Katz. Instead, Pollan applies his considerable intelligence merely to rationalize and bolster his considerable decadence. For Pollan, meat's taste trumps its waste. Rather than renounce meat as a superfluity, he chooses to denounce its cruelty. So thanks to Pollan and to his readers whom he has rallied to the cause, many herds of open-pasture cows and many flocks of free-range hens are now being spared the horrors of the feedlot and the factory farm. But that is small comfort to the cows and the hens still prodded on their death march to the slaughterhouse.

Pollan hunted a feral pig to write about it. Katz slaughtered a farm-raised pig to eat it. For Katz, writing is an afterthought to eating, as when he describes in necessary detail the physical difficulties of slaughtering a pig or a chicken. And Katz's book, in contrast to Pollan's, is one of few about food in which narrative use of the first person is welcomed and warranted. This is because Katz's life experiences and his resulting perspectives both are so very unique.

For instance, Katz expresses disillusionment with the pharmaceutical industry, yet he admits to his dependence upon their pills and potions for treatment of his AIDS. He even chronicles the long struggle of his unsuccessful attempt to survive and function without those pills and potions. Such candor about being poz is rare, and a testament to the author's integrity. Let's hope that Katz copes well with AIDS, and that he lives a long and healthy life, long enough to complete his third book, and fourth and fifth and sixth.

- Mark Mathew Braunstein [[ the reviewer is the author of Sprout Garden and of Radical Vegetarianism ]]

I loved reading this book and feeling like a radical because of my food choices! Sandor Ellix Katz writes well and has great stories relating to food. This is a great book for those interested in healthy fermented foods and local, seasonal eating.

in a time when spinach could be deadly, and cloned animals might be ground into that next Big Sandwich,
there is an underground revolution happening, and it's happening all over the world. folks are making possibly-unnoticed-but-radical choices about food. they choose not to let corporations and government dictate what and how they must eat, because when food choices are taken out of the hands of the people, the people lose.
in this textbook for the revolution, Sandor Ellix Katz examines the intricately interwoven web that is our food supply. from water and land rights to bake sales, "free trade," and free food, he shows the damage done when big government (big brother) and big business make our food choices for us. the book uncovers a whole lot of the story that they would prefer we not know, and shows how tied together it all is ~ history, ecology, economy, ethics, civil rights, big vs. small, corporate vs. community, seed laws and plant prohibitions, down to even the most basic right of putting in your mouth something you feel like eating, and maybe sharing it with a friend. the picture seems mighty bleak. but that's where the revolution comes in; people everywhere continue to join around the table ~ the very basis of culture itself ~ not to let the powers-that-be separate them from their food supply. for survival, for nutrition, for connection, for charity, for protest ~ for pleasure (!), folks are keeping food traditions alive, or exploring them for the first time. they're holding onto age-old agricultural practices (like seed saving), and creating new solutions to food waste (like dumpster diving and road-kill salvage!). but Katz doesn't stop there; each section (as well as including extensive resources for further study and connection) extends a personable and encouraging, do-it-yourself helping hand to guide the reader to take steps to becoming a revolutionary herself. because choosing to be aware about food at all has become an act of rebellion.
The Revolution Will Not Be Microwaved is concentrated, intelligent research as well as compelling, passionate storytelling. it is manifesto, cultural catalyst and cookbook, promising a place for each of us at the revolutionary table.
a fan of Katz as soon as i opened Wild Fermentation, i highly recommend this book. if you are interested in food politics at all, or even just love to eat good food, this is a must-read textbook and reference tool for our time.

Katz has a charming style of writing - frank, yet humble and highly readable. His book "The Revolution Will Not Be Microwaved" is a well-documented compilation of the issues we face with regard to our food, and an account of those individuals and groups who are making positive steps toward curbing an erosion of culture and nutrition. If you only read one book about food and activism, this should be the one - I wish I could afford to give a copy to everyone I know.

Along with "Wild Fermentation" Katz's books are both inspiring non-manifestos, and practical guides to revolutionary living. Katz has quickly become one of my favorite authors and persons.