Mexico Books

This is so much better than your average ski history.

It covers a time when the hardcore ski community was much smaller and tighter than today, and all of the pioneers of skiing were finding their places to make ski areas. Tremendously real, told in the words of the pioneers themselves, this is just fantastic reading. Probably the most wonderful aspect of the book is how well it goes with the actual experience of being in Taos Ski Valley today, many of the subjects of the book, including the editor, are easy to find in TSV, going about their daily business. The experience of reading this book, then seeing it all come to life in front of you is spectacular.

The incredible life of Ernie Blake and the desire to celebrate his wonderful legacy may have inspired Rick to start this project, but the finished product turned out to be much more than just a book about a fascinating person and a wonderful ski resort. This is by far the most comprehensive collection of ski lore (complete with accompanying photography) that I have ever had the pleasure to peruse, most of it directly transcribed from personal interviews with those who were the midwives at the birth of lift-served skiing in North America. If you have any sense of history and have enjoyed making turns on snow, this book should be in your collection.

This book contains incredible interviews with skiing legends along with wonderful pictures illustrating the history of skiing. I found that I did not want to put the book down, both because it contains skiing history as told by the participants and because the writing holds your interest. It is really a shame that the author did not film the interviews, because it would have made an outstanding documentary.

This collection of stories is not to be missed. A romp around the world about curious and intriguing people. The characters will stick in your mind like the rather scary and funny guy who eats remorras.

Sky over El Nido is an amazing collection of short stories,not only because the writing by C.M. Mayo is superb,but also because it is a "box" full of surprises.The author (she or he?) provide us with continuous examples of a masterly use of ímage patterning,which keeps the reader wondering what will come next.No wonder C.M. Mayo won the Flannery O'Connor Award!

C.M. Mayo has the unique voice that enables you to not only envision the setting but the emotional swings and feelings of the characters. She writes of characters we wish we knew for pieces of them have been in our lives. Sky over El Nido is a perfect gift for the lover of the writing craft. Each character jumps up and is alive in the first paragraph. You wish you could revisit them sometime again in a longer story. Simply marvelous.

This book starts off pretty mindless, with a spoiled girl who wants to go to a party in Mexico because the guy she likes is going. Once she tries to get back in the U.S., however, she finds out that her parents did not enter legally & she can't get back to the life she knew. Inspired by a true story, the book examines border issues and immigration from a highly personal viewpoint. Sofi is forced to become a tougher person in Mexico and you will like her all the better for it. Very realistic--great romance as well as eye-opening in terms of culture. Highly recommend!

Sofi Mendoza's life was made when she and her best friends were invited to the hottest party of the year.

Just when Sofi thought everything was perfect, her overprotective parents say she can't go. But that doesn't stop her -- after she tells her parents a lie, she heads straight to the party.

After the party, Sofi and a group of her friends decide to make a quick trip to Tijuana and make it back before morning, but little do they know that everyone will return, except for Sofi!

The only thing stopping her is the green card she has. Well, the counterfeit one. While her parents do the necessary paperwork, Sofi ends up staying with her aunt and cousins. Spending her time working on their ranch, living in their house with no electricity, Sofi finds a new love. By the time she falls head over heels, her paperwork gets completed and Sofi is on her way home.

But will the romance continue? Will she learn what life is really all about, and will she finally understand why her parents care so much?

You'll have to find out the answers yourself when you read SOFI MENDOZA'S GUIDE TO GETTING LOST IN MEXICO!

Reviewed by: Cho

Being a publishing and education professional, I can't say enough about SOFI MENDOZA'S GUIDE TO GETTING LOST IN MEXICO. Alegria's voice is very real as well as engaging. Her description of Mexico truly brought me back to the moment I first stepped into the country--the sights, smells, attitudes...Also, the problems and hurdles that Sofi must overcome are not exaggerated nor simple. Again, Alegria's voice is real, and Sofi deals with real emotions and real problems. I couldn't be more impressed. Alegria captures the struggle for identity and independence of every emerging adult--with a Latino spin. Can't wait to buy Estrella's Quinceañera!

This book does a lot to shed light on this very important topic. Soldaderas played a very important role in the Mexican Revolution and in the Mexican military from the time of the MesoAmerican Indians up though the period of the Revolution and even afterwards. Their role has, unfortunately, been overlooked, except in some of the songs of the period of the Mexican Revolution, which focus on certain almost mythical soldaderas, such as "La Cucaracha" and "La Adelita". The author of this book, Ms. Salas, whom one gets the impression is a sort of a chicana activist, does not mix chicano politics with the historical treatment of this book, much to her credit, but rather she gives a very serious treatment to the subject, and the whole account is moving and interesting. It is both historically relevant and easy to read, and in my opinion, it is a really important book for anyone who is interested in history of Latin America - specifically of Mexico. Whereas it has been demonstrated that Pancho Villa is the most famous Mexican of all time, and the most intriguing considering the amount of attention he has gotten in print, then the background of the Mexican Revolution is indispensable for understanding his own saga. However, the other characters are almost of equal importance - at least - and the most overlooked but deserving of the same kind of attention that Villa and otehrs have gotten are the soldaderas, who were, frankly, in my own opinion, fascinating. The one soldadera that I am most intrigued with is "La Generala" Petra Herrera, who was actually a general, and she had an all woman troop, and had any men caught sneaking into her camp at night summarily shot! I recommend this book! I read it, and I loved it.

i feel that the book gives readers the ability to learn the history about the soldaderas.

I bought this book to do research on the soldaderas and was amazed by the information I found. I had been searching everywhere for information about this topic and everywhere I looked, this book was referenced. I found everything I needed and more. There should be more books like this and about this topic. This is a must read!

Over ten years ago, this book completely changed the course of events in my life for months. Let me explain!: I was wiling away the hours with nothing to do during a 2-week hospital stay in Madrid, going over the notes for my master's thesis about Spanish writer Juan Goytisolo, when someone suggested I read this masterpiece about a Baroque Mexican nun to pass the time. At first I thought the suggestion was absurd, hardly a book that would help the time go by quickly, but I gave the book a chance (this Spanish-language version, of course) and soon met Sor Juana Inés, with whom my only previous encounters had been on a Mexican banknote.

Sor Juana Inés was so far ahead of her time that it would have been a miracle for her NOT to have been persecuted and ejected from the society of her times. Octavio Paz (could anything less be expected from such an author) makes her life even more fascinating than it probably was in reality, as he examines her comings and goings from birth to death, or at least as much as can possibly be known, since his study is probably the most thorough that exists. Sor Juana's biography is amazing and caused me to drop my original thesis and change topics entirely. I spent my whole hospital stay engrossed in her tale of love, erudition and ill-fated struggles for equality. Tomes could be written just on her correspondence with all the scholars and thinkers of the day. It is amazing to read how she manages to combine a life in the convent with a life of study, another of cultural activity, a social life rubbing elbows with Mexico's leadership class, and awareness and intellectual relations with countless (male) thinkers of the 17th century.

I can't shower enough praise on this book, which opened up my appetite for knowing more about her. Since then I have read more and more, as well as all of Sor Juana's works, and never get enough, with a special love for her "Response to Sister Filotea de la Cruz," a treatise on the equality of women's mind centuries before such ideas came into vogue. If you want to see what is was like to know that women deserved full equality, to have intelligence beyond comparison and to be forced to use that intelligence with the utmost care so as not to violate strict social norms, and get away with it for years, Sor Juana will be your heroine, as she should be for so many more women in this world who are unfamiliar with her.

This would be a great text for any hispanic literature, women's studies, gay and lesbian studies, Mexican history or a wealth of other courses, or just as a text of interest to women and people in general, so that they can get a practical case study in what women like Sor Juana must have suffered for centuries (and maybe even today in many places) when they tried to go beyond the boundaries that church, state and family had set down to keep them in their place.

I'm not a particular fan of history or biography but couldn't put this book down. For all the information it offers the reader it's an incredibly un-dull read. It paints such a vivid picture of her life that I felt like I was there. Details were always fascinating, never tedious.

Octavio Paz, Nobel laureate, poet and one of the best writers of essays in the Spanish language, can give people seriously interested in learning about Sor Juana invaluable information in this beautifully researched book. Everything that is really known about her biography (not anachronistic twentieth-century storytelling and fantasy) is here; and, very importantly, authoritative background information on Colonial Mexican history and culture, social organization, religious practices and norms, and reading materials and habits. Sor Juana is a complex woman, a great reader and thinker that has to be understood in context. This book provides this, and also a sensitive and informed reading of her work. It is also a very good read. Modern-day fictional accounts are deceptive and will short-change you. Don't fall for them. This book is the real thing.

Over ten years ago, this book completely changed the course of events in my life for months. Let me explain!: I was wiling away the hours with nothing to do during a 2-week hospital stay in Madrid, going over the notes for my master's thesis about Spanish writer Juan Goytisolo, when someone suggested I read this masterpiece about a Baroque Mexican nun to pass the time. At first I thought the suggestion was absurd, hardly a book that would help the hours go by quickly, but I gave the book a chance (the Spanish-language version, of course) and soon met Sor Juana Inés, with whom my only previous encounters had been on a Mexican banknote.

Sor Juana Inés was so far ahead of her time that it would have been a miracle for her NOT to have been persecuted and ejected from the society of her times. Octavio Paz (could anything less be expected from such an author) makes her life even more fascinating than it probably was in reality, as he examines her comings and goings from birth to death, or at least as much as can possibly be known, since his study is probably the most thorough that exists. Sor Juana's biography is amazing and caused me to drop my thesis and change topics entirely. I spent my whole hospital stay engrossed in her tale of love, erudition and ill-fated struggles for equality. I can't shower enough praise on this book, which opened up my appetite for knowing more about her...since then I have read more and more, as well as all of Sor Juana's works, and never get enough. If you want to see what is was like to know that women deserved full equality, to have the intelligence beyond comparison and be forced to use that intelligence with the utmost care so as not to violate strict social norms, and get away with it for years, sor juana will be your heroine, as she should be for so many more women in this world who are unfamiliar with her.

This would be a great text for any hispanic literature, women's studies, gay and lesbian studies, mexican history or a wealth of other courses, or just as a text of interest to women and people in general.

This book by the Nobel Prize winner Octavio Paz is a great account of the life of one of the best writers of Hispanic literature. Sor Juana created astonishing poems about life, love, and people. It is a pity that only little is known about the facts of her life. As with Shakespeare, must of what we know about her comes from her literary legacy. Octavio Paz is able to solve some of the mystery that surrounds Sor Juana Ines de la Cruz.

This is a balanced, penetrating examination of Sor Juana and the elements that shaped her life. She understood that her passion was the pursuit of knowledge and that she could never fulfill her life's work unless she became a nun. In addition to describing Sor Juana Paz enlightens his readers about the masculine society into which she was born. She was a brave, talented woman who spoke up for what she believed in.

The spirit of Tio Fernando by Janice Levy is a book about the Day of the Dead.
Fernando wakes up and today is the Day of the Dead and they are going to see the spirit of Tio Fernando. Fernando`s mother set all Tio Fernando `s favorite foods on the table. She also put out some pictures of Tio Fernando. After Fernando`s mother gave him some pesos to go buy things that Tio Fernando liked also to remember him. Fernando went to the market and saw Senor Romero and then Senor Romero gave Fernando a skull with his name on it. Fernando saw Senora Magdalia and Senora Magdlia gave him a little ghost and Senor Magdalia tells Fernando how he will meet Tio Fernando's spirit and how he will feel good inside. After Fernando went home they went to the cemetery to Tio Fernando's cross and put marigolds there. Fernando's mother sang Tio Fernando's favorite songs. Fernando heard a heart beating but maybe it was only Fernando. Fernando feels something in his body. Then they stayed at the cemetery for the Day of the Dead.

The lesson I learned from the book was that your loved ones will always be beside you. In one part of the book I found they tell Tio Fernando's spirit to join them. Even if Tio Fernando is dead he knows he isn't forgotten. Fernando feels his uncle in his body and by the sounds too. Fernando remembers Tio Fernando by the pictures and by the second toe of his right foot. I like the way this book tells you about the Day of the Dead and that your loved ones will always be beside you.

By Graciela

El Espiritu de Tio Fernando is an excellent book describing the mexican celebration of Days of the Dead. The book follows a young boy and his mother as they remember his uncle who has died within the last year. The book is simple yet includes many aspects of the celebration. The illustrations are wonderfully detailed so as to show the emotions of each part of the celebration. The text is in both English and Spanish allowing all children to enjoy it equally.

This book features beautiful colorful illustrations and a very cute story, full of accurate cultural details. To be enjoyed by children and adults alike, it also is a great way to "teach" your kids about death, or to help them deal with mourning, whether or not you are hispanic.

" 'I can't do it anymore,' he [Buyer's then husband] says. 'Not the physical work. I could still cripple by with that. It's just the mental work, the worry, and the stress. I just can't do it anymore.'

" 'I know' is all I can think to say. When he adds nothing further, I say, 'I'll help you. Whatever you need to do.'

"I do not try to hug him or touch him or console him. I know better. He prefers being alone with his own suffering."

Ranch life is dirt, labor, wind, drought, deaths, births, wants, sacrifices, uncertainty, exhaustion. Why choose it? Because it is also stars, peace, calves, kittens, satisfaction, love, spring--"a meadowlark trills notes as sweet and soft as homemade ice cream. The song breaks my heart and then mends it back."

Read SPRING'S EDGE. Experience the poetry of ranch existence.

Laurie Wagner Buyer's memoir about one key spring when her life and marriage were on a precipice and yet the calves kept being born and the snow kept falling is beautiful and affecting. Her powerful feel for the legacy of the past, her keen observation about the color of the sky or the dimension of the stars, and even her desire to create art by keeping notebooks full of the details of days that seem never to change, yet must; all this adds up to a book you won't want to put down. This would be a perfect book club selection--plenty of material to discuss, cry over, and rejoice in. University of New Mexico Press should be commended for bringing this book to life.

Sometimes a story wraps itself around you and won't let you go. For me, Laurie Wagner Buyer's memoir, Spring's Edge, is one of those stories. Her book offers a rare insight into her life as a rancher's wife, a way of living that is at once remarkably sturdy and frighteningly fragile.

Buyer and her husband Mick--he in his mid-sixties, she some twenty years younger--raised cattle on six hundred acres in the mountains of Colorado. It's a tough life, made more difficult for Buyer by the realization that her husband is fast reaching the point where he can no longer manage the physical work. Since he intends to leave the ranch to the children of his first marriage, she has essentially no stake in the ranch to which she has contributed so much. What will she do--what will they do--when her husband can no longer live the life on the land that keeps him going? What will happen to their marriage if their work on the ranch no longer holds it together? On top of this, Buyer's father develops cancer. It is a situation that would bring most of us--those used to more comfortable, more predictable circumstances--to the brink.

But the Buyers soldier on, doing every day what must be done to keep the ranch going, the new calves alive, their fragile relationship in one piece. Buyer's journal of four difficult months in 1997 is a quietly compelling story of a doomed marriage and a ranch life under pressure from rising land taxes and encroaching developments. "We're on top of the mountain looking down at the wreckage of the times," she writes. "Age, inability, financial impossibilities, an anti-ag attitude in the community..." As local ranchers sell out, hay prices rise, and local agricultural businesses fail, the people who stay on the land demonstrate a tenacious heroism, although they pay a very high personal price.

Through all these challenges, it is the land itself that sustains and endures. Buyer's lyrical descriptions of the earth's coming alive with spring are full of hope and promise. "More snow, some rain, lots of sun, and our world will dance a greening jig," she writes. Later: "Snipe song ripples through the sky. Spring comes again fresh-faced and welcoming." Still later: "I sense the atmosphere hanging on life's balanced scale, ready to tip into full spring with the weight of one more robin, one more blooming pasqueflower."

But while winter is long ("A remember-winter wind cartwheels off the peaks with chilled intent"), the people are strong, and Buyer revels in their strengths. Her husband is "a man born to the land, bonded to earth by his birthright and by his stubborn, even zealous, dedication to a way of life." Her friend Gail loses her front teeth when she's helping check cows for pregnancy: "The fiftieth cow flung her massive head and hit Gail smack in the face. Teeth and hat went flying...[S]he grabbed her hat, stuffed a couple of tissues in her mouth, and went back to work because there were still ten cows to go." It is as if these men and women both draw their strength from the land and develop it in opposition to the land's brutal hardships.

A prizewinning poet, Buyer tells her story skillfully, working from journal notes (sixteen legal tablets) gathered, assembled, and polished. She focuses on the present, but also gives us intriguing glimpses of a puzzling past, enough to give us a sense of the development of this marriage but not enough to answer all our questions. (A remark on her website, that she "came west from Chicago as a mail order bride," compounds the mystery.) The book's epilogue, written some ten years after the events documented in the journal, brings the reader up to date with events in the Buyers' lives.

Spring's Edge tells a remarkable story. I won't forget it, and I don't think you will, either.

by Susan Wittig Albert
for Story Circle Book Reviews
reviewing books by, for, and about women

It's surprising to see how actual the architecture in Mexico is nowadays.

Excellent, Norten is really building a new trend in architecture: the creation of spaces full of pleasure: light, functionality, metal and glass combined to greatness.

It's surprising to see how actual the architecture in Mexico is nowadays.

This very handsomely printed volume by Aperture of Tina Modotti presents an eclectic collection of her photographs, mostly taken in the mid-to-late 1920s in Mexico. Italian-born, Modotti emigrated to the United States, and then to Mexico, during which time she had an extended affair with famed photographer Edward Weston, for whom Modotti also modeled for his nude studies. Partially through Weston's influence, model and actress Tina turned her talents to photography, and the world has been better for it.

Because of her contact with other artists in Mexico, including Diego Rivera and Frida Kahlo, Modotti's photographic interests spread far afield. Thus, while her work lacks the singular vision of Weston's, her shrugging the cloak of purism revealed instead a versatile photographer and artist. Personally, I find her work more enjoyable than Weston's, though her career was much more short-lived.

Unfortunately for the world, political unrest and circumstances forced her to flee to Soviet Russia. An avowed communist, Modotti spent her time after 1931 helping political dissidents throughout Europe and later aided the Republicans in the Spanish Civil War. Because the rigid Stalinist regime had no use for her highly-stylized photography, she put her camera down upon arriving in Russia and never picked it up again.

In 1939, she slipped back into Mexico, from which she had been forcibly exiled, but in early 1942, died of a purported heart attack, just as she was planning to resume her photography.

Many of Modotti's photographs would be regarded as "derivative" by some of today's more cynical critics. Examples include plates of Jean Charlot, 1924 (reminiscent of August Sander), Roses, 1925 (see painter Georgia O'Keefe), Police puppets, 1929 (Man Ray), Mella's typewriter, 1928 (Albert Renger-Patzsch), and Wine Glasses, 1925 (Laszlo Moholy-Nagy). Modotti's photographs themselves are nonetheless strikingly graphic and uniformly excellent.

Other photographs in this book, particularly here women of Tehuantepec bear her stamp alone, and her photographs of Mexican laborers and sundry elements of the social landscape, such as photographs of telephone wires and posters predate work in a similar vein by Walker Evans. Clearly, Modotti was quite an influence on the quintessential American photographer.

If only Modotti had been a greedy capitalist instead of a selfless communist, then she would have left so much more material for posterity. As it stands, though, her body of work is a testament to a great creative mind.

I really enjoyed this lovely book of Tina Modotti's photographs. I thought the selection was quite unigue, not the usual ones I've seen reproduced in other books. In fact several of the photos I'd never seen before. Also the essay helped me put her work in context by showing how she developed as a photographer. To my mind she certainly was a master of photography, as well as a fascinating woman. A good book, at a great price!

Tina Modotti was not only a good photographer, she was a GREAT one! I don't think we would even know who she was today if it wasn't for her wonderful photographs. I loved this little book and it's a perfect companion to Margaret Hooks' excellent biography: Tina Modotti, Photographer and revolutionary. All Tina fans should have this!