Services Books

I read this book when I was in elementary school (going on 43 here!) and until a year ago, I had this book in my collection to pass on to my kids, but sadly it has disappeared. I used to love this book and I love reading books about animals and believe it or not this book made me cry as did the book Snow Dog and Old Yeller. I even did a report on Yellow Eyes when I read it for school.

Picked this up at a Scholastic bookmobile at school, when I was a but a wee tot -- relatively speaking. STill one of my favorite books, and it held up when I re-read it decades later!

I read this book when I was a kid and remember it as one of my favorites. Recently I found it in a box of old books at my mother's house and brought it out to read to my kids. They where just as spell bound as I was. It is one of the most successful books at seeing life through the eyes of a wild animal without huminizing the animal. It does harken back to a time when the govermant paid people to kill animals rather then preserve them. That is a little confussing to kids but is a valuable history lesson.

"Yellow Eyes" is the first book that I can remember picking out from my school library, back when I was in 2nd grade at Des Moines Christian School. I remember this distinctly--I had to give them my last name in the library and I did not know how to spell it! Like other reviewers here, I can remember feeling for this cougar as it made its way. It imparted in me a deep respect for nature. To this day, the cougar is my "favorite animal", no doubt largely due to the influence of this tale. I bought a copy for my own son to read.

This is a book that I heard about when I was young and never read until just recently. Yellow Eyes is a cougar, and has adventures growing up. I used it as summer reading for my children. We sat together and I read the book to them, chapter by chapter. We then discussed all that we read. Reading this book is truly a moving experience as Yellow Eyes faced many dangers and some unexpected twists and turns. The writing is superb and the story development is excellent. If you are a fan of Avi and Poppy and Rye or Ereth books, this is for you!

I first heard of this book in 1967 while undergoing Air Force cryptologic training; unfortunately, it was out of print at that time. In 1975, I found a copy in an Air Force secure-area library and was able to read it there, but only during my lunch hours. Since it was a rare, out-of-print book, the librarian wouldn't let it leave the library, and I can't say that I blame her.

Because of security restrictions, Maj Yardley wasn't able to publish his book in the US legally, so his work-around was to have it published in the United Kingdom in 1931. When I learned that it had been republished and was available through Amazon, I immediately ordered a copy and read it again 30 years later.

This book gives insight into the fledgling cryptologic effort, referred to as the American Black Chamber, begun by the US in World War I. The effort literally started from scratch and existed on a shoestring budget, with Maj Yardley and a handful of others usually working very long hours. By 1929, after years of hard work, the "Chamber" had developed into a relatively sophisticated, successful operation.

Regrettably, naivete ruled the day when President Hoover's new Secretary of State, Henry L. Stimson (This effort was a State Department function back then.), upon learning of the existence of the Chamber, was horrified that we would even think of "spying" on someone else ("Gentlemen do not read each other's mail."). He summarily had the Chamber abolished, so all that work went down the tubes until later on when it had to be rebuilt for the effort of World War II.

It is an ironic footnote in history that by the time Mr. Secretary Stimson became Secretary of War during World War II, his views of the importance of cryptologics had changed--as did those of others in the military and diplomatic spheres of influence.

Read all about it. This is excellent reading, and it brings to life the difficulties and accomplishments of the American Black Chamber.

This is an exciting look into the arcane world of espionage, secret writing and the life and death struggles of spies to remain undetected. It is balanced by the equally intense technical struggle to detect them and interpret what they are sending. It is one of the classics of cryptography, and serves as a wonderful introduction to that all time classic "The Code Breakers" by David Kahn.

This book is a true tell all book. Written by the head of MI-8 (the US Army signals intelligence agency in WWI) and later the Black Chamber from 1918-1929, this book gives a glimpse of what goes on behind the scene and shapes the actions and re-actions of governments that don't make it to the newspaper headlines. A must read.

Aside from the subject of codes and ciphers, which this book does very well, The American Black Chamber also discusses how U.S. codebreaking affected the post-WWI naval disarmament conference which led to the famous 5-5-3 ratio of heavy warships amongst the British, American and Japanese navies. American negotiators knew in advance what the Japanese and British were willing to settle for and managed to get the best deal possible for the U.S.

Very much an eye-opener.

Yardley could sight-read the encrypted messages of the time. This and "Education of a Poker Player" are informative and entertaining.

I read this book and thought, yes this Frenchman makes many derogatory and embarassingly insensitive remarks about the Inuit. However, contrary to what one reviewer said below in "Good descriptions, bad insights, July 27, 2005", the author slowly develops a great respect for the intelligence, culture and abilities of these people so much so that he begins to emulate them. It is a subtle conversion story wrapped in a fabulous adventure; thoroughly enjoyable and well worth reading.

My good friend and I were talking a while back after I had watched the movie The Fast Runner, which he had recommended. Talk got around to my deciding to send him my old childhood copy (out of print, I believe) of Peter Freuchen's Book of the Eskimos, and his deciding to send me his old childhood copy of Kabloona. Neither of us had ever heard of the other's book. I must say, as much as I've always liked Freuchen, I got the better of the deal!

What a wonderful book. So well written, such nice storytelling, so enjoyable, refreshingly honest, and unexpectedly insightful. It is haunting. It really is in a class by itself, although I have trouble putting my finger on exactly why this is so. All I know is that I did not want it to end, as I'm sure the author did not want his time in the North to end. And, like him, I don't think it will be the same if I go back and try it again. And I know I also had a strange feeling throughout which only later I identified as a form of envy, envy for the experiences this man had and for his ability to experience them so deeply. I've seldom felt envy mixed with awe and admiration like this before.

Of all the book, I was most deeply moved by his account of the priest out in the middle of nowhere who had survived and kept warm in incredible cold merely through the power of faith and prayer. Humbling.

A man comes out of nowhere, lives these experiences, writes this incredible book, and disappears back into nowhere. Amazing. Read it.

The audio CD is outstanding...indeed the best I have ever listened to. For one thing, the narrator is marvelous in recreating both the 1930's world of France and Frozen Canada. I can't think of any other book or audio that so successfully transported me into an alien culture. Considering that there are quite a few films and books about Eskimos, why buy this one written 70 years ago? Answer: the literary quality of this work surpasses the prose of the last quarter century. When you listen to the narrator weave his tale, it mirrors the experience of hearing a tobacco chewing explorer slowly recounting his adventures in the wild. The story dives deep into the interior life of the author as much as it details an ethnographic examination of (primitive) Inuit life. The myths and values of the Eskimos contrast sharply with the borgeouis morals of a gentleman of Paris. For example, in Eskimo culture, there is little concept of private property...that's why an Eskimo man will let you borrow his wife or a snow knife. Language in the arctic is far more concrete. A polar bear is HE WHO HAS NO SHADOW. Far away, in the cold Arctic, author Grontran De Poncins learns what it means to be human, a man preeminently. This is a romance, a classic reminiscent of Robinson Crusoe. If you buy the audio CD, you will not be disappointed.

This is a magical book which I first read when I was young. It inspired in me dreams of adventure which I did not follow, but which became a part of my inner life. Now that I am old, I am reading Kabloona again so that I can remember that I once was young.

I looked up at the bookshelf over my computer and spotted the battered 1941 edition of Kabloona that has been in my family for 40 years since I first read it in the village of Coppermine (now Kugluktuk) when I was a 12 year old boy in 1961. I decided to do an AMAZON.com search to see if anyone else knew of this marvel that had so enchanted me as a child, and found the site you are now visiting.

We were much more civilized in the Coppermine of 1961 than the same village the author had visited 20 years earlier. We had electricity, and communication with the outside world by a Morse code key at the Department of Transport office, plus we had a scheduled visit by a single-engine Otter every two weeks. It was a magical time for me (adults found it a difficult time, but they simply did not understand things)

The book Kabloona gave me insight into the minds of the people around me. We were a community of 200 Inuit (Eskimos) and 35 whites. The whites had as many of the amenities of civilization as they could garner, but the Inuit lived much as described in De Poncin's book.

I was enthralled by the awesome hunters with their dog sleds and their magnificent huskies, not show dogs or racing dogs, but working dogs that made the difference between life and death. The men would bring back the carcasses of seal and caribou, and the furs they had trapped. The women sewed the furs into beautiful garments that kept man, woman and child warm in intolerably hard winters. It was also the women's job to butcher the carcasses, which they did with incredible speed and skill using only the ulu, or woman's knife. I regularly witnessed the activities of this way of life. De Poncin described all this in his book, but he also gave me insight into the underlying culture I was immersed in.

You can't live the life I led 40 years ago as a boy in the high Canadian arctic, but you can vicariously journey there to an even more primitive time, and enter into the incredible peace and stillness of an arctic winter night in an igloo, or the warmth and safety of a house made of snow as an unbelievable storm rages outside around you.

I recently spoke by satellite telephone to a man in Coppermine from my home in Missouri where I now live, and found that the village I once knew is now a very different place. But you can go back to an earlier era with De Poncin. I assure you, you won't regret your wonderful voyage with him.

I don't know if I'm permitted to speak of it here, but I have described my life in those years in the Arctic in a book, The Boy Who Fell To Earth. It is available at Amazon.com for those would like to buy a hard copy, or can be read for free on my warmbooks.com web site.

I sometimes try to decide which is my favourite Isak Dinesen book and always after a lengthy quandary settle on "Seven Gothic Tales". These long stories, constructed with the most unassuming virtuosity, leave behind the same feeling of mingled enchantment, wisdom and sadness as reading Shakespeare or her countryman Hans Christian Andersen.

The author was Karen Blixen, a coffee-planter in Kenya who wrote the wonderful "Out of Africa", (which has little in common with the movie.) But as Isak Dinesen, she moved through an imaginary but meticulously evoked late-18th century Europe, where the paradoxes of love and fate, innocence and disillusion, order and dream, are played out gracefully and remorselessly.

Where did she get her stories from? I feel as if I never had to read them, as if I have always known them. Artificial and stylised yet almost unbearably true, they linger like music and burn like ice.
I envy anyone who has yet to read them.

dinesen/blixen was a true, living Scheherazade. this is an astounding collection of stories within stories within stories within stories. beautifully, elegantly written and set in various european locales, starring wonderfully alive characters straight out of fairytales, dreams and myth. these are strange, magical narratives (novellas, to be a stickler) with a modern sensibility. brimming with metaphors that will make you pause. kind of a cross between e.t.a. hoffman and a.s. byatt. definitely going to read more of her stuff.

This is a demanding work of seven multilayered and esoteric stories in this, Dinesen's first book.

We know of Dinesen more commonly by way of Meryl Streep, who played Dinesen, or the Baroness Karen Blixen, in "Out of Africa." But the woman we find here as the author of these stories is no easily-understood, Hollywood character. Her stories within stories are rich in symbolism, imagination, and a "long ago and far away" feeling that is carefully, carefully, controlled by the author. Dinesen wrote some of these tales in Africa, and finished others along with ordering the book back home in Denmark, after her farm had failed. She wrote, interestingly, in English (and did her own translations back into Danish later on). Many books follow this one, including LAST TALES and, of course, OUT OF AFRICA. Dinesen, while the heroic, strong, individualist of Streep's portrayal, is also kind of strange, introspective, and fabulously bizarre. She uses her stories' plot lines as a means, one feels, to work out her life philosophies, reshape and recast ideas and symbolic imagery, and impart creative insights. After getting to about the fourth or fifth story, one can see that she uses the same imagery repeatedly and even the same turns of phrase.

I have read this volume at least once before, and wanted to go through it again knowing just that much more literature and biblical references. (It helps to be well read in the classics when reading Dinesen.) Anything is up for her use, and if you don't see it, something will be lost to you as you interpret the stories and what they meant, or even, what happened. She loves Shakespeare (OUT OF AFRICA was written in five sections, after the five-act structure of Shakespearian drama), and Don Giovanni, she has interesting ideas about femininity and independent women, and symbolizes these issues with women who are doll-like, women who seem as if they can fly, women who are witches in some way or another, etc. She likes to toy with the mind of God, as well, having characters pronounce his proclivities, likes and dislikes, etc., quite often. I found these to be some of the most interesting passages, after some of the gender-defining ones, that is. (She chose her pseudonym, "Isak," as it is Hebrew for "He who laughs" and she definitely plays with many ideas here, many humorously.)

Of the seven tales (The Old Chevalier, The Roads Round Pisa, The Monkey, The Supper at Elsinore, The Dreamers, The Poet, and The Deluge at Norderney), The Roads Round Pisa is my favorite, and I have studied it for a graduate class. In the book, a mistake is the central event, and we learn of it only at the end. Our main character, Count Augustus Von Schimmelmann, is writing a letter to a friend, when a carriage accident occurs in front of him. An old woman, who seemed at first to him to be a man, is injured and asks that he go and seek out her granddaughter so that she may forgive her for an estrangement before she dies, as she believes she will do shortly. Augustus sets out for Pisa and in an inn meets a young man, with whom he engages in an interesting conversation. Soon, however, he finds out that this man is a woman, and whereas before he had been asking "him" for help in finding his way into the city, now he offers her his assistance as a gentleman. Their subsequent conversation holds a particularly compelling passage I have never forgotten. In it, Dinesen explicates a concept of women's differences, physically, psychologically and societally, from men through the artful use of the host and guest metaphor.

This passage is a key to the story's mood when toward the end the mistake around which the characters swirl is revealed. But the passage is also an interesting philosophical and societal analogy that provokes thought and discussion. This is, then, quintessential Dinesen.

The other stories deal with identity and loss (The Dreamers), a ghost who is allowed to rise up from hell whenever the sound between Denmark and Sweden freezes over (Supper at Elsinore), the mirage of lost love (The Old Chevalier), poetry and power (The Poet), the societal roles of women (The Monkey), and identity (The Deluge at Norderney), but these are very brief and basic categorizations. One could safely say that all the stories deal with many of the others' main themes. The book as a whole is an excellent study of the power of fiction to suggest and manipulate, with beautiful, evocative writing and deep and stirring underlying meanings. I recommend it.

These are strangely compelling stories, all of which evoke a sense of mystery and poetry. Floods and monkeys, skulls and puppet shows, vie with each other and figure here in short works that are too realistic for fables but too bizarre to be mistaken for reality.

Gothic surrealism might be the best way to describe the tone achieved by the author, whose real name was Karen Blixen (made familiar to modern audiences by the film "Out of Africa"). This is a reissue of a volume that first appeared in 1934.

Borrowing the author's phrase, each story is "like an echo in the engulfing darkness." Atmospheric and brooding, these tales are part Poe and part Brothers Grimm. Exotic in characterization as well as setting, we are introduced to a polyglot collection of virgin nuns and wandering n'er do wells, who cling to rooftops and journey on rhino-horn laden dhows.

Escape from the ordinary world is promised and delivered, but somehow, the people in these stories also remind us of people we know and situations that might not be as straightforward as we have assumed. A scarf may not be a scarf. The wind may be more than the wind. A scarf blown in the wind recalls to one character the memory of a little white snake -- madness is hinted at, at every turn.

They are seven distinctive tales. Yet, the evocation of place, the depiction of eccentricity, the precariousness of life, suffuse them all. They are magnetic and memorable. Even so, some readers may find the tales a bit too weird for their tastes.

If you find this review helpful you might want to read some of my other reviews, including those on subjects ranging from biography to architecture, as well as religion and fiction.

Why isn't I. Dinesen's work more widely known and accepted in the modernist pantheon? Her reputation seems to have settled into that of oddball literary personality and vehicle for Meryl Streep, however the work itself would have eluded me, despite a decent education in high school and university (for example, I was given Hesse and Camus to read in 10th grade, why not Isak?)had I not been attracted to this title in a dusty library. The work is about as anti-Hollywood as I could possibly imagine. Perhaps the answer is, she is not really a modernist but some sort of high baroque romanticist belonging more in the 19th century world of German prose; the "layering of stories" effect, especially in "Roads to Pisa", reads like she is channeling the world of Jan Potocki, enigmatic author of "The Saragossa Manuscript," who like Casanova moved in that incredible world of the international bohemian intellectual elite that Rexroth describes so well somewhere in one of his essays; that world of post-chaises and midnight rendezvous and military officers with seemingly endless resources of money, brains, education and cunning ... in fact "Saragossa" and Casanova's "Memoirs" were the books that came to my mind as I read her...reading this stuff is like eating a chocolate eclair with a brain more powerful than yours will ever be...why aren't there writers like this anymore? Was it all only a dream?

this IS truly a BOOK FOR ANYONE WHO LOVES AND RESPECTS nature as the majority of us do here in BEAUTIFUL MAINE!!

ALL of her books are super! This one tops them off!!

MACHIAS, MAINE!!

Louise Dickinson Rich is a star! A truly wonderful and gifted writer. You can't put her books down.

A friend gave me this book when I was at a very low point in my life. My wife and I read it together, over a long weekend, and packed the car Monday morning. By Wednesday we had our old house listed and Friday we put in an offer on 40 acres with an old farm. We haven't looked back since; but we have given copies of this book to all of our old friends for Christmas.

This book is a great read for anyone who's ever had the desire to just chuck it all and head for the woods (a desire that seems to wax and wane like the tides, popular one decade [1970s, for example], totally passe the next). Today taking to the woods for many means building a $500,000 "rustic retreat" with pool, hot tub, and wine cellar included. For Louise Rich, back in the 1930s (the book was published in 1942), things were much different.

For one thing, her house had no plumbing. Water had to be hauled to the house in buckets. Supplies and the mail came by boat. Life was no picnic for her and her family. But, of course, there were trade offs. The beauty of the place, for one. The living as one with nature. The need to be resourceful, and the feeling of pride and accomplishment that goes with it. Trade offs worth the hardships, Rich makes perfectly clear.

Rich captures the flavor of her idyllic spot in the Maine woods a few miles east of Upton along the Rapid River (the swiftest river east of the Mississippi, even though it is only about four miles long). She describes what life is like there, how the busy summers are a prelude to the slow, long winters. She talks about her neighbors, the loggers, the animals they encounter, how one endures and enjoys life in the woods. She describes the effects of the hurricane of 1938 and the havoc is caused even there, so far inland. Her prose style is clear and direct, and she truly makes the reader jealous of her situation rather than sympathetic. It's an excellent book, one that I've read a number of times, always with an I-wish-I-was-there enthusiasm. Highly recommended.

"We Took to the Woods" is as charming and delightful a book as you will ever find. It's the story of a city woman living on a remote Maine river with her husband and children. She's not poor, nor a rube, nor does she display the eccentricities one associates with people who flee to the wilderness. Rather, she seems happy, well-adjusted, and full of sympathetic tales about the few -- very few -- people she comes into contact with in the course of her daily life. And she really did live in the woods --the nearest store was a long boat ride away and she didn't go "outside" for a four year stretch. Her township of Upton had a population of 182.

The book is set up in chapters that answer questions: "Isn't housekeeping difficult?" or "Aren't you ever frightened." One of the better stories in the chapter, "Aren't the Children a Problem" tells about her husband delivering the author's baby in the dead of winter -- and greasing it with olive oil which he kept to dress his trout flies. The new parents discuss what they are supposed to do with the hot water always called for when a baby is being born -- and they decide to make coffee.

For the modern reader, the highlights of the book are probably tales of the trials of living without conveniences. The Rich houses -- they had a winter and summer house -- had no plumbing. Heating and cooking were with wood. What you needed for groceries was delivered by boat once a month; the Sears catalog supplied the rest. For anyone who has ever thought wistfully of fleeing civilization, this is a humorous primer of both the rewards and hardships of such a life. It deserves a permanent place on the short shelf of Americana classics.

Smallchief

Initially the quality of the photos is striking. Then you look at the subject - a man who brings joy through his art of comedy - and some of the most emotionally moving images of Groucho emerge. And some gorgeous photos of the rest of the brothers also.

What fans of a dead artist always encounter is the lack of anything "new" out there. This fills a gap. I have been a Marx fan since my youth and have found the expenditure on this book, and the wait, worth it. The best picture book on the Marx brothers to date.

I have to rate this book highly, due to one thing in particular; a load of photos NEW to someone who's been buying all things Marx since the 1970's. Some of the candid, on-set shots; some of the very rare shots of Zeppo; and some shots from scenes that were later cut...these are the stuff of dreams. Crazy dreams, but dreams, nonetheless.

It just misses five stars for two reasons: a nice crop of pictures we've all seen a thousand times and, worse, a number of well-known, yet misquoted, lines.

Did someone proof this? There's not much writing, so it couldn't have taken long...and, after all, Arthur's an author in good standing.

You'd think he could take some of the money he's made off his pop over the past forty years and buy a complete set of Marx CD's. Then he could nab the quotes directly. No excuse for this.

Yet I, for one, still recommend it for the visual treasure it is. A great "coffee table book" - and on a hilarious subject that makes you long to crack it open and take it all in, as opposed to some of those paper paperweights you've typically seen gathering dust in living rooms various and sundry.

The best Groucho book to come around in years. I loved it!

I've owned this book for several weeks now and it continues to have this strange affect on me: every time I pick it up, my mouth opens wide in awe and then twists into a grin that runs from ear to ear!! I just can't stop smiling! This is not your average picture book on the Marx Brothers.

Make no mistake....this book is first and foremost about the pictures and all have been STUNNINGLY reproduced. There is a richness and depth to the photos that you find in, say, coffee table photography books (Ansel Adams comes to mind). Some of the photos have been published before, but the majority of them are being seen here for the first time in book form. But even if you've seen some of the photos before, you've never seen them like this! This truly must've been a labor of love.

Accompanying the photos is a casual running commentary supplied by Arthur Marx which is at once charming, engaging, revealing and entertaining. You can almost imagine yourself thumbing through a Marx family photo album with Arthur stopping here and there to share the memories he associates with each picture.

This book satisfies on so many levels, but don't expect it to be a primer on the life and times of Julius H. Marx. For that find a copy of Hector Arce's GROUCHO (if you can!) but keep a copy of this book nearby because it wonderfully illustrates yet another facet of the man we know as Groucho.

I give this 5 stars (and 4 hard-boiled eggs!)!!!

This book allows you to be in the Marx Family and experience what it must have been like to have a Father who was none other than the "One and Only, GROUCHO!!!"

I have nothing but the utmost respect for Arthur and thank him for sharing his memories and ALL of his fantastic photo's of his Father and Family.

If a picture is worth a million words then this book is worth at least two million ("or three for a dollar").

I'm not sure what the publishers were thinking when they chose a picture of a white horse and a cowboy as the cover illustration for this great poem about the ninth-century Anglo-Saxon king, Alfred the Great. It sets the wrong mood for the story.

Anne Perry, the enormously popular writer of historical fiction, just recommended this ballad by G. K. Chesterton as one of five must read tales of historical fiction. (See the Wall Street Journal's online Opinion Page for April 21, 2007 in an article entitled "Past Tense.") Here's part of what she said:

"This is the story of the English King Alfred's desperate stand against invading Danes in 878. England is conquered, and Alfred is a fugitive when he sees a vision of the Virgin Mary that bids him call together the remnants of his people for a final battle. "The Ballad of the White Horse" is an epic poem of courage, passion and unsurpassable beauty."

If you'd like to read other tales and poems by Chesterton, you might want to get "The Ballad of the White Horse" as part of a collection of his poetry that I edited for not much more money. It's called G. K. Chesterton's Early Poetry and has "The Ballad of the White Horse," along with two other books of Chesterton poetry under one cover. That means you'll also get his best humorous poetry, "Greybeards at Play." No less a writer than George Orwell ranked Chesterton as one of the three best writers of funny poetry in twentieth century England. The poems are a riot of the ridiculous and are accompanied with equally funny sketches he did.

And although Anne Perry and I have the same last name, as far as I know we're not related. Her's is a pen name. Mine is a real name. I guess I'm not creative enough to invent a name for myself.

G. K. Chesterton's Early Poetry: Greybeards At Play, The Wild Knight And Other Poems, The Ballad Of The White Horse

Mr. Chesterton has a masterful skill with the pen; _Orthodoxy_ and _The Napoleon of Notting Hill_ are wonderful books--but _The Ballad of the White Horse_ is heartbreaking in its power, beauty, and nobility. With a stunning use of alliteration, rhythm, and imagery, Mr. Chesterton teaches the reader about true hearts, true faith, and true sacrifice. I have bought a few copies of this book to give as gifts to friends, and I eagerly recommend it to anyone who will listen. This book is a must-have for any individual interested in expanding their knowledge of great poetry!

Out of the thousand or so books I have read in my life, if I were to put the Bible aside (since the Bible speaks with a special authority to believers and cannot really be compared to other books), I have read no more than five or six books that I would call truly great. That means there are only five or six books I would rate at five stars. This is one. Yes, it is that good.

I have never read any author who could make the English language sing the way Chesterton does in this poem -- for over a hundred pages. In contrast to contemporary "poets" whose "poems" consist of a bunch of strange words scattered apparently at random on a page, whose meaning, if there is one, is far beyond obscurity, Chesterton had apparently unlimited ability to create rhyme and alliteration, and then he bound it all tightly in the sing-song ballad style that carries it all swiftly along. The words of this poem are glorious to hear, and really, this book should be read aloud, so that one might hear the music of the words.

And few have ever been able to match the way Chesterton paints pictures with words. I will quote one passage, and hope it is not to long, to illustrate this. The scene here is Alfred's army making one final charge against the Danish camp:

Then bursting all and blasting
Came Christendom like death,
Kicked of such catapults of will,
The staves shiver, the barrels spill,
The waggons waver and crash and kill
The waggoners beneath.

Barriers go backward, banners rend,
Great shields groan like a gong,
Horses like horns of nightmare
Neigh horribly and long.

Horses ramp and rock and boil
And break their golden reins,
And slide on carnage clamorously,
Down where the bitter blood doth lie,
Where Ogier went on foot to die
In the old way of the Danes.

It would be hard to imagine anyone anyone describing such a violent scene in so few words any better than Chesterton does in that passage. And this passage is but one of dozens of glorious word-pictures that Chesterton's poetry paints in this book.

Beyond its magnificent use of the English language, this book also contains much philosophical insight -- insight that, although first published in 1911, is directly and clearly applicable today. Chesterton expresses very clearly the way that Christianity has formed the heart of Western culture over the ages, and the way that Christian faith -- which seems all about self-denial and thus sadness -- leads to unconquerable joy.

The book, of course, is not perfect; no work of literature can be. There are places where it gets a bit too preachy for my taste. But the book's flaws are few and minor, while its good points are many and glorious.

How good is this book? I have read it at least 50 times in my life, and I still enjoy reading it. In my opinion it is one of the truly greatest works written in the English language. It is one of the few books I have read that truly deserves five stars.

I had read some of Chesterton's fictional books, most of which contain poems which he has written, and I very much enjoyed his poems, so I decided to get a book of his poetry. This too I really enjoyed, so I decided to get another book of his poetry, this time it was The Ballad of the White Horse, and this book simply blew away all of the rest of Chesterton's poems. In fact, it simply blows away most poems by anyone. I have read Dante's Divine Comedy, Milton' Paradise Lost, Eliot's Wasteland, Chaucer's Canturbury Tales, etc., but I can honestly say that I enjoyed this epic far more than any of them. I am not saying that it is a better written poem or that it should be ranked above these classics, but I am saying that it is much more exciting to read than the others. Somehow Chesterton makes his poem involving: you are drawn into it and cannot put the book down until you have finished the chapter. He wrote it in such a way that the verses beg to be read quickly, and as I read I found myself reading faster and faster, until I was stumbling over the words and had to slow down again. Chesterton, like no other poet whom I know of, paints a picture of glory, honor, bravery, and captures the true spirit of an idealized Medieval War. The poem resounds with the drums of doom, the cries of angels, the hordes of invading barbarians and great deeds of heroes of old. If I were to recommend owning one epic poem, this would be the one.

Overall grade: A+

We've all heard the saying, "Life is a choir and every voice is important." But we all also know that very rarely is this humane principle put into practice. Linda Stout, in her book "Bridging the Class Divide", shows us over and over again where these voices reside and how they represent important views, important values, and important cultures. Through life experiences, Stout identifies and calls out important characteristics that, when raised up and valued, create a truly well-rounded, truly inclusive society. She shows us how fragile and faint these voices are at birth, and how easily and mindlessly dominant beliefs can annihilate them. Her account of how she herself became more aware of the values and perspectives that shaped her, and began to believe in them and communicate them, is moving and illuminating. Knowing how to nurture and strengthen such contributions, according to Stout, is key to bringing them to the tables we all sit at every day, whether they be work tables, community tables, religious, race, gender, or age tables. Such affirmations of inclusion have a powerful effect on the political and economic webs that impact all of us. However difficult, giving voice and action to all our perspectives, not just the ones that reflect "the way we have always done things," is necessary. Only when each of us insists on communicating our unique perspectives will every voice truly be important to the song the choir is singing.

I have been working for social change thirty years now. I can wholeheartedly say that Linda Stout is one of the best organizers and resources there is on issues of overcoming class and racial divisions; so that we can be more effective in our work for justice, peace and a wide range of other progressive issues. I worked with Linda back in the 80's and she is still one of my most important mentors. Her book reflects her unique qualities which all come from life experience and wisdom born from life in the struggle and life in the spirit. It is both informative and inspiring -- a book that you don't want to put down and one that can make you a better person in your personal life and in your work for a better world. Herb Walters

Activists will find this book invaluable. Rev. William Sloan Coffin said it all: "Class may well prove a nut even tougher to crack than racism. With a wealth of wisdom, Linda Stout shows how to organize progressive movements that are genuinely inclusive. Grassroots organizers especially will be in her debt, which is where I have happily been for years."

I used this book as a text for an undergrad class on community organizing. it was easy to read and understand, and gave us so much to reflect on and talk about. it has so many practical tips on organizing, it should be a must read for anyone doing community work. i would love to read further reflections on PPP today, and what the leaders have learned about organizing and surviving as an organization since the book was written

If you care about helping to create a better world, this book will help. Class divisions are one of the most insidious, though least discussed, problems impacting our ability to effectively build movements for change. In an accessible style, with great stories, Linda Stout shares her years of organizing wisdom and makes it clear just what it takes to build effective cross-class alliances.

As the Executive Director of Class Action, www.classism.org, I have recommended Bridging the Class Divide many times. It is a useful resource for activists and non-activists alike.

Felice Yeksel

It is too bad that way too many managers, supervisors and leaders in the secular world will not follow the timely and true advise Mr. Sanders lays out in this book.

This is the first book I have read that has the correct way to view the secular world with a biblical reference. With that said, I dare you to read this book AND try some of the points in it and see if your work will not succeed!

An Important Book written by
Dan J. Sanders
CEO United Supermarkets

Reviewed by M. Joyce McMenamin

CALL IT THE CLEVERLY PACKAGED LITTLE BOOK
THAT CAPTURED MY ATTENTION & INSPIRED US TO
CREATE A NEW SECTION IN OUR
LITTLE MAGAZINE!

CALL IT WHAT YOU WILL, WE THINK THAT MR. SANDERS HAS DONE A SUPERB JOB OF POSITIONING THE IDEA THAT "BUYER & SELLER'S INTUITION", COMBINED WITH EMPIRICAL DATA, CREATES A BLENDED SUCCESS MODEL OF THOUGHTFUL & INTELLIGENT PROFITABLITY & LONGEVITY.

SANDER'S GOES BEYOND MERELY MIMICKING PREVIOUSLY PUBLISHED MODELS AND
WE WERE ACTUALLY IMPRESSED WITH THE DOWN-TO-EARTH MODELS PRESENTED IN
THIS NEW BOOK BY THE CEO OF UNITED SUPERMARKETS. NO SMALL FEAT. THE CAREER,THE BOOK, NOR THE SUCCESS OF THE ORGANIZATION. ASIDE FROM THE
"INSIDE THE BOOK" ADMIRATION BESTOWED BY BEST SELLING BUSINESS AUTHORS,
STEPHEN R. COVEY & KEN BLANCHARD, THIS BOOK DELIVERS ON IDEAS THAT NEED
TO BE DISCUSSED MORE IN THE FUTURE. IDEAS THAT NEED TO BE TAUGHT IN BUSINESS SCHOOLS & NEED TO BE PUT INTO PRACTICE BY ANY ORGANIZATION THAT
WANTS TO GROW AND THRIVE, LET ALONE SURVIVE, INTO THE NEXT DECADE.
THIS IS A MESSAGE THAT ALL LEADERS NEED TO HEAR, BELIEVE & PUT INTO ACTION.

SANDERS SHOULD GET A TEAM OF FACILITATORS TOGETHER TO BUILD WORKSHOPS
AROUND HIS PRINCIPLES & TAKE IT TO THE MILLIONS OF MANAGERS OUT THERE THAT
STILL DON'T "GEDDIT". BACK WHEN I WAS CONSULTING & FACILITATING CORPORATE GROUP SESSIONS, I WOULD HAVE LOVED TO HAVE HAD MATERIAL LIKE THIS TO DRAW FROM. SANDERS GETS IT!

WHAT'S THE BOTTOM LINE?

IN A WORLD WHERE TOO MANY, WHO "SHOULD KNOW BETTER",MERELY SPEAK TO THE METRIC-MODEL, IT'S OBVIOUS THAT SANDERS & UNITED LEARNED HOW TO WALK BEFORE THEY TRIED TALKING. SOMETHING MANY PROFESSIONALS SHOULD EMULATE. IN LIFE LEARNING HOW TO WALK, STUMBLE, FALL AND GET BACK UP AGAIN, IS THE NATURAL PROGRESSION TO GROWTH. WHO KNOWS? IF THIS BOOK HAD BEEN AROUND 20 YEARS AGO MAYBE WE'D STILL HAVE A STRONG AMERICAN AUTO INDUSTRY! BY THE LOOKS OF THINGS, UNITED SUPERMARKETS AND THE GROCERY INDUSTRY IN GENERAL ISN'T GOING ANYWHERE... AFTERALL, WE ALL GOTTA EAT, RIGHT?

BRAVO!
UNITED, WE STAND & APPLAUD.

Reviewed by: M. Joyce McMenamin
Publisher, Producer and author of The Integrity Channel [m.j.m. estrada]
Network Abundance sponsored by Sensitive Pie Productions

This review originally appeared in NoNiche Magazine November 2007 Issue

This is a beautiful business book. It really teaches you that your business vision and mission must serve a higher purpose in this life. Your mission should not be money, but instead of servitude to humans. All businesses must serve, lead and help their employees and customers attain a higher purpose in this life, and you as a business leader must do just that instead of focusing on profits. Read it, you will have a different view of business after you are done with it.

United Supermarkets, the company Dan Sanders runs, has long been a strong presence in the community I live in...a very strong and a very positive influence.

The environment and culture Mr. Sanders talks about in his book are evident, from a customer's view point, so it was great reading what was going on behind the scenes of this corporation to help create this atmosphere. He does practice what he preaches.

The most difficult thing a person can achieve naturally is a requirement and achievable in Christ, and that is to serve another human being.

We try and do things our way only to end up pursuing wealth, power, status, stuff and things. All along we miss out on the one thing that will bring fulfillment into our lives.

There are many books written on Management and Leadership; most prescribing tools and processes that when implemented over time the companies eventually retreat to nothing but empty warehouses and broken livelihoods, placing cities and towns under a burden of unemployment and families and governmental structures in a deficit. Built to Serve hits the nail on the head by providing practical steps on how to operate in a process that is proven to work.

Serve the people and they will spend more money just to be served; serve them well and they will drive great distances to spend their money because of how being served by your company made them feel. The three keys that I feel made this book so outstanding is that it deals with the reality of a current business mindset which operates in most businesses today which is that you the customer should be glad we are here to take your money and treat you like the ignorant customer that we you and believe you are. Go into businesses and organizations right where you live and you will surely come across this mindset and current prevailing attitude. Serving, the value of people (internal/external customers), and keeping the faith, are all keys that this book really addresses. Combine all of these together and you find yourself in relationship with your customers. Greater is the fact that you can actually begin to reproduce quality leaders.

This book touches my heart for people and helping them to employ daily their talents to assist people and bless their employers. I look forward to the day when more businesses, PNP's, companies, and organizations begin to apply the right tools for today's business problems. This is well written and contains many great truths...good job.

This is a lovely book, fantastic illustrations and a wonderful theme throughout. "Where are you going bear, please wait for me". Follow the bear and the boy through different places real and imagined. Suitable for 12 months - 3 year olds.

After reading it a few times to my son, I was surprised to hear him reciting the rhyme text back to me. We enjoy reading it together. The text is very simple but is perfect for a toddler. We learn names of different fruits, vegetables, and animals, as well as different ways of traveling. As all the Barefoot books he has, he loves it.

this book has vivid color. when you read to your kid. they love it too.

The illustrations are absolutely fantastic! they are beyond vivid its truly a feast for the eyes!
The story is simple and cause the illustrations are so perfectly done for a toddler it's very self-explanatory, Bear is traveling through the entire story on different means of transportation he goes to an island on a boat, to the market on bike, to a grand ball in a carriage and through the story the little boy is trying to keep up with bear but he just keeps missing "the boat" so to say. It's a very fun rhyming journey to introduce to little ones! This is our favorite of Stella Blackstone's Bear series its by far her best book!

We recently got this book out of our public library and I must say that it is a big hit with all of us. We (my son, my husband, and I) absolutely love the pictures and the text. I think this is a wonderful book that will get lots of mileage.