Pennsylvania Books
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A terrific concise history of the Flood.Review Date: 1999-12-31

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My hometown system.Review Date: 2007-02-02

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The Essential Botanical Volume for Lewis and Clark StudyReview Date: 2000-08-18
As an impressive culmination to the Journals, the herbarium collection finalizes the extensive botanical scholarship contained in the notes produced by Dr. Moulton in the previous eleven volumes, published periodically over the past twenty years. The product of extensive research into the known world repositories of the extent plant specimens, this volume contains only one known error in terms of inclusion of a plant specimen that cannot be attributed to the expedition's collection. This one specimen at the Charleston Museum has been discounted since publication.
Nevertheless, this volume contains relatively high-quality image reproductions of the known 238 specimens in the Lewis and Clark Herbarium, in addition to a clear introduction to the history of the Herbarium collection and the scholarship behind its most recent publication. 227 specimens are currently housed in the Academy of Natural Science in Philadelphia, and the remaining 11 are housed in the Kew Gardens, London. Of this list, 177 are distinct, individual specimens.
In the future, it is more than likely, despite this exhaustive effort on the part of Moulton, that a few new specimens will emerge from the depths of the American Philosophical Society, The Academy of Natural Sciences, and Kew.
Until such a time, this volume is an absolute necessity for anyone seriously interested in understanding the natural history ramifications of the expedition, the study of Lewis and Clark, and, for that matter, America's landscape legacy. One wonders how many more specimens would have been added to this collection if Lewis' early collections for the lower-Missouri had not been lost to decay during the expedition itself.
"Volume 12, Herbarium of the Lewis and Clark Expedition," Gary E. Moulton, Editor, The University of Nebraska Press, completes a fantastic series and must be added to complete one's collection of the first eleven volumes of the truly great American literary epic.
The only wish of this author would be the publication of high-resolution, color digital images of the Herbarium on CD or DVD, as a compendium to this volume. Perhaps in this way, we could all experience more clearly the wonder of viewing this most valuable treasure.
Dr. Gary Moulton should be congratulated for a job very well-done.
Alex Philp The University of Montana

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Postcards from the PoconosReview Date: 2007-07-31
by Libby Nelson
At first, Alan Sweeney's postcards were just something cheap to collect -- a quarter or two apiece, $5 if the card was really rare.
Now the Lackawanna Historical Society president has turned some of his 35-year-old collection into a book exploring the history of resorts in the Pocono Mountains.
The book, "Journey Along the Delaware, Lackawanna and Western Railroad," uses postcards dating from the 1880s through the 1930s to show the development of the region's resort industry.
"I like to do stories that people don't know a lot about," said Mr. Sweeney, who has co-written two other books about local history. "Very few people knew about the resort industry, how big it was at the time in the Poconos. Those are the stories that I like."
When Mr. Sweeney began his collection, he chose postcards from places that meant something to him: Lake George, where his family vacationed; Scranton and Lackawanna County; Moosic Lake, where they had a cottage. He chose Pocono Mountain cards because his first summer job had been at a resort there, he said.
He bought cards from estate sales and flea markets. At one point, he had more than 10,000 cards.
"I've sold of a lot of them because I didn't know what to do with them," Mr. Sweeney said.
He kept the cards from Moosic Lake, which he used for his 2005 book, "Gateway to the Clouds: The Story of a Short Line Railroad, the Scranton, Dunmore, Moosic Lake Railroad -- 1902-1926."
He also kept the cards from the Pocono Mountains and, after publishing "Gateway to the Clouds," Mr. Sweeney began considering a use for them as well.
He had begun researching Pocono Mountain resorts in the 1990s, but had never finished. After publishing "Gateway to the Clouds," he began the research again, using local libraries and historical societies.
The result was the story of a century of vacationing in the Pocono Mountains, beginning in the 1840s and continuing up to the beginning of World War II.
"We all heard about these inns, boarding houses and resorts, but we never actually saw the old ones," Mr. Sweeney said.
The book has sold about 400 of its initial 500 copies, he said.
"You don't make money on local books," Mr. Sweeney said. "You have 12 million copies of the Harry Potter book. We sell maybe 1,000 or 1,500."
Mr. Sweeney will be promoting the book through lectures and book signings throughout the region.

Exactly What I ExpectedReview Date: 2002-04-02


Lovely, simple story. I loved it!Review Date: 1999-02-02
Used price: $3.75
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One of my favorite cookbooksReview Date: 2007-03-05

PENNSYLVANIA STATE POLICE HISTORYReview Date: 2000-04-01

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A Must HaveReview Date: 2008-03-01

Easily one of the few superb studies of SK in EnglishReview Date: 2003-12-07
Luckily, Louis Mackey's KIERKEGAARD: A KIND OF POET is another superb book, despite his central thesis being both uninteresting and unhelpful in reading Kierkegaard. As the title implies, Mackey views Kierkegaard as being fundamentally a poet, a notion that really does very little work in enlightening any would-be or actual reader of Kierkegaard. And in reading the book, very little light is shed on Kierkegaard by this notion of his being a poet. So given the paucity of the central interpretative tool in Mackey's book, why do I insist that it is a great book? Because at every other point Mackey possesses a profound and acute understanding of Kierkegaard's work. It is as if Mackey really understood Kierkegaard, but couldn't be content with a superb analysis of his work, but had to bring in some extraneous gimmick to give the book more interest.
Kierkegaard's works can largely be divided into his Pseudonymous Authorship (what Kierkegaard himself calls "My Authorship" and his later works that are sometimes called, following a suggestion by Robert L. Perkins, his Second Literature. The Second Literature is marked by Kierkegaard's writing his works usually in his own name, by the subject matter almost always being explicitly religious in nature, and in often having social or political overtones as well. The Pseudonymous literature comprises almost all of Kierkegaard's best-known works. These books were all written using Pseudonyms. These Pseudonymous authors would not necessarily (and in fact usually did not) represent Kierkegaard's own point of view. Some of these works dealt with aesthetical themes, some with ethics, and some with religious themes. The fundamental goal in these works was to demonstrate the shortcomings in the lives of individuals who lived lives determined by aesthetic or ethical principles, and the possibility of a religious existence that would go beyond these and yet fulfill them. Mackey writes almost exclusively about this Pseudonymous literature in this book. This is, in fact, the finest introduction to the Pseudonymous literature that exists in English.
A word of warning: Mackey has published a second book on Kierkegaard, POINTS OF VIEW: READINGS OF KIERKEGAARD. There are a couple of good essays in this book, mainly ones written about the time or before he wrote KIERKEGAARD: A KIND OF POET. Tragically, however, the further Mackey went in his career as a Kierkegaard scholar, the more enamored of postmodernist criticism he became, and he grew less and less intelligible as he went on. I find his second collection to be of virtually no interest at all. But that doesn't mitigate the tremendous value of the earlier book.
Movie fans ought to note that Mackey has managed a small but notable appearance in motion pictures. University of Texas (where Mackey taught) graduate student Richard Linklater (most recently the director of box office smash THE SCHOOL OF ROCK) has cast Mackey two of his films. In his breakout film SLACKER, Linklater cast Mackey in the role of The Old Anarchist (for those who have seen the film, the older man who caught a young person attempting to rob his house, but who he engages in conversation, telling him about his days in the Spanish Civil War, though his granddaughter later explains that he never did). And in the magnificent animated film WAKING LIFE, Linklater uses Mackey to more or less play himself for a small bit.
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It was printed in limited quantities, but you can still find it at the Johnstown Flood Museum by calling (814)539-1889 or (888)222-1889.
Find it and hold on to it.