New York Books

Charlie Stella is original, and is easily one of my favorite writers. This is NYC-Realism you won't find anywhere else. The characters speak, and you can smell their breath! You haven't heard characters speak to you until you know Stella. All of his books are great to read and learn from. Google his name and check out his site--his Knucksline and Plays are fun to read, but his novels are really the best.

Charlie Stella writes like he has more insight into
this dark world than a "good man" should.
Fabulous dialogue.
Page to page action.
Full of plot twists and double crosses.
A fitting follow-up to "Charlie Opera"
This is his best book so far.

Hopefully, soon, there will come a point where readers won't have to "discover" Charlie Stella because he'll have the recognition he deserves as one of our best crime novelists at work.CHEAPSKATES is a page-turner in the best sense of the word, both funny and suspenseful, with engaging characters, and a wonderfully orchestrated ending. Check out CHEAPSKATES and then go back (if you haven't already)and read EDDIE's WORLD, JIMMY BENCH-PRESS, and CHARLIE OPERA.

One of the more unlikely writers currently making waves in the crime fiction genre is Charlie Stella, who, at first glance, seems more likely to be a character on "The Sopranos" than a dazzlingly gifted novelist.

With his fourth book, "Cheapskates," Stella has combined his playwright's gift for crackling dialogue with another strong, character-driven story that resonates with authenticity and emotion.

Two friends have just gotten out of prison, determined to live life on the straight and narrow. That proves to be almost impossible, though, when the ex-cons run up against the mob and an offshoot of the Nation of Islam. When one of the men is murdered, the other is left to deal with an indifferent police force and find out why.

Stella writes with intelligence and wit, infusing his stories with the reality of the streets and a sly sense of humor. He might just be the best crime writer you've never read.

You know, life really isn't fair. Talented writers - really talented writers - like Charlie Stella languish in back rooms and low shelves while hacks like James Patterson make everybody's bestseller list.

"Cheapskates" is another crime fiction jewel from the wily Stella, a clever and darkly humorous tale of crooked deeds and undying, if misplaced, loyalty. Reese Waters and Peter Rizzo are roommates - roommates at upstate New York's Fishkill penitentiary. Reese has served his time, and upon his release, he promises Rizzo he'll do what he can to recover $50,000 his ex-wife chiseled from him. If the well-meaning Reese thinks he's getting the runaround from the pathologically greedy ex-wife, Janice Barrett and the low-rent New York gangsters her contractor dad and brother hang out with, he finds that life can get really ugly when buddy Rizzo turns up murdered.

What separates "Cheapskates" - and Stella - from the mob is the cast of offbeat characters that breeze through the pages of his novels. There's Jimmy "Wigs" Valentine, the slime ball Mafioso with lots of disguises but zero class. Then you have Micheal Barrett, the sixty-eight year-old self-made millionaire, who is so cheap that he stocks up on day-old and damaged Entenmann's pastry that he eats for breakfast - and lunch - all week long. Or Arlene Belzinger, the tough-as-nails NYPD detective with a body and attitude to match. But the real star here is Janice Barrett, a bitch in every one of the meanest ways the name conjures. A woman so miserable that Rizzo pines, "Sometime I think that if I ever got cancer, I'll run her over on the way to chemo." Combined with her cheapskate father and slacker brother, Stella creates a whole new dimension to the dysfunction family. Couple this cast with Stella's own brand of slick, hip dialogue and you've got some of the most engaging fiction of vice and corruption this side of Elmore Leonard.

So do yourself a favor - get off the well beaten track and get introduced to Charlie Stella. The Goodfellas and Godfathers have never been so entertaining.

When I was just a boy (many years ago), for a treat to myself, I bought the Classics Illustrated comics. The art work and plot were so engaging that I still carry some of those images around in my mind. Jules Verne's "Mysterious Island" and Dana's "Two Years Before the Mast" and many others were indelibly imprinted on my brain so that they could never be forgotten. Little did I realize that these illustrated novels were real literature, that they would lead many years later to actually reading those works. When I spied the life-sized book "Classics Illustrated: A Cultural History with Illustrations," I could not resist buying this book. When it arrived, I began reading a serious history of the Classics Illustrated publications, their awkward beginning and about the lives of their illustrators, and how the U.S. Postal Service effectively drove Classics Illustrated out of business. (It seems that the post office considered this comic a book and not a periodical.) Colorful images taken from the book abound throughout this edition. It's ironic that this very volume of literature is in danger of becoming a classic itself.

CLASSSICS ILLUSTRATED comprised such a crucial, influential, and above all, entertaining part of my youth that they have never entirely left me, and in fact I still have my entire childhood collection, and then some. The author of this book, William B. Jones, notes that his approach to the subject is meant to be objective in nature; but of course anyone raised on CLASSICS ILLUSTRATED can never be completely objective about them, and time and again Jones' understandable passion for these books seeps through. Nor is it simply nostalgia: when I go back to reread old issues it is mainly for the inherent richness of the storytelling and artwork they contain. Where in all comic book history is there a work so profound and moving as the Norman Nodel-illustrated LES MISERABLES, or as sad and tragic as the Angelo Torres-illustrated TOILERS OF THE SEA? Where is the comic book art that can excel, for its sense of historical time and place and fine drawing, John Severin's treatment of the Alamo and the Mexican War in BLAZING THE TRAILS WEST? Has there ever been a swashbuckling comic book so superbly ALIVE as George Evans' treatment of THE THREE MUSKETEERS? As for THE WAR OF THE WORLDS, I wholly agree with the author that it was never adapted so effectively, in any medium, as it was in CLASSICS ILLUSTRATED. I could go on. This is not to say that there weren't issues that were pretty bad, especially in the early days, and Mr. Jones freely admits this. But for those who are already familiar with this series, and especially for those who aren't, I cheerfully recommend this book as a kind of bible to CI and its several related series. I learned so much that was new to me about the issues, the artists, the editors, and the evolution and ultimate decline of the publishing house, Gilberton Company. The packaging and layout and paper quality of the book is a delight. Bravo, Mr. Jones! And bravo, CLASSICS ILLUSTRATED!

Ever said that line? Then you'll love this beautifully written and lovingly researched book about the history of Classics Illustrated.

Jones manages to evoke the characters of the men and women who contributed to this fascinating niche of Americana: illustrators, editors, publishers, and even its detractors. Interviews were obviously thorough, chapters are meticulously footnoted, and yet it reads like ...well, like an engrossing classic tale of adventure! Pick a chapter at random or read from cover-to-cover... it's consistently a winner.

While occasionally too ready with a disavowal of nostalgia, Jones does not hesitate to reveal his personal lifelong love of the comic book series. Truly, the best works of fandom itself can be so endearing, so contagious with admiration and awe. This book is no exception. Like myself, Jones loved the comics when he was a kid. Just as publisher Albert Kanter intended, as an adult I've managed to read every word of the real Count of Montecristo and War of the Worlds and The Moonstone, but I first learned these vivid and amazing tales by reading the Classics versions. Jones augments my personal appreciation and gratitude in this excellent book.

His work was in-depth and, while certainly using a critic's eye, relatively even-handed when it comes to the series' contributors. Now, reading the book, Jones has even made me appreciate the work of Classics artists whose pages I'd previously disliked.

Excellent illustrations, particularly of rare pages and covers, fill the book. Nice personal photos of the artists and editors are a great touch, seeing as this is a book of both down-to-earth and scholarly sensibilities.

Only fault I can find is that the text sometimes refers to a page or panel or other artwork which is not actually reprinted in the book. It can be maddening, at times, because we want to see exactly what he's talking about. My family's incomplete collection lies in another continent, otherwise it would be nice to have it at hand for referencing these things. Keep yours at hand. The book, I suppose, would be gargantuan if Jones did include these bits. So, by rights, it is an excellent book, and I did enjoy reading it.

The thing I appreciate most about this book is the soberness (with no lapses into pretentiousness or portentousness) the author brings to his subject. A survey of Classics Illustrated, to be sure, could have very easily elicited yet another visually engaging pretty-picture book saddled with a stridently jokey, throwaway text --ala Chronicle Books. We can be thankful that the tone here is intelligent, the level of detail scholarly, and very few, if any, stones are left unturned. The author has done all his homework, giving all known writers, editors, artists of the series coverage commensurate with their contribution.

This is a thoughtful, caring volume that is so much more than a tribute to a long-gone comic series, although it could be read as that too. One can't help but feel this is a primer on the way more books about popular culture really ought to be written.

From 1941-71 Classics Illustrated comics introduced millions to abridged, comics-style version of literary masterpieces. Classics Illustrated tells of the birth of this popular medium, founded by Russian Jewish immigrant Kanter whose operations saw both the heyday and decline of the golden age of comics. The focuses on artists' creations is particularly involving.

Tony Cavalucci is a second generation NYPD police officer whose family life may be more hazardous than his job on the streets. As New Year's Eve approaches, the department ramps up for the crowds and the threats the Time's Square celebration always brings.

But the job isn't the only stressor on Tony's life. He has finally found the woman he wants to spend the rest of his life with, and his dysfunctional family can't stand her or her four year old son. Christmas dinner is a disaster as his family, blind to their own hypocrisy, attacks Michele and her four-year old, illegitimate son. But through her eyes, he begins to see his family in a different light and doesn't like what he sees. But he can't totally walk away from his family either. Will they be able to reach a compromise, or will Tony continue to live alone in his small basement apartment?

That isn't the only complication in this hectic holiday week. His mother returns unexpectedly into his world. An alcoholic, she's shows up a changed woman. While at rehab, she made the decision to try to right some of the wrongs she'd committed while drinking. A recovering alcoholic himself, Tony begins to let her re-enter her life, in controlled amounts.

The Crossroads has a unique perspective. F.P. Lione brings the experience and the voice of a NYPD police officer to the writing, giving it a distinct feel and voice.

"The Crossroads" is the mesmerizing sequel to "The Deuce," written by husband and wife team F.P. Lione. It continues the story of NYPD cop Tony Cavalucci, struggling to apply his new found faith in God to his job and his relationships, especially those with his family.

Tony's week didn't start out well. Christmas Eve dinner with his family was horrible. They treated his new girlfriend, Michele, and her little boy Stevie so rudely it was hard for even Tony to believe. Tony can understand why Michele left upset. But he can only do so much, right? They're his family, and these destructive family gatherings are normal to him. But Michele doesn't want Stevie around that environment, and while she loves Tony, she puts a hold on their relationship so she can pray and think about what is best for her and Stevie.

Seeking God's wisdom and guidance is a brand new experience for Tony. But his partner Joe Fiore continues to help him, encouraging him to pray and pointing him to Bible verses that apply to the situations going on in his life. I appreciate the fact that the Lione's don't make Tony an "instant" Christian, automatically knowing all the right things to say and do now that he is a believer. He is still battling with past temptations. It's hard for him not to turn to old habits, such as drinking, when things get tough. But step by step we see Tony learn to view life, including his family relationships, with the new eyes that God is giving him.

Frank & Pam Lione have a rare talent of taking ordinary events and relationships we all relate to and making them so interesting you don't want to stop turning the page. It's also a realistic glimpse into the lives of NYPD's finest. While this book stands on its own and can certainly be read without reading "The Deuce" first, I think readers will enjoy the books more if they start at the beginning with Tony. I highly recommend the Midtown Blues series, and look forward to reading "The Skells," next in the series soon.

Tony Cavalucci has just helped arrest Santa Claus and The Grinch, and it only goes downhill from there on his busy midnight tour. Soon he's facing a machette-wielding bandit, just praying he won't have to shoot the guy. It's all in a night's work for this ten-year NYPD veteran whose story began in F.P. Lione's previous book, The Deuce.

The days before New Year's are busy ones in New York, where "The Crossroads of the World become the Center of the Universe as the eyes of the planet look to Times Square." It's also a chance for Tony to earn some overtime and he welcomes the diversion from his Italian family's disapproval of his girlfriend and her young son. When Christmas Eve dinner at his grandmother's becomes a near brawl as passionate family members verbally (and even physically) duke it out, Tony realizes he has to choose his loyalties fast--before he loses the only woman he's ever wanted to marry.

With his overtime detail of checking cars for bombs in the parking garages with his partner, Joe Fiore, there isn't much time for pondering his family troubles. It's fast and furious during the holidays in The City That Never Sleeps, and Tony wrestles more than once with hitting the bottle again. He's been sober for five months and he's proud of it, but the stresses are enough to stretch any guy to his breaking point. Will he have the strength to do what he knows is right or will he relapse into his old hard-living ways?

A brand new Christian, Tony refreshingly doesn't have it all together. He still smokes. He's still tempted to drink and look at women. But there is a difference in his life. He gets his job done, but with more compassion now. He helps a rookie cop the old-timers would've ostracized. He doesn't hate the perps like he used to. He's a work-in-progress, and he knows it, but he's truly making an effort to live out what he now believes. If The Deuce was all about Tony's journey toward God, The Crossroads is all about his struggle to live out his faith when life, and the people around him, go crazy.

As in The Deuce, you'll be treated to more cop lingo, like a "bus" for an ambulance, and "RMP" for Radio Motor Patrol vehicle, but I appreciated how the authors took even more care to explain unfamiliar terms, often including a definition in parentheses. And although Tony's often tedious directions of where he and Fiore travel on patrol (we drove down this street, then turned down that, then headed east on this) will probably be appreciated best by those familiar with New York City, it does give you the feel for their intimate knowledge of the streets.

Frank & Pam Lione aren't afraid to get down and dirty in their stark portrayal of a cop's life, but they never resort to anything gratuitous. The encounters Tony and Joe experience run the gamut: from the humorous (the bar-fight encounter of the men dressed as Santa and the Grinch), and the gruesome (pulling the personal effects off a dead man in a multiple car accident) to the downright bizarre (an eerie man who sleeps in a coffin). Here's a novel that reveals the true 411 of policework--it's not all chase scenes and gun battles.

Highly worth your time, The Crossroads is a story of reconciliation, consecration, and unforgettable extremes.

--Reviewed by C.J. Darlington for Infuze Magazine

Police drama lovers, this is your book! The husband and wife team of "F. P. Lione" (Frank and Pam) are back with THE CROSSROADS, the second installment in the "Midtown Blue" series and follow-up to THE DEUCE. If you haven't read the first novel, stop here and do so. Although this can be read as a stand-alone, you'll miss too much background. Plus, the first one is too good to miss.

The story opens as middle-aged single cop Tony Cavalucci and his New York City police department prepare for the chaos of New Year's Eve in Times Square. Since THE DEUCE, Tony hasn't had a drink for almost six months. His stalwart Christian partner, Joe Fiore, encourages him with scripture verses and pep talks. Tony is dating Michele, a teacher and unmarried mother of four-and-a-half year old Stevie. Although he's thinking about marriage, he's gotten her earrings rather than "the ring" for Christmas.

Tony's volatile extended family continues to give him trouble. "Hey, we put the fun in dysfunctional," says Tony to Joe. When Tony brings Michele and Stevie to his family Christmas get-together, things quickly disintegrate. Muses Tony, "Michele is always so tactful, she would never come out and say they were a bunch of psychopaths." As a result, Michele pulls back from the relationship, and Tony sees his family --- and how he interacts with them --- in a new light. In the process, he and his mother begin a reconciliation of sorts.

This second novel, like the first, still has some rough spots. The authors take care to explain some of the police lingo, but the explanations often feel intrusive and interfere with the flow of the story (a glossary might have served readers better). In some places, one wonders why an abbreviation was used at all (Tony talks about his RDO, then in parenthesis it says "regular day off." Why not just say it?) A consistent problem in both novels is that too many sentences begin consecutively with the same word or words and many of the sentences are the same length. There is also an overuse of the word "I." ("I unlocked the door... I tossed my keys... I had gotten a cell phone...) Although most readers won't consciously register these facts, they will likely find the writing choppy and repetitive in places.

Many things have improved since the first novel, including the mechanics of the characters and the more careful use of details that enhance, rather than bog down, the storyline. What remains the same is the Liones' terrific insider look at New York City and the day-to-day work of policemen working the streets. Both husband and wife are Italian American children of NYPD detectives, and Frank is a veteran of the New York Police Department.

The Liones' Italian-American heritage shows in the wonderful descriptions of food and of family get-togethers. Indeed, anyone reading the plethora of foodie details included here (the cops can't get a bagel without the Liones describing each flavor and topping) will feel compelled to fix a snack while they continue reading. However, beware: the "ick" factor is still in full play from book one. Some of the scenes include Tony helping an alcoholic repeatedly throw up buckets of blood, drunks wetting their pants in the police car, etc.

The Liones have a knack for using humor to leaven some of the darkness of police work, and several of the incidents are so bizarre you figure they must be real (the woman answering the door naked, the man dressed as a vampire in a coffin). I laughed out loud many times while reading, especially at the arrest of Santa Claus (drunk in a bar with The Grinch). The authors also excel at offering interesting, behind-the-scenes police factoids. I found the logistics of handling between 500,000 and a million people in Times Square for New Year's Eve fascinating --- who would have thought the deceptively simple gathering of so many folks on a holiday required such organization and careful handling?

Fans of THE DEUCE will be delighted with this second installment in the "Midtown Blue" series, which offers the same mix of humor, grit, and relationship tangles that made the first novel so interesting.

--- Reviewed by Cindy Crosby. Contact Cindy at (...)

The Crossroads courageously bridges the gap between Christianity and the contemporary culture. With hard-hitting drama and an emotionally charged plot, this book appeals to readers on several levels.

The realism of police work in New York City is captured with the concise writing and personal knowledge of the authors. There is a genuine sense of danger as the officers respond to calls in this precinct. Readers will be on the edge of their seats wondering how each encounter will end.

This second book in the series further explores the relationships between the characters and their family and friends. Tony Cavalucci has committed his life to Christ and now he is trying to live according to his new beliefs. However, there are some serious and long-standing emotional issues between himself and his divorced parents. Readers will watch this character grow in the knowledge of the Lord. It's noteworthy that the authors have portrayed Tony's spiritual development with a sense of realism. His growth as a Christian comes in small, natural steps that blend well with the rest of the novel.

Excellent writing and exceptional dialogue makes each page come alive. The life of a police officer is shown with a clarity that is impressive. The authors captured the fears and uncertainties that surround police work, but contrasted that with the absolute confidence believers have in the Lord. The gospel message is incorporated into the story with skill and sensitivity. Readers will understand the ability of biblical truths to answer today's problems. -- Joyce Handzo, Christian Book Previews.com

Retired NYPD Det. Al Sheppard is too humble to say so...but he is a True Hero! E-Man is an excellent book...a riveting account of his years with the prestigious Emergency Services Unit of the NYPD. There is an old saying "When a Civilian needs help, they call the Police. When Cops need help...they call the Emergency Services Unit...ESU!" I've known Al for some 17 years...and although I knew a lot about his 20 years of service with NYPD, even I didn't know most of his (and his fellow officer's) courageous exploits...detailed in this book. Buy it, read it, but be warned...You will have trouble putting this book down! --- Dr. J. Hill, Professor of Criminal Justice & Retired NJ Street Cop.

I cant wait till part 2 of E man comes out and hopefully it will.....I have read books by Schmetterer before....that is why this one caught my eye....The Coffey Files....and also Tom Walker has a new book out no one should miss.....A no put down amazing book.....by the author of Ft Apache the Bronx....we are lucky to have authors such as al sheppard schmetter and walker....readers like myself who like REal stories...need them...

Al Sheppard has done an excellent job of capturing what life as an E-Man is about. We have a saying, "Know your job, do your job" and Sheppard is a fine example of that.

From
An active E-Man

E-Man is a powerful collection of vignettes that showcase the excitement and energy of life in the NYPD Emergency Services Unit. It captures the true flavor of life in the streets without the sterilized writing you so often see in memoirs written by professionals trying to capture the essence of another's experiences. Schmetterer, the co-author, is to be complemented for not falling into that trap and thereby allowing us to experience Al Sheppard's life as an E Man as if we were there.

This book is as gripping and as exciting as the other reviews say it is. The only problem is its atrocious writing style, which is so bad that it obstructs the understanding of the content of the book. I had to reread many passages several times to figure out what Sheppard really meant. Topics are disorganized, digressions are sudden and often without appropriate context, grammar mistakes and typos abound (i.e. it's a 9mm submachine gun, not ".9 mm"; one rappels with a rope, not "repels"), police jargon and New York specific idioms are not always explained, and so on. Clearly, nobody proofread the manuscript before publication.

On the other hand, the rambling, conversational feel of Sheppard's writing style serves in a way to authenticate the story. His adventures don't have the life sucked out of them by the blandness and distance that would be imposed by an active co-author. You really feel like you are talking to the man who lived the story, rather than hearing it second-hand.

And what a story it is! Sheppard makes it clear that NYPD ESU is an incredible organization. If you are at all interested in the workings of SWAT teams, rescue operations, or anything related, this book is, despite its flaws, a must-read.

Excellent book -- tons of great restaurants, classic ethnic recipes to make when you get home, indexes by ethnicitiy and locale make places easy to find, explanations and introductions are interesting and informative. If you live in or will visit Queens, this is a great book to have.

Excellent book, beautifully printed, with fascinating information on the foods of many different countries. As Queens County (in New York) has over 150 different ethnicities (the most ethnically diverse county in the US), this is a very welcome addition, and quite obviously a labor of love. Even though it originally came out in 2005, it is still worth purchasing for the great food descriptions of various cultures and the recipes included at the back of each chapter.

In a city that offers thousand of possibilities for food lovers, one needs a very talented and focused Suzanne Parker to separate the wheat from the chafe.
Ms. Parker did a great job in unveiling the cuisines of so many nationalities, and also included excellent recipes for those among us who dare to try.

Organized by ethnic cuisine, this book is a wonderful guide to the vast restaurant scene in Queens, which is underrepresented in both restaurant guides and the New York media. The author has included descriptions of the various cuisines and dishes, and also contact information and easy to follow directions for how to get to each restaurant. I highly recommend this book for anyone who loves to eat and wants to get to know New York better.

This book is really quite something. It is jam packed with recipes, restaurant information, and unforgettable facts the likes of which I have never come across in any other cookbook or restaurant guide. This book fills a niche that has been empty far too long.

Growing up in Brooklyn certainly has it's own cachet, but I, a female, growing up in Massachusetts at the same time as E B, found so much that was familiar. The book is a wonderful treatise on growing up anywhere, but E B and his friends are so special that I didn't want to finish reading it. It was a splendid "read".

The book really took me back I grew up in East Flatbush in Bklyn in the 50's. It was a little before my time but I did remember alot of the places he talked about. I recommend this book to anyone it is fast reading,enjoyable and you just feel like your part of EB's many friends. I just emaied a few of my old friends an am passing the book on to one of them and telling the rest to go out an get a copy you won't be sorry. I wish there were more books like this out there I tell my children all the time about how great it was to grow up the 50's.

Gave a great deal of insight into the development of friendships and lifetime committments. "Bobby saves Jerry" and they remain friends for a lifetime. Just beautiful---Would love to see a sequel to this book. Interested in knowing the stories of the characters as they matured, including their successes, joys, heartaches and disappointments.

EB exceeded all of my expectations, and I am a very discriminating reader. It's a charming memoir of a very special time, and of a group of kids that everyone can see a part of themselves in. The backdrop of Flatbush, Brooklyn of the 40s and 50s adds a wonderful, nostalgic touch. How great to read something touching and good in today's times of turmoil and questionable ethics. I recommend it whole-heartedly.

I grew up in a small town, but I married a boy from Brooklyn who went to St. Vincent Ferrer. For 40+ years I have heard the stories of that life and those times, and it was a thrill to have it all documented is such a charming and factual manner. Bert Kemp put on paper what my husband has told me through the years.

Totally portable, accurate and inexpensive. I would not venture out in Manhattan without this booklet in my bag.

I bought this book a little over a year ago and have used it for several business trips. It is small and easy to carry, doesn't look touristy, and gives me a lot of confidence getting around Manhattan. The best $ I ever spent. You know how some people just seem to "know" New York even though they don't live there? Well, that's me now.

Certainly veteran New Yorkers will snicker that they don't need "Fodor's Flashmaps New York" to get around town. And they may very well be right. However, as a New Yorker with many international friends I field countless queries about what to do in New York City when you get here. Let's be honest...the Big Apple is gigantic. And no matter how well versed you are about New York City...things change so quickly in this town that it is smart to have this tidy little book around just in case you happen to suffer from brainlock.

And then of course sometimes friends ask for help for things for the kids or for their young teens. Moreover, some queries are specifically for daylight hours, nightlife, weekend activities or happenings in boroughs outside of Manhattan. This text can help. Additionally, Fodor's includes essential telephone numbers for hotels, places of worship, ballparks, schools and universities, airports, transportation, museums, art galleries, parks, shopping, dining, theaters, movies, libraries, consulates, hospitals and hip nightlife activities. Fodor's even provides zip codes but no e-mail addresses.

This book is a great tool. It's small and can easily slip into the inside of your sports coat or if you have a normal size purse, just pop it in and you're set. Or better yet...carry it around in your back pocket (it fits). There are 61 maps and thousands of listings. It will help you walk around, take buses, ride the subways or take railways into the suburbs. In my opinion it clearly is worth the investment for metropolitans or for anyone who wants to visit New York City. One thing is for sure...it will save you plenty of time, and as everyone knows...time is an important commodity.

Bert Ruiz

I donýt know how the conversation started, but I was at the Union Square store of a major competitor of Amazon, letýs just call it FarmStructures & Nobel Booksellers, and the security guard told me that he had relied on this book as a native New Yorker for years. So I bought it.

And now *I* have relied on it for years.

Whether you are looking for where the ýDý train crosses the ý7ý or where exactly Cornelia Street is anyway, this book is excellent. Museums, movie theaters, road maps and highways are all here. The shopping and restaurants sections are good for out-of-towners looking for the classics, less useful for New Yorkers looking for the next new thing, obviously.

Itýs small, convenient, and well-drafted (the maps themselves are different colors so you can readily find what youýre looking for as you flip through ý yellow is street /subway; pink is daytime attractions; black/blue for nighttime attractions). All in all, anybody living in or visiting New York frequently would find this useful. If you are a one-time tourist, though, youýre probably better off going with something more comprehensive like Lonely Planet.

Enjoy!

I highly recommend that when you visit NYC you carry a copy of Flashmaps with you. It's a convenient subway and bus map, shows you all the neighborhoods, museums, post offices, etc. But the thing I use the most is the cross street lookup, which I relied on not just while new in NYC but also as a long-time resident.
I discovered the NYC Flashmaps many years ago when I asked a limo driver exactly where a business address was. He pulled out his Flashmaps, turned to the cross street page and told me the exact cross street in well... a flash. He told me no professional driver and no New Yorker should be without it. I bought my first copy that day and have been telling residents and vistors alike for years.

I read Mrs. Slate's first novel ("The House on Sprucewood Lane"), and found it hard to get into, but about halfway through, I could tolerate it and then found it suspenseful enough to want to finish. The first novel's sentence structure was, I thought, filled with way too many and unnecessary metaphors, and clearly seemed like a first attempt, for both the author and the editor. The verbose style seemed irritating to me even though the story was a good one. BUT, look out! This second novel is one of the best books I've read in a long time. I can hardly put it down! All that excess and verbosity from the first novel - gone. As a matter of fact, I'm half-way through "A Fractured Truth" and I just had to stop long enough to recommend this with more then the highest honors, in my opinion, in both style and story content. I'll let you know when I finish it if it remains as SUPERB as it is so far.

I just discovered that I can't write a second comment, but that I can add to this one. I finished the book and it was SUPERB all the way through. I was disappointed when it ended. I loved the story, twists, and characters. It was truly a page-turner. I can't wait until Mrs. Slate's next novel.

Kate

This book deserves best-seller status. As other reviewers noted, heroine Grace Leshansky has just been released from prison, where she spent 7 years for killing her husband. As Grace begins to adjust to a new scaled-down life -- her husband had already destroyed her bank account -- she tries to learn more about her father, a gambler whose debts had led to frequent confrontations with "enforcers."

Author Caroline Slate weaves multiple threads in and out, moving us from present to past effortlessly and skillfully. She keeps us interested in the characters . And, most important, she makes us care about characters whose flaws are both serious and obvious.

Grace admits she can be gullible -- and she manages to attract some of the best liars on the planet. Grace's father George, a George Burns wannabe, has earned Grace's love and trust while providing an erratic but eventful home life. Each character embodies a level of complexity rarely found in heroes, let alone minor charactersi

After reading the book through, I went back to re-trace some missing parts. All the strands were tied neatly, except for a mention of Grace's "stalking" her grandfatrher: it wasn't clear when she acually did find and follow him.

I hope Slate writes more fiction like this one - and gets more publicity and fame, too! A wonderful, thought-provoking all around "good read."

After killing her husband, Grace Leshansky plea bargained a five to fifteen year sentence for manslaughter and was released after seven years. During her prison time she pushed all her friends away except for Sheilah Donlan who not only picked her up from the penitentiary but also got her an apartment and a job in her headhunting business. Now Grace has to adjust to life on the outside knowing that she killed the man who took away her livelihood, her father her and her self-respect.

In the first weeks of freedom, Grace realizes her parole officer is a battered wife who hates her, makes friends with a con man like her dead husband, and reconnects with her first love Michael, whose father is indirectly responsible for the mess her life is in. Michael's dad, serving a life sentence, is also the only man who can help her find the father she wants to see one last time.

Caroline Slate lives up to the promise she's shown in her debut novel THE HOUSE ON SPRUCEWOOD LANE with her second novel, a powerful work about a woman who is driven to murder, but somehow hooks the reader's sympathy even before all the facts are revealed. The protagonist's relationship with her friends, her lover, and her father ring so true that the audience will shed tears for a woman who was deliberately pushed to her limit by an expert manipulator and brilliant con man. A FRACTURED TRUTH is a compelling powerful story.

Harriet Klausner

"A Fractured Truth" grabs your attention and keeps you engrossed. I lit candles and read "A Fractured Truth" from the night of August 14th through the night of August 15th. I almost forgot the heat, darkness and lack of water. I wonderful escape into a world of fascinating people.

A Fractured Truth is one of the most suspenseful novels I have recently read. The dark language and building of tension kept me turning the pages until the wee hours of the night. I couldn't put it down. Grace Leshanky is convicted of murdering her husband. When she's released on parole, she has difficulty getting on with her life. As the story progresses, the reader gets a glimpse into Grace's life and the sort of marriage she and her husband had. What develops is a twisted story that takes the reader in a whole other direction. As said earlier, I couldn't put this book down. Are you in the bargain for an intelligent, sinister thriller? I recommended A Fractured Truth.

This is a book that helps you see the world with fresh eyes and a generous heart. Jim Atwell has a knack for elevating the experiences of daily life - some charming and quirky, others poignant and painful, some just seemingly mundane - into the realm of the profound, the beautiful and the joyful. Though his world may seem circumscribed by the tiny, rural community of Fly Creek in upstate New York, that is simply the window through which we walk with him into a wider world of human behavior as he ponders the world of meaning in the doleful eyes of sheep, the world fame of the town kazoo band, and the lives of neighbors who befriend and transform him from a citified academic escaping the pain of his young wife's death into a new and vibrant, occasionally adept, farmer. These are tales that can give guidance to anyone intrigued by a life's journey.

Writers and illustrators worth their salt MUST add colors, or tangibly bring life, to images discussed and presented in their writings. Otherwise, their words and illustrations should naturally die on the vine.

In their current book, From Fly Creek, with Jim Atwell's words, and Anne Geddes-Atwell's illustrations, nothing dies at all. With his written observations and her magnificent illustrations, they do the positive things, and so much more. They poignantly paint such vivid and meaningful pictures. As readers, we must now use a different set of glasses, and view things through humans' AND animals' eyes. What an opportunity! To see and experience life through another perspective. Hey, not bad!

Anne Geddes-Atwell's illustrations are superb! They strike the graphic and visual chords that we all need to hear and feel. They enhance the pictures and text exactly when they need to appear. Jim's and Anne's creative talents add to more than the arithmetic total of their individual contributions. As readers, we are able to experience and enjoy their combined talents and offerings. Better still, we'll remember them individually on the levels we need to.

Several years ago, circumstances brought Jim to Fly Creek. He needed what that New York local community had to offer. Fly Creek needed the writing and visual talents that he and Anne ultimately brought to local readers. The rest, as some might say, is recorded history.

Excuse me, but have you ever fed hungry animals on a cold morning? If not, don't bother me with you're your small problems. The Atwell's have dealt with these, as well as bigger ones. Please read Chapter 2 of From Fly Creek. Then tell me about your insignificant concerns. Pardon me, while I don't care.

I have more encouraging words about future chapters. However, for now, I'll blow them off. Just buy the book. Believe me, you'll be better off for having done so.

Buy this book, NOW! Otherwise, you're missing a part of life you'll need.

Reading From Fly Creek is like listening to a good-humored friend, a friend looking at the passing parade from a country setting. Atwell's tales of unique persons and lively creatures are so filled with fine detail that "we are there," wherever he wants to take us. The song of his prose enchants us, especially when writing about Cooperstown's baseball aura and the Salvation Army kettle incident. And, oh yes, don't miss the delightful sketch of the mouse in the bed or the last page's inspiring motto. This is a book to read and re-read. Frances Fowler, California

I have been reading Jim Atwell's columns in the Coopertown Crier for a couple of years now and liked them so much I went back into the archives for more of Fly Creek's history and people. These essays are in the very best tradition of observational writings of authors like James Heriot and Bill Bryson. You will find yourself transported to and become part of this community whose people will become your neighbors and friends.

Jim Atwell is an immensely talented author. The powerful imagery found on each page of From Fly Creek: Starting Again In Leatherstocking Country will enchant and awaken your imagination. This lyrical, deeply felt but unsentimental, distinguished book of non-fiction is destined to win the Pulitzer Prize.

In GHOST OF PORTBYRON AND GHOSTS ALONG THE ERIEI HAVE SELECTED MOST OF THE FAMOUS STORIES.P.BHAPPENS TO HAVE A WEALTH OF THEM.MOST OF THEGHOSTS RECORDED CAN BE CONNECTED WITH SOME PERSONWHO DIED THERE.IN MY STORIES I HAVE PRESENTED ONLYTHOSE ACCOUNTS SUBSTANTIATED THRU OLD FAMILY RECORDS AND THE PERSONAL EXPERIENCES OF RELIABLEINDIVIDUALS.HOW THE READER CHOOSES TO INTERPRETTHEM IS A MATTER THAT ONLY THE READER CAN DECIDE,IF YOU MEET UP WITH A GHOST, JUST EJOY THE HAPPENING. DON'T BE AFRAID. MARY ANN

In GHOST OF PORTBYRON AND GHOSTS ALONG THE ERIEI HAVE SELECTED MOST OF THE FAMOUS STORIES.P.BHAPPENS TO HAVE A WEALTH OF THEM.MOST OF THEGHOSTS RECORDED CAN BE CONNECTED WITH SOME PERSONWHO DIED THERE.IN MY STORIES I HAVE PRESENTED ONLYTHOSE ACCOUNTS SUBSTANTIATED THRU OLD FAMILY RECORDS AND THE PERSONAL EXPERIENCES OF RELIABLEINDIVIDUALS.HOW THE READER CHOOSES TO INTERPRETTHEM IS A MATTER THAT ONLY THE READER CAN DECIDE,IF YOU MEET UP WITH A GHOST, JUST EJOY THE HAPPENING. DON'T BE AFRAID. MARY ANN

This book is absolutely ravishing. It's obvious that the author put her heart-and-soul into writing it and has a keen sense of recording the stories from around her town. Mary Ann Johnson must be a wonderful woman to know and must be the best and most beautiful Grandmother in the world.

In GHOST OF PORTBYRON AND GHOSTS ALONG THE ERIEI HAVE SELECTED MOST OF THE FAMOUS STORIES.P.BHAPPENS TO HAVE A WEALTH OF THEM.MOST OF THEGHOSTS RECORDED CAN BE CONNECTED WITH SOME PERSONWHO DIED THERE.IN MY STORIES I HAVE PRESENTED ONLYTHOSE ACCOUNTS SUBSTANTIATED THRU OLD FAMILY RECORDS AND THE PERSONAL EXPERIENCES OF RELIABLEINDIVIDUALS.HOW THE READER CHOOSES TO INTERPRETTHEM IS A MATTER THAT ONLY THE READER CAN DECIDE,IF YOU MEET UP WITH A GHOST, JUST EJOY THE HAPPENING. DON'T BE AFRAID. MARY ANN

In GHOST OF PORTBYRON AND GHOSTS ALONG THE ERIEI HAVE SELECTED MOST OF THE FAMOUS STORIES.P.BHAPPENS TO HAVE A WEALTH OF THEM.MOST OF THEGHOSTS RECORDED CAN BE CONNECTED WITH SOME PERSONWHO DIED THERE.IN MY STORIES I HAVE PRESENTED ONLYTHOSE ACCOUNTS SUBSTANTIATED THRU OLD FAMILY RECORDS AND THE PERSONAL EXPERIENCES OF RELIABLEINDIVIDUALS.HOW THE READER CHOOSES TO INTERPRETTHEM IS A MATTER THAT ONLY THE READER CAN DECIDE,IF YOU MEET UP WITH A GHOST, JUST EJOY THE HAPPENING. DON'T BE AFRAID. MARY ANN