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highly informative, but outdatedReview Date: 2006-11-13
Shredding our cultural bias about natureReview Date: 2005-06-04
Required bio readingReview Date: 2002-08-17
excelente version del anarquismoReview Date: 2007-01-24
An early view of the evolution of cooperationReview Date: 2007-02-23
Much of his thinking on the nature of society was formed when he was observing the behavior of animals in Siberia. While assigned to a Siberian regiment of the Russian military, Kropotkin did innovative original work on geography and geology as well as the study of animal behavior. His observation of animals led him to respond to Huxley's assertion that natural selection was based on keen com¬petition among animals with the following statement: ". . .wherever I saw animal life in abundance, as, for instance, on the lakes where scores of species and millions of individuals came together to rear their progeny; in the colonies of rodents; in the migration of birds which took place at that time on a truly American scale along the Usuri; and especially in a migration of fallow-deer which I witnessed on the Amur, and during which scores of thousands of these animals came together from an immense territory, flying before the coming snow, in order to cross the Amur where it is narrowest--in all these scenes of animal life which passed before my eyes, I saw Mutual Aid and Mutual Support carried on to an extent which made me suspect in it a feature of the greatest importance for the maintenance of life, the preservation of each species, and its further evolution."
He synthesized his observations of animals within a species cooperating with one another and concluded that, in the struggle for life, cooperation was at least as important as competition. Kropotkin did not argue that competition was unimportant in the natural selection process. However, he did emphasize that mutual aid was a factor that many Darwinists (although, as Kropotkin made clear, not Darwin himself) ignored. The data that Kropotkin utilized came from many different animal species.
Kropotkin goes on to speculate about the survival value of cooperative behavior. He states that: "Life in societies enables the feeblest insects, the feeblest birds, and the feeblest mammals to resist, or to protect themselves from, the most terrible birds and beasts of prey; it permits longevity; in enables the species to rear its progeny with the least waste of energy and to maintain its progeny with the least waste of energy and to maintain its numbers albeit a very slow birth rate; it enables the gregarious animals to migrate in search of new abodes. Furthermore, cooperation facilitates the development of intelligence, since that quality is so important for social life among animals."
Kropotkin is not content to rest his case at this point. He subsequently indicates the likely course of human evolution and the role played by cooperation. He adopts the method of using existing societies at differing levels of socio-cultural complexity to speculate about the course of human socio-cultural evolution. Kropotkin argues that, at each stage, mutual aid is apparent and important for humans. Even in the period dominated by the great states, the present for Kropotkin, mutual aid institutions still flourished despite the state's intimidating presence.
Thus, Kropotkin's view of human nature is, ultimately, that it is inherently good, i.e. cooperative toward his or her fellow. What of this assertion? Is Kropotkin's view of human nature completely inaccurate and confounded by the available evidence? That is where each reader must evaluate his or her view of humanity's nature and render a judgment on "the anarchist prince."

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What a revelation.Review Date: 2004-11-05
Not the same old thing.Review Date: 2002-07-31
A breath of fresh airReview Date: 2002-07-18
More than you might expect...Review Date: 2002-07-27
The title of the work and its modest size (214 pages) may lead you to believe it contains the usual dose of pretentious self-indulgence that often accompany a first novel, which this one does. Two of the first four words in the opening paragraph are "I" and unless you are among the most voracious and academic of readers, not a few times will you find yourself reaching for the Roget's to get a handle on the sometimes reachng vocabulary. But don't let that keep you from picking it up. This look at the relationships between a group of late twenty-something friends that don't spend their lives huddled in a New York City coffeehouse immediately grabs hold of your interest and rarely lets go.
Written in a unique "diary-like" narrative from the perspective of the main character, Becky, McKinnon's writing structure here is perfect for the subject matter and is a large part of what makes this such an enjoyable read. The lack of dialogue punctuation and the often combined thoughts and sentences make the reader have to work a little harder, but helps to stay atuned to the story line and each of its subjects.
The story is centered around four friends wrapped up in the melieu of New York's East Village who, aside from the day-to-day travails of Manhattan life are each dealing with the mental residue deposited by a fifth character, Callie, whom, though we don't actually meet until the last 80 pages of the book, we come to know and loathe...and fear, but are anxious to meet. The setting is well written and through the interaction and thoughts of each character, we are given a look into four distinct lives and points of view; neurosis, desire, ambition and all. McKinnon walks us through their relationships, individually and collectively, and as we progress, have no choice but to make comparisons with our own lives. Their private thoughts, personal battles and betrayals and the rationalizing of sexual indiscretions and desires are upfront and honest, to the point we are left to wonder how many of the characters and experiences are autobiographical or if the writer is just this good.
McKinnon does deserve a little slap for not reaching further into the character Dahlia and how her life as an incest survivor fuels her thoughts and actions, but should be highly praised for her research into modernist artist Becky. If we didn't know the writer was a psychologist, her depth of detail regarding her artist's struggle for professional self-definition and the art world itself would have us looking forward to her next show at the MoMA.
The storyline focuses largely on the angst and fears of its main players and their shallow, adolescent need to acquire revenge for past deeds done them by the protragonist Callie. But there is an unspoken subtext you can not help but delve into, questions about the foundative solvency in today's society you can not help but ask. Because most of the character development is so thorough and well defined, we can't help but wonder if present-day adults are really this [messed] up and whether we fall into one of two categories; those as equally disfucntional and in need of therapy as the characters we're reading about or those who are fortunate enough to have grown up.
A quick-paced, cozy-up-on-the-sofa-for-an-evening novel, Narcissus Ascending is a fun read that takes an naked, revealing look into the self-centered aspects of the human condition we all enjoy...or suffer from. But don't believe for a second that after you close the cover, it won't have you thinking.
Perhaps more than you'd like to.
Who needs friends!Review Date: 2002-06-28

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Street StyleReview Date: 2007-10-18
Best of New York Review Date: 2007-10-09
Be yourself and express it with creative confidence!
Makes for a great gift!Review Date: 2007-12-19
Cutting EdgeReview Date: 2007-11-08
I LOVE NEW YORKReview Date: 2007-10-13

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who knew?Review Date: 2002-01-15
area, to at least watch the Yankees, perhaps even to grudgingly root for them. Forced into this spiritually untenable position, I chose to only
root for the scrubs, which made Cliff Johnson my favorite player. I'll never forget the game where he tagged a pitch and Phil Rizzuto started
screaming that : "That one's outta here", bringing joy to the heart of every Heatchliff fan, only to have his towering popup caught by the
second baseman.
"The Scooter" was easy to laugh at, with his myriad phobias, his propensity for saying unintentionally offensive things about minorities, his
tendency to leave the ballpark early when the Yankees were home, etc. But then there began appearing in The Village Voice a most
remarkable feature : verbatim text from Scooter's broadcasts rendered as poetry. We were suddenly confronted with the frightening prospect
that Scooter was not only making sense, but serving up literature, even profundity. Consider the wisdom, about baseball and about life [....]
As it turns out, this kind of exercise even has a name, it's called "found poetry." The Rizzuto poems are as good as any I've seen[...].
At any rate, this book is a hoot and once you read it you'll never again think of Rizzuto as just a good glove man, nor listen to a baseball
broadcast without noticing the frequently poetic nature of the announcer's line of patter.
GRADE : A
Keats, Byron, and now, RizzutoReview Date: 2006-05-20
Long before there was politics, or correctness, there was Phil Rizzuto. Rizzuto ably scoops up the essense of morality and ethics and fires to first with more deftness than Shakespeare, or that guy from Ireland (I can't remember his name--not Joyce, though; it was somebody else.) The poem we always relate and remember around the old campfire--when we go camping, and we have a fire, is the story Scooter tells in the honored oral tradition of Homer: of live-trapping squirrels in his attic and then letting them loose somewhere over by Yogi's house.
No doubt Rizzuto will forever be linked to the other great American Poets: Frost, Angelou, and Walden.
can gorillas swim?Review Date: 2005-12-29
My only complaint is that the editors have left out my all-time favorite Rizzuto moment, which was the time circa 1980 when Rizzuto and Frank Messer spent part of a day game discussing whether or not gorillas can swim. The answer proved elusive, but I have since learned that they can.
Fun, for a while.Review Date: 2003-09-26
Plus, I miss Bill White's good-natured chuckling.
Still, these "poems" are pretty good at bringing back long-gone hot summer nights.
A Wonderful TributeReview Date: 1998-12-03

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I had no idea this stuff was in NYC!!!Review Date: 2008-08-31
This book highlights a lot of little-known and interesting places all over the city that are easily accessible on public transportation. The wide range of places means that anyone can find something of interest. It is organized by location, so the visitor can plan on doing several things with one trip and gives great directions on how to get there and what to expect. A little bit of the history of each place rounds out the vivid descriptions, so I felt like I was actually visiting the places just by reading. What a great and out of the ordinary guide-book!
So much fun!Review Date: 2008-08-22
Great guide to little known NYc gemsReview Date: 2008-08-19
Quirky book on quirky NYC sitesReview Date: 2008-08-17
The author's personality & preferences shine through in the writing. I counted no less than 5 times the use of the word 'ginormous' to describe certain attributes. This tome cannot be all-inclusive due to the sheer number of obscure sites, but it does run the gamut, covering most anything you can think of. From Edgar Allan Poe's cottage to the Masonic Hall to the Steinway Piano Factory to the Coney Island Museum, you can find something to interest almost anyone.
This is the kind of book we would bought.Review Date: 2008-08-06
We bought a book called something like NYC ON $15 A DAY. OFF THE BEATEN TRACK is much better. There are plenty of museums and attractions on every subject in the Big Apple, but I think most first time visitors consider most places either on 5th Avenue or Off 5th Avenue. If it is in the Off 5th Avenue category, then it might be too hard to find.
Ms Reisman gives you excellent directions, by street or by subway.
The places visited are presented in almanac style, kind of. It gets right to the meat of the matter, and gives you a good descriptive run-down of just what the museum or attraction is trying to do. But not without throwing in her excellent wit.
And for no extra charge, if there is an eatery with character near the attraction described you will get a run-down on it too and maybe even some advice on what to order or what not to order. The eateries are highlighted in a shaded gray and has some kind of symbol that looks like two shoes doing the two-step.
The book is designed to easily find things. They are divided into different segments, such as Lower Manhattan, Middle Manhattan, the Bronx, etc. And on top of that you have an index. If you wanted to check out the Forts, go to the index and look up Forts. She made it as easy as it can be to find places, the next step would be she met you with a cab as you stepped out of your hotel, and she asked you, "Where you folks from? Whacha wanna see?"
I think it is a great tour guide book.


This book is the bestReview Date: 1999-07-21
The Best Book On El Salvador Travel Ever!Review Date: 2000-03-22
A Great Help for a Native Absent for 20 YearsReview Date: 2002-06-10
as good as you'll find -- but they need to update itReview Date: 2004-02-01
Well, you should go. There is a lot to see and do but it's important to realize that it's different from the other Latin American countries. It's maybe a little less pretty and the people are a bit more hardened from the long guerra civil. This book does a good job providing sociopolitical background and anecdotes from important periods in history. Other than that, it's your basic guidebook, going region by region in the country, detailing sights, hotels, transportation, all that stuff. There are also several pages of decent color photos.
The one problem is that the book is now nearly ten years old. While most of the things are still accurate, a lot has changed. Things like prices and bus routes especially. There are also many different sights, museums, roads and enormous Kentucky Fried Chicken franchises that did not exist when the book was published. Likewise, some things no longer exist. The only way to find out, unfortunately, is to go and discover these things for yourself.
El Sal is not the most tourist-friendly nation in the sense that the infrastructure is not really there to support a heavy flow of tourists. The people are _wonderful_, don't get me wrong (don't think for a second that it's the people's fault), but to give one example, some of the bus routes to tourist sites make absolutely no sense and can be very frustrating to navigate. This is the fault of the government. Likewise, the El Sal government tourism agency could do themselves a big favor by publishing or funding an up-to-date guide.
But this book is as good as it gets.
No Questions about it - buy the book!Review Date: 2006-03-17

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Warm FeelingReview Date: 2007-11-15
This Little Light of Mine...Review Date: 2007-07-20
My 3 year old son loves itReview Date: 2002-01-09
You are the light of the worldReview Date: 2004-08-09
Peppe lives with his sick father and seven sisters (not including the one in Naples) in the section of New York known as Little Italy. Taking place in what looks to be the 1910s, Peppe moves from store to store, attempting to find work. His father, is too sick to work himself, and all the children in the family must strive to find some kind of money. One day, old Domenico the lamplighter asks Peppe if he would light the lamps for him while he returns to Italy to fetch his wife. Peppe agrees readily and is delighted with the prospect. Delight slowly sours to shame, however, when his father is horrified by the job. Says he, "Did I come to America for my son to light the streetlamps?". As time goes by, Peppe's disenchantment with the job grows until he doesn't light the lamps at all. Only through the discovery of how important his job is to others can Peppe find the strength to return to lighting the lamps of New York City.
The pictures in this book are wonderfully rendered. Here we find the New York City tenements in all their filthy glory. At the same time, we see the strength of the people living in them. The first painting in the book shows Peppe and his family staring at the viewer as if they were posing for a formal family photograph. The light from a single latern lights them all, and illustrator Ted Lewin shows off his talents. In many ways, the book is similar to Chris K. Soentpiet's style (of "Molly Bannaky" fame). Reading this book is to actually find yourself in early New York itself. Crowds come alive and individuals display a wide range of emotions. The best picture in the whole book, to my mind, is the image of Peppe lifting his little sister so that she can light the lamp on the street herself. The light is above them, illuminating their faces with incredibly intensity. The two stare up at it, entranced.
The story itself if good, if not overwhelming. Peppe's father has a somewhat unbelievable change of heart towards the end of the tale. For a man who has harbored so much bitterness towards his son's chosen profession, he seems to come around to it mighty fast when the mood calls for it. Otherwise, it's lovely. Peppe compares the lighting of the lamps to the lighting of candles at Mass, and even goes so far as to say a small prayer for each. Small details like this truly bring the story to life.
The book celebrates one small boy who can, in his sister Assunta's words, "scare the dark away". It is a book about how every human being, if they've a mind to, can bring light into the world in their own humble fashion. Peppe may only be a lamplighter, but even his father recognizes by the end that this honest job gives safety and comfort to others. We should all be so lucky as to have jobs that do half as much.
Stunning artwork makes this book specialReview Date: 2002-01-02
This is a good story that is greatly enhanced by Lewin's superb artwork. Most of the illustrations are two-page spreads that are packed full of energy and emotion. Lewin's realistic style is well-suited to capturing many colorful details: the sausages hanging in the butcher shop, a crowded street scene, the old-fashioned iron stove in Peppe's home, etc. Overall, a memorable celebration of Italian-American history.

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Groundbreaking studyReview Date: 2007-12-12
A tad thick in places, but worth the readReview Date: 2004-04-26
Wallace, or braveryReview Date: 2003-03-29
FascinatingReview Date: 2001-02-16
How public policies can destroy communitiesReview Date: 2000-04-19

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An easy introduction to GrofReview Date: 2003-09-19
Consciousness research on the cutting edgeReview Date: 2003-09-12
I first encountered Stanislav Grof in the late 'seventies at a seminar held in Pacific Grove, California. He was a featured speaker, and to say that I was impressed would be an understatement.
In this book, he discusses transpersonal psychology, involving a shift in awareness. Our psychologists and psychiatrists need to engage themselves in this transformational system and get outside the accepted paradigm of the current model of reality that scientists work within today, accepting certain basic assumptions, and move on to the equivalent of the quantum theory of consciousness.
He points out in another of his books, Beyond the Brain, that the Newtonian/Cartesian paradigm (a system of thought based on the work of Isaac Newton and Rene Descartes) is still accepted and the orthodox foundation of precepts in use in psychiatry, psychology, anthropology and medicine. He points out that physics has moved on to a new paradigm: relativity and quantum theory and beyond, while the previously named sciences have languished, and opines that it is time for psychiatrists and psychologists to re-examine their fundamental belief structure as well.
Grof said, at the seminar, that he was originally--in Czechoslovakia where he originated--a dyed-in-the-wool Freudian, until he began to perceive difficulties with that approach. He grew from there. He was one of the original medical investigators to use d-lysergic acid diethylamide in serious psychiatric research, from which he derived some astonishing results.
Grof was formerly Chief of Psychiatric Research at the Maryland Psychiatric Research Center and Assistant Professor of Psychiatry at Johns Hopkins University School of Medicine. He is no lightweight airhead, but rather is a highly qualified, credentialed and credible researcher. This and his other books are well worth your time, if you have the necessary vocabulary and the scientific background to benefit from them.
Grof makes a bold argument that understanding of the perinatal and transpersonal levels changes much of how we view both mental illness and mental health. His research in transpersonal experience evokes serious questions into such areas as reincarnation and the spritual side of the human being.
Joseph (Joe) Pierre,
author of The Road to Damascus: Our Journey Through Eternity
and other books
Consciousness explorerReview Date: 2002-09-15
Grof builds a carefully laid out tapestry of thought unlike any other writer. Boldly going into dimensions that the orthodoxy fears, Grof consistently shows us that the best findings are often the result of adventurous undertakings.
One must truly venture into uncharted territories in order to discover hidden, powerful forces in the world.
All of Grof's work makes for a rich intellectual and spiritual treasure that will be edifying humankind indefinitely.
an archaic revivalReview Date: 2002-08-25
Excellent!Review Date: 2005-05-25

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Beautiful, One-of-a-Kind Art QuiltsReview Date: 2006-07-24
easy projectsReview Date: 2008-01-22
a beautyReview Date: 2008-03-06
Great purchaseReview Date: 2006-03-16
Exciting Book.Review Date: 2005-07-19
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He gives numerous examples. One of his examples is about the crested screamer, a bird species which holds massive song recitals. Would Lorenz agree that those birds are chirping merrily? Or would he insist that they are marking their territory?
Next, he discusses mutual aid among savages. Note that he uses a word which is scientifically unacceptable today.
Since K. cannot travel back in time, he surmises how our earliest ancestors lived by observing how isolated tribes today live--which is in clans. Although such tribes are still called "primitive," there is some question of whether or not these tribes live like our prehistoric ancestors did.
Since isolated tribes tend to live in clans, Kropotkin claims that the marital bond is not as strong as in the nuclear family system. In the appendix, he debates Westermarck on this matter.
Next, he discusses mutual aid among barbarians--another taboo word. According to K., there was a wave of migrations in ancient Europe, in which "races were mixing with races." The social institutions seemed to be wrecked as a result, but K. assures us that they instead "underwent the modification which was required by the new conditions of life."
Next, he discusses mutual aid in the medieval city. Now we are up to the Tenth and Eleventh Centuries. Our next institution, then, is the professional guild.
Finally, he discusses mutual aid among ourselves. He sees a faint vestige of mutual aid today. K. sees the union as the successor of the clan, the village, and the guild, so he calls for more and better unions. K. also speaks highly of organizations with special interests, such as garden clubs and glee clubs.
However, K. cautions us against the "reckless individualism," or "the war of each against all," which he sees as prevailing today.
Kropotkin's discussion, persuasive as it is, can be counterbalanced with arguments in favor of individualism and competition. I wonder how Kropotkin would respond to the famous anecdote about the Jamestown colonists.
One can also question Kropotkin's claim that only the most sociable animal species prosper. The feline order is renowned for the aloofness of its members, and the lion has been dubbed "the king of the beasts."
I would like to close this report with an ad hominem attack against Kropotkin himself: If individualism is so reprehensible, what is he doing writing a book by himself and claiming credit for it by himself?