North America Books

I enjoyed reading this book and I found the artwork to be most interesting. This book explains two of our strangest creatures, the flying squirrel and the bat, who can fly although they are not birds. The excitement builds up as the birds find a way to make wings for the little animals, no bigger than mice, to prepare for the ball game. The action of the game itself is quick and intense, as the animals and birds battle it out. Can you guess who wins? You'll find yourself cheering for Bat as he dips and dives for the ball, but watch out! Bluejay drops the ball just at the crucial moment. I give this one an A+ for enjoyment.

I am happy to find a book that describes the game of stickball the way it was originally played here in the southeast. We Cherokees called the game "the little brother of war" in the old days. Even now our villages near the Cherokee Reservation in North Carolina play against each other in the traditional was, by setting up goal posts at both ends of the ball field. You will hear the teams taunting each other just as described in this book. Thanks to the writer and the artist for helping to keep our culture alive.

What more could you ask from a picture book? The Great Ball Game of the Birds and Animals is a wonderful tale that explains how the bat and the flying squirrel came to be. Duvall's version of this story sticks closely to the original Cherokee legend with expanded imagery and character development. Like all great stories, this one teaches a lesson for human beings. Jacob's beautifully detailed drawings will hold the imagination spellbound as the story unfolds in crisp black and white. This book won the 2003 Oklahoma Book Award for Design and Illustration. I am proud to own a signed first edition that I obtained while visiting Tahlequah, Oklahoma during the Cherokee National Holiday. I highly recommend this book to art collectors and readers alike.

"Growing Up Native American" is a heartwrenching anthology of classic essays by 22 renowned Native American authors. The writers come from 15 native nations across the United States and Canada. The essays are divided into four major sections, excluding the Introduction. The editor prefaces each major section with its own brief introduction.

The first section looks backward and forward at how Native nations lost their indigenous languages and with language loss their self-determination. The second section focuses on the 19th Century, especially on the devastating policies against Native Americans and the struggles that ensued. One example of devastation is given in the third section which describes policies that destroyed traditional Native American educational systems and replaced them with repressive alternatives "meant to destroy their tribal identities" (p. 116). The fourth and last section outlines the 20th Century which "has brought forth an ever-increasing effort toward self-determination by indigenous peoples", because the "vanishing American has not vanished" (p. 190).

This is a hard-hitting book, meant for both the non-Natives and "Natives" who truly want to know. If you, like me, ever thought you knew the Native American story, then you ought to read this book. If you have not heard about the Native American story, starting with this book will save you from many misconceptions. A good read, indeed.

Amavilah, Author
Modeling Income Determinants in Embedded Economies : Cross-section Applications to US Native American Economies
ISBN: 1600210465

What is it like to grow up as a stranger in your own land? Of all of the emigrant groups which came to the "New World", those who were already here experienced their country being conquered and their way of life almost destroyed. All to often their stories were dismissed, forgotten or seen as exotic curiosities for the anthropologists. Riley's collection of 22 Native American writers gives voice to a group whose lives show a spirit of survival and dignity in the midst of being a "conquered" people in their own land. Using excerpts from novels, memoirs, essays and autobiographies we are given a wide range of different experiences from the people who were here before there was an America. Growing Up Native American introduces us to the various native peoples of this continent. Through those various genres, we receive a bit of insight as to what they had to endure as they grew up in a hostile land. This collection of stories spans from the 19th to the 20th centuries. Growing Up Native American is an excellent text for intoducing one to Native American history,literature, culture and Native-American authors. You immediately are transported through time with the authors and characters. You identify with their challenges and triumphs. The book is not just a collection of tragedy. You are introduced to laughter, jokes, lifestyles and the joys of being a young person. I would highly recommend this book to those of us who are ignorant about the Orignal Voices who inhabited this land

This is an excellent book that gently and beautifully flies in the face of destructive stereotypes and any ill-conceived idea that the "American Indian" is powerless and extinct. Far from it. And for those who say the damage is "all in the past" and is not relevant today, this book also gives the lie to that mythology. Unfortunately, those aren't the people most likely to read this book. Given that, I would highly recommend making this book required reading in any literature course, history course, or humanities course in general. The writing is artful and succinct, the authors Pulitzer prize winners and accomplished in many other ways. What it means to be an Indian, Native American, in the United States of America while we are "fighting to preserve our liberty" is an incredible concept to wrap one's mind around. Stretch a little. These voices call out from history, through time, to the present to create the awareness that the world so desperately needs.

Low's index has long been the bible for dealers and collectors of Audubon's Birds of America. Painstakingly accurate in its original edition, this new, updated and expanded version is produced with all the care of true booklovers. Elegant and useful. Thanks to Reese and Heald for making this invaluable tome available.

Susanne Low conducted years of painstaking research to write this lovely book. She examined four complete 435-print sets of Audubon's double elephant folio and this detailed, comprehensive Guide is the result. Every variant of every print is described including the birds depicted, the exact size of the plate mark, and where and when Audubon painted the original. A similar section describes the 150 Bien edition chromolithographs that were made in 1858-1860. The information presented is invaluable to antique dealers and collectors because it enables even the casual user to authenticate prints.

I especially like her cross-references and cross-indexes that make it easy to compare the double elephant folio prints with the Biens and the Octavos. She even included a biographical section that describes all the people who helped Audubon along the way. Writing my own book - Audubon Art Prints - would not have been possible without using Susanne's book as a reference.

This book represents a revision and extension of Ms. Low's earlier work, An Index and Guide to Audubon's Birds of America (Abbeville, 1988). It is a valuable reference for anyone interested in Audubon's folio bird prints. If you have a choice, select this more recent version than the out-of-print Abbeville edition. As in her earlier book, Ms. Low includes sizes of the plate marks for Havell Edition prints, and adds more information on the variants she encountered in a systematic review of four complete Havell Edition sets. The book also includes a wonderful bonus -- a detailed description of the Bien Edition (sometimes called the second folio edition of The Birds of America). Ms. Low's treatment is by far the most comprehensive information available in one place on this important and neglected work. As an Audubon dealer, and someone who has prepared web-based study guides of all the major Audubon editions, I have found endless uses for this book. It is a must-have reference for all serious students and collectors of Audubon's art.

I was easily able to find any plant, and found the descriptions comprehensive, and comprehensible.

Excellent descriptions great pictures great therapies

Loved this book. The layouts of the poison plants are easy to understand. Gives you a clear color picture closeup and distance shots of the plants. A a US map for the habitat -- great description of its actual locations i.e. "moist conditions preferring the edges of receding reservoirs and ponds." Describes the toxins involved then gives you clinical signs diagnosis and treatment for the animal. You need this book in your barn!

California has the most culturally diverse Indian ethnography of any U.S. state. Since California habitats range from coastal near- rainforest to dry desert, the Indians have developed a wide range of cultural and technological innovations to deal with it. The linguistic relations are also complex and diverse, a particular interest of mine, and I thought Kroeber did a fine job of discussing this, too. Altogether, Kroeber spent 17 years compiling and writing this great work, and it shows.

Some of the tribes understandably receive more coverage than others, because little was known about them at the time. For example, the Wappo and Washo Indians only have four and half pages each in the book, but the Yokuts section has 70 pages, but this is understandable given the original publication date of 1925 by the U.S. Government Printing Office. Since then, our knowledge of many of the tribes has become significantly greater, or at least less sketchy, but you'll have to consult other sources for that.

One notable thing about the book is the photos of various individuals, most of which could probably not be obtained today--such as the picture of the "Karok man in warrior custume in rod armor and helmut," or the "Hupa (man) measuring dentalium money against tattoos on his forearm," two truly quite striking photographic portrayals.

Despite its deficiencies (which are still modest considering how old it is), this still ranks as the best compendium of knowledge about California Indians, and one of the greatest ethnographies ever written.

On a personal note, I thought I'd mention I had Kroeber's son, Ted, as my psychological statistics professor at San Francisco State back in the mid-70's. Although I never had the opportunity to meet the father, Ted was a really cool psych. prof., and I enjoyed his class. He said his father would often tell him and his sister Ursula (Ursula LeGuin, who became a famous science fiction author), stories about the Indians when they were children, and he would occasionally regale us with stories about his famous father in class, which helped to break up the necessary discipline and technical rigors of a statistics class.

Alfred Kroeber deserves admiration as one of those men who ensured that our knowledge of Native American peoples would not be lost. He is perhaps best known as the friend of Ishi and, sometimes, for his concept of "culture" as "superorganic", but it is this work that I feel is his most lasting contribution.

Though some of the information has been corrected by subsequent researchers (checking Kroeber's work against more recent publications is reasonable), the Handbook remains useful to anyone who wants an overview or details about the numerous peoples who inhabited the state before the coming of the Spanish in 1769.

Where Kroeber is sketchiest is, of course, where the peoples had been exterminated before his investigations began shortly after the turn of the century. His work on the Yokuts and the Mojave, on the other hand, is extensive and helps us to understand some of the culture of their now missing neighbors. He has left no people unaccounted for. Thanks to this volume, interest in the California Indians has been stimulated for all time and with that interest has come a desire to preserve.

All California history lovers and anthropologists need this book on their shelves.

The content of this book is EXCELLENT. However, the "hardcover" version is just a hard cover slapped on OVER the paperback--not worth the extra $100+.

In 2008, Minnesota celebrates its 150th year of statehood. And there have been some historical discussions about the state's handling of various local Indian tribes when the white man arrived--and the Indians were moved to reservations.

In August 1862, the Indian chiefs lost control of their people--because they were starving and angry, waiting for food that was promised by the government, food being held by men at the Agency warehouse.

In a time when it was often "kill or be killed," the reality of the early settlers jumps off the page. Featured is the Owen family: abusive and no-good father John; Ma; Hawk, 18; and Jake, 17 - Hawk, Jake and John's stories told first person in different chapters.

I can hardly find the words to tell how exciting this excellent storytelling is. Author Williams neatly wove fact and fiction to make this a real page-turner. Of course, being from the Ft. Ridgely area took me on a personal journey.

When Hawk and his father clash, the father kicks him off the farm in Ottertail County in northwestern Minnesota. A map shows the distances covered by foot, horse or ox carts, and it was amazing how far people walked those days.

This, the first in a three-part series, finds first Hawk wandering on his own, and then follows Jake, full of revenge because of his mother's murder by Indians. We are with them as they survive, meet with good and bad people-and use every stay-alive skill taught them by an uncle.

Hawk was befriended by the Métis (may-TEE), decedents of European traders who interbred with native woman. Most were French-Canadian trappers/traders who drove ox carts. Jake became reclusive, keeping a step ahead of trouble. John Owen sank even lower than he was as a father and husband.

Space does not allow room to tell their stories-but to say that if you love well-written history-and stories about survival, love, friendship-this series is for you.

Book 2, Sophie's Hawk: Spirit of the Raptor, continues the saga, as does Book 3, Hawk's Quest: A Superior Pursuit (2008) continues with the Owen boys as they find their way, make homes and families and again move around the state.

Any history buff, regardless of where you live, will love this author's storytelling ability.

Armchair Interviews says: IF you love historical fiction that seem so real that you root for the characters, this series is for you. Read the series in order so you know the characters.

Hawk's Valley is an fantastic book. The kind of book that you will sit down and read and hate to set down. Easy to follow, because you feel like your taking the journey with the characters in the story. All kinds of feelings flow in this book. Anger, excitement, humor. The kind of book you will read time and time again. Reading it a second time now, anticipating the sequel. Again, its fantastic!

Outstanding!!! It's one of those that you want to read again and again! The story is about a family as told through the eyes of three of the main characters, each giving a new perpsective on what happened on "that fateful day in 1861" that led them on their adventures to find one another. Throughout the story the paths of these characters cross in very subtle ways. There are so many complexities to the plot, yet it is an easy and enjoyable read. There were moments where I found myself laughing out loud and others where my heart was racing in suspense. The characters are so vivid and it was hard to tell which parts of the story were fiction and which were true accounts in Minnesota history. It was an enjoyable way to learn the real story behind some of the names and legends. I can't wait for the sequel!!

This is an excellent writing that I appreciate. It makes you think about life and how to take control. It opens the choices you have about life and it lets you know that your body is a temple and you must treat it like one, since your only allowed one. Alot of the things you do to the body can be prevented. It tells you about the major health concerns with in African American culture and goes into detail about each concern. It leads you into a step by step brocess of taking wellness into your own hand

Heart disease knows no racial boundaries, however, more African Americans are likely to die from it. THE HEART OF THE MATTER is one noted African-American surgeon's attempt to change that fact. Written for the layman in everyday language, the book offers a complete guide to heart wellness. With a focus on current medical knowledge balanced by a belief in the benefits of spirituality and human dignity, THE HEART OF THE MATTER offers valuable lessons for both the patient and loved ones. THE HEART OF THE MATTER is infused with understanding and compassion for those who have heart disease and for the family members and caregivers who help loved ones recover.

Hilton M. Hudson II, M.D., does a beautiful job of explaining heart disease and it's affect on African Americans. The stories woven into the book provide excellent examples of how heart disease affects more than just the patient, but family and friends as well. He provides practical advice on nutrition, exercise, and stress reduction that is particularly helpful to African Americans. He tackles sensitive racial issues with understanding and compassion.

This book is set up into lessons, one for each letter of the alphabet. It goes over the natural remedies for many illnesses and health issues, including item, recommended dosage and how to prepare it. When you're done with the lessons, you can use it as a huge alphabetical reference guide. This book packs a lot of information in an easy-to-use format.

This guide works for both those new to studying herbs and those who would like a solid reference book. It is laid out in alphabetical lessons that can later serve as a quick reference index. The author actually goes beyond the herbs themselves to discuss illnesses and ailments that can be treated with natural remedies. The book makes it easy to get started studying a sometimes overwhelming topic!

If you don't know a lot about herbal remedies, buy this book! That's what I did, and I learned more than I expected about finding, preparing and using herbs for healing. I thought I would just get an overview, but the book is easy to understand, and the review questions are terrific for making sure you retain what you've read! I was so impressed that I lent the book to a friend who knows a lot about natural healing. She ended up buying a copy for herself! I'm not kidding. It's really that good.

"I am here.
I am here, now.
I have been here, always."

Edmund J. Ladd (Zuni).

In 1989, the Museum of Indian Arts and Culture in Santa Fe, NM, began to put together a project designed to present Native American culture, traditions, and contemporary life from an Indian point of view: not looking in from the outside but looking out from the inside, not analyzing in the way of anthropologists but giving its Indian contributors themselves a place to raise their manifold voices. The process thus begun resulted in a fascinating permanent exhibition presenting all aspects of Native American life from its historic origins to modernity, from arts and crafts to farming and hunting, and from the sacred to the secular (if that distinction applies at all, for there is a profoundly spiritual element to every single act performed over the course of the day). Endowed with a multitude of exhibits - many of them of priceless value - and using traditional displays as well as a multimedia approach combining various audiovisual tools, from its inception the exhibition rested on one inimitable centerpiece: the multi-timbred choir of the First People's very own voices.

Bearing the same title as the exhibition and illustrated by numerous photos, "Here, Now, and Always" provides an additional forum for these voices and sends them out into the world at large. "Listen carefully. Let the stories carry you to the center created by each Native community. Here, at the intersection of sky and earth, you will find the Southwest's people," the museum's former archeology curator, Sarah Schlanger, is quoted at the end of the introductory text to the book's first part, "Ancestors." And thus, the book's Dine (Navajo), Hopi, Zuni, Apache, Tohono O'odham (Pima) and manifold Pueblo contributors become messengers of their respective peoples; talking about Earth Mother, Sun Father, Changing Woman, Spider Woman and Spider Man, Salt Woman, the Great Spirit, the formation of the first clans and their wanderings, the sacred places marking their world and the meaning of home and community, the interrelation of the elements and man's interaction with them, the significance of clay, salt, corn, and tobacco, of minerals and precious stones, and of farming and hunting, the cycles of life, time, and the seasons, the importance of language, oral tradition, and sacred ceremonies in cultural preservation, and obstacles overcome and new challenges arising.

"Each mountain carries precious knowledge. Each is symbolized by certain birds, insects, trees, plants, songs, and prayers. Try to remember this when you think you might want to bulldoze these mountains. Let the sacred remain," warns Gloria Emerson (Dine) in the chapter entitled "Elements." Anthony Dorame (Tesuque Pueblo) explains about cycles that they are "circles that travel in straight lines." In the chapter on agriculture he recounts how his people revived their already-forgotten life as farmers, and wonders, "Today, we again hear the musical thump of a watermelon being split open in the field. Will we forget again what we now remember?" and later on, he adds that "[w]hen the branch is broken, the twig cannot survive. Without our language and without our ways, you cannot survive as a people." Similarly, recalling the young Zunis shipped off to Pennsylvania in the 1800s, all of whom died from loneliness after having been cut off from their cultural roots, Edmund J. Ladd (Zuni) - whose words also provided the project's title - reflects that these days, it is his people's language that is dying from loneliness. In the chapter entitled "Arts," Michael Lacapa (Apache/Hopi/Tewa) adds that the word "art" does not exist in his language at all, and muses, "We make pieces of life to see, touch, and feel. Shall we call it 'art'? I hope not. It may lose its soul. It is life. It is people." And in talking about a mid-20th century professor's prediction that traditional Indian life would vanish within a matter of years due to the spread of a cash economy, federal relocation policies, and WWII veterans' reluctance to return to their prewar lifestyle, Dave Warren (Santa Clara Pueblo) points out that like the footprints and handholds left behind by their ancestors in the southwestern canyons, cliffs, and plateaus, "tradition is deeply etched into our very being. ... [W]e are of these spaces, places, and times. We leave our footprints for another generation; we leave our handholds to steady their journey."

Bringing together all these and many other voices, "Here, Now, and Always" pays tribute to the rich heritage of the Southwest's Native people, and builds a unique bridge to a way of life, traditions, and beliefs sidelined and on the brink of extinction practically from the moment the first white man set down his conqueror's foot in the region, although these very traditions had survived in (largely) peaceful coexistence for centuries before. A slim volume of less than 100 pages, the book is nevertheless powerful testimony to the First People's resilience and ability to adapt to altered circumstances while maintaining the core of their cultural values. As such, it is highly recommended reading - and hopefully, also an incentive to one day go and see the exhibition from which it originates.

"Together we traveled,
in search of the center place.
In numbers we grew.
The center place had not been found.
The gods divided the people.
Some traveled north,
to the land of winter.
Some traveled south,
to the land of summer.
We are the people."

Edmund J. Ladd (Zuni).

Les malades dans l'hopital de Sells, dans l'etat d'Arizona, prennent de la cuisine traditionnelle du sud-ouest. Se guerit-on lorsqu'on se sent lie avec le culture et la terre maternaux? En fait, les danses qui se font pendant la scheresse se servent de l'energie de la creation liee, depuis les danseurs, jusqu'aux ancestres, aux descendants et a l'univers entier. Les arts du sud-ouest, eux aussi, se font, pour lier le passe, le moment actuel et l'avenir du culture, du peuple et de l'univers. Ainsi sont-ils beaux et serviables, tels que de la poterie, du tissage, et de la vannerie. A vrai dire, les peaux-rouges se croient originaires des terres tout autour des rivieres Colorado, Gila, Rio Grande, Salt et San Juan, les destinations finales de tous leurs esprits lies aussi.

Patients in the hospital at Sells, Arizona, are away from what they're used to drink and eat. So they're served traditional foods. Respecting the traditional link to nature and people keeps up physical and spiritual strength. In contrast, in the 19th century, Zuni boys and girls were sent to Carlyle, Pennsylvania. They didn't feel part of a community or nature. They'd felt both in the southwest. They never made it back home. They died from loneliness.

In the southwest, life has always been about getting along with nature and people. One traditional way that southwestern cultures do this is through dance. Music sounds within the dancer. That energy joins the dancer to all creation. So the dancer becomes linked with human energy, such as ancestors and future generations.

The dancer also links to natural energy, such as rain clouds. This is why the Hopi rain dance brings rain. In fact, the Hopi say that their corn, grown unirrigated, and their way of life, in harmony with nature and people, will save the world. The Apache also got through war, reservation poverty, depression and censorship by drawing energy from community, nature, and prayers.

It should be no surprise, then, that a southwestern work of art has a link and use too. Pottery stands for the sacred earth bowl. Traditional designs keep the tie strong between past, present and future generations.

HERE, NOW, & ALWAYS comes out of an exhibition at the Museum of Indian Arts and Culture in Santa Fe, New Mexico. Along with artworks, such as beautifully useful basketry, pottery and weavings, there are also audios, videos and writings of southwesterners on ancestors, community, cycles of nature and people, and survival.

Southwesterners believe they didn't come from somewhere else. They've always been here first, right from the start, along the Colorado, Gila, Rio Grande, Salt and San Juan rivers. They'll also be the last. For example, the Hopi believe that the life of their people began at the Grand Canyon. That also will be their final spiritual home.

Braeking the state up into sections, the author does an excellent job of describing and presenting the various highlights of each. Equal treatment is given to popular and off-the-beaten-path areas, with sufficient detail for each. It made my recent visit more enjoyable!

This book was a wonderful guide to the areas of Montana we traveled through. There were several things we would not have seen if it hadn't been for the suggestions in the book and some excellent restaurants we wouldn't have stopped at if they had not been recommended by the book. We plan to get another "hidden" book for our next trip.

Hidden Montana appears in its third edition to cover inns, tours, drives, and outdoors explorations throughout the state. From Glacier Park to Yellowstone, this is packed with lesser-known byways. Recommended.