North America Books

Angus and the Hidden Fort, by Steven A. Corirossi, was one of my favorite books. It's about [a small]kid who found a secret fort and it actually belonged to someone very famous years ago. To find out who it is, you got to check this book out. I loved how Steven wrote the ending. He added so much detail that I was disappointed when the book was over. This book is one of those books that you wish could never end. I recommend this book to six graders and up because I don't think that little kids would understand. If there are anymore books by Steven Corirossi, I got to read them!

Angus And The Hidden Fort by Steven A. Corirossi is an engaging novel for young readers about Angus McBride a nine-year-old boy, and his best friend Andrew Sills, who when exploring Black Hawk Park, discover the legacy of a one hundred and fifty year old mystery. Angus And The Hidden Fort is a highly recommended, adventurous and exciting tale, and one that opens with an unknown individual fleeing the wrath of two bare-chested Indians and proffers tantalizing hints as to the who and the why of the chase, until the stunning revelation of the end. The debut novel of a six-book series, readers will appreciate author Steven Corirossi's talents as a first class storyteller and will look eagerly forward to the new two titles: Angus And The Mysterious House and Angus And The Forgotten Trails.

Angus and the Hidden Fort is a very funny, mysterious, and exciting book. Although some words in this book I didn't know, by the time I was done with each chapter I had at least one word to add to my vocabulary list. I could read this book over and over and never get tired of reading it.

I was so excited to learn about this new adventure series--set in Central Illinois--that I just had to write and tell the author how grateful I am... it isn't too frequent that I can share with my 5th graders such wonderful, family-friendly stories that practically take place in our own backyard! Both Angus and the Hidden Fort and Angus and the Mysterious House are creatively and well written chapter novels that not only my students enjoyed, but I did as well. We're anxiously awaiting the arrival of Steven's third book, Angus and the Forgotten Trails... hurry up!

The book was a nice adventure story for boys or girls, although more geared to boys because all of the main characters in both time frames were male. Going back and forth in time made for more interesting reading and there was an element of mystery about the characters from the past that made the reader want to keep going to see what really happened and to whom.

The protagonist in the present was an adventuresome boy and I could imagine more stories of his exploits from the author. As an adult, I found the book a little simplistic and fairly predictable; still, I enjoyed the yarn and read it all. I think youngsters could picture themselves involved in this kind of exploration, doing a little detective work and trying to figure out some of the unexplained happenings.

While reading Sheldon Stern's book, I felt as if I were having a conversation with him. Relating the facts of that event in a manner and detail that made this reader want to know what came next was a gift! Detailed, yes; comprehensive, yes; accurate, no doubt!

Stern has offered the most complete understanding of the Cuban missile crisis, and of Kennedy himself, in this the most intimate account of those October days, drawn directly from the taped deliberations. His reconstruction destroys the simplistic characterizations of JFK as a "cold warrior" and leaves the reader grateful for his handling of that showdown with the Soviets. I would consider this account more definitive than any other now available, or likely to be in the near future. This is essential reading.

This book may be the most readable (for being a narrative) account of those challenging days when our great and elected President brought us back from the brink of nuclear war and possible annihilation as a nation, as a people, as a species.

Thus this thick book may further serve as a solid introduction to the primary sources of that time, from Tuesday, October 16th through Monday, October 29th, 1962, now 45 years ago. We must have a national celebration and commemoration of the President who kept us OUT of war and the world from bloodshed. Read this book to learn how and why.

Sheldon Stern is an academic professional historian who took early retirement to write this book as the EXComm tapes became declassified. He therefore places these tapes within their historical context, fully presenting their background, as well as providing a learned and helpful running commentary throughout his presentation of the transcript. He also provides a technical analysis of the transcript, including its reliability and validity, and the peer-review process by which it was developed. For instance he provides an interesting analysis of alternative interpretations of some points in the tape, and thereby the alternative political implications, and also reflects upon the technical quality of the recordings.

All in all, this is an excellent presentation of those courageous days in every aspect, and probably their best general presentation, comprehensive while accessible to the general reader. Certainly it will present a purpose for further study of other historical documents from that crucial period in which our President kept us out of war, which he termed the "final failure," and recalls to our hearts a time of great, serious, intent, decisive, moral, experienced, humane, elected, wise and intelligent leadership concerned for the safety and well-being of all people, sadly lacking since.

This is the book, I'd wager, that everyone thought they were getting when they purchased "The Kennedy Tapes" (Zelikow and May, 1997 Harvard Press). After struggling through that seminal work, the need for a narrative form of this compelling side of the Missile Crisis was palpable...fortunately, retired JFK Library historian Sheldon Stern also saw the need and completed what was clearly a passionate "life's work" with "Averting the Final Failure". Stern takes years of study and scrutinization of the White House tapes that eavesdropped on the EXCOMM (Executive Committee of the National Security Council) as they advised and debated the day-to-day issues associated with the Crisis and turned a complex story into an amazingly lucid and cogent narrative that should become THE source for White House activities during the Crisis.

Newly declassified and available, Stern has added immensly to the growing amount of literature/transcripts of these profound tapes. The difference here is that Stern is clearly the one who has spent the most time and study on these tapes and, coupled with his surprisingly apt story-telling capability, has developed an authoritative work that defines the "who? what? where? when? and how?" of the Kennedy advisor "inner-workings". Time and again, Stern destroys myths and legends as his narrative describes each meeting and the theme that each one invoked. He interprets each discussion and adds his own attempt at tone and voice inflection to give not only the content of the discussion, but the "atmosphere" as well. The result is almost as good as hearing the tapes themselves...giving the true feel for what these "Best and Brightest" advisors went through.

The story of course has been told time and again...Soviet leader Nikita Khrushev surreptitiously installs nuclear capable missiles and the associated warheads in Communist ally Cuba and this subversion is discovered with American U2 spy plane photography. The subsequent actions taken by the U.S. government are fortunately recorded on a complex White House taping system by President John Kennedy, thus providing an invaluable insight into this provocative period in the Cold War. Unfortunately, these recordings leave much to be desired in terms of quality and many have attempted to transcibe them into a useful tool for historians. The "Kennedy Tapes" book attempted to publish the full transcriptions, but this work was so disjointed that it tended to confuse more than educate. Stern, having initially supported this effort by Zelikow and May, becomes more and more dismayed with the quality of this transcribing work and decides to offer his own interpretation of the tapes and the Crisis. Having spent many years analyzing them (long before they were declassified) he provides an amazing insight and scholarship, while clearing up many "unclear" voice transcriptions.

Taking all this information and recognizing that just another publication of transcripts would not be useful, he decides on a version that describes these actions on the tapes in narrative form. He clears up the collateral chatter and keeps a thematic focus on the narrative and comes up with a wonderfully clear and concise coverage of this event. More than just an interpretation of tapes, Stern also accompanies the narrative with a surprisingly readable summary of events and, happily, a destruction of many of the afore mentioned myths that have survived throughout the years. Well known Crisis stories such as Robert Kennedy's "hawkish" anti-Communist stance, the deception and negotiations of the agreement to extract nuclear missiles from Turkey as a trade for extraction of the missiles from Cuba and the continued iintransigence of Fidel Castro and the Cuban government are denounced here by Stern...offering a new and embellished perspective on the Crisis. Kenndy's "free-wheeling" meeting style is amazingly supported by the tapes and stand in stark contrast to the popular theme presented in such movies as "The Missiles of October" and "Thirteen Days"...an example being JFK's response to the shooting down of an American U2 spy plane at the height of the Crisis on October 27th...the movie version has JFK and the EXCOMM loudly debating retaliatory responses when in reality JFK's calm and measured response was: "...this is an escalation by them isn't it?" and the meeting went on.

"Averting the Final Failure" comes 42 years following the denouement of the Missile Crisis and thouroughly ties together all loose ends associated with White House activities during those heady 13 days. This is an important and monumental addition to the vast amount of literature available on the Crisis and should be considered the first reference used by historians for the White House perspective of the Crisis...I would overwhelmingly recommend this work to anyone interested in those activities in October, 1962.

History has two definitions: a chronological record of significant past events, and a story. Sheldon Stern's story of the Cuban Missile Crisis is history (both definitions) at its best. The scholarly, time-consuming, and meticulous research that went into this work abounds throughout its pages. The author's willingness to challenge earlier historical works on the translation of the crisis's audiotapes makes this book a must for any student of JFK, his administration, and the Cuban Missile Crisis. Because of the comprehensive nature of history, a reader might conclude that this is just another dry historical work. Far from it - this book reads like a Robert Ludlum novel. The reader is caught in the tension as the missiles are first discovered, held as the conflict escalates to an almost unbearable crisis, and released as the resolution unfolds. But this was no political thriller, it was real life. Mr. Stern has taught us all a great lesson of history: that real people make real decisions, that these decisions have consequences both foreseen and unforeseen, and that there could have been other choices made with different outcomes. Our world would be a much different place if JFK had listened to his advisors. I believe this book will become the classic study for the story of the Cuban Missile Crisis. Averting the Final Failure is a must read.

My grandson loves this story. It has simple text and colorful photos which appeal to small children.

very cute book that fits in perfectly with the Brown Bear, Polar Bear and Panda Bear set! i just wish it came as a board book.

My boys love this whole series of books - they both sing along while we read them and actually start singing them spontaneously in the car or while playing. The artwork is amazing - just like the others in the series! My only wish is that this was in board book format!

This book is one of the books in a series by by Bill Martin (Author), and Eric Carle (Illustrator). We truely enjoy giving their books as Christmas and/or birthday gifts.

"Baby Bear, Baby Bear, What Do You See?" asks the title character and, more importantly, the young reader/listener what they see as they turn through the pages of this wonderful book. Like "Panda Bear, Panda Bear, What Do You See?," this book is filled with brilliant, big and colorful pictures from Eric Carle. Bill Martin, Jr. focuses this story on North American animals, making it a bit more interesting for the kids and their parents here in the good ol' U.S. of A. I've actually seen a few of these animals in the wild thanks to the National Park system and a few trips around my home.

The text is familiar territory for parents and kids who've read other books by Martin, Jr. This wonderful rythmic writing makes it easy for kids to read and, even better, more fun to listen to. I highly recommend this book. It's fun for all ages.

I bought this book without having read much of it first. I know practicaly nothing about Native American studies or shamanism, it's not my calling or interest. Anyways, I bought this one anyway and am sorta confused. Like I said, I know hardly anything at all about Native American culture but I would assume they didnt go out have get pink, blue, yellow, purple, red, oarnge and indigo candles for their work. Almost every working in the book calls for all these rainbow things. I wonder if this is authentic? I am going to borrow from another reviewer I saw a while ago and say This book is probably good for the "bookstore shaman" . Thats about all I can say.

Native American shaman Moondance's visions form the foundation of a guide which considers how to use shaman wisdom for spiritual enlightenment. How to make and work with medicine blankets and bundles and how to create magic tools and perform sacred ceremonies are only a few of the topics covered in this guide.

I have heard peopel speak of the author not bing an indian. She is now and she is Native mixed. I know cause I have been a student for many years of hers. If you read the writings youwill see the power in the truth she tells. In bone medicine you will learn the ways of a hollow bone and these ways are sacred. Good work, Great book. I understand the human more.

I have read a lot of these kind of books and this is good work. I have read them all and like the way the books read. The truth is clear that the author is stating her own vision and the vision has touched her life. I support these books by Wolf Moondance 100%. Thank you. Jim Jackson-Okla

When I read Bone Medicine I was looking for something to guide the loss in my spiritual life. I did not ever in 35 years understand the purpose of my life or the reason for the human body. After the work I have done through the ceremonies in this book I understand and respect my physical life. I would love for anyone to read this book because it is Great. I am a mixed blood and can say I have found a true Elder! Thanks... Jerri Storm-K.C

Even if you, like me, don't have much of a knowledge base about ancient Mexican history, it's cool just to show people the book. I've flipped through it and gained a vague understanding of how it fits into history, and I appreciate that it brings to life an aspect of a culture that I really only know through mythology. The preface to explain the Codex is probably well-written, although, admittedly, I felt rather daunted by it. Skimming through it was still valuable, though. A good conversation piece!

Sin duda este es un título que no debe faltar en ningúna biblioteca personal, ya que la restauración de uno de los principales códices es perfecta, para aquellos interesados en la cultura y ciencia ancestral este códice es de gran ayuda.

I will not go over their 5 star comments except to say that I agree. The amazingly colourful and crisp art in this short book is rivetting. As much as one may credit the reknowned author, deep congratulations should also go to the publisher for a masterful print job.

This is a wonderful resouce for those interested in ancient Mexico. Full photographic facsimilies of these codices are hideously expensive, and really, most are not in great shape. After extensive research, we have here a great reproduction of what this important work looked like when it was "fresh off the presses." It is beautiful, and in comparison to Dover's similar Codex Nuttall, this work comes with a MUCH better introduction that explains more of the text, the context, and the ideology. Readers will be able to better understand some of the religious principles of the ancient Mexicans (and there is some debate whether this book was painted by Aztecs or Mixtecs, which I won't bore you with!). It shows gods, ceremonies, the calender, and other religious iconography which is interesting, and would be a revelation for more the artisticly inclined. The visuals are wonderfully presented and all in all this is an astonishing bargain. Those with even a casual interest in New World archaeology or art NEED to get this book.

This is a very strange and beautiful book in pictures. It reads like a dream if you tune in to it, and reveals very deep meanings about the relation between life and death, the human relation to the forces of nature, and time. Even though there are no words, it is possible to understand. If you get into it the symbols become more and more recognizable, and they begin to speak. the calendrical symbols and the spirit deities are completely recognizable. The sequences are all about times, and there is a big element about sacrifice. It has to do with the consequences of change; there is no life without death. The book has a very powerful image of life and death fused back to back that pretty much is the epitome of all the book is about. It's all about life and death in relation to time.

DESERT by Jack Dykinga is published by Harry Abrams, Inc., a company that publishes high quality art books and not, for example, vacation tour guide books. DESERT is 143 pages long, and contains 83 full-sized color reproductions. Dykinga uses a 4X5 camera, resulting in a higher quality image.

Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.

For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.

DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.

Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.

Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.

RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.

Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.

Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.

There is a knock at my door and here is the UPS man delivering my order from Amazon.com. Among the books: Desert, The Mojave and Death Valley Photographs by Jack Dykinga, text by Janice Emily Bowers. I barely had time to read more than a page or two of the text before it made me want to go straight to the photos to see the place she was clearly, and intelligently writing about. And I was not disappointed: It was overwhelmed with joy of at being able to share the keeness of Mr. Dykinga's fine and perceptive photographic vision of that place. This is a more subtle body of work than the previous books based around his photographs.

The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book

More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.

In short there are wonderful things to be found in this book.

This book just shows how spectacular a desert can look with the magnificent photos around the Mojave desert and Death valley of emptiness, stark flowers and blooms and just superb landscapes. It'll give you some inspiration to find something to look for even in a desert.

I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!

This book is a beauty, some of the most beautiful photographs I have ever seen.

I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.

Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.

As I went through this book, I kept asking myself, am I looking at the dessert or am I looking at the landscape photographs of Jack Dykinga? I've been to the Mojave and to Death Valley and I don't remember them looking so beautiful.

Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.

It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.

The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.

I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.

As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.

I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

This is both a great read and an important historical document. Fanny Trollope was the mother of Anthony Trollope, perhaps the most prolific English novelist of the nineteenth century and my favorite. Fanny's husband was ineffectual in the breadwinning department, but fortunately for the family, Fanny herself was energetic and enterprising. She took one of her sons (not Anthony) and an artistic young man to the United States. She was planning to join a friend of hers who was a mover in setting up the utopian community in Harmony, Indiana, but the place turned out to be squalid, and she didn't stay long.

Fanny spent most of her time in the U.S. in Cincinnati and in her book is very hard on the city and its inhabitants. She especially objected to the pigs' role as garbage collectors. (In those days, pigs roamed the streets freely, like sheep grazing.) Fanny felt most of the people she encountered were loud, dirty, vulgar, and fanatically patriotic. It is her vivid descriptions of the physical conditions and the people that give this book its historical and entertainment value.

While she was living in Cinci, she opened a retail emporium and filled it with rather shoddy merchandise sent from England by her husband. She also attempted to bring culture to the inhabitants. Not surprisingly, both ventures failed.

After Mrs. Trollope returned to England, she supported her family by writing novels that were quite popular at the time, though they haven't become the classics her son's have. She spent her final years living in Italy with another son and his wife.

This is an extremely entertaining commentary on American manners and well written. I agree, however, with Mrs. Trollope's son, Anthony, who commented that Mrs. Trollope is a keen observer but she understands little. Certainly her complaints about the lack of gentility among Americans is valid but she completely missed the wonderful lack of class restraints endemic to English society which afforded Americans "class mobility"--freedom of opportunity (except for native Americans and slaves).

Fanny Trollope (1779-1863) wrote over 35 novels and several non-fictions books in her effort to rescue her family from poverty. However, the most read of all her books is "Domestic Manners of the Americans" which she published in 1832. It was in that distant year that Fanny and two of her children traveled across the Atlantic Ocean. Her purpose was to join a utopian community in Tennessee whose denizens were freed slaves.
Fanny left her impecunious and feckless husband the barrister Thomas Trollope back home in England. Her famous son Anthony did not make the trip as he was a student at Harrow School. Fanny knew her husband would join her in the USA when money became available. Later the family would flee to Bruges to escape creditors. Fanny eventually lived out her life in Florence near her son Thomas Trollope.
After leaving Tennessee the Trollopes settled for two years in the Queen City of the West Cincinnati, Ohio. Fanny did not like America or the American people! She found us xenephobic; boastful, prideful and violent.She hated the hypocrisy of life in Midwest Ohio although she did attend such cultural attractions as opera, plays and lectures. She favored the state Anglican Church of Great Britain not caring for America's separation between church and state.
This book could well be read alongside Charles Dickens' "American Notes for General Circulation" based on his 1842 six month trip to the USA.
Both Trollope and Dickens found the Americans crude, lacking in manners
and eager to make a quick buck. Listen to Trollope at her most scathing:
"..among the rich and the poor, in the slave states, and in the free states...I do not like them. I do not like their principals, I do not like their manners, I do not like their opinions." (p.314).
Fanny Trollope's book is more interesting than Dickens since she discusses colorful characters and shares anecdotes about her sojourn in our young republic. Like Dickens she hates the odious practice of tobacco chewing and the mangling of the English language. Trollope found us Yankees to be too serious and viewing us as poorly read. Unlike the wealthy and famous Dickens, Mrs. Trollope was a middle-aged woman fighting off poverty with her pen. I enjoyed her descriptions of nature such as those she paints of the Potomac River, Northern Virginia and the Niagra Falls area in New York and Canada. She is aware of flora and fauna and describes them with knowledge and in beautiful prose.
Dickens and Trollope give us the eye to see America in the days prior to the Civil War when the curse of chattel slavery ruled the land. Since those days America has granted freedom to all citizens. I wish both Fanny and Charles could visit us again in the 21st century. Their remarks would be of great interest to this reviewer and countless others!

All I can say is: what a great read! Who knew? Quite frankly, upon first sight of this book I must admit a bit of dread as the puritanical artwork does not smack of fun and games. Of course, as a literature student, I should know better than to ever judge a book by its cover.
Had I been Fanny Trollope writing such an account of America in the 1820s, I would be hardpressed to say that I would have changed a single word. Trollope has been the victim of many mean spirited caricatures and accusations by Americans and it still continues today, but what is interesting is that no one can do more than attack her person. In other words, no one seems to be able to refute her claims.
Trollope's "bitchiness" seems, for the most part, merited by my standards and while she finds much to complain about concerning an American democracy in its adolescence, she certainly discovers just as many things that she likes or finds beautiful.
Plain and simple, Americans collectively have a hard time taking criticism, especially from an outsider...and at that time, political criticism from a woman was deemed absurd if not audacious.
Last but not least, Fanny Trollope is always sure to preface anything she says with the conscious realization that she can only speak for what she has seen/heard personally and is thereby not judging ALL of America.
Trollope is witty and anecdotal and I think anyone interested in what an outspoken Englishwoman had to say about the New World should certainly pick up a copy. I found particular interest in gender/religious issues but got the most laughs out of her descriptions of American manners (or the lack thereof).
It is always interesting to see how much things have changed, and better yet, how many things have remained exactly the same!

Very entertaining read of the author's trip through 19th Century America, full of wonderful description and enlightening observations. Despite the griping below, Mrs Trollope simply reports what she sees - men spitting tobacco on the floor, ladies off in another room while the guys have a good time, etc. She reports accurately on our forefathers' rugged pioneer spirit, but points out the lack of education everywhere. We want to shout "lies!" but Mark Twain wrote about the same thing, and the aspects of our society that haven't changed much are still being commented on with the same frankness by writers like Saul Bellow, Gore Vidal, Dawn Powell, Paul Theroux and Joan Didion. Many true-hearted Americans will enjoy this book no end. Mrs Trollope clearly loved America and simply wrote truthfully about; she is simply beholden to no one - the essence of good writing. A thoroughly refreshing read.

This book is about a half-white, half-Acoma boy who has to visit his grandpa during the summer. His grand pa lives in a Native American village that sits on top a mountain. Kendall tries to fit in, but the native people are a litter wiry of him because of his white dad. Kendall finds out that his constant need to run is because of magic from his Acoma blood. There is an enchanted mountain that Kendall runs to every day in the desert. At first Kendall does not want to go to visit his grandfather, he wants to go on a road trip with his dad and brother, but towards the end he likes being there and does not want to leave. In the end of the book, his grandfather visits a sacred mountain when he does not come home Kendall runs into the desert to find him. His cousin has to go looking for him before his grandfather dies. I really liked this book because the author put some into detail, you could almost believe you were there. This book was great because the setting was so cool and the plot was one of a kind.

Little has a unique ability to draw the reader right into the setting, the character and the emotion of the story. I could see the beautiful New Mexico landscape. I could feel Kendall's worries and heartache. This story is both informative and moving - and shows deep respect for the culture of the Acoma.

This book just WON the SOUTHWEST BOOK AWARD! I am so glad ENCHANTED RUNNER won this recognition because it truly deserves it. This book is very emotionally moving, as well as having exciting, dangerous action. The setting is stunning and I loved reading about the Snake Clan and the powerful, magical runners. What a special book! I'm going to use this book in my classroom. I've never read anything else quite like it.

Enchanted Runner is definitely enchanting. Kimberley Griffiths Little sweeps readers into her story's world; one that is a thoughtful mixture of past and present. Ditto with her characters. From the beginning, I felt Kendall's magic as if I were running beside him as he confronted wild horses, rattlesnakes, heartbreak, and ancient mysteries. I especially enjoyed the contrast between Kendall and Trina, and her curiosity about his secret ceremonies. Kendall's journey was a satisfying one. I hope a sequel is on its way because I'd like to run with him again.

I'm 41-years-old and normally would not read a book targeted for the 9 to 12-year-old age group. But after reading Ms. Liitle's first book, BREAKAWAY, there was no way I'd pass up her second book. And I wasn't disappointed. ENCHANTED RUNNER was awesome! The research that went into the story is probably more than found in most adult novels. I was blown away by what I learned about the Acoma Culture and the Snake Clan. Visiting Sky City is now on my life's list of things to do. Parents: Do yourselves a favor. Buy this book. Read it, then share it with your kids. Ms Little: Thank you for pouring your soul into the story. I look forward to your next effort and hope there is a sequel to ENCHANTED RUNNER!

I wanted something thorough and informative about Native American Tribes. I also wanted something clear and concise, but not so bogged down with detail that it was a chore to weed through.
This encyclopedia gave me what I wanted and more. I'm writing a fictional novel with a Native American character and needed help in knowing him and his background. I was impressed with how easy it was to look up information by tribe and get interesting tidbits, that if I so desired, I could research further.
This is definitely a writer's dream. I feel confident writing about a character from any tribe with this book in my collection.

Excellent. As a Englishman, in my middle 60s, interested in native American history since I was a child, this book is very informative.

I had read about most of these tribes in the past in web searches and other references.
That is why I fault the illustrations ( the stone tools look noting like their actual pictures) and that there isn't a better coverage of tool, housing and food sources. The language groups are well covered and their relationship are made pretty clear.
I was looking for my local California Indians that are in San Diego County.
They are noticeably absent in this coverage or disguised pretty well.
Since most of this information is in my old 1950's World Book
encyclopedia under different sections, I was hoping for a little more information here. I have to admit that it is a good reference source.

Now in a newly updated and expanded third edition, "Encyclopedia of Native American Tribes" is a compilation of facts for more than two hundred Native American tribes in North America, including prehistoric peoples on the North American continent as well as all of the identifiable Native American civilizations on the continent. Organized alphabetically by tribe or group, there is at least one representative Native American tribe from each language family or language isolate for each culture area covered. From locations, migrations, contact with non-Indians, wars, customs, housing, tools, clothing, art, rituals, diet, and cultural contributions, "Encyclopedia of Native American Tribes" has special relevance for contemporary tribal issues and concerns. "Encyclopedia of Native American Tribes" is a critically important, superbly presented, essential and core addition to professional, academic, and community library Native American Studies reference collections.

I am a fifty seven year old retired elementary teacher...but
my lifelong interest has been the Plains Indian Culture.
I just asked my hubby to get me this book for Christmas after
spending about ten minutes looking at it in Barnes and Noble
yesterday.
Good sized print, the info is arranged as user friendly.
I saw tribes mentioned in there that have been omitted from other
books about North American Tribes. A comprehensive guide.
Many drawings....colored illustrations.
My only negative -----I wanted to see a few more maps ...regional
maps of the tribes.
ALso...at the store ...I was looking at a SOFTCOVER edition....not
a hardcover one. (I would not pay 75 dollars for hardcover when
it is available in softcover. )

This book was enlightening to say the least. It really opens your eyes to the fallacies of Obstetric care in America.
The more you learn about birth, the more you doubt the so-called "professionals."
We have been duped into thinking childbirth is a mechanical event, something to be feared, and managed by some outside source. None of this could be further from the truth. And the truth can be found in this book.
For your safety and sanity- read this book.

I'm about halfway through the book right now, and a quarter of the way through my pregnancy. Although Expecting Trouble is a death knell for prenatal care as we know it, the book was reassuring to me. It let me know that I needn't feel out of the loop in caring for my own baby- the doctor isn't the real authority in this case. Virtually all prenatal problems develop regardless of the mother's prenatal care, whether a birth defect occurs before a woman knows she is pregnant, or it is caused by genetics. It either happens or it doesn't happen. So many women look to their doctors as magical people who will diagnose and treat any potential problem. During pregnancy, this just simply isn't the case most of the time. I feel more at peace knowing that this is the type of situation that there simply is no way to control, beyond maintaining good health and avoiding known dangers. The majority of pregnancies are (medically) problem-free, and I will feel less stressed knowing that I will probably have one of them. And if something goes wrong, I will know that I couldn't control it.
I highly recommend this book, along with The Nature of Birth and Breastfeeding, by Michel Odent.

It's such a no brainer that prenatal care is really wonderful, helpful and good. Strong, second generation in the medical care of pregnant women, has a lot of reservations and a lot of data to back those reservations up. He also has some suggestions for how things could be improved: involve certified nurse midwives in prenatal care to avoid the temptation to complicate a normal pregnancy and birth, keep NICUs regional (so they don't turn in to profit centers, complicating life for normal newborns and their new parents). He'd like to believe that preconception care would help (by getting women help to stop smoking and so forth before they get pregnant), but he's sensible enough to recognize there are some hard limits on what the medical profession can do in the face of widespread social problems.

This book should be required reading for every woman in American.

Thomas H. Strong has written an excellent account of the inherent flaws of prenatal care in the United States, highlighting where Western medicine succeeds and where it fails. Looking critically at other health care systems around the world, he demonstrates how alternative health care for birth when delivered by midwives has higher success rates in preventing premature birth and various birth problems. If anything prevented me from giving this excellent work five stars, it was the fact that Dr. Strong, while praising health care systems like the Netherlands, decided not to address the fact that those same praiseworthy birth traditions are delivered by lay midwives, not the nurse-midwives found in other countries. While both lay (or direct-entry) midwives and nurse-midwives contribute important care to pregnant women, Dr. Strong failed to address the prejudices surrounding direct-entry midwifery in the United States despite its affordability and accessibility in remote areas.

I think this is an important book for mothers to read, but be aware that it presents research and, while well-written, is not written in the accessible format of many books destined for the expectant parent. It would be an excellent book for anyone interested in the sociology or medical anthropology of birth and its inclusion in women's studies classes would enrich any curriculum.