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"It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars."

- Philip Marlowe in The Big Sleep

And thus began the criteria for what a private eye would look like and what his moral code would be. Raymond Chandler, author of the Philip Marlowe series of crime novels, set the bar high and generations would follow in his writing footsteps. The Big Sleep and Farewell, My Lovely are two selections from this series and are found in this Modern Library edition. Both the Modern Library edition (which contains two of the Marlowe novels) and The Everyman's Library Edition (which contains three selections) are great buys. Both are hardcover and include more than one novel. The paperback version of THE BIG SLEEP is $10.36 for one.

For those of you who are new to Raymond Chandler, he is considered to be one of the most influential writers of crime fiction and his phenomenal creation of the detective Philip Marlowe has survived decades.

Every time a modern reader discovers a new private eye who is facing some interesting and very tough times but is able to do it with integrity and a strict moral code alongwith a "soldier's eye"; you are meeting Raymond Chandler the writer all over again. And Philip Marlowe his creation is playing a pivotal role in the background.

Raymond Chandler wrote seven detective novels but THE BIG SLEEP is probably his best. Farewell, My Lovely is a close second. He was in his fifties when he wrote these novels yet they have become an American landmark in the hard-boiled detective genre and would really launch Chandler into the icon that he is today.

The reader will discover a unified theme with strong and fully developed characters with incredible imagery and metaphors. Chandler's literary style is distinctive and very crisp. You will love these stories. If you are new to hard-boiled detective stories, this edition might be one that I would start with

In The Big Sleep, you will be introduced to the Sternwoods: General Sternwood, Vivian and Carmen and all three are interesting studies and all three as General Sternwood notes have not "any more moral sense than a cat." General Sternwood is on his deathbed and hired Philip Marlowe to check out why he was being blackmailed by one Arthur Gwynn Geiger. His two daughters, Vivian and Carmen, are quite a handful but General Sternwood feels in part responsible for his plight. As he tells Marlow, "I need not add that a man who indulges in parenthood for the first time at the age of fifty-four deserves all he gets." He describes his two daughters as being "spoiled, exacting, smart and ruthless with the younger girl as being the type who likes to pull wings off flies".

Chandler's novels do highlight crooks and morally-corrupt characters and derelicts, but they are counter-balanced by Marlowe, Bernie Ohls, and General Sternwood--all of whom possess a strong sense of honor, a consideration of what is proper and are for the most part trying to live a life above board.

FAREWELL, MY LOVELY is also set in Los Angeles. You will discover a focus on one of the deadly sins in all of the Chandler's genre. In the case of FML, the focus is on gambling. Chandler's novels always has its share of women loaded with sin and this is no exception. To top it off, Marlowe is continually dealing with derelicts and dirtbag characters galore.

There are numerous murders that take place and a tight interwoven plot which will keep you on the edge of your seat until you get to the last page.

Just as a sidebar, THE BIG SLEEP was published in 1939 there was only an advance of 5,000 copies by Alfred A. Knopf. However, Knopf knew the power and the contribution that this novel would make. They actually took out an advertisement for this book on the front cover of the Publisher's Weekly which was most unusual for a novelist's first book.

The dust jacket flaps read:

"Not since Dashiell Hammett appeared has there been a murder mystery story with the power, pace, and terrifying atmosphere of this one. And like Hammett's this is more than a "murder mystery": it is a novel of crime and character, written with uncommon skill in a tight, tense style which is irresistible."

And so it was. I would highly recommend reading these crime novels and being introduced to Philip Marlowe. THE BIG SLEEP was made into a movie starring Bogart and Bacall with the screen play being written by William Faulkner no less.

Don't miss these. I almost did.

Rating: A

Bentley/October 2007


The Big Sleep & Farewell, My Lovely (Modern Library)

Raymond Chandler, the author, is the definitive writer of the detective genre. His wise-cracking, earthy detective Philip Marlowe constantly sticks his nose into dangerous places, sometimes catching the far end of a swinging fist for his troubles. And trouble is a euphemism for his working life. His books led to the creation of several famous films with Humphrey Bogart playing Marlowe. But having seen the movies, there is no comparison to the quality of Chandler's original prose.

Here are a few witty samples full of imagery from his books:
"I was neat, clean, shaved and sober, and I didn't care who knew it."
"I was as empty of life as a scarecrow's pockets."
"... he looked as inconspicuous as a tarantula on a slice of angel food."
"He looked as nervous as a brick wall."

Chandler's stories move fast and contain a lot of action, just like his protagonist. Marlowe's character is a bit of a blue-collar cynic, an occasional ladies' man, a rebel, and a steadfast (but sometimes puzzlingly) honest man. Marlowe is just an average guy who just happens to solve cases involving the rich and beautiful (and their dirty little secrets) in mid-twentieth century LA. And I suppose Marlowe's fast-talking, action-oriented character is one most of us average guys could identify with, which accounts for the success of his books.

I thoroughly enjoyed this book - I don't usually like reading fiction - and highly recommend it. Chandler really is a pleasure to read. Why couldn't we have read something like this just once in my high school English lit classes!?

I've always believed that Chandler was one of the great prose stylists of the 20th century. Read these two novels and try to disagree with me.

Nearly seventy years after it was published, The Big Sleep is still an interesting detective story with an intriguing style. This was Raymond Chandler's first published novel and it made him a celebrity. In an old interview I read somewhere, Chandler said he was going against the grain of the then-popular British detective novels that climaxed with the gathering of all the suspects into a single room while the detective revealed his brilliant solution to the crime. He meant Philip Marlow to be a more realistic and gritty detective. He succeeded. Marlow became America's favorite private eye, both in print and on the silver screen.

As I read the book, two thoughts came to me. First, the Chandler style has been copied and parodied so much, that you can easily forget that this was the original. The second is that although the novel was written at the time as a modern story, it now reads like someone wrote it today as period literature. This adds to the book's charm, sort of like the Chinatown or The Sting.

Raymond Chandler goes in and out of fashion, but if you want to curl up with a good mystery written by one of the masters, you can't go wrong with The Big Sleep.
The Shut Mouth Society
The Shopkeeper

Seeing as how "The Big Sleep" and "Farewell, My Lovely" are the first two Philip Marlowe detective novels that Raymond Chandler wrote (published in 1939 and 1940, respectively), this is a grand place for a Chandler novice to begin pursuing the morally decrepit alleys and boulevards of the rich and not-so-rich in Los Angeles.

One thing you should note is that Chandler held the conventional detective stories (think: Agatha Christie) in disdain. Ergo, any attempt of mine to barf back the plots to you is a waste of time. They are so complex that you often forget exactly what happened shortly after you finish reading the books themselves...which doesn't detract from their quality whatsoever mind you. It's been told often enough that after their publication, Chandler often didn't even know what was going on in his own novels!

Suffice to say that both books concern murder among the wealthy elites in L.A. during Chandler's life--a time when the city was a lot smaller than its present size, and more hostile to outsiders--particularly to people of color. "The Big Sleep" concerns a disappearance and a reclusive millionaire and his two daughters (one is a mentally deranged nymphomaniac; the other is a bit more sensible, but no less shady) and the lengths he'll go to protect them. While this isn't the best Marlowe novel, this is probably the best place to start. Plus, it got made into a pretty good movie starring Bogie and Bacall.

"Farewell, My Lovely" is perhaps the most politically incorrect of the Marlowe books. It starts off with a murder at a bar in South Central L.A. and extends its tentacles into jewel heists and gambling rings where it is difficult to ascertain exactly who is doing what to whom. In Chandler's L.A., nothing is what it seems.

The story itself is engrossing, however, you must prepare yourself for Marlowe dropping the "N" word at least once, and his mockery of an American Indian for speaking in pidgeon English. Remember that this was 1940 and was 25 years before the Watts riots began to put an end to the white-dominated old boys network that used to rule L.A. That in itself makes it an interesting look at the mentality of the powers at be (the wealthy, the LAPD) and see how much has changed since Chandler's day...and how much hasn't.

My personal favorite of Chandler's books is "The Long Goodbye"--the second-to-last Marlowe novel that was published in 1954. I would rank both of these books below that one, but "Farewell, My Lovely" is a close second, while "The Big Sleep" is an auspicious debut for the hard-boiled, cynical, yet romantic ...

For those who are willing to take more than a passive interest in the works of Raymond Chandler, this two-book set is an excellent place to start. Furthermore, for those who are merely casual Chandler fans, this set is great because these two books are among his best (and it looks nice on your bookshelf too!)

Blue Nude tells us a thought provoking story that reads like a beautiful painting whose brush strokes evoke poetry, memory and drama. This novel weaves its way forward and backward through time and ultimately lands us in the present, perched and ready for new beginnings.

I was fortunate enough to read this book very early in '06 and to receive a siged hardcover as Elizabeth was making her book signing rounds on the East Coast in New York and cross country. The reviews posted previous to this one express many eloquent words that all indicate that this writing, by Rosner, is a different flair than the "Speed of Light" which I have read many times. "Blue Nude" is as much a piece of artwork as the picture it illustrates on its front cover. One could frame the text as the words do paint a marvelous portrait that comes to its ending much too quickly as it is hard to put down. However, when relating Rosner's story to a photograhic artist who devotes his life to the study of both light and form, in Alexandria, during a posh fine art show something he said made great sense. After purchasing a start to collecting his work, he turned to me, smiled, and said, "Rosner's artist has just begun and there is more in him to tell". I agree. It is my hope that Elizabeth Rosner can dig deeper within herself and grace us with a sequel. I am absolutely confident that she is capable of even more like this one!

This is a beautiful book! The way Merav and Danzig dance with one another is a perfect metaphor for the larger theme: how any two peoples with a very troubled past can approach reconciliation. The reader can tell that Ms. Rosner is a poet. The book is lyrical, and written with compassion and restraint.

On a day when I needed to rejuvenate myself, I headed up a mountain between San Francisco and rural Marin County, the settings of Elizabeth Rosner's new book Blue Nude. I have my dog and the book in tow and settle into finishing this fine description of two divergent souls who meet on a creative journey. What I found so compelling in finishing this book is that it took me into a creative trance, usually only achieved when intimately involved in my own creative process. As an analytical type, I found myself not studying the writing or the characters, but instead being swept away by the accumulation of their experiences that result in art.

In Ms. Rosner's first book, The Speed of Light, I was captivated by the experience of feeling the second-hand smoke of genocide, seen through the eyes of children of Holocaust survivors. It also gave us a more fresh and raw view of man against man, and the inhumanity that unfortunately is experienced by many peoples throughout the world. Blue Nude continues in this vein and explores characters not just for their own experience, but also the experience that have shaped the people that have shaped them. And Ms. Rosner doles out this information in a way that keeps us curious and expectant, while not feeling that any of it is predicable.

I thoroughly enjoyed both books, not just for the story and the characters, but for the feelings they invoked in me while reading. These books are thought provoking beyond their last pages.

Bestselling author and poet Elizabeth Rosner's second novel (following THE SPEED OF LIGHT) is a rousing tour-de-force --- a window into the artistic lives of two strangers whose pasts, presents and futures are irrevocably intertwined. With delicate yet persistent hands, Rosner explores a multilayered landscape of loss, unrequited desire, passion and isolationism, and weaves a dark and textured story out of what she finds. Her characters are larger than life at times --- bursting with their own specific energies, passions and identities, and righteous in their attempts to make meaning out of the world around them. Yet, they are also nameless receptacles of the universal experience --- mere forms chasing the same questions that have been chased and debated for centuries.

BLUE NUDE is the story of the complex union between two artists in San Francisco --- the elder and once-prominent German painter turned professor, Danzig, and Merav, a youthful Israeli beauty and former art student who makes a living working as a nude model. The two have deep and guarded pasts, both dating back to lives in foreign countries, separate yet intricately connected. Although they are many years apart in both age and experience, their sordid histories haunt their present lives and profoundly influence their decisions, actions and relationships.

Danzig was born immediately following World War II, to an abusive father who played a major role (hinted at, but never explicitly named) in the destruction of the Jews during the war; a painfully submissive mother who did nothing to stand between her violent husband, his post-occupation sullied reputation, and his undeserving offspring; and a depressed and guilt-ridden sister who took her own life when Danzig was seven years old. As he grew older, Danzig became increasingly aware of the events that shaped his upbringing and was disgusted by his father's vulgarity, his mother's lack of self-esteem and inability to protect herself or her children, and his sister's resignation to what she viewed as life's insurmountable injustices. He found solace in painting, however, and eventually left home permanently to relocate to San Francisco in order to explore his art more freely.

Also an expatriate, Merav spent her childhood on a kibbutz in Tel-Aviv and lived with her mother Isabelle and her grandmother Esther, who miraculously survived persecution by the Germans. She learned how to explore herself and life's richness through painting and discovered at a young age the beauty of expression without words. Her neighbor, Yossi, was her best friend, confidant and eventual lover, and taught her that passion could be contained or exchanged in a single touch. They both served their two-year stint in the Israeli army, traveling the vast desert learning (or, in her case, trying not to learn) to kill. Tragically, he was killed after the bus he was on exploded because of an undetected bomb --- an incident that broke her heart (especially because he had just informed her that he was about to marry someone else) and pushed her to move away from a country riddled with death to one where she could begin anew.

In a way, their chance meeting in his classroom in San Francisco --- he, the art teacher, and she, the substitute nude model --- serves as the gateway to their mutually independent yet intertwined rebirth, and infuses life into the deeper, humming themes that resonate throughout BLUE NUDE. Later, as she poses for him, exposed and naked in his studio, he is finally able to move past and through his wrecked childhood, the damaging and ill-fated affairs with two previous models, and resulting period of maddening artistic blockage, to a space ripe with inspiration, confidence and inner peace. She, too, transcends the consequences of her upbringing, Yossi's death, and failed marriage to a photographer who loved her only as a sum of photographable body parts, and walks willingly into a future alive with hope. "She does not want to live as if about to be annihilated. She will not accept that as the truth." Neither will he. Life begets Art begets Life.

BLUE NUDE is an exquisite and quietly beautiful story, told by a writer with surefire talent, grace and profound insight into human frailty. Elizabeth Rosner's knack for waxing poetic is witnessed on every page --- her sentences, deliciously thick with implication and symbolism; her characters, flawed yet persistent, each grappling with life's choices in his or her own way. There are a number of captivating moments that readers will relish and languish on, as they burrow through chapters that jump back and forth in time in each character's life, and shift from perspective to perspective. Of course, the ubiquitous relationship between Art, Truth and Life pulsates throughout these well-drawn pages, offering up many burning and delightfully unanswerable questions so vital to the human experience. Stunning.

--- Reviewed by Alexis Burling

This is a truly fasinating account of what really took place on Alcatraz. It not only told about the inmates but about the families of the guards that actually lived on the island. Having grown up in San Francisco during the time that the author writes about, I remember the "rock" as always being this quasi mysterious island that seemed to be so close to the mainland and yet held some of the worst criminals. I thouroughly enjoyed getting an inside look at Alcatraz from the eyes of someone who actually lived there.

Barbara Birchim, author of Is Anybody Listening? A True Story About POW/MIAs In The Vietnam War

I think it was a great book. I would reccomend it to everyone. People of all ages would love this book and could probably get more into knowing about Alcatraz.

I got this book from Mrs. Babyak herself while visiting Alcatraz. I always believed or had hoped (based on "Escape from Alcatraz") that Frank Morris and company made it. The facts show they did not.

One thing is for sure is that they got off the island. After that it is pretty certain that they drowned. Mrs. Babyak pointed out to me that some folks still commit suicide of the Golden Gate Bridge quite frequently yet their bodies are never discovered. This is the result of certain factors, such as the cold water will make a lifeless body not so buoyant.

Also, because of the confining of the prisoners to small cells in which they only had one hour a day to get out of them, you can imagine how sore they must have been doing all they did just to get out. Mrs. Babyak makes a strong case of this and other reasons convincingly that in all probability they drowned in the Bay that night.

The attempt reminds me of what people are willing to do when any chance of hope dissipates in one's life. Men will pay any price. I still kinda wished that they made it but the odds are against it.

i think that this is a good book i would reccomend it to all.

While I do think this is a good read with plenty of information, I can name two faults. First, the author uses italics to guess what the people are saying. They are not quotes, but her thoughts of what could have been said. This is a flaw in accuracy because you have to remind yourself that, while it could have been said, it also could not have been said. Secondly, the book was sloppily written. I found numerous spelling mistakes and typos. Overlooking those, it was a good read.

This is the book to have if you fly fish or ty flies. Thats all that needs to be said!!!

Gary LaFontaine's Caddisflies is the classic study of the caddis. Clear, comprehensive, thoroughly researched and well illustrated. All you could want to know and more about the subject. Relevant to any fly-tier or fly-fisher.

this book is the most extensive book written on the caddis fly. it should be part of every fly fishers library.

Not necessarily the best writing per se, but if you ever wondered: Can a fly-fishing book put forward the synopsis of a novel insight into fly-fishing that does both: (1) helps you catch fish, and concurrently (2) could stand alone as a novel scientific study of trout behavior?

The only book that I have ever read that can answer "yes" is this book.

I would love to hear about other books, maybe Gordon or Hewitt have something out there from the early 1900s (???), but for sure this book is the most original contribution to American fly-fishing in the past 30 years.

As LaFontaine states midway through the book, "The study of caddisflies is the graduate school of an angler's education." His book clearly mirrors both the diversity and complexity of its subject matter - caddisflies. LaFontaine mastery of the bug and how to present it to trout in it's varying life stages is apparent. But the crowning achievement in these pages is the bridge LaFontaine builds between this insect's world and the mind of the angler. It's a bridge every angler must eventually cross in order to master the complex interaction between these bugs and feeding trout. I couldn't really come up with the number of days and the river miles you would need to wade in order to gain the knowledge Lafontaine distills onto paper... but a lifetime wouldn't be a stretch here (wearing out many pairs of wading boots along the way).

The writing takes a no-nonsense approach, but you feel his excitement and willingness to share the insight he has gained with the reader. The expression "doing one's homework" comes to mind when reading Caddisflies. Lafontaine spent ten years of intensive study (and of course fly-fishing) to develop the material and support his observations. As he put it: "It was not writing that took so long... The subject, however, proved to be so fascinating that it deserved much more than just a rehash of the past literature or a smattering of untested opinions."

Lafontaine structures the content into two parts: (1) Tying and Fishing Caddisfly Imitations and (2) The Biology of Caddisflies. The first part of the book is likely as comprehensive and authoritative treatment of tying and fishing caddisfly patterns you'll find published today. Even if you don't seat behind the vise tying these flies, the chapters offer as much "why" as they do "how" (i.e., the thinking behind using a particular material, color, shape).

The second half focuses on the biology of these amazing insects with well over 1200 species of caddisflies in North America. Lafontaine highlights a key attribute leading to their bio-diversity today: "Caddisflies basically owe their diversification in the aquatic world to the ability to make silk. This is the evolutionary tactic, a wonderfully functional tool, that has been used in so many ways to solve problems of dislodgement, food gathering, respiration, and protection." A comprehensive listing of each caddisfly genera provides a great reference. To aid the angler, Lafontanie uses the listing to emphasize the species which are more likely to force a trout into selective feeding.

After reading Caddisflies, I'm not ready to claim I've completed the caddis "graduate school of angling." That claim may come after a couple more readings and application on the water. I can say for certain that my appreciation and understanding of caddisflies has gone up dramatically.

I read this book when it first came out. Then with our Iraqi fiasco in mind I read it again and was overwhelmed by the fact that the same hubris laden micalculated assumptions of a cearly incompetent cabal of idiots in power once again has sent Americans to early graves for nothing. Choosing War is never a good choice!!

In Choosing War, Mr. Logevall presents a very cogent and deeply reasoned assessment of America's entry into the futile and eventually tragic landscape of an Americanized war in Vietnam. There are so many commonly held beliefs about the necessity of America's involvement there was to prevent the spread of Communism, that it is refreshing, but painful, to read about how and why America went so wrong - and how many chances we had to change direction. It is most infuriating to see the steady drumbeat of the military generals and like-minded advisors twisting and subverting the information coming out of Vietnam that was shifted to show that American military might was making a positive and meaningful difference in pursuit of our goals for a non-communist South, knowing full well this was not the case. As in JFK and Vietnam [by John Newman], it paints a frightening picture of how at the mercy of others are the president's choices.
A most interesting and prescient comment occurs in the final chapter and paragraph of the book that equates lessons unlearned from Vietnam allowing similar mindsets to erupt, engaging America in a similarly foolish military incursion in a foreign country whose population and conditions we also don't understand.
A very well written, well researched and easily readable book.

This book is well written, well argued, and fascinating. It's especially timely now as we try to understand the forces that led us into the Iraq war. My students liked it too.

As the war in Vietnam escalated in 1994 and 95, I was a young naïve supporter of the war simply because I believed that whatever it took to stop and fight communism was justified. My first doubts about the justification of this war came when I would hear the causality figures at the end of each week on the nightly news. I can remember these figures e.g. 946 VC killed in the fighting this week; 94 Americans died. I simply did not believe that anyone knew how many VC were killed, and questioned the figures reported including those of American causalities. As things developed, I began to reassess my thoughts about the American involvement in this war. I read McNamara's "In Retrospect," Neil Sheehan's "A Bright Shining Lie," Stanley Karnow's "Vietnam: A History," But it was Fredrik Logevall's "Choosing War," that really gave me the insight to this conflict. It's the most enlightening account of the American involvement in Vietnam I've read to date. Last year I visted Ho Chi Minh City (formally Saigon). This is in itself was more of education than any of the books. It's my recommendation to all who are interested in the American involvement in Vietnam, to read this detailed and comprehensive account.

Not only is Professor Logevall an excellent historian...he is an excellent teacher as well! I have taken one of his classes at UC Santa Barbara; they are the best and most popular classes on campus.

If somebody wrote the true story of William Haines as fiction it would be universally panned as stereotyping - a gay man comes to Hollywood in the silent era, becomes the heart-throb of millions and a top box office draw, faces being outed and is ordered by his studio (MGM) to either enter into a fake marriage or lose his contract, picks love over career, and then goes on to have a sucessful 40 year career in interior decorating. However, sometimes fact is stranger than fiction and this is one of those times.

This is a beautiful book full of the decorating work of William Haines. I haven't found another book like it anywhere, and I highly recommend it if you've only heard of his reputation and are curious about what the man's design work actually looked like. It's a shame that his movie work isn't as well remembered as his design work. Haines made a successful transition to talkies, and probably would have continued to do well in the movies if L.B. Mayer hadn't forced him to choose between the love of his life - Jimmy Shields - and his MGM contract. Haines chose Shields, and that was the end of his film career. However, he and Shields worked together successfully for the next forty years decorating the homes of Hollywood's elite, with a little help and some recommendations from friends such as Joan Crawford, a lifetime friend of Haines and costar in several of his films. Besides photographs of Haines' work, this book includes quotes by Haines on his design philosophy, quotes by members of his firm's design team, and a pretty good biography of Haines including his Hollywood years.

Haines and Shields stayed together from 1926 until 1973, their relationship severed only by Haines' death. Their joint legacy lives on in their design work of which this book is an excellent record.

This is a very visual account of the life of one of the greatest decorators of our time. Billy Haines started out as a silent movie actor and when he refused to keep his sexuality in the closet he was fired, forcing him to change careers - and thank goodness. Schifando & Mathison take us on a journey, via photos, sketches, and other images, through the life of Haines and the evolution of his personal style. His classic interiors, which often included a touch of chinoiserie, a unique custom lamp, low chairs, quilted fabric upholstery, and other unique pieces will never go out of style.

Being an admirer of nearly all things vintage Hollywood, I was most eager to read a book on this almost forgotten silent screen legend. I was most impressed by the great detail on the man, his loves and hates and his metamorphosis into a highly successful interior designer in later years. The thoroughly entertaining anecdotes throughout also kept me interested until the very end. It gives the reader an insight into a period in Hollywood that has long since been buried by time and our bizarre fascinations with the likes of Britney Spears and Paris Hilton et all.

A must read for any reader of the good old days of Hollywood.

Having purchased most of the major design books in the past 4yrs...this one is right up there with the best...5lbs of old hollywood chic mixed with todays blue-blood..must have for any coffee table

I am so thrilled to have found this book. I have tried for years to find pictures of William Haines work. This is such a magnificent book. I just wished there were more of what there was. This book is an amazine find and a delightful addition to my collection.

Just finished reading it (little hard to find copy) and once again Colin Wilson doesn't disappoint. I'm truly amazed at the amount of research the author put in. Recommended to readers who like true crime.
There are others who have said the same thing but Wilson's perspective makes all the difference.

I bought my initial copy of this book almost 30 years ago. I am drawn to re-read it every four to five years and everytime, am overwhelmed by the effortless blending of research and information into an exceptionably readable style. An academic myself, I know how difficult it is to explain complex ideas in simple terms, so I salute Colin Wilson for his fluid style and readability.

Essentialy, Mr Wilson's argument asks: "Can people be bad?" His discussion and evidence suggests firmly that, yes, people can be; which negates the "Nature Vs Nurture" debate which has raged steadily for so many years. His annecdotal examples support his hypothsis in a believable and compelling manner. I find this a facinating insight into the pychological make up of the distanced person, who views their fellow human almost as an abstract, whilst thinking: "As I am above this, I shall and can, do as I please."

A truly insightful study into the human mind and its depths. Essential reading for anyone who has ever wondered about the fundamental nature of humankind.

if you have ever read anything by colin wilson (certainly youve read "the outsider") then definetly read this book. The things this book can teach us about society and humanity is unparalelled in a 'simple' true crime fashion. One of our centuries greatest philosophers has an intriguing view on many things, yet quite often you will find yourself agreeing with much of what he says about us all.

I had read only one book by Colin Wilson ("The Outsider", of course) when I found a paperback in a used-book store. There followed a month of fairly intense reading, because "A Criminal History of Mankind" is fascinating from beginning to end, and many sections I read over again. Wilson divides the book into three main sections: 1) The Psychology of Human Violence 2) A Criminal Outline of History 3) The Age of Mass Murder. In the first section, Wilson notes that criminal actions have been motivated by the "hierarchy of needs":food, shelter, sex, and the need for admiration. (In recent years, we have seen those who commit murder in order to gain fame.) Wilson describes what he calls the "right man", a sociopath obsessed with image and self-esteem. Most of these people are life's losers, but not all. A startling exception is the successful comic actor Peter Sellers, whose son's biography shows Sellers to have been almost criminal in his manic, morbidly obsessive nature. The second section is, by Wilson's own admission, H.G. Wells' "Outline of History" from a criminal point of view, everything from ancient Athens to Victorian London. Interestingly, Wilson writes: "This book is centrally concerned with crime; but if we ignore the creativity, we shall not only fail to understand the crime: we shall miss the whole point of human history." The third section goes into our own era, the Bundys, the DeSalvos, the Mansons. Wilson spends a full 50 blood-drenched pages on the Mafia. The book, published in 1984, touches only briefly on the disturbing increase of children who kill. Along with the horrors, there are pages of incisive philosophy: "It is true that we cannot live without an ego; a person without an ego is little more than an idiot. Another name for ego is personality, and in artists, saints, and philosophers, the personality is a most valuable tool. Neither St Francis nor Beethoven nor Plato would have achieved much impact without their personalities. But the personality is a dangerous servant, for it has a perpetual hankering to become the master. Every time we are carried away by irritation or indignation, personality has mastered us."Violence will always be with us. A casual glance at yesterday's New York Times finds the coverage of a man who threw his baby from a 15-story window while bickering with his wife. But Wilson ends his riveting book with cautious optimism: Referring to the criminal as a distortion of humanity, he writes (and quotes the German poet Novalis) that when humanity itself is aware that this is only a nightmare, we are close to awakening.

The title is misleading... this is a work far beyond criminal history. It is comprehensive history and philosophical work... it is Colin Wilson at his best... and as always difficult to find but easy to read.

It startd out as just another run-away investigation. A pretty Paiute girl, sick of her life on the reservation, heads to Hollywood hoping to make it rich in the sex trade. Private detective Jack Lifey won't make her go home to the abuse she faced there, but he does want to talk to her, make sure she's following her own plans.

The invetigation is only one of Jack's problems. His daughter is shot in a drive-by shooting, his girlfriend police detective Gloria Ramirez is havin problems with their relationship and Jack can't seem to get away with his impossible wish to save everyone, even if they don't want to be saved.

Author John Shannon writes a moving tale that goes far beyond a simple mystery. Jack Lifey is a perfect everyman, but also a man who maintains his hope no matter what. The Los Angeles setting comes to life, whether Jack is patrolling the lowest sewers of the porn business or visiting the homes of the elite in Malibu or nearby Rancho Mirage. Fans of Jack Lifey will want to grab DANGEROUS GAME fast. If you're new to John Shannon, you're in for a treat

Whether you're someone who has followed Jack Liffey from his first appearance in print, or a lucky reader who just found this mystery series, you are sure to become a lasting fan. John Shannon brings this character to life with creative writing excellence. Readers are not only caught up in the life and loves of Jack Liffey and his daughter, Maeve, but are colorfully transported in each John Shannon novel through the historic streets of the greater Los Angeles area. This latest John Shannon thriller, "Dangerous Games," keeps the reader emotionally involved from the first chapter through to the exciting end of the read. Don't miss this book. It is John Shannon's best, so far.

First and foremost, Shannon's "Dangerous Games" is a good story well told. The relationships among the ongoing cast of characters continue to unfold around a plot that accelerates to a satisfying conclusion.

Equally importantly, Shannon captures the complexity and contradictions of Los Angeles in a way few writers have. He sees what an ugly and shallow place it can be, and yet still clearly loves it. He recognizes what a magnet it is to the rootless, yet is grounded in its history. He understands what a sprawling megalopolis this place is, yet knows that most of us live in neighborhoods, each with its own character. And, he understands the effects the climate and topography have on our lives. The final scenes, for example, are set in the middle of a Santa Ana condition, so that the edgy danger of the winds and even the color and light in the sky almost become characters themselves.

A good story with a strong sense of place. If you're in L.A. read it before October, when the Santa Anas kick in.

John Shannon's books just keep getting better and better. He's a writer who is not afraid to walk around on the wild side of the brain.

Some books are like candy: you read them, find them delicious, and then hope they didn't leave you too fat or too lame.

Other books are like haggis: they're interesting and intriguing. You like to read about them and you would have liked to have experienced them yourself so you could tell people about them, but when you actually get one in front of you, you don't really want to taste it. Get this thing away from me!

Shannon's books are like a good pastrami sandwich on rye: complex, fun to read, delicious. They fill your brain with wonderful flavors, and--when you are done--you can argue endlessly with your friends about whether this one was as good as the last one and about whether there is a better one out there somewhere or not.

This is a great book. All the books in this series are excellent. They'll keep you pasted to your couch for sure. And they will engage your brain, not just vaguely pass through it as so many mysteries do. All I can say is order one, let the mailman bring it to your table, and sit back and enjoy. I don't recommend you put mustard on it...but to each her own.

This has to be the best book I have read in years. the dialogue is so real you would think you were standing on the corner of Soto and Brooklyn talking to the people that hang out there. I started this and could not put it down until I finished. Shannon is getting better and better.

I found this collection of short stories to be amazingly gripping and enjoyable. Each of the stories were well written and kept my attention from start to finish. I've not been a fan of locked room mysteries, however, I must admit that Phil Mann's "Touch Of A Vanish'd Hand" not only kept my attention but spurred me to purchase more books in this specific genre. Joan Myers' "Copycat" was another personal favorite. I tip my hat to each of these authors as well as the three editors. Thank you for such a wonderful piece of modern literature.

Although I'm a voracious mystery fan, I tend to shy away from short stories as they never seem well developed enough. This anthology, however, has changed my mind. Each story is exceptionally well crafted with well defined characters, clever plot lines and lots of twists along the way. There is a mystery here to satisfy every taste and type. And there isn't a red herring in the bunch. Plaudits to the members of SinCLA - keep 'em coming!

The Los Angeles chapter of Sisters in Crime has released a captivating short story collection centering on what else: murder and mayhem. The twelve stories are fun to read as they vary in methods, means, and motives, but share a common background: the LA area and a common theme: of entertaining the reader. Characters run the gamut from the underbelly of society to the elite, but act as culprits dispensing murder. Though this is the "sisterhood", two of the collaborators are males, but the audience would not know gender if the stories were contributed anonymously because they are all strong entries.

Fans of murder and mystery anthologies will fully relish this collection. For the most part, the authors are just starting to become known, but in some cases, this reviewer has never previously read a work by a particular contributor. That error will be corrected as each writer holds up his or her end of the book, making for a wonderful reading experience.

Harriet Klausner

A Deadly Dozen is a compilation of short stories, naturally involving murders, written by the Sisters in Crime in Los Angeles, California. Featuring a deadly dozen stories from such authors as: Kris Neri, Cynthia Lawrence, Cory Newman, Lisa Seidman, and others, these stories provide a platform for these writers to dip their pens into stories with a twist. This group, which formed in 1986, led by Sara Paretsky, Sisters in Crime is now a respected national organization. The Los Angeles Chapter was formed by Phyllis Miller in 1989. In recent years, male writers have been welcomed into the organization. A Deadly Dozen is the second anthology published by this group.

The problem...and the thrill...of short stories is that the characters have to introduce themselves to the reader early and completely. The reader has to immediately descend into the world that the author has created, and be ready for a real jolt at the end. Kris Neri's chilling "Sentence Imposed" does just that:

"Call it fate, call it chance--either way, it'll change your life. Sometimes you just find yourself staring into a crowd, your gaze floating aimlessly over a sea of faces you won't remember the instant you look away--until one person's eyes seem to grab hold of yours and you make a connection. You can't explain it, but somehow your life and that stranger's become bound together. When I made that link, it was with a little girl."

Whatever the subject, these writers know how to pull no punches. "Wifely Duties" is a Hitchcockian tale of a wife who plots to kill her husband, and ends up as a victim herself. "Push Comes to Shove" is a wrestler's nightmare. "Fatal Tears" is a classic sibling rivalry piece. A Deadly Dozen exposure is like taking in several episodes of "Night Gallery," with cataloging students catching a murderer in "Miss Parker and the Cutter-Sanborn Tables."

Shelley Glodowski, Reviewer

A DEADLY DOZEN (TALES OF MURDER FROM LOS ANGELES ) is the third anthology following the 1997 DESSERTICIDE (DESSERTS TO DIE FOR ) and 1998 MURDER BY THIRTEEN.

The Los Angles chapter of Sisters in Crime has released a book of twelve short stories, based on murder and mayhem. I usually do not like to read short stories, but these stories were fully contained with well-crafted plots and well defined characters. My favorites were Wifely Duties, because every woman can identify with Lucy and her discontent with her marriage, but I would like to think that we would not go to the lengths that she did, and with such a startling conclusion. Cats and Jammer was another favorite, it's about a teen-age detective that finds a body and the suspects are many.

Stories included are: Sentience Imposed by Kris Neri Wifely Duties by Cory Newman Push Comes To Shove by Nathan Walpow Fatal Tears by Ekaterine Nikas Miss Parker and the Cutter Sanborn Tablets by Gay Tolti Kinman Driven To Kill by Jamie Wallace Touch Of A Vanish'd Hand by Phil Mann Ai Witness by Kate Tornton Over My Shoulder by Lisa Seidman The Cats And Jammer, by Gayle McGary Copy Cat by Joan Myers Midnight by Dorothy Rellas

This book is well worth the read.

One family's fight to reform the medical system is documented in this excellent, but gut-wrenching book. The author, Dorothy Cancilla, a bright and feisty woman, who learned the hard way how callous and incompetent some medical providers can be. Death by HMO documents her daughter Jennifer's eight years of painful illness that eventually led to a premature and avoidable death. Jennifer died four days before her 30th birthday.

I'm amazed at how much information and detail is compiled into this 132-page book. The reader gets an education on the human body, and the tragic errors made by doctors at every turn become very clear.

Jennifer's problems began with frequent abdominal pain and vomiting. While doctors debated about the cause of her suffering, she trusted her doctor who literally butchered her by removing her pancreas, instead of her gallbladder. Jennifer, who was somebody's mother, wife, daughter and sister, tried to live a normal life around many hospital stays and surgeries. Cancilla portrays her youngest daughter as heroic. Anyone reading this book will fall in love with Jennifer, but what pulls at my heart is Cancilla's loss--a mother's loss--that never goes away. She honors her daughter and family by writing this book.

People need to know what can happen to any of us once we put ourselves in someone else's hands. We must advocate for ourselves and our loved ones. We cannot assume that the doctor is always right. We have to keep in mind that the only body we have has to last us a lifetime. We are the ones who are affected by wrong decisions. Ultimately we must consider the medical professionals as part of our team. They are expert consultants and sometimes gifted surgeons. But even the most dedicated doctors are imperfect, not God-like. Even decent medical people may be cajoled into betraying their patients by the HMO who pays their salary.

Death by HMO will surprise and dismay you. But you will be inspired by the courage of Dorothy Cancilla and her family. This story has all the elements for a great movie.

> This is a very well written and documented story of a family trying to get professional medical care for their daughter (Jenny) at Kaiser Hospital...

> Jenny's family took it for granted that all Hospitals were "100% Dedicated at Maintaining a Very High Standard and keeping all of their patients in Excellent Health"...

> Without going into detail their daughter who was in her early 20's had a medical condition that seemed to be getting worse...

> This family was in for a Rude Awakening when they took Jenny to Kaiser Hospital to be diagnosed and treated...

> What they found out is that Kaiser Hospital did not want acknowledge or admit anything was wrong with "Jenny" and Refused to provide the Correct Diagnostic Tests that "would or would not" verify that she had medical condition that needed treated ASAP...

> Jenny's family spent the next "8" years trying to have their daughter Correctly Diagnosed and Treated at Kaiser Hospital with the end result being that the only thing "this hospital" had to offer them were Lies, Deception and Denial by repeatedly telling them that their daughter "did not" have any medical problems at all...

> What was found out later in Court by Professional Medical Experts and Doctors was that Jenny was provided with "100% Extreme Sub-Standard Medical Care" at "this HMO" starting with her very first visit...

> To put it simply: This young lady could have been Diagnosed - Treated and Cured by the Lowest 10% of the Graduates fresh out of Medical School because as it turned out Jenny had an Elementary Medical Condition that could have been Easily Diagnosed and Cured with Proper Professional Treatment...

> After Eight Years of "Extreme Sub-Standard Medical Care" at Kaiser Hospital and combined with Six Un-Needed Operations: Jenny Died a Horrible Death at the young age of "29 Years Old"...

***** THE FOLLOWING IS WHAT "YOU WILL LEARN FROM THIS EXCELLENT BOOK":

#1 The Red Flags that will tell You to change Doctors or Staff and get an Outside Second Opinion...

#2 To be able to Locate the "Many Great Doctors" that are available at Kaiser Hospital...

#3 To Understand the Fact that you have Zero-Support from some HMO's...

#4 I know that it is a "Known Fact" that there are some "Doctors and Staff" at "This Hospital" who Do Not care at all if you Die or Severely Damaged by their Major or Minor Medical Malpractice Mistakes and they will do nothing at all to save you - Rather than admit they made a Serious
Mistake and Save You - They will keep this a Complete Secret...

#5 Also Keep in Mind that there are "Many Great Doctors and Staff" at Kaiser who have Perfomed Miracles and saved patients who had almost no chance at all of Surviving and / or perfomed Incredibly Complicated Operations or Treatments with Fantastic Results...

#6 It is a "Known Fact" that some very "Unqualified Doctors or Staff" at Kaiser who will: Lie, Destroy and / or Lose Critical Medical Records, XRAYS, Radiology Reports, Dr's & Nurse's Notes, and any Info. that would Show or Prove they Commited a Major or Minor Malpractice Mistake that Killed or Severely Injured You...

#7 You may think so but you WILL NOT get any Support from "Some" Outside Medical "Watchdog" groups that you are told watches out for Sub-Standard Medical Care - This gives some people a Job to get Paid to Do Nothing and they are paid by you the tax-payer...

#8 The Exception to #7 is MEDICARE - "They do an EXCEPTIONAL JOB" at making sure you are OK... >>> BUT YOU HAVE TO LOOK OUT FOR THE RED FLAGS
YOURSELF BEFORE IT IS TO LATE...

#9 Before it is to late this HMO will have to Re-Evaluate their Game-Plan and put their Members & Patients in Priority Position #1... Income and Profits should be Priority Position #2... And #3 Should be to Weed-Out Any and All Unqualified Employees and Staff and hire Only Qualified and Professional Employee's who Desire to be the "Best of th Best" in the Kaiser Hospital System...

#10 If I had to make an Evaluation of the Kaiser Hospital HMO at this time after reading this excellent book and also being a past member of this this HMO - The Words that Clearly come to Mind Are:
***** THIS HAS TO BE THE MEDICAL SCAM of the CENTURY *****...

If Denzel Washington Touched Your Heart in The New Movie "John Q" Than read.....Jennifer's Story...DEATH BY HMO...A Real Life Tragedy.

This book is much much more than one which relays the horrible medical treatment that Jennifer received "While In The Hands of Kaiser" which resulted in her death.

This book is also about an organization that is more concerned about profit and image than the lives of any of it's patients. They will lie, they will trick, they will deny care in any manner possible until it is too late to save the patient if a patient is no longer profitable to them in the long run.

President Nixon when he was considering allowing the creation of the HMO Act was advised by Mr. John D. Ehrlichman who had received information on how Kaiser is run from the then CEO of Kaiser - Edgar Kaiser. Mr. Erlichman stated "...the less care they give them, the more money they make" and that just about sums up everything about this company.

Jennifer was tortured and abused by this corporation and like countless others she and her family found the inconceivable taking place right before their eyes. Medical personnel were not performing their prescribed duties in a professional nor competent manner. The medical staff with their conduct appeared to be a bunch of bumbling fools.

The Kaiser system is intentionally set up so that the patient and their family will choose to believe that a series of errors or incomptent events is taking place. These are really premeditated actions by a corporation that has put in place a system intentionlly fraught with systemic problems to delay treatment until the patient goes away one way or another.

For anyone that would question that statement how else can you explain how a doctor that goes to school for a decade to learn to be a physician and then passes a test to get a license could be so clueless over and over again.

It simply costs Kaiser less to settle an arbitration than it would to provide proper medical care in the long run.

Jennifer's family should be praised. They had the courage, the fortitude and the belief in themselves to put aside their pain and to focus their thoughts so that the public would have the opportunity to learn and avoid the never ending nightmare that they were all forced to endure by Kaiser and the for profit Permanente Medical Group.

This book is must reading for all people. If you must do business with Kaiser then at least be aware of what their business practices are so you can avoid the eternal suffering that Jennifers family must go through.

Jennifer's death was not in vain. She has lived on in this book to tell the story of what happened and to light the way for those that will listen.

This is a very disturbing indictment of modern health care. Dorothy Cancilla exhibits an extraordinary amount of restraint in recalling the preventable death of her daughter at the hands of inept doctors and an unforgiving system.

It's ironic that a organization whose charter is to maintain people's health can actually compromise their lives when the bottom line might be in jeopardy.

Kudos to Mrs. Cancilla for having the courage to face her demons by sharing them with others.