Netherlands Books

This is a fast moving novel about a struggling but talented New York-oriented black male writer whose life struggles have become a roller coaster ride through American, European and global racism. The axis of the novel revolves around how America deals with the race issue, and in particular how it deals with the issue of black male on white female sexual encounters.

The story is told through the eyes of a character called Max Reddick, a slightly hip, emerging intellectual, who wants to write like Charley Parker plays the Sax, but yet he is still a very much struggling black writer. Max seems to have as his number one goal in life that of decoding the game being played against blacks by the white man. Or maybe (and the novel leaves this up to the reader) this goal is just a normal by-product of being a black man in a white man's world. Very quickly Max realizes that "politics white boy-style" is just another way white people try to lead black people back to their proper "place" in society: in effect telling them through indirection how to think, feel, and when and how to act, and even how to suffer.

Max travels to Europe where he ends up in a select intellectual circle, that very much respects his manuscript, and where he eventually marries and later divorces a Danish woman who remained his friend even long after the marriage has ended, and who takes care of him at the end of the novel as he dies of cancer.

At the meta-psychological level, the novel proves Ishmael Reed's postulate: that writing, "is fighting and struggling by other more respectable means," as Williams gets to use his pen as his last, and most profound act of rebellion. The book thus is as Walter Mosley has described it as "a shout from deep within some existential void" that resonates on the same frequency of all struggling blacks: suspended invisible in a world that rejects blackness without the need for a cause or a reason, where "Black people have been hollering out in pain for centuries, fighting for freedom, dying in slavery, belittled by little [white] men, and denied by kings and history. Sometimes these black folk have just laid down and died. But mostly they have survived with deformed psyches and distorted notions of the world. Sometimes evil has begotten evil and the one-time slave has slaughtered and even cannibalized his oppressor."

As his personal life spins out of control and he contracts cancer, Max puts down on paper in a scatological way, what everyone else in everyday American society is thinking but cannot say aloud, and in this respect, William's novel is not only a shout from the void, but also a supremely iconoclastic and urgent psychological analysis not unlike Dostoyevsky.

While its organization is structurally very scattered, it still gets its message across. Clearly the novel has a deep existentialist basis and draws on existential themes and metaphors. However, at its core is the notion that at the end of the day, when everything is said and done, the only thing "real" in American society is white racism. Everything else its humanity, its values, its ideals, are subordinate and are carefully calibrated and measured in terms of how they affect the sensitively regulated "white supremacist status quo." According to Max's way of thinking, equality, freedom, and democracy are merely the chips used to move the pieces around the white supremacist chessboard. America and all of its "so-called" ideals are just byproducts of the hard core white supremacist ideology, which lies deep in the nation's bosom. Toward the end of the novel, Max leaves no doubt that "the man" will go to great lengths to protect his white male hero system--including the complete annihilation of the black race if necessary. Max thinks blacks are up to the task, able to match whites, evil for evil to the bitter end. [I, for one, think he is wrong in this regard.]

The book is sprinkled with deeply troubling characters and scenes that reflect Max's deteriorating state of mind, such as the following passage about Moses Boatwright, a Black cannibal and Rhodes scholar, who, after being run mad by racism, killed a white man and ate him. In a mock interview, Boatwright tells Max (acting as a reporter) that: "This world is an illusion, Mr. Reddick, but it can be real. I went prowling on the jungle side of the road where few people ever go because there are things there, crawling, slimy, terrible things that always remind us that down deep we are rotten, stinking beasts. Now, because of what I did, someone will work a little harder to improve the species." (page 53).

The book is filled with images such as this one that have both over and under tones that are frightening in their symbolic implications. This is deep, modern, intense writing. Fifty stars.

This book I happen to stumble on while looking for another book here on Amazon. Wow what a great read! Absoloutley well written and eloquent. A must read for all.

There is this book and Invisible Man by Ralph Ellison that have proven to be one of the best examples of African American writing during the turbulent Civil Rights Era which really hasn't ended. This novel is frequently compared to Invisible Man as the main character Max Riddick goes through a journey, an evolution and recalls his life in flashbacks, goes through a expatriate American phase going to Europe in hopes of finding a better audience for his writing only to find that the same kind of racism he encountered in the States only less blatant. His motivation goes from trying to best his rival Harry Ames, to phsyical survival, to trying to find a resolution to his own issues with a society that objectives him and his experience being a black man in America.

I first read this book in 1968, as Cleveland burned and after a copy boy on my paper had asked me about a U.S. plan to imprison blacks in concentration camps. I told the kid he was nuts.
After reading the book, however, I realized that Williams was fictionalizing the McCarran Act, which set up the very scheme the kid was worrying about.
That law is still on the books.

A neglected classic by a writer who some consider equal to Ralph Ellison in importance. One fascinating aspect is its fictionalized treatment of some of the century's famous black literary figures. It's a portrait of the post-WWII-through-mid-sixties period as seen through the eyes of a black writer as he establishes a career as a novelist, journalist, and Presidential speechwriter in New York, Paris, Washington, D.C., and Lagos, Nigeria. The main character, Max Reddick, is shaped by anger, at the crux of which is indignation at the hypocrisy and hostility that black people and writers faced during this period. It's a historical novel which provides some insight into the social and political ferment of the sixties, and has an Afrocentric perspective that's somewhat reminiscent of Walter Mosley's work. It includes an intruiging fictionalized version of a mythic encounter between Richard Wright and James Baldwin ("Marion Dawes") in a Paris café, and according to James Sallis's biography of Chester Himes, it describes the essence of Wright's expatriate experience and his relationship with Himes. Ishmael Reed has said that the cartoonist Ollie Harrington is depicted, and although I didn't recognize him, Malcolm X is unmistakable and I suspect that "Time" Curry is modelled after jazz drummer Kenny Clarke, who was living in Paris at the time. According to the author's biography of Richard Pryor, Motown explored the possibility of buying the film rights to the novel as a vehicle for its star, Marvin Gaye, until the idea was abandoned in favor of Lady Sings the Blues.

The story begins near the end as Max, who's dying of cancer, sits at an outdoor café in Amsterdam where he's come to investigate the mystery of the death of his friend, Harry Ames, "the father of black writers," a few days earlier in Paris. What he eventually discovers is mind-blowing.

Throughout the novel, Max opines on a multitude of subjects like: Marxism, African independence and African attitudes towards Americans, sexuality and interracial relationships (he works past some of his homophobia too), the different styles of reporters from 5 major NYC newspapers, the theory of the rich president and other political theories, the "lie" of Christmas ("the rich man's chance to dissipate the image of Scrooge"), American cars (with their "long, buttock-smooth lines"), existentialism, and Alban Berg's atonal opera, "Wozzeck" (whose climax, a child's scream, punctuates Max's argument with his woman). Max interprets bebop's message as, "we can not be contained," and modern jazz becomes the avatar of his literary aesthetic: "He wanted to do with the novel what Charlie Parker was doing to music -- tearing it up and remaking it; basing it on nasty, nasty blues and overlaying it with the deep overriding tragedy not of Dostoevsky, but an American who knew of consequences to come: Herman Melville, a super Confidence Man, a Benito Cereno saddened beyond death."

... This is a great book. I would rank it among my top 20 favourite novels, perhaps even the top 10, along with works by Tolstoy, Dickens, Austen and others of that calibre... I urge you to read this book if you have not yet done so. It succeeds on several levels: It is an adventure yarn, with daring escapes, chases, intrigues and battles. It is a philosophical novel, raising thought-provoking questions about priestly celibacy and religious observance. It is a war novel, presenting a convincing portrayal of men in combat. It is a psychological novel, probing the nature of male companionship. Well written, absorbing and satisfying, read it before it disappears from booklists completely.

The Cloister and the Hearth is one of the most powerful reading experiences I have had. It is a great pity, but no surprise, that this masterpiece is not familiar even to lovers of Victorian literature, and has not had a fashion in recent times like the works of, say, Austen or Trollope. I say no surprise because Cloister is challenging in ways that those authors are not. First, it is long, 750 pages, far longer than anything by the Great Jane, and most of Trollope. Second, the dialogue is written in a deliberately archaic style intended to evoke the Middle Ages, an ersatz 15th century English in the mouths of characters who are Dutch, German, French, Italian, but none English. To my ear, it was tremendously effective, but it will not come easily to modern readers who find Shakespeare and the King James Bible difficult. Third, it takes the values of the era it describes seriously, rather than looking back from an arch, "modern" 19th century perspective. That third point is the most important. As the title suggests, the theme of the work is the tension between domestic private life and the spiritual domain of the Church. Most of the dramatic conflict arises from the demands of priestly celibacy, which Reade reveals as a "vile heresy" only three pages from the end. Such is his skill that, despite their lives having been devastated by it, neither of the two lover/ protagonists ever questions the rule's propriety or justice, and both honor it absolutely. (Perhaps the female utters a doubt or two somewhere, but if so, they are feebly stated and soon forgotten.) The two main characters are not subtle, but are medieval virtue personified. Yet they work, especially Gerard, the male. Unlike Dickens's goody-two shoes heroes (think David Copperfield or Esther Summerson), the extraordinary virtues of Gerard and Margaret never made this reader roll his eyes. Reade considered himself a dramatist, not a novelist, and the reconciliation scenes in this book are as emotionally driven as anything you will see on the stage. It is shorter than War and Peace, and once you get the hang of it, the pages turn much faster than Tolstoy's. I've only read an abridged W&P, years ago, but I'd put Cloister up there on the same level, as historical literature, not just historical fiction, of the very highest order.

It's hard to believe this book is largely forgotten and unavailable. Despite what some of the other reviewers claim, you do not need to be a Medievalist to enjoy it--or even be thrilled by it, as I was. Get a used copy while you still can.

I don't think it fair for the editorial review to give away the ending.

My first year at university it was a required reading. Back then reading wasn't my favourite hobby; However when I started to the novel, I just couldn't put it down. It was very exciting and a pleasure to read. Highly recommended. I lost my book and I'm hoping that Amazon.com will locate a copy for me,please!

I read this book in one sitting! I have read many books on the Holocaust and this is one of my favorites! Edith gives a detailed look into the life of a young girl who survives WWII, this book made me very emotional, which I think all great books should do. Enjoy!

This book may not have the deep poignancy of Anne Frank's diary, as its author tells her story from an adult vantage point. But it does offer a vivid picture of day-to-day life as a jew in hiding in Nazi-occupied Holland. I readily felt Edith's anxiety, as she attempted to pass for a gentile, far from friends and family, and not knowing what had become of those she loved. The story also has a deep honesty -- it is clear, for example, that she often found the family who saved her difficult, and that she felt resentments as well as gratitude. I'm sure that this is, in fact, how it felt, and am grateful to Edith Velmans for the straightforward telling of her story.

Edith's Story written by Edith Velmans is a true story about courage, love, and survival during WWII. Edith's family is Jewish living in Holland during WWII. Her eldest brother Guss moves to America before the start of the war. The rest of the family does not want to leave. They don't believe Hitler will actually start rounding up Jews. They soon find out they were wrong. They first have to sew the yellow stars of David on all of their clothing. Then they are not allowed to go to the same school with non-Jews. Things keep getting worse and worse. Especially when Edith's mother has to go to the hospital and get her hip operated on. Her family soon decides to find places where Edith and her older brother, Jules, can go into hiding. Jules goes to live with a farmer up north and Edith goes to live with a family were she plays the part of Netti. A friend whose parent's have fallen ill and cannot take care of her. The rest of the story is about how Edith takes all of her courage and love to survive the war and worse the braking apart of her loving family.
I loved the book Edith's Story. It is the most loving heartwarming book I have ever read. For someone to have that much strength in such an awful part of history like Edith is amazing. This was a very good book. I normally do not like to read Holocaust books but I enjoyed this one a lot. This is a truly moving book with so much great hope in it. I recommend this book to any one because it is a wonderful story.

This book is an absolute treasure. It is a very moving account of an adolescent Jewish girl's life in Holland as the Nazi regime moved in and took over. The book contains some of her actual diary entries written as a teenager along with her present-day adult comments to help put the entries into perspective. I would highly recommend this book to everyone, but most especially to young people. It's a gripping story of a girl from the past with great courage and love of life.

I've read a number of accounts by Jews who were hidden by heroic friends and strangers during the Holocaust. But Edith Velmans' story stands out. I found myself totally drawn into her idyllic teenage life in the Hague as war slowly began to overshadow the sunshine of her youthful pusuits. She lovingly paints a warm but realistic picture of her community and family. I was especially touched by the letters she shares from her parents. Velmans also relates her psychological adjustment of going into hiding and taking on another identity, something other accounts have rarely mentioned. Yet through it all, Velmans captures the fact that despite the agony of going through such a painful experience, she emerged with her courage intact. I highly recommend this book, especially for teachers in search of good reading material for high school students studying the Holocaust. But anyone would enjoy this book. I read it one evening, unable to stop.

To read Van Gogh's letters is to come as close to sitting aside this world class artist as possible. I dare say, he wrote almost as good as he painted--his passion verily jumps off the page.

In this addition, we are treated to an excellent selection of Van Gogh's letters (mainly to his brother Theo) from each seminal period in his extraordinary life. In between the sections, the editor provides us with fascinating details into the travails of Van Gogh's personal life.

Alongside Rilke's Letters to a Young Poet, this collection is essential reading for all artists.

Van Gogh is a tremendously powerful letter- writer. In these letters mostly written to his brother we see a great , suffering , soul, a devoted artist tormented and striving. This may all sound like 'cliche' but Van Gogh is perhaps the most conspicuous example of the cliche of the suffering , rejected in- his- life artist who knows great recognition only after death.
Van Gogh is a person of great intelligence, and of a very strong conscience. There are no greater letters I think ever written by an artist.And while they may be filled with a troubled and agonized spirit they too have a great richness of feeling and appreciation of life.

I bought this book several years ago in a college bookstore. How fortunate these students were to have been able to read and discuss this with others! I have had a long interest in Van Gogh and found this book to be fascinating, an almost voyeuristic look into his short life. I am glad to see that it is available * * and would hope that people now seeing the traveling Van Gogh portraiture exhibit might read it.

De Leeuw has compiled letters covering over 25 years of Van Gogh's life, letters that offer the reader an intimate look into the artist's thoughts and emotions. He writes about his friendships, his family, his attempts at love affairs, his religious beliefs and questions, and most importantly, about his art. These letters reveal him as anything but the anti-social person often portrayed in the past, with the ones about his relationship with his brother Theo being particularly touching.

Van Gogh was a prolific correspondent and an absolutely wonderful writer. His prose is remarkable--he could have been a writer as well as an artist. These letters shed light on the inner thoughts and the inspiration for his art and show him as a person of great passion and compassion.

this collection of van gogh's letters to his brother Theo both captivated me and broke my heart. Such an intimate look into the vulnerability of the artistic soul. Those who appreciate the artistic process will love this collection of letters. You don't need to be an admirer of Van Gogh's to appreciate this; but you will walk away admiring the man behind the sunflowers.

A very fine collection of the letters, with multiple sides of VVG revealed. To read a collection of letters by an artist whose work you know very well is to invite yourself to take a look at him as a person. As a person, I found that I liked him best in these letters when he was struggling with his religion, his art, and his purpose. I'm glad that Roskill didn't make a selection that focused solely on the more famous and theatrical depressions.

I don't agree that this work reveals Van Gogh as a writer. For me, they definitely confirmed his status as a painter. At his best in these letters, he's painting with words.

Which doesn't make it a less interesting read. I found this a good adjunct to taking a look at the work again, it added an extra dimension to experiencing him as a painter.

Well worth the time it takes.

Mak draws his history from many quarters with a fine sense of balance and writing skill. In the early part of the book, he details the City's acumen in trade and finance and the rich history of its ferocious effort to build out this wonderful City against the forces of nature. The highlight is the taking of Amsterdam by the Germans in May of 1940; the sense of denial in the Amsterdammers, yet far to the south of the City, a haunting "lowing of the cows" sensing in their animal way the buildup of the German invasion. He writes about the dutiful efficiency of the Dutch bureaucracy aiding the Germans in rounding up the Jews and in his balancing way, the courage of the Resistance.

Een kleine geschiedenis van Amsterdam (the Dutch Title of this book) has been on my friends' must-read lists since it was released in Dutch in 1995. I have finally gotten around now to reading it, and am only sorry that I hadn't read it sooner.

Mak is very good at choosing periods from the life of the city to highlight and also choosing the anecdotes that make them real. Whether his focus is on the portrait of Gerrit Janszoon Peggedochter, or the reaction of modern Amsterdammers to the marriage of (then Princess, now Queen) Beatrix, the stories are always fascinating. I liked how he made an effort to tie the Amsterdam of the past to its current incarnation.

Mercifully, he doesn't overly focus on tulipmania-- that's been covered more than well enough elsewhere.

I have not read the Dutch version, only the English, and I found the translation smooth and sufficient.

This was a very readable account of Amsterdams history. Of course it would take a five volume history to do full justice to the city but this was admirable in its ability to cover high points while not being a dull textbook account.The prose was very good and not dry at all.

I read this book in Dutch, and lived in Amsterdam for many years. Being an (ex)Amsterdammer, I guess there are many things you take for granted, and I certainly subscribe to Mak's explanation that one of them is "being proud of not being proud".
However, having lived away from Amsterdam for so many years now, this book has thoroughly re-established my (not so proud) appreciation for Amsterdam! My next trip to my beloved home town will, thanks to Geert Mak, be an altogether different one.

I read this book in preparation for a visit to Amsterdam, and my visit was far more enjoyable and interesting as a result. You owe it to the Amsterdammers to read this book before spending any amount of time in their city--you'll have a much deeper understanding to inform your stay. Imagine reading stories about Chicago by Studs Terkel before visiting that city.

It's really too bad, though, that such a good book has suffered such incompetent editing. Harvard University Press should be ashamed of itself--misspellings, strange punctuation, inconsistent formatting--did anyone actually look at the copy before it went to press?

A great book about a relatively unknown aspect of WWII. Where's the one on the Dutch Army Air Force againt Japan?

Over the past few years I've been expanding my knowledge of WWII by focusing on the early portion of the war, more specifically, the war in the South Pacific. For awhile, Amazon has been recommended this book to me because of my rating of other related books. Anyway, I decided to give this book a try.

I'll open by saying this book only deals with the Dutch Naval Air Force (referred to as the MLD [Marine Luchtvaart Dienst]), the aircraft they flew, and the missions they performed in defense of the Netherlands East Indies. Passing references are made to US, British, Australian, and the Dutch Army Air Force (ML-KNIL). These passing references are usually related to the different patrol aircraft used by these forces, occasionally to the fighters or bombers.

Mr. Womack opens by describing the aircraft used by the MLD and the MLD's state of condition, prior to the start of WWII for the Dutch and once the Netherlands had been overrun by the Germans. While Mr. Womack describes all of the aircraft used by the Dutch, particular attention should be paid to his descriptions of the Dornier Do24's (called X boats by the MLD) and the PBY Catalina (Y boats). At times the other aircraft of the MLD are mentioned, but usually it's the X and Y boats going to war with the Japanese.

Having established pre-war conditions and how the Dutch attempted to improve their position, Mr. Womack brings us to December 1941 and the initial actions between the Japanese and Dutch. This is followed (rather rapidly) by the steady advancements the Japanese made in the South West Pacific and ending with the fall of Java. The book concludes by describing how the MLD evacuated from the East Indies and their general participation in the rest of WWII.

This book is a very solid 4.5 star book. The writing is clean, Mr. Womack describes things as a historian, not one translating oral history. There are some great photo's in the book showing the Dutch aircraft and other equipment. The maps are nice, but a little on the weak side, they show where the Japanese are able to threaten at any one time but I found it a little difficult finding where the different bases were that the aircraft were operating from. The appendices are nicely put together, providing very good information on the aircraft (there's a breakdown of what happened to every X and Y boat), squadrons, and losses. The charts should have been done considering a black and white printing (because of the grey scaling used, you can tell that the originals were in color). Also I wish Mr. Womack would have given us a little more of his analysis than he did. However, since Amazon doesn't grade on half stars, I need to decide on 4 or 5. Since this is obscure material and Mr. Womack has put together a very informative book on something most people aren't aware of, and he used excellent references (without regurgating what the original author said), I'll give him the nod to 5 stars. A very good job sir!

This is an area of warfare I am very interested in. Unfortunately, books like this only come along once every 10 to 20 years. This fills a gap in our knowledge of events leading up to and through the Pacific War against Japan.
The MLD, or Dutch Naval Air Force of the Netherlands East Indies, probably had the best organized reconnaissance force in the southwest Pacific area at the time. Maintaining neutrality in wars spreading around the globe was difficult, but the Netherlands East Indies were doing all they could not to become involved, and to be a haven for those trying to escape the European, African and Chinese theatre wars. The Japanese had different plans.
Once the fighting started though, the MLD was right in the thick of it, fighting hard right alongside their British, Australian and American allies against a Japanese war machine far superior to anything the allies could cobble together. Flying older German designed Do-24s, American PBYs, and Fokker seaplanes, the MLD kept up what pressure they could as the Japanese invasion forces swept through the East Indies, southeast Asia and into the Indian Ocean in the late fall of 1941, and the winter and spring of 1942. Most of the MLD crews paid with their lives to keep the allies abreast of where the Japanese forces were located and what they were doing. Some of the "invincibility" that became associated with the superb Japanese Mitsubishi A6M Zero fighter, and in general the Japanese naval forces, was established and enhanced during this campaign.
When the smoke cleared, the Japanese were in control of the Netherlands East Indies, and the remaining MLD crews and ground personnel, if not captured, were evacuated to Australia or Ceylon. It was a story of too little, too late. The Dutch had tried to get more aircraft, AA guns and ordinance prior to the Japanese invasion, but a lack of interest on the part of her future allies, and a greater concern for the European conflict, even by the Dutch government-in-exile, left the MLD with only a handful of aircraft and hardware with which to face battle-hardened Japanese forces.
The book has many excellent and previously unpublished photographs of personnel, aircraft, and bases of the MLD. If your interests are for stories of some of the little known campaigns and more exotic places that became embroiled in the global conflagration known as World War Two, you will enjoy this book. Tom Womack is to be commended for researching, compiling and fleshing out this story,

Mr. Womack is to be commended for his attention to a particular element of World War II. Rather than trying to encompass the entire war into a single book he spends time examining a pivitol yet widely unknown saga of WWII. Historians and war buffs will want to read this book.

Tom Womack has written an very thorough book on Dutch naval aviation in the East. As a Dutchman it's interesting to read about the history of the MLD from an outside perspective. Well, researched, nice new pictures. Well worth reading!

The Little Riders is a believable tale of the experience of one ten-year-old American girl caught up in World War II when blitzkrieg comes to the Netherlands while she is visiting her Dutch grandparents. The novella offers drama and excitement for young readers. As the reader follows the story of the small acts of resistance against the Nazi occupiers, the imagining of the trials and despair of the war become possible, yet the brutality is kept at a level that allows even a ten-year-old to read the book and emotionally cope. This is an excellent book for introducing World War II studies and for cultivating the understanding that courage is often shown by ordinary people in times of adversity, that creativity and standing together can defeat an enemy. I recommend this book for initial studies of World War II as well as for personal adventure reading.

This beautiful little book is extremely well written, with beautiful prose and a beautiful message. This book sparked some wonderful discussions with my children regarding the question, "Who are our enemies?" I would recommend this book to anyone. I was comfortable reading it to my 7 and 9 year old children.

This short tale highlights the resilience and determination of the Dutch people to live free from oppression during Nazi occupation. Young Johanna (raised in America but with a Dutch father) has spent the last five years with her grandparents in a small village in Holland. She has come cherish the the simple but dignified lifestyle in northern Holland, the last part of the country to be liberated. While some were collaborating with the enemy, she made a private vow never to look a Nazi soldier in the face.

The village treasure consists of a set of 12 Little Riders of metal (modeled centuries ago to represent Crusaders); they ride out and salute each other when the church clock tolls the hours. Johanna's favorite viewing spot is her attic room--just where her father used to sit and admire them as a boy. But when the Nazis invade the village, her family is forced to house a young officer (who plays the flute on summer nights). She has to vacate her little room with its view of the Riders (and a secret hiding place at the back of her closet).

The villagers' worst fears are realized when the commanding officer orders his men to seize the Little Riders and melt them down for ammunition--to be used against the very people who love them. How can 11-year-old Johanna help her grandfather prevent this desecration? Even children can exhibit heroism for a noble cause, for these Little Riders represent more than just medieval art. They now symbolize the spirit of joy and yearning for liberty of the Dutch people. Who will suffer Nazi retaliation when the Riders are discovered missing? A thoughtful tale which will charm adult readers and inspire youthful ones.

I think this is a great book for kids. It is a exciting on the edge of your seat book. I love this book!

The book was very good. I thought that it showed the real problems in Holland at that time and I am very proud of my grandmother for writting it.

A thorough history of the notable and extended art forgery career of Han van Meegeren. While it seems the basic facts surrounding Mr. Van Meegeren's blatant and many frauds are now known, I did not find the prose style of Jonathan Lopez in the retelling of this particular tale in any way exceptional.

I also think the author shows a rather unsympathetic (and, to my mind, unwarranted) attitude towards The Netherlands in terms of the immediate post-war period and that small country's uneven treatment of its German collaborators.

If you have a lively interest in the criminal forgery of European artworks or, more specifically, fake Vermeers --this book would be a reasonable purchase.

There are a lot of fun books out there that use artworks as a sort of McGuffin for an elaborate or at least distracting plot. Books like The DaVinci Code or The Girl with the Pearl Earring, for instance, give the impression of being based on art historical research, but they take gross liberties with the historical record (or lack thereof). In a way, this ultimately devalues the artworks such books use as plot devices because readers come to see the art as mere accessories to a fantastical tale.

In The Man Who Made Vermeers, the artworks (or, rather, "artworks") remain at the center of a fascinating history. As objects of aesthetic pleasure, economic gain, or social status, the paintings at the heart of Lopez's story exert exactly the sort of power we have come to expect from art. Their status as fakes only complicates our understanding of the real value of art in society.

The Man Who Made Vermeers proves that it is possible to combine lively prose, an intriguing plot AND original research to create a wonderfully engaging yet scholarly narrative. Because the book's prose is so effortless, the painstaking archival research that the author must have undertaken is not as evident as it might be if the book were written in a more conventionally academic style.

Highly recommended!

Not only is "The Man Who Made Vermeers" a great introduction to Han Van Meegeren and his notorious Vermeer forgeries, it serves as an excellent window into Nazi-controlled Holland during the war. It is Lopez's examination of Van Meegeren's Nazi sympathies--and his deft analysis of how Van Meegeren's faux Vermeers sprang from the same 20th-century Nazi iconography as contemporary propaganda paintings--that really sets the book apart. A devasting reappraisal of the man who "fooled" Hermann Goering and a good read for anyone interested in art, World War II, or how the two intersected.

I just finished reading this book and I really enjoyed it. It's a book that appeals to the general public -- not only those into art. I'm not especially interested in art myself, but I got so into the story and the characters that I read it in record time. Faster than I've read anything in a long time. The author clearly did a huge amount of research. But he turns it into a really easy read. I definitely recommend it for anyone looking for a really interesting true story.

As an art historian, I approached this book with considerable skepticism because the story of Han van Meegeren has been told so many times and, in general, so badly (at least outside the Dutch academic literature), that yet another volume on the subject seemed like it would probably be a waste of time. "The Man Who Made Vermeers," however, is a very different kind of book than its too many English-language predecessors. In its level of detailed research on Van Meegeren, this book is comparable only to Marijke van den Brandhof's out of print "Een vroege Vermeer uit 1937," which I highly recommend to readers of Dutch. As Lopez acknowledges, had Van den Brandhof lived, she might have gone on to pursue many of the lines of inquiry explored in "The Man Who Made Vermeers." In any case, instead of indulging in the usual anti-intellecual sneering that the Van Meegeren story tends to inspire in people who write for a popular audience, Lopez successfully adopts an approach that I could easily compare to Simon Schama's best work, where story-telling, history, and a profound engagement with the world of ideas make for an exciting narrative that is nonetheless well grounded in real scholarship. "The Man Who Made Vermeers" contains, for instance, a discussion of the history of Vermeer attribution and misattribution that is as good as anything in the academic literature but that is completely comprehensible to someone with no previous background in art. The only objection that I might raise to the book as a whole would be that Lopez sometimes concedes a little too much to the lay reader. In his efforts to appeal to a broad audience, he shies away from interrogations of his methodological framework. Quibbles aside, much to my surprise, this is a very strong book.

This is a great map of the city on water resistance paper. Will be with us while spending time in Venice. Have marked on it the location of items we wish to visit. We also have the Rome Rough Guide Map that we are taking on our trip.

The book filled in and added some supplemental information. The book was not used as much as planned as sufficient information was also available via the internet and the local residents.

I spent six days in Venice in April of 2006. After using the
excellent Rough Guide map of Barcelona, I purchase Rough Guide
maps when ever they are published for my destination. What I love
about these maps is that they are complete, accurate and very
tough. You can carry them around in your pocket, bend them and
sweat on them and they still remain as usable as ever.

You cannot get lost in Venice in the sense that you don't know
how to get back to somewhere familiar because there is always
a waterbus stop nearby that you can take to some place you know.
But the twisty pedestrian streets can be very confusing, ending
in canals, so it can be difficult to get from place to place
or to find a place you want to go to. For this you want the
Rough Guide map. I walked all over Venice, including some off
the beaten track areas where I saw very few tourists.

In summary: for Venice my advice is get a wasterbus pass for the
days you are in Venice and get the Rough Guide map. Oh, and
unless you like crowds and higher costs, don't stay in San Marco.

This was a great map! If you want to go anywhere in Venice other than the Rialto bridge or St. mark's square, you will need a map. I put this map through hell, folding it every which way and even dropping it in a rain puddle - oops :) the map stood up to my abuse perfectly and was great for getting us around. we didn't have to find the TI to get a map, and i liked it way better than the nice map our hotel gave us. I highly recommend this map and will use others when we travel!

I can't even count how many times we used it on our trip to Venice, because Venice is one of those cities that once you go off the main streets, you will get lost without a map.

I love that it's rip-proof and water-proof, because I've used other maps and hate when they get worn from folding and un-folding. And since we'll be going to Berlin soon, I ordered the Rough Guide Berlin Map.

It had every street in Venice on it, which when you're navigating your way back to a main street or canal it totally helpful.

The next best thing if you weren't able to make it to this record-breaking exhibition in Washington and Los Angeles. This book, an overview of the exhibition, is an extremely thorough and interesting overview of the 70 works on display. But it's more than that. I was very impressed with Richard Kendall's commentary in the book. Not only is this a comprehensive and thoughtful look at the "Van Gogh's Van Goghs" exhibition, it's also an excellent look at Van Gogh's life and career--period. I might have expected this--this major exhibition was superb and this catalogue is a worthy companion. Exhibition or not, this book is first-rate.

I have this book and I am so glad ,I discovered it. I am, a painter,and have always been influenced by Van Goghs work. However most of the books I own do not have very good quality , printing .This book however is excellent! It is very close to , standing in front of the original painting. I would recomend this book to anyone that loves Van Gogh. I am so proud to make this book a part of my art library. Get it while you can!!

Vincent van Gogh is the artist who I feel I relate to most on a personal level. His demons are my demons. His yearning to some day find "the right girl" is my yearning. His spiritual faith in God is my spiritual faith. His weaknesses are my weaknesses. His strengths are my strengths. I'm very fond of van Gogh. He made many mistakes, including getting involved in a doomed love affair with a prostitute, or how he cut off his earlobe in a fit of anguish. Well, okay, I identify with him but that's something I've never been tempted to do haha. Vincent was a troubled and tormented and deeply under-appreciated artist in his day, only managing to sell one or two paintings in his life. Now he is among the very most popular. His works sell for many millions, even minor works.

David Rehak
author of "Love and Madness"

Interest in Van Gogh heightened with Hollywood movie with Kirk Douglas an Hollywood actor. My mother has a wood painting of sunflowers (l6) and she asked that we research this for her, it has numerous local newspaper clippings taped to the back, which raises even more questions. It is signed Vincent? I saw a one man narrative of Van Gogh's life depicted by his brother Theo, Actor: Jim Jarrett called Vincent. It was much informative of the letters Vincent wrote to Theo. . This enlightened one as to Vincent's odd behavior. Vincent the man. Mr.Kendall, if possible please cooresponde back. My sister is also in contact with you. Thank you for reading this message and any redirect would be appreciated.

One of the best pieces that I ever read explaining paintings along the different periods which were passed by Van Gogh. Also, it gives a complete ride through his life and personality.