Ireland Books

Sir Geoffrey's is a great work, worth every minute spent reading it. One gains an understanding of the times, the society, the national and international politics, the economy, the religious issues -- and the fascinating Tudors and their administrators. A wonderful piece of work. Too bad the publisher Routledge packaged this masterpiece in a miserly volume meanly produced by The Guernsey Press. The type, which looks as though plates were made by photocopying some earlier printing, is like the fine print in a sales document -- so miniscule one must squint even in very good light. On many pages the text flows into the narrow gutters so that one must forcibly press the book open to make out what lies next to the binding. Because of the cheapness of the edition, reading it will be slow going for you, unless you do as I did: Force each two-page spread onto the flat bed of a photocopier, set the enlargement at 120%, and copy the text. Once I did that, the reading went smoothly. Shame on you, Routledge and Guernsey Press, for giving us such a fine work in such a shoddy presentation.

Elton is the most dangerous of historians -- clear, logical and able to charm with his (sometimes) dry wit.

Although fair due is given to all the monarchs:

Henry VII is capable and prudent;

Henry VIII is less capable, less prudent and in above his head;

Edward VI is selfish and malleable (but he was young);

Mary is sincere and narrow (Here Elton makes one of the few unfair statements in the book. He says, truly enough I expect, that during "Bloody Mary's" reign fewer people were killed for the cause of religion or rebellion than under any other Tudor. This ignores the brevity of her reign and makes no allowance for what might have been if Catholicism had been forcibly reintroduced.);

Elizabeth is truly a great ruler;

...the real hero is Thomas Cromwell who, in engineering Henry's divorce, established England as a state ruled by law.

A wonderful book.

Direct, opinionated, sometimes even combative, Elton delivers a tour de force in historical survey. This book is a highly readable, meticulously researched, and thoroughly engaging review of the period from the beginning of the reign of Henry VII to the death of Elizabeth. As survey of English history during the time of the Tudors, you can't do much better than this book.

The character and accomplishments of each of the rulers stands out as a uniquely individual: Henry VII, the fiscally responsible monarch who established the Tudor claim to the throne and restored the monarchy to solvency; Henry VIII the religiously orthodox ruler who nonetheless broke with Rome and established the Church of England; Edward, the protestant fanatic who (fortunately?) did not live long enough to have much impact; Mary, sincere but of limited ability as a queen; and of course Elizabeth.

Elizabeth's portrait is perhaps the most interesting, since she reigned longest and cast such a huge shadow over the time. The view is a balanced one. Elton is not over-awed by his subject, as so many biogrpahers of Elizabeth seem to be. He acknowledges her political deftness and sure-fire judge of men's ability, without losing sight of her failings and personal weaknesses. Her fiery temper and vainty are not forgotten and not every decision she makes is hailed as correct - nor is she dismissed as being merely "lucky" for her entire 45 year reign, as the occassional critic of Elizabeth seems to imply.

The true hero of the work, however, is none of the monarchs, not even Henry VII whom Elton seems to think quite highly of. It is Thomas Cromwell, who essentially ran the government during the crucial years of Henry VIII's break with Rome. Elton credits him with "revolutionizing" the beauracracy of the country as well as guiding policy for the entire span of his service. Hea rgues that the revolution in Henry VII's time was guided primarily by Cromwell and merely "consolidated" under Elizabeth.

Along the way, other men of ability and position who influnenced the course of history are given time as well. There is the brilliant but ultimately unsuccessful Woolsey, who Elton believes set the stage for the collapse of support for Catholicism in England, William Cecil (later Lord Burghley), who was Elizabeth's chief minister and right hand man throughout most of her reign, and the tragically unstable Essex who was his own worst enemy, to name only a few.

A great introduction or refresher for those interested in learning more about a period that was crucial to the formation of the England that become the world's dominant power.

I actually haven't read this book yet but it is written by my Greek and Roman Mythology professeur. He's an amazing man. He knows so much about the subject that I'm sure this is a great book.

Dr. Hall was one of my professors as well, and he definitely knows what he's talking about. This book was extremely helpful in all of my classics courses, especially Roman History and translating Livy's Ab Urbe Condita. I'd recommend it to anyone.

This is an excellent book! I used it in one of my classes in college. It really gives insight into daily details of the lives of the Etruscans, which also helps you to understand the Romans better. Very well written, by good scholars.

As I read "Everything Irish" once more, I literally and figuratively shiver with joy, sadness, laughter--with everything that is deep and poignant and true about it. It moved me tremendously in many ways as I read the various poems and moods of the book. This work is a wonderful, significant, powerful cultural and coming of age achievement. The author evokes the spirit of a proud and complicated people, and seamlessly unites the past, the present, and the future. The harmonies of this book are the written counterpart of Irish bagpipe tunes and haunting Celtic melodies as well as Irish jigs! Nancy Zak

Wells' poems are wonderful vignettes and moment-in-time, telling about the Irish experience in America, with glimpses of Ireland itself. Although they are easy to read, and will often make you laugh, they also have depth and poignancy. A "good read" that you want to keep going back to read again.

Judy Wells said: "To be an artist is to embark on a lifelong spiritual quest." In "Everything Irish" Judy joined poet Dale Jensen on a trip to dig up her Irish roots. She makes the reader feel the harshnes of the brutal land. She puts your face up against the moist stones. She saved and dreamed about her trip. And then one summer her dream turned to green. The book is divided into three parts. Part One is "Everything Irish In a Nutshell." It recounts her Catholic girl upbringing. I related strongly to this litaney because of my parochial school days at St. Mary's Catholic Elementary School. I remember we were required to attend confession once a week. I din't commit enough sins to earn my regular penance of five Our Fathers and five Hale Marys so I invented sins. I claimed to have poisoned the city drinking water. I declared that I planted bombs on random perambulators. Judy recreates the days when the nun loomed tall in her habit. I remember nuns walking down the hall with rosaries the size of bicycle chains. "Waking the Dead", part two is the molten core of the book and carries green waves of Irish history. "Warp Spasm" evokes the hero Cu Chulainn who knew the secret language of poets taught to him by his foster father & poet Amairgin. Judy mentions the Goddess Briget who in the literature of early Ireland was the goddess of poetry and wisdom. "The Cliffman" takes us back to the "father" of the documentary, Robert J. Flaherty who shot his movie "Man of Aran" on a barren island off Ireland's west coast. Part Three is "Hunger". It deals with her return to Berkeley and her job as Academic Counselor. After three summers in Ireland Judy took a vacation in Hawaii. She writes in "Antidote" that she wanted the sun to "penetrate my bones". She wanted to "scoop sweet, succulent orange flesh from the papaya instead of opting for a baked potato one more time so I could drink the antidote of my own green culture." The last poem describes an Irish wedding in America. The couple plan to call their first child Shasta. "The trees and grass are green and fertility is in the air". This poem concludes her Irish experience, the rerooting of Irish culture in America to the point that the parents name their chlld after a mountain in California. "Everything Irish" traces the influences on Judy Wells that combined to shape her into the great Berkeley poet she has become. It is a personal and universal journey into the heart of self discovery. Her life and work are a continuous spiritual pilgrimage.

This book was really eye opening. I did not know much about the Soviet generation or Soviet Union except for the little taught in high school, but this book showed me how these people lived and interacted in their daily life. It was really fascinating and just a great read. I definitely recommend this book.

The anthropological account of post-modern society offered in this book is certainly one of the best I encountered in recent years. By brilliantly and engagingly analyzing the late soviet society, the author provides us with original analytical insights into the peoples' relations with ideology, discourse and ritual. A perennial social laboratory for all kinds of cultural experiments, Russia in its soviet phase served A. Yurchak as an empirical field whereby to conceptualize the paradoxical, non-dichotomous and multi-layered post-modern social condition. Moreover, Yurchak joins the exclusive club of genial authors who succeeded in touching the intangible uniqueness of the "soviet experience" - i.e. everyday life, way of thinking, forms of language and power, performance of dream and fake. Thus, this reading is necessary for both the favorites of lively intellectual reading and for everyone who pretends to understand something about "Russians", even if they are already post-Soviet and therefore similar and close on the one hand, but different and inconceivable on the other.
As anthropologist and Russian by origin, I try, in my everyday experience, to explain to my colleagues and friends the world I came from and to show how relevant this world is to any cultural and intellectual account of contemporary life. Yurchak's book is a great contribution to this challenge.

I must say that this is one of the most interesting books I've read so far concerning the experience of everyday (Soviet?) socialism. By reconsidering such an important subject through a solid (and novel) theoretical lens and providing high quality ethnographic data, Yurchak does what every good ethnographer should do: (laconically speaking) bring something new. This is a must-read for anyone who is interested in (post)socialism. Last but not least, it is very fun to read.

This is a very good ethnographic account of some important aspects of everyday life in the later years of Soviet Union. It is interesting, well written, the quality of the research is high, and the account is truly enlightening. As a researcher actively interested in East European ethnography I woud very much like to recommend it to readers looking for interesting and non-banal accounts.

I bought this book after reading "...Brigadier Gerard," by Sir Arthur Conan Doyle which was based upon the life of this
man, Baron de Marbot. I'll have you know that I found it every bit as entertaining and fascinating as the "...Brigadier Gerard" book...even moreso for knowing that this fellow de Marbot really existed. When I read "...Brigadier Gerard," I was thinking how amazing some of the adventures were, or how fortunate he had been in this situation or in that one, but when I read about de Marbot, and of his incredible exploits, I was truly mesmerized. The coincidences..the simple twists of fate, the turns of fortune, the moments of chance...Hard to believe that this fellow experienced such awesome adventures... And all the while, amidst these adventures, we are kept abreast of the latest military tactics, the conditions of the land, the townsfolk and the soldiers, of all ranks during a period that seemed not to rest from battle... I tell you it is just a breathtaking piece of work (and for a female to say that is something indeed! )

When I read this book I swear it felt so real that I could easily imagine the sounds of voices or of artillery fire, or of horses hooves pounding or sabres clashing...Even scents came alive..The scent of a grassy knoll, or of a smoldering fire, or even that of the decaying flesh of men and animals...I could see the uniforms becoming more and mroe soiled and tattered with wear and with time...I could see troops moving silently through shallow streams in the dead of night; the moonlight spread across the ground like a sheet...I could see men's breaths when the air turned cold, and I could feel their struggle within when they knew that the end was near, but dared to keep the field.

This book simply pulls you in and doesn't let go. But that is quite alright. You won't WANT it to let go. It is every bit as much of a page-turner as "...Brigadier Gerard" was, and it gave me a sense of history that I failed to find in any of the books
I studied in college. Marbot so intimately describes his friends, enemies, family, and fellow soldiers, that they became not only real to me, but almost familiar to me.

Additionally, It did me well to remember a time when battles were fought in a much different manner than they are today... When words like Honor and Integrity and Duty and Loyalty were of paramount importance, and had substance,...They were not merely breath with sound.

I cannot say enough positive things about this book, and to keep at it here would be like beating a dead horse. Let me just say this: If you are ever at a point where you just can't seem to decide on which direction you would like to go in with your next good read, try this one while you are working it out... More likely than not, when you are done, you will kick yourself for not having gotten it sooner. ( And try "... Brigadier Gerard " too! I have reviewd this as well...!! )

All the history I've read about the Napoleonic Wars was a bird's eye view of grand maneuvers, but it's very difficult for a 21st century person to fathom what life must have been like in the inscrutably proper world of musket lines and lace. In this memoir, we find that the bygone culture of peasants and nobles fighting with sabers, muskets, and horses could still very much be populated by human beings not much unlike ourselves.

Marbot's memoirs consist of two components: one is his own research into the events of the war, and reads much like a normal history book. Of much greater interest to us, however, is his personal recollections and stories, which is much like meeting the man in person over a beer and having him spew his opinions and experiences to you. Unfortunately, this edition does not retain as much of this personal flavor, instead choosing to retain the drier historical stuff that can be "ascertained". This is a pity, as there is a great deal we can learn about the times from Marbot's stories and rumors, inaccurate as some may be.

The proper tone of this book masks from the reader the horrors that we read in today's memoirs, so it is left up to your imagination to grasp the full meaning of what "despair" or a "piteous sight" might refer to.

The original is much less dry and bursts with period detail, although, much like what you might hear in a bar, is more suspect in its accuracy. It was also translated by a deeply biased Englishman, who is so fierce when he "corrects" every mention of English conduct in the footnotes that you begin to wonder just how trustworthy his translation might be. Being from another century, you will also encounter fierce anti-Semitism in a grand total of about 4 of the book's 700 pages, along with a derogatory remark slur on blacks, but this is to be expected reading a book from a less PC century.

I'm a Napoleonic novice,and many things in this book are completely foreign to me, but this narrative gallops right along. This edited version makes me long for the full version. The author appears to write with both candor and a very dry sense of humor (I find myself wincing and laughing-I hope not inappropriately) about incredibly brutal battle exploits as well as about the behind-the-scenes politics. The author's sense of practicality, tempered with his sense of honor makes for a very appealing perspective on the events of the era. Further, it's truly amazing what the soldiers of that era had to deal with, just in terms of physical hardships (at least by today's standards). This book has served to seriously whet my appetite to read and to learn more about this period in history.

this book is sensitively written and full of fascinating details, which bring the history alive.

Many years ago, when doing research for my graduate thesis on those heroic Jews who went to fight Hitlerism in Spain, I came across the name of Larry Cane. While I was able to make contact with many vets in the Lincoln Battalion, sad to say, Mr. Cane had passed on before I had a chance to contact him. His obituary told of his valor, and of his idealism, and while he was, yes, a member of the Communist Party USA while in Spain and serving heroically in the United States Army in World War II, Larry Cane had the intellectual honesty to walk away from the horrendous Stalinist sewer once he was aware of its true evil.

His son is to be profusely thanked for releasing this correspondence of a man - yes, a Leftist, but whose Jewish background, perhaps even more so than his CP affiliation, made this man - a decision to fight evil and oppression and believe in the unity of all mankind. Cane writes movingly of the D-Day Battle, of coming across emanciated Jewish concentration camp survivors in Germany, of his pride in America, of being a Jew, and yes, of being a Communist and pride in the Soviet Union as the ally that it was (of course then being unaware of what a murderous fascist Joe Stalin really was). He writes of the common soldiers that he served alongside with, and there is correspondence from some of them that attest to Cane's own bravery in battle. And he writes of his love of his family and of the baby son who now has been able to bring this unique correspondence to publication.

Larry Cane earned the Silver Star and a Battlefield Commission to the rank of Captain in the United States Army for his heroism on the battlefields of France after D-Day, and for his role in helping to smash the Hitlerian evil. A worthy read for all Americans interested in our "Greatest Generation" - and in the unique experiences of those who bravely chose to fight Hitlerism in Spain before the world recognized what was at stake for all mankind.

This book kept my interest cover to cover. Lawrence Cane is obviously the epitome of a soldier and family man, the essense of the American service man in W.W. 2. From basic training thru the occupation of Germany,he was a man who had not only to fight for his place in the war ,but then to fight the war from the first wave to hit the beach on Normandy,to the liberation of the concentration camps, to time spent in the rebuilding of Germany in Eisleben.

There's something irrepressible about a wedding of royalty. Even the most jaded of us is capable of maybe an 'awww' or two as we get to see a bit of a fairy tale come to life. There is pomp everywhere, from the fabulous gown and jewels that the bride is wearing, the wedding cakes and favours, to public displays of the wedding gifts.

This handsome little souvenir album is to commemorate an upcoming wedding anniversary -- that of England's Queen Elizabeth II and Prince Philip, who will have been married for sixty years, in November 2007. It is also a look at how Royal weddings have changed and evolved from fairly private ceremonies that were witnessed by close family members and courtiers, to now what is a spectacle watched by millions on the television and launching a flurry of books, magazines and various souvenirs from the pleasant to the grossly tacky.

The five weddings themselves occur in a period of time that spans just over a century, from 1840 to 1947, with the criteria that either the bride or groom would be a monarch of the United Kingdom.

The first wedding is that between Queen Victoria and her cousin, Prince Albert of Saxe-Coburg-Gotha, in 1840. Victoria had been Queen of Great Britain for two years when her wedding was celebrated, and public curiosity was intense as to who she would choose to be her consort. With the rise of new printing techniques, there were now ways that the public could observe, albeit from a distance -- there were special prints and panoramas that were printed to feed the curiosity about the event.

About twenty years later, the next royal wedding occured, this time between Victoria and Albert's eldest son, Bertie, the Prince of Wales and the future Edward VII, and his fiancee, Princess Alexandra of Denmark, 1863. Now there was the art of photography to add to the documents; some of these were hand-tinted to create a nearly painting like quality. The gifts were also more opulent, and this time, were described in a special magazine that supplied all of the details from what the guests were wearing to engravings that showed various aspects of the wedding service itself.

Thirty years later, another wedding occured, this time between Bertie's son, George, Duke of York, and his cousin, Princess Mary of Teck, in 1894. This time, celebrations and public notice were high, with various royalties from around Europe visiting to pay their respects. The gifts were put on public display this time, and admission was charged, with the proceeds going to a charity. The bride's trousseau was described in various ladies magazines in lavish detail and illustrations.

The fourth wedding was that of George VI and Queen Mary's second son, Albert, Duke of York, and Lady Elizabeth Bowes-Lyon in 1923. No one really expected them to become sovereigns of Great Britain, and so the celebrations were not quite as extravagant as might be expected. But one notable addition was that this was the first royal wedding to be filmed, and soon there would be opportunity for anyone to see it, all for the price of a ticket to the cinema, and sitting through a newsreel.

The fifth wedding was in 1947, with that of two of Queen Victoria's great-great-grandchildren -- Princess Elizabeth, and Prince Philip of Greece. After the dreary years of WWII, and the troubles of rebuilding, London was ready for a celebration. The outpouring from the public was immense, and it seems that all of England took the day off for a holiday. The marriage proved to be one of the most successful in the royal family, and appears to be still quite solid after nearly sixty years.

Each wedding goes into some detail about the clothing, providing pictures and closeups of the brides' gowns, showing some of the intricate sewing and decoration that went into the making. As was traditional, all of the clothing worn were made from British materials and designers. What I found especially beautiful were the samples of lace and embroidery, often with monograms and special designs incorporated into the designs. A very brief history of the couple is also included, talking a little about their childhoods, and what happened after the weddings. At the end of the book, there is also a listing of what music was performed at each wedding, with a few surprises tucked in.

What may surprise you is what you will not find in this book. There isn't any mention of Lady Diana, or of the notorious wedding of Edward VIII and Mrs. Simpson.

For anyone interested in royalty, and how what started as a private celebration soon became an opportunity for public celebration, this is a lovely, well-made and designed book. The photographs and pictures are unusual, many of which I had not seen before, and gave a sense of intimacy.

The author, Jane Roberts, is the Royal Librarian, and has compiled a beautiful little volume on the lore of royal weddings. For anyone interested in the English monarchy, it would be a nice addition to their collection.

Five stars. Recommended.

A wonderful book that takes you back in time for 5 royal marriages. I had a splendid time reading and looking at the photos. I have been watching the "Royals" all my life. I remember the day Elizabeth and Phillip were married, and this little book just made those memories much more clearer than ever before! A "must" for "royal watchers"!!

A wonderful display of that special wedding. It was like the Queen was showing these momentos to me herself.

Our family really enjoyed this book. Darling illustrations, great story and gives you a little history of Irish dance in rural Ireland.

Written by Anna Marlis Burgard and illustrated by Leighanne Dees with aid from the watchful eyes of Irish dance and folklore experts, Flying Feet: A Story Of Irish Dance is a fantastic children's picturebook inspired by a true event - a singularly memorable dance championship that took place when two master dancers tested their talents to determine who was worthy to become the dance instructor of Ballyconneely. A two-part unfolding page reveals the climactic moment when one of the contestants is so entranced in the passion of the moment he appears to take to the skies! The exuberant color illustrations emphasize a celebration and appreciation of Irish dance and cultural heritage. An afterword at the end offers some educational notes about the history of Irish dance.

A brilliant book for the wee ones! The wonderful text and rich illustrations reveal a tale of a dance competition in the west of Ireland that inspires and enlightens.

This is a very good book. If you are a modeller, so buy it. If you, like me, is just interested on this subject, buy it as well. Comprehensive photo material and superb color plates. Unlike in Albatros Aces, this time Mr. Franks has added a good number of accounts, some personal, of the events about the units and the men who fought in and against the famous, although short lived, Fokker triplane, the "Red Baron" included. Excellent.

This is on of the most infomative and accurate books I've ever seen on the tri-plane. The color plates are very good references for avid modelers such as myself. I am more than happy with this product.

Another great job by Osprey. Very good info on the Dr.1 and its pilots. 40 profiles, showing many top views of wings and stabilizer/elevators. Shows a few cowls, also. Good index. Good for the price.

NOTE: There is a great deal of debate over the colors of WW1 German aircraft, because all the photos are black and white! I would say this book chooses some colors that might disagree with the more knowledgeable WW1 aircraft enthusiast. Remember that this book is a basic review of the Dr.1, and it does not spend 10 pages looking into what color Voss' cowl was, whether or not Lothar von Richthofen's upper wing was yellow.

In the last few years I have been searching books offering a general overview of the past, and I have realized that many books entitled "History of ...whatever" only provide information about the West, the rest of the world being almost ignored.

Otto's on fools or jesters is different, it is truly global. As far as I know, there are not many books (i) dealing with jesters (ii) including not only Europe but also other parts of the world and (iii) readable enough for the non-scholarly public. In that sense, Otto's work seems to me a fascinating examination of the jester tradition throughout the world and history, so I recommend it, my rating being between 5 (content) and 4 (pleasure, sometimes falling to 3, sometimes raising to 5).

Other books that I would recommend would be "Kings or people: Power and the Mandate to Rule" by Reinhard Bendix and "Vienna and Versailles: The Courts of Europe's Dynastic Rivals, 1550-1780" by Jeroen Duindam.

Additionally, as a complement to " Fools Are Everywhere: The Court Jester Around the World", I would also suggest reading (hoping that will be of use for those looking for a broad framework to understand the past) the following works, whose scope is as amazingly global as Otto's: 1. Agrarian cultures: "Pre-industrial societies" by Patricia Crone; 2. Economy: "The world economy. A millennial perspective" (2001) plus "The world economy: Historical Statistics" (2003) by Angus Maddison (a combined edition of these two volumes is to appear on December 2007); 3. Government: "The History of Government" by S.E. Finer; 4. Ideas: "Ideas, a History from Fire to Freud", by Peter Watson; 5. Religion: "The Phenomenon of Religion: A Thematic Approach" by Moojan Momen; and 6. War: "War in Human Civilization" by Azar Gat

I can't think of a book that has a better choice of title than _Fools Are Everywhere_ (University of Chicago Press) by Beatrice K. Otto. Everyone would agree with those three little words, but Otto has the specialist meaning revealed in her subtitle: _The Court Jester Around the World_. Her title amply is demonstrated in a large and wide-ranging history of fools. Everyone knows of the fools in England, quite possibly because Shakespeare put many of them in his works. But Otto has gathered a huge amount of material from Everywhere; fools may be found also especially in China (which is, along with Europe, the arena of Otto's closest inspection), and in India, Arabia, and Tonga, within the Yaqui Indians, among the Aztecs, and, well, everywhere, even in corporate boardrooms.

A tradition this nearly universal must have strong reason to exist, and Otto demonstrates over and over, from one anecdote to another, that fools served both kings and subjects. Jesters were not only tolerated by the rulers, they were cherished. They may have made uncomfortable, biting attacks; Sultan Mahmud was lying in the lap of his jester and asked him, "What is your relation to cuckolds?" The jester replied: "I am their pillow." But even beneath the bite is understanding and even kindliness and acceptance. When King Tamerlane was roaring out 800, 1,200, and 1,500 lashes for a series of offenders, his fool Nasrudin interrupted him with what seemed to be an irrelevant question: "O King, do you know everything?" "Of course I do," retorted the King. "Then how could you inflict such punishment? Either you don't know the meaning of the number 1,500, or you don't know the sting of a whip." The jester is here shown to be the kindly servant of the king, as the one who might save the king from himself; but also, he is the servant of the subjects who would otherwise feel the king's lash. Thus the jester became in cultures everywhere a folk hero.

There are countless anecdotes here, and not all of them pay off. There are many that rely on the time, or the language, or "I guess you just had to be there." But plenty of this otherwise academic work is good, foolish fun. Otto has presented case after case, and her book has little theorizing. She does speculate upon where the fools of the court went, since they are now historic figures. They didn't really go anywhere, she says, they just specialized. Actors, cartoonists, and comedians took over the role, especially after the fools became presences on the stage. Otto hopes that the twenty-first century may have a rebirth of the fool (can you imagine someone paid to do pratfalls at the Strategic Arms Limitation Talks?), and does give some fine twentieth century examples. Will Rogers famously used his fooling to puncture politics-as-usual in otherwise impossible ways, and addressed President Wilson with great informality as Pres. And Otto quotes the best jester of the twentieth century (in my view), Groucho Marx, who was told by the management of a beach club that Jews were not allowed to swim from the beach. "What about my son?" came the reply that could have issued from a sprite clothed in swatches of colors, a horned cap, and bells. "He's only half-Jewish. Would it be all right if he went into the water up to his knees?"

Otto's first book, Fools are Everywhere, is a brilliantly crafted one and will delight readers. Her writing is extraordinarly gentle on the mind - eloquent and powerful. The quotes she has sprinkled throughout and the fun "flip-pages" that bring the popular juggling jester to life are added pleasures for the reader to enjoy.

Otto states in her introduction that she hopes to show that the court jester is a universal character and if not omnipresent, certainly omnifamiliar. Her research is vast and extensive - with fascinating similarities found between European and Chinese cultures - the latter's contributions to this subject being relatively unknown in our time. She provides information on characters found in other cultures as well - India, Native America, Africa and more. She emphasizes the important role of jesters within society and the obvious need for satire - discovered independently by peoples across the globe.

There is a selection of illustrations throughout the book and some fabulous excerpts from literature and historical documentation.

Though Otto remarks that there have been many books on the topic of jesters in the past century, I have found nothing comparable to this one. The most useful research on the topic has long since become shrouded by various forms of inaccessibility for the majority of readers. For these reasons, and many more, this book is an extraordinary contribution to our times. I, for one, look forward to the future books written by this author.