Texas Books

"Lightning and Lace" by DiAnn Mills is the third book in the Texas Legacy Series. This is a beautifully-written, suspenseful novel about a family in pain and the community around them. Bonnie is a young widow with a troublesome son who simply wants her family restored. Travis is the town's new preacher. He is helping Bonnie with her son, Zack, and trying to keep his past a secret. There is also a criminal on the loose. He is beating women, and no one is talking about his identity.

I was hooked on the intrigue and developing family issues and romance from the very first chapter! What a great book! Now, I must go back and read the other two! I also can't wait to read #4, "A Texas Legacy Christmas"!

As both an author and reader of fiction, I was impressed with "Lightning and Lace". Maybe it is because I have always enjoyed a book that could hold my attention and make me think at the same time. In a nutshell, the characters are believable and yet a little out of the ordinary and the story line unique. Give this book a try.
The Christian fiction book that I have written main story line is about ten years in the life of a little girl who was "chosen by God" to be the next Madonna in the second coming of Christ.
Tommy Taylor
Author - The Second Virgin Birth

LIGHTNING AND LACE is the third novel in the Texas Legacy Series. It continues a few years after where Lanterns and Lace left off, focusing on the character of Bonnie Kahler. Now widowed, and dealing with depression and an unruly son, Bonnie has to dig deep to strengthen herself and her family before she loses them completely. With the help of the new pastor in town willing to help Zack deal with his father's death, Bonnie does what she can to keep her family together. The unwelcome advances of Lester Hillerman continue to bother Bonnie. When she discovers what an inscrutable man he is, she finds herself barely holding on and praying that others will finally see Lester as the monster he is.

LIGHTNING AND LACE definitely picked up momentum where LANTERNS AND LACE had slowed the series down. I feel this novel had a lot more conflict that had to be resolved and deeper characters that the reader could hang on to. I really enjoyed the interaction between families. I like sequels that add and build on characters from previous books instead of merely mentioning them. I look forward to reading A TEXAS LEGACY CHRISTMAS, the final in the series.

Diann Mills weaves a wonderful continuation from Lanterns and Lace where we first learn of Bonnie Kahler and her dying husband, Ben. The transition from one book to the other is beautifully penned in this story of a woman who loses herself in grief for time.

At the retirement of her stepfather, Reverend John Rainer, Travis Whitworth steps up to the helm of the Piney Woods Church. His job is cut out for him, as he attempts to follow in the footsteps of Reverend Rainer. His first encounter in town is breaking up a fight between two boys, one who is Bonnie's son, Zach.

The story, crafted tediously, brings Bonnie to the realization she is neglecting her children through her own grief. As she struggles to manage an out-of-control son, Travis steps up to lend a hand. He helps Bonnie out on the farm and manages a little spare time to offer guidance to a troubled Zach.

When a Travis finds a murdered townswoman, his church members begin to shift their eyes in an accusing manner toward him and Zach. In a story filled with surprises, Lightning and Lace takes hold of the reader and grips them tight.

Mills takes twists and turns throughout this work which approaches many subjects including how even Christian minds wander. This third in a series of the Texas Legacy has brought us still closer to the townspeople of Kahlerville, their lives and deep personal relationships.

Once again Barbour has allowed Diann Mills to bring us into a western world where real people have love, suffer hurt, and find redemption.

Reviewed by Cindy Sproles, Mountain Breeze Ministries

With the retiring of their beloved pastor, the little town gets a new preacher, except he looks nothing like a minister of God. In fact, he is mistaken for a hobo and treated as such when he arrives in town.

Bonnie Kahler's husband died two years ago and her oldest son is now incorrigible. and she certainly cannot control him, nor can his school teacher or grandparents. Much of the first section deals with the misdeeds of this 12 yr. old boy.

However much he wants to succeed, the new preacher has disguised himself to prevent his past from being revealed, but that is not going to be possible, even in this little town. Love blooms in the most unlikely of places.


Heaven's Gates, a former brothel, houses the soiled doves who have turned from their trade and are now working. However, there is a dark, dark, figure, a hypocrite really, who is determined to run the town, the church, the people, AND feed his lust at the expense of his helpless but very wealthy wife who happens to be financing all his evil deeds without knowing it. This mystery is a large part of what holds the reader's interest.

This is a lovely Christian fiction read, an historical book and brings the reader close to each family. I was pleased to have read the entire trio of Texas Legacy. Are there to be more?

I just loved this book and was sorry to see it end, and I am a discriminating reader. The story is so incredibly well told and so well written. There is drama, personal stories, great environmental information. I read some of the paragraphs, which flowed just like the tide at Seadrift, over and over again. She writes just like Texans talk and I just enjoyed it so much. She fights the good fight. Right ON!

With the discovery that her "piddlin' little county on the Gulf Coast" led the nation in toxic emissions, Diane Wilson fought friends, family, local politicians, corrupt state regulators, legislators, senators, and the multi-billion dollar company Formosa Plastic. This leader of Taiwan's petrochemical industry had environmental practices so appalling that twenty thousand Taiwanese came out under threat of police violence to protest its proposed new $8 billion dollar complex. That's how Formosa decided to shift its operations to Texas. Texas was willing to give Formosa $200 million in subsides and to look the other way on environmental violations for it's proposed $1.3 billion expansion of its PVC manufacturing facility in Calhoun County, Texas.

Diane wanted to know why in her small community "a man could make the arrest column in the local newspaper any day of the week for running his truck with expired license plates or no insurance, but let a chemical company, half a mile wide and with a thousand unknown chemicals zipping through their pipes, release eighty tons of a baby-aborting chemical into his neighbor's backyard, and it would be lucky if it made a note in a report. The plant manager sounded startled over the phone. "Good God!" he said. "Of course we can't put that type of information in the paper. Do you want old Mister Weaver across the street to have a heart attack?" " (p. 250)

Vinyl chloride monomer is one of the worst cancer-causing chemicals in the world.
"It's so hazardous the government says you're in violation if a single pound is released. But here seventy-four tons of vinyl chloride was released within one mile of an elementary school right across the road from Point Comfort. And if that wasn't enough, Formosa, in the same breath they were polluting with, asked the state to permit a tenth reactor while the ninth was violating production permits. You tell me the state is getting it? You exceed permits and you're rewarded with more?" (p.186)

Maybe all this had something to do with Formosa giving campaign funds to U.S. Senator Gramm, who appointed his former campaign advisor to the head of EPA Region 6, and who was now the final authority on Formosa's penalty and all their permits.

"The commission decided that even though Formosa's fine warranted something in the seven-figure bracket, they would calculate it thirty times lower, and although Formosa continued to violate their wastewater permit on a daily basis into a body of water they had already degraded, the state would allow the waste water permit and violations to continue.
It wasn't the Water Commissions fault, Chairman Bucko said. The blame lay squarely with the federal agencies who prevented the Water Commission from dealing appropriately with the environmental issues at Formosa. Maybe now the agencies would back off their demand for a comprehensive environmental impact statement and let the state regulatory process work." (p. 208)

I found Diane's use of local dialect when "she" is talking, and standard prose elsewhere, a delightful aspect of this book. The local dialect is what one hears in the Texas Coast fishing communities, and it evokes an incredible feeling of time and place. The reader feels the salt spray right along with her.

Diane Wilson is not only an unreasonable woman she is an outstanding human being. She is a reluctant hero, the most authentic kind. She eventually stands up for her native waters, mother earth and the very survival of the human race.

Doing something doesn't necessarily mean you can write well about it. In this case, Diane writes in her own authentic and electrifying voice. Her story rings true and reads like the most exciting fiction. I recommend this book to anyone who loves nature, adventure or just plain good reading.

What a pleasure to read this story of an amazing and heroic woman, giving it all to take down giants. Ms Wilson's Marquez-like writing style and choice of words leaves me breathless and imagining I'm there with her as her mission lays itself at her feet and she picks it up and takes it on. Bravo! An absolutely wonderful read.

I found this classic in the library the other day and what a treat it was to read. To read--but not to accept. It's a sad but inexorable fact that editors today are more salesmen and paper pushers than shapers of authors. What comes through in Berg's fine biography is that writers like Scott Fitzgerald and Thomas Wolf would likely fall through the cracks if they toiled at the desk now. Although Perkins is best known for his troika (the first two authors mentioned) and Hemingway, I had not known that he was largely responsible for Douglas Southhall Freeman writing his multi-volume history of Robert E. Lee. This superb work is as disciplined and fascinating as its subject.

Max Perkins was the great editor at Scribners who handled quite a few of the finest writers of the twentieth century, F. Scott Fitzgerad, Hemingway, and Thomas Wolfe being especially noteworthy (and dealt with at length in this biography). One might envy such a man with such a job, but Berg makes it clear that having to deal with the likes of these authors was like walking around with a huge millstone around Max's poor neck. His job was endless and thankless (Wolfe actually betrayed him). You see from the many letters quoted that many of them are blatant pleas for money. Saying that Perkins had to coddle some of these authors like children would be putting it mildly. Berg does an admirable job relaying Perkins's life and hard times. Recommended.

Berg's work rallies all aspiring authors to the cause of sainthood for Max Perkins...maybe even deification. He tracks Perkins's career vis-a-vis the literary careers of important 20th century American authors. Gives a peek at the largely ignored man behind the curtain...and stands as a monument to his contributions to our literary heritage. A must read for anyone who enjoys books.

Scott Berg's biography of Max Perkins is a warm, sparkling account of America's greatest editor in the prewar period, the midwife for works by F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe in the twenties and thirties, when big-time publishing converged on New York. Berg's book is cunningly organized: the reader steps at once into the rough and tumble of editorial work at Scribner's, leaving Perkins' early life, marriage, and family to be described in concise digressions taken only after we get another satisfying dollop of publishing history. Unhappily, once Perkins has delivered his discoveries to the public, the rest is mostly about their boozy extravagance (Fitzgerald), bullying ego trips (Hemingway), and petulant indiscipline verging on insanity (Wolfe). So even if, for this reason, you stop two-thirds of the way through, your curiosity about this key figure in modern literary history will be very well satisfied.

This is a wonderfully written book, very informative and inspiring for authors, editors, agents and anyone else involved or interested in publishing. Berg does a terrific and subtle job of painting these larger than life characters, allowing their own letters to speak for them. He shows remarkable restraint and good taste and yet has created a book that is enriching and very difficult to put down. Highly recommended!

What I loved about this book was that it was not written by a professional writer, it wasn't a lawyer's point of view, and it didn't preach to me about the death penalty. Instead, this book was a look at the justice system from a regular person's point of view. Kerry Max Cook raised questions about how the justice system works, or more appropriately, doesn't work, and not by hammering on lofty principles, but by showing the reader what actually happens, in court, out of court, and in prison. However, most importantly, he brings us inside the mind of a person facing the worst possible situation and how that affects him. I was inspired by his strength and ability to persevere through things that would have crushed nearly every human being. This book is a must-read for anyone who endeavors to understand the American criminal justice system and what it means to be accused of a crime.

Read the Innocent Man and thought I could never be moved so much by a book-really a life story. Saw the movie The Exonerated and heard about Kerry's life. I started reading the book for about 2 hrs a few nights ago... Last night I actually read from 9 pm to 3 am and then got up snowy day here) and read from 8 am finishing the book. I felt I couldn't put the book down until this whole ordeal was over-like my not finishing it still had held him in a deplorable state on Death Rown. When he is handed his belongings and the 1.28 check from his Trust Fund I bawled like a baby. I never really thought this was a just world but never really considered how injust men could be. Amazing life story of a man overcoming and rising above horrendous acts of injustice!
A Must Read!

A first-hand account of how and why innocent men and women can spend decades on death row in the United States that should be read and discussed by both pro-death penalty proponents as well as abolitionists.
Kerry Max Cook is a modern Dante/ Job. His story is of one who travels to hell and back, physically, spiritually, and emotionally, but who in the end has the strength to emerge as an enlightened, if wounded human being. The tortures he endures after being wrongfully convicted of the rape and murder of a young woman he only knew casually are simply inconceivable. Not only does he have to contend with the fear of losing his life on a daily basis, (the fear of execution, and the fear of being stabbed) but he also must survive psychologically the tragic deaths of loved ones in the outside world while he is in prison.
The depth of police and prosecutorial misconduct Kerry describes is nothing less than infuriating, shocking. Yet, the presentation of his case is not intended to be an ideological rant against "the system." Merely by stating the facts, Kerry can convince us of the depth of the flaws.
Besides being an eye-opening account into injustice, Kerry's book is also
told in a way that draws us close to him, a human tale that cuts deeply into our hearts. It is a face-paced read that will keep you turning the pages, one that will haunt you and make you want to live each day of your own freedom to the fullest.

Kerry Cook had a few scrapes with law enforcement as a teenager in a small Texas town - joyriding, kicking out the windows of a store that falsely accused him of armed robbery. Thus, police "knew" they had their man when his fingerprints were found at the scene of a grisly murder.

The abuse of justice started immediately, continued for two decades, and nearly ended with Cook's execution. First it was merely physical - police slamming him into a wall, holding his head underwater in a toilet, arranged beatings by fellow prisoners, refusing showers and clothing, and sleep deprivation to force Kerry to confess. More serious abuses then occurred - withholding evidence from Kerry's attorneys, coaching witnesses to slant/fabricate testimony against Kerry, providing scientifically unfounded testimony that "aged" Kerry's prints to the time of murder, solicited false testimony from fellow inmates that Kerry had confessed - culminating to Kerry's arrival on Death Row in 1978. There Kerry was raped three times, and attempted suicide after each. Then his appeal stalled for eight years, and ultimately was denied.

Finally, things started to go Kerry's way. The prisoner who initially testified Kerry confessed, decided to come clean. An FBI expert provided an affidavit stating that scientific fingerprint "aging" was not possible, information was uncovered that a pathologist had told police that the victim's librarian prior boyfriend had ordered a book describing how she had been mutilated (police ignored, and did not provide to Kerry's defense), the major Dallas newspaper printed a major expose of how Kerry had been railroaded, a foundation funded Kerry's successful re-appeal.

The judge in the retrial, however, prohibited introducing most of this new evidence, the foundation funding Kerry's defense ran out of money (his attorney worked pro bono, but could not afford expert witnesses), and after a mistrial (deadlocked jury) and third trial it was back to Death Row for Kerry.

Fortunately, this conviction was reversed again, and Kerry was offered a "No Contest" plea in exchange for time served. His initial decision was to refuse and go back to trial - however, Kerry accepted the deal after learning that the potential jurors generally thought he had gotten out on a technicality and that they were there to "make it right." Finally, after being freed, results of a DNA test came back, exonerating Kerry and pinning the crime on the librarian originally identified by an eyewitness who had been coerced by prosecutors to change her testimony. Yet, prosecutors continued to contest his exoneration when interviewed.

Kerry, however, is not blameless in this miscarriage. Throughout the trials he lied about how his fingerprints got on the victim's door, instead of simply admitting she had invited him up there. (Kerry claims his father told him not to admit this; however, such an action makes no sense whatsoever.) Finally, while Kerry also should be commended for writing the book himself, continually referring to his parents as "momma" and "daddy" was both infantile and aggravating.

Bottom Line: This book seriously questions the wisdom of the death penalty in America.

Kerry Max Cook met young Linda Edwards in 1977 and was invited back to her apartment for a drink, where he left his fingerprints on the sliding glass door. Four days later, Ms. Edwards was found brutally murdered, and Cook was immediately arrested for the crime. In one of the worst examples of police and prosecutorial misconduct in American history, Kerry Max was put to trial with coached prosecutorial witnesses, bunk expert testimony about the "age" (six to twelve hours) of the fingerprint, and suppressed evidence that would have favored the defense. The state declared that Kerry Max was a repressed homosexual (at a time when homosexuality was a mental illness, and in rural Texas, no less) who raped and butchered a female out of repressed rage - a theory, incredibly, they stuck to even during re-trials two decades later, in the 1990's!

Chasing Justice is the story of the framing of Kerry Max by the Texas justice system. The narrative was written in Kerry's own hand (1,200 pages at first draft) and condensed into a powerfully personal 350-page account of life on death row - desperation, abandonment, rape and sodomy, stabbings, and attempted suicide. The prose isn't depressing; rather, Kerry Max just fights on, always waiting for the next turn, building his cadre of supporters. Texas death row has been ruled in federal court to constitute cruel and unusual punishment. Kerry Max fought for a full two decades for his freedom, through three outrageous trials, with not a penny to his name. While the major Dallas newspaper was decrying the railroading of an innocent man, he was convicted again and again and again. To date, he is still not eligible for reparations from the state of Texas because he has not been officially pardoned, which would require the unanimous concurrence several bureaucratic offices unwilling to admit their culpability in the grave trespass of justice against Kerry Max Cook. (By the way, the state spent $5 - $7 million over two decades in their effort to execute Kerry Max).

The reader will question - why Kerry Max? In his book, the author does not devote his energies to answering why, rather, he uses his energy to fight. From some brief research on the case, I have determined that the real culprit hired a very expensive, well-connected good ol' boy lawyer, requiring the police to find another suspect to satisfy the anger of the community. I can only begin to wonder how the Texas justice system conspired for 20 years to keep an innocent man behind bars. During each of his three trials, judges continually approved motions by the prosecutor and denied those of the defense, even to the point at which the court had contradicted itself on which evidence should be suppressed or allowed and for what reason!

Kerry Max's remarkable story is a damning indictment of the death penalty and the Texas justice system. Right before the publication of his memoir, national crime show Body of Evidence: From the Case Files of Dayle Hinman featured forensic experts "solving" the Edwards murder based on false evidence from the prosecution. Even 10 years have Kerry Max's exoneration in the national eye, misinformation is still being spread by those in power. Kerry Max Cook's experiences should serve as clear warning not to blindly accept the word of authority.

Beautiful poetry about a very special little filly who was lost much too soon. I love the way this author puts her words together in such a wondrous way. She makes you really get a glimpse of what this racehorse was like. Prices are always great on Amazon.com as well as a fast delivery. Never had any problem at all. I even order other items from other commpanies other than books, and it's really a great way to shop. Try it, you'll love it!

RUFFIAN, is truly a breath taking epic of a true champion.

When we lost RUFFIAN, we lost more than just her. We lost
part of ourselves as well.

Courtesy of Outsider Writers, here are two reviews of Lyn Lifshin's The Licorice Daughter. The reviews are by Miles Bell and Leopold McGinnis.

Reviewed by: Miles Bell

Miles is a UK poet. I don't think he has ever met Lyn, nor has Lyn met him. In fact, I'm not quite certain Miles has ever ridden a horse. However, he does inform me that he has excellent teeth.


Ruffian was a phenomenal racehorse who broke the track record in her first race and was unbeaten in her next nine. As a 3-year-old in 1975, in an ill-judged race against that year's Kentucky Derby winner, Foolish Pleasure, she broke down while leading the "equine battle of the sexes", continued to try to race even with a badly broken leg, and couldn't be saved. Why should I care? you may ask yourself, and it was the question on my mind as I sat down with this book of poems about the life of "The Queen of the Fillies". After all, I'd no real interest in horses, and had never heard of Ruffian.

I had, however, heard of Lyn Lifshin, as I expect everyone in the small press has. Reportedly the most published poet alive, with more than 100 books to her name, she crops up everywhere there is poetry. I was unfamiliar with her work, and I must admit to being dubious about Lifshin's abilities; surely someone so prolific is just churning poems out?

It is at this point I must apologize to Lyn, for this book is fabulous for the most part, and it drew me into the story of Ruffian much further than I expected. There is a line early in Todd Moore's "The name is Dillinger" which speaks of a time "when horses were still magic", and this book succeeds in helping to explain some of the reasons horses can evoke so many indefinable emotions in people.

Comprising just over 100 short poems, "THE LICORICE DAUGHTER" (named after Ruffian's near-black coat) is actually one long poem in small sections covering the short but brightly-burning life of a horse acknowledged by many as the greatest female horse in history, from her birth, the separation from her mother, the glorious first races, to the tragic conclusion to Ruffian's career and life.

Lifshin writes with great passion for her subject without slipping too far into sentimentality, and the language she uses creates a mythology for Ruffian, as if she was/something in a dream/in the shape of a horse...

There are several other examples throughout of Lifshin using especially descriptive words to evoke a sense of "otherness" about Ruffian, supernatural, ghost-horse, black arrow, mystery, black lightning, and even mentioning Icarus and Pegasus, only to describe her again, finally, as just a trapped animal with wild eyes, as she was led, fatally hurt, to the ambulance after one race too far.

The pacing of the book is perfectly judged too, the poems increasing in intensity and speed like the horse herself, until the quiet last few poems lend an air of reverence more than deserved, it seems, such is the power and sheer story-telling mastery of the rest of the book.

There are a couple of small quibbles I have; the mention of EBay early on jarred me out of the quiet pastures of the 1970s I'd been immersed in, and there are a couple of occasions where descriptions of Ruffian veer towards anthropomorphosis, and I feel Lifshin is a good enough writer not to have to humanize the horse in order for the reader to empathize. That said, these are minor points and only mean I couldn't faithfully describe the book as perfect, just very, very good indeed.

In summary, I would highly recommend "THE LICORICE DAUGHTER: MY YEAR WITH RUFFIAN", as fine prose poetry and a terrific story/myth, well-told. As I reached the end I must admit to getting something in my eye and having to take a few manly deep breaths, before going online and reading all I could about Ruffian, the horse who lived simply to run.


Reviewed by: Leopold McGinnis

Pold is a founding member of Outsider Writers, and an all around Canadian literary icon.

113 pages, Texas Review Press

I was only vaguely aware of Lyn Lifshin when I was asked to review this book. I'd read an article of hers in a book in which we'd both been published and, a few weeks previously, a poet friend of mine who's opinion I respect raved about her work. When the opportunity to review Lyn's latest book (or second latest at the time of this writing - I think she puts out a book a month!) came up, I was eager to find out what my own opinion was.

The Licorice Daughter is poetry-novella based on the true story of Ruffian, widely considered the best female racing horse in history. I believe Ruffian was even featured in the Sports Illustrated top 100 female athletes of all time. (But not in the swimsuit edition, to my knowledge.) To avoid spoiling the book, I'll say no more than that.

When I realized, about 10 pages in, that this was a book about horses, or about a series of horses I began to regret my offering to review it. It's a subject area of which I have little interest, and yet the poems were good enough that I was enjoying reading it, so I figured that was all that mattered. It wasn't until about a third of the way through the book that I realized that this was all about one horse and, in fact, a continuing narrative. This piqued my interest greatly and, to use the obligatory cheesy book-review metaphor, it was a race all the way to the finish line after this point. Born after the events in the story, I wasn't aware that the story was based on reality until I did some research later, so this also kept my interest for quite a while.

There is a burning inevitability to The Licorice Daughter which I love, and makes the book a thrilling read.

While the book starts off a bit slow out of the starting gate, the book picks up a lot of speed by the middle and is running at full gallop by the last third, even though you know where it's going. Ruffian's story is an engaging one and Lyn does not do it a disservice. A lot of poets try to boost their poetry, or replace a lack of something to say, by co-opting an already existing story. Certainly this is legitimate poetic practice, however, often the poet does nothing more than dilute the strength of the original story for poetic gain. Lifshin, on the other hand, brings a lot to this little known (at least to me!) story, filling in or making up pieces that have not been documented by the papers and historians, and giving a real sense of the passion, the life, and the intimate hopes behind Ruffian and all those involved with her story, from the jockeys, to the fans and beyond. It's a sign of a remarkable poet who can improve upon a classic story.

The book is notable for a number of other features. One thing I enjoyed was that the poems weren't linked like chapters, but more like a grasshopper touching down as it hopped along Ruffians lifeline, allowing the reader to piece together a lot of the details. Often times two or three poems would cover the same event. Rather than being redundant, they offered different views of on singular piece of the story and this was quite refreshing. The book dances close to cliché on a few occasions (what books don't?), but never touches, and often blasts off in some wonderful directions. I particularly enjoyed some of the poems at the end that manage to tie thing like EBay to the story of this horse from 30 years ago. Unexpected and wonderful.

If I was a visionless corporate book producer, I'd target this book towards young girls. I wouldn't target it towards horse enthusiasts because they aren't a big enough market...and we all know that poetry doesn't sell anyway. Unless you're dead and your name is Bukowski. Thankfully I'm not and while this book would certainly delight little girls, it would also be a must for any horse enthusiast. But still that's narrow minded. This book is well executed, fun, a quick read, and contains a great and engaging story. I believe it would be a great book for anyone who loves poetry. Even lovers of sports (if you can convince them to give poetry a try) should like it.

I think the true sign of a good book is if you can get someone who isn't at all interested in the subject to like it. As someone who is highly contrarian, very critical of poetry about hackneyed overdone things like horses, and far from sporty or interested in things equine I greatly enjoyed this book, so I believe anybody will if they give it a try.

For any racehorse enthusiast, this is a must read. Lyn has put into poetry a beautiful, yet heart-wrenching story of this incredible filly. It only takes about a hour to read, but the words will stay with you for a lifetime. I saw the race "live", and I'll never forget it. Long live the memory of Ruffian!

For fans of the late, great Ruffian, this is a must read book. A sensitive, wonderful read about one of our country's great horses.

An outstanding view of the War Between the States from the point of view of an "ordinary" soldier.

Perhaps if the writer had put his thoughts to paper soon after the events described he might have remembered a few details! We barely find out anything about his weapons, his leaders, his thoughts on seccession etc... While the small details of camp life and escaping are interesting a better book on that subject is Prison Pen.

Excellent, first had observations made by a common private in during the Civil War. The author IS NOT a professional writer. This makes it all the more valuable. The author is not writing the book to entertain, or to pass along old, gory war stories. This is a story by a simple man trying to tell us his point of view, simple as that. This account is quite valuable to anyone interested in the study of this horrible conflict. Recommend it's reading and recommend you add it to your collection. I do wish there had been more like this one.

This book is a very enjoyable and powerful read. The "War of Northern Aggression" has never seemed such a real happening to me before. It makes well-known battlefield names come alive. Fletcher was a very practical, down-to-earth man and the reader is exposed to the practical everyday concerns of a Confederate soldier. The plight of the wounded is nearly felt by the reader. Fletcher candidly discusses taking food from women and children in Union territory and scavenging the dying. He even expresses regret that he had refrained from shooting an enemy soldier because he appeared very young and he wonders if it hurt his nation's cause. There are very exciting stories about being captured and escaping from a moving prison train. After the war, he heard a North Carolina soldier ask Fletcher's Texas cavalry unit if they had any bacon. When one answered yes, the man said "Grease and slide back into the Union." After thinking about it a while, Fletcher saw the wisdom in that statement and did just that. He became a highly successful lumber entrepreneur. I highly recommend for students of military or Southern history or anyone who likes true adventures.

This is a good, first hand account of the life of a Confederate soldier. Fletcher writes of only what he seen during the war. The only judgement he cast is upon his leaders actions at Gettysburg. This book will definitely change your perspective on the life of a common soldier.

My husband wanted this book for his birthday as he has enjoyed this author's version from other states. It is a great guide to understanding the birds around you and easy to use.

This is my favorite field guide. I started purchasing different field guides to help me identify different birds, animals, and fish while I am kayaking and camping. By far this is the best laid out field guide I own and I would highly recomend it to anyone who wants to identify birds in Texas.

I don't know much about birds other than they fly and I like to look at them in the backyard. I have often wondered what kind of birds I have been watching... Enter this book.

To look up a bird in the book, you flip through the top corner looking for the predominant color of the bird, then scan through a dozen or so pictures and very easily identify what you are looking at. I have not seen a bird in my yard that has not been very easy to find in the book.

Also, the description of the birds are quite informative, and the information is very easy to understand.

I recommend this book.

This is a great book for everyday use to identify birds, I have several bird book including an Audabon book and prefer this to the rest.

This book covers every bird I've ever seen in the Great State (over 40 years worth). I guess if you are trying to dot the final i, you might look for a more complete reference, but for 99.4% of us, this book cannot be beat.

A book and story like no other that I have read. The author becomes blind and then learns to paint, as the title indicates, but what the review and title do not reveal is that the author guides the reader through her personal journey toward self actualization. By her frankness in revealing the changes she endured, the emotions she felt and the methods that lead to her acceptance, the reader gets a great insight into their own life and how to handle personal problems. A marvelously insightful book by a mind that is creative, mature and certainly a genius. I could not wait to see what happened next and found myself reading the book late into the night.

This is a well-written story about a woman who, after being suddenly plunged into darkness, struggling with denial and profound depression, ultimately triumphs and goes on to soar into a life she could never have imagined. This is a truly inspirational story which has lessons for all of us.

I recently had the pleasure of meeting the author and her husband. I thought she was inspiring after a short visit over breakfast. But until reading this book, I had only seen the tip of the iceberg! It is amazing that someone who has endured so much can remain so positive and create great works on canvas as well as create great impacts on the lives of others. There is so much inspiration in this book. This will be great for Christmas gifts!

It took an incredible loss for Lisa Fittipaldi to become a winner. Her inability to see the world from the outside forces her to look within. The author entices you from the beginning by intimately sharing her painful discovery into who she really was, and wasn't. A brilliant career woman channels her intelligence, determination, and resourcefulness into finding an answer, but not knowing to what. As her health continues to deteriorate she explores every dimension imaginable desperately attempting to discover her purpose in life. Miracuously everything seems to flow together and manifests itself in every stroke of her brush. It is difficult to conceive that her images come from an internal memmory bank, eloquently transfering onto canvas. Just as skillfully she takes the reader through this process managing to explain the impossible. After reading all night I finished the book feeling refreshed and inspired. A remarkable woman!

As Lisa Fittipaldi's "art dealer extraordinaire," I was honored to be included in her touching account of how she overcame going blind and went on to produce such moving realism in her paintings. As I read the book, I found myself unable to put it down, despite the fact that I have known the artist for more than five years and thought I knew her whole story. This book shows Lisa's journey to re-enter the sighted world after going blind and how she used art to find that path. The following quotes from the jacket cover indicate how this book inspired Natalie Maines, Heloise, Kinky Freidman, and Rick Riordan.

"This book goes far beyond learning how a blind painter creates her works of art. It is an honest, heartfelt look at a woman who struggles to overcome her own faults and fears to find her authentic self."
- Natalie Maines, lead singer of the Dixie Chicks

"A truly inspirational story with highlights, lowlights, and lessons we can all learn from."
- Heloise, international household hints columnist

"Lisa Fittipaldi is a great artist who also happens to be blind. "A Brush with Darkness" is the story of how art imitates life, and how life imitates art, and how both are mirror reflections of the miracle that is the human spirit."
- Kinky Friedman, singer, songwriter, and author

"By turns poignant, enthralling, and uplifting, "A Brush with Darkness" is a tribute to human perseverance and creativity. Lisa Fittipaldi writes as she paints - with deft strokes and vibrant color."
- Rick Riordan, Edgar Award-winning author

EVACUATION PLAN brought me to tears at several moments throughout the book. It's dark beauty and poetic interpretation of our struggle to embrace and accept death is heart wrenching in its honesty. A true work of art and a novel that O'Connell should be tremendously proud of!

"Evacuation Plan: a novel from the Hospice" is a wonderful blend of lives ordinary but with sometimes extraordinary elements. We all share these stories of life in some way, despite moments of harshness or unforgiving pain. There is always a common thread of "humanity" and ultimately forgiveness to be found, even if it's in the last moment of life. Elaine Williams

Aspiring script writer Matt visits a hospice in order to gather inspiration for his great play. Spending the days getting to know the people staying there, Matt realized the hospice is full of stories, for anybody who cares enough to sit down and listen. From the lady whose sister ran off with a circus artist (or wanted to, anyway) to the old man who was just hoping to be reconciled with his children before he left this earth, Matt talks to them all, asking them what was their best experience in life, and hearing the stories they just have to get off their chest-before it's too late.

The idea behind Evacuation Plan is brilliant. Joe O'Connell works from the theory that "everybody has a story to tell," and you are left with the knowledge that this is without a doubt true. The book changes focus constantly with the chapters alternatingly being told from Matt's point of view, and then from the view of one of the people at the hospice.

The main thread running through all the stories is death and how to cope with it, but this is not a strong enough connection to get the stories linked together properly, and Evacuation Plan ends up feeling more like a book of short stories with a common theme, than like a full novel. This doesn't make the book any less worth reading, but it is always an advantage for the reader to know what to expect, in order not to be disappointed by the number of loose threads left hanging.

Though dealing with a sober subject, Joe O'Connell manages to be neither too somber nor engage in too much gallows humor. Death is faced unapologetically and straightforward-a very refreshing change from books that tend to either shy away from the subject, or wallow in it.

Armchair Interviews says: This is more a collection of well-written short stories than a novel, with the thread that connects are the stories at the hospice.

Hospice-----a place to die. The End. Joe O'Connell's Evacuation Plan is a beautiful contradiction to those very general concepts of human finality. For those who believe there is life after death and for those who don't, O'Connell has shown that there is life BEFORE death with each glimpse into the souls, hearts and memories of us all. Evacuation Plan reminded me of the woven potholders that my older brother and I made during our childhood-------over, under, around and through, and a final stretch to completion. Life experiences- fascinating, painful, endearing, complex, ugly, but a part of each of us, make this book a worthwhile read. Joe O'Connell's writing opens our eyes wide to see human beings rather than Hospice patients and those who are brave enough to go as far with them as mortals are allowed to go.---Eleanor Bosl, Joe's mother-in-law and very proudly, his friend.

You are in a hospice, and Rod Serling walks in and asks you to tell him a story. If you had to pick one event out of your life to tell him about, what would it be? Evacuation Plan, by Texas writer Joe M. O'Connell, is a collection of stories told to the novel's protagonist, Matt, who is a screenwriter working in a hospice so he can collect material. The occupants of the hospice -- dying residents, their family members, and the hospice staff -- are like the tattoos of Ray Bradbury's Illustrated Man, each one offering a tale that stands out in their lives. Like the loser who stares at himself in childhood pictures until the pictures come to life. Or the guy who gambled his wife in a game of Monopoly at his murderer father's Christian home for the deranged. Or how fate undid the fate of a young unwed father-to-be. These are stories of reflection, of the best day in one's life, the worst day, the turning points, and the close calls, some joyous, some sad, some bizarre. Not the stuff one would discuss on a first date or a job interview. The surreal atmosphere of the hospice, where angels might be eavesdropping, drops the guard of the storytellers, and sincerity prevails. Evacuation Plan is both entertaining and thought provoking, and it is a wonderful book.

This was an incredible book. You can go to what is left of the Alamo today and try and imagine it, but this book brings it all together for anyone interested in this amazing story. Beautiful art and camera work gives it a realistic feel. Definitely a great book.

I am surely not well informed enough to comment intelligently upon the details of Mark Lemon's work, but it certainly appears he has done an extraordinarily thorough job of researching and analyzing and integrating every scrap of evidence about the Alamo's configuration at the time of the 1836 battle. Lemon has then used that research to create an intensely detailed, accurate 1:48 scale model of the complex. And in "The Illustrated Alamo 1836: A Photographic Journey" he presents us with sharp, clear photographs of the model, supplemented by the author's sketches and drawings of various details. The photographs of the model, naturally lit and inserted into natural backgrounds, create a persuasive illusion that we are looking at the real thing, that somehow Mark Lemon has taken his camera back to 1836 aboard a flying time machine.

Anyone intrigued by the story -- and the mysteries -- of the Alamo battle cannot help but being enthralled by "The Illustrated Alamo 1836". It is one of those books that really creates a "you are there" experience.

It is beautiful, you really have the feeling that somebody went back to the Alamo in march 1836 with a digital camera!

This book was recommended to me by the excellent staff at the John Wayne Alamo set in Bracketville, Texas. Mark Lemon does a FANTASTIC job of taking us back in time to give us, for the first time, a painstakingly researched, meticulously crafted, image of what the Alamo looked like at the time of the siege. A visit to the Alamo set in Bracketville along with this book are must haves/do for any Alamo history buff. Of the many books about the Alamo in my library, this is the one I will show family and friends who come to visit us in San Antonio. Just a stunning, stunning work.

This book is fantastic, as a die hard alamo fan, I have never ever seen better drawings and models of the Alamo, everything is true to detail, and the photos of the model are made outdoors with real Texas sunshine and real shadows...this is better than the real thing. Aerial views of the Alamo as it looked in 1836, detailed views of the different parts of the Alamo....if you LOVE the Alamo, you must have this book!! Seriously!!
from a guy who studied architecture and loves history!