New York Books

This is a major compilation of the work of the intriguing graphic artist, M. C. Escher. Remember seeing depictions of events that seem plausible but, under closer analysis, involve impossibilities? That describes some of Escher's most interesting works.
The book provides just about everything Escher produced (appearing in the "Catalog" section of the book), including his earliest works compiled during his teens. Among the most well known (and fascinating) include "The Waterfall," "Ascending and Descending March," "Convex and Concave," "Liberation," "Synthesis," "House of Stairs," and so on. The catalog section is fun, for one thing, simply to trace the evolution of his art.

But there is more to this volume than the works themselves. The volume provides context, with a brief description of his father's life as well as a more detailed analysis of Escher's life, from his birth in 1898 to his death in 1972.

There is also a most useful chapter labeled "The Vision of a Mathematician" (featuring the thoughts of mathematics teacher Bruno Ernst). It begins by noting two periods in the work of Escher--(page 135): ". . .pre 1935, in which landscapes predominate, and post 1937, which is characterized by a marked mathematical tendency." Ernst describes the mathematical principles in some detail (for those interested in this, a fascinating discussion). The textual portion of the book concludes with an essay by Escher himself on "The Regular Division of the Plane," including his reflections on his art.

This book has been around a while, but it is a valuable backdrop to getting a sense of the art of M. C. Escher.

I love everything Escher. I have several books, numerous calendars, as well as large jigsaw puzzles, T-shirts, magnets and mini jigsaw puzzles. Because of the detail in this book, I will never need to add another book to my collection. I especially appreciate the explanations. I am nowhere near smart enough to figure out what Escher was doing in each of his artworks. The detailed lesson on what each piece means is much appreciated by an art fan who is not an art scholar. I think this book would be great for any Escher fan, but I feel the need to tell you it is very large. Make sure you have room for it.

And c'mon - if you've seen his work, you're a fan.

The great thing about this book is not just the extensive and readable biography, but the complete (so they say) catalog of his graphic works. Even people very familiar with Escher's ouvre will be surprised by some of the entries here. They go back to work he did at ages 18 and 19, and show the devleopment of the Escher that has become so famous. It's just a little disappointing that the catalog is printed only in black and white, when so many of his works used color. The catalog reproductions are just that - a listing of his work, not a gallery, so the quarter-page size of most pieces is adequate for recognizing a piece, if not for appreciating it fully.

It is fascinating to see Escher's style develop though his (and the twentieth century's) twenties. Various influences early on suggest Beardsley (cat. 49, 67), Picasso (cat. 51, 58), or the pervasive Art Deco of his time (cat.34). Even then, some of Escher's later fascinations begin to emerge, including hands and reflective balls (cat. 88 and 80), symmetries and tilings (cat. 61, 65), and complex interactions of many figures in a repeating structure (cat. 90). The lesser-known parts of his work also start to emerge by the time he's 30, including delicate lithographs (cat. 129, 132). As much as I love his visual paradoxes and flirtation with the infinite, the lithos and mezzotints are the pieces that truly move me. "Snow" and "Blowball" (cat. 278 and 330) have an eloquent simplicity. "Eye" and "Drop" (cat. 344 and 356) demonstrate his classical sense and his perseverance with the demanding medium of mezzotint.

The text is also thorough and enjoyable - a good thing, since it takes up half of this heavy book, including its own set of illustrations. I admit that I have only skipped around this section, which starts by describing Escher's father. It's small wonder that his father was an engineer and that his son Arthur studied geology. Although an artist to the core, Escher had fruitful contact with mathematicians and crystallographers. He is one of very few artists that have successfully incorporated hard science into their artistic vision at such a visceral level, and the scientists appreciated that as much as anyone.

Although out of print, this book is available inexpensively on the used market. It's one of the best bargains around; if you've read this far, you'll probably find it well worth having.

//wiredweird

I haven't even had a chance to go through all of this remarkable book yet, but I am so impressed with it so far I cannot burble enough about how delighted I am with my purchase. This is a beautifully produced, designed, and wonderfully complete book. Many tales of the personal life an vision of the artist, countless, cleanly reproduced graphics, many works I have never seen or heard of before. Terrific! Can't recommend enough!!!

Definitely the first book every Escher fan should purchase. It's helpful in getting to know about the man himself as well as his brilliant artwork. It may seem pricey, but it's totally worth it, being hardcover (at least the one I got), and high quality photos of his work. It also shows his lesser known works (ones never released apparently), as well as photos of himself and his family. A very informative read and a quality edition.

Bought this as a gift and never got to read it personally, however, was told it was a great book. Marv's a legend, and any Bills fan should take a read, capturing those "glory years" of the Bills.

Extremely hokey and a tad bit hurried through the end, but a pretty good book covering his life of football. *Mr. Levy really needs to lay off the use of superlatives as almost every player or team he has coached was the greatest at one particular thing or another. Also, I don't think Mr. Levy intended that the descriptions he has written regarding his locker room motivational speeches were to betray the fact that the players most likely considered the gravely serious war metaphors that he was constantly drawing on as a little too serious to be applied to a football game. No wonder why they consistently fell silent as he left them to contemplate his words. I can hear in my mind a player asking another "Like, we're playing a game here, right?" as Marv proudly leaves the locker room. Marv comes off as a classy guy hoping to coach again. I hope he gets his wish.

If one were to look outside of one's immediate family for a role model, Marv Levy would be a wise choice. Marv Levy is not all about football, although he has spent most of his adult life in one capacity or another in the game. His body of work is as a human being, caring for his players and family. In this era when books usually have some axe to grind against those who "done someone wrong," Levy seldom has a bad word about anyone, and any are usually absolved before the end of the paragraph. His book details his life, the good times and bad, the celebrations and defeats, and the fights and absolutions. He is a unique man who has written and interesting and worthwhile book about his experiences, written in a positive light about incidents that helped him grow as a man and a leader. For those looking for a good football book, an inspirational book or inpiration of life, read Marv's book. It's well worth it.

[Four of Four stars] Marv Levy of Chicago
and Iowa is sort of the Red Auerbach of
Pro Football. A journeyman, who maintained
his class and sense of humour which is not
just soundbytes in NFL films clips.

Mr Burns does us an injustice below in his
review by criticising the very fine Montreal
Alouettes of the CFL, but CFL fans will love
the chapters on our favorite League, particu-
larly, "My Grey Cup Runneth Over". The only
knock that one can have on Levy, and it's a
slight one, is that he hung too long onto
Kelly at QB (Frank Reich should have started
one of those Super Bowls) and Thurman (fumbles)
Thomas, who was simply an overrated player.

One spot in Marv's fine book, he maintains one
of the hardest things he ever had to do was
keep lightning quick Steve Tasker (one-time
Kansas Jayhawk) on the bench! Tasker, like Levy
is a class act who deserves to be in the NFL
Hall-of-Fame and could have been one of the
greatest RBs or WRs of alltime. Marv, as bad
as the NFL is getting even having you back in
the League at 81, again with the Bills (this
time at G.M.) is a breath of fresh air. Thanks
for all the memories. Your dad and my granddad
chewed a lot of the same turf in World War I.

Recent history has been kind to Marv Levy as the magnificence of having won four consecutive AFC Conference championships is now replacing the earlier bitter pill of lost Superbowls. Marv Levy has become the ceremonial uncle of professional football today. He is to pro football what George Foreman is to pro boxing, the friendly enduring face of a brutal sport.

This is a campfire book, a grown-up bedtime story about a bright young lad from Chicago, one of those lucky folks who got paid to do what he liked. It is a tale remarkably devoid of rancor or regrets but rather a mixture of self-deprecating humor, a bit of self-serving forgetfulness, colorful characters, and the pleasures of the jocular world of organized football. In his preface Levy advises us that his writing style is the re-creation of the pleasures of his memory. Take away the Kansas City Chiefs and he would have had the perfect life.

But before arriving at Kansas City, there were the minor matters of World War II, college, and building a resume. Levy entered the Army Air Corps with the help of a friend who, shall we say, understated Levy's vision impairment. When this problem was later detected, Levy was scratched from pilot training and spent much of the war in Florida as a weather observer. After the war, already in possession of a bachelor's degree from Coe College, Levy began his much heralded graduate work at Harvard. In truth he opted out of the law school in three weeks, choosing instead to earn a masters in history and collecting inspiring anecdotes for use in the Buffalo Bills' locker room years later.

Levy had abandoned law school because of his desire to coach football. After a stint as assistant coach back at Coe for the mighty "Kohawks," Levy over the next fifteen years crafted a highly respectable resume of work as head coach of generally mid-range college football teams, primarily New Mexico, California, and William & Mary. It was a stunning upset of the nation's number one team, Navy, by an undermanned William and Mary crew in 1967 that brought Levy to the attention of NFL, and eventually to the staff of George Allen in Washington as special teams coach.

Levy could not help but be influenced by his Redskins boss. Allen referred to his defensive linemen as "rushers," benched the popular pass-happy Sonny Jurgensen for the workmanlike Billy Kilmer, and played for the least mistakes. A running offense, a veteran opportunistic defense, and juiced up special teams play were his trademarks. Allen seems to have taken to Levy because of the latter's own imaginative thinking about the critical nature of special teams' play, which comprises about 30% of an average NFL game. Moreover, Levy could not have missed how Allen cultivated an image and played the psychological card adroitly.

Levy, a man not without ambition, was anxious to run his own ship, and in 1973 became the head coach of the Montreal Alouettes. Once the flagship of the Canadian Football League, the Alouettes were an artistic, aesthetic, and organizational shipwreck, bedeviled by an atrocious stadium, poor attendance, and impossible weather. Levy guided Montreal to the Grey Cup final in his first year and a league championship the following season. His five successful campaigns in Canada brought an invitation to come back south of the border and take the reins of the young Kansas City Chiefs.

In many ways the Chiefs Levy inherited in 1978 were very much like the present day Chiefs-a potent offense with a porous defense. He also inherited an overbearing club president, Jack Steadman, who did not understand Levy's priority of drafting for defense [Art Still, Mike Bell, Gary Spani, among others], nor his coach's penchant for a tough ground game a la his contemporary "Ground Chuck" Knox. Perhaps reflecting the thinking of his old mentor George Allen, Levy believed that an adequate quarterback could direct the Chiefs, as Billy Kilmer had in Washington. At Kansas City Levy inherited the aging QB Mike Livingston and drafted Clemson's Steve Fuller. Steadman--and Lamar Hunt himself-- created what was probably an unnecessary controversy in their criticisms of the quarterbacking position, a situation aggravated by the arrival of yet another QB, the gunslinger Bill Kenney.

The Chiefs improved, and the defense became stellar, but neither Hunt, Steadman, nor many of the fans were satisfied with a .500 team. Released from the Chiefs in 1982, Levy would always remember how a meddlesome front office and instability at the quarterback position could undermine an otherwise flawless rebuilding program. Thus, when Levy accepted the Buffalo Bills' call in midseason 1986, it is no coincidence that he had already over the years cultivated friendships with owner Ralph Wilson and his executive staff of Bill Polian and John Butler, and that the quarterback situation was quite stable under the maturing Jim Kelly. Clearly a unity of respect and purpose among all levels of Buffalo management marked Levy's years with the Bills and allowed the team to focus entirely on drafting, development, and execution.

Levy assumes that most readers know of the exploits of the Bills in their glory years, and as a rule he paints with a broad red, white, and blue brush. As a history major himself, he has forgotten or omitted some situations that still intrigue knowledgeable observers: his protest of Cincinnati's no huddle offense to the NFL Commissioner prior to the 1988 AFC Championship [a style of play which, ironically, would become the hallmark of the Bills, the K-Gun] or Thurman Thomas's missing helmet episode at the opening of the 1992 Superbowl. But there is self-revelation as well. Levy was over 60 when hired by the Bills; he admits that he had begun to doubt whether he would ever coach again. How could he know then that his best days were yet to come?

I love both of the American Patriot books and am anxiously awaiting the third. They turn the history of our country into a story of amazing heros and heroines. I am a home school mom and am considering adding both Daughter of Liberty and Native Son to our American History curriculum. The books entertain while they enlighten. The best way to learn. These are now my favorite historical fiction.

I enjoyed this book very much!! The first story was amazing and the second book picked up right where the first one left off. Elizabeth is sent by Washington to continue spying among the British. Jon on the other hand is sent into indian territory to try to convince the indians that Wasington needed them. Jon was captured and became a slave. Elizabeth has no idea if he is dead or alive. The only problem I had with this book was the fact that I now have to wait so long to find out what happens. A must read and a tender story.

Native Son is the second book in author J.M. Hochstetler's The American Patriot Series, and is every bit as magnificently composed as the first. Picking up where Daughter of Liberty left off, Native Son reprises the suspenseful setting and believable characters of book one and indelibly seals the heart of the reader to the author's work.

With Patriot's identity exposed and a huge price on his head, he is no longer of any use to the Revolutionaries as a spy--but his previous experience living with a tribe of Native Americans qualifies him for an even more dangerous assignment. Oriole, however, has not yet been exposed and therefore must remain behind to continue gathering intelligence for General Washington and his troops. The intertwining of these two stories keeps readers riveted to their seats from the first page to the last--and anxiously awaiting book three.

J. M. Hochstetler's second book in the American Patriot Series, Native Son, draws readers into the compelling first chapter. Brigadier General Jonathan Carleton meets with George Washington to discuss the patriot troops' readiness for war against trained British soldiers.

Meanwhile, doctor's assistant Elizabeth Howard ties down a wounded man and helps the doctor amputate the man's gangrenous leg to save his life. As a patriot spy working in a Tory hospital, Elizabeth faces constant danger of discovery.

Although Jonathan and Elizabeth determine to marry at the earliest opportunity, circumstances and General Washington's orders conspire to separate them. Carleton heads into Indian Territory, while Elizabeth stays behind. They believe God has inspired their commitment to the Patriot cause, but as the separation stretches to months, each struggles with how it will affect their relationship.

When Carleton's negotiations with several Indian tribes turn sour, the Mohawks take him prisoner. Elizabeth wonders at Carleton's fate as time passes with no word from him. As she continues her work, one of the men helping her discovers her true role and threatens to expose her as a spy. Faced with danger at every turn, both Elizabeth and Carleton draw strength from the God they trust. But will it be enough as the pressures they face slowly change each of them and each continues to wonder about the fate of the other?

Native Son holds as much historical detail as the first book in the series, Daughter of Liberty. However, Hochstetler's clear writing and obvious research make both books intriguing reads. The detail in the medical scenes is exquisite and gave me an eye-opening understanding of Revolutionary War-era amputation and medical care. Fascinating details also enhance the scenes in which the Mohawks hold Carleton prisoner and in later scenes when he lives with the Delaware Indians.

Although Carleton and Elizabeth spend most of the book separated by many miles and different cultures, the strength of both characters easily carries the book. For fans of historicals, this series is a must. Watch for Hochstetler's third book in the American Patriot series.

Native Son, the second book of The American Patriot Series by J.M. Hochstetler, continues the saga of Brigadier General Jonathan Carleton and the woman who has stolen his heart, Elizabeth Howard. Each has pledged allegiance to General George Washington. Elizabeth's spy mission sends her gathering information among the Loyalists, while Jonathan's orders send him deep into Indian territory. When Elizabeth learns Jonathan has been captured by the Indians, she tries desperately to gain information about the man she loves. Unable to learn of Jonathan's fate, she is forced to continue life with the uncertainty of whether or not he yet lives. Jonathan's life changes drastically when he becomes a slave to the tribe that captured him. He must make decisions that put him in battle against the people to whom he has pledged his allegiance.

Hochstetler examines a little-known aspect of the Revolution by following the hero Jon to the West. People think of the Revolution being fought in Boston and along the East Coast, but there was trouble in the West, too, with the English, the Indians, and the settlers. Hochstetler lets us see that part of the war through Jon's eyes. Again the reader finds the war-tossed couple, Brigadier General Jonathon Carleton and spy Elizabeth Howard, separated by choice for the good of the new country and your heart breaks at the sacrifices these two make for the ultimate good of many. After Jonathon is sent to Indian territory, Elizabeth ends up in Boston. With wars of all levels--spiritual, emotional, and physical-- pressing on them, we feel the anguish they must endure. Rumors circulate and both characters must pretend they care nothing for the other. The story is set in 1775, and the reader is immediately folded into the setting, riding along enjoying every bump and bruise. Even when Carleton is captured, the reader hopes all will be well, although chances are pretty much against that.

Elizabeth and Jonathan, the star crossed lovers in the previous book Daughter of Liberty, have the perfect conflict: the American patriot and the British officer. Now they are being kept apart as Elizabeth is pressed back into service as a spy for General Washington. Elizabeth is the perfect society lady, listening in on secrets in Boston, occupied by the British. Her hair-raising exploits sneaking secrets past the ruthless British blockade are the best part of the book. Jonathan, who has a price on his head, can trust no one. He goes West where he was reared and meets the Indians- not all of them friendly- he knew as a child. So wedding plans are put aside while each sets out to carry out the mission Washington has assigned them. As the months pass in silence, Beth wonders if he is even alive. Should she begin to consider a life without him? And as Jonathan is taken farther and farther away from Beth, he fears he will never see her again. How can he go back to her while the war still rages? The British want him dead, and his new life with the Indians has even made him an enemy of his own countrymen. Is their Christian faith and trust in God strong enough to see them through?

Native Son is an intensely moving story, impeccably researched and excellently written. It is an intricate look into some aspects of the birth of our nation, and the struggles and temptations faced by two unforgettable characters. J. M. Hochstetler expertly weaves a tale of historical fiction with a romance that must survive the trials and dangers of the times. Outstanding! -- Erika Osborn, Christian Book Previews.com

In Straight, Francis gives us another of his honorable and vulnerable heroes who find themselves in trouble through no fault of their own. True, part of Derek Franklin's problems stems from not getting to know his much older brother, Greville, but the rest of his problems just seem to happen. Being in the wrong place at the wrong time is never in one's favor.

Derek is a successful jockey whose ankle is broken in a fall in a race. Just after he learns that his brother has been killed in a freak accident. Now, Greville was a gemologist who tended to be more than a little paranoid. He loved gadgets and puzzles and lives in a house outfitted like a fortress. Unfortunately, the strength of the house does not prevent Derek from being pummeled and otherwise abused nearly to the point of death. The worst thing is that he doesn't know why. This is a story of many mysteries most of which have nothing to do with one another. True to form, though, the villain once identified, proves to have no compunctions about doing whatever it takes to get what he/she wants and for self protection. Or is that villains?

As the story unfolds, the reader finds out as much about the deceased Greville as Derek, his brother and sole heir. (There are two sisters who live abroad.) It's difficult not to care about both and to feel the regret about not getting to know someone before it's too late.

Straight is a typical Francis novel in that it's a fast read, one cares about the protagonist, and pretty much despises the antagonist. Few surprises when it comes to it, but one of Francis's good ones.

I hve been reading Dick Francis books for at least 15 years. My father introduced me to them. When I go on vacation this summer, some of them will accompany me. "Straight" will be one of them.

Greville and Clarissa had concealed their love affair for three years.

Greville was a middleman, who had traveled the world to search out reliable sources of semiprecious gemstones. The successful London company he founded would have the stones cut in Antwerp, Tel Aviv, New York, or elsewhere, then distribute the gems in quantity to creative designers and producers of fashionable jewelry. Greville also owned racehorses, starting when someone had given him one in settlement of a debt.

Clarissa was the attractive wife of an older British lord, who had pursued her. Greville became Clarissa's first love, as she became his. When he was not on a trip, and she could come to London, they would meet. When apart, which was most days, they had agreed to pause at a set time of day to think of each other, knowing that each was doing the same.

A sudden accident ended all this. Greville had been walking down the High Street next to a construction site, when collapsing scaffolding from high up, struck him, sending him to the hospital, where he never regained consciousness and soon died.

Here are Dick Francis's very first words of the story: "I inherited my brother's life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother's life, and it nearly killed me."

The speaker is Greville's brother Derek, younger by nineteen years. Too tall for flat racing, Derek is a steeplechase jockey, which is especially dangerous because of the jumping. In the story he is, in fact, on crutches recovering from a broken left ankle injured in a race.

Derek's racing world and Greville's business world collide throughout the book. Derek must pick up the complex gemstone business traces, while undergoing continuing pressure from racing owners and trainers to hurry up and heal.

The company employees tell Derek that Greville did not deal in diamonds. In going to the bank, Derek discovers otherwise. The manager tells him that three months earlier the bank had loaned Greville a million and a half U.S. dollars, specifically to expand into diamonds, and would soon be looking to Derek to start repayment.

Where are the diamonds? Stolen? Who are the customers who wanted them? Greville's company business and his house are broken into. Derek is assaulted and shot at. The action is nonstop. The book is a fascinating, literate page-turner.

Note: Probably all of us readers like to notice where a book's title appears in the text, and to see the meaning in context. I frankly lost count after more than a dozen instances, many of them different -- from Intensive Care Unit monitor lines going flat, to straight thinking versus labyrinthine, to honest test reporting versus shadiness, just to name a few. And a big one near the end of the book, which I wouldn't want to reveal here. Your reading will have to decide which of the many applies most strongly. Or perhaps they all do?

This has to be one of my all time favorite Dick Francis novels. It has everything a mystery should have in it - murder, missing jewels, mayhem... In my opinion, it's going to be difficult for Francis to top this one, but I can't wait while he keeps trying!

Straight takes the reader behind the scenes of the jewel trade and it's not an industry that's always on the up and up. Derek Franklin has been on a roller coaster ride of late as his steeplechase jockey career is nearing the end with him sustaining yet another injury. During his forced leave to heal, Derek finds out that his older brother, Greville, has been attacked and is on his deathbed. After his brother succumbs to his injuries, Derek is told that he has inherited his brother's business. Too late to protect himself, Derek realizes that his brother was a target and Derek suspects it has something to do with a fortune in missing diamonds.

This isn't a direct "who dun it" but also has a few subplots that are enjoyable in their own right. When Derek is summoned to his dying brother's hospital bed, the interaction (or lack there of) made me very thankful for the close relationship I have with my brothers and sisters. This thankfulness was reinforced throughout the story, as Derek learns more about his older brother and begins to understand him.

One of my favorite parts of the book is when Derek is sure that a clue is hidden in his brother's computer, but he is unable to access the correct password. Greville's secretary comes to the rescue. After hearing the clues left by Greville, followed by a brief mind struggle, she comes up with the correct code word and up pops a message on the computer screen congratulating her and promising her a raise. Now that's the kind of boss I want - he sounds fun!

The only negative some may have with this book is that it is a detour for Dick Francis. As most of his books revolve around horseracing, his devoted fans have come to expect that background. In Straight the only reference to horseracing is the fact that Derek is an injured jockey.

Want to read a mystery that will have you guessing until the end? If so, then this is the book for you to read next! It's very enjoyable and will have you wondering until the very end.

A reader knows what they are getting with a Dick Francis book. The mystery will be well plotted, the hero (usually a jockey or former jockey) will bravely face whatever trials that face him overcoming his troubled past and/or secret sorrow and the action will center around the some part of the racing world. Every once in awhile though a surprise pops up, this time the jockey is thrust into the totally alien world of gems.

Jockey Derek Franklin has been sidelined by a broken ankle, shortly after his brother Grenville is murdered. As Derek tries to settle the estate he finds himself drawn more and more into his brother's world of finance, gems and quirky little gadgets. Gradually he begins to sort out the mysteries surrounding Grenville's life and death but soon discovers that there are others who are determined to keep him from the answers. In the end, of course all is revealed.

This is a well plotted and clever mystery. The clues are all there for the reader to follow. The characters are well written, and draw the reader into the story.

This is my favorite of Maureen Johnson's books, and I've loved them all. Suite Scarlett was brilliantly written, with engaging characters who are, above all, REAL, which is why I adore her books so much. Johnson clearly knows what it's like to live in New York, to be a conflicted teen, and has obviously been around a lot of theater people. She holds the many threads of the plot together throughout, dropping nary a one, and keeping a wonderful balance between the drama and the humor of them all. This book is a delight from start to finish, and I'm so thrilled that she is writing a sequel.

SUITE SCARLETT
MAUREEN JOHNSON
Contemporary Young Adult

Rating: 4 Enchantments

At fifteen, everyone in the Martin family inherits a room in the family owned Hopewell Hotel to look after. Scarlett finds herself inheriting the highly coveted Empire room, but what should be a great birthday turns into anything but. Her family tells her they just let go the chef, which explains the burnt birthday breakfast and her older sister runs off to spend the day with her wealthy boyfriend. Even her adorable and hysterically funny older brother Spencer can't keep the smile on her face when they find out he may be forced to stop pursuing his acting dream and instead accept the scholarship he's been offered from culinary school.

Soon Scarlett finds herself assisting the Empire Suite's summer long guest, the unusual former starlet Mrs. Amberson who keeps coming up with odder and odder requests; all while trying to help Spencer keep himself from being forced into culinary school by helping with the off, off Broadway production of Hamlet and trying desperately not to crush too hard on Spencer's new acting partner, Eric, which might be the hardest thing of all.

There were parts of the book I really enjoyed and some where I felt the story slowed to a crawl. I really liked Scarlett's two older siblings, Spencer, an aspiring comedic actor and Lola, the beautiful sister with the wealthy boyfriend Scarlett and Spencer can't stand. The good scenes in the book were really good and there were several great laugh out loud moments sprinkled throughout. But I think my absolute favorite scene in the book is when Scarlett and her brother realize the impromptu rehearsals they've been holding in the basement of the hotel has an unexpected guest.

All in all, SUITE SCARLETT was a really entertaining read and I laugh every time I think of Hamlet on unicycles. I look forward to seeing what Ms. Johnson has in store for the characters in book two, scheduled for a 2009 release.
You can visit Ms. Johnson online at www.maureenjohnsonbooks.com and be sure to check out her interactive map http://maps.google.com/maps/ms?hl=en&ie=UTF8&msa=0&msid=102312066307931969077.000442d6d06efbd923692&z=13 with which has tidbits on many of the book's locations, and will occasionally feature hints on book two and Ms. Johnson's current whereabouts.

Lisa
Enchanting Reviews
July 2008

I've never been a huge fan of Maureen Johnson's. I know, it's a crime. It's just that none of the books of hers that I've read have made much of an impression on me. I do admit that she's a good writer and has some great story ideas, but out of the books I've read so far, I didn't really like them enough to say that she's one of my favorite authors. But, I think that may have changed after I read this book. While reading I thought to myself; this must be the kind of Maureen Johnson writing that has made people fall in love with her. It's really good! She's witty, precise, clever, funny, and her whole writing style made this book completely enjoyable to read. It's got nice flow and has enough little quirky things to it that nothing ever gets boring. I'm definitely understanding what people like so much about Maureen. I'm a fan now. Besides the writing, there were, of course, other elements that I liked about the book. I really liked the reality of it all. Maybe not the reality of the plot, because I have a feeling that that part was meant to be not so real and more funny and captivating, but I really liked how the author was able to write about the setting and the characters so that it felt as if you were there and you knew them. I've been to New York once, like five years ago so I don't really remember a ton, but from reading this book I was able to understand the whole dynamic and feel of the city which was cool. I'd love to be able to go and spend a week or two among the crazy hecticness of New York. It seems like it would be a really cool place to live. And besides the setting, the characters were completely awesome. They each had some interesting personality trait that made them unique. I also liked how the cute guy in this story had things wrong with him! Yay! Cheers for realistic and screwed up guys. Sure, I'm not as fond of Eric as I am of more unflawed guy leads, but I do admire him for having the strength to defy the character mold. Ha. Overall, I think Suite Scarlett was a super great book. I loved every part of it and am looking forward to the next Scarlett book with tons of anticipation.

The characters in Suite Scarlett are so appealing I wish that Johnson had not bothered with her somewhat improbable plot (We are to believe rooms in an historic landmark NY hotel can't be rented out!) and just written about her amusing Martin family. Mom and Pop are as translucent as most parents in teen books, but big brother Spencer is a very funny young actor wannabe, sister Lola is a serious and caring beauty, fifteen-year-old Scarlett is a sweetie, neither whiny nor Mary-Sueish, and her young sister Marlene is a plausibly bitchy eleven-year-old leukemia survivor. The adults in this book act like spoiled children and the teens deal with their problems with ingenuity and grace. Suite Scarlett is a fun read, if only to learn from the author that Scholastic keeps a Pensieve in its lobby.

This was really a great book. I found myself intrigued by the special bonds in the family (Spencer and Scarlett) and (Lola and Marlene). I especially loved Spencer's character! He had a wonderful sense of humor.
I actually laughed aloud so many times throughout this novel. It had some great moments and I found myself smiling at some of the ridiculous stunts the characters pulled. What I loved the most was how Mrs. Amberson called Scarlett "O'Hara". That woman was so full of overly-dramatic personality! I loved it!

I also liked the touch of romance it had in it. Perfect way to spice up the story. Eric was of course, charming and cute with his actions towards Scarlett.

Overall, I full recommend this book to anyone who's looking for a teen romance story with great laughs!

This is an excellent book to read to young children. The author gives the reader indepth information about her family but also some historical information about her hometown, Harlem. The illustrations sweep the reader along on Tar Beach and keeps you turning the brightly colored pages. You are able to hear Ms.Ringgold's voice when you read this book and get a taste of life in her family.

I don't know why this book was called Tar Beach, but it's interesting. It's about a little girl who is picked up by the stars and has the ability to own everything she flies over. Pretty cool huh? Whether she can actually do this or she just dreams of doing this, who knows.

A neat feature of this book is it was actually written and illustrated first on a quilt before being converted to paper. Maybe next somebody will try writing a book on a sculpture.

An excellent book for its literay value and artistic illustrations. A great memory for anyone who has lived in New york City and remembers going to their own rooftop gatherings in the summers.

My class loved this book. It was part of an African American History unit.

First off, this book would pair brilliantly with Deborah Hopkinson's, "Sweet Clara and the Freedom Quilt". Utilizing a style not unlike the classic slave quilts featured in "Sweet Clara", "Tar Beach" tells a contemporary story while tying its narrative to the history of African American storytelling. Before I say anything else, though, I should warn you about something. When I first read this book I had borrowed it from my local lending library. The copy I got out was a hardcover from 1991. Now, do you remember getting books when you were a kid and they, not to put too fine a point on it, stank? Certain picture books have some kind of binding glue or something that, over time, makes them stink to high heaven. This book was especially smelly and even as it sits next to me here on my desk I'm reluctant to open it up for reference because of its offensive odor. It's quite possible, even probable, that the editions of this book being sold now (being paperback and all) are smell free and no longer printed so as to attack one's olfactory senses. Just don't buy a used hardcover copy from 1991. That's all I'm saying.

In this tale a small African-American girl dreams of flight. In her flight she is powerful and free. The George Washington bridge, a magnificent structure that her father helped to build, is a diamond necklace around her neck. Flying high, the girl gives her father the union building he's working on, "Then it won't matter that he's not in their old union, or whether he's colored or a half-breed Indian, like they say". With her father so gainfully employed her mother "won't cry all winter" when her dad goes out looking for work. She'll be able to sleep late and (this is the most heartbreaking part for me), "we can have ice cream every night for dessert". The girl daydreams these flights while the family goes up to what they like to call Tar Beach. On the roof of their building they have peanuts and chicken and watermelon as well. She sums up by explaining, "it's very easy, anyone can fly. All you need is somewhere to go that you can't get to any other way. The next thing you know, you're flying among the stars".

On the last two pages of the book a long history of author/illustrator Faith Ringgold explains her life, the history of her work, the history of African Americans in the 1930s, and the basis of this tale. A quilter by trade, the left page displays the amazing quilt that inspired "Tar Beach" the book. In this quilt, the girl and her brother sit not too far from their parents and neighbors. Above, the girl soars over the George Washington Bridge and the words of the book are written into the fabric of the quilt. Parents reading this book to their kids would do well to read the summary at the end of the tale to themselves before reading the picture book to their children. That way they'll be better equipped to answer any potential questions the children might bring up regarding labor union practices regarding African Americans or the history of flight in the stories of slaves. This book covers a lot of ground. The basis of the tale itself is rooted in Ringgold's own experiences of growing up in Harlem as a child. She even gives a little background on the characters discussed within the tale and their lives.

The book is drawn using acrylics on canvas paper with the occasional quilted piece appearing on the sides. As for the plot, kids reading the book may be a little confused as to whether or not the heroine of the tale actually is flying or if it's just in her head. After all, there's a pretty clear picture of her little brother lying below looking up as his sister soars. If kids are able to get past that little detail, however, they'll probably love the tale. I mean, who hasn't wanted to fly freely over friends and family? Who hasn't wanted to give their parents everything they'd need to be happy? Or, for that matter, own an ice cream factory?

The book is well rooted in history, imagination, and colorful storytelling. With a pedigree such as this, it's hard not to admire it thoroughly. And if you'd like yet another book to pair it with during your storytime, consider "The Little Red Lighthouse and the Great Gray Bridge" by H.H. Smith, which is ALSO about the building of the George Washington bridge. Altogether this is an important book with a well told message.

I read this book the first time when I checked it out of the public library. I loved it so much that I had to have my own copy. It is a fascinating account of how the nouvo riche in the U.S. basically bought acceptance to high society for their daughters. You can just pick it up and read sections - it's not necessary to start at the beginning and work through. Not a summer goes by that I don't pick it up!

Every time I read this book it becomes more and more interesting. Meticulously researched, with great little anecdotes and etiquette tips.
This book is a lot of fun! I especially liked the many photographs of the designer gowns (most by Worth, if you please!) that are liberally scattered throughout.
If you're ananglophile you'll want to get this one!

Those few of us who have wondered why in the world a comfortable, cosseted American girl would want to marry an Englishman and live in a cold climate in an even colder stone castle will find answers here, even if the answers aren't satisfactory to the modern ear.

Think of it: wealthy American society girls, products of generations of men and women who gave lives and fortunes to escape a Royalist society, thought it a worthy investment of their lives, loves and wealth to buy an English title in the form of a husband. It's understandable that men who have no money and are saddled with huge estates and titles with no way to support themselves "in the manner to which they have become accustomed" would search out these women. It's another matter to understand the women, especially if they were bright and energetic (like the fabled Jenny Jerome).

Of course the first women to get involved in this weird method of social climbing didn't realize what was involved. (Though why American society decided that an English title was important in the United States, especially if it could be bought with money, still escapes me.) The problems included loveless husbands who paid little attention to their wives and carried on affairs; cold and drafty castles into which Papa sank tons of money to no avail as far as comfort was concerned; families who refused to accept them in spite (or because) of the fact that they provided the money to keep the lifestyle intact; servants who often were sulky and rebellious ("but we've ALWAYS done it that way"); children they handed over to nannies. The first brides must have kept the hardships and loneliness from the succeeding generation, for the rage for English titles prevailed from the mid-19th century almost through the mid-20th century.

TO MARRY AN ENGLISH LORD is a fascinating and complete look at these women and the lives they led. Illustrations showing the homes and households of the times and how they operated, fashions, maps, photographs of the women and their friends, families and husbands all combine to present the core of that particular section of society in that particular age.

The book is meticulously researched and includes a bibliography, a register of American heiresses, a suggested walking tour of the women's London and a very handy index. It's built around the stories of these women and the men who wooed and won them. Who they were, what they did and what the consequences were -- all adds up to an intriguing and fascinating read.

As the other reviewers have noted, this is a great romp through a part of American history you don't learn about in school. I read it through once and then re-read it just to savor all the little bits and pieces the authors have so generously loaded it with. If you ever wondered about all those Vanderbilts and all those Whitneys, here is your chance (from an American point of view!)to find out just how and why these ladies ended up in the postions they did- all for the love of Edward VII. I wish there were more reader-friendly books like this that make history so entertaining.

Who says that history is boring and stuffy? This well-researched book is chock full of anecdotes, pictures, and facts to make the period and the subject come to life.

This book discusses the phenomenon of the "dollar princesses": American hieresses who married into titles abroad, particularly England. Amongst them were Winston Churchill's mother; a woman who was the second-highest ranking woman in the British empire (after only the queen); and maybe the most famous of all: Consuelo Vanderbuilt, who begrudgingly became the Duchess of Marlborough in a marriage aranged by her social-climbing mother.

Written informally, with lots of pictures, this might be a great book to buy a teenager who is just transitioning into "grown-up" non-fiction, but finds most of it dry and uninteresting. It is also a must-read for anyone who plans on traveling to country-houses in England, as it gives a more accurate view of what it was like to actually have to live in one of those monstrosities! Anyone who is interested in the history of class in America, or of the British Aristocracy, would also be interested.

To find out how far short this book falls from many of the great drawings of Van Gogh you can go online and find many drawings not found in this book.There are many sites to look at Vincent's work. With zooming and enlarging the drawings you will have a better idea of the work . So many of the ink drawings of Van Gogh have faded. One of his greatest drawings of trees is in the Art Institute of Chicago.It is illustrated here.The authors miss the central importance of Vincent's work. His use of the reed pen was painterly. He used the reed pen as a brush technique.He drew ,many times when he was out of paints or waiting for canvases from Theo. The catalogue is useful in relating the drawings to his paintings . Often in a nearby page .Catalogues are great as a way of remembering and reviewing an important exhibit.This is an enormously ambitious book from the Metropolitan Museum. It falls short, as I think it would be much better to have a compact disk of the images.I have books on Van Gogh's stuff that I used to show my drawing classes.A book of this weight doesn't full fill the need of something you wish to carry with you.To have a major show of drawings in an era of installation art , I salute the museum's acknowledgement of the importance of these drawings. It is in the drawings that Van Gogh's reputation will continue to grow . His palette was unprecedented in the early 20th century. Since then, his command of color composition doesn't hold up to later developments.

a wonderful memory of a once in a lifetime exhibit. 7 years of drawing before he ever picked up a brush....

The book is much more technical than the "Letter" book I recently read. I enjoy that because I have always wanted to know how he painted or drew his pictures as well as how is life and painting developed.

This is the catalogue for a 2005 exhibit at the Met. A valuable addition to the literature on Van Gogh, it encompasses his whole career as a draughtsman, and a brilliant one of course. The images are perfect (you sometimes get the impression that you are holding the actual drawing) and the text very helpful, giving sizes, provenances and many excerpts of Van Gogh's own letters.I remember visiting the exhibition in crammed rooms on a saturday afternoon, therefore I was glad to be able to savour it once again in a quieter atmosphere, thanks to the book.

Lord Kenneth Clark, at the end of his book and television series, Civilization, said he had come to believe that there was such a thing as "genius". After looking through this book, so will you.

With over 350 drawings, mostly reproduced in color, and dozens more color reproductions of paintings, this will no doubt be the definitive work of the artist's drawings. We see many of his early drawings, including those enhanced with chalk, watercolor, etc. We see the drawings and watercolors done in preparation for his paintings and then we see the paintings themselves.

But the high points of the book are the three drawings in pen and ink done after each of the paintings and intended as reproductions of those works. He wanted a means to share these paintings with three different correspondents: John Russell, Emile Bernard and his brother Theo. He obviously couldn't afford the oil and canvas to reproduce each painting three more times. These laborious drawings were executed and mailed to individuals with whom Van Gogh wanted to share his work (and perhaps impress), or, in the case of his brother, to also show his love and appreciation. Slight variations among the three drawings after the same painting show further, "post-oil" development of each subject and give us additional insight into his style and his thinking. The color reproductions of his drawings allow us to see how the ink on each has faded over time and a 100-year old reproduction of a drawing shows us how the original has faded over time. Because virtually all of the drawings done as a mature artist were on 9-1/2 by 11-1/2 sheets, the reproductions in the book are almost actual size.

Fortunately, both Bernard and Theo's widow and heirs believed very strongly in his work, including his drawings, and ignored the advice of critics to throw it all away. They continued to promote the artist's work after his death, eventually leading to his broader recognition over the following decades. If you appreciate great drawing, this is a "must have" book.

No one is better equipped to deal with the breakdown of society than the poet and playwright Carl Hancock Rux, who incidentally is also an awesome interpreter of his own work. Who knew that among his many skills was the ability to write a novel too? ASPHALT stands by itself as one of the year's most interesting novels. Have you ever seen the Altman movie, QUINTET, with Paul Newman? If so you will be viscerally reminded of that movie when you begin creezing through the opening chapters of ASPHALT, the ones that establish Racine as an underground DJ par excellence and the rundown brownstone he camps out in becomes a sort of United Nations of lost souls, each tenant lonely and frustrated, and frightened for the future, each one coming from a different post-colonial background.

In the Altman film, which treats a similar post-apocalyptic future, the survivors were largely white, even blue-eyed (including Newman, and co-stars Bibi Andersson and Nina Van Pallandt). There were a few "Latin types" including Fernando Rey and Vittorio Gassman, but outside of that it was all about racial blankness amid the Alaska tundra. Here the Brooklyn setting and the rapid back-and-forth flashbacks jarred by the frequent musical interludes give the reader the sensory excperience someone like David Mitchell is aiming for in books like CLOUD ATLAS.

Just finished this book. OUTSTANDING! Complicated in the most divine way. Rux is on to something that has nothing to do with the average easy read bookstores are pumping right now. This book is so relevant to right now and I haven't seen any other new black writers dealing with the political climate in America from the standpoint of people of color. Correction; Rux doesn't even paint a picture of the current political climate, he's on to the next canvas and it's stunning and heartbreaking.

An urban tale written in a refreshing challenging intellectual style. Set in post apocalyptic Brooklyn, the main character struggles to build a life in a war zone. His physical surroundings play as an apt metaphor for his internal quest to make sense of who he is, where he came from and where he ultimately belongs.

LA Times
"Asphalt," (is) a hallucinatory journey...set in a sooty, just-a-day-after-tomorrow future. The book blends speculative fiction and myth with real-life post-9/11 unease embroidered throughout...enamored with densely arranged assemblages -quirky juxtapositions, blurry borders-spinning dross into gold...a grand-scale collage."

Jill Nelson, author of Sexual Healing
"Daring, intense, and provocative, in ASPHALT Hancock Rux fast forwards the novel form into a future that is unexpected, seductive and healing."

New York Press
"Asphalt, (is) a book taken with future apocalypses and the funky, oddly swaddled cast of characters littering that not-too-distant time in Brooklyn. In Asphalt , you get hetero guys in sequins and sarongs, back-from-Paris DJs and couch dancers named Couchette all vying for attention in a newly gentrifying netherworld that Rux ably and surrealistically, sweetly, ties together before the next set."

The Daily Pennsylvanian
"(Asphalt is) both arresting and disorienting. The cryptic opening scenes illustrate Rux's masterful use of language-remarkable....Asphalt is a triumph in several senses...a piece of true urban literature that appeals to the jaded sensibilities of young modern readers."

Greg Tate author of "Everything But the Burden"
"Asphalt gets at how the urban myth of 'keeping it real' must continually run up against the abstracting roadblocks and revelations of one's fractured inner truth and the even sexier surrealism of a Cosmopolis determined to remix your imagination at every turn. Like Celine's Journey, Baraka's System and Delany's Dahlgren this is a novel where the mythopoeic modern city is the real protagonist and the ostensible hero, like all of us, is just a squirrel trying not to nut out."

LA Weekly
"Asphalt...is thick with images of and meditations on terror and terrorism...underscoring emotion and politics, allowing Rux to excavate the damaged inner lives of his characters while ruminating on how the world around them feeds their despair and dares them to rise above self and surroundings. "

Booklist
"Rux's lyrical writing blurs the lines between dreamscape and reality. A dazzling portrait of urban life."

Publishers Weekly
"Lyrically drawn...an elegantly gloomy addition to Rux's artistic achievements."

Brooklyn Rail
"Asphalt is a beautifully written book...as horrifying to read as it is full of hope."

Black Issues Book Review
"The first lines of this first fiction effort promises a mélange of literary forms and edgy melancholy characters...part postmodern parable, part contemporary urban portrait...parts aside, it is fully formed, like an existential poem."

Blether Book Reviews
"Carl Hancock Rux provides a deep look at disturbed individuals in environs in which no one can dodge a world on the abyss."

In the lush heady atmosphere of a house party in a decaying Brooklyn mansion Racine mixes A Tribe Called Quest, Arvo Part, Rakim and Mary J. Blige. The DJ moves the crowd through a throbbing bass line. Loc's, Betty Paige bangs and sheared heads abound in the rich aesthetic of the underground in a post-war New York. The nuances of the urban moment and the self-discovery of colorful characters provide the backdrop for an artful piece of literature for the hip hop and neo-soul generation.

Racine is the quiet DJ who deftly blends genres and sounds and expresses himself through his wheels of steel. He finds himself in the deteriorating yet vibrant post-war Brooklyn after the death of his older brother and dearth of love under the care of foster parents in the south and New York City. While finding lodging in a neighborhood devastated by poverty and despair, he meets a band of intriguing souls. Manny, the ambiguously gay free spirit with a penchant for architectural history, Mawepi the stout bouncer and translator for the clairvoyant Holy Mother and Couchette, the scarred dancer mired in denial comprise his new family.

Immediately Racine finds himself creating the sonic backdrop for intense parties, orgies and conversations while Manny and the other residents chase their dreams in a transitional New York. Couchette is the troubled spirit with whom Racine shares physically intimate and emotionally frustrating moments. The story weaves in depictions of Racine's childhood, including his experiences in fostercare and ultimately forces a young man to reconcile his past and move on.

Rux infuses a tale set in a modern urban environment with ancient Greek mythology that informs several themes in the book. Racine the character is influenced by Hippolytus' Phaedra which was re-written by J.P. Racine. The story of a young man who is physically dismembered by a monstrous force on his journey is a recurring thread throughout Asphalt . The characters have to lose parts of themselves that they may not be aware are hindering their growth, in order to move on. And the personalities in Asphalt all employ different strategies for abandoning experiences that have consumed and distorted their views of reality and themselves.

As an Obie-winning playwright, spoken word artist and now novelist, Carl Hancock Rux has a masterful use of language which is evidenced throughout Asphalt . His description of a taciturn woman lying on the road and an intimidating lanky street orator selling socks are examples of the imaginative supporting characters. Similarly, Rux 's portrayal of the glorious yet depressed New York and the intensity of Racine's past, deeply orient the reader. At times the language is a bit too cerebral which obscures the clarity of events. Yet the descriptive quality of Rux 's work differentiates him from other contemporary young authors. Asphalt is compelling due to its complex and beautiful handling of topics such as child abuse, sexuality and the urban environment. Ultimately, the empirical emotion Rux integrates into his work coupled with his gift for prose makes Asphalt a challenging yet intriguing read.

This is a great book! I felt like I was in New York City. It is so nice to have good Christian fiction to read. My thanks to the authors!

Chick-lit fans will delight in this modern-day retelling of the Bible's Book of Job. Without being preachy, The Book of Jane delivers a message of hope, resiliency to change, and the reminder to hold on to your faith and to keep your integrity through the rough times of life.

Jane is the type of level-headed person I would want to be someday, because I would have fussed, complained, and ultimately lost my cool if all the things that happened to Jane, happened to me. Especially at the same time!

Jane's character doesn't grate by the end of the book. Sometimes while reading first person narratives, I want to tell the character: Move past it already; you've mentioned that over and over. Dayton and Vanderbilt keep the plot moving by surrounding Jane with believable friends and adversaries which kept me eagerly turning pages.

The Book of Jane is highly recommended and since this was my first time reading a book by these authors, I'll be looking out for their next story.

This is by far the authors' best work to date - I couldn't put this one down. It was so easy to identify with Jane and root for her character along the way. I especially loved the character, Coates...(I usually try to put actor's faces to the characters I am reading and I could totally picture Patrick Dempsey in this role :))

It was much more emotional than I expected - more so than any other chick/lit book I've read...I was actually sad to see it end. Here's to more from Dayton & Vanderbilt!

Every book I've read by these authors gets better and better. I was pretty disappointed by Emily Ever After, as I felt that he protagonist was unlikeable and hypocritical. But I saw enough positives in the writing to check out their next book, Consider Lily, which I thoroughly enjoyed. I picked up The Book of Jane the following week, and I absolutely loved it. Jane was real, relatable, and likeable. The plot is a contemporary retelling of the book of Job, and is an encouraging read for anyone who knows what it's like to question your faith when life seems to fall apart. There were actually moments in the book that made my eyes well up: just little kernels of wisdom in there that spoke to my heart. I highly recommend this book, and look forward to the next novel by these authors.

I enjoy "chick-lit" that is light, fun and entertaining. And if the aforementioned novel has an uplifting message to boot... well, that makes it perfect. The Book of Jane is a modern-day look into the Bible's book of Job, and the novel enthralled me, touched me, made me smile and at times laugh out loud all at the same time. Twenty-eight-year-old New Yorker Jane Williams has it all. She has a chic apartment in the Village, a fabulous PR job, a great boyfriend, wonderful friends and an awesome hobby as a leader of the Girl Scouts. She is also a devoted Christian. But it's easy to be a Christian when one's life is going well. Will Jane's faith falter if she were to suddenly lose it all? Well, she's about to find out. Jane goes through a tough road to self-discovery, and with an arrogant and coaxing jerk like Coates Glassman to test her, the road gets even bumpier.

I LOVED reading this! Anne Dayton and May Vanderbilt know how to fuse an inspirational, Christian message with a fun and sassy voice without being preachy or judgmental. Most people are under the impression that Christians are a strict, joyless bunch. A novel like this proves them wrong. Jane is a great character. She is sweet and grounded. Her flaws and cries for help humanize her. She is a character that all women could relate to. The secondary characters are wonderful as well. I loved Lee, Jane's next door neighbor and best friend. I thought Matt, the movie star, was a tad stereotyped, but that was the one of the very few flaws in this book. The novel starts out a little slow, but it soon becomes impossible to put down. Yes, The Book of Jane is a modern take of Job and how God tested him, and the results are wonderful. Dayton and Vanderbilt are authors whose work I'll look closely from now on. In the meantime, I highly recommend this gem.