Washington Books

This book was an instant favorite with me and several friends - its quick, witty prose and dialog was engaging and unique. Craig Seymour works in personal observation, history and commentary to make the memoir more entertaining than any other I've read in recent memory.

Back in the early 1990s, a handsome, young, and affable African American graduate student and teacher found himself nervously attending his first gay strip club to see a live performance by his favorite porn star. Here, customers were allowed to freely fondle the naked dancers. Openly gay but a gay-sex virgin, nervous and slightly apprehensive, Craig Seymour gets his good friend Seth to accompany him.

Excitement soon replaces apprehension and Seymour finds himself falling in love with the clubs as well as his good friend Seth, to whom he ultimately surrenders his virginity. They become live-in lovers.

But as the strip clubs are becoming an ever growing obsession, our hero is able to appease both his lover and his jones by making strip clubs the topic of his master's thesis, with the cautious approval of his school advisor.

Now a club regular, Seymour interviews and gets to know a cast of characters as colorful and crudely affectionate as anything in a Bob Fosse musical.

His first interview subject is dancer Jake the Guess Model, a straight `gay-for-pay' former construction worker who tells his customers he is bi `because [they] like to think there's a chance.'

And then there is Dave, a customer just out of a twenty-one-year monogamous heterosexual marriage and now having the time of his life hanging at the clubs and fondling beautiful young male dancers dangling their eye-level rock hard jewels for his perusal approval.

Dave's favorite dancer is Matt who sports leather chaps publicizing everything usually known as `privates.'

Sassy drag queens, dirty old men, sugar daddies, and dis-effected club owners abound throughout this breezy, affectionate tome.

Author Seymour also learns of and writes about D.C.'s rich gay history, dating back to the 1800s. Then, knowledge of fifty-year-old poet Walt Whitman's love affair with Irish immigrant Peter Doyle, thirty years his junior, was as casual as the then published stories of sexual liaisons between black and white men in Lafayette Square "under the shadows of the White House."

The story of how the gay strip club scene began in the 1960s, where dancers could legally bare all, is beautifully told. The owner of a local bar on O Street, Chesapeake House, offers a pair of sailors $50 each to strip down and dance for his patrons. Soon the club is drawing huge crowds that include the likes of Truman Capote, Tennessee Williams, and Rock Hudson. Other clubs (as well as bath houses) soon open and prosper on O Street, the city's gay red light district.

Although Mr. Seymour's depth and fascinating chronicle of how this charmingly tawdry industry evolves is both interesting and informative, it is his personal transition from thesis writer to booty dancer that makes his memoir a thoroughly entertaining read.

Likable and self-effacing, the author writes thoughtfully, ironically, and humorously about his second job:

"...get on stage, disrobe quickly, try to get a hard-on, and then walk out among the customers, who for a tip--generally a buck--got to stroke, fondle, poke, and prod [your] bod. It was more like sex than dancing, and it had become my job."

He also writes with great care and much soul-searching about maintaining his monogamous relationship with Seth while almost every night allowing strangers and regulars to feel him up.

Seymour's partner is more trusting than most, and it is admirable that the author repays that trust with honesty and a form of fidelity.

However, after six years of being with the only man he's known sexually, the author approaches his partner with a proposition that dooms the romance, if not the friendship.

With the cocaine bust of Mayor Marion Barry, a champion of D.C.'s liberal sexual exhibition laws, restrictions are shortly thereafter imposed on the strip clubs. Customers are no longer allowed to fondle dancers, and dancers aren't allowed to fondle themselves. This, of course, cuts into everyone's income, and author Seymour, now single and sparked on by the success of his thesis, embarks upon a career as an entertainment journalist, which eventually takes him to New York. Thanks to his unique literary gift and ability to ask his celebrity interviewee's frank and probing questions, he quickly ascends the ranks.

His ability to get such stars as Janet Jackson, Mary J. Blige, and Mariah Carey to open up and discuss such things as masturbation, size-queendom, secret babies, cheating boyfriends, and mental depression are shocking, revealing, and often quite poignant. His discussion with TLC's Lisa Lopez regarding her romance with Tupac, his death, her premonition of her own death, is particularly moving. Craig Seymour's keen observations of human behavior, particular with regards to his celebrity subjects, are empathetic and caring, always intelligent, never fawning.

Eventually, Mr. Seymour's busy schedule--writing for The Washington Post, Entertainment Weekly, Vibe, the Buffalo News, and the Atlanta Journal-Constitution, to name a few--become all-consuming, making it nearly impossible for him to have a personal life.

He re-thinks academia, and eventually returns to the University of Maryland to finish his Ph.D. While working as a professor at the University of Massachusetts Dartmouth, he hears that the old strip clubs on O Street will be torn down. He returns for a bittersweet farewell that brings him full circle. The year is 2006.

Craig Seymour's warm, witty, and honestly rendered self-examination of his seemingly unlikely but totally plausible life as grad student turned gay stripper, turned journalist, turned college professor, is quite the odyssey, and quite a lesson for us all. There is so much life out there for all of us to enjoy. This story reminds me of the famous quote from Auntie Mame: "Life's a banquet but most poor sons-of-bitches starve to death!"

Author Craig Seymour definitely heard the dinner bell.Looker: A Novel

This was a very well written and entertaining book. This was the type of book I couldn't put down once I started to read it.

I feel that Craig is very brave writing this book seeing he teaches at the college level. I get so tired of people writing stories after they retire and have nothing to lose. It is great to see him write this type of autobiography.

I also learned several things I didn't know before so this book was also educational in a way. I never knew about the strip clubs being cracked down on the patrons touching the dancers at the end. I am ashamed to admit this, but I had no idea about Frank Kameny until I read the book and also learned a couple other things about gay history when he mentioned his research.

This is a very good book to read and you might even learn a few more things about gay history like I did:)

I just finished reading "All I Could Bare," and what a great read it was: poignant, smart and informative all at the same time. It's a genuine contribution to cultural studies about the sex industry but also a very moving portrait of what it's like to be in a relationship as a gay man. It' a rich book on so many levels and the run ins with Mariah and Janet don't hurt! You'll love this book.

This was a excellant read. Now, that I've got that out. Let me quickly backtrack. I had the pleasure to sit on a PCA/ACA [popular culture association] panel with the author [Craig] at the annual conference hosted in San Francisco this past spring. Out of all four of us on the panel, his topic, at the time this soon to be released memior, captured everyone's attention in the small but packed room. And, let me just say, Craig is just as engaging in person, as well as his memior reads. If you looking for a memior thats, fun, light-hearted, insightful and filled with witty humor, then look no further. Craig bares it all and then some. Craig, and I only use his first name because I actually met him, introduces you the to the other side of stripping, the one that as a gay man myself, I [we] often forget exist. He puts a real human face to the eye candy filled world of stripping. In baring it all, Craig carefully crafts a memior that is deeply personal,and still scholary in nature. He meticulously devlops everything from his club days in New York, to his stripping in D.C, to his interviews with pop music royalty--working for Vibe Magazine. Lastly, all his experiences nicely merge and congeal to give his journey the most interesting flares. This is a must read for anyone interested in queer studies and enthongraphic research.

This is the story of a brilliant young man who seems to be always on the move, moving from one interesting city to the other.

At the beginning, the author leaves New Delhi for US, where he is awarded a fellowship to study at University of California, but he gets caught into culture shock, as well as an internal dilemma, seeking a deeper meaning of life. While he is most vulnerable, he manages to fall in love with one his student but is unable to express his feelings.

Then he seems to have gone through the roller coaster ride of the technology industry emerging as a winner, a successful technologist leading a group of innovators.

We end in beautiful San Diego, with a moving story about how the author and his family face the Inferno, the great wildfires of 2007.

I don't believe anyone has experienced living unless they have ventured around like the author has. It is in his narratives, his reaction to the challenges he faces and his observations of people and culture of various places that he truly shines.

It is my top read of the year!

Whether you ever wondered about meaning of it all, or you want to read something light amusing, or want to see places like Seattle, San Diego, and Nashville from the eyes of the writer, or vicariously live the life of a student at University of California, this book is for you!

This book combines elements from good humor, a memoir, a scenic travelogue, a touching love story, science fiction and philosophy.

The author, pretends to be an Artificial Imagination computer program simulating human creativity, describes the life/career journey of a modern nomad through the Hi Tech world of California and Washington (Settle). The book is clever, witty and obviously written by someone very intelligent but still manages to be very down to earth and funny! it's light reading, the author has a conversational style, you feel as if you are reading a letter from a close friend!!

As a travelogue, Welcome to the USA is pretty good, Kalpanik certainly made me think about wanting to go to San Diego, Seattle and Nashville.

as a character. Kalpanik seems simultaneously incredibly thoughtful and serious and yet someone who has a carefree attitude towards life, someone who handle life as it happens!

It's a light reading, and yet thoughtful; funny yet serious; conversational yet literary!

This book takes many life concepts expressed in different forms and combine them in a mishmash. He structures the 12 different personal essays, each highlighting a particular transitional period in his life or a specific experience in to a beautiful collage of experiences in this book very successfully. What a funny memoir!

Kalpanik S. is a fine writer with a lot to say about a lot of things and a unique way of making you laugh! I highly recommend her book.

ReKalpanik S. takes us through his arrival in USA as a student and subsequent travel to several places - San Francisco, Seattle, Nashville, and San Diego. In each places, he focuses on similar aspect of his life as a technologist and an immigrant - acceptance by local people, standing out as a ethnic minority and foreign born, life as a technology execuitve and family life. In addition, he covers local food, people, culture and sources of enjoyment, joy, and finally, and his quest for love and balance.


He adds so much meaning, passion and humor, he is so open with the readers that I felt like I was reading a private letter that someone would write only to their best friends.

The writing is refreshingly unexpected, humorous and meaningful. Great read!!

When all else fells have faith don't give up on love for GOD can bring you back together if only you continue to believe. They had true love for each other and faith to believe in their love there for they found their way back to each other.

OMG this book was off the chain!!! It is so true that with each Ramsey saga the stories get better than the one before. I am so glad Yohan and Melina were given a second chance. Yohan was ole so sexy and I was so excited to see Josephine wake up from the the fog I thought she was in in the previous books,but little did I know she has sown some of her own dirt!! Marcus and Houston finally got a little taste of the reprecussions they needed to face for all the years of dirt they had done. Quest and Mick had their baby, Quay and Ty became instant parents, County and Fernando finally decided to make it legal and Wade surprised them all. I can't wait until the next book. This is a must read and definitely in the league of Brenda Jackson's Madaris saga, Rochelle Alers' Coles, Francis Ray's Graysons and Melanie Schuster's Devereau/Cochran family!!! I highly highly recommend this book to readers looking for a story with romance, drama and conspiracy. Like I said it was Off the Chain!!! Altonya Washington all I can say is do what you do girlfriend cause I am a serious fan.

Sorry Folks,

But unless you've read all of the other books in this series, it is CONFUSION at its best!!! It was such a waste for me, that I'm Not convinced I should purchase the others.

I read "series" books all the time, many by author Brenda Jackson. She is always able to transition into the next book and write it, so it's understood by both readers who are reading their first book in the series, or the next in the series of which they've read all the others. I fussed through this entire read; it was that miserable.

Maybe your faithful, should give you the space and time you need between books. To me it was obvious you were rushed. Oh, the storylines, characters were probably great. However they were placed into a badly written story. Story was too much work, not because it was supposedly suspenseful, but it was an "incoherent" kind of tussle through a story- you know "muddied". The most important missing issue was, "why the bad boys were- BAD!!! We were told over the course of the entire book,(front cover to back cover),what the bad boys did, we were hardly told why they acted as they did. History helps the reader. Please write your next so there is an easy flow from page to page. Please don't make your readers go back and forth between pages to comprehend, your creative intentions. Please be more creative like you did your other reads, I have enjoyed.

Sorry, MHO, no disrespect intended. Sincerely

AlTonya Washington returns with another segment in the lives of the Ramsey Family with A Lover's Regret. Melina and Yohan were college sweethearts that possessed a love so strong that they were confident no one could come between them. But Melina knew the truth about a secret that haunted Yohan and his family. Unable to live with the secret, Melina tried to tell Yohan but Yohan's father, Marcus Ramsey, who is the root of the secret, stopped her. Marcus also forced Melina with threats. Eight years later, Melina returns to finally face Yohan. However, she learned another secret that could prove to be more harmful to Yohan.

Washington's story is packed with suspense. The loving feelings shared between Melina and Yohan were felt as strongly as the hatred Yohan felt for his father, Marcus. However, having not read any of the previous novels, this reviewer was a little confused in the beginning of the novel as I tried to figure out why the entire family hated their father. As the story progressed it began to move quickly and put everything in place. Fans of Washington, I am sure, will not have as much trouble with this story. I will admit, I am now interested in reading the prior novels to put things in perspective.

Reviewed by: Priscilla C. Johnson
APOOO BookClub

Ms. Washington has crafted an AWESOME series! The Ramseys and the scandalous secrets surrounding them and their circle of friends is a tale NOT to be missed. While reading the fourth installment many questions are answered. However, it seems just as this family discovers NEW secrets, another scandal or skeleton is just waiting to be uncovered. Once again, the cast of characters, heroes and villains are quite memorable. And if, the HOT & STEAMY reunion between Yohan and Melina doesn't set the pages of this novel on fire for you, then the SURPRISING twist and turns throughout will definitely keep you turning the pages. So, now that I'm caught up with this very entertaining series, I can hardly wait for Ms. Washington to put out the next novel!

What can I say!!!Another great Dear America Book!!Their becoming addicting.As Kathleen Bowen lives with a topsy-turvy life you can see the real life features of Life in Washington D.C. 1917.Great book for anyone who is as addicted to the Dear America Series as I am!!

"A Time for Courage" centers around 13-year-old Kat Bowen who lives in Washington D.C. with her family. The year is 1917 and there are many political developments in the country - the women's movement towards voting rights for females and also the US involvement in WW I. Kat's mother and aunt are involved in the movement, and though Kat's dad supports his wife, her uncle is against it. Readers are also made aware of certain historical facts such as the fact that President Woodrow Wilson wasn't a supporter of women's right to vote. The story also explores Kat's close bond with her cousin Alma.This makes a great introductory read in politics especially for younger readers, and will enhance their awareness of the subject.

As is the custom in the Dear America series, there is a hisorical note at the end that touches on women's rights in the middle of the nineteenth century and the leaders of the suffrage movement in America. There are also historical photographs and a timeline of American women in politics. Conclusion - a fascinating fictional account of the suffrage movement as seen through the eyes of a young girl.

Kat Bowen is living in Washington D.C. during the woman's fight for the vote. Her own mother is among the woman picketing outside the White House Kat writes down her own views and opinions during this time. She supports her mother but at the same time worries about her mother. Especially after Kat sees how women picketing are being treated. She also witnesses trouble in her family when her uncle is so against the picketing and noting of women voting to the point it almost ruins the marriage of her aunt and uncle. Its amazing how badly picketers were treated and at the same time the women who did picket and go through the hunger strikes and horrible time in jail they were all so brave. An excellent book.

Kat Bowen is a thirteen year old Washingtonian girl. Her family is generally wealthy, and she has a s many friends as she could need. Her cousin is her best friend, Alma, and her father is a well known and widely respected physician. But when the first World War and the women sufferage in her own home city begin to take the spotlight in her life, Kat finds herself being pulled deeper in with each day. Her mother decides to become a sufferagete, and her father supports her.
But Kat's uncle, Alma's father, is outraged, and refuses to allow the womenin her family to participate. Kat decides to help her mother sew banners for the suffragete movement, and do other deeds to help the women.
Real characters are incorperated into the book, which is one of the reasons as to why it is such a good historical reference. Another success in the Dear America Series.

A Time for Courage by Kathryn Lasky is one of my all-time favorite books in the Dear America historical fiction series. It is not particularly my favorite era of American history, but it is so well-written and interesting you just fall right in.
Kathleen Bowen's mother, aunt, older sister, and best friend's mother are all deeply involved in women's suffrage and equality rights, living in Washington D.C., 1917. Kathleen's father does not approve only because he worries for his wife's safety---many women have been arrested and beaten by police for protesting outside the White House. Yet Kathleen's friend's father disapproves of his wife's antics because he is a bit of a sexist. Soon, Kathleen becomes involved with the rights of women everywhere, just like her sisters and mother.
This timeless addition in Dear America will please all, and I promise you shall not be able to put it down. All the protagonists are extremely likable, and this book is just indescribably great. I just can't put it to words. READ IT!

The stories in this collection have more in common with the novel, 'The Known World', than with the other collection of Edward P Jones short stories, 'Lost in the City', in that they tend to drift and ramble in time, the past frequently cutting across narration of the present. This is a part of the Jones art which presents an extra challenge to the reader. Nevertheless, nothing in this collection detracts from my opinion of Edward P Jones as a wonderful writer who paints a disturbing picture of the cyclical brutality of life. The stories in 'All Aunt Hagar's Children' have not made as deep an impression on me as those of 'Lost in the City', but I am glad they are in my library.

As for the production quality of the hardcover book, it is as cheap and nasty as any book I have handled. The pages, whose texture reminds me of blotting paper, seem to have been cut (torn?) by pre school children during a let's-play-with-blunt-scissors session just after morning nap. The front cover was dented and the first few pages crinkled - perhaps damaged in transit, but quite consistent with the substandard production quality. Not a book I would be proud to hand on to my children, (unless they be short of cleaning material). I must add, in fairness, that this is my first disappointment with any product ordered through Amazon.

All Aunt Hagar's Children is a collection of short stories by Washington D.C. native Edward P. Jones, it is his third book and the first since winning the Pulitzer Prize for The Known World (2003). The stories are about black Americans in Washington D.C. during the 20th century. Each story revolves around family, society and self, detailing experiences emblematic of southern blacks who migrated to northern cities from rural roots: some found salvation and others a living hell. In all the stories there are transformative turning points in peoples lives. As Jones shows, they are often not conscious of what happened - life-altering events can happen in the course of the banal every-day, setting in motion life patterns that can be hard to break when it's forgotten or not noticed how it started. In some cases the patterns are passed down unconsciously generation to generation - like the devil, cycles of violence, poverty, addiction, sickness and ignorance stalk many of the characters for seemingly mysterious reasons, bordering on the mystic in some stories.

The stories are beautifully original, Jones employs authentic southern expressions creating a time capsule reverberating with fading folkways. Like the characters he writes about, Jones grew up poor in Washington. He had a strong mother - whom he dedicates the book too - and it contains many of her colloquial sayings. This is not a book to be read quickly, like the pace of southern culture, each sentence demands respect for plot structure, character development and the unique southern way of putting words together. I read this hoping to learn more about the black culture of Washington (and Baltimore up the road) and was not disappointed, but what an extra treat to have a world-class writer with a deep sense of humanity, empathy (and sometimes sly humor) show the way.

This author has done it again with brilliant illustrations of a city and families that touch the core of our compassion. No wonder he won the Pulitzer-he is amazing, and this is an amazing piece of work with suspenseful endings quite similar to Toni Morrison.

In his highly-acclaimed volume of 14 stories, "All Aunt Hagar's Children", Edward P. Jones draws portraits of African Americans who have migrated from the South to Washington D.C. The stories are set from around the beginning of the 20th Century to the present day. The stories describe many types of people from young children to old men and women and from the poor and illiterate to the highly educated. They speak of loneliness and change, of the frustration, sexual and otherwise, that results from moving to a new urban place, of criminality and drugs, and of education. The stories are short but deeply textured, as in tapestries(the title of the final story). Characters, histories and sub-themes are realized in brief spaces.

The writing style in these stories is a major factor in their success. All but two of the stories are told in the third person by an all-knowing narrator. (The exceptions are "Spanish in the Morning" told in the voice of a precocious young girl and the title story "All Aunt Hagar's Children told in the voice of a young Korean War veteran who hopes to move to Alaska in search of fortune and women.) The writing is full of Biblical allusions. Hagar, of course, was the concubine of the patriarch Abraham who was sent into the desert after she mocked the childlesness of Sarah who then became jealous of her. God spared Hagar and her childen. The figure of Hagar is used her for the outsider and the outcast -- symbolizing the lives of the African American characters of the stories. The language of the stories in its richness, difficulty, and frequent elliptical character, particularly in its repetition and in its use of names, also owes a great deal to the Old Testament. There is also much in the stories that reminds me of the African American preacher of Jame's Weldon Johnson's poem "God's Trombones". The rich, narrative voice of the stories is complemented by the contrasting voice of many of the characters with its slang, dialect, and frequent use of obscenity.

The stories develop character and place. Jones shows the reader a Washington D.C separate from the world of national politics familiar to most Americans. I have lived in Washington D.C. for many years. Jones's depictions of neighborhoods, streets, landmarks, stores, and people had a deep sense of familiarity. They also helped me see the familiar aspects of my city in a new way. The characters are true and believable in their many responses to living in Washington.

The stories I especially enjoyed included the first story "In the Blink of God's Eye" and the final story "Tapestries". Both these stories are set both in the rural South and in Washington, D.C., the former at the turn of the 20th Century and the latter in the 1930s. They both show the difficulties young married couples encounter with the change of place.

The story "Old Boys Old Girls" describes the life of a young man who spends years in Lorton prison and his attempt to make a life for himself when he is released. Jones contrasts the life of his down-and-out protagonist with the lives of his wealthy and successful family. "A Poor Guatamalean Dreams of a Downtown in Peru" tells of a young poor girl who achieves great academic success but whose life has otherwise been filled with catastrophe and loss. "All Aunt Hagar's Children" is a complex story filled with themes of womanizing, murder, family, and wanderlust. It is a compelling portrait of African American life in the Washington D.C. of the early 1950s and it touches briefly as well upon African American -- Jewish relations.

My two favorite stories were "Root Worker" and "Bad Neighbors" both of which explore themes of the search for love and finding it in unexpected places. The main character in "Root Worker" is a young successful woman doctor who gives up a planned vacation to travel South to consult a root doctor for what ails her mother. In the process, she learns a great deal about herself. "Bad Neighbors" tells the story of a large, poor family that rents a home in a middle-class black neighborhood where they are shunned and feared by their more successful neighbors. There are many turns as the story progresses, as the main character, a young woman who has become a nurse, gains a deeper understanding of people, status, and love.

Jones' stories depict African American life in a loving, involved manner but without polemicizing or blatant social criticism. They are rooted in African American life but, in their treatment of love, sexuality, change, and character speak universally as well. The stories are dense and thoughtful and will reward careful reading. I am pleased that many of my fellow Amazon reviewers have enjoyed this outstanding book and written insightfully about it.

Robin Friedman

In his second book of short stories, Edward P. Jones does a wonderful job of chronicling the African-American experience in All Aunt Hagar' Children. Just as Lost in the City did, Jones brings to life a city that is hardly ever written about, Washington, D.C., and uses fourteen tales to describe circumstances that include life inside of homes full of love, and those without and those that are wealthy and those that are struggling.

Jones' depictions are as real as it gets, thoroughly describing life for Blacks fleeing an angry South to a new beginning in their first experience of living an "urban" American life from the early 1900's all the way to the mid-twentieth century and the loneliness it may sometimes bring. For example, "In the Blink of God's Eye" is about a newlywed couple that moves from Virginia to Washington, D.C. From the way Jones writes, the reader would assume that the couple traveled all the way to Washington State, because that is just how much home was missed for the young bride and how far away it seemed to her. In the title story, "All Aunt Hagar's Children", a hopeless young man aspires to go to Alaska to hunt for gold but in the meantime, spends his days helping a neighbor solve the mystery of how her son was murdered while also dodging an ex-girlfriend that he perceives to be angry.

Overall, this reader really enjoyed Jones' ability to tell a story but at times, wanted it to be longer and did not feel that the short story version could give these stories justice. At other times, the story was just long enough to get to know the characters and get a meaning out of the story that could resonate. Avid readers of Edward P. Jones will definitely want to add this collection to their libraries and will pick their favorites within All Aunt Hagar's Children.

Reviewed by Lena Willis
APOOO BookClub

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.

As I read through the pages of this book, the war in the heavenlies between the Kingdom of God and the forces of darkness became even more real to me. This book provides insight into spiritual warfare that has to be unprecedented. Although it is fiction, it is still fact based. It's based on the word of God, the Holy Bible, and Brother Humphrey put a Holy Spirit inspired spin on it that should cause every person to understand how real Satan and his kingdom are. More importantly, it demonstrates the awesome power of God and proves that if we are on the Lord's side and He is for us, we are victorious over the works of the enemy in our lives. If there is the slightest propensity in the sinner to forsake the things of this world and live for God, this book will push them over into a place of total surrender to Him. In addition, it will frighten the believer into selling out to God totally and completely. I highly recommend purchasing this book because it is a true blessing. I thank God for Divinely placing it in my hands.

This book was TOTALLY AWESOME!!! I couldn't put the book down! (even almost got fired for bringing it on the sales floor!)I can't believe how great the book was. I can't wait to see if there is a second part continuing the search for the rapist! This is a book if you have any doubts about, just pick it up and read it, you will love it! An amazing story with a great ending!!

When Virginia Sills is found stabbed and raped in a dark alley, no one can possibly guess how twisted her story really is. Not even Virginia knows. On the verge of death, her Guardian Angel, Mahatiel, attempts to force her back into the land of the living. Ever stubborn, Virginia balks at every turn, endangering her soul and Mahatiel's life as the forces of evil gather to snatch her to themselves. Marcellus Grimes, an arrogant detective, is assigned to find Virginia's rapist. He has no idea of the darkness he will enter while on the search. Want-to-be detective Darrell, who takes a lot of abuse and ridicule from Marcellus, sees clues that Marcellus doesn't and he determines that he will find Virginia's abuser on his own and the race is on.

IN DARK THINGS David M. Humphrey, Sr. spins a tale of heaven and hell, of good vs. bad, God vs. Satan. He covers the fall of Lucifer from grace and the birth of all Lucifer's dark demons. He shows us the trials that Guardian Angels have as they try to protect their human charges. The book encourages the reader to listen to that voice that is telling us what to do: it could be God talking to us. It was an interesting story with a Christian message. In some places, it got just a bit preachy which slowed the action down. It was certainly an interesting story on the relationship of God, Satan and human beings.

Reviewed by Alice Holman
of The RAWSISTAZ Reviewers

Wow, what a gripping book, providing insight to the spiritual world. Through a fictional and gripping story, you are also taught and realize how little the everyday material world means in God's grand scheme of things, and how wonderful and powerful God is. Through his Son, Jesus, he has bestowed this power on us to use against the principalities of darkness.

Great read! I was glued to the pages as the lives were protected and saved by mighty angels and deceived and ruined as puppets by mighty the dark-things.
David's vision of Satan creating "Death" was awesome, I was in the lab, frozen as the plot unfolded and transformed the unwitting demon into Death it self. keep writing and your gift will make room for itself.

And keep praying the enemies/dark-things are not pleased when someone turns on the light.

The young Hal and his instructor in the art of living the good life , Falstaff cavort through the first half of Henry IV as if life were going to be one long , irresponsible entertainment. The dramatic transformation of all of this , and Hal's casting off of Falstaff, and moving to kingly responsibility will come in the Henry IV Part II.
What is present here throughout is the tremendous richness of Shakespeare's imagination in his creation of character, and inventiveness in language , in his ability to create so many different moods and feelings.
'Falstaff' is one of Shakespeare's most beloved characters, and one of the great figures in the Comedy of world literature.
Enjoy.

This is the play where the Percy rebellion begins and centers around the Achilles-like Hotspur. Eventually, Hotspur (Henry Percy) and Prince Hal (Henry Monmouth - later Henry V) battle in single combat.

We also get to see the contrast between these young men in temperament and character. King Henry wishes his son were more like Hotspur. Prince Hal realizes his own weaknesses and seems to try to assure himself (and us) that when the time comes he will change and all his youthful foolishness will be forgotten. Wouldn't that be a luxury we wish we could all have afforded when we were young?

Of course, Prince Hal's guide through the world of the cutpurse and highwayman is the Lord of Misrule, the incomparable Falstaff. His wit and gut are featured in full. When Prince Hal and Poins double-cross Falstaff & company, the follow on scenes are funny, but full of consequence even into the next play.

But, you certainly don't need me to tell you anything about Shakespeare. Like millions of other folks, I am in love with the writing. However, as all of us who read Shakespeare know, it isn't a simple issue. Most of us need help in understanding the text. There are many plays on words, many words no longer current in English and, besides, Shakespeare's vocabulary is richer than almost everyone else's who ever lived. There is also the issue of historical context, and the variations of text since the plays were never published in their author's lifetime.

For those of us who need that help and want to dig a bit deeper, the Arden editions of Shakespeare are just wonderful.

-Before the text of the play we get very readable and helpful essays discussing the sources and themes and other important issues about the play.

-In the text of the play we get as authoritative a text as exists with helpful notes about textual variations in other sources. We also get many many footnotes explaining unusual words or word plays or thematic points that would likely not be known by us reading in the 21st century.

-After the text we get excerpts from likely source materials used by Shakespeare and more background material to help us enrich our understanding and enjoyment of the play.

However, these extras are only available in the individual editions. If you buy the "Complete Plays" you get text and notes, but not the before and after material which add so much! Plus, the individual editions are easier to read from and handier to carry around.

I am actually reviewing both Parts One and Two with this since they should be read together.The reason why I enjoyed these plays so much is because we see Falstaff in both of them. He is my favourite Shakespearean character - big, bawdy, rough, a liar and a cheat, but again we know what he is right from the beginning, and Shakespeare keeps him so true to character. These plays are a bit different from some of the other histories. There are more comedic parts in them for one thing. The plays are certainly used as a medium for introducing young Hal (who will become King Henry V). We see him as a young man, and watch him grow and see the influences that his society and the people in it have on his development. He doesn't appear to be growing up well according to his father because he is so irresponsible. King Henry IV was not England's strongest ruler. He was haunted by his guilt over the death of his predecessor, King Richard II. In Part Two, comedy still plays a big role, and we still see Falstaff's influence on young Hal until the shocking moment of Falstaff's death. The best part about Part Two though is the deathbed scene between old King Henry IV and his son Prince Henry. The play leads us to "King Henry V". Prince Hal does finally grow up and he becomes a very strong leader. Actually King Henry Iv, Parts one and two should be read before King Henry V. It is the correct sequence and we see Prince Hal grow and mature.

Henry IV remains one of my favorite Shakespeare plays, even though the tragedies and comedies get far more attention and seeming appreciation than do the histories. As an English major, I examined Henry's (Hal's) character, and I focused on his development from a somewhat foolhardy young man into a self-assured, even manipulative prince. It is hard to say which of these Hal truly is, or if he is a little bit of both.

At the beginning of the play, Hal spends his free time cavorting around with his friend Falstaff (who provides all of the laughs in the play and is cited as one of the best comic characters in all literature). In the first act we already see hints in Hal's sololiquy that he may not be as carefree as we are led to believe, and that he might betray friends like Falstaff to be the prince that he is expected to be. Read on in "Henry V" to see just how much of a polished politician Hal becomes--his battle cries and his "once more unto the breech, dear friends" is masterful in its persuasiveness and ability to induce his countrymen to fight.

Hotspur serves as a nice counterpoint to Hal in "Henry IV." Hotspur is the hothead and Hal makes his decisions calmly and rationally. This almost inhuman rationality comes into play again in "Henry V" and makes you long for the seemingly carefree Hal.

All in all, "Henry IV" is a great read and quite an interesting character study--I highly recommend it!

In Part One of Shakespeare's "Henry IV," the titular king tries to defend his throne from a rebel army led by the hotheaded Hotspur, who has a long list of grievances about the king's treatment of his family, the Percys. Hotspur has allied himself with several principal figures including his uncle the Earl of Worcester, his brother-in-law Mortimer the Earl of March, Lord Douglas the Scot, and Owen Glendower, a Welsh chieftain with a vivid mystical imagination -- he is so egotistical that he insists an earthquake that occurred the day of his birth was a divine proclamation of his importance -- and a desire to usurp all of Wales from the king.

While he is preparing for war against the rebels, Henry IV laments that his own son Henry (Hal), the Prince of Wales, is a shameful libertine living the high life in London and consorting with a gang of scurrilous miscreants. Indeed, Prince Hal's idea of fun is robbing people, and his best friend and accomplice in this activity is Sir John Falstaff, who turns out to be not Hal's peer but a middle-aged man. In a character transformation of an abruptness that can only be described as magical, Hal becomes a serious young man determined loyally to defend his father's kingship from Hotspur's assault after he receives an earnest lecture from his father about the dangers of acting irresponsibly as a public figure.

Not enough can be said about Falstaff, who is undoubtedly one of the most richly realized characters in literature. He is fat, lazy, cowardly, yet boastful, but not in the same way Owen Glendower is -- Owen really believes what he says; Falstaff is just trying to make himself look better than he actually is, but fools nobody because he prevaricates and embellishes without bothering to remember his previous lies for the sake of consistency. You probably know somebody like this in real life -- especially if you're ten years old. Falstaff's piquancy, in fact, so outweighs the stature of the other characters that his absence is sorely felt in the scenes in which he does not appear.

Most of all, Part One of "Henry IV" is a play of contrasts personified by Prince Hal and Hotspur, who incidentally is also named Henry. In their confrontation on the battlefield, it seems unlikely that Hal, who wasted many of his best days living as a rake, could conquer a seasoned warrior like Hotspur in a swordfight. But there wouldn't be much of a tale to tell if not to show Hal triumphing after his resolution to change his weak habits, and the play ends with the conviction that, despite his past mistakes, he would make a noble king himself.

A beautifull written series of stories of life. An excellent book.

I became a fan of Richard McCann's writing when I read his story "My Mother's Clothes: The School of Beauty and Shame" in the April 1986 issue of The Atlantic (still on my shelf). Since then I've eagerly read his poetry, essays, and fiction, and am ecstatic to find him at the height (thus far) of his literary genius in his collection of linked stories, MOTHER OF SORROWS. Were it not for the high art he brings to bear on profound human dilemmas--family relations, psychosexuality, societal pressures, desire itself--these stories would be unbearable in their heartbreaking poignancy. Fortunately, he transcends pain with his uncommon sensibility and gorgeous prose, deepening the reader's insight.

Picked this up at Borders and read it to the end nearly without stopping.

A collection that moves through a man's life - and revolves highly around a life of silence, self dissatisfaction and his 'instinct for survival' - remaining mute, going with the flow no matter the personal cost.

The strong images of his mother and as she fades with age contrast his soft background study of his father. His brother, Davis - someone he keeps at arms length even as he aches to hold him close. And the strange attraction that a person can have for someone so close to them - a need for that person that seems to defy logic and law.

The language is beautiful - and the store feels like an answer to the question, "If you had one day to spend with someone who's gone ... who would it be? What would you do?"

Even the close in its lakeside sunset styling leaves off with a man's voice who seems to have found that it is himself that he missed spending any time with while alive.

Its always good to read a book which comes with a fresh style of writing.
Its so easy to be with the narrator as he begins from his childhood till he becomes an adult and not feel at loss through his aging. The author shows his prowess in this continuity.There is not much about his transition between these ages. But this leap of time analysis is done on his elder brother, summing up what mess he got into.
His constant comparision of him and his brother to Cain and Abel make for a good reading on figurative writing.
In the background, his mother with an on and off appearance and impact and too many stories under her sleeve is an interesting character to know of.

The book is not a cheery one but it is so beautifully written and memorable that it is one that you will want to share with others after you have read it. The author has pieced together short stories from the last fifteen years which provide a cohesive narrative which reads like a novel. The stories are inner reflections from his life, growing up gay and under the spell of his mother and trying to make connections with his brother and father (who dies when the author is eleven). The brother is gay also but their lives are complete opposites - the author, struggling to come to terms with being gay and living in the closet and his brother, openly gay but living an aimless life filled with drugs and misfortunes. The slim volume is a haunting portrait of a fragile family coming to grips with life, love and loss. It is a book that you won't soon forget.

I knew a few Yiddish words just from having learned them in life. I grew up in Los Angeles, so there were just a few in my vocabulary; had I grown up in New York, I'm sure I would have known more. I always found them interesting. At some point, I became aware there was a book out there called "The Joys of Yiddish." Then, some years ago, along came Mike Meyers on "Saturday Night Live" doing his hilarious character Linda Richman, whose vocabulary was liberally peppered with Yiddish words and, suddenly, Americans were using the word "farklempt" to describe a state of being overwhelmed with fond emotion.

I decided I wanted to know more, so I picked up a copy of "The Joys of Yiddish" and I keep it by my bedside. If I'm not in the middle of a novel, I can pick up Leo Rosten's good-humored, informative book and entertain myself with his definitions and illustrations of Yiddish words.

The book isn't meant to be an all-inclusive study of Yiddish and it isn't for people who speak the language. It's for English speakers who want to know more about Yiddish, especially those words that are readily used in English-language conversation.

I am surprised as to certain words that weren't included. "Farklempt" isn't in there, for example. There are other noticeable omissions. But, in the main, the list of words to be found is quite extensive. In the process of explaining what the words mean, Rosten uses a clever, innovative system of conveying how to pronounce them that I find quite useful. Also, he uses a lot of jokes and humorous stories to illustrate the meaning of the words. In the process, Rosten explains a lot about Judaism, Jewish customs, Jewish history, all of which is germane to learning about Yiddish and interesting as well.

Rosten doesn't mince words. Some of the entries aren't Yiddish words to be spoken in polite company, and he's careful to warn readers about that. Still, you need to know those words because you might hear them and you might not want to repeat them. There are also euphemisms for some and those are nicely explained. Leo Rosten is, in the end, a practical man and not unduly indiscreet in his explanations.

There are a few things here and there that may seem dated. The book was written back in 1968, and society has changed. But we older readers (I'm 54) will know that and the vast majority of what's in this book is spot on.

I have one regret. I should have read this book 20 years ago so I could have written Leo Rosten a letter telling him how much I like it. Sad to say, Leo Rosten died in 1997 not long before his 89th birthday. The title of the book is apt. I find it such a joy to read it, that I experience a bit of regret knowing I can't tell him so.

I have not read the updated version, produced with the efforts of a second author in 2003, but, frankly, I can't imagine reading that without having read the 1968 original first. The original book has told me a lot about the guy who wrote it, and getting a sense of the man by reading his words has been a true mechaieh.

For example, for an honest translation and etymology of "shaygetz" or "shiksa," see the Meggido Modern Hebrew-English Dictionary: "sheqetz: unclean animal, loathsome creature, abomination...."

I still remember getting in trouble in school, for bringing this book in and teaching the other kids swear words in Yiddish. Alas, I wasn't even Jewish. One of the words, in particular, still lingers in mind, has something to do with anatomy and....no, I won't ruin the book for you, by giving away definitions or dropping words that you shout out your car window as some shmuck cuts you off on the freeway.....oh dear, I think I just broke my promise, in that last sentence. Oh well. Well, some things can still be left to the imagination, right? I mean, have you seen this book? It's thick. I don't want to start kvetching to you about how much my back hurt, after schleping it around in my backpack. I think that's why it gave me such tzurris, and I had to eventually see a chiropractor! Oy vey....but, as she said to me, "Your back? My feet!" But, I digress. At any rate, purchase this book today. Spanish isn't the only passionate language worth speaking, and you will come to learn that after reading the great stories and anecdotes that go along with the numerous Yiddish terms listed in THE JOYS OF YIDDISH, so you get a sense of the context in which they would be most fitting. Don't take it from me...take it from Leo Rosten. I think he could teach Yiddish Studies at some major university and make a lot of people proud at this point. Well done!

There's no need to repeat the deservedly fine comments already posted about Rosten's book. I simply wish to recommend buying this edition or any released prior to the 2001 "New Joys of Yiddish" by Lawrence Bush. While Bush does preserve Rosten's witty text intact, he spoils things by adding agenda-driven footnotes throughout. Bush castigates Rosten for making Reform jokes (please! I was raised Reform, and I found them funny) and ruins the witty "shadchan" (matchmaker) entry by going on at length about Jewish domestic abuse (a problem to be sure, but no more so than in any other ethnicity). Lighten up, Bush! Finally, he inserts commercials for Reconstructionism and Jewish Renewal, which are valid expressions of Judaism but are post-1950s American in origin and NOT a part of the old Yiddish culture Rosten celebrates. Stick with Rosten's original text if you can find it.

I still remember getting in trouble in school, for bringing this book in and teaching the other kids swear words in Yiddish. Alas, I wasn't even Jewish. One of the words, in particular, still lingers in mind, has something to do with anatomy and....no, I won't ruin the book for you, by giving away definitions or dropping words that you shout out your car window as some shmuck cuts you off on the freeway.....oh dear, I think I just broke my promise, in that last sentence. Oh well. Well, some things can still be left to the imagination, right? I mean, have you seen this book? It's thick. I don't want to start kvetching to you about how much my back hurt, after schleping it around in my backpack. I think that's why it gave me such tzurris, and I had to eventually see a chiropractor! Oy vey....but, as she said to me, "Your back? My feet!" But, I digress. At any rate, purchase this book today. Spanish isn't the only passionate language worth speaking, and you will come to learn that after reading the great stories and anecdotes that go along with the numerous Yiddish terms listed in THE JOYS OF YIDDISH, so you get a sense of the context in which they would be most fitting. Don't take it from me...take it from Leo Rosten. I think he could teach Yiddish Studies at some major university and make a lot of people proud at this point. Well done!