Oklahoma Books

A reviewer, curator of AfroAmericanHeritage.com, 03/13/2007
Highly recommended!
Brief though the period of the Wild West was, the exploits of its villains and lawmen have fascinated people around the world, and been disproportionately represented in pop culture. But the multicultural nature of the Wild West has rarely been evidenced in the plethora of films, books and television shows. Which probably explains why the arrival of Sheriff Black Bart in Mel Brooks' "Blazing Saddles" (1974) elicited such a stunned response from the townspeople, and a riot of laughter from the audience. Imagine: a black lawman in the Old West! Imagine no more. Deputy U.S. Marshal Bass Reeves, a former slave, served for nearly 30 years in the Oklahoma and Indian Territories, the most deadly location for U.S. marshals. And according to glowing accounts of his bravery, skill and steadfast devotion to duty (found in white newspapers of the time, mind you) nobody was laughing when he rode into to town, especially not the bad guys. As this book amply illustrates, Reeves is remarkable not merely for being a black marshal (there were others) but for being one of the greatest U.S. Marshals, period. But Reeves' story - with the exception of references published here and there - has been largely ignored by western historians. Though widely known and respected during his lifetime, he was illiterate and left behind no diaries or letters, so what little has come down has been in the form of oral history and legends. Art T. Burton has spent the better part of 20 years reclaiming the heritage of African Americans in the American West, and has scoured through a wide range of primary sources - including Reeves' federal criminal court cases available in the National Archives, and account books at Fort Smith Historic Site - to separate legend from fact and painstakingly piece together the story of this American hero. The book is not a biography in the traditional sense, but as the subtitle states, a reader. It reproduces many of the court documents and contemporary newspaper articles with just enough narrative to put them into context. Not being a Wild West buff myself, I felt the author did an excellent job providing background to help me make sense of it all. As the author recounts, one of the first responses he received from a local town historical society in Oklahoma when inquiring about Reeves was "I am sorry, we didn't keep black people's history." This book is the perfect example of the wealth of information which can be gleaned by a creative, dedicated historian who looks beyond the usual sources in order to root out the hidden history of multicultural America. I highly recommend this book to anyone interested in Western history and culture, law enforcement, American or African American Studies. And I hope this book inspires someone to finally bring the life and times of Bass Reeves to the big screen.

This is a very intereting book about a black marshal that rode for Judge Parker. I was amazed at the amount of money he made as a "non-paid" marshal. His influence on the court and the city of Fort Smith at the time was also interesting. An interesting twist to see a marshal on trial, and obviously, motivated by hatred.

Brief though the period of the Wild West was, the exploits of its villains and lawmen have fascinated people around the world, and been disproportionately represented in pop culture. But the multicultural nature of the Wild West has rarely been evidenced in the plethora of films, books and television shows. Which probably explains why the arrival of Sheriff Black Bart in Mel Brooks' "Blazing Saddles" (1974) elicited such a stunned response from the townspeople, and a riot of laughter from the audience. Imagine: a black lawman in the Old West!

Imagine no more. Deputy U.S. Marshal Bass Reeves, a former slave, served for nearly 30 years in the Oklahoma and Indian Territories, the most deadly location for U.S. marshals. And according to glowing accounts of his bravery, skill and steadfast devotion to duty (found in white newspapers of the time, mind you) nobody was laughing when he rode into to town, especially not the bad guys. As this book amply illustrates, Reeves is remarkable not merely for being a black marshal (there were others) but for being one of the greatest U.S. Marshals, period.

But Reeves' story - with the exception of references published here and there - has been largely ignored by western historians. Though widely known and respected during his lifetime, he was illiterate and left behind no diaries or letters, so what little has come down has been in the form of oral history and legends. Art T. Burton has spent the better part of 20 years reclaiming the heritage of African Americans in the American West, and has scoured through a wide range of primary sources - including Reeves' federal criminal court cases available in the National Archives, and account books at Fort Smith Historic Site - to separate legend from fact and painstakingly piece together the story of this American hero.

The book is not a biography in the traditional sense, but as the subtitle states, a reader. It reproduces many of the court documents and contemporary newspaper articles with just enough narrative to put them into context. Not being a Wild West buff myself, I felt the author did an excellent job providing background to help me make sense of it all.

As the author recounts, one of the first responses he received from a local town historical society in Oklahoma when inquiring about Reeves was "I am sorry, we didn't keep black people's history." This book is the perfect example of the wealth of information which can be gleaned by a creative, dedicated historian who looks beyond the usual sources in order to root out the hidden history of multicultural America. I highly recommend this book to anyone interested in Western history and culture, law enforcement, American or African American Studies.

And I hope this book inspires someone to finally bring the life and times of Bass Reeves to the big screen.

Professor Burton's book about Bass Reeves combines thorough, meticulous scholarship on the details of Reeves' long career as a lawman with a most impressive general knowledge of the times in which he lived. The result is a biography unlikely to be surpassed.

A question that has long interested me, and is asked by this book, concerns the criteria of historical remembrance. Why, for example, is Wyatt Earp (to pick just one example) remembered and even celebrated to this day, when--at the very least--equally deserving historical figures, such as Reeves, languish in relative obscurity? Were history fair (and of course it is not) the reverse should be the case, as by any objective measure Reeves was the superior lawman. One is cynically tempted to conclude that too often subsequent historical recognition is far more a result of puffery than of merit.

Burton does an admirable job of reconstructing what can now be known about Reeves' remarkable life, and adeptly separates myth from fact along the way. This was a difficult task, as Reeves was illiterate, meaning that the record of his life is only indirectly available primarily through court transcripts, oral histories by others, and sketchy accounts in contemporary newspapers not often disposed to celebrate the accomplishment of a black man.

In addition, Burton is able to present new and significant information. I, for one, had not known that, toward the end of his career, Reeves was prominently involved in a spectacular shootout (every bit as dramatic as the OK Corral) in Muskogee with a deadly gang of religious fanatics. Until now, lawman Bud Ledbetter (the "Fourth Guardsman") got most of the credit for confronting these dangerous criminals.

Professor Burton notes that he's been working on this project, intermittently, for some twenty years--the result is worth the wait.

Blind Singer Joe's Blues is a novel set in the birthplace and time of modern American music. The complex and all-too human characters whose live play out against this backdrop are the musicians who create what we now call blues, rag-time and country music.

The author's deep knowledge of the music of that era is obvious throughout. It complements his ability to draw strong portraits of the characters and an engrossing story line.

I enjoyed this book immensely. Highly recommended.

I couldn't put this beautifully-crafted book down once I started it. Robert Love Taylor's masterful handling of perspective and dialogue, his insightful and sympathetic development of characters, and the precise perfection of the language throughout make this a rare gem. You won't find its match in evoking the feel of music. I loved it.

More truth in reviewing: I know the author too, and I knew he could make a fiddle sing like God's choir of spring-morning birds -- but I had no idea he could do the same thing with mere words of clay. Blind Singer Joe's Blues sings through hard-bitten characters and hard times; through soul-searching, generosity, orneriness and forgiveness; and through the greenbrier thicket of family ties.

Taylor eases the reader through viewpoint, time and place, just as a tune effortlessly weaves from chorus to verse and back again. The plot unfolds so sparely that you wonder at how he creates such a complex tapestry in such a small space.

His characters -- Hannah Ruth, Pink Miracle, Dudley Crider and his mama Pearlie, Mama Bayless, Emmett and Amelia Holt -- reveal themselves, their stations, their hopes and beliefs through their language, all of it sounding as true as a tuning fork, as when Dudley gives a piece of his mind to the toddler, Singer Joe: "We are Criders and don't have no fear, he told the boy, and he imagined some of O.T., some of Uncle Crockett and Uncle U.S., some of Daddy, some of himself, yes, and then all the Criders before them, grandaddies and grandmamas by the score, crowded up in Singer Joe's veins."

Religious passion and personal passion meet sorrow and self-denial and all of it makes up the blues that are the fabric of Singer Joe's life.

Start this book on Friday night; you'll want the weekend to finish it.

Truth in reviewing: I am acquainted with the author, but haven't seen him in ages. Years ago he promised another novel with the old-time fiddler character Pink Miracle from his earlier book, THE LOST SISTER, and he has finally delivered. It is well worth the wait: it is highly readable and atmospheric, filled with memorable people. It's about souls who may seem kind of marginal in global and universal schemes but who find a way to be heard, to matter in the middle of it all.

Taylor has drawn on family history and legend out of his ancestral territory of Oklahoma and the mountains of eastern Tennessee for his past books. In this new work, in which he is at the top of his powers as a storyteller and fiction stylist, he looks at the early 20th century country folks who poured their lives into the songs that became the modern bluegrass, jazz and folk traditions. The jazz musician of the title and his blues are the legacy of the stories that flow together in this narrative, swirling around a restless songbird teenage mother who deserts him as well as everyone else in her life.

I confess to having been haphazardly acquainted with bluegrass music through occasional street festivals and local arts events. Coincidentally, as I was reading BLIND SINGER JOE'S BLUES, an Alison Krauss concert video was brought into the house. Listening and reading at the same time, I realized just how much Taylor's novel is alive with the music and explains how it got that way; and Krauss, well, she and bluegrass have a new fan.

LOVED IT! McDonough brings true emotion to her characters. Kate and Dusty both widowed and grief-stricken brought back my own feelings of being widowed at a young age. This is a fast-paced and well plotted book. If it were a movie I'd watch it over and over again.

Katie Hoffman just can't seem to get a break.

Her husband is killed in an accident only four months into their marriage, leaving her pregnant and unable to pay the mortgage on their farm. Unwilling to lose the property, she places an ad in hopes of selling it. But the stranger who shows up on her doorstep is more interested in Katie herself than in the farm, and she soon finds herself engaged again. Marrying Allan King seems like the perfect answer. She'll have a new husband, a father for her unborn child, and she can keep the farm.

But before she can say "I do," a pistol-packin' cowboy crashes the wedding, set on hauling her almost-husband off to jail. In the chaos, Katie winds up injured and her house burns to the ground. As if all that isn't enough, she finds herself stuck with the trouble-making cowboy as her escort on the lengthy wagon ride to her uncle's home and family.

Dusty McIntyre has been tracking the heinous outlaw responsible for his wife's death for over a year. But putting the slick character behind bars somehow fails to provide the satisfaction he expected - especially when another woman is very nearly killed in the process. Dusty determines to make it up to the young widow whose wedding he brought to a halt, and attaches himself to her in spite of her obvious wish to the contrary.

Before long, they're dealing with an unwelcome attraction. But God has lessons to teach - while He helps them tear down the walls of anger and resentment they've each built. Katie's Christian family - along with a series of sometimes thrilling, sometimes dramatic, sometimes heartbreaking moments - plays a major role in Katie and Dusty finding reconciliation with God and new hope in their individual hearts and lives.

The Bounty Hunter and the Bride is a fun ride through a past era, liberally sprinkled with humor and tastefully entwined with Christian values. Vickie McDonough's well-rounded characters - from feisty Katie to cuddly baby Joey ... from Nick and Nathan, the twin terrors, to wise Uncle Mason - are warm, real and and completely believable. Combined with realistic action and heart-tugging emotion, it makes for a well-written, enchanting and captivating tale.

This one will be a treasured addition to any library of romantic fiction.

Marshall Dusty McIntyre has Ed Slone in jail, and this time he's going to bring the criminal to justice. But then friends of Ed's set fire to Dusty's house and his wife, Emily, dies in the fire. Dusty resigns from his job and sets out to find Ed Slone and his sidekicks.

Katie Hoffman is a widow, pregnant, and determined to save her ranch. When handsome Allen King proposes marriage, she thinks her troubles are over. It's her wedding day and the ceremony is progressing as expected, when the door bursts open and a stranger, holding a pistol, walks in and he's after Katie's groom. Dusty has caught up with Ed Slone, who is calling himself Allen King. Somehow in the resulting ruckus, someone overturns a lamp, setting fire to the ranch house, trapping Katie in the flames. Dusty saves her life and offers to take her to Guthrie where she has family. But can she trust this stranger who broke up her wedding and arrested the man she intended to marry?

The Bounty Hunder and the Bride is a rollicking tale about an ex-marshall trying to do what's right and a woman who just can't stay out of trouble. If you like historical romance, this one's for you.

Vickie McDonough keeps the action flowing in this historical romance. From beginning to satisfying ending, this book was chock full of conflict, strong characters and snappy dialogue. The setting, Oklahoma in the early 1900s, was realistically depicted.

Katie Hoffman couldn't imagine a worse day. First, a man breaks into her house during her wedding, claiming that her fiance, Ed Sloane, is a murderer. A scuffle ensues and Katie's home is burned down. Now the only thing left for Katie is the baby that she carries--her only memory of her first husband.

Dusty McIntyre is a bounty hunter who has pursued only one goal for the last eighteen months: catch the man who killed his wife. After capturing Ed Sloane, Dusty doesn't know what to do with his life. He has no home to return to and no family waiting for him. Plus, he feels guilty about burning down the house of that pregnant woman.

Still upset, Katie allows Dusty to escort her to her aunt and uncle's home in Guthrie, Oklahoma. Though she hates being a burden to her family, at eight-and-a-half months pregnant, she has no other choice. To her surprise, Dusty helps her regain some of her independence by hiring her to sew him some new clothes.

As Katie and Dusty begin to grow closer, they fight an attraction that they can't seem to ignore. After almost making a huge mistake with Sloane, Katie doesn't want to get involved with anyone else. The loss of his first wife still weighs heavy on Dusty, as does his anger with God. Both characters wonder why a loving God could let things go so wrong in their lives.

When Katie is kidnapped by Sloane, Dusty realizes the full force of his feelings for her. But can he rescue her in time? And will she return his affections, or reject his love?

Although the inspirational message can be seen in almost every chapter, it was delivered simply and without being preachy.

Armchair Interviews says: McDonough has written a wonderful novel that is highly recommended.

Canada's First Nations is a solid piece of scholarship detailed enough to satisfy advanced historians and well written in order to please a greater audience.

Make no mistake, this is a vast topic covering 15.000 years in history and pre-history that had to be shrunk to 560 pages only. Of course there are a few omissions, of course there needed to be some sort of selection of incidents and sources. Most of the author's choice regarding her focus can be understood easily and makes the book a good read.

The only grave criticism of which the author cannot be spared is that at some places Dickason does not sufficiently question her ancient written sources, but rather takes for granted what has been said about amerindian behavioural patterns in the 16th and 17th century.

While this can be attributed to the vast undertaking itsself, it nonetheless may be one wrong approach to sources leading to a perhaps distorted picture of amerindian ancient culture.

One example: "All Iroquoians practised torture and cannibalism"...[56].
While the first can be regarded as proven, sources related to the alledged latter behaviour are definetely not to be taken at face value, as Heidi Peter-Röcher (Kannibalismus in der Prähistorischen Forschung, Studien zu einer paradigmatischen Deutung und ihren Grundlagen.) in her doctoral thesis of 1994 (University FU Berlin) quite convincingly points out.

In fact, as Peter-Röcher succeeded to show, remarks related to cannibalism have to be taken with utmost care. Peter-Röcher goes as far as questioning the existence of such a practise in history at all and relates that there is not one single case in history when such a practise has been positively witnessed, that is neurotic missionaries - themselves living under a constant threat of getting slain - made up these stories of "Gog and Magog" in order to illustrate their braveness among the barbarians, to put it short.

Despite these flaws Canada's First Nations is a solid piece of work well worth the time it takes to read it.

This is an excellent book, which can be used as an encyclopedia for the history, traditional names, and geographical location of the Canadian Native peoples. The author has used numerous primary sources and maps and her style is very readable. Dickason gave also the aboriginal perspective of many events but in a very balanced account. The book can grasp the attention not only to professional historians dealing with Native history but also to all readers who have some general interest in the past of Canada's Amerindians.

Oliva Dickason, the Canadian doyenne of academic Amerindian history, delivers an excellent university introduction textbook to the history of the First Nations of North America, concentrating on those of Canada.

She deals with four periods: the pre-colonial era, the colonial, the 19th & mid-20th century, and the end of 20th century.

Her pre-colonial history is often speculative, since there are no written records, but much can be determined from oral tradition and archeological finds. For instance, the Iroquois confederacy was established shortly before the French landed in the mid-16th century; North America housed a diversity of distinct nations; many Amerindians cultures lived in permanent settlements; west coast nations had developed explicit property rights and had a system of land entitlement.

The colonial era was one of co-operation and alliances between the Ameridians and the Europeans settlers and soldiers. The Europeans brought their wars and diseases with them, while the First Nations brought their wars too. The partnership was equal and the First Nations on the winning side benefitted, at least until the 19th century.

From the 19th century onwards however, White rule has much to answer for. The diseases of the colonial era were brought inadvertently, but not so the 19th century land grab, or the disastrous assimilation attempts of the 20th century.

The end of the 20th century has seen a revival of Amerindian self-government. The First Nations have begun using Western institutions to their advantage. In the 1980's Elijah Harper, then member of Manitoba's provincial parliament, single-handedly, and rather heroically, derailed a Canadian constitutional accord (Lake Meech) which failed to address First Nations concerns. Earlier in the 1970s, the First Nations successfully negotiated with Hydro Quebec and created the precedent that their agreement was needed for development on their lands.

Overall, an excellent reference.

This book is a wonderful synthesis of Canadian aboriginal history. I was impressed by the author's detailed and well-balanced approach. It is neither a moral fable nor a panegyric of conquerors' exploits, but rather history as it should be told. The only downside is the book's episodic style but that is necessitated by its ambitious goal. Olive Dickason did an especially good job highlighting the different histories of Canada's natives both pre- and post-contact.

I was told this is a "classic" and I agree...This dude wrote down every term, item, description, observation, etc along his trips to Mexico, Santa Fe and St. Louis....Great primary source book to add to your Southwest History collection

Shortly after Mexican Independence interest in establishing trade with Sante Fe, Mexico's most northerly province, became ever more popular. Josiah Gregg was preceded by Mountain Men who explored the area, but he was the first with sufficient education to describe the people, land features and Indians with whom traders would have to deal. His work constitues a PREFACE to other books dealing with the Santa Fe Trail and its growing interest to the United States. Independence, MO, and Fort Smith and Van Buren, AR. - were the northern and southern starting points for Santa Fe respectively. The book is as much a tale of encounters as it is a repository of valuable information. A 'FIRST READ' for persons interested in Santa Fe and the Westward Movement. Another of a variety of fascinating histories of the Southwest.

The full title of this book suggests that it is much more than a dry account of business practices: The Commerce of the Prairies, or the Journal of a Santa Fe Trader, During Eight Expedition Across The Great Western Prairies, and A Residence of Nearly Nine Years in Northern Mexico. Illustrated with maps and engravings. By Josiah Gregg.

The period was 1831 - 1840. On paper Northern Mexico was an immense holding that loosely included what is today Texas and New Mexico and stretched southward more than 500 miles through the Chihuahuan Desert to the Mexican trading centers of Durango and Chihuahua. Fierce, nomadic Indians prevented the Spanish and Mexicans from settling this vast domain. A large, loosely defined central section of the continent was known simply as Indian territory. American trading caravans departing from Franklin, Missouri did not encounter any settlements, not even ranches, until within 100 miles of Santa Fe. The long route southward from Santa Fe to Durango and Chihuahua was nearly as hazardous.

Josiah Gregg's narratives make marvelous reading. His style is engaging and his descriptions are accurate. We readers share his love and fascination of this marvelously wild and dangerous territory. I have read very few modern travel narratives as intriguing and well-written as Gregg's writings.

Despite their constant threat, Gregg is sympathetic to the plains Indians and documents how the behavior of unscrupulous and foolish traders have exacerbated relations with the Indians. He cites unnecessary killings of buffalo by travelers who are overwhelmed by the shear size of the herds; he even admits to doing so himself on occasion.

He is a man of commerce and tells us much about trade with Mexico. Rampant corruption among the tax collectors, custom officials, and governmental officials is an unavoidable business cost. For remote Santa Fe, Durango, and Chihuahua, American trade is much desired, but Mexicans view the American traders with suspicion. The first American traders (the Pike expedition) were immediately imprisoned for nine years.

I highly recommend this remarkable, fascinating account of travel along the Santa Fe Trail in the 1830s. I cannot imagine a more intriguing, more engaging narrative than that created by Josiah Gregg.

This edition of The Commerce of the Prairies was first published in 1926. The editing by Milo Milton Quaife is excellent. The footnotes are interesting and add considerable value. Josiah Gregg's original publication was in two volumes and included extensive, detailed, and accurate observations on flora, fauna, and the native Indians and is often cited by historians. This shortened version by Lakeside Press (now published by University of Nebraska Press) is an ideal introduction to the Santa Fe Trail.

In 1831, on a suggestion from his doctor to travel west to improve his health, Josiah Gregg joined a wagon train of Sante Fe traders. The result is a highly acclaimed first hand narrative of the Sante Fe trade and life on the prairies during the 1830's. Gregg's vivid writing style illustrates the many hardships and adventures of life along the Sante Fe Trail and into Mexico. We read about traveling through barren deserts, inconsistencies of the weather, the always present danger of marauding Indians and Mexicans, the questionable Mexican governmental policies, etc. Being an amateur naturalist (he had several species of plants named after him), Gregg describes geographical landforms, geology, and plant and animal life extremely well. He also gives clear, precise and realistic descriptions of the cultures and customs of both the Indians and native Mexicans from how they dressed, to how they constructed their homes; religious, spiritual and matrimonial beliefs; how food was secured and prepared; theories on future agricultural practices and uses, etc. Gregg was a keen and acute observer of his immediate surroundings which is evident in both his writing style and presentation of the subject. Professor Moorhead's editing is second to none.

Walter Camp had the great fortune and drive to visit the critical sites of the old west and seek out and interview actual participants and witnesses. Unfortunately, Camp did not survive to put his great efforts into a book but Hammer does the next best thing possible by organizing Camp's would be book and providing editorial commentary to fill in the gaps. Hammer collects Camp's material on the Little Bighorn and every page is full of interesting information. My favorite parts of the book are references to participants other than the main characters such as Peter Thompson and other members of Custer's separate battalion that survived because their horses broke down prior to the descent into Medicine trail Coulee. Hammer does an excellent job of providing clarification of the participants or writings of Camp in the footnotes so that you almost have all your questions answered by Hammer. A delightful book without harsh judgment offered by Camp and a great collection of readable material. It must have been frustrating to have first person interviews with participants when their stories clashed, were foggy or perhaps grandiose such as Thompson's alleged view of the valley as Custer descended to the river. Camp not only interviewed troopers but also Custer's scouts and Sioux and Cheyenne participants. Camp did a lot not to just record history but to locate historical sites in the remote West like Slim Buttes that without his timely intervention may have otherwise been lost to history. The only unfortunate aspect of the book is that there isn't more material and that Camp's health failed before he could draw his own conclusions. He also had the greatest vacation hobby, exploring and researching the old west before it was very old.

This book is used by most serious LBH writers and researchers as a very valuable reference. Just check the bibliographies of the most respected and thorough histories of the battle, and you will find Walter Camp's notes there. Reason enough that this book be on your shelf if you're a Custer/LBH buff. There is a wealth of information in these pages, especially the footnotes (which are often lengthy). Too bad Walter Camp died before he had a chance to put all his research together in his planned book. There are interviews with officers, enlisted men, white and Indian Army scouts and the Sioux/Cheyenne themselves. There are so many it becomes hard to keep them separate in one's mind, but that's a good thing.

His summation at the end tends to place him in the "Custer crowd" in that he did not feel Custer disobeyed Terry's orders, and that Custer acted appropriately with the information available to him at the time, although he does feel Custer fragmented his forces too much before the battle. One has to give his opinion great weight because he talked firsthand to more of the survivors of the LBH than anyone else.

Walter Camp was a railroad engineer most of his life, but as a hobby he enjoyed studying the various Indian fights that had occurred in the West, especially the Custer battle at the Little Big Horn. He visited the site numerous times and, more importantly, conducted scores of interviews with eyewitness participants, Indian and white. He kept files of his findings and after his death these files found their way into various libraries around the country. Kenneth Hammer here compiles the "notes" Camp left regarding the Custer fight. They represent, along with W.A. Graham's documented source book of letters, newspaper clippings, legal documents, and numerous other Little Big Horn memorabilia (THE CUSTER MYTH), the most important wellspring of information regarding the June 25, 1876, disaster. The information culled from the interviews with Curly, the Crow scout who was the last to see Custer alive and live to tell about it, are particularly informative in reconstructing what happened that day. He eventually interviewed over 60 survivors between 1908 and 1919. All serious books about the Little Big Horn fight will have to acknowledge the work done by Camp, and anyone with more than just a passing interest in the battle will want this book.

I read Mr. Camp's classic account of the Little Big Horn several years ago. It remains on my shelf as one of the very best books on the battle. It was well written, detailed and colorful enough for any follower of the Custer's trail. I highly recommend this book, which I read just prior to visiting the Custer battlefield on the 106th anniversary. Not to be overlooked or missed.

One of my all-time Custer reference books. This one is referenced and quoted in almost all other books on Custer. So, it must be good. Recommended for anyone researching Custer.

With its oversize, ample illustrations, this book serves as the pictorial version (or "movie") version of Utley's classic CAVALIER IN BUCKSKIN that came out in the late 1980s as part of a western biographical series produced by the University of Oklahoma Press. As such, its coverage of the Civil War Custer is somewhat limited but readers can find a more than ample exploration of the Civil War Custer in Jeffrey Wert's fine 1996 Custer biography. As for this edition of Cavalier, a slight revision occurs in the battle section and reflects the influence of Larry Skelenar on Mr. Utley's thinking.

For me personally, it was especially gratifying to have purchased my copy at the Little Bighorn battlefield on June 25, 2001 on the 125th anniversary of the battle. Mr. Utley was there himself, selling and signing this fine coffee table book, with Last Stand Hill as the perfect backdrop. What a great day! What a great book!

The earlier paperback edition of Cavalier was the first book I read about Custer. At the time I was expecting Utley to take a strong stand as to whether Custer was a brilliant Indian-fighting hero, or an egomaniacal upstart. So I found the objective style and even-handed treatment a little disappointing. However, several years and books later, I have come to see this as the best book on Custer and LBH ever written, mainly because of his refusal to approach the subject with the pre-conceived notions others have.

Utley neither lauds Custer, nor does he cast blame. He makes it clear that Custer may have been somewhat over-rated in his Indian fighting abilities. Though he allows that he had gained a lot of knowledge of Plains warfare and might have become equal to the likes of Miles or Crook, had he lived. He points out that Custer did ignore the scouts who told him of the great number of warriors present in the camp on LBH. However, he also notes that Custer was not unlike other military leaders of the time in under estimating the fighting abilities of Indians, and therefore did not think that numbers really mattered. While he feels that Reno and Benteen did not support Custer as they could have, he also feels that not enough credit is given to the idea that the Indians merely outfought them all.

Of course, this was all included in the earlier editions. So the obvious question is, do you need to read the revised edition. This depends on what you're looking for.

With a few small exceptions the text remains the same. Utley has made a few changes based on later research, especially work by Larry Sklenar, but his overall theories have not changed. Also, for those interested in further reading, he has augmented his list of sources.

The main difference in the editions is physical. This is definitely "over-sized," fitted better to a coffee table than a bookshelf. And it is filled with illustrations, many of which seem to have been chosen more to improve the lay-out than for their applicability to the text. Take for example the photo of a Buffalo Soldier with the caption, "Custer disapproved of black soldiers...." (p.45) Or the photo of modern-day cadets at West Point captioned, "Cadet Custer had 726 demerits...."(p.22) And, of course, there are more portraits of Custer and renditions of LBH than one would ever dream existed.

My suggestion would be that, if you're a collector of Custeriana, or simply the type who likes to impress your guests with your choice of books, you might want to purchase this and place it somewhere prominent in your home. Otherwise you'd do just as well to stick with the paperback version.

The master of the western biography has written (and added to the original version) a balanced reporting of the events that happened that day in June. The oversize pages allow for splendid photographic illustrations. All the versions as to what actually took place are presented thoughtfully and a case presented for the most logical conclusion. I had read his later book(s) including "The Lance and the Shield" about Sitting Bull, before discovering this one. It was also very interesting to find out what happened later to some of the people involved.

Well written and entertaining biography of one-time(late 19th century) El Paso Marshall Dallas Stoudenmire. Metz does a nice job of fleshing out just who Stoudenmire was, and the mammoth job responsibilities he faced, as well, as the numerous contraversies surrounding the man. It is a thrilling tale of a gun-slinger of the "old west", who is really lost to history. A virtual unknown compared to Hickock, Earp, Masterson, etc... Highly recommended to anyone with an interest in the history of the 19th century west, history of gunfighters of the same era, or Texas or frontier history. Fun, informative, and worth your time.

lots of new information. Very well written and researched. very entertaining.

This book was well written and easy to understand. Mr. Metz has managed to make this book easy to understand and fun to read, but with much interest. His wordings were excellent; he used adjectives and even described persons or things with vivid colors. He has added some humors to it and it always kept my full attention.

The "4 Deads in 5 seconds" gunfight was the most thrilling. I felt as if I actually witnessed it all and witnessed folks scattered at the very sight of Marshal.

Hollywood should make a movie on Marshal Stoudenmire. I think he's worthy a movie such as it is for Wyatt Earp and Doc Holliday in "Tombstone" and "Wyatt Earp".

Leon C. Metz was a great author and storyteller with unique writing humor. This book was based on true events. It was well researched and written. I have absolutely no doubts that Mr. Metz attempts to bring out favorable traits of Stoudenmire in order to help him gain much deserved respect and nationwide recognition. Stoudenmire enforced the laws no differently than Wyatt Earp, Pat Garrett and Elfego Baca. Stoudenmire deserves the same honor. Stoudenmire's period in this town was awfully short, but very colorful. Stoudenmire had no fear, not even guns or death. He was able to outdraw every opponent. He sent his wild bullets to harvest souls and sent men on their last jolting rides to the cemetery. His large structure and deadly reputation were all El Paso needed to send hard-cored violent outlaws whining and putting their tails between their shaking legs into hiding or digging their own graves. Stoudenmire's toughness and courage was no match for the outlaws combined together.

. . .

This book is highly recommended for folks who seek excitement in Wild West justice and a wild marshal to match!

this is a great book, it is very interesting and seems to be fairly accurate to what might have happened in the life just after the land run.

This story is sooo close to fact one feels like they are part of the land run.

Hard to believe the same guy who wrote "Empire" wrote "Dreams to Dust" what a vast improvement on story telling. Dreams to Dust is a great historical fiction that centers around the founding of Guthrie Station, OK. The characters are diverse and well developed. This was a fun book to read.

DREAMS TO DUST
A tale of the Oklahoma Land Rush
By Sheldon Russell
University of Oklahoma Press: Norman
ISBN 0-8061-3721-5
Copyright 2006 by University of Oklahoma Press

BOOK REVIEW BY CAROLYN BRANCH LEONARD 2/10/2006

Standing at the foot of Mavis's grave, Jerome held his hat in his hands.
"You danced your dance," he whispered, "and left your memory burned in my soul. Now, I will dance mine, and leave my mark upon this land."

This quote from Dreams to Dust, by Sheldon Russell, represents the author's profound understanding of the birth of Oklahoma by land run in 1889, and his brilliant gift for capturing the dramatic events and violent conflict that shaped the legends of our epic West. Dreams to Dust is a rip-roaring tale of the history, land and people of a city born grown in one day - a day of chaos, unique adventure, risk and total confusion. The author knows his subject well, researched it thoroughly and told his story faithfully in a writing style unique to him ...and what an exciting story he has to tell. Dreams to Dust presents many facts revealed in fictional format, such as the station that becomes Guthrie - the first state capitol, abandoned as result of one frontier newspaperman's greed, with the capitol seal stolen away in the dark of night.

Not since James Michener's Centennial has history been told in such a spellbinding way. From the opening line when Creed McReynolds locks his legs against the inside of a rail car, I felt relentlessly carried along on his journey and unable to get off the train until turning the final pages in the wee small hours of morning.

McReynolds, half-breed son of a U.S. Cavalry doctor, becomes just one of an assortment of powerful, unforgettable characters; like the girl with sapphire eyes, or the French architect who designed beautiful buildings of stone, the dog they called Flea Bag, hard-scrabble entrepreneurs who became tycoons, and an orphan boy forced to grow up too soon.

The author speaks in language of the time, through the voices of homesteaders, sooners, cowboys, claim jumpers, soldiers, railroad bulls, mail-order wives, opportunists and common thieves, steadfast men, women and children who come to build their homes and seek their fortunes on former Indian lands. The three million acres of the `89ers are outside the authority of Indian government, and without civil law. Nothing is spared: danger, brutality, hunger, sudden death, the loss of youth and innocence, prejudice, natural disasters, promiscuous women, even the unselfish friendship and love that McReynolds unexpectedly finds in this barren land.

But what comes through strongest is the idea that each man and woman has an innate dream to possess land and prosper on it; a compulsion capable of redeeming a soul or destroying a life. We are subtly reminded that this land - which McReynolds fights so hard to claim - originally was given in peace treaties to his mother's people by the US government.

Even the closing graphs present a ripping good read with a hint of Hemingway:
"As he climbed from the meadow, the air smelled scrubbed and clean, and a soft breeze blew through the trees. At the dugout he stopped, laying his hand on the door, listening to the sounds of the mountain. It was here that he and Alida had been the happiest, had built traps and laughed about hoopers, had made love and planned their future."

.....But no matter what the future held, this much he knew: this land was where he belonged; this land was where he'd stay.

This is a great reference book if you are a Militaria collector.

This book would primarily appeal to collectors. It is extensive in its coverage of the history of insignias and it also is liberally illustrated. A definite must have for the collector.

I have been acquainted with the author for many years so when I heard this work was to be published I looked forward to acquiring it.
As I was scheduled to retire in January 1998, I went to the planners of my party and told them rather than perhaps giving me an inappropriate, useless or redundant gift (After all I have been collecting books for forty five years.) I would like a gift certificate from a book store. Well, I got enough to get this and a fine thing it is too.
Every place I looked where I knew somthing about the subject, especially the post Korea-pre Vietnam Cold War when I served, I had no quarrel with what Bill said. So you can depend on the nineteenth century material which is just as well researched.
This book is much improved by not just being a catalog of insignia but identifies the clothing upon which it was worn, thus facilitating its use for identification.
Every major research library should have this in its collection along with his other mighty work Chevrons.

As an avid collector of US Army cloth insignia from WWI to modern day,I had failed to do any research on branch insignia preferring the more colourful shoulder sleeve insignia.However as with all collecting one finds themselves the need for more information on all types of insignia worn on the uniform.This masterpiece of work fills this for all collectors of US Army insignia.This is a must have and an indispencible tool for the serious collector/historian.I personally rank William K Emerson's book along side that of Shelby L Stanton's order's of battle books for the amount of time, energy and finally the monumentous task of gathering and putting all this information together in one single volume. To this I must add the name of J Duncan Campbell listed in the preface.