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Ignatieff is at his best in his painstakingly detailed biography of that intellectual giant, Isaiah Berlin. This is how biographies should be written. Ignatieff has a wonderful ability of marrying the man and his ideas with the politics of the times he lived in. An elegantly written and honest homage to a life lived! I highly recommend this fantastic read!

This is a superb biography, and it also provides a very good survey of Berlin's ideas as they developed over his lifetime. That latter is no mean feat, as Berlin did not produce a highly organized corpus. Berlin's habit was to produce something, then proceed to the next thing, and never look back. He was also not very tidy in his scholarship, with a tendency to present "quotations" that are his remembered version of what the other person wrote. It is due to the extraordinary efforts of Henry Hardy that Berlin's writings having been gathered into various anthologies, with missing footnotes added, quotations cleaned up, etc.

If you have tried to get into Isaiah Berlin's thought and have been discouraged by his sometimes baroque mode of exposition, I would recommend starting with Ignatieff's book. Then read around in Berlin's essays for a while and, following that, pick up "Isaiah Berlin," by John Gray, a succinct critical survey of the central themes and ideas in the man's work. At that point, you will be able to pick up anything Berlin wrote and read it with complete comprehension. Promise.

Twentieth Century philosophers in England fall into two groups. The bigger is the one whose members engage in analyzing the meanings of words and the ways that we use them. While this is undoubtedly an important enterprise, it is often rather arid and does not touch on what is really significant to most people. These philosophers tend to teach us cleverness.

The other, rather smaller group, to which Isaiah Berlin belonged (after having started as a member of the first group), addresses itself chiefly to human concerns, to how we ought to live. I maintain that men like him teach us wisdom.

Isaiah Berlin certainly did not live in an ivory tower; and in Michael Ignatieff's immensely attractive biography we can follow his engagement in the great world. Like many other academics, he worked in government during the Second World War: at the Ministry of Information in New York and then at the British Embassy in Washington and (very briefly just after the war) at the Moscow Embassy. As a committed Zionist, he played a minor but not unimportant role, acting as an intermediary between his friend Chaim Weizmann and American politicians during the period when American attitudes towards the aspiration for an independent Israel were being shaped. Weizmann and Ben Gurion both asked him to move to Israel and play a part in shaping the nascent state; but Berlin declined. One reason for this was that he felt himself temperamentally unfitted for the intrigues, infighting and abrasiveness that such a role would involve.

Ignatieff shows repeatedly how, although Berlin had political commitments - particularly to Zionism and to anti-Communism - he shied away from being put into a confrontational position. He did not like making enemies; he liked to please; he was uncomfortably aware of his dual allegiance when working for a British government which was unsympathetic to Zionist aspirations. There seems to me no doubt that the philosophy which would develop in due course was a sublimation of his psychology. It should go without saying that this is not said in denigration of his philosophy: some of the greatest achievements in creativity have been driven by personal needs of this kind. One must judge the value of a philosophy by the quality of the end product, not by its psychological origins.

One of Berlin's essays is entitled The Hedgehog and the Fox. The fox, so an ancient Greek once said, knows many things; the hedgehog knows one big thing. Ignatieff argues that Berlin indeed knew many things but that he had been in search of the one big thing that would make sense not only of the tensions he felt within himself, but also of those which any open-minded person must feel when seeing that in so many important conflicts, whether in personal life, in the history of ideas, in politics, or in philosophical situations, there is so much to be said for each side. He found this one big thing in the notion of Pluralism.

Pluralism means that every individual and every society must accept that there is never one absolute value to which other values must be subordinated. There are many values in life which all command respect; but the most important of these - freedom, justice, equality, tolerance, compassion, loyalty - often must collide. Take, for example, Liberty and Equality. Both are rightly sought after; but equality can only be achieved by curtailing the liberty of action which, if granted, will result in some people pulling ahead of others. And even a single value, like equality, has tension built into it: do we look for equality of opportunity or equality of outcome? Again, if we want equality of opportunity, the result may be inequality of outcome; if we want to ensure equality of outcome, we cannot also have equality of opportunity. There are occasions when unavoidable collisions of values - of allegiance or of moral duty, for example - are the very stuff of tragedy.

Berlin was a liberal and believed in rational discussion; but he thought that no amount of rational discussion can resolve these conflicts of values; and for him it was certainly not a solution to give to any one value absolute priority over others which have as good a claim to be universal.

Berlin was as fascinated by those ideologies which he regarded as inhuman as he was by those he shared. He once said that he would never describe Nazism as mad. It did indeed rest on totally perverted axioms, but upon these axioms its theorists did erect an intellectual structure: how else could one explain that fascism was espoused not just by thugs, but by many academics at universities and by thinkers in other walks of life? Even more so was this the case with Marxism: he detested it, but he truly understood it from within. Ignatieff comments that "Berlin was the only liberal thinker of real consequence to take the trouble to enter the mental worlds of liberalism's sworn enemies." And although liberalism and nationalism, usually allies in the first half of the 19th century, parted company thereafter, Berlin was also one of those rare modern liberals who had respect for nationalism. The freedom to give expression to national identity was an important freedom, but of course it must not itself become oppressive of other people's national identity.

As the book's title suggests, this is a biography that focusses most strongly on the philosopher's life. An exposition of his ideas is skilfully woven into the narrative; but it is not until we are two-thirds of the way through the book, when Berlin had reached the age of 40, that we come upon the chapter headed "Late Awakening" - awakening, that is, to the ideas for which he became famous. But I cannot praise highly enough the loving and vivid portrait of Isaiah Berlin that Ignatieff has given us and the fascinating account of his private and public life.

This is the life- story of the most important historian of ideas of the twentieth century. The story is told with clarity and sympathy . And something is caught of the tone and spirit of the person considered to be ' the greatest talker the English language had ' since Coleridge. Berlin was a person not only of remarkable learning, but of tremendous intellectual enthusiasm. His understanding of how it may be impossible to reconcile ' ultimate value claims' is at the heart of his championing of liberal democracy. The story is a remarkable one including not simply his climbing to the top of the pole of the English intellectual establishment ( despite his Jewishness) but his able service in the cause of freedom during the Second World War. One of Berlin's great volumes ( edited by his devoted student Henry Hardy)'Personal Impressions' tells of Berlin's warm friendships with many of the greats of the twentienth century. One such friendship was with Chaim Weizmann first President of Israel. Berlin was a 'Yom Kippur Jew' and ardent Zionist who contributed much to Israel . On a recent walk on Keren Ha- Yesod street in Jerusalem I took special pleasure in seeing a quiet little square named after him. This book should be an introduction to reading his own collections of essays which Hardy put together. They are the remarkable record of a most remarkable mind.

How can such a great book have such a low sales number? Or such a cheap price and only available used? I found it new for less than $4 in a book store during Christmas break in Cape May, NJ. Of all the books I was reading this one grabbed my attention and was most frequently the one I chose to read until I finished it. Gems! This book is loaded with them. Getting to know Sir Isaiah Berlin has been wonderful. An example: Teaching in an American University in January 1949 "His students didn't seem to know how to read or write, at least `not as these activities are understood at our best (British) universities'." (p. 190) His course was at Harvard! Now I can't feel a sense of connaissance since I was a student no sooner than a decade later. How do I know I know how to read?

Reading p. 188: "individuals must have secure cultural belonging if they are to be genuinely free." It occurs to me while reading the book that without such a book about Isaiah Berlin a great deal of what he thought would not be obvious in what he published. He often did not say what he thought. Was this because he was not very secure in his sense of cultural belonging? (Yes).


I had not realized how much Sir Isaiah was a philosopher of the sort I would like to be some day. Because of his experiences he was a polyglot. He spent time in the service of his country using his intellectual and social skills. His philosophical views bridged the Western analytic tradition, engaging Wittgenstein in argument for example, but at the same time applying the Continental philosophy of the Hegelian tradition, his excellent introduction to Marx for example. I personally find so much to like. I have found another soul mate.

I also thank those who took the effort to write such good reviews, often including other information to make the experience even more worth while, and leave me with little to do than mention a few quotes as a reminder for myself. This book ought to be read by more people than are apparently reading it.

Although the famous author's last years brought her much sorrow and depression, she continued to depict the world as it once more became plunged into yet another world war. In her famous journals, she described movies she saw, including GWTW, air conditioning, and the frustration involved with generational gaps. It is a must read for those who followed the previous books.

Obviously this is for fans of L M Montgomery - if you know and love her writing, you will recognise among the friends and acquaintances of her youth the characters that people Anne of Green Gable's turbulent world. But this wonderful journal is much more than that - it is a fascinating insight into a world which is long gone.

We read of Maud's complex family arrangements, her desire to be a good teacher and disappointment with some of her placements. Her small victories selling stories to publications, and the seemingly endless stream of suitors who proclaim love for her (my favourite is the hapless Mr Mustard). It is a tale of love found and not acted on (and the agonies that accompany it), familial obligations, frustrated talents and beautiful Canadian country side. It tells of heppiness, despair, joy and nostalgia, and is as engagingly written as any fabulous novel.

By all means read this if you wish to understand the creator of one of the world's most engaging literary characters, but also to have a glimpse of a world none of us will ever see the likes of.

Poor poor woman. I could scarcely put it down. But it brings up many questions. Why did she think that Mr. Leard, the Love of her life, was not worthy of her? Why did no one ask her husband Mr. McDonald what the heck was bothering him? Why did she not know in 5 years of courtship that something was terribly wrong with him? Poor, poor woman. The synthesis of this book is when she asks herself why a woman that she felt was mean and hateful was happy and she was not. Indeed, why?

IF YOU LOVE THE OTHER DIARIES YOU WILL ENJOY READING ABOUT HER FINAL DAYS. I ENJOYED ALL OF THE OTHER DIARIES BUT THIS ONE IS THE SADDEST. SHE HAS HER GOOD DAYS AND BAD, BUT SADLY SHE STOPPED WRITING IN THE LAST YEARS WHEN LIFE BECAME SO UNBEARABLE THAT SHE COUDLN'T EVEN WRITE ABOUT IT SO THIS DIARY IS INCOMPLETE. YOU WILL LOVE SEEING INSIDE THE LIFE AND MIND OF AN AUTHOR WHO ACHIEVED SUCCESS IN HER OWN LIFETIME AND LIVED TO WRITE ABOUT HER PERSONAL LIFE FROM CHILDHOOD TO HER LAST DAYS. THIS DIARY IS HER LAST, BUT LUCY MAUD MONTGOMERY WILL CONTINUE TO LIVE ON IN HER WRITINGS. HER DIARY WAS A WAY TO SHARE HER INNERMOST THOUGHTS AND FEELINGS THAT SHE COULDN'T SHARE IN HER NOVELS. YOU TOO WILL FEEL LIKE A KINDRED SPIRIT.

These journals, are beautifully put together. I remember when I found the first one and then each suceeding volume. I knew this one was coming. I even called the author at Guelph University to ask her how much longer I would have to wait.

She said then that they had to wait for some of the people in the journals to die before they could publish them. I would guess Dr. Stuart Macdonald was one of them.

They thrill me and make me feel closer to thise amazing woman. I've read everything she's written now. The sad thing is that once this volume is finished there is nothing new to read.

My greatests thanks to L. M. Montgomery and to Drs. Rubio and Waterson for their great work.

I have really LOVED this book since I was 13 years old and a friend gave it to me for my birthday: God bless her! It has been a book that I have read and read and read over the years, just when I needed some taste of the ingenuity and the freshness of youth. And the Annotated Anne of Green Gables gave me an useful look into the culture and setting of the adventure of young Anne (spelled with a "e"), especially valuable for me, being Italian.

"Anne of Green Gables" is my favorite book. I didn't think it could get any better, then I discovered this annotated version. Everything you could possibly want to know about the author, details from the book, and information from the time period in which it takes place is provided in the margins. Wonderful!

I'm not concerning myself with the story of Anne, which is a classic and rightly so, but the annotations are often times not enlightening or of any interest or are even bizarre and often give away parts of the story, which is utterly annoying. The additional information in the back about PEI, life at the time and more are interesting, but again more than once they give away key elements of later books in the Anne story.
If you know the story of Anne already, this might be an intersting second read, otherwise I recommend to stay away from the annotations so as not to spoil the wonderful story.

If you want or need to know more about Anne or LMM, it's just THE book. It's absolutely great, very informative and totally worth the money.

This book is great if you have to write a report about Anne of Green Gables and Lucy Montgomery. This book was very informative and helped me complete my project. There are lots of interesting pieces of information about the author, the time period, and the location in this book. There are many diffrent black and white photographs illustrating the background information for the book. The pictures of where the author based her story on were very useful. I enjoyed this book. However, if you are just looking for the novel without all the extra information, you might want to get another version.

Excellent read. Understated and wry sense of humor. A must-read for people on both sides of the border who enjoy good writing.

David Eddie's Chump Change is nothing short of a triumph. Even more stunning when you consider it's a first novel. It is a snap-shot of a life going wrong, a character study told in a frank, self-assured style and loaded with laugh-out-loud moments of absurdity most of us can relate to to some extent; I know I relate to David Henry, our "hero". It also displays a keen insight into the human condition, our world, and the cost of following your dreams. David Henry wants to be a writer, but nothing is going his way, and he is his own worst enemy. From the opening line of the novel, you're drawn in to his tale of despair, regret, poverty, heart ache, momentary respect, and climactic descent. Personally, I related so entirely to this story, it's mood, it's circumstances, it's become my favorite. It is a joy and a comfort to read, and outrageously funny. And it's a good thing Mr. Henry has not lost his sense of humour, because then this tale could be considered tragic. David Eddie is a true talent. He has captured the spirit of our generation without losing sight of the importance of principles and integrity. Well done! Incidentally, he has a "blog" site you can reach simply by typing in "David Eddie's thoughts". More fine Eddie despair...and, of course, very funny.

David Henry is one of those characters you could just keep reading about and he would never get boring. Loved the book. The writing is so funny, thoughful and moving. The end really surprised me. It is very bittersweet. What happens to David? And where is he now? Great commentary on New York in the beginning and life in Toronto. The lead character also goes through quite a journey (a realistic one that never loses the reader's attention). There are so many great comic scenes in this book (i.e. everything with Kim, David going to strip bars in NY and smoking pot, his friend Max and all of the jerk newsroom people he has to put up with towards the end of the novel) and one particularly touching one where Henry cooks dinner for his father...Almost cried when I read that. Modern writing at its best. Highly recommended to fans of Oscar Wilde and even Knut Hamson.

This book is simply hilarious. David Henry is no hero. In fact, he's probably one of the most flawed characters I've ever come across in any of the books I've read. Jobless, up to his eyeballs in debt, without a girlfriend and an all-out immature child of an adult -- he's fascinating and gets himself into situations that are so funny that I've had tears in my eyes. Take a character like that and put him on a quest to land a real job and find true love and you get "Chump Change".

An excellent first novel from a very talented writer. His prose is well constructed, fast paced and laced with a tender sarcasm that makes the reader feel as if they are in a personal conversation with Eddie. Writing in the first person is difficult, and although Eddie occasionally becomes style-obsessed and glib, he quickly catches himself, turning his razor wit upon himself to the delight of the reader.

A superb first effort. Good job, Dave. I'm looking forward to your next book.

I love Leo Lioni and this is one of his prettiest books and is a favorite of my children. The artwork is beautiful and the story touching. I just bought a second copy because our original one is getting worn out!

This is a great book for people who want more than childish drivel to read to their infants.

OK, a lizard can't come up with a consistent color, but when he meets up with an older lizard, they decide to live the rainbow life together. All good and well, except
- goldfish are freaking ORANGE, not red!
There needs to be a reprint...

Very simple story of the search for self-identity and how it relates to friendship. Interesting water-color artwork and a clear, effective storyline make this a quick, five-minute read for an adult to his or her child.

Leo Lionni does good work and this offering is no different than in the past. A little Chameleon finds that all the animals, i.e. pigs, fish, elephants and more, all have their own color. He then finds that he does not seem to have one of his own, as each time he moves to a different location, his color changes. This is a charming tale of a little creature in search of himself, much like a small child might be. The art work in this little book is great and quite eye catching to the little ones. The art work and simple text make the story interesting and easy to read and I have noted that even with miltiple readings, I don't seem to get as bored as I often do with children's books after about fifty or so goes at it. The book of course has a happy ending, but you will have to read that for yourself. Highly recommened this one.

In the opening lines of chapter 3 Bryan Magee, paraphrasing Schopenhauer, writes: "If there is to be any point in my looking for something, I need to have some idea of how I shall know if I find it". Whoever comes to philosophy would be well-advised to keep this in mind. Can we really read philosophy without any idea, or to use an expression from Saul Bellow, any `metaphysical hunch' about what we think (or hope) to find? It was while reading this wonderful book on Schopenhauer that I suddenly, and quite unexpectedly, found the answer to the question, "Why do I read philosophy?". And the answer was not, as the expected knee-jerk response would have it, to find `truth', but to break away, if only for a moment, from the deadening gravity of the obvious and the mundane into an awareness of a reality more awesome and profoundly mysterious. For me few philosophers manage this better than Schopenhauer, and Magee is absolutely brilliant at conveying this to his readers in his book The Philosophy of Schopenhauer. Hardly surprising from a man, who, on another occasion wrote,

"At the heart of the mystery, it seems to me, must lie the relationship between the self and the empirical world in which it is not an object. In fact I am tempted to believe that the ultimate mystery `is' the relationship between the self and the empirical world. With his usual acumen Schopenhauer thought this, `the solution of the riddle of the world is only possible through the proper connexion of outer with inner experience, effected a the right point.' The first time I read those words I got gooseflesh all over my body, my scalp pricked and tingled, and I knew that I was going to read every word written by Schopenhauer". (Confessions of a Philosopher - Bryan Magee).

Perhaps this book explains Schopenhauer with amazing clarity and detail, but I couldn't make it past the first 50 pages. It's just one multi-page paragraph after another. The author needs to learn the concept of whitespace.

The introduction to "Essays and Aphorisms" provides a concise look at Schopenhauer for the casual reader.

I find it amusing that someone would give this excellent overview of Schopenhauer a two-star rating on the grounds that it is "difficult". Schopenhauer's philosophy is profound and requires much thought and reflection in order to grasp it. There may be "easier" introductions than this book but if you want to actually try and understand Schopenhauer then read this book. Remember, understanding Schopenhauer or any great philosopher will be difficult. If you can't do "difficult" then read Dr. Seuss.

Bryan Magee has done a superlative job in writing this work. It is both a review and explanation of Schopenhauer's philosophy as well as an exposition of his influence on artists such as Richard Wagner. There is also much biographical material on Schopenhauer. This is a 400 page book and will take a while to get thru. It is not an easy read, though well written. It's just that Schopenhauer's philosophy takes some time to get used to if you have not encountered him before. But you will be richly rewarded.

Perhaps the most unjustly neglected philosopher in the western world. I would hope this very readable introduction will encourage more people to take up the study of this great thinker. Bryan Magee, as usual does, what many professional philosphers are unable or unwilling to do: he makes philosophy accessible to almost everyone. While I haven't found Schopenahuer's writing all that difficult, reading this first has helped me grasp The World as Will and Representation better than I could have without it.

Philosophy needs more Schopenahuers and Magees and fewer obfuscators.

I LOVED this book! After reading the first I rushed to the store to get the whole series. This is a great series for girls who love God and love sappy cute romantic stuff. I would def recomend the whole series.. I think I finished them all in like 2 weeks.

I enjoyed this one and am looking forward to the rest of them in this series. I very much like Elizabeth and I admire her strenghth and courage to move so far away and to change her lifestyle in such drastic ways. She gave me hope as I too have recently moved far from friends and family and at times it can be so lonely and tough. This book not only had hope and courage and love -- it also had elements of humor and even horror (at least the mouse on the chair made me gasp!!!).

I absolutely loved this novel.

I am a Christian, and I enjoy Janette Oke's books dearly. They are so wonderfully written--such wonderfully story lines, great details, great plots, and great faith in God.

I have read many of her novels, but I must say this one was my favorite. Something about this wonderful story made me just couldn't put it down! I found myself wanted to read it until I finished.

The story is wonderful, with Elizabeth's heart for teaching and her courage to moving to the west, and I love that is a love story at the same time. And her faith in God is so wonderful as well...

It's so neat cause when I read Janette's books, I don't just read a great story, but I learn something at the same time---great principles to apply to life - every time

If you want to read a great story (with no worries if younger readers want to read it) I truly recommend this story!

I loved it!!!!!!!! And you will too.

This is my second favorite Janette Oke book. (My first is A Gown of Spanish Lace.)I am currently rereading it for about the tenth time and once again falling in love with all the characters.
It is about a somewhat pampered and sheltered young woman named Elizabeth who decides to accept a teaching position in western Canada where life is backward compared to her hometown.
She encounters a few obstacles with courage and spunk. She adores her students and is an awesome teacher and role model.
She is determined not to marry right away, but when an attractive Mountie comes into her life, her mind changes. Mine would too if I met someone like Wynn! Jannette Oke has good taste in men. :) I highly recommend the entire Canadian West Series for females ages 15 and up. I especially love the first 2 of the series. It is easy to fall in love with both the characters and Canada.
In order to really enjoy an Oke book you really have to read it slowly. So if you don't have the time and patience to spend a few days quietly reading a book, this isn't for you.I often have a hard time settling down for the first chapter or two of her novels since they are slowpaced, but then I am able to really get into the story and am glad I decided to slow down and smell the roses.
I hope someday Hallmark (or anyone else)makes this book into a movie.

When Oke Engages My Heart, by Sara Larsen

Anyone that likes a quiet, sweet story about the experiences, joys, and sorrows of life from the perspective of a woman will love "When Calls the Heart" by Janette Oke. Oke effectively engages us and connects us to her protagonist by using strong characterization, sensory details, diction, and appeals to emotion.
On the first page of the novel, Elizabeth thinks to herself. "And how are you this delightful spring morning? I asked myself. Why, I am just fine, thank you, I silently answered, and then almost blushed as I quickly looked around for fear that someone might be able to read my thoughts." This is one of the first glimpses we get into the life of our protagonist. By developing the thoughts of her character and letting us into her brain, Oke has quickly helped us understand the personality of her character, and thus we become involved with the character on a more personal level. By connecting us to her character, Oke can then communicate messages, emotions, or ideas to us through her protagonist.
The powerful sensory details used by Oke when Elizabeth is spending her first night out in the Wilderness allow us to almost see what our protagonist sees and smell what our protagonist smells, thus inviting our sympathy and involvement. "...the tall grass had recently been cut but had been left to lie, browning where it fell. It smelled musty and insects buzzed busily about it...the riotous colors flamed out over the sky in shades that I had no words to describe..." (73) We get a glimpse into the newness of Elizabeth's experience by reading these sentences and can vividly picture the scene before her. Because of Oke's use of imagery, we feel as though we are experiencing Elizabeth's world because we have a detailed description of what her world is like, which is essential because then Oke is able to get us to feel what she wants us to feel.
Oke lets us know the terror that Elizabeth feels when she hears a sound that she's never heard before, and we become further engaged in the story because we can almost hear these sounds for ourselves and feel the heat on our faces because of the details used. "A wolf pack!...They had smelled new blood and were moving in for the kill...the sharp stubble of the grass and weeds bit into the palms of my hands, but I crawled on. Another howl pierced the night...the flames were robust now...I continued to feed the fire and huddle over it, coughing and crying into the woodsmoke." (74) We can imagine what is happening, almost feel the thorns in our own hands, and we also feel the same fear that Elizabeth does. Oke entices us, by using such imagery, to experience this with Elizabeth, to take an active part in the story and connect with her protagonist.
On the fourth page of the novel, Oke's carefully-chosen words effectively illustrate her characters when Elizabeth is describing her family; we are invited to see these characters as she sees them, thus aligning our point of view with our protagonist's. She uses words like "flighty one," "adventure-seeker," "the romantic," "silliness," "dainty," "pretty," "plenty of male attention," and "never enough" to describe her sister Julie. By using four rather short sentences with well-chosen words, Oke develops a single character, letting us get personally involved with her description. It is easy to paint in our minds an accurate, though unique, picture of Julie. But again, we see these characters through the eyes of Elizabeth, and Oke can then get her message across to us by using her characters--characters that we now view in the way she wants us to view them.
Oke superbly uses diction to get us involved in Elizabeth's dilemma with the school stove, and just by reading these words we understand how she feels about herself and how she feels about her friend, Wynn Delaney. When Wynn Delaney walks in, we read words like "gasp," "choke," "embarrassment," "self-conscious," and "predicament," causing us to feel Elizabeth's humiliation. Words we read about Wynn Delaney include "benefactor," "save," "purposefully," and "friendship," (133) making it clear that Elizabeth was appreciative of Wynn's help. Oke strategically uses these words to cause us to subconsciously feel the same way that Elizabeth does; thus we see the following events from Elizabeth's point of view, which is Oke's objective, because then we become attached to our protagonist and sympathize with her feelings when things go wrong for her.
Oke gets us emotionally involved when Elizabeth is about to return home and leave behind the world she has come to love. She pauses when she hears her name. "A hand was placed on my shoulder, and through the mist in my eyes I saw a red-coated chest and I looked up into the face of Wynn Delaney. His eyes looked troubled as they gazed deeply into mine." (219) By this point in the story we have a firm understanding of Elizabeth's confusion about her relationship to Wynn, and we also know how reluctant she is to return home because we, too, have come to love this wilderness through Elizabeth's experiences. Oke now effectively touches our emotions, but is only able to do so because throughout the story we have come to know, experience, and love her characters, which she has effectively done through characterization, sensory details, and diction. Now that Oke has fully and completely engaged us with the story and with her protagonist, she gives us one last gift of connecting with our emotions. We leave the book feeling our hearts touched in some way.
Oke does an excellent job of connecting us to her protagonist and engaging each of her readers, no matter what background they have. If you want to be left with a happy feeling and you enjoy these kinds of books, you will love "When Calls the Heart."

December 14, 2005

Woonsocket Harris Public Library Board of Trustees
Diane Rivers, Chair
Dorian Parker, Vice-Chair
Lisa Sparks, Secretary
John Pellizzari
Ernest "Buddy" DiSpirito
303 Clinton Street
Woonsocket, RI 02895-3214
Fax: 401-767-4140

Dear Members of the Woonsocket Harris Public Library Board of Trustees,

On behalf of the 2,900 members of PEN American Center, an international organization of writers dedicated to protecting freedom of expression wherever it is threatened, we are writing to express our deep concern over the fact that the Woonsocket Public Library Trustees are considering a request to ban It Stops with Me: Memoir of a Canuck Girl written by native Woonsocket author-artist Charleen Touchette.

We understand that a citizen request to ban the book was made at the Library Trustees' September meeting. The Library Trustees removed the book from the Woonsocket Harris Public Library shelves after the September meeting pending a decision.

It Stops with Me: Memoir of a Canuck Girl, the latest work by author-artist Charleen Touchette, invites you into the provincial world of a French Canadian girl in Rhode Island who cannot tell anybody her family secrets. Years later when she has her first daughter she must relive her childhood to heal the future generations of her family. It is a story of survival and triumph as a victim of childhood abuse and was written for an adult audience. The novel tells a realistic story with complex figures. Such books help readers approach sensitive topics and figure out how to deal with them. Even if the novel's themes are too mature for some, they will be meaningful to others. No book is right for everyone, and the role of the library is to allow community members to make choices according to their own interests, experiences, and family values.

Author Charleen Touchette, a member of our colleague organizations PEN USA and the Author's Guild, advocates for the freedom to write worldwide. It Stops with Me has been praised by authors Lawrence Ferlinghetti, Louise Erdrich, Margaret Randall, Ana Pacheco, and Winona LaDuke, and received a Foreword Book of the Year 2004 Finalist Award.

PEN American Center respectfully asks you to deny the request to ban It Stops with Me: Memoir of a Canuck Girl and to return it to library shelves. By doing so, you will be upholding a fundamental principle of freedom: the right of all Americans to read, inquire, question, and think for themselves.

Thank you for your attention to this matter.

Sincerely,

Hannah Pakula

Larry Siems
Chair, Freedom to Write Committee Director, Freedom to Write
and International Programs

An autobiography of a spunky Franco-American woman from Woonsocket, Rhode Island gives cultural storytelling multi-generational appeal. Too many Franco-Americans (with ancestral roots in French-Canada) are quickly amalgamating into the mainstream of American culture without writing their special family stories. Fortunately, Charleen Touchette, a Woonsocket, Rhode Island writer and artist now living in New Mexico, puts both of her pleasingly creative talents together in "It Stops With Me: Memoir of a Cannuck Girl".
Touchette writes about her Franco-American roots by relating simple, often bittersweet and even brutal experiences growing up as a typical French Catholic girl in Woonsocket and later as an accomplished artist.
Moreover, Touchette energizes her autobiography's prose with a series of original black, and white and color print blocks. In other words, "It Stops With Me" expresses Touchette's Franco-American creativity using prose accentuated by her surprisingly cutting edge original art describing absorbing coming of age experiences. Her journey from a parochial Franco-American into her adult life is fraught with opportunities, along with unexpected harsh challenges. Her life is ordinary in some ways but hardly a nostalgic cake walk.
"It Stops With Me" is at its best when Touchette looks back and elevates normal Franco-American experiences to familiarities we can identify with. For example, she describes cooking with her "Ma Tantes" or getting ready to receive First Holy Communion at Woonsocket's Eglise Précieux-Sang (Church of Precious Blood).
Discord arises at a young age. Growing up as a French Roman Catholic girl is an underlying theme. Touchette's typical childhood is without the benefit of feeling safe at home, as she depicts in one of her portraits of a "Not a Picture Perfect Family".
Rather, Touchette's absorbing life story endures familial stress, social and personal conflicts, even leading to physical ailments, which haunt her into adult years.
Touchette's hard hitting narrative is set apart from others of the modern autobiographic genre by the intimate and complicated relationships she shares with her family. Delving even deeper into her private spiral are the intense personal investigations Touchette undertakes with regard to her sad relationship with her father.
Nevertheless, in spite of the particular circumstances, it's typical of Franco-Americans to harbor deep attachments for their relatives and parents regardless of obvious flaws, shortcomings or even family violence. Female family role models are especially strong in Touchette's life. "Although my Maman was a devout Catholic, she was a strong supporter of my right to freedom of expression," writes Touchette. In fact, her female relatives were outraged when Touchette even considered not going to college after high school. In her Woonsocket Franco-Americans world, Touchette writes about how curious it was to be singled out for college when no other woman in her family ever went beyond a high school education.
Throughout the autobiography, her French heritage is front and center, even when she embraces the peace of Judaism.
Many of the book's chapters are charmingly led by simple French titles.
Touchette's talent as a creative writer moves the reader beyond the dark side of her autobiography. Using the power of words, she inspires us to learn more about her as an individual woman with a spellbinding story to tell. Touchette does a good job explaining the pros and cons of the personal contrasts she inherited from her religious and ethnic roots. This is a well written autobiography, nominated for book awards, with a progressive social focus.

"This book is incredible." Louise Erdrich
"beautiful book." Lawrence Ferlinghetti
"Tough, evocative, border-crossing, honest, unflinching...large enough so it can embrace its readers. Margaret Randall, Author. PEN NM Lifetime Achievement Awardee 2005
"An emotion-charged story of initial struggle and ultimate success...a must in any library collection." Book Wire
"magnificent in its courage and decency." Sam Ballen Author Without Reservations.

Great Reads - New Mexico Magazine, April 2005 p. 45.
Personal Journeys: More Than Just Survival by Michelle Miller Allen
"Our girlhood years, formed in various cultures and family configurations-from the most abusive to the most loving-and tempered by the social prejudices and taboos of one's time-are where we begin our journeys into adulthood. These factors have much to do with whether we will just survive or become empowered by the most demanding, even devastating, events on our individual paths.
It Stops with Me: Memoir of a Canuck Girl by Charleen Touchette (TouchArt Books 2004) Touchette's memoir opens the doors into the lives of women who shaped her childhood into adulthood-the healers, storytellers, homemakers, and artists. This most compelling book includes fascinating color and black and white reproductions of the author's artwork over three decades. The book charts Touchette's journey from a French Canadian/RhodeIsland childhood at the hands of an abusive alcoholic father, to Wellesley College, to New York City's culture of arts, to Minnesota and Indian Country.
Touchette combines the voice of the reminiscing adult writer/artist with that of a child obsessed with "making things" as a survival mechanism. Abusive parents seem to bank on the false assumption that their children, as adults, will not remember abuse. Yet anyone who doubts the intelligence and level of awareness in a young, abused human being should read the end of Chapter "Forsythia Blossoms": "I do not know when I started fighting back. I do not have a memory of when Daddy started hitting me. I was too young. But I do remember clearly the moment when I looked up at my dad's face, and realized he was a fool. I was seven."

Reviewer Jennifer Lefkowitz chose "It Stops with Me" as the Book Special for "Girlfriends Magazine" November 2005 issue, p. 58 with two color photos of Touchette's art.

"It Stops with Me: Memoir of a Cannuck Girl"

"Charleen Touchette's memoir is healing and cathartic, a story of survival and triumph as a victim of childhood abuse. The author is an artist, and throughout the book she showcases her paintings, which resemble the work of painter Frida Kahlo. Like Kahlo, Touchette survived vehicle collisions; after a spine injury she is able to connect her past to her present. This compelling memoir dives into the dark trenches of that past, confronting memories with ancient practices. "I learned it is the task of all human beings to cut through the fog and illusion of maya, and reconnect with the light." A - Jennifer Lefkowitz

"Water Illumination" (top) and "Boom Boom Boom" are two of the many paintings which illustrate the author's journey."

Charleen Touchette's story "The Pie Religion" is online in the May issue of Késsinnimek - Roots - Racines

"What a loving, touching article! I could see, smell, hear everything, thanks to your beautiful descriptions. And what memories of my own childhood you brought back; we, too, had a pie religion among the women in our large family. My mother even had a modest business of making pies for the restaurants and the hotel in our little Northern Vermont town.
Indeed, the secret to pie-making is passed on from mother to daughter to daughter as a sacred tradition.
Thanks for a great read!
I've recommended your article to several people, with my comment that if I could write as well as you, I'd give up quilting and stitching...and making pies!"
Louise Dubrule

This product was shipped to me quickly and was in good shape when it arrived.

As a digital citizen and knowledge worker, I found this book valuable in explaining how, more than ever, corporations and their executives are being held more accountable by the public. And because information is instantaneous due to the internet, this book advises that corporations should have transparency plans built into their organizational strategies, lest they fall victim to bad press at some point. What is surprising, is unlike what companies want people to think, the average worker is now more empowered then ever to make companies have more integrity. The book also provides suggestions to planning around transparency and they site the companies who have come back after bad press. This book is complimentary to the books written by Peter Drucker and by John C. Bogle. Excellent!

This is from my blog (which is why it is written this way)

On the Flight to Fremont, I read "The Naked Corporation - How the age of transparency will revolutionize business". You likely think I must have issues since I always read about "naked" (Like "Naked Conversations") but don't worry - its not like that. In this age of Search Engine Optimization, I wonder if the authors thought they might get more hits but that is another topic.

The Naked Corporation talks about the transparency needed in todays post Enron, post Worldcom environment. The basic thesis of the book is that this transparency is good. I agree. It talks about the benefits to the company for being transparent and how it saves money and builds support for the company.

If I have a counter view, it is not to transparency it is to Sarbanes Oxley (SOX) which attempts to legislate ethics and in doing so imparts a huge cost and overhead which ironically might hurt the very shareholders they seek to protect. In some cases, SOX is like buying a safe for $1000 to protect $500 worth of valuables.

The book actually did make the point that often companies are not transparent because the law requires them to complicate things. Just look at the filings and annual reports of many companies. Warren Buffet says "you should be able to understand the financial statements of a company in a few minutes".

One part of the book I found interesting was the story of poor ethics and no transparency at Chiquita Bananas. Fortunately, they have moved to high transparency and appear to have mended their ways. (Fortunate because I like bananas).

One quote which I love (and will use) is by Warren Buffet "If you lose dollars for the firm by bad decisions, I will be very understanding. If you lose reputation for the firm, I will be ruthless." I have believed for a long time the reputation is far more important than money. I like many of Warren Buffets' philosophies and in a article some years ago, EMJ was cited as being a perfect Warren Buffet company. I am not sure when it comes to ethics though that selling sugar water (Coke - on of Warren Buffets' companies) would count as good ethics. So as with everything, I need to filter what I like about someone from what I do not. Learn from the good.

Authors Don Tapscott and David Ticoll examine the managerial implications of the age of transparency. Now that the Internet has enabled employees, suppliers, consumers, gadflies, critics and casual lookers to get and swap previously confidential information about companies, the business environment will never be its old self again. Companies have no confidentiality, no privacy and no way to dodge the truth. Those with nowhere to hide must to get accustomed to life in the open. It's not so bad. But to prosper in this wide-open world, managers need to understand that the new way of life has different demands than the old one. Although many of this book's recommendations have become fairly well known, we find plenty of insights that remain fresh and worth reading.

This is a very good book which has opened my eyes into looking for companies that are honest and transparent with their customers, shareholders and employees. This book calls companies to stop hidding behind secrets that destroy corporations (Enron and others) and start being transparent, by providing informaiton to your customers, shareholders and employees. Companies need to show that they are responsible to the environment, to their stakeholders and other corporations. This book is calling companies to be ethical in their daily transactions and gives example after example of corporations who have fallen because they tried to hide the truth. This book shows that we need strong ethical people to run todays corporations and we as investors need to reward companies who are starting to become transparent. At the same time we need to punish companies who are not taking responsibility for their actions and wrong doings. This book also points out that most investors are blind with their investments and don't even realize what their largest investment is invested in (for most people their largest investment is their pension plan, and I admit I don't know what mine is invested in). This is a very good book and has opened my eyes to at least see what's going on out there and provided me with the tools to do some research and make sure I reward companies that are making an effort to save our environment and be honest with employee's, investors, stakeholders, and customers. The one question I have is are we raising a generation that will be able to have the
qualities needed to run the corporations of tomorrow... Great book...

this book is my favorite, ive read it 3 times becaue i cant let any of that wonder book escape my mind because i want to remember it forever.if you are thinking about buying this book, BUY IT!!!!!!!!!!! you will love it and catch yourself wanting to read it over and over again.

this book is my favorite, ive read it 3 times becaue i cant let any of that wonder book escape my mind because i want to remember it forever.if you are thinking about buying this book, BUY IT!!!!!!!!!!! you will love it and catch yourself wanting to read it over and over again.

No Small Thing
By: Natale Ghent

Twelve-year-old Nathaniel and his sisters, Cid and Queenie, find an ad for a free pony, and they just can't believe their luck when their single mom says yes they can get it. But how will they afford to take care of it and where will they keep it? Well Nat has money he's been saving in a box his dad gave him. He has $95.36 from his paper route. He uses that money to feed and clean Smokey. But when they are on the way home from getting Smokey, (Queenie's riding) they get attacked by a big dog, which spooks Smokey and Queenie falls off and breaks her collarbone. They were all scared. But they make it through it, all the fighting and tears and form a special bond. -Smokey. Well one day the barn Smokey stays at, catches fire. It destroys the barn completely, so where will they keep Smokey? Nat sells him. It hurts to sell Smokey, but he knows it's the right thing to do.

i really liked this book at first i thought it was going to be about some sappy horse story but it wasn't it was a tale of the hardships the characters face and in the middle of it all is the horse the end

I absolutly love this book. It is a MUST read! If you want to find out more about this book take a look at the other reviews on this page.


I LOVED IT!!!!! I LOVED IT!!!!! I LOVED IT!!!!!

from a fellow horses lover