Ireland Books

Anyone with a serious interest in the late Habsburg Empire, Austria-Hungary, or Viennese culture should probably read this erudite, encyclopedic study. Johnston deserves praise for taking on a challenging subject. His extensive research and learning are obvious in the bibliography, notes, and the many names rescued from oblivion (many probably discussed here in English for the first time). Parts of this book are outstanding. That being said, I do not share the enthusiasm of other reviewers. In his search for overarching cultural forms or attitudes (such as "therapeutic nihilism"), Johnston makes too many sweeping generalizations, reducing individuals and their actions to sociological categories or cultural stereotypes. The people he describes often seem like caricatures. Not everyone in Vienna was neurotic, death-obsessed, or a dandy on the Ringstrasse. At one point he makes the far-fetched claim that the Hungarian language, by its very structure, causes Hungarians to become dreamers, disinclined to scrutinize reality. Johnston pigeonholes individuals by their ethnicity, religion, or nationality. He emphasizes conflicts among the different peoples and groups in the empire, but says little about the cultural cross-fertilization that also took place. He does recognize that the multilingual environment inspired reflection on the problems of language.

This is essentially a history of intellectual movements (who taught or influenced whom), not a social or cultural history, as the title might suggest. It does not say much about the politics of the era or the broader society (the section about Hungary is an exception). Johnston is at his best and most informative in discussing economists, legal theorists, and philosophers. The sections about philosophy and social theories are perhaps the most interesting, showing a range of thinkers, some of whom were very prescient concerning the future of Austria and Europe, and whose theories ranged from the utopian to the pessimistic to the sinister.

Johnston falters with literature and the arts. He treats Johann Strauss Jr. and his music in a rather dismissive way, seeming to overlook the fact that Strauss was a very good composer whose works quickly became popular all over the Western world and are still enjoyed more than a hundred years later. (For a better discussion of operetta as a cultural form, see Peter Hanak's book on Budapest and Vienna, "The Garden and the Workshop"). An artist as important as Oskar Kokoschka is quickly passed over in a few short paragraphs, conveying no sense at all of how Kokoschka's work developed and changed during his long productive lifetime. Other artists and works (Kolo Moser and the Wiener Werkstatte design studio, the operatic collaborations of Hofmannsthal and Richard Strauss, Ernst Krenek) are not mentioned at all. This is too bad, because the art and music of this period are perhaps its most lasting legacy. By contrast, the stature of psychoanalysis has declined since the 1960s, when this book was written, and the presentation of Freud in particular seems dated.

Some details: Johnston does not translate any of the many German titles he cites, a disadvantage for those who don't read German. He often refers to the "Herrenhaus," the Upper House of Parliament, without explaining the term. He mentions Marcionism many times, but defines it only after more than two hundred pages. Ditto for Herbartianism. Readers should have some background knowledge before starting, and be prepared to question some of the author's analysis and conclusions.

This book is packed with detailed information, and we learn a great deal from it, but somehow the full color and complexity of life have gone missing. Its strength is in the details, not the synthesis. We do not come closer to understanding the forces behind the unique cultural flowering of Central Europe, and of fin-de-siecle Vienna in particular. The prodigious creativity of that place and time remain as mysterious as before.

This is a wonderful book for all intellectual historians, and cultural historians interested in fin-de-siecle Austro-Hungary. It's a tour de force if ever there were one! But it manages to remain accecible at the same time.

Also, while many have written about Freud, Wittgenstein, Schiele etc., Johnston talkes about the lesser known figures of the era. That is this book's niche.

Johnston's book may not have everything that you ever wanted to know about the intellectual and cultural life of Austria-Hungary under the Hapsburgs, but if ever a single volume came close to having everything, then this is it. It has discussions of not only the "usual suspects" like Mach, Freud, Wittgenstein, but it also provides coverage of important figures in economics (i.e. Carl Menger, Schumpeter, Hayek), jurisprudence (i.e. Hans Kelsen, Karl Renner, Anton Menger), men of letters (i.e. Musil), philosophers (i.e. Schlick, Neurath, Lukacs, Buber, Ebner), music (i.e. Mahler, Schonberg), and many, many other important people. Johnston's book also covers other less well known but important figures too. For example, he covers Hans Gross, a pioneer in the development of scientific police detection.

Anyone who has already read such books as Allan Janik and Stephen Toulmins' *Wittgenstein's Vienna*, Malachi Hacohen's *Karl Popper: The Formative Years 1902-1945* or even, Edmonds & Eidinows'*Wittgenstein's Poker*, will appreciate this fascinating and well written book.

This book is worth every cent, an amazingly well written and concise history of the culture, from all angles. I can't recommend it highly enough.

For anyone interested in the artistic, philosophical and psychological impact of Viennese culture, this is a must. Freud, Wittgenstein, Schiele, etc. Prof. of History at U. Mass., Amherst, Johnston writes clearly and with enthusiasm. See also his illustrated _Vienna, Vienna_.

The Victorians were never the prudes our English teachers made them out to be. I will never look at an 1800s fashion plate the same way again.

Excellent service, as usual. I am thrilled with the service provided by Amazon and it's vendors and will buy books only from these sources.

This book is an absolutely brilliant, lucid, beautifully written, engrossing exploration of the relationships between women in Victorian England. Marcus' arguments are fresh and deeply surprising -- revolutionary, really -- yet somehow manage to feel utterly inevitable after the fact. I love the breadth of sources -- novels, diaries, fashion magazines, pedagogical manuals, pornography -- Marcus draws upon, and the stunningly diverse modes of relatedness she portrays as available to Victorian women. I rarely find myself reading academic books, yet for me "Between Women" was a real page turner. I recommend it very highly.

--according to the London Review of Books, the London Times, the BBC, and me! Marcus is smart, engaging, thorough-- and makes dazzling use of a vast array of primary sources. She asks (basically), "What if we re-read the Victorians as if women's relationships were important to one another?" Looking through this lens at diaries, letters, conduct manuals, law cases, anthropological writings, fashion plates, doll stories, and pornograpy, Marcus reveals a world that leaps off the page with life and immediacy. Go read it.

Sharon Marcus's "Between Women" is that rare academic book - utterly readable and absorbing and juicy. It not only re-casts Victorian literature in a new light, by examining the roles that women characters have in securing the marriage plot, but ushers the reader into a new way of understanding women's surprising power in Victorian society. The book argues that women and female friendship wielded considerable influence in Victorain society- in novel plots and in the work of marriage reform thinkers and leaders. Her work on "the plot of female amity" has been called ground-breaking and I can see why. Sharon Marcus's pages on "Great Expectations," for example, are just amazing, bringing the reader along, at every step, as this brilliant, clear mind details the charged interactions of Miss Havisham, Estella, and Pip. "Between Women" uses a fascinating array of source materials - not just novels, but pornographic magazines, fashion magazines, and treatises of social reform movements. She points out that sometimes female friendship meant friendship and sometimes it meant lesbian relationships. John Stuart Mill, for example, modeled his marriage reform ideas on the equitable dynamics at play in contemporary lesbian couples. The book's exploration of how mothers and daughters, and daughters with their dolls, were depicted in illustrations, often with sado-masochistic overtones, is pretty unforgettable and quite persuasive. It was fascinating to read how the language of fashion magazines and the language of pornographic journals were often the same. The writing in "Between Women" is wonderful and the research well-organized, diverse, and accessible. It is true that Sharon is a great friend of mine, but please know that it is also true that I would not write these sentences if I did not believe them. I read and adored this book and I hugely recommend it, to academics and non-academics (which I am), alike.

This is a brilliant book. The author searches for the reasons why his two grandfathers - one Irish, one Turkish - both ended up in prison during the Second World War. His Turkish grandfather, Joseph Dakad, was interned by the British in Palestine on suspicion of spying for the Germans. His Irish grandfather, Jim O'Neill, was interned by his own government in the Curragh as a member of the IRA. By subtly intercutting the two stories, the book looks at nationalism in two very different contexts - the polyglot post-Ottoman culture of Turkey in the years between the two world wars, and the hidden story of Irish republicanism between De Valera coming to power and the resumption of The Troubles in 1966. In searching for the reasons why these two very different men were interned, O'Neill illuminates the unspoken ideas of nationalism and individuality that permeate (like DNA)the two sides of his family. While he sifts through British intelligence reports on "undesirable" activity in Jerusalem, and discovers who really murdered Admiral Somerville in West Cork in 1936, O'Neill's book is shot through with contemporary echoes of his grandfathers' ordeals. As the author watches Bernadette Sands reject the Good Friday Agreement in the name of Ireland's republican martyrs, and questions Yitzhak Shamir about the morality of political assassination, we realise that the ghosts of these men still haunt today's headlines, and our ancestors can assume the power of an unconscious force over our political reflexes.

O'Neill's "split" background led to an interesting life and a fascinating family history. Great read. Would like to get my hands on his other books. Picked up this book in February and missed his book signing in Dublin by hours. Would really like to know how long it took him to intricately research the book.

must read for Irish history buffs, Turkish history buffs, or WWII.

I simply could not put this book down. Much more than an entertaining portrait of early 20th century life in some remote places, this is a highly informative social and political history and a compelling reflection on nationalism, patriotism and the fears, violence and intrigues which sometimes accompany them. Mr. O'Neill obviously has talents for both research and scene-painting, and his writing is both literate and engaging. After 340 pages, I was sorry to put the book away. But I feel wiser now that I have made the journey with Mr. O'Neill.

"Blood Dark Track" provides a fascinating background into the history of both Ireland and Turkey during the first half of the Twentieth Century. These two very disparate regions actually have more in common than we would initially suppose: neutrality during WWII, an antipathy to British Imperialism, persecution of religious minorities, and layers upon layers of history underlying bloody Twentieth Century history.

These areas also combine in the persona of the author, Joseph O'Neill, who has provided an intriguing personal narrative of his own family. His father's side, Catholic, poor, and Republican from Cork; his mother's, Catholic, bourgeois, and apolitical from Mersin (a coastal city near Syria). Their meeting is as fortuitous as it was unlikely.

The author deftly melds the pieces into a coherent whole, despite geographic, cultural, and temporal distances. Because of the personal connection of the author to events, people, and places, it reads more like a novel than a history.

Informing the story is the author's discovery of his grandfathers, both as family and as characters in two distinct, though subtly parallel, historical contexts. I was surprised to find the story so gripping that I finished it in three days.

This is one of the finest books published in many years. On the surface the book tells the stories of O'Neill's grandfathers. Both stories are of interest, both touch on historical events of interest; but it is the softness and absolute intelligence of O'Neill's voice that makes this book a classic. In relating the experiences of his grandfathers, O'Neill takes us through his own intellectual struggle as he attempts to apply the rational tools of the barrister/philosopher to the world of strong ethnic identities that haunted him from the world of his grandparents. If this were not enough, O'Neill treats us to a rather fine sense of humor -- again, never obvious but always there and always effective.

This book is fantastic, offering a well selected variety of early Celtic Christian literature. The selections, (many for the first time translated into English) offer a real feel for the dispositions, theology, and flavor of the early Celtic Christian. The introductory chapters offer valuable contextual information. If there is a fault with the introduction, it is that it leaves the reader thirsting for more. The end notes, as well, communicate important information regarding descriptions of geography, information explaining items which may not be self-explanatory to the first time student in this field of study. As with the introduction, the end notes leave the reader thirsting for more. I really only have one major complained or criticism: I hate end notes. Placing the references, etc, as foot notes is much more convenient, easier to locate, and keeps the reference in the context of the main texts. I wish for many more volumes such as this. In the meantime I continue rereading this one to two times per year, and continually looking up references. For a student of the early Celtic Church who is not fluent in either Latin or any of the early Irish, Scot, or Welsh languages, this book is a must read, and will provide much spiritual edification. An invaluable resource to include in one's library.

Celtic Christianity is rightly said to be the branch of Christianity which celebrates God's immanence in the cosmos, and this collection of works from Celtic Christians gives an excellent overview of this fascinating branch of Christian spirituality.

Very pleasing to me was seeing John Scotus Eriugena's Commentary on the Gospel of John, where he blasts the Manicheans for seeing the material world as evil (such a position was totally incomprehensible in Eriugena's eyes, and his admiration for the beauty of the cosmos runs through his works).

There are also other works including poems, hymns and stories of saints. This volume is a valuable addition to the library of any Christian interested in Christian spirituality.

This is an excellent book, edited by the founder of the MA program in Celtic Christianity, at the University of Wales, Lampeter. The book brings the topic to life, and allows the reader to gain an insight into the spiritual world of the Celts. Dr. Davies presents the reader with a wide variety of works, that give an excellent representation of Celtic writing and thought. It is a book that must be read and reread, in order to gain the full effect of the excellent pieces of work offered. I highly recommend this book to anyone with an interest in the Celts and/or spirituality.

Partly there is a problem dealing with Celtic spirituality, or indeed, Celtic anything. It is comparatively recently in history that the coalescence of Irish, Scottish, Welsh, Briton, Manx, and other 'Celtic fringe' cultural groups have been classified as a unified Celtic society. Certainly the early people in these regions (not to mention those on the continent) would have seen differences as outweighing the similarities, and would have found unity only in being non-Roman and non-Germanic.

Certainly there is a sharing of story, world view, and spiritual sense, however, that helps us make sense of describing Celtic Spirituality as a category. This relates both to the earlier non-Christian Celtic religions (yes, there was more than one) and the ways in which Christianity spread to the Celtic regions.

`While recognising the importance of Celtic primal religion at the earliest and most formative stage of evangelisation of the Celtic-speaking cultures, it must be recognised that the surviving evidence for Celtic religion in sparse, and often comes from widely differing places and times. But something of its general character does emerge.'

Included in this character are a sense of place (which often includes woodlands, water, glades, springs, mountains, etc.). Ideas of treasure, particularly hidden treasure, and that being a treasure that is not always what the world would value, abound. Heroism and bravery, often at dramatic cost with a deep sense of loss even in the victories, goes through many tales. Other worldly and pantheistic imagery coexist in many ways. Animals and birds are often seen as messengers, harbingers, or symbolic -- many of the illuminated manuscript from Irish monasteries show the continuation of this sort of influence. Celtic religions are also predominantly oral, hence the popularity of story, song, and poem as opposed to argued technical essays or homiletic forms.

The texts in this volume are divided according to the following categories:

Hagiography
These are lives of the saints, often told as heroic (and sometimes tragic) tales. Of course the greatest cycle known to us is the Patrick Tradition -- those stories and legends that have gathered around St. Patrick, who lived in the fifth century. These include letters, declarations, a life story, sayings, and St. Patrick's Breastplate, known to many as a very long hymn, but which actually exists in many different forms. Apart from the Patrick stories are stories of St. Brigit, St. Brendan, St. David, St. Beuno, and St. Melangell, all unique Celtic saints.

Monastic Texts
In a recently issued popular history, entitled How the Irish Saved Civilisation, Thomas Cahill argues that the preservation of culture and learning in the Irish monastic movement gives us much of our knowledge and continuation from civilisation in the past. There is much to be said for this argument, for the early Irish love of books, knowledge, and historical sense of preservation of the valuable gives us much of Celtic wisdom, as well as much of the Greco-Roman tradition as well.

Poetry
Early Irish and Welsh poetry are presented, most of it anonymous, and much of it seems very similar to Celtic devotional material of today. It still speaks to us with a very strong voice.

Blessing and brightness,
Wisdom, thanksgiving,
Great power and might
To the King who rules over all.

To the chosen Trinity has been joined
Before all, after all, universal
Blessing and everlasting blessing,
Blessing everlasting and blessing.

This could be a text from a modern hymnal. The Celtic peoples, with their love of number symbols in addition to natural symbols, fastened on the idea of the Trinity with very little difficulty. The trifold nature of the above poem, going several layers deep, shows this affinity.

Devotional Texts and Liturgies
These texts are meant to be used for lectio divina, a kind of spiritual reading, as well as prayers enacted in the community for blessing. Some litanies and excerpts from the great Stowe Missal give a sense of patterns of worship for Celtic peoples.

Apocrypha, Exegesis, Homilies, and Theology
These four categories include expansions of the biblical text (such as the story of The Creation of Adam), and interpretation of particular pieces (a Gloss on Psalm 103) which gives insight into how Celtic peoples interpreted the biblical texts, which come from a culture so foreign and yet so similar to their own. Also, the Homilies give a sense on what preachers found important; that these survive may give us a sense also of what the hearers considered important (most of my homilies will not survive the week they are delivered!). The theology texts here give a good flavour of the academic and spiritual side of Celtic learning and reflection. The theological treatises are introduced and interspersed with verse that drives home the spiritual dimension far better than any learned discourse could do.

Seventy pages of notes on technical and academic aspects of the texts (translation, interpretation, history, cultural notation, etc.) and a generous fifteen-page bibliography help round out this text, and make it useful both for spiritual direction and insight as well as for academic research and historical and literary investigation.

Edited and introduced by Oliver Davies with collaboration from Thomas O'Loughlin, Celtic Spirituality draws primarily from Latin, Irish and Welsh manuscripts to show the texts that have been 'rediscovered' frequently in Christian history as providing an 'alternative' to mainstream' Christian thought and practice. Perhaps it is the legacy and the gift of the Celtic peoples to always provide a fringe, from Roman times to the present, and from that fringe a freshness of ideas, approach, and insight comes forward to renew culture and civilisation in many facets.

This is part of a series of spiritual and mystical writings from many religious viewpoints, produced by the Paulist Press. Jewish, Christian, and Muslim texts are presented with clarity, careful translation that works for accuracy both of word and spirit, and interesting historical insight.

In my eighteen or so years as a Celtic Catholic, and especially in the past five years, I have seen the term "Celtic Christianity" applied to everything from the sublime (love of nature and the saints) to the ridiculous (giving communion to your dog) to the utterly intolerable (worshipping pagan gods). Some modern writers on the theme do an excellent job of interpreting this strand of the Christian Faith for the modern reader; others are better left unread. So where is a serious inquirer to go for "the real goods"? Where to find out what our ancient Fathers and Mothers in the Faith really believed, thought, and did? Davies's book is an excellent resource.

Limiting his own comments and interpretations to the introduction (and with an excellent preface by James Mackey), Davies contents himself with providing clear and easily readable translations of original source material. Some of the most important documents for understanding the mind of the early Celtic Christian are here. You can read all of St. Patrick's own writings and the ancient biography by Muirchú. Discover the most ancient accounts of St. Brigit, St. Brendan, St. David, and even the dear but little-known St. Melangell and her hare. But that's not all. There is the monastic Rule of St. Columbanus, ten Irish poems, twenty Welsh poems, and several devotional prayer-poems. You can find some of the oldest Celtic liturgical material, interpretations of Scriptural passages, ten ancient sermons, and some theology courtesy of Pelagius and John Scottus Eriugena.

This is all original material, carefully translated and presented in an easy-to-use format. But it's not dry dusty stuff: it breathes a freshness from the early days of the Faith that is sometimes missing from more modern writers. We've perhaps been around too long, thought about it too much. Our Celtic saints got the good news "hot off the press," and embraced it with a shocking enthusiasm which is good for us jaded post-moderns. I hope you read this book and enjoy it as much as I have.

Sizzling stories about gay life in the Emerald Isle. These authors have been there and know their stuff! The stories run the gamut from romantic to hot, hot, hot!

I liked reading this book here in America because it revealed that lesbians and gays exist in Ireland and that same-sex encounters in Ireland can be as exciting as anywhere else. The stories about our warrior past are as interesting as the present-day stories of life in Dublin. The writing is excellent and the book has beautiful graphic designs based on our Book of Kells. The stories are about pretty boys, drag queens, and the kind of leathermen and bears who belong to LUBE in Dublin. I'd appreciate a volume 2 for reading on my return trip.

This collection of Irish and Irish-American fiction shocked me because it is so brilliantly written. It's also hot. Finally, the Irish come out of the closet. None of these stories--t'anks be-- are stage Irish stereotypes, and there is no sentimental "How Are Things in Gloccamora"--more like "How Are Things In (Sodom and) Gomorrah." Actually, the sex is tasteful, and so arousing Irish papers probably will not review this book, dismissing it as gay, when in fact it's more Irish than they will admit. The cover photo of famed Irish-Brit brat-pack author PP Hartnett is worth framing. Inside, thumbnail glossaries help the Yankee tourist out-on-the-slum with the bits of history and a couple o' Irish words used. If "Chasing Danny Boy" can be this much fun, then what fun "Catching Danny Boy" could be--only there ain't one, but if there were a sequel, that could be its title. I only wish my experience in Temple Bar in Dublin was what it is in the wonderful title story. And God bless that Irish jewel, Neil Jordan, for supporting this important book--without his name on the cover, I might have missed this collection. I'LL NEVER SING "DANNY BOY" AGAIN WITHOUT THINKING OF THIS BOOK THAT REVEALS THAT SONG'S PANTING SUBTEXT!

Danny Boy loves to be chased. The stories in this collection are wonderful, sensitive, and hot. Celtic storytelling meets gay culture--two things that have never before been between two covers. (Shame on the denial of lesbigay life in modern Irish books like "Finbar's Hotel," "Angela's Ashes," and even "The Oxford Book of Irish Short Stories.") "Chasing Danny Boy" is joyous-fresh reading for any Irish man or woman who feels alone in the closet, as well as for any American Yank who is Irish, or is thinking about traveling to Ireland for a night out in Dublin to look for your lost cousins. Controversial, yes, and for all that all the more fascinating. I couldn't put it down.

Chasing Danny Boy is a wonder of a book!This collection of short stories is that rare thing- the combination of intelligent and steamy.The settings of the stories range from modern Dublin, to the mythic past, including some with Irish-American settings and people. Many aspects of the (now) global gay culture are represented.The characters range in age from late teenagers with other teenagers, to men in their forties. There are decorative sketches at the beginning of each story, and brief biographies of each writer.Every time I re-read this book I am startled again, at how very good it is.

Boston Globe--

" . . . the novel's touch is light, the dialogue funny. Still, the novel is more than merely clever. Ireland treats her characters with tenderness, portraying how they experience the world, and ultimately holding out a note of hope. She wrings meaning from the slightest of gestures . . . Sarah wins our sympathy, as an everywoman seseking, against the odds, a place of safety and comfort."

New York Times Book Review--

" . . . this humor-terror nexus that Ireland so charmingly brings to life."

She's done it again. As in her first novel, Ana Imagined, Ireland's airy writing style is both vivid and thought-provoking. I want to read it again to see what nuggets I may have missed the first time. I found myself laughing out loud at the disjointed and realistic communication between Michael and Sarah. She expertly captures casual banter between husband and wife in a way I've never seen. It provides comic relief against Sarah's insecurities over her husband's past and her sorrow over her ailing friend.

Chatter is a fresh, surprising, inventive page-turner, with witty observations about contemporary life and relationships alternating with darker reflections on politics, morality, and man's inhumanity to man. Terrorist chatter, echoes from the past, overheard conversations, and random bits from TVs and cellphones penetrate Sarah's mind; the swirling (and sometimes hilarious) stream of her consciousness gives us a prickly, smart, sensitive woman coping with a marital crisis in which the mysterious past comes home to roost. The book's got plot, style, sophistication, and class; it's very funny, and also deeply poignant. I loved it.

This is an intelligent, compelling, affecting novel, which is, concurrently, wildly funny. Covering issues far beyond marriage and adultery and the complexities of family and friendship, it explores issues of international import. Joan Didion meets Woody Allen.

Perrin Ireland's latest novel is about a middle aged married woman worried that her husband's long lost daughter will destroy her marriage. I liked the book very much; what started out as ordinary turned into a very compelling take on friendship, family and love as it went along. I liked the way Ireland portrays and push-and-pull of marriage, the way Sarah and Michael's relationship ebbs and flows, and the gentle ways she brings her heroine down to earth. The ending is beautiful and optimistic. The missed connections and unanswered questions add depth as we learn about the characters through both what they want to know and what they don't want to tell. Lots of questions remain unsettled but overall it was a great read and I'd recommend it to anyone looking for a smart page-turner on society and relationships.

I came to this book after reading several books on the Caucusus -- Yo'av Karny's 'Highlanders' (2001) being the best -- and a couple on Chechnya -- Khassan Baiev's memoir 'The Oath' (2004) the most profound of those. Admittedly, I came to Tishkov's work skeptical: he is Russian, after all. For those of us perhaps a little too eager to see local resistances to 'imperial' power and statehood as liberatory struggles, Tishkov engages us in a real marvel of anthropology, teasing apart threads, and questioning assumptions. Like Baiev, albeit in a very different way, Tishkov's professionalism, his belief in the rationalism of the anthropological method, carries this book. It is certainly possible he may have carefully selected and then edited his informants' words, but to what end? Throughout the book I was successively impressed by his unwillingness to engage in "a debate over the truths of who did what during the Chechen war." This is not to say that Tishkov avoids pointed commentaries about either Russian hubris or Chechen entrepreneurial violence, but it is to say that he does a profound job in helping his readers understand the precarious nature of war and peace, especially in a cultural climate where "even the slightest of differences can be used to justify violence."

Tishkov presents a blanced, well researched account of the two Russian-Chechnyan conflicts. Filled with interviews of both Chechnyns and Russians, the book gives a factual account of the war mixed with personal stories of the survivors. Highly reccomended if you want a down the middle view.

This is a very good book about the Chechen War written from the viewpoint of the fighters. Most books on this topic are written by Liberals apologists for terrorism, who sympathise with the rebels and blame Russia for the terrorist acts committed by Chechens. Others are by extreme Conservative Christians who just hate all Muslims. Chechnya went from being a struggle for independence to a Holy Jihad. If you want to hear the real story from the voices of the Chechens, here it is! This book is easier to read then Wolves of Islam, and I reccommend reading both!

Following the tide of change that resulted in the breakup of the Soviet Union, the people of Chechnya proclaimed their independence in November 1991. Inevitably, many events took place between the newly formed nation and the Russian Federation, leading to the invasion of Chechnya by Russian troops in early December of 1994. A conflict that Anatol Lieven, the author of Chechnya: Tombstone Of Russian Power, has referred to as "the greatest epics of colonial resistance of the past century". Thus, for the next ten years, one bloody war after another reduced a thriving country to rubble; the Chechens enduring unimaginable suffering with no end in sight. To date, the struggle for self-determination has somehow, develop into an "Islamic" guerrilla war. Chechnya: Life In A War-Torn Society is not an account of the war; rather it is a reflection on a Chechen society forced into a never-ending, cruel and traumatizing war. The author of this scholarly text, Valery Tishkov, is currently the director of the Institute of Ethnography and Anthropology at the Russian Academy of Sciences. Therefore, his views on the conflict can be deemed authoritative and to some extent, biased.
In the first five chapters, the author seeks for the answer by explaining the historical context of events such as Stalin's atrocious deportation of the Chechens to the lifeless steppes of Kazakhstan during World War II, which the Chechens suffered in silence, undoubtedly created bitterness in their memories. Yet he asserts that it is not a reason for the unending conflict. Nor, according to Tishkov, do ethnic, tribal, or religious disparities explain the tragedy of this war. Tishkov however places the core of the problem in the early stage of Boris Yeltsin's presidency when rivalries between factions paralyzed the operations of the government in dealing with the Chechen crisis. He perceives the bloodshed as the result of unresponsiveness and puzzlements on the Russian leaders when the Chechen crisis first emerged and the reluctance to deal with General Dzhokhar Dudayev, whom the author introduces in chapter six, while the situation is still in control. All through the book, Tishkov observes the first war and its aftermath through the eyes of fifty-four Chechens whom he and his associates interviewed at length. These "informers" have infused his account of the war with an exclusive directness and subtlety. Their recollections offer a distinctive ethnographic description and analysis of the war, the outcome, and what precipitated it.
According to the survivors and Tishkov, the Chechens success in the first war can be attributed to the use of "guerrilla warfare", with tactics such as ambushes and attacks on the enemy's lines of communication which the author of Resisting Rebellion, Anthony J. Joes, stated as one of the vital strategy for insurgents to succeed. Tishkov goes on to express his admiration for the Chechen fighters' ability to overcome the psychological fear and intimidation and master the techniques of guerrilla warfare. Nevertheless, in chapter seven, when they staged and recorded their attacks, Tishkov portrays the exhibitionist behavior of the Chechen fighters as acts of terrorism. The author fails to realize that it is one of the ways that terrorists can get their objectives across to a wider audience. In his book Terror In The Mind Of God: The Global Rise Of Religious Violence, Mark Juergensmeyer, the noted sociologist and the Director of Global and International Studies, explains it as a theater that terrorists use to conduct terror for their audiences whom they are trying to terrorize. Yet, Tishkov fails to mention the atrocities that Russian troops committed on the Chechens that provoked the situation in the first place. On the aspect of religious, from chapter eleven to the rest of the book, Tishkov emphasizes the negative influences of Arab outsiders in the conflict, such as the al-Qaeda terrorist's network, whom he feels is using Chechnya as a stage determined to turn it into another Islamic state similar to the Taliban of Afghanistan. Tishkov's Chechnya: Life In A War-Torn Society is a recommended book since it does not try to venerate or condemn either side of the conflict but to expose how the war-monger parties in both Moscow and Grozny have made the erroneous political decisions that brought war to the Chechens and terrors to the citizens of Russia. Last but not least, the reader of this book must approach it with an open mind and not to form their judgments prematurely. Such as, in the view of some Westerners, the conflict is being about a small brave nation fighting against an imperial monster, or, in the view of Russia, an armed coup d'etat in Chechnya led by General Dudayev, resulting in the rise of an aggressive paramilitary regime that challenged both the Russian state and its armed forces. Nevertheless, it is a conflict that for Russia, according to Joes, who ranks it as one of the most disastrous counterinsurgent experiences on record, with the full implications of which have yet to manifest themselves.

Unlike many other books on Chechnya, this one offers a unique ethnographic account and analysis of this war and of what preceded it. Although very academic, it offers 'direct voices' of Chechens (mostly) that either suffered the war or have escaped it and now live elsewhere. The book does not attempt to glorify or condemn either side but, on the contrary, demonstrates how hawkish parties in both Moscow and Grozny have committed acts of political shortsightedness that dragged the country into war.

While this book is not going to satisfy anyone whose opinion has already been formed, especially anyone who views this conflict in terms of a small brave nation fighting against an imperial monster, it is more scientific and balanced than any other book that exists on this subject in English. It also takes a stab at Western preconcieved notions such as a failure to recognize ethnic cleansing of Chechnya in 1991-94 when the city of Grozny has been cleansed of non-Chechens who were forced to leave the republic or killed, their appartnments having been taken by the militants.

In short, this book will please you if you are looking for a balanced account or if you have an open mind and are not already set in condemning the Russians. After all, these are Chechen voices too.

This book is great for intermediate quilters and those who ready to tackle a log cabin as their next quilt. Mary Ellen's Slap and Sew methodology makes the piecing a breeze. The samples in the book give you idea after idea about how versitile this block really is. I'll be using this book to teach my next quilting class.

Note to Andrea above re yardage: You'll need 1 1-1/2" strip of light and 1 1-1/2" strip of dark, plus a center for each 8" block in the quilt.

Mary Ellen Hopkins really knows her stuff. Learn from her years of experience and helpful advice. For example, she writes about what size logs look best and how many light logs vs. dark logs to use. This book makes reference to her famous book, "It's Okay If You Sit On My Quilt" which I highly recommend too.

Mary Ellen Hopkins tells in her special way how to lay out your log cabin to achieve the look of different quilts which would be more difficult to make. She shows you how to make a variety of star quilts without sweating the triangles. She shows how different colors can make a quilt look unique. I wish there was more help in determining how much fabric is needed, as I am still an amateur at this, but then you can make a scrap quilt!

Want to praise the book and the SELLER. I purchased my LIKE NEW/used book from Lameade and I give the service a five star rating. It was my first time ordering a used book and I can't say enough good things about the transaction.

Mary Ellen Hopkins has directed all her enthusium into this book. Imagine making stars using only strips of material. This book cannot but help to turn your enthusiam on. Start with a one block wallhanging and go on from there. Excellent fun!! Use all your scraps and no cutting triangles, or squares. Only strips and all the same size. I have never had so much fun!

If you read the other reviews below, you will see that this is a fun and fabulous little story for kids or anyone who enjoys a good Irish story. What especially struck me was the two pages of "Source Notes" that the author put together at the end of the book. She covers T. Crofton Croker, the collector of many "peasants' stories, ballads, and keens" as well as terms that have been touched upon in the story itself. She gives us some great information on the origin of the tales and names of the little people called leprechanes, lurikeen, logheryman, etc. So, read the story of Tom's run-in with a leprechaun for fun and learn some fun information about leprechauns, too.

Leprechaun's are tricksters that can't be outsmarted--at least, that's their reputation. Clever Tom knows this when he accidently comes upon one. So, HE'S not going to be fooled by any trickery. And what does Tom want of this tiny fairy-tale-like creature? The pot of gold that every leprechaun has hidden, which he will take and become rich. Even though leprechauns are tricky, they are honest to a fault, and that's what Tom is counting on.

He captures and forces the leprechaun to make a promise about the whereabouts of his hidden treasure. But leprechauns are known for NEVER giving up their pot of gold. How can this honest fairy promise Tom the location of his "loot" and still fool him so he can't find it? Well, as a leprechaun, he is very clever--that's how. You'll enjoy his cleverness!(Beautiful and humorous pictures, too!)

[This is an Irish folk tale picture book suitable as a read-aloud to pre-school through grade 3, or as an independent read for grades 3-5. It is recommended by the School Library Journal.]

A Non-Workbook, Non-Textbook Approach to Teaching Language Arts: Grades 4 Through 8 and Up

My 5 year old son loves this story (me too). We also have the audio tape giving it even more Irish flavor! I recommend the purchase.

Clever Tom is a big hit with my preschool class of 4 year olds. They laugh outloud as Tom is fooled by the leprechaun. Then, when I have finished reading the story, they beg to hear it again and again!

The only thing more fun for St. Patrick's Day is when we have our leprechaun hunt on the playground and find "leprechaun gold" scattered about the yard! The saddest part is trying to find my own copy so I can share it with my grandchildren at home!

Please hurry and find me a copy of the book Amazon!

Tom Fitzpatrick hears a leprechauns tapping in the woods and catches the little man. The leprechaun agrees to show Tom where his golds is hidden in exchange for his freedom. He takes Tom on a long walk over the country-side to an gigantic field of boliuns. He points to a plant and tells Tom that buried under the earth is his pot of gold. Tom marks the plant with his garder and make the leprechaun swear that he will not remove the garder. The little fellow promises not to take off the marker. Tom races home to get his spade as he plans how he will spend the gold. Appon his return he finds EVERY plant marked with an identical garder. He digs under the plant were he thought he put his marker but finds no gold. He digs all night but to no avail. Years pass and Tom tells the story over and over to the children of the village. He always carries his spade so that the NEXT time he catches the leprechaun he will have his forchune made! A wonderful book; it is the illastations that really sell the story. Linda Shute's leprechaun is so lovable and charming you can't help but root for him!

This is a scholarly analytic type book that investigates not only the colliseum building itself,but the spectacles that took place inside.The book also describes why the Colliseum was built as well as how it was bulilt.The Colliseum according to my read of the book was an important propoganda and public education tool of the Roman rulers.It showed the populace that not only had Rome conquered,but that all the beasts and "savage peoples" of the world were Roman possesions for amusement.The building may have also served as a warning,"you too could end up here" and was an outlet for high risk takers to make a name and a fortune. Also alot of these gladiatorial spectacles were actually public executions of criminals,the sword of a gladiator maybe no worse than the electric chair or gas chamber!Unfortunately no work on the Colliseum has covered the gambling on an immense scale that must have gone on at these events.For one I have always thought that the Gladiatorial helmet that is always used in movies and art appears awkward. It seems as if the fancy ornate designs and rims would block not just the peripheral view but about every other one as well.The author points out that these helmets that were found in the buried ruins of Pompeii may have actually been "parade helmets",used for the pre-fight spectacle to identify and give status to the Gladiator.In the arena he may have found such a helmet in fact a great disadvantage. That's the kind of research contained in this book.In regard to the wild animal fights the author spends alot of time breaking down and analyzing the industry that was involved in transporting "wild beasts" of all descriptions from various parts of the world. It must have been a great part of Rome's GNP.The author also questions alot of the traditional source material for acounts in regard to the Colliseum and its spectacles.It seems in times past that writers may have been as prone to exaggerations as they are today.You'll leave this book with a good knowledge of "the Games" and realize that alot of them were anything but "fair contests" between men and beasts.Rather alot of stage theatrics and "smoke and mirrors".Could it be that the the Roman popes banned these spectacles not only for the brutality,but because they were just plain boring.In fact these games were continued on well into the Roman Christian era,so there may not have been an initial Christian "moral outrage" when Rome was Christianized under Constantine.Anyway,I got my tickets to my first(and last) game from a scalper who had "copped them" free from a "charity organization"On the final page I seriously believed that the Retiarius Gaius was using steroids,and someone had spilled their greasy nacho cheese on my"Gladius" t-shirt.I also had to move 2 seats over because I believed the man next to me was coming down with a case of "bubonic plaque"That's how real this book is.

This is a rather specialized account of the Colosseum, and any student intending to visit the structure should read it. It debunks some myths about the place, but shows that it is a fascinating world wonder which deserves the attention of all visiting Rome. The research seems impeccable.

All the reviews here so far were written on the tourist side, not the scholar's. The great merit of this book, in my view, is that it fits both audiences in a very nice manner. Scholars would of course expect a more exhaustive treatment, but it's striking that there are almost no other academic books devoted to the subject of the Colosseum. Many studies on this building and other amphitheatres concentrate on technical, architectural issues, but this book offers concise and clear analyses on social aspects of gladiators, the interpretations of the Colosseum through the ages (a fascinating part!) and other varied issues. Profs. Hopkins and Beard are two leading authorities in Roman History, but their text is lively, fluent, good-humored and very pleasant - I wish all scholars could write like this! Therefore: for specialists, it's not a thorough book, but very welcoming all the same.

As for the occasional interested tourist, as others here have also said, this book is as useful, appealing and enjoyable as it can be. Having been to the Colosseum myself, though, I don't agree with the advice of getting there one hour before it closes (last entrance allowed is at 3PM). Packed crowds of tired tourists with noisy kids are better to be avoided if you want to take your time inside, so get there as early as you can. Also, like the authors, I strongly recommend a visit to the nearby Palatine - but get a good guide, so that you can understand the ruins you're seeing (use Oxford Archeological Guide, Coarelli's book, or even Blue Guide Rome).

Small though it may be, this wonderful book contains a wealth of information on the Colosseum. The authors - scholars in this field - very ably guide the reader along this amazing structure's long journey through the ages up to the present, debunking myths along the way. Although details on the formidable challenges faced by those who built the Colosseum are relatively few, its history and archaeology, as well as snapshots of the lives and times of those who used it and performed in it, more than compensate. Occasionally, the authors challenge the "generally accepted" interpretations of some of the often-sparse archaeological and historical evidence and offer alternative views. Near the end of the book, useful advice for the potential visitor is provided, followed by an extensive bibliography. The writing style is clear, friendly, authoritative and quite lively. This book can be enjoyed by anyone, but especially by those fascinated by ancient history and archaeology.

The Colloseum in Rome is arguably one of the five most famous buildings in the world but there are very few books about it. At least I have found that to be the case, as I have always had a fascination for the place. May this is the macabre side of me coming out. But it is not just the gladiatorial contests and many other blood letting contests that went on including wild animals fighting both humans and one another or the naval battles that were fought there. Yes naval battles, with real ships and the arena flooded with water. I readily admit that I find these interesting and have done for many years.

However the main attraction of the Flavian Amphitheatre, to give it its correct name is its architectural beauty. It is a building that we would be hard pressed to replicate today, even with all the modern building techniques that we now possess. A building that could fill with people and empty at the end of the games quicker than most modern football stadiums. A building that has stood the test of time. It is only vibration and pollution from modern day traffic that is now affecting the building more than the last two thousand years ever have.

A building that had more happening underground than ever happened above ground. Gladiator quarters, infirmaries. Lifts and hoists moved by an intricate network of pulleys and cables, that allowed wild animals to be brought up to the arena level.

This book tells you everything you need to know and more. It is well written And has some illustrations, but these are secondary to the excellent text.