Ireland Books

This book is the best in many ways. Spectacular designs, wonderfully written patterns, easy to follow schematics, special directions for special stitches. I love being able to make Aran style sweaters in crochet. The way the book is written it is also easy to use certain stitches and design my own sweater. Yes, you can do cables with crochet and they are beautiful!

This book and Lily Chin's upcoming book are the only crochet books I've ever found that have sweaters I would actually wear. Instructions are clear. I'm mostly a knitter who dabbles in crochet and I had no problem with these directions.

I have a confession: I developed and edited this book for ME! Usually, in the book business, products are developed with a target reader in mind. Well, I broke the rules when I asked the designer, Jane Snedden Peever, to create the garments for Crocheted Aran Sweaters. I *love* every sweater in this book! In fact, I've already made half of them, and have yarn picked out to stitch the rest.

Plus, I've used the stitch patterns, which are explained in the Pattern Work Encyclopedia, to make other sweaters for me and my husband, and an afghan for his office.

Every time I wear one of the sweaters from this book, at least a handful of people admire the work and marvel that they're crocheted rather than knit. The work looks very intense, but most of the garments are actually easy to stitch. Scottish Reel, for example, has blocks worked in a variety of stitches. It looks really hard. But it isn't, because you make rectangles, working one stitch pattern after another, and then sew the pieces together. I made my Scottish Reel sweater in three days (of course, this is part of my job, so I stitched for seven hours a day).

Another thing I like about the sweaters in this book is that practically any Aran-weight yarn can be used for any of the sweaters. You can walk into any yarn or craft shop and probably find a yarn that'll work. How cool is that?

I hope that you enjoy this book as much as I do.

I absolutely love this book! I wanted to take a brake from knitting and knew this book would be just the right thing to use of some yarn that didn't work out for a different project. The patterns are timeless and the possibilities are endless with the wide variety of yarns available. I've made the cover sweater and the crewneck cardigan and I couldn't be happier with the results. Crochet looks so neat and tidy and the stitches give such wonderful texture. The instructions are very clear and the stitch patterns are easy to remember so you don't have to do much flipping around. This is a definite must for anyone looking to crochet sweaters.

What a wonderful book! The patterns are so amazing looking and so detailed. I can't wait to get started! After reading this book, I'd definitely recommend it.

This cookbook is great and contains a plethora of easy to follow recipes from appetizers to desserts. A must-have for your kitchen library.

I had the good fortune to take a three-day "cookery" course from Darina Allen at her school in County Cork. She is the Julia Childs of Ireland. The demonstrations were great and then the students got to cook selected recipes the next morning. I recommend this book because it has 1. tested and easy-to-follow recipes. (The school always has students and instructors working from the written recipes.) 2. The Irish specialties, particularly the breads, are wonderful. Ireland is now a "foodies" paradise with hundreds of homemade cheeses and other artisan specialties, superb seafood, and a whole "slow food" movement. This cookbook is in its way a bible to what's going on. It is one you will use again and again.

The `ballymaloe cooking school cookbook' by school co-owner and Irish TV cooking show host, Darina Allen is my second volume in my search for the perfect Irish cookbook. As it turns out, this very heavy and long (639 pages) book is much, much more than a book about Irish cooking, as well it should be, since it is comparable to the Culinary Institute of America's textbook, `The New Professional Chef'. That is, it is a general textbook for essentially all styles of European and American cooking, with a tendency to include more Irish recipes than you would expect from a French or Italian cooking textbook. In fact, a quick browse reveals recipes from around the world, many with an attribution to a close Darina Allen friend, such as Marcella Hazan.

When I saw Darina Allen on the old Sara Moulton show, `Cooking Live' on the Food Network, I had no idea that her Ballymaloe Cooking School was so big and well established to support such a comprehensive volume.

Ms. Allen's general tone in this book follows much the same path as the Chez Panisse guru, Alice Waters in that it strongly emphasizes good, fresh ingredients and a philosophy to waste nothing. Even the most lowly scraps can be recycled in the compost heap or the stock pot.

Unlike Ms. Allen's `The Festive Food of Ireland', I am happy to say that these recipes give all their units in an uncluttered and familiar English system of units, such as pounds and ounces, cups, tablespoons and teaspoons. I was just a bit surprised to see Ms. Allen recommend using standard spoons out of the silverware drawer to measure for savory recipes. On one hand, this is brilliantly simple, since a standard teaspoon (5 ml) is a rounded `teaspoon' and an English tablespoon (20 ml) is a rounded soupspoon. One important difference to note here is that the English (and Canadian) tablespoon is 25% larger than the American tablespoon (15 ml).

The book covers a very broad range of subjects, featuring 24 chapters on stocks & soups; appetizers; eggs; rice, other grains, & legumes; pasta and noodles; vegetables; salads; fish & shellfish; poultry; lamb; pork & bacon; beef; variety meats; game; desserts; cheeses; cakes & cookies; breads, scones & pizzas; jams & preserves; breakfast; barbecue; finger foods; drinks; and sauces.

One of the first things that struck me about this book is that it delves into subject which few if any other cooking texts touch, such as shopping, fashion, kitchen safety, and manners at the table. Many of the book's more conventional sections are a bit off. The `cupboard basics' section violates the notion that you should never buy an ingredient unless you have definite plans to use it in a recipe in the next week. Ms. Allen's list includes things such as dried fruit, Carr's Water Biscuits, Nam Pla (fish sauce), Pesto, and Ballymaloe's own brands of Tomato Relish and Jalapeno Relish. I would make pesto myself and I don't anticipate using nam pla, harissa, tortillas, Carr water biscuits, or chorizo in the next month, and maybe not even in the next year. The same general comment can be made of the `essential kitchen equipment' list. I always go back to Madhur Jaffrey's sound advice to simply make the recipes you want and buy for only those recipes. Sooner or later, you will have built up a pantry and assembly of cooking tools to match your personal style.

I do not weigh this too heavily against Ms. Allen, as she also has great advice on what to do if your power fails on your freezer or if you plan to move and are dealing with a full freezer.

Although this is a text for training future professional chefs, many of the classic recipes are remarkably unfussy. The master recipe for chicken stock cooks for only 3-5 hours, and adds all the vegetables at the beginning of the cooking rather than waiting for the last hour. Similarly, the master recipe for the basic omelet only cites one basic kind of French omelet and leaves out at least one of the fussier steps I have heard from various sources. The recipe for scrambled eggs is also not quite as fussy as the classic French method requiring a double boiler (bain marie).

Some techniques are illustrated with a set of photographs illustrating the steps, but these tend to be small and some major techniques are not so illustrated.

True to the author's emphasis on raw materials and the fact that the school has its own farm for vegetables, eggs, and fresh herbs, the introductory paragraphs to each section are rich in advice on how to pick and use raw materials. The introduction to eggs, one of my favorite subjects, is especially good on identifying the best eggs (how long ago was it laid) for each job.

Overall, this is an excellent reference for all sorts of recipes. I happened to check out the recipe for `basic hamburgers' and found a recipe that exactly duplicated my projected improvement over Julia Child's favorite hamburger recipe. Where Miss Julia has us put sautéed garlic and onion sandwiched between two layers of ground meat, Ms. Allen recommends the sautéed savories be mixed in with the ground meat, together with egg. A surprising touch recommends we also wrap it in caul fat, but this is optional.

One thing you will find in this book that you will not find in a CIA tome is a very personable, comradely tone which almost places Ms. Allen at your right hand as you read through the recipes. That means you will have a lot more fun reading this book than you may with a CIA text.

If you are very new to cooking, I highly recommend this as a first cookbook, especially if your ancestry can be traced back to the Emerald Isle! But, this is much, much more than a cookbook of Irish recipes.

I am a professional chef and have reviewed many cookbooks. This cookbook is one of the best I have ever seen and used. I was so impressed by it that I went and attended the 13 week course at the School in Ireland. The recipes are timeless,delicious,and will work every time if followed properly. This is what cooking should be fresh, beautiful, and nutritious.

The recipes are excellent and interesting, the commentary is informative and educational. The emphasis on seasonality is a good reminder of the real growing cycle of food, and the fairly simple treatment of ingredients highlights the flavor of well grown ingredients.

Heading to Germany for the Football (Soccer) World Cup in June 2006? Take a detour to Berlin and be amazed by the vibrancy and architecture of this new/old city. Reading Ruth Baja Williams' "Detour Berlin" is an excellent introduction to your visit, giving the city a unique flavour from the perspective of a 20-year-long visitor. The former East Berlin is currently being transformed with renovated apartment buildings, stunning new high rises, and everywhere there are trees and parks to soften the built environment. As you wander around Alexanderplatz recall Ruth's experiences there, imagine the life she describes of her friends residing on the `other' side of the Berlin Wall. Visit cosmopolitan department stores, putting yourself in the position of a long suffering 1960 -70s East Berliner attempting to purchase scarce, very basic products. Picture yourself living in West Berlin, separated from family and friends by a forbidding wall. Allow Ruth, through her warm, yet incisive observations, to take you on a journey that will make your own visit so much more meaningful and appreciative of a lifestyle often taken for granted. Ruth's prose is vividly accessible as she generously shares the daily lives of her family and friends in a way that brings a European city into the realm of understanding of a non-European. Do detour!

Ruth Baja Williams memoirs of post-wall pre-unification Berlin are hard to put down. Buy this book and you're guaranteed to be caught up in her vivid storytelling abilities and compelling gifts for observation. In a way, her book also serves as a mini-biography of her husband Charles Williams, one of America's most gifted and creative singers and teachers (he created the role of Sporting Life at the Metropolitan Opera's premier performances of Gershwin's Porgy and Bess in 1985).

What a read! Ruth took me to Berlin, placed me in her family, and brought me a rich, honest encounter with a place I knew little about. Thank you Ruth (and Charles) for letting me share your wonderful detour to Berlin.

Ruth has witnessed a period of our modern history which is too little known and understood by much of the supposedly educated Western world - and written so well and thoughtfully about her experiences. We share her disappointments, admire her achievements with the German language, freeze with her, are inspired by the stoicism and even good humour of individuals who have suffered so much in war, feel the warmth of her German friends, can imagine the hassle and frustration of crossing into East Berlin and appreciate the fascination Ruth and Charles had with the events, culture, history, politics and customs of Berlin.

This 20 year detour by an interracial American couple in Cold War Berlin is an interesting, compulsive read which also permits valuable insights into personal interactions within the culturally diverse international community.

A compelling account of a 20th-century love story set in Cold War Berlin. Ruth Baja, a girl from an upper class Philippine background, marries Charles Williams, a black American singer, against her family's wishes. They find themselves in Berlin--temporarily they think--soon after the Wall divides the city. They stay and raise a family while Charles pursues a European career. This is a voyage of political, cultural and personal discovery, told with wit, poignance and grace. You'll fall in love with Ruth and Charles, and with Berlin too.

This is an awesome book. Buy it and enjoy it.
Libro cojonudo. Disfrutarás como un chaval.

Este es por lejos una de los mejores libros que he leido. El autor encontro una manera muy agradable de contar una historia de la que la mayoria de la gente no quiere saber, concuerdo con otros comentarios, este no es un libro de texto, sin embargo como historia aporta mas que muchos libros de texto (al menos a nosotros los no filosofos de profesion) y de una manera muy interesante. Este es un gran libro que le deja como herencia al lector el reto de ejercitar la imaginacion y recuperar su capacidad de asombrarse con las cosas mas cotidianas.

Este libro llego a mis manos por casualidad en la biblioteca de Nueva Acropolis. Concuerdo con uno de las opiniones vertidas en esta página: No es un libro de introducción a la filosofía, si estás buscando filosofía no compres este libro. Este libro es un cuento en el que el autor va dejando a medida que se desarrollan los mágicos acontecimientos de manera inteligente una breve reseña de las corrientes filosóficas, sus representantes y sus ideas. Mi formación en este campo era NULA (ese curso no lo lleve en el colegio)...después de leer este libro, me intereso la filosofía y pude comprender de que se trata. Si te gustan los cuentos ágiles, la lectura amena, quizas un poquito de suspenso, debes adquirir este libro. Disfrutarás de su lectura y adicionalmente cuando termines de leerlo, sabrás un poquito desde Socrates hasta Popper, pasando por Nietsche, Lock, Santo Tomas de Aquino, Espinoza...Me despido de Uds. me voy a leerlo de nuevo.

Este es un libro bastante entretenido sobre la Historia de la Filosof?a, pero no debes catalogar este libro como un texto in extenso del tema, porque lo mas seguro es que te vas a defraudar. Cierto que nos habla de las principales corrientes filosof?as, pero no debemos pretender que abarque todo el contenido de todas o de alguna de ellas, critica que imagino es con la que mas se se?ala este libro. Como una introducci?n a un curso de Historia de la Filosof?a no es mejor ni peor que los otros cursos de introducci?n, y como quiera que sea, pasa a contar exactamente la misma historia que los dem?s libros. ?qu? hace entonces que este libro sea para mi especial? Es la forma en que Gaarder lo hace: convierte la introducci?n a la historia de la filosof?a en una novela que llega a desbordar todos los limites de imaginaci?n entre un padre y su hija.

Si nunca te has interesado en la Filosof?a, te aseguro que este libro clavara esta palabra en tu mente. Esto, sobretodo, si eres de aquellos que temen los libros textuales y formuleros. Pero si has incursionado en alguna corriente filos?fica con alguna profundidad, no mires este libro deseando analizar lo que seguramente ya sabes de la corriente que deseas, porque es seguro que sabes mas que lo que aqu? se presenta. Pero, como quiera que sea, como sucede con cualquier libro, siempre tendr?s algo que aprender de el.

Me han regalado el libro por mi 15°cumpleaños. Realmente es interesante ver como se desarrolla la trama de tal manera que los personajes principales van evolucionando. Por una parte Sofía la niña que corría el riesgo de convertirse lo que se llamaría un "apatico humano" logro superarlo mediante las enseñanzas de un completo extraño. No es un libro sobre las opiniones del autor acerca de preguntas filosóficas. Al contrario si eres el tipo de persona que te agrada pensar en ellas este libro te ayudará desde el princio al final a razonarlas un poco más por tu propia cuenta y saber opiniones de antiguos filosofos que tal vez coinciden con las tuyas.

An expansion and refinement of the author's Ph.D. dissertation on the diplomacy of Gouverneur Morris during very troubled times in Paris.

Gouverneur Morris was an intelligent man of solid good sense, with an obvious love for life. Dr. Miller, as befits one holding a law degree, writes as an advocate for the historical reputation of this important figure from our country's early days. In my opinion, she wins her case.

Anyone interested in the diplomatic efforts of our country in its infancy will enjoy this book.

I hope that the talented Dr. Miller will continue writing graceful books on equally interesting subjects.

This well-written and lively book should go a long way in restoring Gouverneur Morris to his rightful place among the Founding Fathers. The prickly Morris has had a pretty bad press over the years, but Envoy to the Terror provides a vigorous, in places brilliant, and ultimately convincing defense of Morris' conduct. Miller shows how Morris energetically defended America's interests under extraordinarily difficult circumstances and successfully disproves charges made both at the time and by later historians that his term as minister to France was a failure.

We learn to see our future by looking at our past, and contemporary French and American relations--as they relate to French censure for America's enlarging foreign policy and the U.S. zeal for "democratization" of the larger world--can be viewed in greater focus by narrowing in on the history of our two countries during the French Revolution and the French `Terror' that followed it. The American diplomat pivotal to this period-the only one on whom Washington could depend for analysis of what was happening abroad-was Gouverneur Morris, today one of the lesser known founding fathers, who as United States Minister to France from 1789-92, during the height of the atrocities taking place there, turned out to be profoundly perspicacious in seeing the terrible future of this, one of America's first adventures in `democracy building,' and its unpredictable, and sometimes terrible results. In Dr. Melanie Miller's insightful revisiting of the historical record of relations between the United States and France during this fateful and terrible period, as set down in her recent biography of Gouverneur Morris, Envoy to the Terror, Dr. Miller tells us much that is relevant to French and American relations today.

Gouverneur Morris may be the virtually unknown, underrated key to understanding the American Revolution, and this exciting new book tells his story from a fresh viewpoint. Thorough-going scholarship combines with bright and lively prose to bring Morris to life and set the record straight on his role in the establishment of the American Experiment. Dr. Miller shows that the conventional view of Morris has been much too limited and is due for thorough revision. This study is much more thorough than the recent popularizing biography of Morris by Richard Brookhiser. If you liked that book, which acknowledges Miller's ground-breaking research, you should read this one to learn the whole story. This book is invaluable for serious students of the Revolutionary period.

Gouverneur Morris has been a long underrated yet instrumental figure during important times. He took a critical part in the constitutional convention in Philadelphia, and he played as crucial a role as his predecessor, Thomas Jefferson, in his position as U.S. ambassador to France during the Terror, when French and American citizens alike sought his intervention, hoping to avoid losing their heads by guillotine. The author provides plausible explanations for this strange obscurity. Melanie Randolph Miller does much to humanize Morris's daily life, times and dilemmas, not to mention the big and small events of the French revolutionary era, deftly weaving into her text original and previously unknown sources, such as his own meticulously kept diaries, letters to and from his mistress, Adele Filleul, comtesse of Flahaut and other paramours, and urgent communications with key protagonists: the falling and fallen royal couple, Danton, Robespierre and the Girondins, among many others. The author's prose is brilliantly precise, enhanced by a dry and intelligent wit, and I agree with reviewers that the book is written with "the discipline of a historian but a novelist's eye," "a page turner." I admit that I found myself dragging my heels as I read along because, truth be told, I didn't really want to finish. In the final stretch, I stayed up way past my bedtime, skimming excitedly to learn what happened in the end, even though of course I already knew. I recommend Envoy to the Terror to anyone with more than a passing interest in the events of revolutionary Paris.

I purchased the book for my mom for Christmas and she loves it. She is visiting Ireland for the first time later this year.

My wife and I traveled around Ireland for two weeks this summer, and Frommer's Ireland was an amazingly helpful tool.

Realizing this would probably be the last time we'd be traveling abroad for a while, we decided to mix it up a bit --"inexpensive" to "moderate" accommodations and restaurants in most places, with a few dabbles in the "expensive" (and even one "very expensive") splurges along the way. Across the board, the recommendations in this book were outstanding. What to see and do, where to stay, where to eat and shop.....all were presented in a very down-to-Earth way. The eye for small detail and nuances throughout the book made us feel we were getting advice from a local expert who REALLY knows her stuff.

I can't say enough about how helpful this guide was to us -- it really made our trip a memorable one. The fold-out map got us around most of the country with no trouble....once a nice gentleman in a petrol station showed me how to get my rental car into reverse.

All in all, a terrific book.

My family used Frommer's Ireland 12th Ed. extensively before, during ,and after our trip to Ireland in July of 2002. The first two chapters Best of..., and Planning your Trip... were worth the purchase price alone. All of the Best of tips we followed were excellent choices.
The large fold out map that was included served very well during our driving tour of Ireland. Using the county and town maps that were included in the local sections kept us right on track. Distances are deceptive however. It takes longer to get anywhere you go than it would appear from reading the map. The Irish road system is not built for speed ( nor comfort for that matter) so plan accordingly. It takes a long time to drive across the country, or from county to county. More could have been made of this issue in the guide. Our biggest mistake was trying to do too much.
The up to date information on Dublin was very helpful, as were the frequent tips throughout the guide on ways to avoid the summer crowds. I used the web addresses that were included for lodging and found them very helpful for checking availability and booking our rooms quickly. Don't go without it!

I planned a trip to Ireland for my Mother, 4 sisters and Myself.
I started with "Ireland for Dummies" then read "Frommer's Ireland 2001" and crossed referenced with "Ireland from $60 a Day". I learned more from these books in 2 weeks than in all of my years as a Travel Agent and Airline staff!! Their detailed in-sight and straight-forward advice was right on target. They give prices,times, phones numbers and payment information. They tell you where to go, what to do and who to talk to. I loved their list of on-line addressess for information. Only two things were wrong with my copy. They quoted every price in Irish pounds that were useless after February 2002. I realize that they had to go to print before this change and were unable to adapt in time. The other was lack of detailed mapping. A free map was included inside "Ireland 2001" but only had some of the streets shown for Dublin. I know these will be corrected in future printings. I would recommend these Frommer's books to anyone!! They are written in plain English, yet don't talk down to you(even the "Dummies" book. It was quite humorous)

On a tour with many other students everyone wanted to look at this book, why? Because every time we did anything the description in this book was dead on the money.

Vincent P. O'Hara's "The German Fleet at War" is an impressively researched and highly informative look at a subject little known to American and British World War II buffs. Even serious students of the war believe that after the sinkings of the "Graf Spee" and "Bismarck," Germany's naval war switched almost exclusively to it U-boats. O'Hara demonstrates that not only is this untrue, but that German surface forces continued to battle the Allies until only weeks before the 1945 Nazi surrender. CounterclockwiseEvery Shape, Every Shadow: A Novel of Guadalcanalder.

Roger L. Conlee
Author of "Every Shape, Every Shadow" and "Counterclockwise"

If you are interested in reading a well-researched, single-volume study of the German Navy in the Second World War, this is definitely the book for you. In addition to being a highly readable work, it is a fine piece of scholarship. My compliments to the author.

As a fan of the little recorded small unit naval actions, it has been a frustrating experience watching book after book come out on Kriegsmarine captial ships (which spent most of the war at anchor) or endless, repetitive coverage on U-boats. The Destroyers, torpedo boats, minesweepers and escorts that actually fought regular surface actions have been little covered, and the reports written by the Allied sources often give a one-sided and often inaccurate account of many actions.

In this account Mr. O'Hara has produced a balanced, well researched record of specific surface actions from the battles involving the Bismarck to the sharp actions of German minesweepers off the Channel Islands and the encounters between US destroyers and German corvettes and destroyers in the Mediterranean. As an example of his research, Mr. O'Hara checked primary sources (both USN and German) to determine that the USS Gleaves and three destroyers of the 10th Torpedoboote Flottille actually traded shots one night late in 1944. The Gleaves' history describes an action with German merchant ships while the history of the German flotilla describes encountering a "large French destroyer." Neither side recorded the actual opponent correctly and recent publications still show these as two separate battles! His piecing together the puzzle here helps better define one of the rare encounters between German and US warships and is a tribute to his effort.

This book is well worth the price and is unlike any book I have read before of the Kriegsmarine.

Finally! Mr. O'Hara is to be lauded for the magnificent effort of showing that Kriegsmarine was not only the U-boats, the Bismarck, Tirpitz, and the Graf Spee, but a lot more, and that German sailors, just like their Allied counterparts, fought the numbing war of small skirmishes, ill defined night actions, endless watches, and fought with determination and courage. This is a well researched book, based on both Allied and OKM sources, filled with a plethora of convincingly presented facts which, for many readers, will provide astonishing insights. Those with more professional interest, will find the book simply a very good read, worth an evening or two, and also quite illuminating.

O'Hara has written a valuable reference for World War II enthusiasts. I've long had an interest in the Kriegsmarine and was pleased to add "The German Fleet at War" to my library. I look forward to future books from this author.

This book is meant to be a military analysis of the World War II axis however it comes off as an excellent diplomatic history. It shows that Germany has never been able to grasp the concepts of coalition warfare and its do it alone strategy was always going to be its undoing. The first part of the book looks at the history of German warfare before World War II. The analysis with regards to Operation Barbarossa is deeply flawed. The assertion that Russia was the primary target of Germany's desires is wrong. The evidence shows a greater tendency towards Britain than Russia. Also the analysis of Japan's role in the coalition is something that deserves further looking into. I think the author dismisses it too quickly.
Despite those flaws this really does provide a comprehensive look at how the Axis functioned and especially the role of the minor powers like Romania and Hungary. It is very easy to see that while Germany nominally had control each of these Axis powers was able to contribute in their own way. The end of the Axis comes with the battle of Stalingrad and the demolition of the Axis forces as well as the failures in North Africa. The lack of Axis supplies was a tremendous problem and one that was not going to be overcome without early strategic victories. When these were not made the loss became inevitable. This book is a very clear military analysis and accomplishes a lot in 200 pages. Despite the few flaws mentioned I highly recommend the book.

Having followed the career of this distinquished historian, this work has tremendous value. DiNardo's thought process is quite organized and very cerebral. It is obvious the research balances his writing considering that today's fact-finding is often shortchanged or erroneous from over use of the internet. The author did his homework.

Although I don't have much interest in German history during this period, I found the book engaging. This is certainly a work that should belong on private library shelves of each World War historian. Excellent!!

Germany And The Axis Powers: From Coalition To Collapse by Richard L. Dinaro (Professor for National Security Affairs at the U.S. Marine Corps Command and Staff College) is an introductory work of impressive scholarship focused upon the intricate probabilities that the Axis coalition was little more then an ignorant grouping of claimed Hitler followers. Incorporating newly recovered facts of the battles fought from the Eastern Front to the Balkans, Mediterranean, and North Africa, Germany And The Axis Powers unveils an entirely different history than previously perceived by military historians. A seminal work recommended for professional and academic 20th Century Military History reference collections, Germany And The Axis Powers is highly recommended for its profoundly educational and informative content to all World War II historians and students of the era.

"Germany and the Axis Powers" is an in-depth analysis of the ability of the Axis powers to conduct coalition warfare. This book is excellent for anyone wanting to go beyond the "History Channel" level of knowledge on World War II. Using original source material, the author provides rich details to describe his thesis. The quality of the historical research is along the lines of Gerhard L. Weinberg's epic "A World at Arms". While the author uses a chronological framework to scope his thoughts, he avoids telling the entire history of World War II. Instead he remains focused on the key events that framed German attempts at coalition warfare. The work requires a good general knowledge of World War II history, which most readers of this book will already have.

While Germany's alliance with Italy is well known, I found the chapters on Germany's attempts at coalition warfare with Hungary, Finland, and Romania to be the most interesting, since these countries are rarely discussed in most accounts of World War II. DiNardo correctly describes the differences between coalition warfare and parallel warfare, a key component to understanding World War II coalitions. Breaking out the different levels of coalition warfare conducted by the German Army, Navy, and Air Force set the book apart from more basic accounts. Dinardo also avoids "wehrmacht envy" which taints many books on the Germany military. He provides an accurate and balanced view of German military capabilities, without falling in love with the subject.

I recommend this book to any serious student of World War II military history who really wants to get to heart of the German way of war.

This well-written and extremely interesting book breaks new ground in its examination of Nazi Germany's inability to effectively wage coalition warfare with its allies - Italy, Romania, Hungary and Finland.

Author Richard L. DiNardo shows that the Third Reich's partners followed Germany because they hoped to benefit from Hitler's New Order, rather than from either a common ideological adherence to Fascism or a common commitment to save Europe from Bolshevism. Hitler and his generals, however, were reluctant to fully incorporate their allies into their wartime command structure or strategy. Dinardo shows that this reluctance was a legacy from the First World War, when, for the most part, Imperial Germany refused to take its allies seriously.

DiNardo discusses Hitler's own attitudes toward his allies (he prefered bilater over multilateral arrangements) and then examines the performances of the Italy, Romania, Hungary and Finland in North Africa, the Balkans, and Russia. Some, such as the Italians in North Africa, performed much better than is generally recognized in the west. Most were hampered by a shortage of modern equipment, especially tanks, fighter aircraft, and bombers. All, however, collapsed relatively early in the war. Indeed, according to DiNardo: "The twin German disasters of Stalingrad and North Africa effectively destroyed the Axis as a military alliance."

The ability to wage effective coalition warfare differed among the various services of the Wehrmacht. The German Navy was probably the most successful, although due to differences in doctrine and technology, the cooperation between German and Italian submarines was not as effective as it could have been. Next came the Luftwaffe, although it failed miserably in the sharing of technology, particulary aircraft and aircraft engines, with its allies. Finally, came the army, which, DiNardo notes, cleary took the prize when it came to failure in coalition warfare. The major exception to this was Rommel's conduct of coalition warfare in North Africa.

The German War Ministry too was of little help with its extortive practices, which ensured that the Romanian, Hungarian, Italian and Finnsh armies remained hopelessly outclassed in terms of weapons and equipment against their Soviet opponent.

Foruntately for the Western Allies, the inability of Hitler and his generals to build a functional and effective basis for coalition warfare contributed significantly to the downfall of the Third Reich. Indeed, as the Allies knocked knocked one Axis power after another out of the war, the Germans were forced to come to their rescue, burdening the already debilitated German war industry and armed forces.

"Germany and the Axis Powers" thus contributes to a better understanding of the defeat of Nazi Germany and the valuable contributions of Italy, Romania, Hungary and Finland during World War II to the Axis - and the Allies!

Well written and wonderfully informed, this well designed book presents a comprehensive review of the appearance and use of the great cathedrals and abbey churches built across the middle ages in France and England. It also includes a wonderfully precise presentation of the social, economic, and political order of the time, and it discusses how the great buildings were built and what is known of their builders. Overall, it is the best general introduction I know of, easily accessible to non experts and a wonderful review for the better informed.

I would highly recommend Robert A. Scott's new book, The Gothic Enterprise. Although many books have been published on the topic of Gothic Cathedrals, Scott has approached his subject with a new perspective. He asks the reader to think as much about the "why" of cathedral building as the "how." The reader will still find lots of information about the practical aspects of cathedral building, most helpfully enhanced by a discussion of the social, political, economic, and even climatological factors that complicated such long and challenging construction projects. But above and beyond this, Scott is interested in the people who conceived, designed, and built these great churches. What motivated them? How did hundreds of people with varying and often conflicting interests work collectively over long periods of time? What did an individual or a community expect in return for their contribution to such a bold undertaking?

Scott answers these questions and more. In turn he challenges the reader to see the cathedral in a new light, not only as an example of great architecture, but as tangible evidence of the commitment, creativity, hope, and faith of the people who, against great odds, undertook such a bold and difficult enterprise.

Having visited dozens of cathedrals, I think Scott is right on target. A cathedral is more than an amalgamation of stone, timber, and glass. If we look closely, we can still see traces of the contributors: in a mason's mark, the carved face of an 800 year-old effigy, a bishop's ring, or an irreverent carving high in the rooftops. It is the collective presence of these long-dead individuals, as much as the grandeur of the architecture that makes a cathedral so memorable, so tangibly the result of a collective human enterprise.

Scott's book is beautifully packaged with many photos and charming illustrations. It would be a handy guide for a traveler visiting cathedrals or a great read for an armchair traveler. I suspect the reader of The Gothic Enterprise will never see a cathedral in quite the same way again.

This book is both a wondrous introduction to Gothic Cathedrals for those who are newly curious about them and a concise but thorough resource for those who have long admired and read about the Gothic Cathedral. The author often takes a personal approach in his narrative, which seems quite appropriate given the personal impression these buildings were designed to make (and have made on most who will read this book). The book is both well-researched and easy to read, a difficult achievement. Its description of the elements of Gothic architecture, for example, is one of the most complete and clear treatments I have read.

The broad perspective taken (historical, intellectual, religious, architectural, sociological) helps bring together into one coherent whole the many different faces of the cathedral. Even those who may know the historical and intellectual origins of the cathedral will learn much about its other aspects here. For example, some of the details on construction techniques and parts of the discussion of "sacred spaces" within the cathedral were new even to someone who has read many books on the subject.

Medieval intellectual history and its relationship to the cathedrals is explored, and the coexistence of the potentially conflicting reason and faith in a single building is explained. Some discussion of how the cathedrals and their attached schools gave rise to the medieval (and hence the modern) university would have been helpful.

Overall, though, the book provides an excellent introduction to the topic and a comprehensive explanation of the "why" and "how" of Gothic Cathedrals (in addition to the more mundane, but still important, "who", "when", and "where").

Before this book, one would have to read many volumes to get such a complete picture of the Gothic Cathedral. This book is appropriate for anyone with an interest in the subject. It is the book that I'm sure many Gothic Cathedral enthusiasts wish they had written.

Author Robert Scott had much the same the experience at Salisbury Cathedral as I had - a sense of awe and wonder, and a desire to learn more about it, not just as a place, or as an architectural wonder, or as a place of worship, or as a cultural icon. Scott wanted to get at the heart of the idea of the Gothic enterprise as a whole - a trained sociologist, Scott knew that the bigger picture is sometimes lost by too narrow a focus on particular details to the exclusion of others. The sociology background also gave Scott a sense of wanting to understand the hearts and minds of the people involved.

While the principal focus of Scott's travels started with Salisbury Cathedral (in full, the Cathedral Church of the Blessed Virgin Mary at Salisbury), Scott draws examples from the breadth of the Gothic cathedrals, churches and other buildings. There are literally thousands of such dotted across the European and European-influenced landscapes. Each building has its own unique characteristics, but they share a common spirit.

Church building in particular was 'big business' in Christendom for a long time. Scott quotes estimates of that there are nearly 19,000 ecclesiastical buildings in England and Wales, nearly half of which date to the medieval period. The first Gothic church was the Abbey Church of St. Denis, just north of Paris, built under the direction of the 'founding father' of Gothic style, Abbot Suger.

Scott's first major section looks at how cathedrals were built, in terms of materials, architectural design, settings, and workforce. With regard to the workforce, the numbers were large and the division of labour highly specialised. In the records of the construction of Westminster Abbey, there were fifteen different categories of workers listed in 1253. Workers were often local, but supplemented by those who traveled, particularly if special skills were needed. Construction was often suspended in winter months, not just because of the cold, but because the number of daylight hours greatly diminished (in England, there can be fewer than 8 hours of daylight in the winter months).

Scott's second major section explores the history involved. The Gothic enterprise grew up out of the feudal system as it was trying to define itself in a sea of shifting political structures. It is no mistake that the Gothic ideal was born in an Abbey rather than a Cathedral; bishops had become increasingly involved in secular and political matters, while the monasteries remained closer to the common people and closer to the spiritual ideals of the church. 'Monasticism was a continuous effort to surmount sense perception and intellectual understanding to achieve knowledge of God, to experience communion with God, and by so doing to reveal the divine mystery and achieve special favour in the eyes of God.' Still, the particular abbey of Gothic's foundation, the Abbey of St. Denis, had a particular attachment to the French monarchs, and for a time the Abbey enjoyed a supreme reputation, 'from 1124 onward the Abbey Church of St. Denis became the religious and, in an important sense, the political capital of France.' From this place, the influence of Gothic style spread through the Paris region, then outward into France and beyond.

In the third section, Scott highlights some of the classic details of what the Gothic look entails. There is a geometric symmetry involved, which, 'when followed consistently, gives Gothic cathedrals their characteristic organic unity.' There is a logic and harmony built into the design. High vaulted ceilings, flying buttresses, pointed arches are other features. However, the key element in Gothic design is light, and it is in aid of this aspect that the other elements are enlisted. Gothic cathedrals in comparison with the dimly lit Romanesque predecessors are flooded with light. Be it clear or stained glass, the incorporation of windows and lighting techniques hitherto not done makes the Gothic space a brighter surrounding. Heaven would be a place of light, and the Gothic cathedral is intended as a foretaste of the heavenly banquet.

The fourth section explores the religious experience in Gothic structures, and how liturgies and worship are carried out, how they serve as temples of the imagination in addition to being the centre of worship, and how they become a repository of history. Part of this history was the incorporation of the memory and power of the dead into the fabric of the cathedrals - many became pilgrimage sites or burial sites; royal and other notable society figures also became part of the structures of cathedrals and churches. According to Scott, the cathedrals provided the saints with a focal point of veneration, and the saints in return provided a steady income (from the pilgrims) for the buildings to be completed.

The final section looks at the community that surrounded the Gothic enterprise, be they parish churches, abbey churches or cathedrals. Scott explores the living standards of the time, the stratification and specialisation of people in the different roles in society, and the questions not only of how the communities built the churches, but how the churches and cathedrals in turn built the communities. 'We might ...imagine that the long time required to build Gothic cathedrals added to the depth of the collective identity they engendered.' Indeed, in some regards, the building of a cathedral was never supposed to be completed. Spanning generations (sometimes, as in the case of Canterbury Cathedral, nearly 400 years) such enterprises defined the community in ways that no building project in modern times could approach.

Scott ends with a small essay regarding Stonehenge, not too far from Salisbury Cathedral, showing some similarities and differences in the way people built and found identity then.

Scott quotes Samuel Johnson as declaring Salisbury Cathedral 'the last perfection in architecture'; however, it is clear that there is much perfection to go around when it comes to all things Gothic. Scott's passion for the material and love of discovery is apparent on every page. A good writer, he serves as teacher, tour guide, and co-discoverer of ideas with the reader. This is a wonderful book.

The people who reviewed this book before me did a great job of describing this wonderful book, so I'm not going to repeat their observations. However, one aspect of the work I personally appreciated was the way Scott examined the cathedrals as architectural responses to the cultural context. His analysis is clear and straightforward. Excellent book!

Hilarious--Boylan has scored another comic triumph. The Great Pint-Pulling Olympiad keeps the reader reeling with dazzling displays of erudition, caustic commentary, and a constant barrage of laugh-out-loud episodes. But this is a farce with a heart; even at their most ridiculous, Boylan's characters are deftly drawn and fully human. If you think you'll finish this book without caring about the people within it, then the joke's on you.

More captivating than Boylan's Killoyle. The Olympiad has characters that are rich in their actions, preoccupations and obssessions. Boylan is witty and erudite, and his book is a treasure-trove of deliciously clever details and footnotes. There are some hysterically funny scenes you shouldn't miss. A book unlike any other. Buy it!

Very highly recommended reading, The Great Pint-Pulling Olympiad: A Mostly Irish Farce is a rollicking roller coaster of a novel by Roger Boylan and set in the days leading up to the Pint-Pulling Olympiad in the town of Killoyle, Ireland. A cross-dressing church sexton, a drunk who loses his job as a car tester and sues for wrongful termination, unemployment seminar hosts who sell missiles to the IRA on the side, and other memorable characters populate the pages of this engaging and topsy turvy tale with surprises hiding around every corner.

I am not quite finished this book - it's taking a while because I keep putting it down to laugh. The footnotes are a great addition and an entertaining read in and of themselves. Boylan's language is as fast and intriguingly unpredictable as Mick McCree's test drive. Don't know what that means? RYou'll have to read the first several pages to find out.
If you have despaired of reading a book that is both hilarious and literary, despair no more. I also recommend that you drink a pint or two while reading.

I teach comic fiction, and this is one of the funniest novels I know. It has been years since I was so sorry to see a book end. It is, however, far more than a collection of laughs. Like the work of other Irish masters from Swift and Sterne to Beckett, Flann O'Brien, Patrick McCabe, and Martin McDonagh, Boylan's novel continually blends the comic with the dark, revealing profound connections. He provides, for example, access into the minds of terrorists, from Irish ultranationalists to Basque separatists, yielding insights you will find nowhere else. His characterizations are masterful, and, like Sterne, Joyce, and Beckett, he is also a great formal innovator. I will never again consider teaching my Irish Comic Writers course without this marvelously rich novel.