Europe Books

No writer has done more to further Paris' reputation as an artistic Mecca than Ernest Hemingway. In this wonderful photographic exploration of the mythical city, the reader gets to take a sightseeing trip through the places only previously glimpsed in fiction. The World War II photos are particularly interesting as they exposed me to something I hadn't previously seen -- Hemingway in full army garb.

The author presents an excellent collection of photographs showing France in Hemingway's time and then today. A few modern photographs are contrasted against the past incarnations of the same places. Often the locations retain their quaint picturesque quality. The accompanying text is well written and informative. It does a workable job of presenting Hemingway, Piccasso, and Fitzgerald in the era that the photographs witness.

An interesting tidbit in the text was the fact that American "starving artists" during the Lost Generation years were hardly starving. Because the dollar to franc exchange rate was so advantageous, a full 3 course meal with wine could be had for the equivalent of $.20.

From Hemingway's early romantic days in the Lost Generation Paris of the 1920's, to his swashbuckling exploits in the French countryside and his liberation of the Paris Ritz Hotel during World War II, and to his troubled final years when he returned to Europe and France in a failed search for rejuvenation, it is clear that Hemingway truly loved France.

With "Hemingway's France: Images of the Lost Generation," it is clear that Winston Conrad loves France as well. Conrad traveled extensively in France to gather the material for this book, and his passion for France and Paris (and of course Hemingway) are evident on every page as he attempts to show the reader why this country and city left such a grand impression on the biggest star of 20th century literature.

Conrad writes a clear, thorough biography of Hemingway, with France serving as a common thread throughout, but the feature that makes this book stand out is the great number of rarely seen photos of Hemingway and friends. We see Hemingway demonstrating deep sea fishing gear in the late 1950's, we see him dressed in dapper travel attire as his driver prepares their car, we see him riding on the back of a sidecar motorcycle during World War II, we see him sitting on the windowsill of his Paris apartment in the late 1920's, we see him in a rocking chair with his infant son Bumby...and for the Hemingway fan who has seen it all, these "new" pictures are like seeing an old friend after a long time apart. Not only do we see him, but we are treated to views of Hemingway's France that give a clear and confirming image of all those wonderful settings that we find in Hemingway's books. Conrad, a photographer of obvious talent, shows us Hemingway's haunts as they appear today, and often contrasts his own beautiful color photos with the vintage black and white photos of the same haunts from Hemingway's day; it makes for an effective mix of nostalgia and immediacy.

Conrad divides the book into nine chapters, each focusing on a different part of the French experience that today would be hard to discuss without mentioning Hemingway's name: The Literary Scene in Paris, Cafes, Restaurants and Nightlife, The Artists, Sports, The South of France, World War II, Bullfights, The Feast Moves On. All are well written, but the chapters on Hemingway's early years in Paris and later, his experiences as a combination soldier/journalist during the second World War stand out.

A pleasant surprise comes in Chapter 4 ("The Artists") with the reprints of some of Gerald Murphy's paintings. Murphy, in most Hemingway and Fitzgerald biographies, always serves as a footnoted rich benefactor to the talented writers and painters in 1920's France. But he was also an accomplished painter, and Conrad shows us some of Murphy's wonderful paintings (particularly Cocktail), revealing a talent that if it were more widely known would certainly elevate him above his current footnote status.

The usual cast of characters show up as well, with F. Scott Fitzgerald in a starring role before his crack-up, and his wife Zelda revealing in many pictures a nervous look that foretells her later mental disintegration. But the true star of this book is France itself. Hemingway always had a knack for selecting interesting places to live and for making those places his own, but of all the places he lived, Paris seemed to be the one that affected him most. It was the city of his earliest successes, and it was the city he chose to write about in A Moveable Feast, when at the end of his life he couldn't write about anything else. In between it was a city and country he could always return to for comfort, inspiration and excitement.

Winston Conrad, in the final chapter, says "If Hemingway could come back to life for a day, he might very well elect to spend it in France." After reading this book it would be hard to argue that Hemingway would choose otherwise.

Owning this book is like owning a great piece of art, a priceless painting.

This is a book Hemingway would wish he had written himself.

Unlike so many books that have been published about this man in France in this era, this volume is evocative. All of the emotion associated with the people, places and things of that time in that place come through clearly, connecting to reader's hearts.

This book is literature, art. The great painting Conrad has created is one where all the subtle nuances are on the canvas. EH is not allowed to dwarf the other extraordinary characters like Gerald Murphy. Everyone is portrayed evenly. There is a fullness, a deeper appreciation of these people and that time than one finds in other books. The things that are familiar to the reader appear to be new because they are drawn in the actual context in which they originally existed. Conrad has not reconstructed Hemingway's France. He has found it and brought us into it. We are with Hemingway, Gertrude, Pablo et. al.

Hemingway beautifully remembered those people and that time in "A Moveable Feast," a favorite among devotees of Hemingway's work. To say Conrad's treatment is better than Hemingway's is a strong statement to make. It is a true statement.

The photographs are extraordinary but no more extraordinary than the prose that accompanies the pictures. This slim volume is, as said, like a large oil painting accurately depicting the scene, capturing the action and mood, and evoking emotion in those who view the art.

A book that will make you want to see Paris for the first time and check out the haunts of Hemingway, Fitzgerald and Piccasso. The book's narrative, photographs and illustrations, and use of quotations by Hemingway and his contemporaries, take the reader on a remarkably vivd tour of the writer's France.

France in the 1920s was home to some of the most groundbreakingly creative artists of the 20th century and included Pablo Picasso, George Braque, James Joyce, T.S. Eliot, Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, Cole Porter, Sergei Diaghilev, Sinclair Lewis, and Ernest Hemingway. Indeed, it was in his major work, The Sun Also Rises, which epitomized Paris during the jazz era and became one of the most powerful forces in this expatriate art colony's vortex of talent and experimentation. In Hemingway's France: Images Of The Lost Generation, Winston Conrad augments his informative text with contemporary color photography and a large collection of vintage black/white photographs to beautifully illuminate Hemingway's life during those "lost generation" years, during World War II, and his subsequent visits to France in the 1950s. Hemingway's France is "must" reading for all Hemingway fans, and for the non-specialist general reader with an interest in the writings, paintings, and poetry created in those turbulent times by the now legendary personalities of yesteryear.

I was most pleased with the quick response in filling my order. The book came in perfect condition and I was most glad to present it to my friend who is the rabbi. He had not heard of the book and it was nice to surprise him. The size of the book seems like what should be placed upon a coffee table, however, I probably would never place it there. My friend was quite impressed with the detail and thoroughness in the treatment of the subject. He also commented on the quality of paper and presentation.

Hidden Letters is a treasure trove of letters and postcards written in 1942 by an 18 year old Dutch Jew named Philip "Flip" Slier, sent almost daily from Flip to his parents from within the forced labor camp that held Flip. Flip was eventually executed in the Nazi death camp Sobibor. Now translated and reprinted, completely unedited and enhanced with annotation from Deborah Slier and her husband Ian Shine, Hidden Letters is a first-person account of life in Nazi-occupied Holland. Black-and-white photographs and interviews with those who knew Flip, as well as with Selma Wijnberg-Engel (the sole Dutch survivor of the October, 1943 uprising in Sobibor) round out this firsthand testimony. A welcome addition to academic and community library Judaic Studies in general, and Holocaust Studies collections in particular.

So much has been written about the Holocaust that its difficult to add anything of value, but now we actually do have something that does just that; Deborah Slier & Ian Shine's new book "Hidden Letters".
Thanks in particular to the extraordinary layout and design, we move naturally and effortlessly between the specifics of Flip's life and letters to the wider context of the Final Solution as it was implemented all over Europe and the entire Soviet Union. The usual numbing statistics come to life....the effect is at once informative and deeply emotional.

Hidden Letters is impossible to put down. Philip "Flip" Slier was interned in a Nazi labor camp in the Netherlands, but wrote loving, optimistic letters home--and took many photographs. Then he, and virtually all of his extended family, disappeared into the Holocaust.
When the letters were discovered in Amsterdam in 1997, a search was made for Flip's closest relative, who turned out to be his first cousin Deborah, whose father had moved his family to South Africa and thus enabled them all to live through the war.
Deborah and her husband, Ian Shine, spent ten years having the letters translated and researching the places and the people they described. They interviewed many survivors of the Holocaust and the war, and include information about almost all--including their photographs and ultimate fates. Over 300 photographs are included.
Flip could write and you fall in love with him as you read. When the letters stop, it is devastating.
This is a compelling, disturbing, and heartbreaking great read.
Kathleen Baxter, columnist, School Library Journal

When you read HIDDEN LETTERS, the book is going to leave a mark. It's going to hurt down deep and leave you thinking about things long after you've finished the book. After receiving the book, I admit to approaching the book warily. The subject matter is brutal, and it's devastating to anyone who's a parent.

First, a little history on the book. The letters that comprise the human narrative within the pages were discovered in Amsterdam in 1997. They were written by an eighteen year old Dutch Jew named Philip "Flip" Slier. He was sent to a Dutch labor camp in 1942. When first sent there, Slier believed he was going to be treated humanely, though restricted. He didn't know the horror that awaited him, or that he would soon be dead.

At the time Slier first went to the work camps, letters shipped regularly between the families and the restricted men. As I read the letters, I was stunned by the naïve manner that Slier exhibited. He honestly thought he was only going to be there for a short time, and that his experiences there would be nothing more than what he would endure during some summer camp.

As a father of five, I know how innocent kids can be. They think they know so much, but they're blind to so many things. They often don't know they're in over their heads until it's much too late.

And that's what happened with Slier.

I felt somewhat guilty while reading his letters, almost voyeuristic into a world of pain and innocence. The letters are inane and even cheerful. At times Slier obviously felt he was on some grand adventure. At other times I could see that he was putting on a front for his parents, acting brave while he was scared to death, or at least mightily confused by what was going on around him.

That human element, and that innocence, is what is going to haunt me about the book. Slier also took a camera with him. He took several pictures and sent them back home to his parents and friends, and those people managed to hang onto them throughout the blackest days of World War II. I saw his face, and I saw how much of a kid he still was. He aged decades in months, and he finally got killed.

That's one side of the story, but the authors added a tremendous amount of history materials to further the reader's understanding of what was going on in this area at this time. More pictures and maps fill the book. On one hand, HIDDEN LETTERS is a short journal of tumultuous times in a young man's life, but on the other hand the book is a great historical record. I love history, and I equate it with the story of people rather than names and dates. But Philip Slier's story truly brings home the fact that history is made up of people more than dates or events.

HIDDEN LETTERS is going to satisfy the armchair historian's perusal of the time period, and will give some sense of people and what was going on to genealogists that have discovered they've got family members that were in this camps at the same time. For either of those groups, I'm sure the book would be a beneficial addition.

The parents saved those letters all those years. I can't imagine what it must have been like to pull them out every so often and read the last words of their lost son.

Was actually searching Google for something and up popped sites for this previously unheard of (by me) trilogy. By amazing chance, what should come up on one site was P50, vol 1, and there I found our family and the distressing sentence, "Sadly, this family would appear to be extinct in the present generation."! I felt myself all over, breathed in and out and looked at myself in the mirror: "One with the Dodo and the Brontosaurus? Hmmm, I Don't FEEL extinct." We may not be churchmen any more, last was Rev Dugald, (d 1842)or even church-GOERS but we still consider ourselves Slioch an Easbuig (I thought Slioch took a 'd' at the end?)

Slainte, anyway...

Jas. A. C. Derham-Reid
13th of Auchinellan.

This is an incredibly thorough early history of Clan Campbell, including its possible origins. I might suggest that any reader have some broad understanding of Scottish history before diving into this book as it's not really an "introductory" level read. But for those with some prior knowledge, this will satisfy very nicely.

This book has openned up a new environment to me. My history as a campbell has always been hidden from me, this book taught me much about our histories and that we were better than any MAcDonald clan.

I recommend this book for anyone interested in researching the origins of the Campbell Clan. It is a treasure trove of information.

Alastair Campbell of Airds has made the history of the Campbell Clan a thoroughly readable mixture of fact and conjecture. A particularly interesting feature, in my opinion, is the family tree which begins with God and includes Adam, Constantine and King Arthur. Volume 1 covers the clan's origins in about 1263 through the Battle of Flodden in 1513 where many of the Campbell chiefs and their men died alongside their king, James IV. This is an outstanding reference book, a "must read" for anyone interested in Scottish history, and should be in all Campbell libraries. I look forward to Volume 2, to be published in 2002.

Winston Churchill will be remembered as the most heroic figure of the 20th Century. He is also one of history's greatest historians. His decision to write the history of peoples by a particular language was brilliant, and gave a broad outline to why we think the way we do. If you're going to the desert, a desert island, or one of Mars' moons, this is one of the few books you should pack.

As academic history, this may be pretty dated, but as English literature, Churchill's History of the English-Speaking Peoples deserves to be ranked as one of the great classics. If you enjoy intelligent popular history by someone who felt passionately about his own culture and you enjoy great oratory from someone who enjoyed stirring lofty emotions, you will cherish this incredible four-volume work. Every sentence is a carefully-crafted jewel. It is more than craftsmanship. It is art. For every important incident he pulls up the most eloquent of historical quotes to draw a word picture. If words move you, Winston Churchill will move you to tears more than once with this work.

One warning: Don't loan any of the volumes out. You won't get them back.

I read this series a number of years back. Sir Winston Churchill put together a fascinating guide to the development of British civilization, ranging from the Roman conquest of Britain all the way into the dawn of the 20th century. It is clear from the reading that Churchill was quite proud of his British heritage. And why not? The British managed to rule nearly every corner of the globe and to have virtual command of the global economy. Churchill presented this as a logical progression from England's national awakening through such pivotal events as the Reformation and the Glorious Revolution. Also noteworthy is his chronicle of "the Great Democracies" and their role in spreading British civilization. While this book will annoy the PC crowd, I argue that it is a classic work on the rise of a great and enduring civilization.

It is impossible to fully understand American history without understanding English history- Churchill offers insight as only a statesman could- and does it very well.

To most people Churchill is known as one of Britain's greatest statesmen. That overshadows his literary achievements.

He begins his account with Caesar's conquest of Britannia. The downfall of the Roman Empire plunges the colony into the Dark Ages. Britannia is not left unscathed by the waves of peoples' migrations sweeping across Europe. Germanic idioms of Saxon invaders replace Celtic dialects and coexist with the clergy's Latin. William the Conqueror casts French into the language melting-pot. England is racked by the War of the Roses until the Tudor dynasty unites and pacifies the country with iron determination. The defeat of the Spanish Armada opens the way for colonisation of the New World. Those colonies' War of Independence launches a second English-speaking nation with its own turbulent history. Britain's victory over Napoleon opens the way to world-wide Empire.

Churchill makes the reader understand how the societies of the English-speaking peoples, their institutions and their language have evolved over a course of almost two thousand years. Many steps were the results of conflicts between opposing forces:

King John had to appease the lords by issuing Magna Carta. His concern for stability through dy-nastic legitimacy led Henry VIII to break with Rome. Conflict between Parliament and Crown led to Civil War culminating in regicide. Frictions between mother country and colonies erupted in the American War of Independence. The issue of slavery almost tore the American Union asunder.

Churchill presents each conflict in an impartial yet compassionate way. He forces the reader to understand opposing and hardly reconcilable views. That prepares the reader to understand the eventual solution. In retrospect, each conflict and its solution is seen as a step forward. Neither side was wrong - only the result is right.

Churchill himself was an historic figure. That endowed him with a fine sense of history. His com-mand of the English language raises his work above the average of historical textbooks into the sphere of great literature. There are passages which one feels compelled to read aloud, only to be surprised at how their beauty at times assumes almost musical qualities. For his literary achieve-ments Churchill was rightly awarded the Nobel Prize for Literature in 1955.

Oman is the definitive tactical and operational description of the British and French campaigns in the Iberian Peninsula during the Napoleonic Wars. It's also among the best descriptions in the English language of the realities of early 19th century ground combat.

My reading was of the original volumes in the 1970s; I'm most pleased that these unmatched references have been re-printed.

This is a reprint of the first of Charles Oman's masterful seven volume History of the Peninsular War, and covers the period from the initiation of hostilities to Moore's retreat to Corunna. Quite simple, this is the definitive English language reference on the Peninsular War, and nobody can call themselves a serious student of this era without having read this series. This first volume was published in 1902, the seventh in 1935, and although there has been mountains written since about the campaigns, the battles, and the soldiers in English, French, and Spanish, this is still the undisputed masterwork, and the standard by which all others are compared.

Virtually all of the political, military, and economic issues related to the campaigns are presented in these volumes. Every major battle is described in minute detail by Oman. He personally travelled to virtually every battlefield in Spain and Portugal to better understand the lay of the land for himself. Even more than in central Europe, the terrain played a critical role in the Peninsula, and Oman made every effort to understand how it affected the outcome. There are detailed orders of battle for all combatants and maps for all battles. The maps are large, color foldout format for the more significant battles. Political events are also described, particularly as they relate to the military sphere.

There are some drawbacks/limitations to all the books in this series. First, there is a HEAVY pro-British bias in outlook in all these books. I got the impression that Oman considered the French to be largely incompetent. These books to not present a balanced view, or even seriously try to explain the French perspective of the campaigns. The Spanish are also presented as largely irrelevant, although most of the fighting was in Spain! Second, there are few details of the guerilla operations. This may be the first war in which guerilla operations (what we would today call fourth generation war) played an important (decisive?) role. Oman doesn't omit discussion of these entirely, but they are certainly downplayed. I think that a more detailed discussion of guerilla leaders, operations, and their relationship with the larger military campaigns would have been a great addition to an already long series. Third, like virtually all English military historians, this is a virtual hagiography of Wellington. Don't let this in anyway prevent you from buying these. This series is certainly not the end all on the subject, but it is still, after 70+ years, the best that has ever been written about it.

The original typeface (from the early 20th century editions) has been preserved in this modern re-publication. This really give the text an authentic feel. Seven volumes of 600+ pages each may seem like a lot of reading, but Oman wrote with a easily readable and absorbing prose. This series is obviously a bit of a time commitment, but I would recommend this to even someone with a passing interest in the epoch. I should mention that I first read this serious about 15 years ago, I decided that I didn't know enough about the Peninsular War and borrowed each volume from the library. I've since bought the reprinted volumes (a complete collection of the original volumes is a wee-bit expensive, if you can find them), and re-read sections regularly. If you can believe it, I felt that even after seven volumes, there were many topics that Oman didn't cover in enough detail (see above)!

In short, if you are a serious student of the Napoleonic Wars, you must read this series of books. You will not regret the money or the time spent. I would give this series 6 stars if I could. Outstanding.

Sir Charles Oman's comprehensive seven volume history of the Peninsular War is the yardstick by which any other history of this theatre must be measured. It is exhaustive in detail and in breadth of coverage. If it happened, it is in one of these volumes. Napoleon may have considered Spain a side show, but as results turned out it was a bleeding ulcer. French losses here, combined with the 1812 campaign, placed a strain on the Empire which could not be overcome by even the best generalship. Any true student of the Napoleonic Wars should find these books and read them. They are essential to a complete understanding of the conflict.

This is the first of a seven volume history of the Peninsular War in Spain and Portugal between the forces of Napoleonic France and Great Britain, Portugal, and Spain. Oman's account, although dated, is still the definitive account of this long conflict. This first volume recounts the background to the French invasion, the French conquest of Portugal and Spain, and the results, which included insurrection in Spain and British intervention in Portugal. Arthur Wellesley, later the Duke of Wellington, makes his initial appearance in the war at the head of a small British expeditionary force which ultimately displaces the French from Portugal. A larger figure in this first volume is Sir John Moore, who took over leadership of the British expeditionary force and led the ill-fated campaign in Spain. Oman does a superb job capturing the complexities of the conflict at the strategic and operational levels of war. In particular, Oman does an excellent job laying out the conflicts within Spanish ranks which seriously hamstrung their resistance to French occupation. His tactical narrative is adequate; those fascinated by the cut and thrust of battle narratives will do better with other authors. This first volume provides much necessary but sometimes tedious background to the War; although Oman's interest in the British intervention is obvious, he is evenhanded in covering events in Spain. Those undertaking the whole series will find that Oman's writing quality improves with each succeeding volume. This volume is highly recommended to the serious student of the Napoleonic Wars and of the history of the British Army. Possession of a good map of the Iberian Peninsula will supplement the smaller maps included in the text.

I am ashamed to say, after studying the Napoleonic Wars for quite some time, this is my first reading of this excellent volume. It is an exhaustive, authoritative account of the Peninsular War that is without peer in English. Oman spent years researching and writing this multi-volume epic, and it is invaluable both as a reference and a research tool on its own. The only way you will find like information is by going into the archives yourself.

Oman does somewhat over simplify 'column versus line' in his study, but the detail, and the sweep of these campaigns that he so meaningfully tells more than make up for that.

This book, and the series it introduces, are highly recommended for any and all enthusiasts and historians, and it has an honored place on my bookshelf. The price may be somewhat steep, but it is definitely worth it.

This reissue has an invaluable introduction by Col John Elting, the noted authority on the period, which is helpful in understanding how and why Oman wrote the series. This book, and the series, is a definite keeper and is without peer for the study of these critical campaigns.

Katie is traveling west to find her only living relative, her uncle. The trip is long and hard, but as long as Katie has the Mustang, it seems as though she will be fine in the end.
The treacherous trip started when she heard her caretaker, Mr. Stevens, and his wife were going west without her and the Mustang. Katie was going to be left in the hands of another caretaker and Mr. Stevens left the orders for the Mustang to be shot.
I loved this book. Any horse crazy girl would. The book is the second in the trilogy. It is suspenseful and even though Katie is a mere character, it seems as though you were traveling west with Katie and her Mustang.
Kathleen Duey has written many other horse stories and all the ones I have read are awesome. She comes highly recommended on my list.

-Gracie Eakin

I ordered this book and received it promptly and in excellent condition.

Young Katie, orphaned in an epidemic, is taken in by Mr. and Mrs. Stevens, a childless couple. But then she learned that they planned to kill the mustang horse she had befriended and take her to an orphanage in St. Louis. With the help of Hiram, the farmhand, Katie is able to escape the Stevenses and take the mustang with her. Hiram, who has no family of his own, feels he must protect Katie and offers to take her on the long journey west so she can live with her relatives in Oregon. But just the journey to Independence, Missouri -- the starting-off point for the Oregon Trail -- is difficult and dangerous, and the mustang still doesn't trust Katie fully.

Young readers who enjoy historical fiction will be sure to enjoy this series for its setting, and fans of horse stories will love Katie's bond with the mustang. A sweet story that I highly recommend to young readers.

I finished this book in one day, and found it to be incredibly engrossing and educational. It reminded me a lot of The American Girl Books, which showcase real girls in a historical setting. That is the same purpose with the Hoofbeats series. Set on an Iowa farm is the laste 1800's, the book paints a very vivid picture of life for Katie, a 9 year old girl recently orphaned. I would recommend this book strongly to anyone with a daughter who loves horses, history, and reading altogether. This made for a very enjoyable afternoon!

The year is 1847, and nine-year-old orphan Katie Rose is ecstatic when Mr. Stevens brings home a wild Mustang, for it's the first bit of happiness she's felt since an epidemic wiped out her family three years ago, causing her to be forced to live with the evil Mr. and Mrs. Stevens. Katie finds herself drawn to the Mustang, and realizes that he trusts her to a certain extent, and even lets her work with him. Soon, Katie and the Mustang have a strong bond with each other. Then comes the news. Mr. Stevens plans on following the Oregon trail, which is perfect for Katie, for she will be able to find her Uncle. But then she finds out that Mr. Stevens plans on sending her to an orphanage and killing the Mustang before they leave. Now Katie and the Mustang, with the help of a ranch hand named Hiram, have decided to runaway, and escape their terrible fate before it's too late.

Kathleen Duey has created an extremely enjoyable new series for fans of historical fiction, and horse lovers. Her characters are kind, and intriguing, and paint a wonderful picture of what growing up in the year 1847 was like. Katie is a sweet character, whom readers will feel an instant bond with, and readers will feel the same way towards the Mustang. Filled with wonderful descriptions and adventures, this is a book that cannot be missed.

Erika Sorocco
Book Review Columnist for The Community Bugle Newspaper

Imagine trying to survive 3,153,600 minutes of hell, with each minute seeming as if it was a year long. That's what Helina Birenbaum describes in her autobiography about surviving the holocaust, Hope is the Last to Die.
The book and its author are remarkable, as Joan Martorelli, notes in her review on Amazon.com (June 15, 2003). Going over the descriptive passion Halina writes with, Ms. Martorelli introduces ideas about how an everyday person could cope with the Holocaust and also looks back on times she visited concentration camps.
One point that Ms. Martorelli makes in this review is that her descriptions of the trauma, the joy, and the anger are so vivid and expressive that they simply draw you in and make you feel as though you are almost there with her as she goes through the manic changes of emotion. I completely agree with this. I also think (though the writer of this review doesn't contradict this) that it would be impossible to fully experience any pain Halina went through just by reading a book about the troubles, But acknowledging that brings us one step closer to comprehending.
Halina did not get a chance to grieve about a lot of the loss faced. She was not able to sit down and cry even for a minute because it would jeopardize her chances of survival. In the loss of both her dear mother and of her first love, she isn't able to say goodbye. They are both taken so suddenly and forcefully. She had to tune out her urges to mourn. If she had not done that, I believe she would have died along side the millions of other persecuted.
A book so filled with love, character, hope, and that's so easy to follow and get caught up in should not be kept of your bookshelf. Hope is the Last to Die fits that description perfectly, and I recommend this book to everyone.

Grand Rapids, MI

I also bought this book in Auschwitz. I read is as soon as I bought it. While touring through the concentration camps you see all the horrible things that these people had to go through. But when you read the book, you experience the whole thing again, but with more heart. You go through the steps with Halina, you cry and you can almost feel what she felt. She is a remarkable woman for not possessing hatred, instead she encourages love and wisdom. Because of Halina I have become a more understanding person.

I have read many books about the holocaust, but this one is special to me. After having the honor of actually meeting the author and hearing her story told first-hand (twice), I felt like I had to get her book. I did, and it changed me. Reading it was an experience which was almost too difficult for me and yet, I didn't want it to end.

It is written like a story -you go through everything she goes through, you sort of relive it with her. That is why, when you finish the book, you feel like she is your best friend. I wish she was.

I have read many books and seen many movies about the Holocaust; have visited Auswchwitz and Dachau, but I have never felt the horror of the camps as I did while reading this book. The reader is there with Ms. Birenbaum, feeling the cold, the hunger, the constant terror and rage. It is unimaginable that this woman survived 6 years of inhuman treatment--but she did.

Because Ms. Birenbaum describes her own experiences as a Polish Jew coming of age during the Third Reich, she has much to teach us. The author expresses her emotions so simply and beautifully that the reader feels joy at her triumphs and while crying at her losses, emotional pain and humiliation. This remarkable woman, who was a child (between 9 and 15 years of age during the war), was wise, strong, resourceful and brave beyond all expectations. She watched almost all those she loved disappear. While standing in line at a "selection" at the Majdanek Camp, she turned around to talk to her beloved mother who had for years emotionally sheltered her young daughter from the inevitable (a la "Life is Beautiful"), and found her gone. She never saw her again, never said good-bye. In the camps she created new families for herself, only to loose these people, as well. Most touching was Ms. Birenbaum's first experience of falling in love and the loss of that man. And through all this, she was never able to mourn. Emotions had to be pushed deep inside because the focus had to be on survival.

On several occasions, the author expressed her need for dignity and self-respect by standing up to her captors and, unbelieveably, was not shot for her defiance. She describes her indifference to the pain of others as a way of coping with the near certainty that she would loose them, while also expressing her longing to be touched and held and by someone.

After reading this book, I think about all the little annoyances of daily living, and how meaningless they are. I wonder how many of us, in our pre-teens, could have dealt with the protracted horror of the ghetto and camps as Ms. Birenbaum did. How many of us would have had the will and fortitude to live through the experiences described in this book? Ms. Birenbaum, you were a remarkable child and are a courageous woman!

One of the BEST first hand accounts of the holocost and life inside Auschwitz. I bought my copy at Auschwitz and every detail from the book is superimposed with the memory of the camp as it is today. The imagery the author uses is mesmerizing. This is a truly moving story full of hardship and courage. Even through all of the trials and tribulations of life in the camp of death, the author shows us the beauty of companionship and hope. I wondered at this book. How one individual could servive those around her dying and still have the desire to live. It is through the hope and courage that she can live and it is through this book that the problems of my life seem so insignificant.

As an avid reader of prehistory novels, I can tell that this one is one of the best I've ever read! It's a pity that is it out of print!

The story itself is epic and very memorable, the characters are deep, and the landscapes and customs are very well described. Right from the start, I became very attached to the main characters, and even to less important ones.

I've already read the first in the series ("Daughter of The Red Deer"), which was excellent, but I loved this one even better. Now I can't wait to read the third book! ("The Reindeer Hunters".) I wish Joan Wolf had written more than just 3 prehistory novels -- she's very good at it!

Anyway, I highly recommend anyone into prehistory novels to get this one from Amazon's Marketplace, or any used book store. Well worth it!

PS: What happened to Siguna?

Oh my gash!!! This is the most amazing prehistoric novel ever. I learned so much about the goings on of Cro-Magnon Magdellenians by reading this book. In fact I wrote a ten page research essay based off of information i learned in this book.... It also has a thrilling plot and lusty scenes that made rainy afternoons a little more exciting for me....If you are looking for adventure and romance mixed with deer skin and skull cups then don't miss the Horsemasters...scourge of the world!!!!

Before reading this series of books (this book is #2 in a series of 3), I had never read any fiction dealing with pre-history. It was wonderful. Joan Wolf's use of description and imagery is simplistic yet so satisfying during the reading of the tale. It is a wonderful story of love and adventure.

As a history major, i spend a lot of my time trying to find decent historical fiction that I can read and tell other people about. I love this book. When I first read The Clan of The Cave Bear when i was 10, i thought that no book could be better than that. Joan Wolf's books (all of the historical fiction ones) are almost as good. I first read Daughter of the Red Deer when iwas 13 and loved it and since then have been looking for anything theat she has written. The Horsemasters is by far my favourite. The characters are so vivid and how can you not love Nel and Ronan? I highly recommend it and any of Joan Wolf's other books to anyone that is interested in Pre-historical novels. there just aren't enough out there, but these are keepers.

Excellent book, excellent reading, excellent story. Wonderful continuation of "Daughter of the Red Deer"! This lady can write! Very thoroughly researched! If this is the 2nd in a trilogy, is the 3rd out yet?, & if so, what is the title?

This is the best book on the HO229 from the technical perspective. I like the detailled technical drawings. You could almost start building a Ho229 using these!

Shepelev & Ottens make great attempt at making a lot from very little actual information,interviews with people who where there, great photos, excellent diagrams but the brothers Horten remain an enigma.

I've been in love with the Horten 229 since the first time I saw a picture of it. This book is packed with photos and technical drawings. It covers the whole development of the plane. Recommended!

... and just the right amount of writing - this book has got the mix right.
Researching this little known family of aircraft that must have taken the writers years to research, and not to be content with that, the authors uncovered the Dunne D.5, a British WW1 era tailless swept wing biplane -in the introduction ... an even more obscure aircraft.
No mention of the Northrop wings in there, so this is history of European flying wings.
The main driver was for drag reduction and maximising the range of the aircraft not stealth.
If you like unusual aircraft you should buy this.

I've been fascinated since I saw the first pictures of the Horten jet powered, wooden, flying wing from the Smithsonian collection. The stories I heard was that this was a deliberate attempt on the German's part to build a 'stealth' fighter way back at the end of the Second World War. But there has been very little published about the plane. Therefore I was delighted to find this book that covers this plane in great detail.

Clearly the plane was far ahead of its time, indeed, its design looks so much like the canceled A-12 from McDonnell Douglas/General Dynamics that it's uncanny.

In reading the book, the authors make it clear that the Horten brothers were thinking of aerodynamics and scarcity of materials rather than stealth when they designed the plane. The book points out that the wooden skin of the plane would basically have been invisible to radar, but the metal frame underneath the wood would still reflect radar waves. Designers simply didn't know enough about radar at the time.

The modern American flying wings such as the B-2 bomber are stable only because of sophisticated computer controls. The book reports similar problems with the Horten plane. This might well have prevented its use for its intended use as a fighter, but we'll never know.

The authors have collected an amazing amount of information and a large number of photographs that I don't believe have been published before.

This is a completely absorbing page- turner with fascinating historical details. I thought Emily, the protagonist, was particularly interesting. Many authors label their protagonists, giving them a certain type of personality that isn't very common among teenagers. Emily is normal in every way, yet she shines. This is because she is very realistic and likable. Though she is a bit downtrodden from major changes in her life (a divorce, a new home, and a new school), she doesn't whine excessively, nor does she take it unrealistically with no complaints. I was also very pleased with the ending. There was no corny parting scene where Emily's seventeenth century friends go back to their time through a swirling vortex with tears in their eyes.

I immensely enjoyed reading this book. My only complaint concerns the title. Although the book's title is The House on Hound Hill, it was originally published in Britain as Here Comes a Candle to Light You To Bed. I think the original title is much more intriguing and should not have been changed.

I've never been so "in" to a book that it made me jump in my seat until i read this. Prince has done a fantastic job of painting history, intruige, and fiction into this story. Everything from visions of ghosts repeating the cycle of their tragic lives, the protagonist becoming lost in the past, the past intertwining with the present, plague pits, and death make this story a favorite of mine.

The House on Hound Hill by Maggie Prince was a very good book. it had suspense, adventure, and history. it is about a 16-year-old girl, Emily, and her experienceswith the Black Plague of 1665. She has just moved into an old house in a London neighborhood called Hound Hill. She starts seeing, hearing and even smalling things from the time of the Black Death. She was transported to 1665 several times. Then she begins getting stranhge symptoms. On one last trip to 1665, she learns more about the horrors of the Plague and her new acquaintances from the time. For this trip, she stays an unusually long time and, like the other times, she doesn't know how to get back.

Emily's new house in London's historic neighborhood is filled with secrets of the past - secrets which bring Emily right into the past as she begins to experience plague symptoms and uncovers a doorway to an era where the Black Death killed almost a quarter of London's people. A challenging, involving story which blends real history with supernatural overtones in a riveting style.

The House On Hound Hill is a wondrfull book about a teenagegirl's troubles and the plague of London. Emily is shattered by herparents recent divorce and her new neighborhood.She is depressed aboutfailing exams.Emily starts to hear whispers and meets an man looking for his cat.Soon odd things start to happen.Emily discovers the past is still alive.She periodically goes back in time and experiences London in 1665.She sees beggars and watchmen.This book describes how it was at the time of the plague.The imagery and details add colorful contrast to this sad story.I enjoyed this book because I learned about the plague.Parts of the book did seem confusing at first, but they were later explained.