North America Books

Found an old hard copy at the library. It was so old that I figured if they still had it after all these years, it must be good! Took it home and the kids and us all loved it. They have changed the way they look at the moon, a new found respect for it's power! We have a number of Native American story books, I especially like the way they tend to incorporate elders as the members with the greatest power. Too many contemporary stories make grandparents out as less valuable. Truly a classic - now off to hunt down my own copy to own.

This was one of my favorite books as a child. I wish they would put it back in print in hardcover so I could get copies for my friends' children.

A young Tlingit boy goes in search of his friend whom the Angry Moon had kidnapped. He meets friends along the way who help him. It's a Native American "Jack in the Beanstalk" story. The art work is lovely, very worth it if you can find a copy. Great for teaching values about having good manners and finding friends in unlikely places.

An amazing picture book by William Sleator (known for HOUSE OF STAIRS and other dark pieces of science fiction) and illustrated by Blair Lent (Caledecott winner for A FUNNY LITTLE WOMAN). It follows a young indian boy through an incredible journey to the moon to rescue his beloved. The artwork is resonant and meaningful and the story compelling. Lots of transformations and magical switcheroos make it satisfying for children of all ages. It is a shame this book is out of print. It needs to be brought back!!

This book provides a wonderful doorway into the art of ant identification. The keys are well tested and current. The photographs of a representative ant from each genus are stunning. The lists of North American genera and species are very useful as is the list of literature for identifying species. I wish I had had this book 30 years ago when I first started learning to identify ants! This is a must have book for everyone who studies North American ants. It should also be in the libraries of all field stations and any institution of higher learning that teaches classes in the natural sciences.

I am a myrmecologist, and this is definitely the most helpful (and portable) ant key I have come across.

It is full of excellent illustrations and intuitive couplets, but aving said that, this book deals only with genera found in the USA, not whole North America.

The first part of the book is the dichotomous key, whereas the second part describes each genus in detail (ecology, morphological characteristics, the most recent literature dealing with that genus, etc.)

The authors have even managed to squeeze in a couple of (ant) jokes and funny anecdotes into this part of the text.
The last part of the book contains the list of all known species in North America.

The authors have made one mistake that I am aware of, and that is on page 111, where they state that genus Monomorium has 11 antennal segmnents while they actually have 12.

Ants are one of the groups of organisms that I found fascinating from an early age. I finally settled on spiders, but ants were always in the back of my mind on the numerous field trips on which I went to pursue my eight-legged quarry. However, guides to ants were few and far between and when I was given a copy of Creighton's "The Ants of North America" I was almost as confused as I was before. While the illustrations were good, the descriptions and keys were a bit difficult and of course even by the time I was given the book, it was quite dated.

We have long needed a book such as Brian Fisher and Stefan Cover have produced in "Ants of North America: A Guide to the Genera". Among other things the photos of actual specimens are a great help in determining the genera (and in some cases sub-genera) that anyone might encounter in a backyard or in the wild. The keys are both very good and well illustrated. A good hand lens will be sufficient with many, but the size of some requires a good binocular dissecting microscope (one reason that ants are less popular than butterflies, dragonflies or even moths). Still both professional entomologists and serious amateurs will find this book very useful as a first step in the identification of the ant fauna.

Because I am a professional biologist and an entomologist I found that, although I do not know the authors, I do know at least six of the people listed in the acknowledgements - such is the small size of the entomological community.

I recommend this book highly and only wish that something like it was available when I was becoming interested in the tiny life around us.

"Ants of North America: A Guide to the Genera" by Brian Fisher and Stefan Cover is quite simply the best identification guide (down to the genus level) available for these fascinating insects.

Combining straightforward identification keys that contain excellent line drawings of pertinent ant features with April Nobile's detailed automontage pictures, this publication functions both as a "working book" and a page-by-page display of the true beauty and diversity of these ants.

The alphabetical method of ordering the genera descriptions is also to be saluted. As the subfamily level gets re-shuffled over the years, the alphabet stays the same, and so provides a user-friendly way to thumb through the genera.

All of the genus listings contain both a head-on and lateral picture of the ant, along with diagnostic remarks and brief distribution and ecological information.

This book belongs on the bookshelf and lab workbench of every myrmecologist, and certainly any ecologist that works within the conservation field performing biodiversity surveys. It has been said that you cannot begin to understand the species you are trying to preserve if you cannot identify them, and so this book will allow any ecologist with basic entomology skills the ability to identify, as E.O. Wilson describes ants, the "little things that run the world."

I remember reading H. Allen Smith's "Three Men On Third" years and years ago, and Salisbury's product is in the same vein. I enjoyed it tremendously: great choices, fun trivia, and the constant reminders that sports heroes are, after all, inestimably mortal. It is really too bad that Salisbury's stuff (see other titles on Amazon.com under his name) don't get a wider appreciation.

With dry wit and solid research, Luke Salisbury tackles that American creature known as baseball. He looks at why stats make the game so special, and how people get fascinated with quirks such as hitting streaks. Famous figures abound--Ted Williams, Joe DiMaggio, Ty Cobb, and of course, the Babe. There are lesser-known ones as well, such as Louis Sockalexis, baseball's first Indian, whose hot career fizzled due to alcoholism. Salisbury answers questions you'd never thought of before: who was baseball's first Polish player and how did "Dummy" Hoy get his nickname?

"The Answer Is Baseball" is packed with interesting facts for baseball fans of all ages!

This is a great book about baseball. The author does not ask stupid questions that anyone could look up for themselves. He doesn't treat baseball trivia like it is an answer to be found in an encyclopedia. Why is this book not in print?

If you have any interest in baseball--or if you were ever a devotee of H. Allen Smith's THREE MEN ON THIRD--you'll have trouble putting this one down. Yes, you will add tremedously to your factoid collection and probably never again pay for another glass of whatever you drink at your local watering hole. But that's only half the story of this book. Salisbury loves his subject and that sympathy for facts is contagious, reminding us that "fan" does come from "fanatic." Yes, some of the collection tells stories that are not very happy, and Boston fans are going to struggle reliving the part on Conigliaro, but Salisbury does an excellent job throughout. I finally forced myself to a chapter a night just to prolong things.

"As I Am" is a perfectly edited and beautifully photographed collection of thoughts and images from some of today's most eloquent and inspiring young women like, Danzy Senna (author of "Caucasia"). The images and quotes bring to mind Brian Lanker's "I Dream a World". I can't wait to share this one with my friends and family. Truly inspiring!!!!

This book is worth the paper it is written on, the photographs are beautiful, the words are rich, and the stories offer various views of what its like to be a young black woman in the 90's. If you have a few hours to expand your mind, then this book will assist you.

I finally have found a book that is true to life and modern concerning the plight and challenges of young Black women. It is a truly magnificent collection. The women with the pages fulfill the purpose of motivating and inspiring others. Each women in this book is an example of hope. As I was reading the book, I was emotionally struck by the uniqueness of their lives yet many other women, I know, can relate to their experiences.

Okwu seems to have the gift of finding beautiful people with outstanding lives. The photo shots were magnificent and added a particularly captivating life to the words.

Thanks again for a true to life teaching book of amazing stories. One may use their examples of coping and harvesting energy for development of their own positive future. Truly a gift to have to read or give to someone who you love.

This is a wonderful book. Okwa focuses on the narratives of young African-American women who have taken their passion to heart and made successful careers and important contributions to society. A highlight of this text is that it not only has amazing photographs anchoring these women within the contexts they work and live in, but also highlights their struggles, especially academic and personal, along the way.

This book is also helpful for people agonizing over career choices. For every person who has wanted to major in Women's Studies or History but wondered what to do with it--here are examples of powerful people who take the study of the humanities and arts to exciting new places, from television producing, to free-lance photography, to well-respected academia.

This book also has a companion one---"Face Forward." This other volume examines African-American men, who, as a whole, are also facing a critical time in American society.

Get both---buy Both, and draw strength and power from those who have struggled before you. Okwa is a master photographer and lets the compelling narratives of these women shine. We all should do the same.

The delivery came even before the due date and I think that was super-excellent. Keep it up.

This is the type of African-American history book I have been searching for! The Atlas of African-American History and Politics offers not only a detailed chronilogical narrative of the African-American's history from slavery to today, but also clean-crisp visuals to clarify. You will learn and see the actual routes that were taken during slave trades. Not only is this book great for African-American study courses, but every household in America should have a copy of this easy read, yet informative atlas.

This is the type of African-American history book I have been searching for! The Atlas of African-American History and Politics offers not only a detailed chronilogical narrative of the African-American's history from slavery to today, but also clean-crisp visuals to clarify. You will learn and see the actual routes that were taken during slave trades. Not only is this book great for African-American study courses, but every household in America should have a copy of this easy read, yet informative atlas.

Excellent, informative reference guide. Clear and concise information. A must for your library!

If you have a copy of Volume 2 (Gulls, Terns and Skimmers) for sale, please notify me.

Kasieluka@aol.com

the best of the best, be sure to get all three volumes, i have found these books to be the most accurate from florida to canada, and new jersey to california

I looked for a long time for the best book with photos not someones idea what the birds look like. Also it gives excellent data on identification, breeding, habitat and comparisons

Every serious birder should have the Master Guide. Unforntunately it is out of print and until the publisher decides to release it again so that one can have the complete set of all three volumes, it will leave a void in one's birding library. It might be out of date (1983), but the photographs for the most part as well as the text are extremely helpful when used in conjunction with other field guides. Sometimes it is the guide that will finally answer the question of what bird was that when the other guides have left you guessing. Here's hoping the publisher, Alfred A. Knopf, will release all three volumes again real soon! stormpetrel@msn.com

This is an excellent text and touching text which adequately captures the essence of Barbados past present and its future in the global economy. As a Bajan I was impressed that in the choice of topics as opposed to the usual postcard presentation. Well and tastefully done.

The photography in this book is beautiful, and the text is well written. Rather than buing this before your next trip to Barbados, I'd recommend a simple travel guide instead. You may want to buy this book later for your coffee table for when you are feeling nostalgic for the warm air and white beaches.

Having travelled to Barbados many times over the past twenty years (and I lived there for a time as well), I have to say this is the finest and most complete "coffee-table" book on the island that I have ever seen. It is large-format, filled with superb color photographs (including a number of aerial shots, as well as some archival photographs of Barbados in the mid-20th century). The text gives you a concise, intelligent overview of the island's history. I've given a number of copies to friends who love the island. The jacket blurb says the author was once a Peace Corps Volunteer, and it shows ... this is a real in-depth portrait, not just "post-cardy" superficial coverage. I have several other books on Barbados, but this one is in a class by itself.

Extraordinary photography, combined with intelligent, concise, even poetic text. I am English, but I have lived in Boston for many years. Barbados is perhaps my favorite island in the Caribbean--"Little England" as it is known. This book captures Barbados as I have seen no other book do ... perhaps because it focuses on the small things: flowers, the black-belly sheep, the young schoolgirl gazing deep into the camera ... The picture captions are concise, but packed with information; the author chooses and rations his words carefully! There's also, for those who want it, a complete text which conveys the history of the island. A small quibble: there's no information about hotels, restaurants, etc. However, this is not a guidebook, but rather a coffee-table "documentary" book, and in that department it is to my mind incomparable.

Excellent book! Loads of info and history on the watercraft. I am happy I spent the money fir a research book I will get allot of use from. ...Ross

Bark Canoes and Skin Boats of North America details the early boats of this continent. The boats covered in this book are cleverly designed and built. There is a reason that many of the designs are still used as basis for the boats of today.

This is a must book if you are building a Birch Bark Canoe. It is the holy graille or encyclopaedia for building canoe's. Fantastic book.

All modern students of bark and skin boats begin with this book. The intial work on the native watercraft of North America.

While the book does not cover the watercraft of all North American First Nations, it does provide a broad range of information on craft from many Nations across the continent.

This book is highy recommended to anyone interested in the history of canoes or kayaks as developed on the North American continent.

"What's in a name? History! The African American community has their community in Harlem; the Dominicans are beginning to carve out a space for their people...Spanish Harlem is the soul and heartbeat of the Puerto Rican people...groups survive by controlling space and maintaining a viable and visible presence..." (p. 73). This statement, made by an activist and poet during a debate on the use of the term "El Barrio" to reference East Harlem, touches on one of the main issues that Arlene Davila so brilliantly expresses in her book, Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City. This rich ethnography focuses on the issue of space, particularly in the neighborhoods of El Barrio, or Spanish Harlem, located in the East Harlem district. She brings to light the cultural politics involved in the definition of space and its subsequent appropriation, as well as the commodification and marketability of ethnicity and race. Through extensive research, that includes interviews with local neighborhood residents, observations and participations at community meetings and organizations, and public hearings, Davila is able to put together a magnificent work that documents the complex effects of culture, space, commodification, representation and gentrification of space and the residents in El Barrio. In doing so, she is able to call "attention to the symbolic and representational processes that have tied race, ethnicity, and place in East Harlem within the public imagination...account[ing] for the value of these representations in the symbolic economy of contemporary cities" (p. 24).
El Barrio, a growing urban, Latino community is the foreground for Davila's examination of the politics of culture, urban space, gentrification of neighborhoods, and "the neoliberal policies that favor privatization and consumption" (p.2). Davila raises important questions in her work by focusing on the increasing attempts to create social change in urban communities through the introductions of new developments, businesses, museums, charter schools and tourist sites. In the chapters in her book, she devotes much time analyzing the complexities surrounding such gentrification issues, brining in to play the resistance of the local residents against developers. One particular impressive aspect of Davila's work, touches on the difficulties local residents face when they buy into the developer's ideas of programs that include home ownership and museums. Many residents agree that the image of Spanish Harlem as "poor, crime-ridden, and underdeveloped" sheds a negative light on their community (p.115). Developers, craftily pointing to the lack of value and marketability of Puerto Rican heritage or "Puerto Ricanness" reinforce the existing stereotyped image on El Barrio as unpopular (p.114).
Yet as Davila shows, the support of local residents of new projects can sometimes in fact lend a helping hand to the process of gentrification, resulting in residents jeopardizing their stake and claim in their own neighborhoods. In other words, "by supporting consumption and entertainment projects, such as museums and home-ownership programs, residents are furthering gentrification and increasing prices in East Harlem, thereby hindering their own future claims to the area" (p. 4). The Edison Project that Davila describes in her fourth chapter highlights the attempts of private organizations to claim stake in the urban communities of El Barrio, telling residents that "the project would educate residents about their own common heritage" while creating avenues "that would provide jobs and place the neighborhood on the map" (p. 129). But the price of these incentives was not free. Developers used culture as "the bait for a larger project for privatizing social services and further commodifying place in El Barrio" (p.129). Arlene Davila does an excellent job in bringing to light the complexities involved in the processes of gentrification and culture consumption and the desires of residents to reclaim their neighborhoods through highlighting their cultural values.
Another fascinating aspect of Davila's work touches on the issues of the relationships between the Puerto Rican residents of El Barrio and African Americans. Davila points out that both African Americans and Puerto Ricans share a common history, yet the introduction of a cultural space and the desire for "local control of resources" and "local electoral politics...has polarized the groups' relationship since the start of urban renewal projects and still mediates debates over space and development in the area" (p. 19). The advancement of African Americans in the political sphere is another point of tension between the two groups, as well as the dominant leadership roles of blacks in the urban development sectors. Additionally, Davila describes the tensions that exist between Puerto Ricans and Mexicans. The rapid growth of the Mexican population in El Barrio is causing the "rapid transformations in the area's demographics and landscapes" resulting in "tensions between Mexican and Puerto Rican populations, raced to their different histories, citizenship status, and/or self-conception as residents, racialized minorities, or temporary immigrants" (p. 21). While illuminating, the relationships and tensions that arise between the Puerto Ricans, African Americans and Mexicans alike can sometimes be messy. Their fight for control over space and their commonalities as minorities, whose culture is being commodified by developers and outside organizations, all tie in and relate to one another in a complex web of defining space and cultural values. As a results, the neighborhoods in which they all reside are slowly changing, reflecting the backdrops of multiculturalism, neoliberalism and globalization that form a common thread between the various issues and projects that Davila discusses in her work.
Barrio Dreams is an exceptional piece of work that illuminates the debates and issues surrounding the ever increasing urbanization and gentrification of one of New York's most well known neighborhoods. Arlene Davila is truly a genius at work!

Various historical points reveal where the redefinition of culture took place due to economically driven motives, which have proven pivotal for empowering as well as defining cultures. From the Pledge of Allegiance to the current war in Iraq, the lines drawn around the essence of one's culture have been exploited by money-driven entrepreneurs and politicians. Arlene Dávila exposes this phenomenon in East Harlem, and more specifically in el Barrio, in her new book Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City. She is "concerned mostly with the specificity of current racial, ethnic, and spatial conflicts in the area" which, "become exacerbated by the cultural bases of many contemporary development initiatives at the very time that intraethnic and racial alliances among minorities are most impending and most needed." (5) Her book displays the reality of the struggle in El Barrio where "ethnic" groups have been battling for a place at the same time the "Latin" community as a whole has been fighting for a political position in order to gain control of the definition of their culture.
Culture, contrary to Dávila's belief that there was a time "when cultural demands commanded economic resources and political valence," (2) has almost always been advanced for economic reasons. Countries in the Arabian Gulf have attracted workers from all around the world to work in the oil and gas fields to an extent where now the citizen is a minority due to the influx of these workers-citizens of these countries have yet to object to the increasing number of workers. Surely when one's culture becomes the minority culture it will have a great impact on the shape it takes.
Dávila, author of Sponsored Identities: Culture, Politics in Puerto Rico and Latinos, Inc.: The Marketing and Making of a People, has done extensive study on the issue of politics in the marketing of the "Latin" identity. The use of "Latin" or "Latinidad" implies homogeneity-it is a remarkable how the author is sucked into this normative stereotypes constructed for categorization purposes. The author herself argues that the "Latin" community is not homogenous in any way, thus "these groups differ in mission and objective." (157) Hence we have El Barrio as an area where various groups are fighting for various ends-using the word "Latin" inevitably hinders our vision concerning the diversity of the "Latino" culture.
Nevertheless, it is not simply about homogeneity among the Puerto Ricans, Mexicans and Dominicans. It's about hierarchies within hierarchies; "the relations are mediated by existing racial and ethnic hierarchies that are shaped by racialist processes in the United States and in Latin America and also have particular manifestations that are historically and regionally situated" (171). Hence the "ethnic" groups are placed into hierarchies according to the basic social class and political participation in the United States, which finds El Barrio (in general) in the lower middle-class. But hierarchies exist within this hierarchy, which leads to the divide between the "Latino" groups. Their stance in this category revolves around several classifications such as devotion to work, crime rate, longevity in the community and other such ingredients. The "stereotypes of Mexicans as less educated or unsophisticated" (173) have been a catalyst for Mexicans to attempt to present themselves in a picture they believe suite their community most and thus they have considered themselves as "hard working, and ethical Mexicans" (173). But other than the competition between the "Latino" groups, in the one specific group there is a hierarchy. The example of Puerto Ricans "with a longer history in El Barrio, criticized Puerto Rican newcomers just as forcefully, despite their Puerto Rican nationality and pro-Puerto Rican leanings." (79) The complexity of these levels and allegiances causes conflict in the group, which ultimately leads to the dismantling of the "greater community"-the "Latin" one.
How does Dávila define culture? She states that culture is an "ethnic or racial identity" as well as an "object of entertainment." (10) Culture is almost always associated with tradition and history and it is ironic how modern means can reshape our concept of culture in addition to molding the minds of `outsiders' in regards to their perception of a community's culture. Culture is man-made and it is "imagined." It is interesting to note the use of Benedict Anderson's "imagined community" in Dávila's study of El Barrio. She throws it in on page 65 whilst talking about Puerto Ricans and their creation of their community. It is a shame that this notion of "imagined community" is not introduced earlier in her work. That is the foundational base of conflict in any society where various communities live and fight for elements of their own culture so as to proclaim its exclusivity to them.
But what is especially ironic is the fact that culture is not tangible and Dávila seems to miss a step between providing us with her definition of culture and the various problems that have taken shape in El Barrio due to gentrification, which ultimately means the exclusion of some communities-the exclusion from political representation in New York City is center to Dávila's study. She argues that the "Latin" communities are losing grip of the fate of El Barrio due to the lack or representation in organizations that decide the final outcome of El Barrio. Her argument is clear and impressive because of the depth of her research in the politics of representing a community; the author provides us with several examples of how tenants are defined by race and social class, and thus reshape the community.
Overall, the study is extremely interesting in seeing the impact of marketing and politics on culture and vice versa. El Barrio is not a unified force and culture-Dávila proclaims, "sure El Barrio continues to be "de todos." Which is obviously a partial todos." (96) The complexities that the author examines is impressive and brings to light the power of marketing and advertising that are politically motivated in a society. She is an anthropologist and it is a study that presents us with extensive examples and theories but leaves the door open, as anthropologists tend to observe and not interfere.

It is no secret that our society continues to thrive and grow out of the economic structure of capitalism. Globalization provides more opportunities for free trade, and in the process our economy becomes increasingly privatized. These concepts of neo-liberalism, which require less government intervention, have been expressed through policies that deregulate 'big business' and further the gap between the affluent and the impoverished. Although many are bearing the fruits of this growing interconnection of trade and exchange, it comes at the expense of those who remain indefinitely at the bottom of the economic pyramid. Through her book Barrio Dreams, Arlene Davila uncovers many repercussions concerning the growing competitive housing development market in El Barrio or East/Spanish Harlem. Davila discusses the process of gentrification that has resulted in a pauperized community within New York City. The book aims to characterize the cultural and political interactions between different groups of Latinos as well as between those within the greater community. Their attempts to shape the future of their barrio while understanding their own cultural capital are also constantly revealed. Davila portrays the politics of marketing ethnicity as culture, and how it is treated as industry to further the process of gentrification. This book highlights the increasingly significant role of Latinos in American society and their struggles to gain power and authority in their communities.
In areas such as New York City, where property value only has the ability to grow with time, impoverished neighborhoods such as East Harlem are susceptible to development from outside private companies. Government policies have further contributed to the gentrification in the Empowerment Zone in NYC and have opened the door for private development. Davila states, "Since the 1980's, similar policies involving tax incentives to the private sector, as in today's EZs, have consistently replaced publicly financed community-based development strategies as the dominant urban development strategy (pg 9)." In compliance with the philosophies of neo-liberalism, governmental organizations have shifted the responsibility of social housing onto private development organizations, which are solely driven by profitability. Unfortunately, this has rapidly decreased the amount of affordable housing in East Harlem. Local businesses and residents have been displaced and neglected as a result of this rapid gentrification. "East Harlem's real estate is not advertised in El Diario or other Latino and local newspapers...many believe, (they) intend to keep Latinos out of the area (pg 54)," said one the area's residents. This process is a result of the lack of representation from Latinos and residents of the community. Even those Latinos from the area who have shown upward mobility have been consequently displaced outside of East Harlem and thus do not intend to return. Spanish Harlem symbolizes the romanticized version of Latino culture and will unlikely relinquish its reputation of being underprivileged. Roberto, a union leader Davila interviewed, describes why he can not live in El Barrio: "I saw a lot of brutality...El Barrio will always be El Barrio, not the Puerto Rican Barrio, but the barrio of immigrants and the poor (pg 38)." Roberto's comments shine light on the fact that this neighborhood is not able to develop without providing outlets for upward mobility and representation.
Part of reshaping the marginalized perception of El Barrio is being provided by activists in order to "secure the identity of (their) place (pg 24)." The current commercialization and outside marketing contradicts attempts and assertions that are being made to redefine the associations to the Latino identity. Many of the residents that reside in East Harlem are not a homogenous culture or ethnicity. Specifically, Puerto Ricans have struggled to assert their identity as a community in American society. As a group, they have attempted to downplay the stereotypes and negative associations that are being exaggerated by cultural marketers. In attempting to understand the own accurate identity, Puerto Ricans must be able to understand their significance in El Barrio. Puerto Ricans have been commonly linked with other ethnic groups such as African-Americans, who reside in West Harlem. Davila discusses the movement of Puerto Ricans to differentiate themselves as a functioning and successful ethnic group. Mexicans, who are the fastest growing immigrant population in the United States, experience similar struggles of re-signification in East Harlem. They have tried to establish themselves as "worthy and hard-working immigrants," and separate themselves from the marginalized reputation of other Latinos in the area (pg 156). Davila cites one man who commented, "We Mexicans are hard workers and don't depend on welfare as do Dominicans...many Mexicans are deported because they are illegal. Each month, Dominicans are deported because they've been jailed for selling drugs, committing robberies, crimes and fraud (pg 172)." The US depends on Mexicans to fill the lowest positions in the workforce - those jobs that require extensive manual labor for very little pay - but our government and policies prevent these immigrants from gaining rights and representation in their communities. The Mexican Day Parade was one example of a culturally-specific event that was marketed and organized by non-Mexicans for corporate interests. Davila emphasizes that the control of such cultural events by marketers who do not represent the Mexican community actually undermines the purpose of such ethnic celebrations. Further, she stated that the outrage of Mexicans in such situations "asserted ethnicity over industry and challenged the inequities in the production and consumption of ethnic events (pg 167)."
Artists have become catalysts for publicly marketing the real Latino identity with images that represent both the past and present. This initiative contradicts the growing commercialization of Latino culture geared toward economic gains in the EZ. The author adds, "Heritage is ancillary to tourism, put in the service viable tourist districts containing cultural, entertainment, dining, and recreational attractions (98)." The various cultural projects in East Harlem that would further allow the appropriate exposure of Latino heritage, such as el Museo del Barrio and the Edison Project, were centered around tourism, economic interests, and employment. This only furthered the process of gentrification in East Harlem. To inhibit this process, artists began to show an effort to represent Latino aspirations and dreams through non-profitable murals and graffiti. Their actions signify that ethnicity is more than just a business venture. Davila posits, "The fact is that current ethnic and cultural identifications are being concurrently fueled by a variety of political and commercial interests, and are thus not about to fade, as long as they are profitable, politically marketable, and viable (pg 214)." Thus, the need for further artistic expression of the actual Latino ethnicity is vital.
Through her book, Arlene Davila clearly represents the position and role of many Latinos in American society today. Neoliberal policies further prevent these groups from taking hold of their community and ethnicity, and allowing private companies to consolidate affordable housing. This book can only shine light on the rapid gentrification of all cities around the country. It is difficult not to think of the re-urbanization process going on in Durham over the last five years, and in doing so I hope those involved think of places like East Harlem. Many of the same efforts to improve the image are fueled by economic interests, however without considering the history and diversity of this culturally-rich city, the future of Downtown Durham will continue to be tainted.

Arlene Davila's BARRIO DREAMS is simply amazing. It grapples with the diversification of New York's Latino population, asking important questions about community solidarity and alliances. The final chapter on Mexican immigration to El Barrio is especially informative. Professor Davila is a stellar scholar whose ground-breaking work is helping shape the future of Latino/a studies. A must-have book indeed!

In the summer of 1985 I spent a day roaming the Rosebud battle site with the author, Neil Mangum. I was lucky to have the "expert" on this fight interpreting the story for me.

For those of you not so lucky, I highly recommend this book. Of all the books written on the Rosebud fight this is by far the best. The maps alone are worth purchasing this book because one gets a great sense of soldier and Indian movements, in time, along with the engagements just by reviewing the maps.

Plus, there is a great chapter entitled, "Crook and the Custer Connection." This chapter should make all those who blame Crook for Custer's defeat eight days later on the Little Bighorn rethink their ideas.

Neil Mangum served as superintendent at the Little Bighorn from 1998-2002. During his administration we saw for the first time red granite markers on the battlefield (similar to the white ones for soldiers) for Cheyenne and Sioux warriors; Lame White Man, Noisy Walking and Long Road. On June 25, 2003 an unknown warrior marker was unveiled on Wooden Leg Hill. The next day a marker for Dog's Back Bone was placed at the Reno-Benteen Defense Site. This year, 2005, we plan to place two markers for some of the "Suicide Boys" -- they joined the fight near the very end promising to give their lives for their people.

The old wayside exhibits that stood along battle road have been replaced with modern interpretations. Most importantly, Neil's efforts finally produced $2.3 million dollars to build the Indian Memorial. This memorial stands 75 yards from Last Stand Hill. Construction began in the spring of 2002 and completed in May 2003. The Indian Memorial was dedicated on June 25, 2003 with thousands of Indians, from all tribes represented at the battle, attending.

Between the confusion typical of any engagement and the scarcity of surviving testimony, it may be that no definitive account of any Euro-American vs. American Indian battle can ever be produced. However, Neil Mangum has produced a through, balanced, and convincing book that is as close as any such work may ever come to being authoritative.

This is by far the most intriguing and accurate book I have read concerning the Rosebud. Neil Mangum's writing is accurate and a complete joy to read.

Mangum, the Superintendent of the Little Big Horn (LBH) battlefield writes a portrayal of the Crook's campaign against the Sioux that culminates in the Battle of the Rosebud 8 days prior to Custer's attack. Since the LBH is roughly 30 miles southeast of the LBH, Mangum is extraordinarily familiar with the battlefield that still looks like it did 134 years ago. The book covers Crook's earlier March campaign where he was first in the field which peaked at a failed attempt to destroy a predominately Cheyenne village which also included some Sioux on the Powder. Crook again restarts in June with almost 200 Shoshone and Crow allies. As Mangum expertly retells the battle, Crook is surprised while encamped leisurely along Rosebud Creek on June 17. Mangum notes that Crook was similarly surprised also with great consequences in the battle of Cedar Creek in 1864 where he was surprised by Jubal Early. In the description of the battle, Mangum points out that if it wasn't for the Shoshone and Crow who spotted the Sioux and Cheyenne first relatively distant from camp while also absorbing the initial attack, Crook's command may have been destroyed. The allies gave Crook's troopers a chance to prepare for the attack. Crook's forces, which included mule mounted infantry and miners, stemmed the attack but as Mangum points out, the Sioux seemed to come at Crook from three sides from the high ground to the north. After Crook seems to control the battle, Colonel Royall with his calvary battalion rolls up the Indian right so successfully, his enthusiasm isolates himself from Crook allowing the Sioux and Cheyenne to consolidate against him requiring a furious battle of retrograde movements causing the most severe casualties of Crook's forces. Mangum states that Crook was in peril with Royall's potential collapse because Crook sent off another battalion to the Indian's left in search of their village that was not in the immediate area as perceived. Only the recall of Mills saves the day but the Sioux and Cheyenne have initiated enough casualties and psychological harm to cause Crook to retire and take over a month to retrofit his command. I was at the Rosebud site in 1999 and had I read Mangum's book with the terrain maps, my tour would have been far more beneficial. The battlefield today is a State park and the modest valley that Crook stopped in on June 17 looks is framed with high hills and interesting landmarks like Conical Hill. This is a great book about a key battle that indicated that the Sioux and Cheyenne were agressive in defending their village which was overlooked by all of Sheridan's generals. This battle besmirched Crook's otherwise great post Civil War career.