North America Books

This is a first hand account of his life in Montana after getting off the boat in Ft. Benton and going into the trading business with a friend. It is a well written account of their life with the Blackfeet Indians, hunting buffalo, daily life, traveling, his marriage to a Blackfoot, the demise of the buffalo, and the arrival of hordes of whites. He also gives us an insight into local politics and business of the times. It held my interest of this period and place of time. I found it to be a delightful book and recommend it for its entertaining and historic value.

This is a terrific story of a young white man's time with the Piegan Blackfeet. James Willard Schultz came west for adventure and joined an Indian trading post 45 miles north of Fort Benton, Montana.

He not only traded furs, gold, liquor, and dressmakers goods to the Indians, but became fluent in the language of the Blackfeet, sharing in their hunts and wars and even taking a young Indian wife.

It's a somewhat self-conscious story from a masculine vantagepoint during a time when warrior bravado was in vogue and the buffalo were still thriving. This book portrays a segment of Native American life and culture just before the buffalo were diminished and the people were forced to reservations.

Given that _Bury My Heart at Wounded Knee: an Indian History of the American West_ by Dee Brown contains only 2 or 3 pages in reference to the Blackfeet, a book such as _My Life As an Indian_ is a superb addition to one's bookshelf. Recommended.

I just came online to see if it was in print. I have had a copy of this book from the 1935 paperback that my Grandfather gave me when I was a boy. Not that I was a boy in 1935, it was actually in the early 70s. . .I was captivated by the stories JW Schultz lived! Helping his friend steal his wife from under the nose of the ever watchful father. It still grips me even today. Alas, my old copy is just that, old. That is how I came to write these words. Ordering a fresh paperback.

I cannot recommend this book more highly!

This is an excellent first hand account of the major transformation of Plains Indian culture that occured during the nearly complete extermination of the buffalo which was so central to their life. It starts with the buffalo in plenty and ends with reservation life. This is a bittersweet book. Schultz marries into a band of the Piegan branch of the Blackfoot confederacy. But although he lives among them, and loves them and their lifestyle, he never completes his assimilation. This is evident when he writes with almost distant amusement of some of their religious beliefs. Adding to this is the problem that while he loves the life of the buffalo days and deeply laments their end, his occupation as a trader in buffalo robes is hastening the end of the very thing he loves. His description of the post-buffalo, early reservation life is the most distressing, complete with corrupt reservation Agents, and sometimes rascist newcomers.
His stories are not all downers though. His writing is a very detailed, intimate, and at times amusing description of his life and those around him. I've loaned my book to a number of people and they all have liked it. If you read this and like it too, you'll be glad to know he wrote a whole series of books of his life in early Montana, and of the lives of prominent people he knew. I've read many, but not all of them, and I prize every one.

This is a eye opening I can't put it down book! Seeing how the Blackfeet lived, their culture, social structure, horse raids, war, etc., through the author's eyes is fascinating. As he joins their society, marries into the tribe and lives as the tribe did you will find it informative and insightful. As the old ways pass away you feel his sadness and the end will break your heart. A beautiful, lively, fun book that takes you into another time and place as you ride with Schultz and the tribe. A must have!

Book about Warblers
this reference book is very helpful in identifying the migrating warblers.
It arrived in very good condition.

This book is much more than just a field guide to the warblers. It contains a wealth of information on identification, but it also functions as a summary of the scientific literature on the ecology of each species, complete with references to the primary literature. This guide is a great way to not only get more serious as a birdwatcher, but also to help this interest develop into an interest in and understanding of ecology.

As a field guide, this book is exhaustive and excellent. The illustrations are extremely clear, and there are distinct illustrations of different sexes, ages, and plumages (fall/spring) whenever these plumages are distinct. In addition to the illustrations of perched birds, there are also excellent illustrations of undertail patterns, which are very important and useful. Throughout the text as well, there are a number of detailed color photos. Visually, this guide has it all! The range maps are large and clear, although I wish that the range maps would mark migration paths more clearly.

The expanded chapters on each species are outstanding. While some of this information, especially the plumages, range, song, habitat, and behavior, would be interesting and useful to birders, this book goes above and beyond by discussing in depth the ecology of each species, taxonomy, and conservation status. The writing is clear and concise, and there are numerous references to the primary literature as starting points for people who are interested in further reading.

Bottom line? If you like warblers, you have to get this book! You will not be disappointed.

Several years ago, while watching the bird feeders at Muskatatuck National Wildlife Refuge in Seymour, Indiana, I heard a voice behind me pointing out that there were two races of White-crowned Sparrow at the feeder. He went into detail about the subtle differences between the two. At first I thought to myself, who is this guy? Later, I realized that it was Jon Dunn! I have had a high respect for him ever since.
Years later, he was the guest speaker at our bird club meeting. He presented some of the plates from his, at the time, upcoming new field guide to warblers. I fell in love with the plates from the very start. Thomas R. Shultz and Cindy House did a remarkable job, and the detail that was carefully gathered from museum specimens is second to none. I knew from the beginning that I had to have this new field guide and I couldn't wait until it appeared on the shelves.
When I bought my copy of the finished product, it was even more than I expected. Aside from the detailed plates making fall and female warbler identification easier, the text is filled with information on virtually every aspect of life history of each species, with cross-references that will aid any serious researcher. More than just a field guide for identification purposes, this book belongs on the shelf of beginners and experts alike who share a passion for warblers.

This book provides good color plates of the warblers in various stages of plummage. The distribution maps are easy to read and color coded. I bought the book because of the multiple pages of natural history information on each species. The birding guide I use in the field has excellent illustrations but totally lacks in the supplemental information. So, when I get home, I grab this book to learn the biology of the species.

Kimball Garrett and Jon Dunn worked together once again to produce a masterpiece. The information on status and distribution is remarkably accurate given the exceptional detail in which it is presented. The identification discussion is thorough and accurate. The discussion of subspecies, their taxonomy, and their identification (as is possible) is remarkable. The books only failing are the illustrations, which are flat and unrealistic for the most part. Their usefulness is limited.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

A great deal has been written about the United States Army during the Civil War. But tales of the postwar army can be just as thrilling as stories from the war, though this portion of military history is, sadly, often overlooked. Robert Utley attempts to correct this oversight in this excellent book, which deals with the nature, structure, and activity of the portion of the army engaged on the frontier from immediately after the Civil War until Wounded Knee. Arranged in an order that is easy to follow and is logical if not always strictly chronological, each major military operation against the Native Americans is handled with skill and sufficient detail. The result is a fascinating look at the army as a whole.

The main value of this book lies in the fact that it provides an outstanding overview of military operations as a whole (as opposed to books that treat just one battle or campaign). The work fills in many holes that will undoubtedly exist for anyone who has studied a part of the Indian Wars, and who would like to have a more general overview available to them. Anyone who has studied the Little Bighorn, for example, will find in this book a wealth of information that will explain in great detail many of the factors that led up to that action and also many of its ramifications. This book is essential to any study of Western history, especially military history.

Robert M. Utley offers the sequel to his _Frontiersmen in Blue: The United States Army and the Indian 1848-1865_. In this second installment, Utley attempts to eradicate the myth of the frontier Army as blazing a path of glory westward that has been portrayed in Hollywood movies. Rather, he argues the frontier regular Army was only one of several contributing factors to the subjugation of the Native Americans. Other determinants such as westward expansion by waves of immigrants, and professional buffalo hunters attributed as much, if not more, to the Indian demise as did the soldiers. In a sense, Utley offers the antithesis to Dee Brown's _Bury My Heart at Wounded Knee_. The author highlights the Army's role as a frontier police force carrying out civilian policy that lacked cohesive strategy against the Native Americans. Utley begins with a general survey of the United States Army in the post-Civil War years. The author outlines the relationship between the War Department, its near autonomous bureaus, Congress, and the Executive Branch, with brief discussions into the tenures of Generals Ulysses S. Grant, William T. Sherman, command-staff functions, and logistics. Chapters on weapons & equipment, and outpost life round out the first half of the book. Utley remains objective and unsympathetic at times to Blue Coat and Indian alike. For example, in his discussion of General George Armstrong Custer's defeat at the Little Big Horn, Utley, a noted Custer scholar, blames the boy general for the debacle. The author cites several reasons for the defeat of the 7th Cavalry. On the surrender of Geronimo in 1886, Utley credits both Generals George Crook and General Nelson Miles equally for their improvisations in overcoming logistical hardships in the harsh Sierra Madre Mountains. Acknowledging that the elimination of the Chiricahua Apache from Arizona was the prerequisite for re-establishing peace to the area, Utley does not sympathize with Geronimo's plight. It was only after the removal of the Chiricahuas, hostile and neutral alike, argues Utley, that peace was finally brought to the Southwest. In the final episode of the Indian wars: Wounded Knee, Utley engages in mere semantics. The author depicts Wounded Knee as a "tragedy" not a "massacre," the term generally preferred by the Indians. Utley feels the idiom inappropriate because "massacre," points to "deliberate and indiscriminate slaughter" which, he feels this occurrence was not. Utley believes, the soldiers tried to restrain from firing on women and children, however, in the melee, hitting innocent non-combatants was unavoidable. In the chapter titled "The Problem of Doctrine," Utley sees the Indian wars of the late nineteenth century through lensesmirroring the war in Vietnam (this book was first published in 1973). Utley observes the U.S. Army applied conventional tactics in an unconventional war. He illustrates how hostile Indians were oftentimes indistinguishable from peaceful reservation Indians. The hostiles utilized guerrilla tactics-hit and run raids and disappeared into the night. By day, the warrior factions would easily blend back into the general Indian population. If this be the case, it can be argued that the United States military had learned nothing from its own history. Robert M.Utley, often seen on the History Channel, and preeminent military historian of the period, has once again consulted a vast array of archival material. His evidence is equally balanced between primary and secondary sources, with endnotes after every chapter. The author consults an impressive collection of Government documents including a detailed list of Congressional and Senate papers in an impressive bibliography. Generous, easy to read maps, and a peppering of period photographs make this an essential addition to any library.

If you are not a Robert Utley fan you soon will be. This second in a two volume series, Utley shows once again why he is the king of frontier US history. This is an excellent piece of scholarship and writing.

Recounting the final, massive push by the Regular Army to subdue the American Indians, this volume covers the 25 years after the Civil War when control of the Plaines was wrested from the Indians, from the first skirmishes with the Sioux over the Bozeman Trail to the final defeat and subjugation in 1880.

Proud of the Unites States Army and is accomplishments while simultaneously sympathetic toward the Indians, Utley traces the campaign directed by Major General William Tecumseh Sherman. The result is a very evenhanded account resting comfortably between the "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." The people we meet are simply a group of ordinary men doing the very best they could under remarkably trying circumstances that were often under equipped and ill supplied.

Utley does an excellent job of showing what post-Civil War Indian fighters faced. First was the transition from the Union Army fighting Confederates to the U.S. Army fighting Indians.

Utley documents how that work was made much harder by the cheapness of the War Department and Congress. Downsizing the Army drastically to save money wasn't enough. Congress stuck most the infantry with leftover muzzleloaders rather than repeaters, meaning that their Indian foes usually (Winchester-armed themselves) could bring superior firepower to bear.

Meanwhile, the frontier Army had to go through the twists and turns of War Department, or Interior Department, twists and turns on Indian dealings, and in different high-level officers having different approaches not just to Indian fighting but to Indian truce and treaty negotiations.

Meanwhile, the grunt work, as typical, was to be done by the infantryman, not the cavalryman.

Read the whole story of his struggle to do his job in this book.

This is a good book about the US Army, Indians and the early west after the civil war. It follows events and gives points of view that are not clouded by the normal politics or attitudes. It is a clear account with facts, the probable intentions based on facts, and the actions. It allows the reader to get a good sense of the period and actions. The book gives enough detail to back up the facts but does not go overboard. This is a good start at studying the time period and the US Army at the time. Being into history, it was highly informative. It is a great book for those who want to read about the period but not get heavily into research. It goes deeper than just a brief summary but I think it gives just enough to allow understanding. It is easy to read and flows from chapter to chapter.

"Grant Moves South" by Bruce Catton covers US Grant's career from the opening of the Civil War in 1861 to the surrender of Vicksburg in July 1863. In between are the battles of Fort Donelson, Shiloh, Corinth, and other engagements that Grant was either directly or indirectly involved.

The narrative flows freely and smoothly only like Catton could. Too bad there aren't too many authors of his caliber today. Catton is fair and objective in his analysis in the capabilities of commanders, North and South.

The only complaint I have is the maps - too few and not detailed enough. Complaint aside, Grant Moves South is still a great read.

Highly recommended!

In "Grant Moves South" Bruce Catton picks up the story of Ulysses S. Grant as he returns to the U.S. Army at the start of the Civil War. This is the second volume of a trilogy on Grant begun by Lloyd Lewis and completed by Catton, but the volume can be enjoyed on its own. Catton, with Shelby Foote a superb narrative historian of the Civil War, is in excellent form in this extremely well-written biography of Grant's progression from Colonel of Illinois volunteers to victor at Vicksburg.

As General William Sherman acknowledged, Grant was something of a mystery to everyone, perhaps even himself. This man, a failure at everything except his marriage and working as a clerk in his father's tannery in 1861, leverages his West Point education and some political connections into a commission as a regimental commander and never looks back.

The Grant portrayed by Catton is like many officers at the beginning of the Civil War in that he was learning his trade as he went along. But Grant is different from most of his contemporaries, many of whom had far better reputations in the peacetime army. First, Grant has a remarkable ability to make sound commom sense judgements under stress. Second, Grant married his decision-making ability to an utter determination to see a project through. Third, Grant was a man seemingly without illusions; his ability to correct characterize the task in front of him in order to attack it is rare among his contemporaries. These characteristics carried Grant through his apprenticeship as a regimental commander of volunteers, his successful campaign to secure middle Tennessee through victories at Forts Henry and Donelson, and finally his tenacious campaign to reduce the Confederate stronghold at Vicksburg. Grant's ability to understand and lead volunteers was a key underpinning of his success throughout the war.

Catton does not sugarcoat Grant's record. Grant was not above politicking for jobs or assignments. He was badly surprised by the Confederates at Shiloh and avoided being beaten by to some degree refusing to admit defeat and retreat. His pre-war problems with alcohol pursued him into the service, including an apparently memorable bender during the Siege of Vicksburg that Catton unflinchingly documents. The Vicksburg campaign was marked by costly trial and error. Grant, to his credit, persisted, finally rolling the dice by crossing the Mississippi and boldly placing his army between two Confederate forces while temporarily cutting loose from his own lines of communication.

This book was first published in 1960. Details and interpretations of events have evolved, but Catton's superb prose stands the test of time as a wonderful reading experience. This book is highly recommended to the general reader with some knowledge of the Civil War and to the student of the Civil War looking for the broad sweep of history not found in highly specialized studies.

Was Ulysses S. Grant a drunk? Did he win the Civil War simply by burying Robert E. Lee under a wave of superior manpower and resources? Bruce Catton addresses these questions, and many others, in GRANT MOVES SOUTH and its companion volume, GRANT TAKES COMMAND. Taken together, the two books chronicle Grant's Civil War experience.

I've read a lot of history, but I confess to being relatively ignorant about the American Civil War except in a very general sense. I've always been interested, I just never got very far into it. These two books are my first real foray into the subject. Both are very well researched and documented, while at the same time being very readable. Catton demonstrates a thorough knowledge of the facts as well as a genuine insight into Grant's character. The result, for me, was an experience that was at once informative and enjoyable.

What does Catton have to say about Grant's alleged drunkeness? Clearly, Catton is an admirer of Grant, but it's an admiration born of respect for the man as revealed in his personal records and actions, as well as in the record left by people who knew him. To get his take on this and other criticisms of Grant, read these books.

Conventional wisdom has it that GRANT MOVES SOUTH and GRANT TAKES COMMAND are definitive works on the subject of U. S. Grant's Civil War career. I certainly won't argue with that perception. If you have a deep interest in Grant or in the Civil War in general, they are "must haves". Beyond that, though, if you have just a casual interest, this is still great reading material. I highly recommend it.

Bruce Catton's eloquent and enjoyable book summarizes Ulysses S. Grant early on: "[H]is deepest instinct as a soldier was to keep a beaten foe off balance. Unfortunately, he seemed to be the only Union officer . . . who possessed that instinct." Sherman and Sheridan notwithstanding, justly said.

The volume of Civil War books these days is staggering. They range from reconsiderations of great battles to studies of events once thought inconsequential. Contemporary historians have done a great service for all in picking apart and analyzing those four crucial years in America's history.

Given the bumper crop of Civil War titles, what place does Bruce Catton occupy? The answer: at a prominent place on your bookshelf. Catton's literary skill, balanced judgment, and appreciation of the anecdote have not diminished over the 45 years since "Grant Moves South" was first published. This book remains the classic account of Grant's life starting from his re-entry into the U.S. Army at the outbreak of war in 1861, through his first campaigns, and ending with Lincoln's congratulatory letter after the victory at Vicksburg.

Catton places Grant in the all-important context of his army of volunteer soldiers. This cannot be emphasized enough. Grant, like Lincoln, had a cooly disinterested understanding of how the North must win the war. But Grant had also mustered in his men as raw recruits; he knew what they were capable of, and what they wouldn't do. And so, like the expert horseman he was, Grant spurred on, reigned in, and allowed rest time in the corral -- all the while keeping the goal of a reunified United States fixed resolutely in his mind.

Catton has a magical ability to make the reader feel as if he standing alongside Grant as events unfold. Thus, the reader is a witness to Grant's struggles with bureaucracy, encounters with colorful characters of both the Union and Confederate variety, and considerations of tactics and strategy.

In this reader's opinion, Catton understood Grant better than anyone before or since, with the exception of Julia Dent Grant and John Rawlins. Josiah Bunting, in his excellent one-volume biography just published by Times Books, is a close second. At any rate, perhaps it is a shared Midwestern heritage that makes Catton the first-rate biographer of the Union's greatest commander.

Bruce Catton's books are always part of the mandatory reading material for anyone who wish to understand anything about the Civil War. Grant Moves South is a classical textbook example on how Civil War history books should be written for the masses. Easy to read, well researched and above all, easy to understand. Details military information was not Catton's style. He writes in broad strokes and in a matter where its easy to consumed the informtion and understand the situations. I first read this book in Middle School and still reread it to this date. The book remains just as strong back then as it does today. No one can go wrong reading this book.

Until very recently, there were no large press picture books about contemporary Native children written by Indian authors. For this reason, Jingle Dancer is particularly notable. The story of Jenna, a member of the Muscogee (Creek) Nation living with her family in Oklahoma, is written by a Native author. Rather than focusing exclusively on Jenna's Indian identity, however, the book presents Jenna as an average American kid, living in suburbia, who calls on her Native sensibilities and her broad community of supportive females to overcome a problem as she tries to put together her regalia for the Jingle Dance. Readers who are not familiar with the customs presented here will learn much, but above all, they will learn that Indian children are alive, well, and living rich lives amongst them, a lesson infrequently taught, and rarely so pleasantly. Rich, bright, cheerful watercolor illustrations by husband-and-wife team Cornelius Van Wright and Ying-Hwa Hu enhance the presentation and bring Jenna to life. A significantly informative Author's Note and Glossary make the book even more effective.

What? No teepees or war paint? Bravo! Cynthia Leitich Smith's JINGLE DANCER is a refreshing story about a Muscogee-Ojibway girl wanting to participate in a powwow by performing a traditional dance. This contemporary picture book story is free of the stereotypes sometimes associated with Native American tales, and instead shows Jenna watching her grandma dance on a video tape, visiting a friend in a new duplex in the community, and talking with her lawyer aunt. The reader is also introduced to information about a traditional story, game, foods, and dance. Smith's lyrical narrative and captivating story makes this a perfect read-a-loud -- as my five-year-old daughter will attest to. As an Asian-American, I'm always thrilled to see contemporary stories with multicultural characters shown in real and positive ways.

Beautiful illustrations by Cornelius Van Wright and Ying-Hwa Hu!

Cynthia Leitich Smith's, JINGLE DANCER, is a delightful book. Ms. Smith weaves a lovely story of the strong female ties in Native Ameicans matriarchal societies. Smith celebrates the loving, sharing spirit of friends and families. The passages of Jenna dancing through her day from dawn to moonlight are pure poetry. Cornelius Van Wright's and Ying-Hwa Hu's bright lively illustration are a perfect match. Cynthia Leitich Smith's writing is to be applauded as a great addition to the world of children's books.

Watching her own grandmother dance the traditional jingledance,Jenna hopes to carry on the proud tradition.

In order to makeher own dress "sing," however, Jenna will need four rows of jingles. There isn't enough time before the next powwow to mail- order the tin beads, but Jenna doesn't loose faith. A Muskogee Creek story about a bat that she is told by her Great Aunt Sis shows that no one is too little to make a difference.

Rising sunlight reached through a window pane and flashed against... what was it, hanging in Aunt Sis's bedroom? Jingles on a dress too long quiet. "May I borrow enough jingles to make a row? Jenna asked, not wanting to take so many that Aunt Sis's dress would lose its voice. "You may," Aunt Sis answered, rubbing her calves. "My legs don't work so good anymore. Will you dance for me?" "I will," said Jenna with a kiss on Aunt Sis's cheek. Now Jenna's dress needed three more rows.

With the assistance of those in her community who cannot dance at the powwow, Jenna finds enough spare jingles to make her dress sing. With patience and practice, her hope is fulfilled.

In JINGLE DANCER, Cynthia Leitich Smith honors the tradition of jingle dancing, a ritual of the Muscogee (Creek) Nation, which has been celebrated for generations. Jenna is a delightful, ambitious child with great pride---a wonderful heroine for this picture book story. Not only does the author capture the feel of Native American heritage through the exposition and resolution of the story, but she adds to the mood by using the position of the sun in the sky to describe the passing of time within it. The author's note at the end of this picture book provides the fascinating background to this custom.

Cornelius Van Wright and Ying-Hwa Hu's brilliant watercolor illustrations are the perfect medium in which to bring this endearing Native American story to life.

A reading of JINGLE DANCER is sure to inspire a jingle in the reader's heart.

Writers Moon reViews (WritersMoon@aol.com) P.O. Box 182, Nesconset, NY 11767-0182 Copyright (c) 2000 Lynne Remick LynnRemick@aol.com) Reprinted with permission from Lynne Remick and Fantasy, Folklore & Fairytales